Dub Techno Vinyl 159 Items

Remastered into analogue bliss from the original ampex tape masters conducted at the NSC mastering lab in Detroit by the legendary Ron Murphy (R.I.P.) Recorded from a live session near the heart of Detroit, using countless modular synths, analog devices and custom made effects producing a hypnotic state like no other; tugs right at the heartstrings!

Subtle hipnotic and dubby techno! Excellent!

Prana glistens into existence as ethereal pads drift by, giving way to a subtle, almost deep house beat that pulses nicely, backed by tribal-esq percussion. A gently staccato synth pattern flutters in and out toying with the idea of techno ever so slightly yet keeping well within the realms of his usual sound. Simplicity is the key in this track and Deepchord allows it to evolve slowly and he toys with sweeps of reverb and FX giving the track a lush, organic sound.

Tantra gives off a tougher vibe than it predecessor. Gently layered, deeper, edgier synths open the track as percussive elements, swathed in FX form the basis of the groove. Bolstered by a typical Deepchord dubbed out bass line this track once again evolves perfectly almost without the listener noticing the subtle changes that give Tantra a deep and emotive flow.

Never one to sit still and be pigeon holed into a genre, Deepchord easily turns his hand once again a brings two beautifully crafted tracks in his own inimitable style

Classic track from Stasis with a contemporary rework by Unbroken Dub!

Official re-edtion by Phil Week & Didier Allyne with Sunkiss aka David Alvarado. Released on Groove on in 1996 & hard to find these days. Apogee/Eclipse are deepest dub techno. Will appeal too all Basic Channel/Deepchord fans.

Soma mainstay Deepchord returns with part 2 of the Luxury Series. This Double A release feature Deepchord s signature atmosphere rich tones and lush environments and also mark a slight upturn in terms of pressing on a more Techno vibe.

Luxury 3 opens as spacious as can be as the dynamic Modell crafts otherworldly pads and haunting tones, driven by muted kicks and driving subs. His effective use of delay and reverb knows no bounds as he subtly shifts synth stabs and background noise through the dimensional barrier, creating rhythms so refined they defy the natural law. His usual percussive wizardry is at work here that, whilst vigorous, retains a light atmospheric feeling keeping fully in line with the melancholic tones of the track. Clocking in around 14minutes, this is Modell as his most immersive.

Luxury 4 has a distinct Detroit heart to it. Those almost instantly recognisable saw waves, moulded by layers upon layers of processing, swirls and evolve and Deepchord slowly works in various elements of the track to unparalleled levels. Fairly reminiscent of earlier, more stripped work, subtle percussion brings things to life fairly quickly as Modell allows the layers of ethereal synths and processing to blend and fuse naturally, creating a cohesive background to which the listener can easily spend hours listening to, every time finding ever so slight nuances to each cycle of the track.

Deepchord never fails to impress with every release and can easily change his style up from previous incarnations based in pure atmospherics to his own unique brand of legendary Dub Techno

The ever-reliant Deepchord kicks off 2014 in his usual stylish way with two deep cuts in the Luxury EP. After last years jaunt into the ambient with 20 Electrostatic Soundfields, Rod Model return to the world of slick beats and even dreamier synths and atmospheres.

Luxury 1 ebbs in majestically as beautifully crafted layers of synths glide across field recorded drops of water that instantly play with your senses. Pumping sub bass fills the rest of the spectrum as Rod does what he does best by creating an unending slick groove, pieced together by crisp percussion.

Yet more atmospherics come into play in Luxury 2 as otherworldly field recordings are brought to life through the use of Rod's unique processing and layers of dream state synths. A perfectly worked groove seems to come out of nowhere and glides gently under the atmosphere; again subtle percussion ties everything together seamlessly.

The master of Deep Techno strikes again with nothing short of 2 elegant works that typify his skills as a producer.

Limited 10 year anniversary repress with black/white artwork. In May 2014, Icelandic producer Yagya released his fifth album, Sleepygirls, across three slabs of vinyl on Dutch label Delsin. It's a deep, spacious and dubbed out affair that stays locked at a pleasingly sedentary tempo throughout. Since 2002 Yagya has been crafting lush electronic albums and always manages to find pure bliss and beauty and his simple, nature inspired soundscapes. "I wanted to create an album that's atmospheric, repetitive, and easy to listen to over and over again," says the man himself. "Something that works well in the background (e.g. when concentrating on work), as well as up close in a big sound system. I also wanted to learn how to make my music sound better than before, since I'm a huge sound-nerd, so that was a part of the goal for me personally." The album is a fine fusion of tropes from Yagya's earlier albums, features jazz instrumentalists that improvise beautiful melodies over monotonic, almost drone-like, techno beats and also uses live recordings of Japanese vocals, saxophone and guitar to counter the repetitiveness of the rhythms. Right from the rolling bliss of the opener, you're suspended in a womb like pillow of sound that is soft, warm and serenely beautiful. As tracks roll on, the pace stays the same but themes vary from upright and summery to more elongated and insular. This is natural, organic dub that is a delight and a pleasure to listen to. The vinyl versions of each track have been specially mixed with random LFOs, sonic quirks and unique fingerprints making them the subtly different to the CD version, but overall this is a brain soothing and mind melting album that can soundtrack lazy days, long summer afternoons and warm winter evenings in equal style.

