Dub Techno Vinyl 148 Items

Two versions - black vinyl (200 copies worldwide) and transparent green vimnyl (hand numbered 100 copies worldwide).
The third album of the amazing dub duo Normal Bias, consisting of YAC (Piotr Krupiński) and [77] (Tomasz Karczewski). "lp3" is a kind of closure to the trilogy started in 2016. By inviting Dariusz Dudziński (drummer of the legendary Polish indie band Ewa Braun, currently Titanic Sea Moon) to participate in the recordings, the Normal Bias musicians create a symbolic loop centered on the hometown of all three artists - Słupsk - the place where it all began, where Tomek and Darek years ago they shared their bands' rehearsal space in the famous "independent garage" - a city whose spirit naturally became the leitmotif of the entire "lp3".

The album was mixed again by the duo themselves under the reliable supervision of Kwazar, and the mastering (including cutting the lacquer!) was entrusted to Stefan Betke - co-founder of the famouse ~scape label from Berlin, which can also be treated as a symbol. The graphics based on Martiszu's design were completed by a Znajomy Grafik.

Following up to Rob Belleville's inaugural delivery, Fluid Electronics returns in 2021 with a new collaborative EP courtesy of Dutch veteran Jarno, the man behind Trouw's infamous Below evenings, and Fluid Electronics' co-founder and owner Shirazi, back in full swing after a ten-year break from production. The EP features remixes from Amsterdam's Love Over Entropy and seminal Rotterdam-based duo, Duplex. The A-side finds Shirazi and Jarno dishing out a vaporous dub with the focus track, "Late Night Thoughts". Engineering a mix of reverb-drenched atmospheric techno laced with hedonistic house accents and mystique-imbued melodies on a dreamy tip. Upping the tempo and overall vibe of the track, Love Over Entropy's remix propels its listener in a blazing corridor of synth arpeggios and luminous chords. The flip side sees Shirazi go solo on the ethereal "Continue Learning", all in evocative spaciousness and textural finesse, as it merges the immersive depth of Basic Channel-esque envelopes with further straightforward floor dynamics. Clone-affiliated duo Duplex provides a tighter, jacking match to the original's vaster headspace, tweaking it into a proper clinical club-ready weapon.

Single release of the star_dub lp on dubwax.

Maayan Nidam's launches her new imprint with a four tracks release from the ever-elusive Hubble, presenting deep and heavy sound esthetics we grew to expect from the intriguing producer as well as from Nidam's distinct preferences when curating her dj sets. The record begins with a promise to a spiritual journey, arriving to full expression on the second track. The flip side returns to the body with a primal groove that explores movement in personal space, fantastically growing to the firm and definite steps of the forth and final track on the EP.

Roger Gerressen's Irenic returns with a beautiful deep split EP taking you on a journey.

Killer releasee by new comer aka Dubset. Minimal Dub, breaks as it is. For Bluetrain, Steve O'Sullivan fans.

Hidden Operator coming through with some fresh dub infused power powder. Horns get twisted and turned inside out and laid on a bed of suitably phased out beat work.

Dub and minimal sounds are interweaved in the second release of the TEVOL label. On the A-side you can find mystery and a beautiful dub story from artists based in Israel, the United States and Japan. The B-side brings you incredible energy based on unique dub-techno elements with a punchy kick and groovy bass line.

We present the Very Last instalment of the label with new and old friends - Self​-​Reference Paradox (2x12") Don't sleep on it as there will be just 250 copies worldwide and no repress - "One would have thought we have come that far from nothing, but if we came from nothing, how can we know nothing? This is the end but also the beginning, it ends with nothing as it started with nothing. Humanity's fate is based on nothing, which means nothing that we know will change anything..…and so the story goes on and on and on and on…"

More mindwarping techno from the underrated genius that is Jodey Kendrick. A mind meld between 90's Detroit and UK braindance for dark dancefloors or early morning raves where every connection of spacetime has been abandoned for strobes and smoke…

Southern Lights celebrates its 5th anniversary with the first of two EP’s showcasing various artists titled “Charged Particles”. Charged particles is a metaphor taken from the Aurora Australis wonder, where charged particles from the sun enter the atmosphere on the poles and create the Aurora phenomenon. Creating the sonically charged particles for Volume 1 are 18 Figures, Cliche Morph, Bastian Balders and Shoal: a unified course that traverses across glacial textures, metallic soundscapes and sonic expeditions.

