Dubstep Vinyl 370 Items

Includes Through Lines LP + a beautiful 40-page booklet featuring a collection of Martyn’s writings on music, inspired by the 9 tracks on the Through Lines vinyl release, designed by the very excellent Jeroen Erosie.

Elite level lost grime dubs used in legendary Wiley/Ghetts freestyles on Westwood, Wiley’s Tunnel Vision 5, and a whole host of grime clashes.

Mesck fuses another cog in the label’s machinery, giving Chestplate one more flavor while sticking to the no-nonsense frequency construction that has characterized Chestplate’s aesthetic. The EP offers a cohesive journey through vibrant dynamics, rolling out with the hollowed kick patterns and ominous underscoring of Conquista. Collusion slows the momentum with more minimal percussion, leaving plenty of space for the labyrinth of subtle detail commandeering the atmosphere. A bongo-driven plane of chambered flux transitions the mood as Arcane Glimpse enthralls the soundfield with guttural and interchanging reese patches. Mesck sends us off in Lucid Form with a beat that deploys hefty swing while discombobulating the senses as voices hop left-to-right in the scape.

In 2010, Mount Kimbie released their debut album, Crooks & Lovers, to widespread acclaim. Perfectly capturing the heady atmosphere of the moment, the album melded the wide-eyed mentality of what had become known as ‘Post-Dubstep’ with an open-minded musical sensibility that produced an instant classic. Ten years later, the album is reissued on Hotflush with a bonus disc of the band’s first ever release.

Here's a little story about this release on my label Dubs Galore: "When Muttley sent me this tune I though to myself: "Wow what a nice classic from the golden Dubstep Era", so I asked him when this was released - assuming it was, and he said it never was released. I immediately signed it, knowing it's such a great and timeless tune. I asked Quasar for a remix and here we are now, Dubs Galore 005 coming in STRONG!"

Bristol based duo Mystic State have a beautiful new release forthcoming in the form of "The Last Lotus" The vinyl and digital release is a beautifully crafted masterpiece that showcases the duo's impeccable studio skills, with music that not only hits hard sonically, but is also beautiful to listen to. Taking a more stripped back approach, "The Last Lotus" sees Mystic State at the top of their game. From the haunting and rich vibe of the title track, to the bassline driven party shaker of the lead single "Strike", the dub infused vibes of "Blessings".

Next EP on White Peach comes from Neffa-T and makes your guts swing!

Nikki Nair is fast becoming one of the most diverse and forward-thinking artists in electronic music, flying the flag for increasingly hybridized methods and doing it your own way. His sound is inimitable and cannot be defined; readily bottling a multitude of emotions in a relatively short space of time.

Nikki’s meteoric rise has come in the form of eclectic releases like his ‘More is Different’ EP on Dirtybird to the downright filthy and party-starting ‘Trying To’ on Bristol’s Scuffed Recordings - Influenced by anything from Detroit techno, to lush ambient soundscapes and Florida breaks. The Knoxville born, Atlanta based producer continues his journey through shape shifting universes on his debut for Lobster Theremin, with five different but equally impressive tracks.

‘ Shufflin’ kick starts the EP in Nikki’s signature, unpredictable style; as squelchy bass-lines growl at heavily swung drums and low pitched vocal loops, before ‘wwc’ - an off-kilter minimal stepper, walks the tight-rope between entropy and synchronized dance.

‘ ‘I Can’t Stop’ meanders from kinky bass & breaks, to deconstructed dubstep and trap; causing more facial expressions in six minutes than ever thought possible. Nair’s hybridized methods continue to shine through in ‘Yoland And His Tortoise’ - a trippy and colourful dream told through nuance in sound. The EP then closes off with the laid-back grooves of ‘Urquoise’ - a hypnotising ritual best practiced in nature.

For their next venture, Infernal Sounds welcome debut signing Nova to the fold as he plates up some of his best cuts for the 'Bonafide' EP.

It’s been a pretty eventful year for Fkof Records, but we’re delighted to be ending it with a bang and by welcoming two brand artists to the imprint. We’ve been long-time fans of Oddkut and Abstrakt Sonance and when we discovered they’d been on the buttons together we knew it was material we wanted to home.

Edition of 200, each one in unique multi DIY print sleeve designed by Pietro Agostoni. Mastered and cut at Analogcut, Berlin.