10 Year anniversary edition, recut and remastered from the analogue tape masters from Bazza's Alchemy Mastering in London; focusing and enriching every finite detail. This EP features 2 new pieces of sonic meditation residing somewhere between space and time, somewhere in the cosmos. With the title track, "Beyond Starlit Sky", vaporous atmospheres emerge from the distance, while ghostly apparitions and analog modulations rise to the surface of a truly hypnotizing rhythm, submerging the mind deep into an analog world. With the "Live" version a mixture of themes from "Fading Lights" and "Beyond Starlit Sky" find an engaging syncopation, resting somewhere in the ether. Those who loved Echospace's "The Coldest Season" on Modern Love will have plenty to adore here, timeless in all senses of the word.

2022 repress

The ever enigmatic Deepchord makes a most welcome return to Soma with this, the first single to be taken from this latest full length, Ultraviolet Music. Three beautiful slices have been cut from the album to form this truly outstanding single and shows Deepchord return to a straight up mix of heady, cerebral dub techno infused with more solid rhythms.

Dubby delays whirling trough the air like leaves. Welcome to Acker Dub 2016.

Hidden Operator coming through with some fresh dub infused power powder. Horns get twisted and turned inside out and laid on a bed of suitably phased out beat work.

Single release of the star_dub lp on dubwax.

Atmospheric Vol 2 is the second single to be taken from Deepchord's latest full length but sees him stray from the album tracks, bringing 3 exclusive pieces to the vinyl, keeping in the same musical vein as Ultraviolet Music.

Exploring the North & Pinewood Lodge see Rod Modell on more Deep Techno excursions as beautifully sweeping pads and glistening synths drift by ever evolving, perfectly processed atmospheres. Deepchord's unique use of subtle field recordings throughout give both of these tracks a real heady/druggy quality and his seamless loops allow you to drift of into his fully developed dream world. Shot Point delves into straight up ambient territory with Deepchord striking an unearthly balance between the natural and synthetic world. Yet more flawlessly collected field recordings wash away on an ocean of reverb soaked pads, drowning the listener within its mesmerising tides.

The mix of Dub and Techno is not exactly new. However, JPatterson found a way to combine these genres in a way that checks all the boxes to be classified as fresh and exciting. His rustic Prog-a-Dub grooves burst with reckless danceability, the sound of his tumpet has an emotional intensity that simply doesn’t exist in the digital music domain. But the catchiest element of his track Elevator is yet another one: It’s his voice and its contagious casualness. The Dub Version of this track is a bright summer day turned into rhythm and melody. It gets even more exciting than this, as a hand-selected group of party heads from the Acker family has remixed Elevator. Timboletti turned it into a slow, delirious afterhour groove (digital only). Dole & Kom redesigned it into an understated anthem. And Mollono.Bass created an energetic rhythm environment for the weightless trombone that feels like it’s vibrating right in middle between the original and the Dub Version of Elevator.

It's in the depths of the oceans that PierroX finds his inspiration for this ambient music. He uses natural sounds (like whale songs for example) to take us on an abyssal trip between purity and aggression. Two talented producers, Nutia (German) and Shcaa (English) take us back to the surface with their minimal Tech-House remix.

A re-work by Mark Ernestus of the opener of Honest Jons' new LP by the Obadikah brass band, from Lagos. Consummate Berlin dub science by the maestro. Beautifully textured, shuffling Lagos funk, on home-made percussion… militant, parping horns... and a walloping, filthy-stinking kick-drum like the bucking, hairy hind-most of the Devil himself.

- 2022 repress -

For the second effort on his very own Oblique imprint, Ben Buitendijk returns to the sound he's only showcased through his well received Promised Land (Mosaic) and a recent remix through Subwax.

This more dubby approach is the general thread in the sophomore Oblique release called ''Past and Present EP''. Generally, this release is threading into deeper territories than it's predecessor but is therefor revealing different sides of the label owner's taste that are maybe being underexposed thus far.

Soundscape Versions presents the 2023 repress edition of debut 12" showcase on sublabel Mystic Versions with four unknown Techno cuts by different artists from across the globe produced and performed by using analog hardware gear originally released in 2016. Mastered by Stefan Betke at Scape Mastering.