Soundscape Versions presents the 2023 repress edition of debut 12" showcase on sublabel Mystic Versions with four unknown Techno cuts by different artists from across the globe produced and performed by using analog hardware gear originally released in 2016. Mastered by Stefan Betke at Scape Mastering.

Drum & Lace, aka Sofia degli Alessandri-Hultquist, is an Italian composer, sound artist and performer that writes and creates music for film and media. 'Natura' is her debut Past Inside the Present release, in addition to it being her first formal full-length album. Natura pays homage to intelligent electronica and will no doubt be a defining album in the ambient/IDM genre.

dark blue & red marbled vinyl

The Second installment of legendary UK House producer Neil (Nail) Tollidays, Smoke - 'Kemuri No Demo' lands with it's dubbed out yet melodic soundscapes for the dancefloor (or not) as the case may be.... Tolliday sees his Smoke guise as electronic exprements first and formost, but we can't think of anything better than a dark room and the sounds of Kemuri No Demo melting the speakers and filling the air with expansive, warm atmospheric dance music.

We proudly present Ibiza Boys Vinyl, the newest and very own creation of head honcho Van Czar. To inaugurate the precious label Van has invited impressive German producer Alexander Kowalski on remix duties. Alexander is well-known from Berlin to Detroit and he has played at legendary techno club Tresor. Love is Love is a real masterpiece beautifully crafted by these two artists.

Another Picture has the honour to welcome DJ Honesty to the label’s crew! The Berlin mainstay keeps on delivering for two decades and counting. Now residing in sunny and meanwhile ultra-lively spot Lissabon/Portugal he shows up with two pieces of pure electronic groove with a dubby technoid flavour. Studio knowledge at work! Usually known for positive vibes with a still abstract feel now DJ Honesty reveals a darker shade of experience. Get involved with a tougher edge and face some deeper emotion and sonic consequence - see you on today’s dancefloors.. DJ Honesty’s releases come as various projects and collaborations: Honesty, Honeydrop, Slope (with Daniel Paul) and Suparaw (with Woody) on such labels as Cabinet, Sonar Kollektiv and Quality Vibe to name a few. He is part of the touring Cab Drivers live crew. Don’t miss!

Soundscape Versions presents its 2023 repress edition of its third installment of the various artists series and offers four cuts between subtle house breaks, acid house, electro and atmospheric techno. Mastering and cut by Marco Pellegrino at Analogcut Mastering.

Lost in Translation is a record label based in Brussels founded by two friends in the Spring of 2022. Anchored in the heart of Europe, the project aims to deliver a unique artist driven vision centered on a collaborative approach to musical storytelling.

Releases are built track by track, providing a space for the featured artists to bounce off of each other’s sonic influences, and weave together a cohesive musical story told from studios around the world.

Accompanied by audiovisual works and short-stories crafted around the music, each release is an exercise in multi-disciplinary world-building, setting out a narrative soundscape that invites listeners to get lost in its evolving atmospheres and rhythms.