For the first release of the new decade we are honoured to introduce LA-based Oxóssi who has conjured a captivatingly sinister sonic palette for his debut EP on the label.

Albion Collective returns with a slick, boundary-pushing vinyl EP from Bristol’s own ØZ. This three-tracker, following on from Yoofee’s debut in 2021, continues to explore the vibrant, colourful and truly imaginative textures of 140 whilst staying true to the bass-driven ethos at the label’s core.

Opening up the EP, ØZ gives the people what they want. Within 16 bars ‘Namib’ is squelching, writhing and undulating in all the set-igniting ways an A-side should. Deep low- end, pristine sound design and a second drop fit for the steppas, ‘Namib’ is what we came here for. ‘Plasticity’ is why we stay, as it dives headfirst from the dark mystique and wonder of a Guillermo del Toro fairy-tale and into a glitched-out maelstrom sparking with electrified sub-knocks and eyebrow-searing white noise. While the A-side gets darker, the B-side gets funkier with ‘dawn’, unleashing slick keys and a mean trumpet solo over funky licks and ghetto basslines.

Albion Collective is proud to return with their first release in over a year, welcoming ØZ to the label as a brand-new signee with a wholly unique take on 140.

This is a big release for Tectonic as label boss Pinch combines forces with Kahn to produce two killer rhythm tracks that meld deepness with futuristic dancehall powers. Normally this would be plenty to get excited about anyway - but if you then add the vocal talents of Killa P, Irah & Long Range - aka ‘Killa’s Army’ - there is even more reason! Dubstep meets grime meets dancehall, while Bristol meets Brixton.

* The production duo behind the rave-new world sounds of 'Turbo Mitzi' and 'Big Slug (Feat. Riko Dan)' have been busy in the studio recently and return to form with 2 killer cuts designed to shock out the dancefloor.

* ’Control’ picks up the tempo from the duos previous cuts, rolling at 140 beats per minute, in it’s apocalyptic form. Powerful pads create the tension before sub-heavy kicks and cybernetic snares come pounding and chopping in, building up the mood before a radioactively charged Reese-bassline emerges, rising to the surface, unleashing its terror. This is a stone-cold banger.

* 'Strobe Light’ returns to the more familiar 128bpm tempo that the pair have previously worked with. Taking a quite unique approach, ‘Strobe Light’ builds evermore, moving into the light, layering percussion up as an intoxicating drone of swirling strings swells and swells - entrancing and empowering in equal measures. this is a highly versatile DJ tool that also makes for an engrossing listen from start to finish. Refined dancefloor ear candy.

"Insane and heavy beats by the og don Pixelord featuring great remixes by an all-star line-up comprising Dj Ride, Dj Pound, Starkey and Dranq!

Like a lightning bolt in the middle of a dark sea, Pixelord has returned once again from the frozen lands to shock and disquiet the tides of Futuristic Bass Music. Perhaps the best thing about Russian electronic music godfather Alexey Devyanin's Pixelord project returning to Saturate! for this "Demonslayer" release is not simply the exciting and hard-hitting beats contained within, but the simple fact that it shall be offered on delicious, glorious Vinyl. An artifact for all time, perhaps to be found in future wastelands by those who would consider this "Demonslayer" to be the VanHelsing (or perhaps Trevor Belmont) of the 21st century bass music scene.

The last decade has seen Pixelord riding the wave of forward-thinking bass music, and always staying at the crest, and 2020 is no different. "Doomguy" comes tearing straight in with menacing, distorted synth weaponry, assaulting with ballistic beats (even some nods to Junglism) until finally bestowing some glittering melody atop the fray, showing that not only is Alexey an elder-statesman of the genre, he's still the eager bass monster that explores his own depths. The depths are again evident in "Pain Elemental" where the vibe is established immediately, and only delves deeper into the slightly-detuned bass signals and ominous creeping atmosphere. The melodic elements are no longer here to sooth, they are newly charged laser beams that sear the flesh, scorching the eardrums.

This foreboding, demon-dispatching vibe is indeed present throughout this entire release, as you enter the "Bonus Stage" of this deadly game, where the aggression does not abate, and the bass plays backseat to the synth bell sonic geometry on display. The drums especially feel the wrath of Pixelord on this track, where some impossibly tortured tambourines take a beating, and the chopping and relentless reorganization of the rhythm keeps you churning with intensity. The title track brings the "wild style", even though the drums are less frantic, the bass frequencies and laser blasts from our protagonist, the ever-ready "Demonslayer", are sure to dismantle any submissive subwoofer in range.