The first twelve-inch of the year from e c h o s p a c e features epic reworks of cv313's now classic, "Seconds To Forever" released back in 2010. The first track is a killer dubbed out reversion by intrusion, for the dancefloor or the sofa, this is spaced out sonic submersion of the highest order. There's also 2 beautiful remixes from the brilliant Rod Modell (DeepChord), those touched by his recent output on Soma will have a lot to love here. Gorgeous plumes of sound all lovely mastered and mixed down from 1/4" analog tape, cut and remastered by bazza (Abbey Road Studios) at Alchemy, London. Sublime and beyond deep, another exquisite excursion transmitting from the other side of the galaxy. Pressed onto 160 gram crystal clear wax.

With his third single release, Y-Bayani (pronounced like Why-Bayani) shows clearly that he is the most intriguing roots-reggae sensation coming out of Ghana. He is backed again by the lushly grooving Band of Enlightenment, Reason and Love.
Asembi Ara Amba, sung in Fanti language, is an old Fanti story about having bad luck if you see a vulture up in the sky. As Y-Bayani sees one suddenly and for no reason he gets in trouble with the police. Being hold back in the police station he finally takes his chance to escape into freedom while the police men taking a nap.
On We Are The Band of Enlightenment, Reason And Love the group presents their personal anthem. The song is a cinematic journey starting with a mighty horn theme, followed up by a mantric chant and enters finally into a wall of sound in double time. It's a small symphony for sure.

Maayan Nidam's launches her new imprint with a four tracks release from the ever-elusive Hubble, presenting deep and heavy sound esthetics we grew to expect from the intriguing producer as well as from Nidam's distinct preferences when curating her dj sets. The record begins with a promise to a spiritual journey, arriving to full expression on the second track. The flip side returns to the body with a primal groove that explores movement in personal space, fantastically growing to the firm and definite steps of the forth and final track on the EP.

Idealist, Patrick Zigon, El Choop and Van Bonn took their hands on Insect O s full length album Atacama. Zurich based Idealist turns the epic New Dawn track into a raw techno mover with acidic chords and an air cutting hihat. For his remix of Resonance Biotop label head Patrick Zigon spices up the melodies with some disharmonic sounds and embeds it on top of a shuffling groove foundation. El Choop got on remix duties for Atacama and hit the ground running. Using multiband saturation and a granular software to create a pad, he s turned it into an entirely new exploding techno track. Van Bonn rounds up the remix edition. Using some trippy fx, he lays the chords and field recordings on top of a very deep dub beat in his mystic remix for Forest Of The Monkeys.

Heavy, mutant dub pressure from Joachim Nordwall as The iDEALIST, leading down the path from a cracking album, mixtape, and Genesis P-Orridge-starring outing already in 2019. Faithfully brought to life with mastering by Jack Callahan ov Sunburned Hand Of The Man and Bánh Mì Verlag esteem, The iDEALIST’s 2nd 7” sees him knuckle out two minimalist, monotonic steppers that fall in the gulf between dub, noise and Pan Sonic-like techno purism.

Soundscape Versions presents its 2023 repress edition of its third installment of the various artists series and offers four cuts between subtle house breaks, acid house, electro and atmospheric techno. Mastering and cut by Marco Pellegrino at Analogcut Mastering.

Irenic's Roger Gerressen takes care of another release on the main label. This EP is all dub, featuring tracks for the dancefloor, tracks to play at home and an older track from the vaults, found on RG's 2009 harddrive.

Following the success of last years Babe Roots EP, Echocord revisits the package with reworks from Forest Drive West, Mike Schommer, Felix K, DB1 and Babe Roots themself. London’s DB1 leads the package with his take on ‘Work Hard’, a mostly beatless interpretation fuelled by oscillating white noise, winding dub chords and snippets of the original’s dub reggae vocals. Hidden Hawai’s Felix K then ups the energy levels with a high-octane take on ‘Sufferation Time’, driven by upfront, shuffled and distorted drums and unfaltering, tension building dub swells.

Roger Gerressen's Irenic returns with a beautiful deep split EP taking you on a journey.

Southern Lights celebrates its 5th anniversary with the first of two EP’s showcasing various artists titled “Charged Particles”. Charged particles is a metaphor taken from the Aurora Australis wonder, where charged particles from the sun enter the atmosphere on the poles and create the Aurora phenomenon. Creating the sonically charged particles for Volume 1 are 18 Figures, Cliche Morph, Bastian Balders and Shoal: a unified course that traverses across glacial textures, metallic soundscapes and sonic expeditions.

O$vmv$m the Bristol based production duo of Amos Childs (Jabu) and Sam Barrett (Kahn & Neek) have traditionally dealt in hazy, smoked out vignettes - seen across release for Idle Hands, No Corner and most recently providing music for the Manonmars LP. Where the duos previous work has explored ideas in short bursts which capture you then fades away; Idle063 takes their sound into unexplored directions and shows an evolution in their output. By extending their ideas into long form tracks within the traditional lineage of bristol soundsystem culture and combining it with their unique ear for sampling Phase 4 / Witch brings O$vmv$m's into a territory which shows how wide their sound can truly reach

Killer releasee by new comer aka Dubset. Minimal Dub, breaks as it is. For Bluetrain, Steve O'Sullivan fans.