The Equations Collective is an experimental sound project formed by a multi-disciplinary group of artists, active in the fields of music, photography, sound design & software development.
In 2018, the collective set up a temporary outdoor recording studio, 1130 meters above sea level, on the slopes of Mount Helicon in Greece, with the ambition of recording their work in a natural environment. A 'mobile and modular' construction, fully powered by solar panels, the design of the studio showcases the possibilities of a progressive, environmentally sustainable future through renewable energy.
Embodying ecological incentives, and representing an immersive engagement with the landscape, the 'Helicon Sessions' document this extraordinary residency, capturing a profound dialogue with the eponymous mountain region.
Situated in Boeotia, Central Greece, Mount Helicon has a prominent archaic significance. A historic location where stories of sacred springs and the epic origins of the Muses and Narcissus converge. Steeped in the heritage of ancient narratives, Helicon is seen as a principal symbol of poetic inspiration.
On the 'Helicon Sessions' the collective draw upon the inspiring topography and fabled mythological resonances of the area, unfurling an expansive, hypnotic suite of abstract electronics. Liberated by an open-ended, improvisational dynamic, the collective move through a mysterious, elemental cycle that mirrors the imposing scale and dramatic atmospheres of the setting.
Across an entrancing, fluid sequence of five designated 'cuts', the collective traverse the borderlands of drone, techno, dub, and acid, amplifying the acoustic traces of Helicon by integrating field recordings collected at the site into this arresting body of work. With these recordings, the collective delineate an odyssey of subverted 303s, sputtering drum machines and formidable, oscillating low end that drifts and coalesces like an amorphous mirage; a spellbinding sound world of clarity and shadow.
The 'Helicon Sessions' signify a symbiosis (between the terrestrial and the engineered, between wildlife and futurism, between the intrinsic and the synthetic, between the innate and the manmade) And with their conception of a portable, eco-friendly studio The Equations Collective focalize valuable ideas centred on ingenuity and evolution. The outcome of this project illustrates a unique collaborative exchange which acknowledges the deep nuances of environment and the enduring echoes of history.
The Equations Collective is a collaboration between Artefakt, Aroma Pitch, Aphelion and Sphera De Noumenon across Berlin, Amsterdam, Cologne and Hamburg. Together they have established an all night long live event in Berlin, starting at Sameheads and Acud Macht Neu, which eventually lead to their residency at OHM (Tresor).
For this format they have collaborated with the following artists: Alex The Fairy, Anna Z, D-ix, Eliad Wagner, Jón Friđgeir Sigurđsson, Orson Wells, Phillip Jondo, Philipp Matalla, Prsmc, Rabih Beaini, Sabrina Gricourt, Sébastien Robert, and Vida Vojić.
The respective members of The Equations Collective have released a range of output on the likes of Field Records, Delsin, Semantica Records, De Stijl, & Soul People Music.

Since 2018 their visual identity has been shaped by Elias Hanzer.
The 'Helicon Sessions' is their debut release.

A killer but hard-to-find track, In Love was originally released on the highly respected Smallfish Records as a limited 500 12in: the current asking price on Discogs is around £100. Now, In Love is re-released with some excellent additions as a new 4-track 12in EP 300 limited run. Four tracks that mix Techno/Deep House groove with rock-solid bass, Spaced-out Dub, Detroit and Acid influences, all uniquely Vertical Cat. In Love is a deep spacious roller with a delicious bassline and dubbed-out fx. Snow Creatures is deeper still, more Electro but still solid and spaced-out as f. Moss is a Detroit Techno masterpiece with Drexciya-tinged melodies and acid bass. You Shocker! concentrates the Acid with sweet beats and dubbed daft vocal cuts. Vertical Cat has released music on Vice, Smallfish, Sulphur, Projector and Achingly. Artwork by Celyn: celynbrazier.com (Luke Vibert’s artist)

Polyverse is the new debut album of the very exciting and fresh sounding Kosmogonik. Nine driving and atmospheric tracks that vibrate all the way from heavyweight techno to cosmic ambient.

Firescope are always on the lookout for new music, searching and sieving with headphones clamped over ears. Gggg, a recent discovery, unveils a stunning debut release. The co-founder of D.Ko Records may be a fresh face when it comes to releasing, but he has a wealth of both experience not to mention talent. His album, Gazé, is testament to this. A spread of styles and influences coalesce to create Gggg’s unique sound. Ambient. Braindance. Electronica. Techno. All are melted and forged into the new. Processed percussion is the shifting sands from which a swooping melody takes flight, a melody that bends and soars as “K-Robot OG” ascends. Crystalline chords are shaven with fizzing drums in the frenzied elation of “Cas Contact.” And this is what lies at the heart of the collection, a rapturous joy that permeates the entire record. From the complexity and grandeur of “Chien Flûte 5.1” to the considered and subtle “Mudla 2”, the brightness of the audio palette chosen gives tracks an incandescence. This “joi de vivre” glistens and glows in the more playful tones of “Broutine Lamé” and “Cat Intro.” Textures are another area of interest for Gggg. Pieces like “Slowdry” and “Trip 2 Delinc” reshape and ruffle rhythms to bring a counterpoint to form and harmony. Beats are replaced by gentle waves of sound as the twelve-work collection culminates in “Sac Ala Blofel.” Gazé tracks a course. From the energy and frenetic rhythms of first encounters to the atmospheric embrace of the latter part of the album, there is the sense that Gggg is celebrating the astounding of the ordinary, the amazing that is contained from the routine of dawn to dusk.

