Dub Techno Vinyl 216 Items

Edition of 200, each one in unique multi DIY print sleeve designed by Pietro Agostoni. Mastered and cut at Analogcut, Berlin.

Pushing the boundaries of intelligent dance music higher into experimental-adjacent analogue territories, where abstract serenity and complex analogue developments entangle in an organic symbiosis of sorts, Noordens newest puzzle in sound comes courtesy of two label habitues, Orion Moustache and Panta Rex. Staying true to their genre-unbound DNA and innovative vision, both artists each contribute a trio of oblique sound equations, conjuring up both identifiable rhythmic patterns and off-piste downtempo digressions to shape a grammar truly their own - not quite your usual function-oriented DJ tool, but not floor-opposed either. Hybrid and agile, this co-op between Orion Moustache and Panta Rex oozes inspirational spaciousness and ascetic sophistication thru and thru.

Copenhagen-based Icelander Ohm and Berlin-based Philipp Priebe mine the warmest depths of dub techno here across three stumble originals. 'Flickering Lights' is silky and muted, with smooth drums and claps gliding over a cavernous groove that is subtly lit with sustained chords. The Anton Kubikov remix is more lithe and electronic, with reflective synths and nimble leads making for a minimalistic workout. There is then a shadowy but dynamic dub vibe to 'Sacred Night' before 'Roaming' rives this EP home with a mix of deft sound designs and pillow dub drums. It's brilliantly introspective.

Black Vinyl. Ohm & Kvadrant resurface with a precisely structured, chord-driven piece that unveils an unforgettable theme echoing in the mind. Renowned acts Deadbeat and Levon Vincent deliver two high-caliber treatments, skillfully infusing their signature sounds into the mix.

doubt records is delighted to present the debut album of berlin based electronic artist O/Y, written in winter of 2021 and 2022.

'there is a place in the creative process that asks you for suspense. for recognition rather than imposition. where, if you move very carefully, you may become an agent for the music to create itself. to make itself known. this piece is an illustration of exactly that: a feeling of knowing something, or someone deeply, without having ever met them before. a moment of perfect recognition.'

O$vmv$m the Bristol based production duo of Amos Childs (Jabu) and Sam Barrett (Kahn & Neek) have traditionally dealt in hazy, smoked out vignettes - seen across release for Idle Hands, No Corner and most recently providing music for the Manonmars LP. Where the duos previous work has explored ideas in short bursts which capture you then fades away; Idle063 takes their sound into unexplored directions and shows an evolution in their output. By extending their ideas into long form tracks within the traditional lineage of bristol soundsystem culture and combining it with their unique ear for sampling Phase 4 / Witch brings O$vmv$m's into a territory which shows how wide their sound can truly reach

Left of leftfield dub and techno excursions. Remix by Rainstick of Blazer Sound System.

Jochem Peteri comes drifting back into earshot with some new Nwaq tackle in tow. Beyond the plentiful reissues of his timeless earlier works, Peteri is just as productive in the here and now. Now he’s minting a new label with three pieces that embellish the Nwaq soundworld with a fresh slant. ‘Above II’ is a crystal clear beam of light strapped to a kick that trips over itself with grace and poise. It’s forthright and yet wholly untethered, a pre-echo for the anchorless expanse of ‘Above I’, which buries some heavy bass ruminations very far down in the mix. That leaves it to ‘Dume’ to come staggering out all bleary-eyed, caked in last night’s distortion and yet still exuding a cracked beauty that stands up to the first light of dawn. The artwork which adorns this record is by environment sculpting internet artist Jan-Robert Leegte. Nwaq has always stood for a kind of environmental immersion, and this new emission compounds that idea in three distinct, refreshing ways.

Two versions - black vinyl (200 copies worldwide) and transparent green vimnyl (hand numbered 100 copies worldwide).
The third album of the amazing dub duo Normal Bias, consisting of YAC (Piotr Krupiński) and [77] (Tomasz Karczewski). "lp3" is a kind of closure to the trilogy started in 2016. By inviting Dariusz Dudziński (drummer of the legendary Polish indie band Ewa Braun, currently Titanic Sea Moon) to participate in the recordings, the Normal Bias musicians create a symbolic loop centered on the hometown of all three artists - Słupsk - the place where it all began, where Tomek and Darek years ago they shared their bands' rehearsal space in the famous "independent garage" - a city whose spirit naturally became the leitmotif of the entire "lp3".

