Dubstep Vinyl 438 Items

A slowed down tribute to the dichotomy of mellow/heavy in mid 90's Jungle/Drum n' Bass, "The Shining Wall" begins with eery pads and a forlorn siren call, gently driven along by a subtle amen groove. Midway through, things turn more aggressive with distorted break switchups and a smattering of mentasm for good measure, before coming full circle and leaving you with a warm but somewhat uncertain end. B - Sgt. Risk - Weaponized Soul The flip is a more ominous affair, inspired by the short transition period ca. '96, just before techstep became a defined term. "Weaponized Soul" sets the mood with foreboding pads, until it drops into a relentless barrage of industrial beats and a cavernous sub. In the midway breakdown everything drops away, clearing the stage for a monstrous, swarmlike synthriff. Both of these tracks where never meant to be "conceptual tributes", but just ended up that way. A is fairly new, while B is the umpteenth version of a ten year old tune. Big up the Dolphin Man for convincing us to put them out together.

For the first release of the new decade we are honoured to introduce LA-based Oxóssi who has conjured a captivatingly sinister sonic palette for his debut EP on the label.

A statement that is well suitable for the next release on Hamburg’s most underground vinyl imprint Intrauterin Recordings which already has been on the scene since 1999. Led by a vocal sample of the labels mastermind baze.djunkiii this limited to 120 copies 7″ whitelabel single does not only provide a unique and creative take on bass music - especially Grime, Dubstep and Breaks as well as some echoes of early Jungle / Breakbeats - but also proves how long term relationships in the music industry finally fall into place to create musical results as the Combat Dubs project is formed in between Intrauterin Recordings-founder baze.djunkiii and the multi-active producer Sascha Müller who’s also been responsible for the labels’ cat.no. 005 way back in 2005.

None less than the infamous ILL_K is making his much anticipated return to Subaltern with a full EP on the imprint, accompanied by fellow producers Chad Dubz and Koobas.

Zygos has been non-stop killing it for a good few years now. Every dub he churns out is a madness and he is constantly pushing and evolving his sound for the better. We couldn't be happier to get the man himself back for his third release and second wax outing on the label. His signature techno / industrial influenced sound runs throughout the EP from the twists and turns of Rotation to the deep dark sound designs of Sick as a Dog. Big ups Georgio on this wikid wikid plate.

Navy Cut welcome Surreal to the label for his inaugural release! Hailing from Yorkshire, the no-nonsense producer and DJ caught our attention with his production skill and attention to detail. “Somnipath” driven by a dark 808 bass that progresses into an Eastern melodic atmosphere. On the flip side “Don’t Fall Asleep” is intense bass pressure with thick drums and even thicker vibes.

Okinawan talent City1 has been making some serious moves with his unique dark productions as of late and we are honoured to welcome him to the Subaltern family.

Here's a little story about this release on my label Dubs Galore: "When Muttley sent me this tune I though to myself: "Wow what a nice classic from the golden Dubstep Era", so I asked him when this was released - assuming it was, and he said it never was released. I immediately signed it, knowing it's such a great and timeless tune. I asked Quasar for a remix and here we are now, Dubs Galore 005 coming in STRONG!"

Manta, this release made itself. Crow sample, swampier than the everglades and swing! Manta is a man crafting some of the most off kilter sounds we have heard and these tracks go a touch of the way to show the mans class! Control of the uncontrolled.

Khanum joins the small but already acquainted Dubs Galore family with 2 soundsystem hitters.

We are super stoked to welcome back 3WA aka The Portuguese Serial Killer aka The Christiano Ronaldo of Dubstep for another fire release on Foundation Audio (this time around getting the vinyl treatment)! Pedro has got many tricks up his sleeves. Here are 4 of his finest. Make no mistake he will nutmeg you, dribble around you, Ronaldo chop past you and handball the finest goal without the ref seeing (and he’ll make it look easyyyy)… What’s more to say? The guys a wizard and makes some of the most interesting music in the Dubstep scene. Get to know if you don’t already.

Bukez Finezt VIP's his already incredible Headache into a bonafied skanker that's just begging for a reload everywhere it'll drop. He gives the Headache rhythm such a treatment. Adding layers and layers of dubwise sounds only to switch back into that originial flow we all know and love. One of Bukez Finezt's most anticipated tracks of the moment. Next Level is literally the next level after Subway Recordings quit doing releases.

