Dub Vinyl 336 Items

A command across genres has distinguished Yasushi Ide"s work as a DJ and producer since emerging from the multi-scene spawning big bang that was Tokyo"s highly influential club milieu of the 1980s. This productions draw variously from hip-hop, dub, house, punk, jazz dance, exotica and electronic music - and at their most expressive, synthesize sensibilities within a single track. Now available for worldwide distribution from Love Injection Records on 7-inch 45 vinyl, the Yasushi Ide "A Place In the Sun (Kaoru Inoue Remix)" is paired with the equally gorgeous "A Place In the Sun (Dub)."

Conscious lyrics on this lesser known Yabby track. Never before pressed on 45 and comes with the correct version on the flipside. Comes in a printed Yabby bag. Tommy McCook on flute Sly and Robbie on rhythmic duties.

Unavailable since its original 1974 release (Fay Music) this limited edition vinyl re-press will not be around long!

Dub anthem from 2011 by Ethiopian vocalist Wellette Seyon. Comes with 3 dubs including some stellar melodica play. Produced by Ras Kush & mixed by Jonah Dan.

Two no-flim-flam, cross-border, dub-wise stompers paired with masterful versions from the veteran, Kingston-based unit led by the trombonist of Count Ossie’s Mystic Revelation Of Rastafari and The Light Of Saba.

Dub Kazman launched sub label which is called “Legendary Series” in 2022. Finally legendary series No.2 is ready to release.

Rough Signal Records featured living legend of Vin Gordon from The Skatalites. He began his career in 1964 as The Skatalites and he was main trombonist of Studio One. Vin Gordon’s melody is always original one and only Trombonist in the world.

A powerful stepper tune with an original melody by Vin Gordon and exclusive mix by Dub Kazman. And come with great art which is inspired by legendary Basquiat style. This release is one of the biggest collaboration with legend generation to new generation.

Music Mania and Indica Dubs is proud to present the fourth release in their Mania Dub series.

As Dub Reggae music becomes a global force, Vibronics & Conscious Sounds present an album that celebrates 50 years of dub music. Dougie Wardrop & Steve Vibronics present an album that takes classic music from each decade of dub, starting with 1970s Jamaica music right up 2010s worldwide dub sounds. The two prominent UK Dub producers will take each decade in turn, as the listener is catapulted across half a century of roots rocking Reggae music. This unique dubwise concept album will feature reworking of classic tunes from 1970s, 1980s, new versions of crucial music from the Conscious Sounds & Vibronics back catalogue from 1990s & 2000s and some brand new future dubs for the 2010s. Dubwise music across 50 years.

Moonshine welcomes Vibronics & Saralène in the Moonshine Recordings family. Their long awaited track 'Let Love Be Your Guide' will finally see the daylight in October.

Vana is a true Estonian lowkey gem, a duo (Ajukaja & Edith Karslon) who deal boldly with pop music clichés. On their debut 7” they cue up a track by beloved 80’s Estonian beachtown band to give it some new attire. A version & context of their own. They manage to lift a pseudo reggae track to present day & make it resonate here & now. Easy does it.

The B–side sees Vana on a pop trek. “Kuu Maa” is a real heart melter with its dreamy vocals, arousing piano line, guitar licks & funky bass. Grab that dictionary to catch each & every chunk of emotion on here. Or just let it slowly sink in. Lets go!

Soul Jazz Records’ new ‘Studio One Dub Fire Special’ brings together 18 heavyweight dub cuts, all recorded at 13 Brentford Road in the 1970s.
Featuring a stellar selection of dub cuts to classic and foundation songs recorded at Studio One with music from the legendary in-house bands – The Sound Dimension, New Establishment, Soul Defenders and Brentford All-Stars – featuring the likes of reggae’s finest musicians - Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Freddie McGregor and more.
These fresh dub sounds employed the mighty mixing desk skills of The Dub Specialist, aka Clement ‘Sir Coxsone’ Dodd, Sylvan Morris and Scientist to full effect. Studio One Dub Fire Special features our latest chapter of raw, stripped-down bass and drum sounds direct from Studio One, ‘the University of Reggae’.

A collection of contemporary reggae, dub and electronica, which marks a broadening of musical horizons for the label beyond reissues of lost African guitar dance music. The LP covers a range of Jamaican inspired sounds, including roots reggae, dancehall, dub and jungle, which may act as a taster for potential future releases.