The album was mixed again by the duo themselves under the reliable supervision of Kwazar, and the mastering (including cutting the lacquer!) was entrusted to Stefan Betke - co-founder of the famouse ~scape label from Berlin, which can also be treated as a symbol. The graphics based on Martiszu's design were completed by a Znajomy Grafik.

Two versions - black vinyl (200 copies worldwide) and transparent green vimnyl (hand numbered 100 copies worldwide).
The third album of the amazing dub duo Normal Bias, consisting of YAC (Piotr Krupiński) and [77] (Tomasz Karczewski). "lp3" is a kind of closure to the trilogy started in 2016. By inviting Dariusz Dudziński (drummer of the legendary Polish indie band Ewa Braun, currently Titanic Sea Moon) to participate in the recordings, the Normal Bias musicians create a symbolic loop centered on the hometown of all three artists - Słupsk - the place where it all began, where Tomek and Darek years ago they shared their bands' rehearsal space in the famous "independent garage" - a city whose spirit naturally became the leitmotif of the entire "lp3".

The album was mixed again by the duo themselves under the reliable supervision of Kwazar, and the mastering (including cutting the lacquer!) was entrusted to Stefan Betke - co-founder of the famouse ~scape label from Berlin, which can also be treated as a symbol. The graphics based on Martiszu's design were completed by a Znajomy Grafik.

Vessel 05: The founders edition.

A special artist split featuring Vessel label heads Norachi & Miris. A and B. Deep and deeper. Sunshine, rain, joy and pain.

Yes, proper dub Techno! Light it up!

Malmö’s Mod Sens arrives on Programm LDN with an electric intersection of soundsystem styles and taut techno and electro. Pushing inventive, bassweight dance music through his Melt club night in the city he calls home, the wildly talented Swedish producer brings an international outlook to his subtly crafted workouts.

“These four tracks were all made at a time in Malmö when electro was completely dominating the underground scene,” says Mod Sens. “That had a strong influence on the creation of these tracks, but I was definitely more urgent to create my take on ‘uk’ Sounds.”

The sound on Misperceptions EP is introspective by design, cast in melancholic pads which balance the rugged impact of the crafty drums and upfront low-end. Mod Sens himself describes exploring the tension between wanting to run and feeling ‘stuck’, and that yearning sensation culminates in four elevated cuts that uphold Programm’s commitment to advancements in club music.

Visual director Blackwall and graphic designer Alfie Allen responded to the tangible mood of the EP, resulting in an accompanying visualiser and sleeve design which round out the emotion Mod Sens was reaching for while working on the music. As a complete package, it’s an audio-visual statement which leaves a lingering impression, as any art worth making

Dub Techno at its best! Merv makes a comeback to Kontakt with two exceptional dubtechno masterpieces. >Inwards< highlights an unmistakably Merv-esque style, characterized by rich chords and a solid sub-bass, while >Suspended< delves into deep, resonating chords that persist for nearly ten minutes. Limited coloured vinyl.

Dub Techno at its best! Merv makes a comeback to Kontakt with two exceptional dubtechno masterpieces. >Inwards< highlights an unmistakably Merv-esque style, characterized by rich chords and a solid sub-bass, while >Suspended< delves into deep, resonating chords that persist for nearly ten minutes.

Roger Gerressen's Irenic returns with a beautiful deep split EP taking you on a journey.

For the 3rd installment on Mbmusic Ltd. label head MBM delivers a 4 track EP "Marvelous Blue" that comes in digital and vinyl format.

Musical exploration continues, inspired by Lago Maggiore waters with deep and dub techno cuts suited for both listening and club environments.

Opening track A1 "Levitate" let the listener float just above water surface, guiding thru an intense listening experience.

A2 "Abyss" comes with strong kick and reverbereted elements for and immersive soundscape.

B1 "Exhale" lives underwater, with bubbling sounds, lo-fi kick and Deep voice elements.

Release closes with B2 "Blue Vision", that combines dub, tribe, and downtempo breakbeat signatures for a mindfulness ear pleasure.