Rua Sound is pleased to announce we are back in action with our first release of 2019, and a welcome return to the label of Touchy Subject.
Fast becoming one of the go-to producers for rootsier takes on up-tempo 160-170 bass music, his second four-track 12" on Rua ups the ambition and knocks it so far out of the park it's broken windows in the next parish across.
The General EP veers wildly between neurofunk-but-actually-funky takes on dusty 90's boom-bapàla DJ Shadow on "Shudder" and 'Turnt Up', cavernous soundsystem workouts on "Seek and Find", and febrile halftime (just) jungle (barely) masterpiece in the shape of "General". Goosebumps. This is soundsystem music par excellence; cerebral, heady, and rousing - suffice to say we reckon it's sicker than the plane to Lourdes.
We apologise profusely to those of you whose resolutions for 2019 involved losing weight, but this is one of our fattest releases yet so you'd better go get them bassbins rumbling instead.

Another boundary stretching two track release by mystery Burial.

Reissue on black vinyl. Rarely you come across a record which embodies Dubstep so well that rallies the entire scene behind it. From the brosteppers to the deep heads this record has been getting love from all corners of the earth. We're talking about "Under Control" the latest outing from Germany's next top wobble aka Bukez Finezt. Its eerie intro sets the tone perfectly to interlude this hypnotic stomper. Once the sonic warfare is unleashed it'll transport you to a word of desolation, where aliens run rampant and technology has absorbed everything around them.

"You Don't Belong Here" & "Pace Yourself" are on a equal tip. 2 bigtime subloaded heavyweights that'll remind you that Dubstep is still very much alive and reminds us why we fell in love with this minimalistic bass heavy genre to begin with.

Celebrating dubwise origins, Mole Audio delivers two fresh remixes of their very first release: Andy Martin ft. Gavsborg’s Plato & Caves.

Gavsborg is a towering figure in Jamaica’s dancehall scene. So when Andy found an acapella, he set to work on a renegade edit. Subsequently approved and embraced by Gavborg himself, Andy’s interpretation provided the launch point for Mole Audio – and is re-envisioned twice more here.

Paired with the original A-side, the first B-side remix comes courtesy of Dub War’s legendary Bill Fuller. A progenitor of London bass music, Bill’s records as Dubwar are prized among collectors. Pairing hypnotic beats with spacious textures, an insistent analog bass line weaves its way through an infectiously dystopian atmosphere.

Taking a minimalistic house-driven approach, Andy’s all-new Mad Magnetism Version brings Gavsborg’s original vocal to a prime time environment. Sizzling high hats and diving bass drops combine to keep the dancefloor in motion before insistent dub chords further elevate the urgent atmosphere.

Combined with the original and Nit Yardman’s remix, the resulting package once again showcases Mole Audio’s unique approach to modern dub aesthetics.

Albion Collective returns with a slick, boundary-pushing vinyl EP from Bristol’s own ØZ. This three-tracker, following on from Yoofee’s debut in 2021, continues to explore the vibrant, colourful and truly imaginative textures of 140 whilst staying true to the bass-driven ethos at the label’s core.

Opening up the EP, ØZ gives the people what they want. Within 16 bars ‘Namib’ is squelching, writhing and undulating in all the set-igniting ways an A-side should. Deep low- end, pristine sound design and a second drop fit for the steppas, ‘Namib’ is what we came here for. ‘Plasticity’ is why we stay, as it dives headfirst from the dark mystique and wonder of a Guillermo del Toro fairy-tale and into a glitched-out maelstrom sparking with electrified sub-knocks and eyebrow-searing white noise. While the A-side gets darker, the B-side gets funkier with ‘dawn’, unleashing slick keys and a mean trumpet solo over funky licks and ghetto basslines.

Albion Collective is proud to return with their first release in over a year, welcoming ØZ to the label as a brand-new signee with a wholly unique take on 140.

Infernal Sounds dish out the 3rd and final instalment in their Ifsdigiv series, loading up 4 more of their digital tracks onto a jam-packed 12". Mungk & Ego Death kick off proceedings with the beautifully oriental and melodic 'Crestmoon', before Drumterror takes charge in magical fashion on 'Likeness', incorporating a weighty and spacious mainframe to wrap around the saxophone wizardry of Ed Hodge. The B side takes a slightly more subterranean vibe with 'Memento' by Metafloor, dropping in on a heavy and bass-loaded swinger, before Grawinkel rounds off the EP with militant and wonky 'The Future', a tune that'll be battering the speakers with mid-range punches and flurry of low-end jabs. It's a release that has everything you need - four very different selections but packing variety and substance.