"bfg" rounds out this collection in a disheveled fashion, dishing out low frequency divebombs and squelches, whilst otherworldly transmissions from synth realms afar come leaping in trying to assert their dominance, only to be eaten alive by daemonic bass and telluric currents of seismic drum activity. An utterly destructive end to this tale… BUT Wait, IT Gets Worse! We have here on hand Saturate! stalwarts DJ Ride, DJ Pound, Dranq and big daddy Starkey on remix duty, who all take the tracks down their own rabbit holes to parts unknown, with equal aplomb. The result is equal in intensity and aggression, but the textures by which this is conveyed are wholly transformed and re-imagined skillfully.

All this on one slab of gorgeous Vinyl. No demon shall stand a chance against Pixelord's battalion of beats and bass."

"Rare, super limited 003 from Saturate! Records 7'' single series, featuring the bigger than life artists heRobust from Atlanta and Pixelord from Moscow. Silky and crunchy."

Introducing Pruvan to Tectonic and to the world, with this debut EP of soundsystem smashing beats! Think – expertly crafted productions that effortlessly bring together some of the best elements from techno, D&B and dubstep. The US-born, Czech-based producer has carved a fresh space, bringing next level sounds together with finely tuned production skills. Lead track Pozor sets the pace, just simple and effective, followed by a pick-up in tempo with Beastwoman; fiddly fun with Buckets and a vinyl exclusive tech-workout with All My Mites. The digital EP comes with 2 extra tracks, Raw Dawg & Yoji, providing bonus extra fire.

Radikal Guru returns to the trusted Moonshine Recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. A selected few of the cuts involve exciting collaborations, not to be missed.

The dub master Radikal Guru returns to the trusted Moonshine Recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. A selected few of the cuts involve exciting collaborations that are not to be missed. Similar to King Yoof’s recent album endeavour called ‘Homage To The King’, Radikal Guru exerts his speciality in various tempo ranges with the ‘Dub Mentalist’ LP. The result is just as exciting as his existing back catalogue; all mastered to meet the requirements of the true Moonshine vibration. The polish producer once again shows appreciation to both the dancefloor fans and the more meditating listeners. Fusing his compelling sound in dub, reggae and dubstep with timeless, old school samples makes every release a reminiscing journey. The amount of dread and energy will most definitely spark a riot across the globe.

Radikal Guru executes his mix-up of dub by incorporating a dose of happiness and psychedelics. The effects take over the mixes in wild fashion; delays spin off the tasty spring reverberation tails, delivering a comfortable setting. Radikal’s horns, including the trumpet, saxophone and trombone joined the Radikal Guru’s live melodica to complement each other in rhythm and sound. The collaborations featuring Moonshine familiars Jay Spaker, Echo Ranks, Solo Banton, Violinbwoy and Earl 16 bless the righteous sound waves, as the bassweight, immersive vocals and tight arrangements speak for themselves. Whether it is the bass weight, vocal parts or simply the rhythms, you know exactly when Radikal Guru’s music is being played on a true sound system. The contribution of the polish dub genius, to the healing of the nations and to global dub culture trembles, as he immediately reveals why his ‘Dub Mentalist’ LP forms an important chapter in our history of Moonshine Recordings material.

A slowed down tribute to the dichotomy of mellow/heavy in mid 90's Jungle/Drum n' Bass, "The Shining Wall" begins with eery pads and a forlorn siren call, gently driven along by a subtle amen groove. Midway through, things turn more aggressive with distorted break switchups and a smattering of mentasm for good measure, before coming full circle and leaving you with a warm but somewhat uncertain end. B - Sgt. Risk - Weaponized Soul The flip is a more ominous affair, inspired by the short transition period ca. '96, just before techstep became a defined term. "Weaponized Soul" sets the mood with foreboding pads, until it drops into a relentless barrage of industrial beats and a cavernous sub. In the midway breakdown everything drops away, clearing the stage for a monstrous, swarmlike synthriff. Both of these tracks where never meant to be "conceptual tributes", but just ended up that way. A is fairly new, while B is the umpteenth version of a ten year old tune. Big up the Dolphin Man for convincing us to put them out together.