Vade Mecum returns with yet another amazing release by Matt & Mark Thibideau. "We dedicate this record to our late friend Mike Huckaby and his love for the Waldorf Wave synthesizer. Mark and I met Mike Huckaby back in the mid 90?s and instantly connected over our love of synthesizers, producing Techno, Deep House and Dub Techno. We performed together at parties throughout the 90?s and 2000?s. It was always a dream for us all to work with the Waldorf Wave. Mark and I both had experience using their other wavetable synthesizers. One day we received a surprise call from Mike, he had purchased the Wave. Mike wanted to complete an EP that he used the Wave to make all of the sounds. He started some ideas and drove the Wave up to our studio in Toronto to complete and mix the ideas with us. ?My Life with the Wave? was born. Mike continued this project to include an elaborate collection of samples that he made of his patches. We were shocked to learn of Mike?s passing and wanted to do something to keep the love and passion of his music alive. Transfer is a project that utilizes some sounds from the Waldorf Wave collection along with some of the other Waldorf synths Mike also enjoyed working with (Microwave, XT and Blofeld). Let Mike?s music legacy live on. " (Matt & Mark Thibideau)

Canadian dub masterminds and brothers Matt & Mark Thibideau team up for their debut EP on Berg Audio, finally releasing highly sought after pieces, previously heard only during their live sets ? Artwork by Juli Jah.

Echocord welcomes the return of Mathimidori to the imprint with his ‘Anata’ EP, accompanied by a remix from New Yorker and Novel Sound boss Levon Vincent.

Mathimidori is the dub techno leaning guise of Germany’s Mathias Kaden, known for his works under his own name on imprints such as Rekids, Ovum and Freude Am Tanzen, while Mathimidori material has found a home on the likes of Mule Musiq, Raum, Ornaments and of course Echocord where he returns here following 2020’s ‘Akebono’ LP.

Opening the release is ‘Anata’, a texturally dense six-and-a-half-minute composition fusing pulsating subs, billowing synth atmospherics, spiralling dub echoes and sporadic dubbed out spoken word running atop a crisp 4/4 rhythm. ‘Zanziba’ follows and dives deeper via ethereal pads, snaking low-end pulsations, choppy stab sequences and heavily echoing reggae chants.

Levon Vincent steps up to remix ‘Zanziba’ next, delivering a typically raw and dynamic rework, upping the energy levels as dub stabs dynamically unfold and retract amongst a thunderous low-end drive, intricate synth flutters and low-slung drums across its ten minute duration.

A re-work by Mark Ernestus of the opener of Honest Jons' new LP by the Obadikah brass band, from Lagos. Consummate Berlin dub science by the maestro. Beautifully textured, shuffling Lagos funk, on home-made percussion… militant, parping horns... and a walloping, filthy-stinking kick-drum like the bucking, hairy hind-most of the Devil himself.

first vinyl release from Df Records including 4 tracks. It is a combination of melodic ( first tracks of each side) and progressive house (second songs of each side) we mainly using a combination of atmospheric sounds and bass line.

LLD a.k.a. Lawrence Le Doux is back with an independent release, a 3 track EP titled Eemail. While staying true to his signature melange of dub and experimental electronics, he forays into the realm of minimalism, favouring crispy basslines and generative rhythms. The downtempo beats are complex but not overly so: enough to get into a deep listening state but always inviting and accessible. The A1 track Sun Stone is layered and dreamy, a dubby techno harking back to Basic Channel. Pico and PI are ambient groovers made with the Korg Volca synth, somehow making a statement about the unparalleled elegance of simplicity. Artwork by David Coquelin.

Following on from the success of 2020's 'Inside' EP on Livity Sound and previous releases on UK labels Cong Burn and Blank Mind, Manchester's Lack returns to Livity Sound with a brand new EP of hybridised and dubbed techno cuts. “I wanted to try and create a sense of space or calm within the tracks, even if only subtle. I suppose it was a reflection on the crazy state of the world and needing to find space within myself to stay grounded and get through it”. From the deep bass and irresistible skank of Grapefruit to the rapid yet ice cool propulsion of Microshift and the spacious yet energised rhythms of Make It Circular and Constant, this new record further explores Lack's fractured techno aesthetic, skilfully joining the dots between broken dub techno and vintage dubstep. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

Polyverse is the new debut album of the very exciting and fresh sounding Kosmogonik. Nine driving and atmospheric tracks that vibrate all the way from heavyweight techno to cosmic ambient.

