Dubstep Vinyl 294 Items

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`Chemz' is hooky, rushy and loved-up - both an unhinged premonition of unleashed post-pandemic joy, and a demonic flashback to past ecstasies in a hardcore style perfected in the UK. `Chemz' is a 12 minute rave monster that has ingested several tracks and incorporated them into its distended body. At the other end of the Burial bi-polar spectrum, `Dolphinz' is a 9 minute desolate oceanic love letter to our underwater friends.

Now firmly established as a staple of DNO Records, Russian producer Kercha follows up two outstanding releases with his first outing of 2021, the ‘Mental Ballast’ EP.

Includes Through Lines LP + a beautiful 40-page booklet featuring a collection of Martyn’s writings on music, inspired by the 9 tracks on the Through Lines vinyl release, designed by the very excellent Jeroen Erosie.

V.I.V.E.K returns to System Music with a 3 track EP exploring new grooves within the 140 scope. Following on from his Shapes EP he continues to try something different within the boundaries of tempo.

U Dub harks back to old school jungle territory, ambient synths with heavy distorted 808 bassline.

Voices explores an Amapiano style at 140 with heavy log drum bass and whispering synths .

While 108 works to bashment style bounce but is heavy on the bass .

SOON BACK IN STOCK WITH ADJUSTED PRICE LEVEL DUE TO VINYL MANUFACTURING REALITY! - 1973 master work and one of the defining statements of Dub-Reggae! - 17 North Parade proudly presents "Java Java Java Java", credited as one of the first three Dub album released in Jamaica. Dub would influence generations of re-mixers and producers of all kind of popular music. Here's the official re-issue - a must for all Dubheads outernational and a perfect example of music stripped to the bone. The Rough Guide To Reggae writes: " The original Errol Thompson-mixed "Java Java Java Java" is legendary, not only for being one of the frst dub albums ever released, but a one built around a version of Pablo's classic of the same title. Among the other rhythms given fairly basic but effectived dubwise treatments are the Heptones' second cut "Guiding Star", Junior Byles' "King Of Babylon", and the marvellous Randy's treatment of the Soul Vendors' "Swing Easy". The mixing might seem primitive by later standards, but, like all the best early dub sets, it brings out the essential strength of the rhythms employed" (with thanks to Steve Barrow & Peter Dalton).

"Top drawer business from Mr McCann, bringing a profound understanding of what high-pressure dub-rooted music should be about, both banging and deep depending on which side you pick :)" This quote taken from the original release in 2012 feels as relevant today as it did then! Proving to be a timeless classic, Dread still gets the pull-up in the dance!

"The 'Blouse N Skirt' EP was made in a month long period and is my most cohesive EP to date. It features my signature wubs with a few deeper cuts. Blouse & Skirt has been mashing up the dances for a hot minute and I'm stoked to finally make it available to the masses on the fabulous Deep MEDi"

Bukez Finezt is back on MEDi! A1 Ski Mask Activities B1 Treat Me Like Royalty B2 Foreign Signal 10.05.24 12" Vinyl & Digital MEDi126 Mastered: Transition Mastering Artwork: M7 Grafiks

This 4 track EP on Equinox Records brings in some new flavour to the amazing "Android Porn" by Kraddy (founding member of The Glitch Mob). Along the classic original version (first time to be released on vinyl!!), Mochipet, Fulgeance and Playpad Circus provide striking new versions that will blow minds on dancefloors across the globe. Definitely one of the first must-have-releases in 2010! Also includes download code for all remixes!

12" sampler of the long awaited first album from the young, eclectic and talented DJ / Producer Benton.

Building on the themes of her most recent album, `Medieval Femme', Fatima Al Qadiri's newest release sees her pairing up with fellow Kuwaiti vocalist Gumar. The EP - also titled `Gumar', Arabic for "moon" - is an homage to a style of lamentation singing that both Fatima and Gumar grew up with and were heavily influenced by, and for which the latter received formal training as a teenager. On these four short songs, Fatima provides a minimal counterpoint to Gumar's elegant vocals, a coalescence that powerfully and sympathetically complements and extends with cosmic, almost elemental depth. Serious and mournful in tone, the record ruminates on the subject of unrequited love, arguably the most common theme in Arabic music past and present. The cover is an original artwork by Kuwaiti artist Khalid al Gharaballi, Fatima's bestie and long-time collaborator.