After six years in the making between Malmö and Berlin, Per Hammar presents his first studio album on his Dirty Hands imprint. Pathfinder LP is designed for the dance floor and represents the evolution of one of Sweden’s finest artists from his musical beginnings in 2004 to the current day. Per Hammar has been associated with labels such as Infuse, Constant Sound, Malin Génie Music and Berg Audio to name a few. Always inspired by music where melody is the focus, he notes his subconscious as being an inspiration for his productions. Over the last 15 years, his material has featured influences from dub to video game scores, and trance to happy hardcore, but on his Dirty Hands productions it’s been dub that’s held centre focus.

Fractions return to Fleisch for a third time with their debut LP, unleashing eight tracks of highly effective techno-infused body music inspired by the melodrama of French films such as La Haine and Irreversible. With a palette of modernized 90s rave elements they transport the listener on a cinematic ride of contrasts between the explosive and the soothing, through violence and action to love and hope. Featuring Zanias on Track A4

Following up to Rob Belleville's inaugural delivery, Fluid Electronics returns in 2021 with a new collaborative EP courtesy of Dutch veteran Jarno, the man behind Trouw's infamous Below evenings, and Fluid Electronics' co-founder and owner Shirazi, back in full swing after a ten-year break from production. The EP features remixes from Amsterdam's Love Over Entropy and seminal Rotterdam-based duo, Duplex. The A-side finds Shirazi and Jarno dishing out a vaporous dub with the focus track, "Late Night Thoughts". Engineering a mix of reverb-drenched atmospheric techno laced with hedonistic house accents and mystique-imbued melodies on a dreamy tip. Upping the tempo and overall vibe of the track, Love Over Entropy's remix propels its listener in a blazing corridor of synth arpeggios and luminous chords. The flip side sees Shirazi go solo on the ethereal "Continue Learning", all in evocative spaciousness and textural finesse, as it merges the immersive depth of Basic Channel-esque envelopes with further straightforward floor dynamics. Clone-affiliated duo Duplex provides a tighter, jacking match to the original's vaster headspace, tweaking it into a proper clinical club-ready weapon.

New Mini LP featuring 5 hyper-textured earthy pieces from Priori. The music flows and breathes, recounting stories from the perspective of a little flower. ''First we all grow in a row. But as the land expands and the hills rise, we take pleasure in chaos... and covet the unknown''

Following on from the success of 2020's 'Inside' EP on Livity Sound and previous releases on UK labels Cong Burn and Blank Mind, Manchester's Lack returns to Livity Sound with a brand new EP of hybridised and dubbed techno cuts. “I wanted to try and create a sense of space or calm within the tracks, even if only subtle. I suppose it was a reflection on the crazy state of the world and needing to find space within myself to stay grounded and get through it”. From the deep bass and irresistible skank of Grapefruit to the rapid yet ice cool propulsion of Microshift and the spacious yet energised rhythms of Make It Circular and Constant, this new record further explores Lack's fractured techno aesthetic, skilfully joining the dots between broken dub techno and vintage dubstep. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

Techno isn’t a genre that has birthed many consistent albums, and the dub techno subgenre even less so, but one indisputable classic is Porter Ricks’ debut ‘Biokinetics’. Originally issued on the legendary Basic Channel sub-label Chain Reaction in 1996 following a trio of 12″s, ‘Biokinetics’ was the first of the label’s album releases, and still stands as its crowning achievement. Porter Ricks are Thomas Köner and Andy Mellwig, and between them they re-framed the techno sound, imbuing the spacious ambience pioneered by label bosses Mark Ernestus and Moritz Von Oswald with a frosty, isolated experimental bent, and combining it with the sort of haunted minimalism of early Plastikman. What separated ‘Biokinetics’ from other albums at the time was its unwavering narrative - the exact sound has been interpreted countless times since, but the immersive qualities of this singular record have rarely been touched. Maybe it is down to the silvery underwater concept that ties each track together - the bubbling pads, sub-aquatic basses and muffled kick drums. But as with any great album, it’s hard to exactly put your finger on what makes it a classic. Simply put ‘Biokinetics’ is one of the most important records in the genre and one of techno’s finest albums. It has been re-released ten years ago by Type Records, and now Mille Plateaux is celebrating Porter Ricks’ and Biokinetics’ 25th anniversary with this sumptuous double viny edition.

Jochem Peteri comes drifting back into earshot with some new Nwaq tackle in tow. Beyond the plentiful reissues of his timeless earlier works, Peteri is just as productive in the here and now. Now he’s minting a new label with three pieces that embellish the Nwaq soundworld with a fresh slant. ‘Above II’ is a crystal clear beam of light strapped to a kick that trips over itself with grace and poise. It’s forthright and yet wholly untethered, a pre-echo for the anchorless expanse of ‘Above I’, which buries some heavy bass ruminations very far down in the mix. That leaves it to ‘Dume’ to come staggering out all bleary-eyed, caked in last night’s distortion and yet still exuding a cracked beauty that stands up to the first light of dawn. The artwork which adorns this record is by environment sculpting internet artist Jan-Robert Leegte. Nwaq has always stood for a kind of environmental immersion, and this new emission compounds that idea in three distinct, refreshing ways.