Knowone! Fully recycled vinyl, recycled cover. 190g. Analog mastering, vinyl only. Manufactured by Matter Of Fact Vinyl - Andre Kronerts own pressing plant.

Knowone! Fully recycled vinyl, recycled cover. 190g. Analog mastering, vinyl only. The record is made from recycled vinyl so yours may contain a 10 or 20 year old record. Many different coloured records have been recycled so each copy has a slightly different colour. There are also a few easter eggs hidden : ) The cover is made from recycled cardboard and printed with vegan ink. the inner sleeve is made from a used inner sleeve that is in mint condition. As used records cannot be 100% cleaned before recycling, the vinyl may sound slightly more vinyl. Manufactured by Matter Of Fact Vinyl - Andre Kronerts own pressing plant. Download Promo-Package

RAWAX proudly welcomes Kit Clayton the the family!
We're happy to represent you his epic album "Nek Sanalet"!
More to come!

The mix of Dub and Techno is not exactly new. However, JPatterson found a way to combine these genres in a way that checks all the boxes to be classified as fresh and exciting. His rustic Prog-a-Dub grooves burst with reckless danceability, the sound of his tumpet has an emotional intensity that simply doesn’t exist in the digital music domain. But the catchiest element of his track Elevator is yet another one: It’s his voice and its contagious casualness. The Dub Version of this track is a bright summer day turned into rhythm and melody. It gets even more exciting than this, as a hand-selected group of party heads from the Acker family has remixed Elevator. Timboletti turned it into a slow, delirious afterhour groove (digital only). Dole & Kom redesigned it into an understated anthem. And Mollono.Bass created an energetic rhythm environment for the weightless trombone that feels like it’s vibrating right in middle between the original and the Dub Version of Elevator.

This record is named after Vedanta, an ancient philosophy based on the Vedas, the sacred scriptures of India. The music, originally composed and produced by Joseph S Joyce and later remixed by Sebastian Mullaert of Minilogue, was greatly inspired, after reading commentaries from Swami Rama Tirtha's biography "The Scientist & Mahatma" - Chapter 1 - Vedanta and The Secret of Success. Now, some nine years later, it gets served up as a remix EP. There's a dark El Choop Reconstruct, a gorgeous ambient version from Sebastian Mullaert, a minimal headscape from Van Bonn, Federson SF goes warm and dubby and then a crisp, tech-edged vibe from Paul 90 ends the EP in style.

2019 saw Firescope release a seminal album, The Lonely Machine by Britain’s John Shima. The world has become a very different place since then. The pandemic, economic turmoil and global crises prevail. It is amidst such uncertainty that Shima returns with a new collection to combat the savagery of our times, enter Empty Lands. Dauby basslines and silken strings introduce “Component”, saturated snares giving ballast as Shima’s signature style immediately comes to the fore. A throbbing kick and orbiting notes are peppered with hi-hats for “Neglected”, a sonorous stratum synergising beautifully. Shima is a student of techno. His appreciation and knowledge of the sound is central to the album as he composes within the traditions of the UK and US canon while exploring new plains. The influence of “bleep” is woven into the tapestry of pieces like “Depart” and “Mettle” with the minimalism of the 90s genre reimagined through new textures. “Sayaka” flows with a different current. Rhythms are understated, lapping against undulating keys as dawn rises. Harmony and melody are cornerstones of record, the gentle ebbs and flows of key and drum merging. Inspiration arises from home as well. The steady pulse and metallic tang of “Projection” recalling the industry of Sheffield and the pioneering electronics that sprouted from that rust red earth. Track titles, and the album name itself, suggest periods of challenge and difficulty. “Paralysis”, “Desolate”, “Empty Lands”. Words that conjure certain feelings and responses. Shima’s music is a counterbalance to these emotions. Positive compositions of subtle shifts, complementary percussion and welcoming warmth acting as a tonic to the negativity that swirls; the ten audio works on offer acting as a balm to soothe the soul in these troubled time

More mindwarping techno from the underrated genius that is Jodey Kendrick. A mind meld between 90's Detroit and UK braindance for dark dancefloors or early morning raves where every connection of spacetime has been abandoned for strobes and smoke…

