Dub Vinyl 330 Items

Real Rock Records proudly presents an exciting collaboration between the legendary Zion Train and the British sing-jay Dubdadda. This single, extracted from the early 2000s album “Original Sounds Of Zion,” is a true sound system thriller. The tune features catchy horns and irresistibly danceable rhythms, with Dubdadda in top form. It comes with a special Zion Train label design. Don’t miss out on this one!

Jonathan Holness popular known as Zion Head is a Jamaican born independent reggae music recording artist that is base in France. Zion Head is starting to be a house hold name in Europe, and around the world as a genuine reggae music artist. His first Ep Jah Watching, as showing that he has the voice, the sound and lyrics to be come one of reggae music standout artist. His song Show Love, from that album Jah Watching, as been featured on the Jamaican Central Express Ronmuschette 10 ten music count down cart. Zion Head is extremely happy to announce is now first album (Mount Zion) which consists twelve tracks including four collaboration with the light's of some of reggae music icons such as Macka B, Anthony B, Yasus Afari, and Stranger Miller & Cento P.Zion Head is heading for greatness with his lyrical content and his unique style gives you a types of feeling that you just want to dance and listen to some good positive motivation. Conscious irie reggae music, in this album you will definitely fine 3 or more songs that you will fall in love with, in fact may be all the songs. Zion Head sing about Education, he sing about the struggle people go through in life, he sing about going back to Israel to fine the truth, he sing about smoking weed and alot more. You just have to go check this album out,

This first single is not only available on digital platforms, but also as a 7” record on a limited edition press, with Tiempos Ruff on the A side and its instrumental riddim version on the B side.

A musical bomb, inspired by the great Mikey Dread, that will shake the ground while talking about the nowadays struggle and inequality.

Released in 2017, the much-talked-about Yasuyuki Horigome & THE NEW Shoes "Aliens (Lovers Version) (12")" will be re-released by Urban Discos in limited quantities! The flip side features a dub version of the song, as on the first pressing. It was re-cut from the original master and retains the 12" 45rpm spec.

In the early 1970s the island of Jamaica, and in particular its reggae musicians, developed a love affair with small Japanese motor bikes. Honda bikes were eulogised in Big Youth’s ‘s90 Skank’ and Dillinger’s ‘cb200’, whilst their rival was lauded on Shorty The President’s ‘Yamaha Skank’, to name the most obvious examples. The plot of the film ‘Rockers’ revolved around how transformative a motorbike could be, providing a livelihood whilst projecting an image of success in the ghetto. Vivian ‘Yabby You’ Jackson had been fiercely independent as a singer and producer, and the success of his early self-pressed productions, mostly on the Prophets or Vivian Jackson labels, had given him a sense of hard earned autonomy. A motorbike was one of the fruits of his labours, acquired as a way of zipping around the capital’s roads to deliver records and organise recording sessions. His wife Jean could often be see hanging on to the back. Twelve years after his death, she remembers various exploits on the pot-holed roads of Kingston. Jean Vencella Williams: ‘His first motorbike was a Honda 50 and then a 100, a Yamaha. I remember the Yamaha, it was a dark blue colour, it must have been from the mid 70s til the early 80s. I used to ride around on the back and we ride all over, like we go to the country cos his mother lived in Clarendon. And he had a little carrier thing for boxes of records, so we go to Mandeville in Manchester, sometimes to Spanish Town fe sell records. Most of the time he sell them to the shops, like Randys, and the people them buy it from there. He had pressing plants like Byron Lee and later Tuff Gong, so when the records pressed we find out the time when we get back the records, which usually was at least a couple of days or about a week. And later when we living in Clarendon we come into Kingston to pick them up at the pressing plant. And when he book the studio he might book two or three days and we come in and usually stay til late.

‘He used to carry the records from the different pressing plants on the bike, but because of the rain and weather you know it not so good for the records, and also the sun beating down. Then Wayne Wade had an accident on the Yamaha, and he was hurt quite bad, and he had to go to the hospital for quite a while. Well Yabby didn’t ride it after that, cos it was getting dangerous with so many cars coming in. So he gave up the Yamaha and bought a Toyota Carina, and that car was very good to him. Then the Carina become a little shaky, so he got a Toyota Corolla which he drove until his death.’