2019 saw Firescope release a seminal album, The Lonely Machine by Britain’s John Shima. The world has become a very different place since then. The pandemic, economic turmoil and global crises prevail. It is amidst such uncertainty that Shima returns with a new collection to combat the savagery of our times, enter Empty Lands. Dauby basslines and silken strings introduce “Component”, saturated snares giving ballast as Shima’s signature style immediately comes to the fore. A throbbing kick and orbiting notes are peppered with hi-hats for “Neglected”, a sonorous stratum synergising beautifully. Shima is a student of techno. His appreciation and knowledge of the sound is central to the album as he composes within the traditions of the UK and US canon while exploring new plains. The influence of “bleep” is woven into the tapestry of pieces like “Depart” and “Mettle” with the minimalism of the 90s genre reimagined through new textures. “Sayaka” flows with a different current. Rhythms are understated, lapping against undulating keys as dawn rises. Harmony and melody are cornerstones of record, the gentle ebbs and flows of key and drum merging. Inspiration arises from home as well. The steady pulse and metallic tang of “Projection” recalling the industry of Sheffield and the pioneering electronics that sprouted from that rust red earth. Track titles, and the album name itself, suggest periods of challenge and difficulty. “Paralysis”, “Desolate”, “Empty Lands”. Words that conjure certain feelings and responses. Shima’s music is a counterbalance to these emotions. Positive compositions of subtle shifts, complementary percussion and welcoming warmth acting as a tonic to the negativity that swirls; the ten audio works on offer acting as a balm to soothe the soul in these troubled time

O$vmv$m the Bristol based production duo of Amos Childs (Jabu) and Sam Barrett (Kahn & Neek) have traditionally dealt in hazy, smoked out vignettes - seen across release for Idle Hands, No Corner and most recently providing music for the Manonmars LP. Where the duos previous work has explored ideas in short bursts which capture you then fades away; Idle063 takes their sound into unexplored directions and shows an evolution in their output. By extending their ideas into long form tracks within the traditional lineage of bristol soundsystem culture and combining it with their unique ear for sampling Phase 4 / Witch brings O$vmv$m's into a territory which shows how wide their sound can truly reach

After 5 years of silence and profound changes in the label, the 8th release sees the light these days. The uncanny producer Etrigramm gives us examples of his underrated talent on this 4 track vinyl. 5 slow dubby techno gems where he explores the darkness and his taste for 90 ́s projects like Download, Richard H. Kirk ́s Trafficante, Lassigue Benthaus and other experiments with an Industrial aftertaste. If there were clubs in Mordor, this is what they would sound like. 200 copies pressed.

Friendship is a core value of Milligramme. Unspecial’s track “Der Freund I” and Deadbeat’s “Sands of Time Dub” are another chapter of a long story of mutual understanding between Hilmar Reusch a.k.a. Unspecial and select Canadian artists. This record involved consulting Manifest Audio's Noah Pred, who introduced him to Scott Monteith, better known as Deadbeat. Pred and Reusch’s paths first crossed in 2003 in Barcelona at the Sonar Festival. Ever since, the two have exchanged thoughts about music, the world, time, and place. Monteith and Reusch opened an expansive discussion about sustainability and the future of music, Chloé Gastinel did some flirting with the dark, Jörn Elling-Wuttke mastered it,and took care of its spirit. Milligramme is grateful to have such gentle, reflective, and excellent friends.

LLD a.k.a. Lawrence Le Doux is back with an independent release, a 3 track EP titled Eemail. While staying true to his signature melange of dub and experimental electronics, he forays into the realm of minimalism, favouring crispy basslines and generative rhythms. The downtempo beats are complex but not overly so: enough to get into a deep listening state but always inviting and accessible. The A1 track Sun Stone is layered and dreamy, a dubby techno harking back to Basic Channel. Pico and PI are ambient groovers made with the Korg Volca synth, somehow making a statement about the unparalleled elegance of simplicity. Artwork by David Coquelin.

Pulse 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by Syne and Influx. Syne is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his Syne alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP. 'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy. Influx is James Bernard from the US, who is most recognized for his solo work in recent years. Influx was his trance/techno alias for much of the early to late 90's and released his work with well-respected UK and US labels.

Essex-based producer Ruffien returns to Deeptrax with his debut album – To Win in Silence. Though made in just under a year, it is a collection spanning a decade’s worth of personal growth culminated into one package - documenting the meandering highs and lows of his own private metamorphosis, as he blends impulsivity with styles contemporary, soulful and nostalgic. For the first time, Ruffien features his own vocals on some of the tracks, which makes the album feel more like several torn journal entry segments falling into place. His intent is to be as unambiguous as possible to get his points across – regardless of how grand or intimate they may be; To Win in Silence doubles down on that intent.

