Dub Vinyl 307 Items

Few names shine as brightly in the cosmology of dubwise bass music as that of V.I.V.E.K. From releasing absolutely ground-breaking tracks for the better part of 20 years primarily on his own System and Vivek imprints, to curating and hosting his legendary System nights, to bringing so much rising talent to light, it’s honestly difficult to imagine the last two decades of UK and global sound system music without him.

For ZamZam 96 V.I.V.E.K went straight to the bedrock of sound system music and delivered a power-stepper of galactic proportions.

Les Rythmes Ruban invites you to immerse yourself again in the unique sonic universe of Pupajim and Blundetto. ”Tancardub” is the Dub versions of Tancarville LP. Rock on!

Our first contemporary release on Avec Plaisir features a stunning collaboration of Munich-based Ly Nguyen and Super Sound Global's Nic Jalusi.

We discovered Suncream’s "Laguna Azur" already years ago through our friend Pia and kept playing it in our sets since then, which caused almost ridiculous amounts of ID-requests from audiences all over Europe. So when Ly and Nic agreed on working together on a physical release, we knew this is gonna be something special.

While the Original Laguna Azur Mix takes you on a motorcycle trip to a beach bar sipping cocktails in the early 90s (with denim jackets, cocktail umbrellas and the full program), Jalusi's Acid Dub is already starting the party, when the dubby bass hits like we wanna dance into the sunset, watching smiles on everyones faces, rumpled hair from the early evening breeze. 2AM – was it Hazme Sonar or Sueno Latino or the Balearic Eric & Nic Jalusi Dream House Mix – You’re in a sea of hands up in the air when those piano chords kick in after the break. You just want to dive into the ocean for another night swim and shake your drenched body on the sandy dancefloor. A handful of friends remain at the beach in the very moment when the sun comes up and you’ll hear the hypnotizing leftfield dub "My Heart“, lying on the shore, everyone’s eyes turn into the greenish-blue color of a mystical lagoon hidden in the palm forest. A salty taste remaining on your skin.

We're more than proud and excited to present you the summer record of 2024: Suncream’s Laguna Azur EP.

This album was inspired by the music coming out of Jamaica in the mid 1970s, in particular the use of drum machines by Lee Perry and Aston Family Man Barrett (and Sly Stone in the USA) but also the instrumentals and dubs by Keith Hudson and Im & Count Ossie etc. Searching out, buying and listening to those records had a deep and profound effect on me and became a big influence on me as a musician, which continues to this day.
All instruments, recording and mixing by Nat Birchall

Stix Records, a sub-label of Favorite Recordings, is back with some heavy dub cuts from label regular Mato with its usual special skills as a tailor of reggae music. On Side A, Mato focuses on the infamous "Summer Madness", originally composed by Kool & The Gang. Providing a fresh dub rework, the song will make you dream of hot wet summer nights, gently rocked by beautiful guitar melodies and sweet Fender Rhodes chords. Just a perfect match for all forthcoming summers of love! On Side B, Mato takes care of "Use Me", originally composed by Bill Withers on his Still Bill album. Expect funky and bouncy clavinets and a nice melodica line for this rework of a timeless classic. As Mato once said, "Play it loud and burn a chalice!" Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound ... In the meantime he developed a real trademark, taking over classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions. Besides, since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records.

Deeeeeep from the Ariwa archives... all unreleased music on here. Sounding absolutely essential to us. Dates of production uknown at time of writing...

The A Side is a Mad Professor produced version of Aisha's 'Give a Little Love', given the UK treatment. The Dub is a proper roller.

Side B is the unheard African Message Dub (Parts 1& 2). Recordings ft Jah Shaka on bass, Norman Grant (Twinkle Brothers) on Drums, Sgt Pepper and Mad Professor on the desk. Masterful UK Dub from these key figures.... pulled out of nowhere.

Not to be missed!

Almost a decade after it's initial release, we're VERY happy to say this much in-demand Red Motorbike 12" is almost back in our hands. This enduring dedication to the dubwise has been going for eye-watering prices 2nd hand, so load 'em up !

Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful jazz writing. For those of you intrigued by melodies, the art of musique concrète or the exploration of dub music’s deviant angles, this record will easily find its place on your turntable.

The two sides of the record are cut with play, improvisation and effects, while leaving room for themes and ideas. If this record’s first chapter was born from a request to remix and pay homage to Jackie Mittoo, its themes tell another story. They have been declined and even reduced to an explosion point. The tracks are also driven by subtle details of musique concrète, giving the record the effect of an intimate musical production – but, above all, one of uncategorisable beauty.