Dub at its best. 180g! Primary Colours Secondary Series returns for 2021 with the Ninja of the deep, the minimal, the dark, lurking in the shadows. With honour we present Altone. Altone has been on our radar for quite some time now, following his progress with releases on fellow dub labels ETUI, Greyscale, Hello Strange, Ranges, SPCLNCH, Apnea and Cold Tear. We were presented with these cuts of dub over a year ago, waiting for the right opportunity to release these weapons upon the world, a world ready for change, thought, progress and understanding. Altone presents three cuts of pure deep dub. Altone presents Effuse, Slight Pain and Grain. Choosing the right person to do justice with a remix was a difficult process. We scoured the planet to find the right producer to compliment and do honor to the beautiful original that is Effuse. A man no stranger to our family, we welcome Upwellings for his debut on Primary [colours]. Upwellings remix takes the elements of the original and fuses them together with a hypnotic, low end driven masterpiece. A track for the early mornings, among the late night warriors. 2021 is the start of a new chapter and Primary [colours] is pleased to be back presenting tunes of depth and feeling to the new world. Expect more.

Vade Mecum returns with yet another amazing release by Matt & Mark Thibideau. "We dedicate this record to our late friend Mike Huckaby and his love for the Waldorf Wave synthesizer. Mark and I met Mike Huckaby back in the mid 90?s and instantly connected over our love of synthesizers, producing Techno, Deep House and Dub Techno. We performed together at parties throughout the 90?s and 2000?s. It was always a dream for us all to work with the Waldorf Wave. Mark and I both had experience using their other wavetable synthesizers. One day we received a surprise call from Mike, he had purchased the Wave. Mike wanted to complete an EP that he used the Wave to make all of the sounds. He started some ideas and drove the Wave up to our studio in Toronto to complete and mix the ideas with us. ?My Life with the Wave? was born. Mike continued this project to include an elaborate collection of samples that he made of his patches. We were shocked to learn of Mike?s passing and wanted to do something to keep the love and passion of his music alive. Transfer is a project that utilizes some sounds from the Waldorf Wave collection along with some of the other Waldorf synths Mike also enjoyed working with (Microwave, XT and Blofeld). Let Mike?s music legacy live on. " (Matt & Mark Thibideau)

A killer but hard-to-find track, In Love was originally released on the highly respected Smallfish Records as a limited 500 12in: the current asking price on Discogs is around £100. Now, In Love is re-released with some excellent additions as a new 4-track 12in EP 300 limited run. Four tracks that mix Techno/Deep House groove with rock-solid bass, Spaced-out Dub, Detroit and Acid influences, all uniquely Vertical Cat. In Love is a deep spacious roller with a delicious bassline and dubbed-out fx. Snow Creatures is deeper still, more Electro but still solid and spaced-out as f. Moss is a Detroit Techno masterpiece with Drexciya-tinged melodies and acid bass. You Shocker! concentrates the Acid with sweet beats and dubbed daft vocal cuts. Vertical Cat has released music on Vice, Smallfish, Sulphur, Projector and Achingly. Artwork by Celyn: celynbrazier.com (Luke Vibert’s artist)

We present the Very Last instalment of the label with new and old friends - Self​-​Reference Paradox (2x12") Don't sleep on it as there will be just 250 copies worldwide and no repress - "One would have thought we have come that far from nothing, but if we came from nothing, how can we know nothing? This is the end but also the beginning, it ends with nothing as it started with nothing. Humanity's fate is based on nothing, which means nothing that we know will change anything..…and so the story goes on and on and on and on…"

Yep people, you’ve got us right. While many of us are still looking for traces of lizard people wandering over a flat earth, your favourite producer’s favourite producer has already boarded his space vehicle in the direction of moon, closely observing our mediocre attempts to enrich our earthly existence. Magician Jichael Mackson opens his bag, presenting the signature sound he’s so famous and respected for. Deep and bass driven grooves, perfectly layered on top of each other like damask steel. In order to enjoy this masterpiece, we recommend to snort a big line of that “Digital Dust”. “Family Biz” is taking a more laidback and broken beat direction. Dense percussions, intricate harmonies and a lot of soul and jazz vibes are hidden in this gem. Best to be discovered with your friends and loved ones on a sunny day beneath a shady tree, enjoying a couple of glasses while waiting for the sunset. Geez, this is so damn gorgeous. “ath” ends this formidable EP. Again, no club inspired vibes (cos clubs are closed anyway, right?) pulsating out Mackson’s snyths, instead a more abstract broken beat crawling into our ears. Eerie sound modulations and creepy acid - lovers of DJ Krush’s older works might fall in love with this.