This third release from Rubi Records sees Ashley Tindall—aka Skeptical—stepping out of his usual drum and bass territory and slowing things down with three seriously deep dub-infused bass tracks in the 140-150bpm realm. While not the first time Skeptical has dipped his toes in such waters, these are easily among the finest, most musically mature examples to date. For those drum & bass fans out there unsure about Skeptical branching out into other genres, this EP shows that an open mind and listening without prejudice will reward your ears.


First up is the utterly dub-soaked 75/150bpm track 'Tell Me'. This solid stoner groove takes clear elements of Skeptical's more dub-orientated D&B and adds mesmeric pads and soulful vocal hooks, making it one of the deepest head-nodders in his overall catalogue. This is more a refined track for the 'listener' than for the dance floor, and while you can still easily throw some shapes to it, it's great to just immerse yourself in as a purely audio experience.

Next is the 140bpm 'Tapestry', which is somewhat the darker twin of 'Tell Me'. Again, we have a slow dub-infused head-nodder, but this time more menacing in tone thanks to the finely-judged use of some moody sound modules that Skeptical has tweaked and twisted in his inimitable fashion. This one's the audio equivalent of a restless mind in the depth of night.

The final offering is another 140bpm track – the unsettling beast 'Atomic v1'. It begins with a slow-burn build up of an off-kilter metronomic beat, subtly growling bass and haunting strings. This, in turn, gives way to a distorted rendering of Oppenheimer's famous use of 'Now I am become death, the destroyer of worlds' from the Bhagavad Gita, before becoming a sinister slow-motion dubstep rumbler. With its dragging beat and the purposefully off-point main sonic hook running over the top, this is a disorientating and unsettling weapon for the discerning DJ.

This EP continues the fresh direction of Rubi Records, showcasing exceptional, forward-thinking music without borders.

Support: Ben UFO, Joy Orbison, Gilles Pererson, dBridge, Break, DLR, Doc Scott, Mefjus, Kasra, Kings of the Rollers, Alix Perez, Jubei, Dub Phizix, Flight, Tasha, Loxy, Randall, Lens.
Radio Support: BBC Radio 6 Music, Rinse FM, Kool FM

From the depths of Subchaser, to the heights of Venus, Truth's 'Temple of Eyes' EP explores another chapter of otherworldly sound.

As the first label to ever release Truth, it's always nice to unite for another record: 14 years, eight releases, let's go.

Transport yourself to the vibrant soundscape of 1964, where a momentous chapter in musical history unfolds with the unveiling of an unreleased gem – an inaugural demo recording meticulously crafted
for presentation to the discerning ears of Micky Most. Marking its grand debut on a 10” picture disc vinyl, this hitherto undiscovered single emerges from the shadows to celebrate its illustrious 60th anniversary.
Immerse yourself in the authentic cadence of British beat rock, as the charismatic vocals of frontman Peter Noone intertwine with the very original lineup of the iconic Herman's Hermits, then simply known as Herman and the Hermits.
This collector's edition vinyl not only invites you to savour the timeless allure of a bygone era but also to revel in the artistic genesis of a legendary band, encapsulated in the resplendent grooves of rock 'n' roll history.

On this EP Dutch Thai label Animist Records puts a new genre on the map: Asian Tropical Bass. With elements of molam (Lao folkmusic), Thai music, dub, reggae, jungle, reggaeton, funk, acid, rave, hiphop and electro, the label presents its most diverse release so far.

We welcome Leo Cap for our 16th Navy Cut with a generous helping of punch, weight and energy. Hailing from Russia.. Leo Cap is the alter ego of Drum and Bass badman Black Barrel. This 4 track EP packs his signature energy and sound design while exploring the 140 universe.

Two indian-tinged beat excursions from Zha. Tip!

Bristol based duo Mystic State have a beautiful new release forthcoming in the form of "The Last Lotus" The vinyl and digital release is a beautifully crafted masterpiece that showcases the duo's impeccable studio skills, with music that not only hits hard sonically, but is also beautiful to listen to. Taking a more stripped back approach, "The Last Lotus" sees Mystic State at the top of their game. From the haunting and rich vibe of the title track, to the bassline driven party shaker of the lead single "Strike", the dub infused vibes of "Blessings".

We know you’ve been waiting for this one since last summer! Caspa’s debut on Youngsta’s ridiculously on-point Sentry has been one of the most requested releases in a very long time. Hot on the heels of releases by dBridge, Nomine and Akcept, the Sub Soldier comes in hard with two absolute burn-ups.