In Androo’s case, this is hardly surprising. He is a craftsman who is unassailable in every respect, a poetic dynamiter and, for this reason, one of the most unpredictable musicians in Geneva (and beyond). His appetite for dynamite is perhaps an indication of his conception of music as, first and foremost, an experience. His highly personal and inventive tribute to figures from free jazz and contemporary music proves the point. But perhaps it is also an indication of his attachment to Jean-Luc Godard. You'd have to imagine Androo at his mixing desk without a pre-written script. The idea of editing infuses the record. The two sides are very much in this style and spirit: (un-)shot, meticulous, (ir-)reverent. In this respect, this record is a formidable proposition, and perhaps difficult to understand, but not striving to be understood.

Its combination of improvisation and composition is underpinned by a razor-sharp precision and dexterity that's hard to ignore, especially if you're curious about the art of sound mixing and the romantic accidents. It has a dexterity that transforms musical grids into romantic essays and sketches. A romanticism in which Androo takes us on a liberating musical experience that makes us forget the inertia of the ramping formatting of the record industry. In any case, this record is an invitation to (un-)think the category, and will delight any ear curious to wander into territories of intuition where the word hybrid no longer makes sense.

Text by Carl Åhnebrink

A Disco Reggae cover of BOB MARLEY's immortal classic “could YOU BE Loved” in a Vortex sound! "Could You Be Loved“, one of BOB MARLEY's best-known songs, has been given a new spin on Disco Reggae by Robert ‘’dubwise”” Browne, while remaining faithful to the original! The song starts with an a cappella chorus and then moves on to the guitar riff that is essential to this song. The gradual build up of the song will shake both your body and your heart! An instrumental version is included on the reverse side. The mix engineer is Steven Stanley, who created the innovative sounds of Grace Jones, Tom Tom Club, and others.

This essential album is a standout in the world of dub, reggae, and sound system culture. Featuring a remarkable collection of 10 powerful vocal tracks and 10 profound dub mixes that highlight Alpha Steppa's unique and innovative production style. Bringing together a global lineup of some of the most exciting voices in contemporary reggae, from Jamaica, the UK, Zimbabwe, the Seychelles, Brazil, the USA, Senegal, Italy, and Spain. “Collision of an Ancient Mind and a Modern World” intertwines the rich heritage of dub reggae with a vibrant, futuristic musical landscape.

Classic heavyweight speaker-distressing digital roots `n’ dub business from The Disciples with vocals courtesy of the late great Jamaican singer Creation Stepper aka Willy Stepper, whose voice graced many a 70’s roots reggae classic such as `Kill Nebuchadnezzar’ and `Homeward Bound’. * Mixed and produced by Russ D in the Disciples studio in 1991 but only getting a release in 2013 on the Disciples Vintage label, which promptly sold out.

"Limited edition of 500 copies from the Trojan Records vaults. Lee 'Scratch' Perry with Mad Professor on the mix, featuring the monumental Madman Dubwise version on the B-side—a true 80s classic. Original Trojan label reproduction, a top collectors’ item. Courtesy of Real Rock Records."

Deep & heavy dubs mixed by The Scientist at King Tubby's

Wairunga finds the Freddy juggernaut digging deep to debut five songs and revisit two classics captured in an outdoor performance sans audience but with wild weather elements playing an important creative role in producing this unique live album.

Recorded in Wairunga, high above Waimarama Beach in New Zealand, it is place etched into the DNA of Fat Freddy’s Drop who’ve roamed here for over 20 years; to party, relax between tours, make a song Wairunga Blues in its honour and even to get married. Farmed by the Parker family for a century, Wairunga is an oasis of green pasture and native tree filled valleys that fall away to the ocean below.