Drum & Lace, aka Sofia degli Alessandri-Hultquist, is an Italian composer, sound artist and performer that writes and creates music for film and media. 'Natura' is her debut Past Inside the Present release, in addition to it being her first formal full-length album. Natura pays homage to intelligent electronica and will no doubt be a defining album in the ambient/IDM genre.

Pulse 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by Syne and Influx. Syne is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his Syne alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP. 'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy. Influx is James Bernard from the US, who is most recognized for his solo work in recent years. Influx was his trance/techno alias for much of the early to late 90's and released his work with well-respected UK and US labels.

Jochem Peteri comes drifting back into earshot with some new Nwaq tackle in tow. Beyond the plentiful reissues of his timeless earlier works, Peteri is just as productive in the here and now. Now he’s minting a new label with three pieces that embellish the Nwaq soundworld with a fresh slant. ‘Above II’ is a crystal clear beam of light strapped to a kick that trips over itself with grace and poise. It’s forthright and yet wholly untethered, a pre-echo for the anchorless expanse of ‘Above I’, which buries some heavy bass ruminations very far down in the mix. That leaves it to ‘Dume’ to come staggering out all bleary-eyed, caked in last night’s distortion and yet still exuding a cracked beauty that stands up to the first light of dawn. The artwork which adorns this record is by environment sculpting internet artist Jan-Robert Leegte. Nwaq has always stood for a kind of environmental immersion, and this new emission compounds that idea in three distinct, refreshing ways.

Copenhagen’s Echocord returns this September with the ‘Invincible Nature’ EP by Altone, backed by a remix from Thomas Fehlmann and Another Channel. Atone is the guise of Tokyo’s Yuki Takasaki, one of the leading figures of the genre out of Japan with releases on the likes of Greyscale, Lempuyang, Vuo, Æ Recordings, Primary [colours] and many more. His distinctive twist on Dub Techno has earned him accolades worldwide within the underground and here he joins the roster of the esteemed Echocord, the Kenneth Christiansen helmed label that’s been at the forefront of Dub Techno for more than two decades now. The original mix of ‘Naturally Unnatural’ opens, showcasing Altone’s unique style via subtly nuanced chord flutters, expansive reverberations, pulsating low end tones and ever unfolding, subtly unfurling feel. The ‘Naturally Flowing Thomas Fehlmann Remix’ follows, the Swiss sonic wizard and former member of the legendary The Orb among many other projects delivers deep, throbbing subs and glitched out synth modulations intertwined with fragments of the original composition. ‘Unnaturally Balanced’ then opens the B-Side with Altone diving deeper into dub realms courtesy of ever alternating, billowing dub echoes and a raw, reduced rhythm section. The ‘Another Channel Version’ of ‘Unnaturally Balanced’ then rounds out the EP, embracing a more classic dub techno aesthetic as crunchy drums, swirling atmospherics and spaced out echoes ebb and flow amongst one another across the six and half minute duration.

Sub Basics returns to Modern Hypnosis with Rhino EP. This time bringing four dub, techno and house inspired tracks for the collectors and selectors.

Sub Basics opens with Roll Up, a delicate broken beat track, where under the microscope, heavy traces of cosmic dub-dust have been detected throughout. Roll Up guides you along at 115bpm as it glistens in the stars.

The title track, Rhino is an addictive, somewhat cheeky, progressive dub techno tune, with each dub-stab as it enters the fold offering the listener a different skank to groove on. This track will connect dancefloors around the world for many years to come.

Together on the flip, Haze and Fluctuate are perfectly executed pieces of dub techno hypnotism, with Fluctuate leaning into those house music elements we all cherish and love. Sub Basics does it again!

Enjoy.

Taevalaotus delivers his second long player >Ringlus< which is the second release on the Estonian based Taevas Records, comprising five originals plus a remix from Octal Industries. Heavyweight special-effect vinyl pressing (three colors, marbled).

Mastered on a reel to reel tape machine cut on 12" 180g black vinyl.

Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It's her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021's Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov's All-Night Vigil, and she's also combined classical composition with contemporary electronic techniques on her subsequent drops.
For Idealized, Filipovich's debut on Sheffield's Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.
Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like 'Physical', 'Wave' and 'Dance Minor' all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It's an approach at once respectful of Filipovich's predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.
Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. 'Ultra Red' rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; 'Dance Minor' shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from 'Wave' to closer 'Small Cave' travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich's ability to think outside the box.
Filipovich's unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. 'Hydra' comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer 'Small Cave' eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.
Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filpovich, broadens the label's horizons with a selection of finely crafted minimal/dub techno joints.
Riyl: Andy Stott, Deepchord, Ellen Allien, Moritz von Oswald

Phonogramme presents Sascha Dive’s inaugural EP, “My Definition of House.” This 4-track gem features the legendary Mr. V and arrives in a limited-edition marbled vinyl format. Dive’s deep understanding of house music merges seamlessly with Mr. V’s soulful touch, resulting in a captivating blend of classic grooves and modern flair. From infectious rhythms to rich, soul-stirring soundscapes, each track takes listeners on a unique journey through the essence of house.

yellow Marbled Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels. Limited Colored Vinyl. Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

Orange Marbled Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels. Limited Colored Vinyl. Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

Black Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

Satoshi Tomiie Unveils His Latest Ep, '12b Dub', Exclusively on Phonogramme Records Tokyo &Ndash; Renowned Dj and Producer Satoshi Tomiie Is Back With a Captivating New Ep, '12b Dub', Set to Make Waves in the Electronic Music Scene. This Four-Track Release Marks a Slight Shift Towards a More House-Oriented Sound, Showcasing Tomiie's Versatility and Innovative Approach to Music Production. Having Garnered Acclaim for His Previous Releases and Collaborations, Tomiie Continues to Push Boundaries With '12b-Dub', Solidifying His Reputation as a Trailblazer in the Electronic Music Industry. This Latest Offering on Phonogramme Records Is Sure to Be a Staple in Dj Sets and Playlists Worldwide....

Limited 10 year anniversary repress with black/white artwork. In May 2014, Icelandic producer Yagya released his fifth album, Sleepygirls, across three slabs of vinyl on Dutch label Delsin. It's a deep, spacious and dubbed out affair that stays locked at a pleasingly sedentary tempo throughout. Since 2002 Yagya has been crafting lush electronic albums and always manages to find pure bliss and beauty and his simple, nature inspired soundscapes. "I wanted to create an album that's atmospheric, repetitive, and easy to listen to over and over again," says the man himself. "Something that works well in the background (e.g. when concentrating on work), as well as up close in a big sound system. I also wanted to learn how to make my music sound better than before, since I'm a huge sound-nerd, so that was a part of the goal for me personally." The album is a fine fusion of tropes from Yagya's earlier albums, features jazz instrumentalists that improvise beautiful melodies over monotonic, almost drone-like, techno beats and also uses live recordings of Japanese vocals, saxophone and guitar to counter the repetitiveness of the rhythms. Right from the rolling bliss of the opener, you're suspended in a womb like pillow of sound that is soft, warm and serenely beautiful. As tracks roll on, the pace stays the same but themes vary from upright and summery to more elongated and insular. This is natural, organic dub that is a delight and a pleasure to listen to. The vinyl versions of each track have been specially mixed with random LFOs, sonic quirks and unique fingerprints making them the subtly different to the CD version, but overall this is a brain soothing and mind melting album that can soundtrack lazy days, long summer afternoons and warm winter evenings in equal style.

Satoshi and Nao performed their live “Diskordant” using their analog machines and object-activated sounds in front of the New York crowd. These sounds are transformed and improvised through reconstruction and sample synthesis.

Tm Shuffles very own label with his next head shackin release. Amazing groovin dub techno 4 tracker by artists like Star_Dub, Altone, Poro, Tm Shuffle & Monoder.

Dub mastersclass by Stojche, accompanied by a rework from label head Andrey Pushkarev - this is Luck Of Access 7th installment.

Black Version! Dub mastersclass by Stojche, accompanied by a rework from label head Andrey Pushkarev - this is Luck Of Access 7th installment.

From the old demo music vaults of Yagya, we found this amazing dub techno track dating back 15 years to the summer of 2008! Directly at the first listen we knew that this had to be fully released, Yagya was quick to agree, and also delivered 2 remixes himself and added another one from Octal Industries which resulted in a dub techno jam made in heaven!