Dub 322 Items

First release from the Levites, on the Lion Triumphant label, in the shape of `Lion’, which is a tribute the late Jah Shaka.

The inspiration for the track becomes quickly self-evident with a sample from a popular early 80’s reggae-themed movie which starred Shaka himself, and `Lion’ is itself a recut of a rhythm that was a dubplate highlight on Jah Shaka sound system throughout the late 70’s and early 80s.

Better Days is the sixth release by Leo James for his own imprint Body Language. The EP weaves together the waveforms of James' evolving sound, from the first tracks he made as a teenager looping samples on an MPC, to the raw, stripped back machine funk of his early Body Language releases, and the deeper, more dubbed and smudged palette of his recent work. A lamentation on the current state of the world, to soundtrack the search for better days.

Igziabeher Yi mas gan (Let Jah be Praised!) - as we follow up with the next release forwarding from Ashanti Selah Music; we are proud to present a fresh combination to the label with Iqulah Rastafari who is a true ambassador and master of his faith as well as being a high-caliber artist in his own right; this release delivers the whole roots and nothing but the roots in its full entirety. Hailing from Jamaica and toured the 4 corners of the world with his band 'Giddeon Family' as well as performing many shows in Africa with the 'Azania Band' - Iqulah always brings the spiritual power and most honourable Rasta energy in connection with the music; making it a such an engaging experience when being among the vibration.

The Maxi-single offers two original vocals and two dub mixes per side with strong lyrics and heavy riddims to accompany!

New life for a tune that hold a special place in the discography of one of the greatest rub-a-dub and fast-chat specialists in the history of the UK sound system movement, here comes a fresh version of Tippa Irie's powerful “I’m An African” ! First making an appearance as the highlight of O.B.Fs album “signz” in 2020, this fresh reworked version of “I’m An African” features on Tippa’s brand-new album of the same name. To celebrate this, the track was pressed onto 7” vinyl alongside its dub version “African Dub” ! Rufffff

Sol Power Sound is back in a big way with a reissue and remix EP from the legendary Nigerian Ju-Ju king, Chief Commander Ebenezer Obey. The double A-side EP features 'Eyi Yato' a tune from 1981 that captures Chief Commander and his band at their absolute funkiest, with a driving drum and bass groove, wah-wah guitar, and signature call-and-response vocals. Remixers include the legendary dub producer Mad Professor, the disco don Eddie C, and the Sol Power All-Stars themselves.

The Sol Power All-Stars keep things organic with chugging drums, heavy analog synth bass and sequences, as well as Daniel Meinecke’s additional keys and solos. The Canadian disco don Eddie C goes a little electro and a little acid with his analog bass-heavy flip. Like a good dub should, Mad Professor’s version accentuates the drum and bass groove and drenches everything in vintage sounding Mad Professor delay, reverb, and filtered dub-sauce, live and direct from his classic mixing desk. Alongside an extended edit of the original, the Eyi Yato EP is sure to find a permanent spot in DJ record bags around the world.

Mikal Asher, a scion of Jamaica's Morgan family dynasty, reunites with Chocolate Star Records here and does so with a collaboration with disco legend Gary Davis. Asher, akin to his brother Denroy Morgan, upholds the family's legacy of righteousness through music. Known as the Binghiman, he crafts captivating tunes with profound lyrics and has recorded in Ghana's Hustle Hard Studios and collaborated with industry pioneers in Kingston and Brooklyn, setting new standards in musical excellence along the way. Here, 'Wicked Ah Fi' transforms into a modern dub stepper, while 'Black Woman' offers a soulful, laid-back dedication to Davis' wife, Sonjia. This 12" also comes with innovative remixes from California-based DJ and producer Knoe1.

Limited to 500 red copies.

The new release from Zouen Keikaku, an independent label that has released works by Ooyamada Daisanmyaku and Yaryu, among others, that made a splash at last year's RSD and Record Day Japan. This is the second collection by Tokyo electronic musician, Yo. The sharply polished post-industrial sound tangles the feet that line the dance floor and interrupts their dance steps. The dub-derived heavy bass swings aimlessly, crawling around like a snake with bizarre sound textures that cannot be enclosed in any musical genre. A DL code for "B," a special collection of remixed and unreleased sound sources, is included along with a mini booklet that resembles a sightseeing pamphlet.

South West England is a fertile ground when it comes to producing seafarers and dub makers. Bishop completes a hat-trick of releases from the region, with a brace of tunes that bring the unrelenting pressure of the deep to the ears of surface dwellers.

Dub De Société brings dubstep’s reggae origins to the forefront; an atmospheric production underpinned with a hulking baseline. Flutes of Bhutan goes deeper. Bishop combines a flute sample from the summit of the world with relentless kicks from its base. The result is a sound that is both alien and unnerving, yet incites an intense fervour in those that hear it.