The Fargo EP continues along the forward thinking tangent of the label,
expertly blending elements of bass, techno and rolling percussion. Early
support from Hodge, Loefah and Walton, KZN004 provides 6 club ready,
certified weapons fit for the dance.

Subotage Records is proud to present Teffa's release, the "Periodic Wave EP." Taffa, an emerging Dubstep artist, has crafted a collection of four deep Dubstep tracks that will captivate listeners and transport them into a realm of hypnotic sounds. With his unique style and passion for electronic music, Teffa pays homage to the genre's roots while exploring innovative directions of his own.

Each meticulously composed song on the "Periodic Wave EP" showcases Teffa's ability to experiment with various sonic elements, resulting in mesmerizing soundscapes that push boundaries. This EP promises an exceptional listening experience for both Dubstep enthusiasts and electronic music lovers. Immerse yourself in the infectious beats and distinctive melodic arrangements of Teffa's "Periodic Wave EP" and discover the future of Dubstep. Subotage Records is honored to be a part of Teffa's musical journey.

The combination of exotic instruments, deep off-beat rumblings and Rider Shafique vocals, deliver an almost hypnotic journey through Gantz's mind.

Tugging at the heart strings with his new release, Cartridge shows why he is one of the most highly rated producers in the game. This is a sublimely deep yet diverse EP which showcases Cartridge's musical side. Sometimes melancholic on tracks like Abandon and Voyage. Poignant and touching with Valentines Ting. The title track Sweetheart is not only melody driven, it's also a proven party mover.

Each of the tracks tells their own story and as an overall release they come together to make something greater than the sum of their parts. This is Cartridge stepping his game up to the top level.

Roklem & Sebalo join the ranks of DDD with what can only be described as a Proper dubstep release. The Köln natives have blended oldskool aesthetics with cutting edge production to create something really special in the Chronos EP.

From the lilting flutes and triplets of Stephrechaun, to the DMZ-esque simplicity of Data Stream, to the darkness of the title track "Chronos" there's something here to whet any bass-lover's appetite.

The master of all things creepy, Widow slithers back with his sophomore DDD release. 'Spooky Stories' will take you down the dark rabbit hole into a world of scares, spirits and suspense.

Widow's sound is characterised by a brilliant use of negative space, it's often what's not there as much as what is. Haunting atmospherics, deep bass, minimal drums and cheeky samples complete the picture.

Any fan of Deep, Dark & Dangerous will know many of these tracks from livestreams and shows. We see you hiding under the bed covers.

Coltcuts debut EP on Wheel & Deal Records.

Throwing hi-def sounds into three-dimensional space and rendering bass in increasingly uncharted waters, Walton arrives on Sneaker Social Club with a future-leaning EP of dance wreckers for the tough crowd.

Even his earliest releases were pushing things forwards as the weightless grime thing gathered momentum, but Walton always swerved the rest of the pack and simply approached grime-rooted club music with his own experimental instincts. His mammoth body of work takes in totemic labels like Tectonic, Hyperdub and Ilian Tape, and as time has passed and music has moved on from micro scenes to a generically fluid individuality, so Walton has grown as an artist. Recent drops including his Maisie By The Sea album have started to embrace more experimental spaces alongside his familiar twist on grime, and this mini-LP for Sneaker continues that level of progression.

On the A side, long time Walton fans will be more than happy with the intensity of ‘pjd’, which is as fierce as we’ve heard Walton go to date. As ever, his beats are never a simple matter, with every hit embellished with needlepoint sound design. The sound zips around the stereo field, but never at the expense of the track’s impact. Still, there’s space for other vibes too, as on the deep, sweeping pads and electronica twitch of ‘Quasar’.

By and large, Walton keeps the pressure up. ‘Rush’ is a bludgeoning instrument and ‘Dread’ teases with a jerky, stop-start demeanour which lands heavy blows when it kicks in. But shorter cuts ‘Detach’ and ‘Shots Fired’ also allow space for other aspects of Walton’s craft to come through. It’s these cuts which add to the overall listening experience and show just how much he ahs to offer as a producer.