Dub 331 Items

Killer early 80's roots recorded in Jamaica. First time on vinyl with extended mixes & dub.

Tracks compiled from "The Right Procedure" album, mixed by Al Breadwinner straight from the original tapes.

Echoltd006: 12" LP 180g black / slightly silver vinyl. 2 stickers included.

Double album compilation of Norris Reid's recordings from 1978 to 1985 in Kingston. All Remastered & licensed from Norris himself.

Norris Reid has performed and recorded with the greatest Jamaican artists. This compilation pays tribute to one of the key figures of Reggae's golden age.

Opie Ortiz is best know for his artwork that appears on Sublime album covers, and as the frontman of Long Beach DUB All-stars. He has been a mainstay of the California Reggae/Rock scene since the '90s, and has attracted tens of thousands of fans. Crazy Baldhead is a live and studio backing band formed by THE Slackers' guitarist JAY Nugent (aka Agent Jay) in 1997. Crazy Baldhead has numerous full-length albums and singles of original material and dub remixes, and has been a live backing band for foundation Jamaican artists such as Ken Boothe, Derrick Morgan, Stranger Cole, and others.

Dub Kazman launched sub label which is called “Legendary Series” in 2022. Finally legendary series No.2 is ready to release.

Rough Signal Records featured living legend of Vin Gordon from The Skatalites. He began his career in 1964 as The Skatalites and he was main trombonist of Studio One. Vin Gordon’s melody is always original one and only Trombonist in the world.

A powerful stepper tune with an original melody by Vin Gordon and exclusive mix by Dub Kazman. And come with great art which is inspired by legendary Basquiat style. This release is one of the biggest collaboration with legend generation to new generation.

At the beginning of the eighties reggae music became increasingly in tune with what was happening in Kingston’s dance halls… probably more so than at any time since the sound system operators had started to make their own shuffle and boogie recordings in the late fifties. The international audience and the critics were too busy looking for a new Bob Marley to appreciate what was happening downtown and failed to acknowledge that this was a return to the real, raw roots of the music. Brash, confident, young record producers who were totally in tune with the youth audience stepped forward and seized the moment…

Oswald ‘Ossie’ Thomas began his apprenticeship in the music business at the age of

fourteen and served his time as a record salesman for Bunny ‘Striker’ Lee and Winston ‘Niney The Observer’ Holness before moving on to Miss Sonia Pottinger’s Tip Top Records.

“I ended up working in three record stores on Orange Street from 1976 to 1981… Yeah man! Me deh ‘pon me bicycle till I buy my motorcycle! Them days records were coming out left, right and centre… every day!” Ossie Thomas.

It was during his time with Miss Pottinger that Ossie began to produce records for

himself and in 1979 Ossie and Phillip Morgan began the Black Solidarity label based deep in the Kingston ghetto on Delamere Avenue. Phillip initially inspired Ossie to start the label and soon Triston Palma, Phillip Frazer and “a youth named Gary Robertson” joined in although Gary later left for Canada.

The Soul Syndicate rehearsed in the Delamere Avenue area and Tony Chin gave Ossie a cut of a rhythm that he used for Triston Palma’s ‘A Class Girl’… the label’s inaugural release. The record was a sizeable success and paved the way for hit after hit after hit on Black Solidarity. Ossie worked with just about everybody who was anybody during this critical period of the music’s development including vocalists Robert Ffrench, Little John, Sugar Minott, Frankie Paul and most notably Triston Palma.

For this release we have compiled some of the version sides to those releases. Dub still being an integral part of the Reggae Sound System Sound. So sit back and listen to what Black Solidarity, one of the most important and often overlooked labels were bringing to the dance, dubwise, back in those heady 1980’s times.

With grateful thanks to: Paul Coote, Nick Hodgson & Hasse Huss

Frontline is the 9th studio album by Dub Pistols. Chief rabble-rousers & festival favourites, the band are known for their veritable feast of jump-up party-starting sounds, melding dub, reggae, dancehall, ska & DnB into an irresistible tonic that has seen them amass a merry band of Pistoleros across the world.