This album presents a sample of the best of those ‘Dubs and Versions’ that Yabby was ferrying around town, whether rarities, B-sides or tracks culled from albums that showcase the breadth of Yabby’s productions between 1975 and 1982.

This release comes with sleevenotes original artwork.

Conscious lyrics on this lesser known Yabby track. Never before pressed on 45 and comes with the correct version on the flipside. Comes in a printed Yabby bag. Tommy McCook on flute Sly and Robbie on rhythmic duties.

Deep spaced out cut of the classic Jah Vengeance from Yabby and the Prophets. A side lifted from the Deeper roots 2 set. The version from the Beware dub set.

Ruff and Tuff’ is the first 7" reference from Two Flames Records. This single is an exciting collaboration with legendary artist Winston Reedy and the house label band Two Flames Syndicate, featuring David “Jah D” Goldfine” from Zion I Kings on bass and Gyasi Crosdale on guitar.

Unavailable since its original 1974 release (Fay Music) this limited edition vinyl re-press will not be around long!

Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late 1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics. In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide & Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can (re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade Studio for this original and unique Disco 45 cover graphic creation. Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health specialist. Long live to the Cultural Roots !

Vibronics teams up with an army of top female Reggae & Dub artists to collaborate on the new album “Woman On A Mission 2” .. to celebrate the rise of women in the Reggae & Sound System Dub scene Vibronics invited Carroll Thompson, Sandra Cross, Marina P, Sisters in Dub, Sista Habesha, Empress Shema, Koko Vega, Vanya O & SoulSteppa into the Dub Cupboard Studio to create this epic double album of Vo-cals & Dubs for 2024. The album features fine vocal tracks & heavyweight instrumental Sound System style dub style tracks.

Vibronics is one of the most established names in UK Dub/Reggae music achieving millions of views on YouTube, millions of Spotify streams and many tens of thousands of vinyl record sales. Collaborators include Michael prophet, Macka B, Iration Steppas, Soom T, Aba-Shanti and more.

Meet some of the amazing artists involved in this album:

Carroll Thompson is the official ‘Queen Of Lovers Rock” - the biggest name in UK Reggae here showing her amazing versatility by singing a roots-reggae anthem for the Sound System generation

Sandra Cross is the award winning UK Reggae legend famous for her work with Mad Professor on the Ariwa Label

Marina P from Italy via Paris teams up with Vibronics following her success with Glasgow bass heavy beat legends Mungos HiFi.

Music Mania and Indica Dubs is proud to present the fourth release in their Mania Dub series.

Vibronics is one of the most established names in UK Dub/Reggae music achieving millions of views on YouTube, millions of Spotify streams and many tens of thousands of vinyl record sales. Collaborators include Michael prophet, Macka B, Iration Steppas, Soom T, Aba-Shanti and more. Meet some of the amazing artists involved in this album:

Vibronics teams up Koko Vega in the Dub Cupboard Studio to create this epic heavyweight instrumental Sound System style dub style track.

Moonshine welcomes Vibronics & Saralène in the Moonshine Recordings family. Their long awaited track 'Let Love Be Your Guide' will finally see the daylight in October.

Soul Jazz Records’ new ‘Studio One Dub Fire Special’ brings together 18 heavyweight dub cuts, all recorded at 13 Brentford Road in the 1970s.
Featuring a stellar selection of dub cuts to classic and foundation songs recorded at Studio One with music from the legendary in-house bands – The Sound Dimension, New Establishment, Soul Defenders and Brentford All-Stars – featuring the likes of reggae’s finest musicians - Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Freddie McGregor and more.
These fresh dub sounds employed the mighty mixing desk skills of The Dub Specialist, aka Clement ‘Sir Coxsone’ Dodd, Sylvan Morris and Scientist to full effect. Studio One Dub Fire Special features our latest chapter of raw, stripped-down bass and drum sounds direct from Studio One, ‘the University of Reggae’.

11,5 track strong LP on the Dutch Roots Tribe label (January 2010). All tracks produced by Slimmah Sound. Fat beats included. Vocal & dub style.