Infernal Sounds return with their Digiv series and with this instalment they focus on the catalogue #005 - 008. Hypho, Abstrakt Sonance and the vocal wizardry of Rakjay kick off the release in fine style, hitting you with the rough and tough VIP sounds of 'Take It Or Leave It', before the release takes a more surreal and somber twist with one of the standout tracks from the Digi series from last year, 'How Do You Know' by Darkimh. 'Lighthouse' by Sordez provides you with a slice of 2-step, shaken with garage flavours and a pallet of punchy flavours. Substrada rounds things off with the rambunctious 'Daka' - a track that's been battering dancefloors for the past year, giving you the perfect balance of bassweight and percussive notes.

Infernal Sounds kick off 2023 with their first record of the year from FLO, ØZ & Q100 and present a top-tier 4 track EP titled 'Cruizer'. These three have been locked in the lab cooking tunes together for some time, but this is their debut release on 12". The title track 'Cruizer' kicks things off, hitting you square in the face with brute force aggression and some of the most gnarly sound design you'll come across. 'Rewind' starts a little more subdued, and hits a lower, moody tone to set the vibe on a different course, whereas 'Screwface' draws for a mid-ground between the two, touching on techy elements and a dancing mid-range pattern. 'Peeker's Advantage' finishes things on a nice and tough exterior, shapeshifting back and forth and formulating a strong finish to the release. 'Listen Carefully' is exclusively available via 12" purchases on Bandcamp and stream-only.

Infernal Sounds strip things down and go back to basics with their next endeavor, returning to their roots by releasing a two track single by debutants, Frenchless. Not only is it their first venture on the label, but this is their first ever release under this moniker from the mysterious deadly duo.

Yung Dumb Records returns to Argentina for Yd019 with the 'Feel Alright' EP by Manuel Sahagun. The Buenos Aires house maestro offers up a 4-tracker, kicking off the EP with the title song which provides nothing short of an infectious swinging groove, with dusty vocals and percussion layered over dubby stabs. For the follow up, a classic techno-oriented homage by Montreal's Fred Everything for remix duties. The B-Side delves into stranger territory with 'Mellow', a brooding, deep and melodic house cut. Lastly, the record closes out with 'No More', a haunting ambient tune with minimal percussion for the headphones and night drives alike.

After over a year since last contact, the foreplanes of the Challenger Deep are spotted emerging from the Bristol Channel. Two figures emerge, unbolting their helmets to reveal themselves as none other than Inner Echo. The duo return home as heroes, bearing treasure that the locals covet more than gold; two dubbed out cuts crafted for the soundsystem.

Limited run, hand stamped, available exclusively on vinyl.

Weighing in heavy with murderous intent across three guaranteed dance levellers, Trends & Boylan land on Sneaker Social Club with a bang. The pair have been slugging out grime-leaning gear for the past five years, causing a ruckus with their truly evil ‘Norman Bates’ beat, releasing also on Trends own Mean Streets label and linking up with Slimzee’s foundational stable Slimzos for some dubplate action.

They bring that street-level swagger to the tracks on the Ninety Nine EP, but here their punchy 8-bar flex is embellished to blend in with the Sneaker surroundings a treat. ‘Carnage’ tips towards chopped up Think Breaks while ‘Nocturnal’ doubles down on the dirtiest of b-lines. Confirming their allyship from dubplates' gone by, Slimzee links up with Trends & Boylan for the double A side slammer, ‘Ninety Nine’, weaving dread-side D&B stabs around a tightly-wound beat with devastating results.

There’s not an ounce of excess on these cuts precision tooled to smashup the dance good and proper. Need we say more?

* The production duo behind the rave-new world sounds of 'Turbo Mitzi' and 'Big Slug (Feat. Riko Dan)' have been busy in the studio recently and return to form with 2 killer cuts designed to shock out the dancefloor.

* ’Control’ picks up the tempo from the duos previous cuts, rolling at 140 beats per minute, in it’s apocalyptic form. Powerful pads create the tension before sub-heavy kicks and cybernetic snares come pounding and chopping in, building up the mood before a radioactively charged Reese-bassline emerges, rising to the surface, unleashing its terror. This is a stone-cold banger.

* 'Strobe Light’ returns to the more familiar 128bpm tempo that the pair have previously worked with. Taking a quite unique approach, ‘Strobe Light’ builds evermore, moving into the light, layering percussion up as an intoxicating drone of swirling strings swells and swells - entrancing and empowering in equal measures. this is a highly versatile DJ tool that also makes for an engrossing listen from start to finish. Refined dancefloor ear candy.