A pair or Nordic Dubstep Dons join forces for their debut release as "Channel 15" with two reggae classics reimagined inna DUB techno style and fashion. 12" - Ltd. - Vinyl Only.

The second release on Lempuyang comes courtesy of Tomoki Tsukamoto. In the late 90s Tomoki put out releases on Gez Varley's G Records, i220, and of course ran his own Metrojuice Records imprint; putting out some of the most sought-after deep & dubby techno records under his alias W-Moon. After a hiatus of over 20 years he now returns with four new tracks under his own name, still retaining that deep signature sound.

Incl. tote bag! Vinyl only! Berg Audio is proud to present >horizons<, the monuments series 15th installment. Discover the labels brand new compilation featuring works and exclusive collaborations of some of the industrys most exciting artists. The 12 tracks are gathered in a beautiful collector box which includes a special tote bag designed by Juli Jah. Essential piece to any record collections ? Colored Vinyl ? 3 x 12 ? Limited Edition Collector BOX!

The Equations Collective is an experimental sound project formed by a multi-disciplinary group of artists, active in the fields of music, photography, sound design & software development.
In 2018, the collective set up a temporary outdoor recording studio, 1130 meters above sea level, on the slopes of Mount Helicon in Greece, with the ambition of recording their work in a natural environment. A 'mobile and modular' construction, fully powered by solar panels, the design of the studio showcases the possibilities of a progressive, environmentally sustainable future through renewable energy.
Embodying ecological incentives, and representing an immersive engagement with the landscape, the 'Helicon Sessions' document this extraordinary residency, capturing a profound dialogue with the eponymous mountain region.
Situated in Boeotia, Central Greece, Mount Helicon has a prominent archaic significance. A historic location where stories of sacred springs and the epic origins of the Muses and Narcissus converge. Steeped in the heritage of ancient narratives, Helicon is seen as a principal symbol of poetic inspiration.
On the 'Helicon Sessions' the collective draw upon the inspiring topography and fabled mythological resonances of the area, unfurling an expansive, hypnotic suite of abstract electronics. Liberated by an open-ended, improvisational dynamic, the collective move through a mysterious, elemental cycle that mirrors the imposing scale and dramatic atmospheres of the setting.
Across an entrancing, fluid sequence of five designated 'cuts', the collective traverse the borderlands of drone, techno, dub, and acid, amplifying the acoustic traces of Helicon by integrating field recordings collected at the site into this arresting body of work. With these recordings, the collective delineate an odyssey of subverted 303s, sputtering drum machines and formidable, oscillating low end that drifts and coalesces like an amorphous mirage; a spellbinding sound world of clarity and shadow.
The 'Helicon Sessions' signify a symbiosis (between the terrestrial and the engineered, between wildlife and futurism, between the intrinsic and the synthetic, between the innate and the manmade) And with their conception of a portable, eco-friendly studio The Equations Collective focalize valuable ideas centred on ingenuity and evolution. The outcome of this project illustrates a unique collaborative exchange which acknowledges the deep nuances of environment and the enduring echoes of history.
The Equations Collective is a collaboration between Artefakt, Aroma Pitch, Aphelion and Sphera De Noumenon across Berlin, Amsterdam, Cologne and Hamburg. Together they have established an all night long live event in Berlin, starting at Sameheads and Acud Macht Neu, which eventually lead to their residency at OHM (Tresor).
For this format they have collaborated with the following artists: Alex The Fairy, Anna Z, D-ix, Eliad Wagner, Jón Friđgeir Sigurđsson, Orson Wells, Phillip Jondo, Philipp Matalla, Prsmc, Rabih Beaini, Sabrina Gricourt, Sébastien Robert, and Vida Vojić.
The respective members of The Equations Collective have released a range of output on the likes of Field Records, Delsin, Semantica Records, De Stijl, & Soul People Music.

Since 2018 their visual identity has been shaped by Elias Hanzer.
The 'Helicon Sessions' is their debut release.

For this new release, Roger Gerressen delivers a beautiful two tracker from future electro to dub techno. This is the generic sleeve version of the Origami Edition.

Polyverse is the new debut album of the very exciting and fresh sounding Kosmogonik. Nine driving and atmospheric tracks that vibrate all the way from heavyweight techno to cosmic ambient.

As it turned out, the archive with manuscripts from the C-500a dimension had sunk in the oceanic abyss of the planet Iguazu, which lies within the habitable zone and is similar in size, mass and temperature conditions to Earth. Multimeter waves could become a fatal obstacle to diving to extreme depths, not to mention the threat of decompression sickness.

When the underwater vehicle stealthily touched the bottom, the launch platform docked with the information storage. Cat started laying pipes with the help of hyperbaric welding to transfer the documents to the carrier vessel. Spacelunch was patrolling the nearby surroundings, holding a crossbow tightly in his hands and slyly exchanging glances with the nuclear moray eel.