For this chapter, they are joined by a stellar band of featured artists including both legendary & award-winning collaborators such as Horseman, Top Cat, The Freestylers, Myki Tuff and Chezidek alongside long-term Posse members The Ragga Twins, Lindy Layton, Natty Campbell, King Yoof and Cheshire Cat, and regular Dub Pistol frontman Seanie T.

So, saddle up and join the gang, it's time to ride to the Frontline!

Limited Splatter version! Outstanding dub anthem! 190g Vinyl. NYC based Onysia Records launches sister label Convent for heavier, edgier, twilight hour sounds.

Originally recorded at Channel One UK around 1990, the master tape was accidentally wiped and lost. The full riddim was rebuilt from the original drums at Seventh Sense Studio, and has now been updated at Earth Works Amsterdam with additional instruments including a great brass section.

In late 2020 Tena Stelling stapped back up to the microphone and re-voiced this lost classic. Jah Works is delighted to present the resulting fresh-vintage anthem, that remains as relevant as it was when it was first voiced 30 years ago, if not more so.

After the recent Experiments re-issue with 90's off-style unclassifiable tracks composed by the legendary Dub producer - The Disciples - Androo (NS Kroo) sets out to re-create and freely adapt this material. The fact that Sound Metaphors chose Androo to re-construct these works in to new material is not random. Androo has been producing Dub since he was a teenager but he quickly turned to all kinds of musical experiences, mixing styles and influences. Once past the intimidation of working with material from one of his favorite and revered producers, Androo tried to pay homage to the free spirit that this Disciples album contains. Between reference and irreverence, the album is woven with a playful, DIY, and also serious weave. As you listen, a sometimes very harmonious and controlled landscape takes shape, then suddenly steep slopes and raw ridges appear. Almost like an art of sound drawing. A line in permanent oscillation between supposedly antagonistic registers. Danceable pieces cut for dancefloor brush against strange, problematic, and voluntarily irrecoverable elements. Consensual pop chords rub shoulders with sizzling blurred contours and sounds that are sometimes too loud. 4/4 rhythms get jackhammered out of the tempo with opulent delay effects. The “Dubmix” is here, constantly at work. It is, above all, an art of the hands, fingers handling the console which from then on becomes an instrument in its own right - for Androo Dub is experimental music.

Froid Dub continues to explore its synth-lined slowed down digi-dub cave flooded with waves of echoes and acid bleeps. From begging to end, bass lines and flanged delays sail over deep waters, seemingly barely disturbed by the minimal pump of the synth-wave track Not Loved.

More 100% essential Studio One tunes! Studio One Space-Age Dub Special is a brand-new Studio One release on Soul Jazz Records which draws on more rare and classic dubs taken from the mighty vaults of Studio One Records. Most of these tracks are taken from Studio One"s superb long out-of-print series of dub albums released between 1974 and 1980 such as Zodiac Sounds, Ital Sounds and System, Roots Dub, Dub Store Special, Juks Incorporation and others. Many of these classic dub albums were originally released only in Jamaica in short-run pressings with special silk-screen printed sleeves, all with striking minimal designs. These tracks, credited to the Dub Specialist, use the original music tracks to seminal Studio One rhythms, which are broken down, reconstructed, and manipulated using the studio mixing desk as an instrument. With these albums producer Clement Dodd and engineer Sylvan Morris helped create some of the finest dubs ever known to man or woman!

Kitchens inc. is a new label set up by Leeds based DJ and Producer duo, Marcus and Chris Kitchen. The first release comprises of three original tracks of their own material and will appeal to those that seek out genre crossing music. On a minimalist house tip, expect eery off tones and unearthly vocals that are seamlessly woven into understated grooves. Each track has its own personality, switching between 4/4 and breaks with a discordant jazz theme that runs throughout the EP.