Manchester’s Walton returns to Tectonic following last year’s explorations in grime flavoured house/techno offshoots on the killer “Bulldoze EP”. This time Walton leads with a dance floor crushing anthem that cruises a cool line between grime and tribal dubstep. Featuring a looping Riko Dan sample, “Gunman” sets a stone cold tone from the offset, hi-hats setting up the groove before a grime flavoured melody cuts in preparing you for the drop. When the bass and drums come crashing in they bounce off each other to produce a disorientating tribal rhythm that will set the dance floor alight!

"Insane and heavy beats by the og don Pixelord featuring great remixes by an all-star line-up comprising Dj Ride, Dj Pound, Starkey and Dranq!

Like a lightning bolt in the middle of a dark sea, Pixelord has returned once again from the frozen lands to shock and disquiet the tides of Futuristic Bass Music. Perhaps the best thing about Russian electronic music godfather Alexey Devyanin's Pixelord project returning to Saturate! for this "Demonslayer" release is not simply the exciting and hard-hitting beats contained within, but the simple fact that it shall be offered on delicious, glorious Vinyl. An artifact for all time, perhaps to be found in future wastelands by those who would consider this "Demonslayer" to be the VanHelsing (or perhaps Trevor Belmont) of the 21st century bass music scene.

The last decade has seen Pixelord riding the wave of forward-thinking bass music, and always staying at the crest, and 2020 is no different. "Doomguy" comes tearing straight in with menacing, distorted synth weaponry, assaulting with ballistic beats (even some nods to Junglism) until finally bestowing some glittering melody atop the fray, showing that not only is Alexey an elder-statesman of the genre, he's still the eager bass monster that explores his own depths. The depths are again evident in "Pain Elemental" where the vibe is established immediately, and only delves deeper into the slightly-detuned bass signals and ominous creeping atmosphere. The melodic elements are no longer here to sooth, they are newly charged laser beams that sear the flesh, scorching the eardrums.

This foreboding, demon-dispatching vibe is indeed present throughout this entire release, as you enter the "Bonus Stage" of this deadly game, where the aggression does not abate, and the bass plays backseat to the synth bell sonic geometry on display. The drums especially feel the wrath of Pixelord on this track, where some impossibly tortured tambourines take a beating, and the chopping and relentless reorganization of the rhythm keeps you churning with intensity. The title track brings the "wild style", even though the drums are less frantic, the bass frequencies and laser blasts from our protagonist, the ever-ready "Demonslayer", are sure to dismantle any submissive subwoofer in range.

"bfg" rounds out this collection in a disheveled fashion, dishing out low frequency divebombs and squelches, whilst otherworldly transmissions from synth realms afar come leaping in trying to assert their dominance, only to be eaten alive by daemonic bass and telluric currents of seismic drum activity. An utterly destructive end to this tale… BUT Wait, IT Gets Worse! We have here on hand Saturate! stalwarts DJ Ride, DJ Pound, Dranq and big daddy Starkey on remix duty, who all take the tracks down their own rabbit holes to parts unknown, with equal aplomb. The result is equal in intensity and aggression, but the textures by which this is conveyed are wholly transformed and re-imagined skillfully.

All this on one slab of gorgeous Vinyl. No demon shall stand a chance against Pixelord's battalion of beats and bass."

‘saturday Specials’ sees the legendary Bristol drum & bass don Clipz remixing Everything Is Recorded’s acclaimed second album ‘Friday Forever’ in its entirety. Released Digital on 29th January via XL Recordings, ‘saturday Specials’ is Clipz’s first album length project and is a drum & bass masterpiece, split across three 12” vinyl editions. The album features a host of the original album’s vocalists and collaborators (including Berwyn, Ghostface Killah, Aitch, Sampha, Flohio and A.K. Paul) weaving in and out of Clipz's trademark future-facing productions.

‘saturday Specials’ sees the legendary Bristol drum & bass don Clipz remixing Everything Is Recorded’s acclaimed second album ‘Friday Forever’ in its entirety. Released Digital on 29th January via XL Recordings, ‘saturday Specials’ is Clipz’s first album length project and is a drum & bass masterpiece, split across three 12” vinyl editions. The album features a host of the original album’s vocalists and collaborators (including Berwyn, Ghostface Killah, Aitch, Sampha, Flohio and A.K. Paul) weaving in and out of Clipz's trademark future-facing productions.

Dub techno perfection from Rod, Steve and Convextion.