The pneumatic mail quickly activated the reading shells, setting up a data transaction. The sonar equipment for scanning the bottom and the manipulator arms were not necessary this time, which means cryptanalysis is going to be launched in the near future.

Donato Dozzy, Marco Shuttle and Ultrastation are among the names on these great remix package on the trustworthy SoHaSo label. After two well received EP's -Laren and Zl2- Bas Dobbelaer and Vand asked a few like-minded spirits to reset the dials of some of their best work. With their melancholic, melodic and highly detailed techno-infused productions, the two Dutch producers carved a name for themselves over the last four years. Italian producer Donato Dozzy takes Transit (a track from 2019) into a lush, green forrest. Where dew water is still dripping from the trees while string-like melodies slowly swirl around them. Beautiful stuff. Gal Tsadok-Hai takes a similar path, though his take on Gateway to Gaia is a bit gloomier. Dusk is setting in and so is melancholia. Same goes for Marco Shuttles version of Reflect, a track from 2021. The London-based Italian producer left out kickdrums and basslines, settling instead for a feverish percussion-infused meditation. Once on the flipside, the club vibe truly kicks in. With a minimalist, bassline heavy remix by Shoal of Story of Blade and an equally effective techno remake from Ultrastation, who turns Runner into a hypnotic peak time monster.

For the second release on Lord Of The Isles’s Dusk Delay imprint we see the Kimochi Sound and Hanagasumi regular, Shine Grooves deliver one of his best organic electronic odysseys to date. Spanning 6 tracks; it masterfully traverses an exciting intergalactic sonic landscape. Aptly titled ‘Pictures Of Mood’, the EP conjures vivid imagery through evocative deep experimental introspection, soul enhancing optimism and eyes-closed dancefloor dreaming. Limited vinyl run with Riso print.

Edition of 200, each one in unique multi DIY print sleeve designed by Pietro Agostoni. Mastered and cut at Analogcut, Berlin.

The situation is overwhelming. The house is smaller, and there's so much shit to consider and not enough time. The second release on 0 this time from hashman c3d-e and hotspring is dub and house reduced into overdrive with both sides maxed out

Dub at its best! Strong limited! Dub at its best! Strong limited! Vade Mecum is excited to present the debut release from Soft Traffics, a new project by >Samon K.< The tracks were carefully crafted using only analog equipment and mixed with live techniques, showcasing a deep appreciation for the classic dub sound. The first track of the release features the captivating Prince Morella, a new artist who has already collaborated on vocals with some of the most accomplished producers in the scene. This release perfectly captures the classic, 90s-inspired sound of dub techno and is a nostalgic nod to the early days of the genre. It is sure to be a standout addition to the Vade Mecum catalogue.

Labelfounder Insect O. is back with a 3 track vinyl release of his handcrafted dub techno sound. But there is always more to discover. Sandstones starts with field recordings he took at the sandstone mountains of Saxony Switzerland National Park while hiking during the pandemic. Back in the studio he layered it on top of spicy chords, beautiful pads and a shuffling groove. But it is this melancholic organ that gives big emotions to the track. The second track is named after a famous little bass synthesizer. Volca Dub was recorded 10 years ago. It was sitting on the hard disc, waiting for the perfect moment to get finished and released. The chords of the Korg Volca Bass are heavily modulated and tranched into swirling tape delays with a rumbling sub bass underneath. Just like dub should sound. The final track Everlasting he recorded live in one take on his modular synthesizer. It starts with the rolling bassline by a Buchla inspired dual oscillator. A dreamy melody and melancholic chords are fading in. Filter pings are providing clicky drums while white noise from the Moog Dfam is playing a polyrhythmic snare. Pitch shifting echoes and a dreamy reverb are gluing the sounds together. It makes you remember the past and think about the future. Just like memories do. And some memories last forever.

Powerful dubtechno! Vuo009 brings you mindbending & asstwisting dubtechno influenced by the Elements. A side has strong, powerful, earthy tracks by Modernism and Sibling while B side delivers light airy moods by Tm Shuffle and Submoon.

For the second release, the Swiss Label present a classic Dub techno track produced by AudioChain (A duo composed by the Label owner Brenno Della Vecchia and his friend Luca Gaggetti). A timeless track with a deeper groove born directly from the Alps!

The remix otherwise, is a faster interpretation remixed by the Dub techno producer from S. Francisco, Federsen. A wonderful relaxed track full of details able to bring you inside Kelly's rhythm.

Limited to 300 copies, only on vinyl!

Copenhagen-based Icelander Ohm and Berlin-based Philipp Priebe mine the warmest depths of dub techno here across three stumble originals. 'Flickering Lights' is silky and muted, with smooth drums and claps gliding over a cavernous groove that is subtly lit with sustained chords. The Anton Kubikov remix is more lithe and electronic, with reflective synths and nimble leads making for a minimalistic workout. There is then a shadowy but dynamic dub vibe to 'Sacred Night' before 'Roaming' rives this EP home with a mix of deft sound designs and pillow dub drums. It's brilliantly introspective.