Few names shine as brightly in the cosmology of dubwise bass music as that of V.I.V.E.K. From releasing absolutely ground-breaking tracks for the better part of 20 years primarily on his own System and Vivek imprints, to curating and hosting his legendary System nights, to bringing so much rising talent to light, it’s honestly difficult to imagine the last two decades of UK and global sound system music without him.

For ZamZam 96 V.I.V.E.K went straight to the bedrock of sound system music and delivered a power-stepper of galactic proportions.

Jamie McCue, who is behind the classic Silent Season label, steps out here with a new label called Moon Garden. Hidden Sequence inaugurate it with a limited edition 7" that sets a great standard from the off. 'Studio A' is a liquid dub with delicate hi-hats sprinkled over loose, tumbling drums and rich sub-bass. It's vast in sauce and impossible not to sink into. 'Mystical Dub' on the B-side is an even more paired back ambient dub with a barely-there rhythm slowly unfolding beneath conscious mutterings and distant, muted melodies. It's late-night weed music of the highest order.

Seminal Afro-dub album "Dr. Afrodub" by Ghanaian Ekowmania aka Ekow Alabi Savage. The drummer, percussionist and singer who's played with Jimi Tenor & Kabukabu for more than 20 years explores the fields of classic Roots Reggae, Afro and Dub as well as uptempo modern African rhythms and ballads. This Jimi Tenor produced album is an expansion of Ekowmania's tribute song to Kwame Nkrumah (which is also released as 7" with different versions) and Tenor's electronic loops, which they developed into a full album in guitar player Lauri Kallio's country side studio in Kiikala, Finland. The album kicks off with a very heavy, club-ready and UK reggae-styled album mix of "Kwame Nkrumah", following up with 200% intensity on the voodooesque rhythm explosions of "Twerk Your Mind", then taking a 360 degree turn with the smoothness and laidback vibes of "Kiikala Reggae". Throughout its 9 cuts "Dr. Afrodub" always approach the balance of beautiful song writing and intensity in rhythm and melody, visiting the excellent and classically crafted 70's Roots tune "Dub Souljah", the upfront & tempo-fueled "Lagos Heavy" and ending with DJ Sotofett's mix of the albums ballad "Me Know". CUT With Excellence BY Timmion Cutting LAB IN Helsinki Finland.

Killer mid '80s 'live digital' tune made at Aquarius Studio, released for the first time ever. A rarity to get Dunkley on this type of rhythm, this one was great to unearth.

The Fire crew meets dub legend Adrian Sherwood for a live performance that is finally released on record today. A sonic clash between electronica, jazz and dub of which the British producer signs live mixes and dubs. Total interplay between the musicians and the dubmaster. This audio work has accompanied powerful live cinema visuals dedicated to fire in all eras and civilizations, up to the present day dominated by the uncontrollable effects of technological development on a planetary scale. The album cover, now out in limited edition, is a photo by artist Antoine Le Grand.

Emotional Rescue dives back in the world of post punk experiments and early synthesised electronics to present another of the labels iconoclastic 7" 'collectors specials', with a look at Stockholm's Staalfagel. Born in 1977, Erik Fritjofsson and Petter Brundell merged and formed Staalfagel out of the suburbs of Jakobsberg. Like so many at the time, the duo was tired of Prog, Jazz and Symphonic Rock and formulated something new and against at the same moment; a time where drummers were jettisoned in place of drum machines and the inspirations of artists like Creedence Clearwater Revival, Devo and Pere Ubu were thrown in the mix to fervent results. With Micke Kjell soon joining on bass, they toured Sweden constantly, the manic machine beat, beating guitars and strange synth sounds defeated the throng and led to a considerable following. Recorded live to tape with no overdubs or mixing, the faithful CR 78 drum machine, the results radiate energy. Release just 4 records in 2 years (1980 - 1982), Utan Rymddrakt Pa Uranus appeared as their last ever release. Jettisoning the punky-funk vocals of previous releases, the single is a pure electronic groove. Funk bass and guitar atop, its short form simplicity is perfection distilled in 2 parts of less than 3 minutes, conjoined like some reggae dream, with 'Uranus II' acting the dub 'version' counterpoint. Discovered and shared by long-time friend, DJ and collector, Gary The Tall steps out from behind the decks and microphone of his long running NTS show to present an exemplary "Reversion". Teaming up with master producer and label affiliate, Timothy J Fairplay on engineering duties, they keep the originals' straightforward charm, deceptively editing, looping and reversing with aplomb, for a killer flip side.

Was the lesson intended? It hangs like mist in the air And now the throne is upended And the lesson is the son and the heir

Was the lesson intended? It resonates in the sky A shockwave in the heavens Visible to the naked eye

Was the lesson intended?

Was the lesson intended? It has soaked into the ground It is felt in every movement And is audible in every sound

Was the lesson intended? It cannot be denied It rings loud like thunder Leaving our poets tongue-tied

Was the lesson intended?