In inimitable Freddy's fashion the new tunes run a gamut of genre busting styles. Coffee Black is layered with cosmic hot buttered soul and cinematic wigged out psyche-blues while Shady continues Freddy's Afro-Acid adventures with Fitchie’s beat-making tapping into a South African township brand of techno Freddys experienced on tour. Bush Telegraph is a reggae classic featuring MC Slave aka Mark Williams on the mic with freshly minted yum char spiced rhymes of hope. The other new tracks Leave Your Window Open and Dig Deep are loose rhythmic experiments that the band have been working on for a long time. Versions were developed, rehearsed, but then set aside – dismissed, demonised - only to be revived with new energy in some future moment of creative cohesion. The results are loose-limbed; broken and bruised beats smashing into subterranean bass and twisted up melodies. Bones and Wairunga Blues are the two classics from Freddy's vast back catalogue. Off the Blackbird album, Bones has aged beautifully - like a fine wine - the song’s component parts matured and melded together in harmony and balance. DJ Fitchie rates this 2021 vintage superior to the 2013 original. Wairunga Blues has been a work-in-progress since it was released on Bays in 2015. Kuki dials up some appropriately off-kilter keys to match the wonky-funk laid down by Fitchie’s bass line and the horns. It’s a mighty comeback – and a fitting tribute to this magical place.

Venezuelan producer and multi-instrumentalist Caribombo is back with his new album "Barrio Popular", and it's a true outlier, that would be hard to put into any specific existing category. From the African Salsa dancer "Bolingo" to the global club banger "El Catire", Barrio Popular is as much a floor filler than a deep listen; an eclectic journey that draws on the French African and South-Asian diasporas’ musical cultures to create colourful pieces of Dance music inspired by the artist's Colombo-Venezuelan heritage. Cumbia, Dub, Afro-House, Afro-Venezuelan music, UK Bass, Favela Funk, Salsa, Downtempo and Hip-Hop are among the numerous genres Caribombo effortlessly explores in this new, mature and surprisingly coherent project, where organic sounds harmoniously meet impeccably produced electronic beats and skilful Latin drumming. As its name suggests, Barrio Popular is a musical adventure to the world’s popular neighbourhoods, featuring guest rising stars from Mexico, Uganda, Venezuela, the Democratic Republic of the Congo and the UK.

Here's the first dip into previously unreleased heat from Parish. Fire late '80s Everton Chambers, riding a wicked lick of the tonight riddim. Another one proving yet again that Parish is one of the finest labels of the era.

Buckle up! Straight outta the vibrant heart of Annotto Bay, Jamaica, we're dropping a red-hot double-sided 12-inch produced by Mr King from 1989! This killer release features not one, but two scorchers from Fire Fox. On one side "Nuff A Dem Nuh See What A Gwan," is pure unadulterated digi fire. Flip it over, and you'll find the equally infectious "Hypocrite," another missile from the same year. Thank you to Jeremy from Deadly Dragon for the snaps and Richard McPherson for assistance in making this release happen.

A slice of deep ethereal roots and dub from Summer Records label boss Keith "Jerry" Brown circa 1978.

Hailing from Trenchtown, Jerry was an original member of the Rocksteady group "The Jamaicans" before migrating to Toronto. He set up Summer Records in the basement of his suburban home in Malton near the airport, a subterranean music sanctuary for the likes of Prince Jammy, Jackie Mittoo, Johnny Osbourne and Willi Williams.

Dreadlock Lady features Jerry's yearning falsetto over a hazy instrumental courtesy of the Ishan Band and showcasing horns-man Fitty's transcendent flute and Sax solos. The Dub enters even more surreal territory with Jerry at the controls putting the tape machine through its paces, reminiscent of wilder outings at Wackies Studio.

Stay tuned for a short documentary on Jerry Brown featuring a wealth of archive and never before seen footage Co-directed by Chris Flanagan and Directed by Graeme Mathieson, produced by The National Film Board of Canada.

Cobra & The Brotherhood of the Grape is a celebration of friends making music together for many years. An album conceived in the Clot neighbourhood and recorded in Barcelona, Mallorca and Buenos Aires. An "All Stars" occasion where many of the musicians who have played in STA over 20 years have come together to contribute.

The album features digital dub, dark roots and other sunny and bright tracks. Experimental and electronic, but also analog and dense in textures, and delicate in showing it.

After 20 years of the first CD, STA follows their personal path to make Dub. A special mention deserves the album's art by Tomás Spicolli, an old friend and collaborator of STA. Cobra & The Brotherhood of the Grape is the sixth LP in vinyl format within a production that also has several CDs, 7'' and cassettes.

A completely self-produced album. All original riddims. Dub for adults.

The four horsemen are the rhythm section of The 18th Parallel riding down the plains to the sound of an heavyweight stepper inspired by the late 70s playing of the Revolutionaries at Channel One. Slow, refined and powerful, the interaction of the drums, bass and organ leaves room to an otherworldly horns chant calling everyone to dance and sing along. Probably one of Fruits Records heaviest release ever!