OHM Series welcomes 3 new artists to the family. Also a Collab from him with Federsen and Octal industries. Lee Holman is a Legendery Irish producer and brings the deeper side of him with the track Absorbed by the Elements. bouncy and floating tune made to make the floor move. Andrea Chichecki made a beautiful dreamy track for the label , perfect for those early or late night sets. El Choop closes the ep with his banger Vixen.

Waage is a firm favourite amongst dub techno fans. The Icelandic producer has long been turning out icy and atmospheric rollers for the heads and here he works alongside a fresh name, Quantal, who is sure to go on to big things. Here they land on Thule Records, a legendary label in its own right with roots going back to 1995. They kick off with the textured dub of 'wq1' which has glitchy sounds paying over the rolling drums. 'wq2' is much more smooth and streamlined, with an underwater current that sweeps you off your feet, then 'wq3' leans into the wind with hypnotic techno drums and vamping chords that melt the mind. Last of all comes 'wq4', a timeless dub with infinite horizons and the most frictionless drum loops.

Double A sided release by Basic Bastard! 4 tracks of House infused Technosoul from the master Orlando Voorn!

Wildacre presents the .5 Series...

Wildacre goes deeper on his .5 Series. Holtslag E.P contains a deep, dark and dubby analog four tracker. Again beautiful highend artwork for the finishing touch. Prepare to enter the deepest layers of your spirit while listening, dancing and clubbing on this 180 gram heavy duty 12 inch.

Wildacre for life!

Stunning dub techno Inch. Knowone Remix!

Echocord welcomes the return of Mathimidori to the imprint with his ‘Anata’ EP, accompanied by a remix from New Yorker and Novel Sound boss Levon Vincent.

Mathimidori is the dub techno leaning guise of Germany’s Mathias Kaden, known for his works under his own name on imprints such as Rekids, Ovum and Freude Am Tanzen, while Mathimidori material has found a home on the likes of Mule Musiq, Raum, Ornaments and of course Echocord where he returns here following 2020’s ‘Akebono’ LP.

Opening the release is ‘Anata’, a texturally dense six-and-a-half-minute composition fusing pulsating subs, billowing synth atmospherics, spiralling dub echoes and sporadic dubbed out spoken word running atop a crisp 4/4 rhythm. ‘Zanziba’ follows and dives deeper via ethereal pads, snaking low-end pulsations, choppy stab sequences and heavily echoing reggae chants.

Levon Vincent steps up to remix ‘Zanziba’ next, delivering a typically raw and dynamic rework, upping the energy levels as dub stabs dynamically unfold and retract amongst a thunderous low-end drive, intricate synth flutters and low-slung drums across its ten minute duration.

Canadian dub masterminds and brothers Matt & Mark Thibideau team up for their debut EP on Berg Audio, finally releasing highly sought after pieces, previously heard only during their live sets ? Artwork by Juli Jah.

Outstanding dub anthem! 180g Vinyl. NYC based Onysia Records launches sister label Convent for heavier, edgier, twilight hour sounds.

– Well, is it working? – Shh, I almost got it. – If we don't open the damn safe in three tries, we're screwed. The mutagens will be released immediately, turning us into useless, drooling brats. – Ew, I can't stand zombies!

Carefully moving the stethoscope along the cold thickness of metal, Cat was listening attentively in an attempt to analyse the clicks. The multiple amplification effect helped to ease the haste that hung in the air and hid between the lines even when one wanted to calm down. The dangerous scam with the intergalactic monetary fund had long matured and was finally executed. There, in the heart of the vault stuffed to the brim with bills and gold, the only feasible option was to guess the code.

– It seems that the lock connects to the opening mechanism, which can be anywhere on the door, via a system of gears. – Yeah, that leaves us with either the plasma cutting or C-4.

Spacelunch was awkwardly pulling an inverter out of his suitcase, anticipating a big boom in the same breath. It is hard to know which solution would have come first if the sensor on the smartwatch had not gone off. A squad of stormtroopers was already heading towards them…

Rico Puestel is back on Exhibition with a surprise 3-track EP from the Dub realms! Something not necessarily to
expect from him right here, right now...
Inspired by the music playing in the record stores on his childhood day visits, Rico zen-likely crafted these special
dub tunes that feel like an endless BR Space Night episode from his teenager days..

The Mysticisms label welcomes Coral D aka Duncan Stump for a debut outing here that marks the first new music to be part of the ongoing and most excellent Dubplate series. This artist has a long history of crafting "deep dub electronic swing" in his roles in Mock & Toof, FX Mchm and his 6000 Degrees project. This one finds him bringing some dub reggae influences as 'Dissolves' is built on a chugging rhythm with smeared chords. 'DR 55' is then a masterfully laidback digi-dub groove that warps space and time and so leaves you utterly hypnotised.