The third and concluding edition of the Transmissions compilation series curated by IOJ Jura Soundsystem. The compilation focuses once again on rarities no longer available on Vinyl and touches upon Reggae & Dub, Ambient House, Downtempo and Leftfield Disco. Mixmaster Morris in his Irresistible Force guise opens the album with the Ambient Electronica of ‘Lotus Position’, a long time favourite that’s been unavailable on Vinyl for nearly 30 years. Full Moon Scientist pick up the Ambient Dub baton with ‘Lunar Base Dub’ segueing into Australia’s Rude Band, featuring Oz radio royalty Doug Mulray on the aptly titled ‘Doug’s Dub’ originally released on Oz Sounds in Australia in 1982, a true Balearic gem recorded long before the genre had been widely discovered. Other highlights include Mary House’s ‘Ambient’, a chuggy slo-mo piano houser originally the last track on a 7 track EP released in 1991 on Italian label Technology, and ‘Do It’, an obscure South African track by Inspiration which covers the music from Sylvester’s ‘I Need Somebody To Love Tonight’ paired with new vocals using the refrain ‘Do It’. Jean-Michel Bertrand gave his blessing to a special Jura Soundsystem version of ‘Dream Reggae’ which features long time collaborator Mike Burn adding lead and rhythm guitar to an extended edit of the song. The album closes with some Ambient Tools which should serve to raise a smile at the end of the series.

SWINGTING017 is a bouncy JA-to-UK bashment banger that features a hefty combination of producers and vocalists from both the Equiknoxx & Swing Ting camps. The tune finds each artist at their most playful, riding the sparkly, jiggy riddim impeccably.

The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.

Here is the much anticipated volume 4 of the HOT SAUCE compilation LPs dedicated to the Trojan related UK labels between 1965 and 1975.
HOT SAUCE VOLUME 4 features outstanding original Rock Steady, Boss Reggae and early Reggae (“Reggay”) tracks including rare songs, overlooked gems, hidden treasures and a couple of hits.
The record labels showcased on this fourth volume are Amalgamated, Big Shot, Duke, Explosion, Grape, High Note , JJ Records, Treasure Isle and Trojan.
The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity.

After reissuing Hedzoleh by Hedzoleh in 2022, a collaborative effort by Meakusma and Soundway, this new 12inch features remixes by Jimi Tenor, Mark Ernestus, Gavsborg and Waltraud Blischke, transporting and transfusing Hedzoleh's tracks into new spheres and circumstances. Hedzoleh Soundz were one of the first and most original ‘Afro’ bands from 1970s Ghana, playing an unusual mix of traditional music and western rock as part of the West African Highlife scene. The music for the Hedzoleh album was used by legendary South-African trumpeter Hugh Masekela as the backbone to his afrojazz classic, “Masekela – Introducing Hedzoleh Soundz”. The Hedzoleh Soundz Remixes 12inch features an eloquent, deep, deeply poppy even, dub by Mark Ernestus, Jimi Tenor taking the original Rekpete track into even more joyous territory, adding some subtly hypnagogic touches at the end, Gavsborg transforming Y Yes Baa Gee Wo into a beat-based drone of sorts, a toolin the right hands, and a majestic experimental twist by Waltraud Blischke, sampling one Hedzoleh track and one unreleased solo track by Sascha Todd, son of Hedzoleh bass player and vocalist Stanley Todd.

This record came about with the support of Ostbelgien.

Emotional Rescue returns to what it does best by unearthing musical gems of the British post punk scene with a double pack compilation of Bristol's short lived Recreational Records. Teaming up with Bristol Archive Records, 10 songs are remastered, reissued and cut loud for DJs and collectors. What is most striking is, although created in the space of just two years, with a disparate collection of artists, musicians and producers coming together, the music holds a considerable cohesive sound. Set up in 1981 by Bristol based shop, Revolver Records, Recreational was formed as an independent label with its own distribution, as part of the co-operative, Cartel. The label was a natural progression from the shop's punk's DIY aesthetic, acting as a hang out and inspiration for local artists from Mark Stewart to later staff member, Daddy G. 'Get It Right' starts with a one-off project in Scream + Dance, who similarly, alongside local bands Glaxo Babies, Maximum Joy and Rip Rig & Panic, explored post-punk with funk and jazz all underpinned with heavy tribal and dub influenced rhythms. 'In Rhythm', with its infectious groove, acts as a call to arms for the compilation, coming in two parts, the latter dropping away to explore the links with dub. Next is possibly the label's biggest band in Talisman, going on to be active up to today, their release 'Run Come Girl / Wicked Dem' are both featured in long 12" mixes that explore the classic 'discomix' of vocal and dub in longform. Animal Magic lead with the pack's title, 'Get It Right' a short-driven punk funk burst that captures the label's sound to perfection. However, much of the compilation is given over to the more experimental side of the bands, with a high percentage the B sides where they headed to the mixing desk for echo chambered dub inspired versions. X-Certs' 'Untogether; Electric Guitars' 'Don't Wake The Baby' and Animal Magic's 'Trash The Blad' are culled from the flips of various 7" singles and all are a fusion of percussive rhythms, studio trickery and dub inspired techniques, played out against the "Do it Yourself" aesthetic of the time. To complete is London based, soukous, kwela and afrobeat inspired collective, Ivory Coasters' 'Mungaka Makossa' and two rhythmic curveballs by Scream + Dance in 'Giocometti Wicked Mix)' and their riotous (and short) closer, 'In Pink & Black'. "Get it right this time, get it right!".