The first 7“ of this series features Spanish based UK singer Benjammin known for his superb work with Roberto Sánchez. He chants down all ‘Warmongers’. His singing style reminiscent of BurningSpear’s greatest days sends shivers down your spine! Dub by Roberto Sánchez on the flip.

Here's the inaugural release in a new series from the archives of the late great engineer & producer Philip Smart. Philip's resume is impeccable - early friend and collaborator of Augustus Pablo, radio host and dj, first apprentice of King Tubby, and founder, producer and engineer at one of the major reggae studios of New York City history, Hc&f. Many years back our brother label Goldshop did a series of 45 reissues of the dancehall classics from Philip's Eclipse label. We always wanted to go deeper, but time moves fast, and unfortunately, Philip left us in 2014. But everything in due course, and now with his estate we've gone thru the archives to assemble a fantastic series of releases. This first release is a must - produced by Philip during his time as engineer at Tubby's studio, this is an awesome rockers style take on the moody Paragons classic. The flip features a classic blueprint mid 70s Tubby's style dub, HPF in effect with the first Prince, Philip Smart at the helm. Originally released thru Brooklyn's legendary Keith's record shop back around the time it was recorded.

The earliest musical memories of young Prince Istari are of his mother beautifying the home with her piano playing. She would repeatedly play the tranquil pieces of Erik Satie. Skipping school and sitting in the sun, young Prince would listen to these catchy, calm compositions. In the first week of 2024, the older Prince Istari rediscovered himself and found a box containing his mother's old sheet music. He transferred them to his computer and began spinning dub versions from them. It became a tapestry. As his mother used to say: "To weave a net, one must first spin." The form of the pieces dictated the direction each would take. The heavy dub transforms here into a light weightiness until it dissolves into a pure piano piece accompanied by a synthesizer. However, the last piece is much older, from the time when Prince was still known as Istari Lasterfahrer. The ending includes a distorted recording of Huberta, Prince's mother, playing a Gnossienne by Satie. At the end, she turns the sheet music, and the record can be turned back to the beginning. In the essence of its material, this record rejects the Loudness War. The originality of the compositions guided the dub within their tracks, thereby imparting to each a form descriptive of its essence.

Taikokissie & DUB Passengers, led by Tokyo-based Lo-fi musician Taikokissie, whose previous album "slow Dance IN Suburbia" was well received, presents their second 10-inch release!! Hard jazz, improvisation played with skill and dubwise with deep effects that dive deep. A great masterpiece with the warmth of mellow raw sound that emerges in the darkness. Four songs and 28 minutes long, recommended for chill out along with gentle dancing. Includes download code.

The Viennese audio-architect with South Tyrolian roots delivers two exciting new tracks, co- produced by Osman Murat Ertel (Baba Zula) from Istanbul.
Ulrich Troyer's Moments transforms classical & acoustic guitar recordings through tape machine treatment, guitar effect pedals, analog & digital effects into a shimmering soundscape. The combination of textures and effects generates excitement and invites to listen repeatedly, surprising each time with new details.
Fractured tones, beautifully rooted and held together by the tune underneath.
Credits:
Guitars, Tapemachine & Electronics: Ulrich Troyer Recorded & Mixed by Ulrich Troyer @ 4Bit Bungalow, Vienna Written by Ulrich Troyer Produced by Osman Murat Ertel & Ulrich Troyer Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin Cover Art © Eva Kelety & Ulrich Troyer
Period of creation: 2021-2022
Premiered at Meakusma, September 2022, Eupen (be)
Kindly supported by the City of Vienna (ma7 - Kultur), Federal Ministry - Republic of Austria (Arts, Culture, Civil Service & Sport) & Ske-fonds

"Congo" by Nkrumah is a hypnotic slice of deep roots by Nkrumah aka Toronto's Kwame Salmon. The city that was home to Johnny Osbourne, Leroy Sibbles, Jackie Mittoo and countless other Reggae legends has produced another artist following this great lineage, a singer with a voice unlike anyone else. Originally released in miniscule quantities as a self produced dubplate/lathe cut, the 45 caused a sensation among Djs and sound system operators world wide. This official release features a different mix with an extended version and a spare, mesmerizing Dub version by Toronto's Heavy Manners crew reminiscent of late 90s/early 2000s Rhythm and Sound releases.