Dub 218 Items

Brand new release from french dub label All Nations Records. It features artists from Japan, Chazbo and Jah93, which combine their talents to deliver a soulful and powerful track. Deconstruction of the track is proposed on B side, as traditional reggae 7" requires.

The first vinyl appearance of 'I Came I Saw' from 90s steppas legends the Bush Chemists (which appears as a bonus track on some CD editions of the now-classic Light Up Your Spliff LP).
Comes with a typically screwed jungle refix from Bokeh staples Seekersinternational + a ragga noise deconstruction from Bristol's industrial terracorps Bad Tracking (FuckPunck / Mechanical Reproductions).

Alter Echo & E3 return for their third chapter on ZamZam with a dark, low-slung steppers featuring the one Rider Shafique of Bristol’s esoteric Young Echo crew. AEE3’s first collaboration with a vocalist, “Heights” provides a rockstone riddim for Rider to step forward with a powerful lyric, a declaration of principles and intention to trod outta Babylon, tearing off mental chains along the way with total focus on the destiny of liberation for those with the will to persevere. Rider’s presence transforms every track he graces into pure message music, as heard in recent months on collaborations with Gorgon Sound, Ishan Sound, Gantz and more.

"Heights" rocks with swirling atmospheres and pointillist detail, powerfully psychedelic dubbing at once organic and metallic, always with fundamental dub principles anchoring and propelling forward, ever forward. The version “The Sound Tonight” strips the vocal out completely, using that space to push the kick, bass and ricocheting snares further forward with extra dub flourishes, mirages, and sample grinding.

Back in 2014 Caio linked up with the legendary singer Clive Matthews in Jamaica as he was interested in recording some specials for his Dub Foundation Sound System. Talking about it came out the idea to play the Apology rhythm from scratch, one of Clive's biggest hits from back in the days.

It took around one year to organize everything and by the end of 2015 Clive Matthews was able to get in touch and gather all the original musicians who played the riddim back in 1973 : Bagga at the Bassline , Leroy “Horsemouth” Wallace on drums , Norman Vessel on lead guitar & rhythm and Jah D on Keyboard. Music was then recorded at Anchor Studio, Jamaica, with Garfield McDonald's as Engineer.

“Mama Afrika” has been since 2015 one of the Anthem of Black Foundation Sound System and we at Dig This Way Records were lucky enough to cooperate with Caio to work on this release with a new mix of the vocal.

Mixed and dubbed by Michael Exodus at Dub Basement Studio in Rome and mastered by Matt at Pressure Mastering in Uk.

Taken from the self-produced LP "Empty Promises" released on Bridge records in Canada, 1987.

Deeply rooted & slowly explosive, Estonian Andres Lõo slides from loud guitar skanks to rumbling toms, all capturing periods of dub, jazz, folk music and the drama of an orchestrated band surrounding the Estonian Seto peoples musical background. B-side carries a generously beautiful xylophone, played, recorded and manipulated gently. Both sides highly polarizing his debut album Skeletons on Rock (Laton, 2009).