Limited edition coke bottle green vinyl coloured 180g vinyl gatefold double album from Stella Polaris.

The world’s largest free chill out event, Stella Polaris have been wrapping their electronic blanket of dubby and jazzy slo-mo sounds around tens of thousands welcoming bodies since ’97. An oasis of positivity and top-drawer music beaming out of Denmark, with a record label arm born in 2003.

Fast forward 20 years and their 17th album release, a delectable double album features new material from upcoming artists and exclusive Stella Polaris custom made remixes of well-known artists including: Foster The People (us), Groove Armada (uk), José Padilla (es), Underher (ca/de), Days of May (fr), The 2 Bears (uk), Elvstrøm (dk), Teitur & Mads Björn (dk).

Stix Records, a sub-label of Favorite Recordings, proudly presents Disco Reggae Vol. 5, pursuing the highly acclaimed series started 10 years ago. Birth land of the Reggae music, Jamaica has also always been fed by Soul, Funk, R&B and Pop music from the US scene, delivering some of the best covers anyone could think of. With it’s Disco Reggae series, Stix Records therefore simply carried on this tradition, offering new versions of classic songs from a wide spectrum of musical styles. On this 5th edition, the list extend to famous name such as The Undertones, Bobby Caldwell, Cerrone, Patti LaBelle, or Ray Parker Jr. to name a few. At the control to tailor these hits with new and exclusive Reggae suits, you’ll find the best producers from the Stix’ roster like Soul Sugar aka Booker Gee, Taggy Matcher, Simon Nyabinghi, or Mato. Together they signed again a perfect soundtrack to extend your summer and fill your playlists, whether to light the dancefloors or just sip a nice cocktail facing the Negril’s sunset!

At the beginning of the eighties reggae music became increasingly in tune with what was happening in Kingston’s dance halls… probably more so than at any time since the sound system operators had started to make their own shuffle and boogie recordings in the late fifties. The international audience and the critics were too busy looking for a new Bob Marley to appreciate what was happening downtown and failed to acknowledge that this was a return to the real, raw roots of the music. Brash, confident, young record producers who were totally in tune with the youth audience stepped forward and seized the moment…

Oswald ‘Ossie’ Thomas began his apprenticeship in the music business at the age of

fourteen and served his time as a record salesman for Bunny ‘Striker’ Lee and Winston ‘Niney The Observer’ Holness before moving on to Miss Sonia Pottinger’s Tip Top Records.

“I ended up working in three record stores on Orange Street from 1976 to 1981… Yeah man! Me deh ‘pon me bicycle till I buy my motorcycle! Them days records were coming out left, right and centre… every day!” Ossie Thomas.

It was during his time with Miss Pottinger that Ossie began to produce records for

himself and in 1979 Ossie and Phillip Morgan began the Black Solidarity label based deep in the Kingston ghetto on Delamere Avenue. Phillip initially inspired Ossie to start the label and soon Triston Palma, Phillip Frazer and “a youth named Gary Robertson” joined in although Gary later left for Canada.

The Soul Syndicate rehearsed in the Delamere Avenue area and Tony Chin gave Ossie a cut of a rhythm that he used for Triston Palma’s ‘A Class Girl’… the label’s inaugural release. The record was a sizeable success and paved the way for hit after hit after hit on Black Solidarity. Ossie worked with just about everybody who was anybody during this critical period of the music’s development including vocalists Robert Ffrench, Little John, Sugar Minott, Frankie Paul and most notably Triston Palma.

For this release we have compiled some of the version sides to those releases. Dub still being an integral part of the Reggae Sound System Sound. So sit back and listen to what Black Solidarity, one of the most important and often overlooked labels were bringing to the dance, dubwise, back in those heady 1980’s times.

With grateful thanks to: Paul Coote, Nick Hodgson & Hasse Huss

Delodio label's managing duo ( Fafane and F.M ), have been piling up tonnes of tapes and cassettes in their studio for many years. The tracks compiled here, by an as of now unidentified artist, come from one of these cassettes. One thing is certain, the artist who made this instrumental cosmic music loved / loves soaring synthesizers with arpeggiators and drum machines. Throughout the 8 tracks on this album, you get the impression of wandering through a planetarium or listening to an early 80s sci-fi movie soundtrack. Crystal clear vinyl, small batch of 500 copies vinyl only, no digital. Don’t sleep !