A collection of contemporary reggae, dub and electronica, which marks a broadening of musical horizons for the label beyond reissues of lost African guitar dance music. The LP covers a range of Jamaican inspired sounds, including roots reggae, dancehall, dub and jungle, which may act as a taster for potential future releases.

SWINGTING017 is a bouncy JA-to-UK bashment banger that features a hefty combination of producers and vocalists from both the Equiknoxx & Swing Ting camps. The tune finds each artist at their most playful, riding the sparkly, jiggy riddim impeccably.

New compilation and long overdue next entry in the long running 'Jah Children Invasion' compilation series! This volume focuses on Wackies' foray into digital reggae, with a killer selection of tracks from the late '80s and early '90s. There are three previously unreleased tunes alongside seven others culled from prior rare and long out of print releases. In DKR style this comes in a 2 sided hand silkscreened jacket.

All killer no filler 10 track compilation of peak late 80s digital tunes from Park Heights' most productive period. Pure fire produced between Jamaica and New York City. Featuring two previously unreleased tunes and the rest reissued for the first time.

Ten great tracks from Park Height's productive late '80s period, where Mr. Francis produced a lot of great early digital reggae both in Jamaica and right here in NYC. We've selected eight great never before reissued tracks from the catalog, plus two previously unreleased gems. As always, housed in a fresh jacket with the vibes of the time.

The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.

Deeeeeep from the Ariwa archives... all unreleased music on here. Sounding absolutely essential to us. Dates of production uknown at time of writing...

The A Side is a Mad Professor produced version of Aisha's 'Give a Little Love', given the UK treatment. The Dub is a proper roller.

Side B is the unheard African Message Dub (Parts 1& 2). Recordings ft Jah Shaka on bass, Norman Grant (Twinkle Brothers) on Drums, Sgt Pepper and Mad Professor on the desk. Masterful UK Dub from these key figures.... pulled out of nowhere.

Not to be missed!

Emotional Rescue returns to what it does best by unearthing musical gems of the British post punk scene with a double pack compilation of Bristol's short lived Recreational Records. Teaming up with Bristol Archive Records, 10 songs are remastered, reissued and cut loud for DJs and collectors. What is most striking is, although created in the space of just two years, with a disparate collection of artists, musicians and producers coming together, the music holds a considerable cohesive sound. Set up in 1981 by Bristol based shop, Revolver Records, Recreational was formed as an independent label with its own distribution, as part of the co-operative, Cartel. The label was a natural progression from the shop's punk's DIY aesthetic, acting as a hang out and inspiration for local artists from Mark Stewart to later staff member, Daddy G. 'Get It Right' starts with a one-off project in Scream + Dance, who similarly, alongside local bands Glaxo Babies, Maximum Joy and Rip Rig & Panic, explored post-punk with funk and jazz all underpinned with heavy tribal and dub influenced rhythms. 'In Rhythm', with its infectious groove, acts as a call to arms for the compilation, coming in two parts, the latter dropping away to explore the links with dub. Next is possibly the label's biggest band in Talisman, going on to be active up to today, their release 'Run Come Girl / Wicked Dem' are both featured in long 12" mixes that explore the classic 'discomix' of vocal and dub in longform. Animal Magic lead with the pack's title, 'Get It Right' a short-driven punk funk burst that captures the label's sound to perfection. However, much of the compilation is given over to the more experimental side of the bands, with a high percentage the B sides where they headed to the mixing desk for echo chambered dub inspired versions. X-Certs' 'Untogether; Electric Guitars' 'Don't Wake The Baby' and Animal Magic's 'Trash The Blad' are culled from the flips of various 7" singles and all are a fusion of percussive rhythms, studio trickery and dub inspired techniques, played out against the "Do it Yourself" aesthetic of the time. To complete is London based, soukous, kwela and afrobeat inspired collective, Ivory Coasters' 'Mungaka Makossa' and two rhythmic curveballs by Scream + Dance in 'Giocometti Wicked Mix)' and their riotous (and short) closer, 'In Pink & Black'. "Get it right this time, get it right!".