Yep people, you’ve got us right. While many of us are still looking for traces of lizard people wandering over a flat earth, your favourite producer’s favourite producer has already boarded his space vehicle in the direction of moon, closely observing our mediocre attempts to enrich our earthly existence. Magician Jichael Mackson opens his bag, presenting the signature sound he’s so famous and respected for. Deep and bass driven grooves, perfectly layered on top of each other like damask steel. In order to enjoy this masterpiece, we recommend to snort a big line of that “Digital Dust”. “Family Biz” is taking a more laidback and broken beat direction. Dense percussions, intricate harmonies and a lot of soul and jazz vibes are hidden in this gem. Best to be discovered with your friends and loved ones on a sunny day beneath a shady tree, enjoying a couple of glasses while waiting for the sunset. Geez, this is so damn gorgeous. “ath” ends this formidable EP. Again, no club inspired vibes (cos clubs are closed anyway, right?) pulsating out Mackson’s snyths, instead a more abstract broken beat crawling into our ears. Eerie sound modulations and creepy acid - lovers of DJ Krush’s older works might fall in love with this.

After being featured on Berg AUDIOs >Horizons< compilation, Bucharests Jay Bliss is back on the label with his first solo release in more than seven years. What to expect? A delightful blend of deep, dub, minimal & even a disco influence for the highly awaited track >Neuromancer< ? Artwork by Juli Jah

Utter (in collaboration with 3xl) presents mu tate's second album 'they're with you always', featuring Joshua Inyang (Space Afrika), Nikolay Kozlov, Desirèe Monique, Igor Dyachenko and Mathilde.

Available on limited vinyl housed in a high-gloss sleeve artworked by Lucas Dupuy and Art Crime. Mastered by Ike Zwanikken then transferred and cut by Anne Taegert at D&M.

they're with you always inspired by a true story

James Bangura’s Wichita EP is sound experience reflecting on the adolescent pursuit of finding freedom through driving.

Looking back on intense driving experiences with high school and college friends through canyons like Turn Bull, Idylewild, and San Timoteo, This EP represents the transition from childhood to adulthood - from being reckless to being thankful and more self aware.

Jack Russell - Destination Unknown EP - Ww01 If you enjoy this music, then it is for you. Our modus operandi is to provide djs and listeners with only the finest dance music possible. We focus on intrinsic groove for your dance floor and all our music is made with high quality ingredients. A respect for what has come before, with a mission to bring fresh sounds and sonic experiences. Underground Music, Brooklyn, NY

Stunning dub techno Inch. Knowone Remix!

Stunning dub techno Inch. Markus Suckut Remix!

Labelfounder Insect O. is back with a 3 track vinyl release of his handcrafted dub techno sound. But there is always more to discover. Sandstones starts with field recordings he took at the sandstone mountains of Saxony Switzerland National Park while hiking during the pandemic. Back in the studio he layered it on top of spicy chords, beautiful pads and a shuffling groove. But it is this melancholic organ that gives big emotions to the track. The second track is named after a famous little bass synthesizer. Volca Dub was recorded 10 years ago. It was sitting on the hard disc, waiting for the perfect moment to get finished and released. The chords of the Korg Volca Bass are heavily modulated and tranched into swirling tape delays with a rumbling sub bass underneath. Just like dub should sound. The final track Everlasting he recorded live in one take on his modular synthesizer. It starts with the rolling bassline by a Buchla inspired dual oscillator. A dreamy melody and melancholic chords are fading in. Filter pings are providing clicky drums while white noise from the Moog Dfam is playing a polyrhythmic snare. Pitch shifting echoes and a dreamy reverb are gluing the sounds together. It makes you remember the past and think about the future. Just like memories do. And some memories last forever.

Idealist, Patrick Zigon, El Choop and Van Bonn took their hands on Insect O s full length album Atacama. Zurich based Idealist turns the epic New Dawn track into a raw techno mover with acidic chords and an air cutting hihat. For his remix of Resonance Biotop label head Patrick Zigon spices up the melodies with some disharmonic sounds and embeds it on top of a shuffling groove foundation. El Choop got on remix duties for Atacama and hit the ground running. Using multiband saturation and a granular software to create a pad, he s turned it into an entirely new exploding techno track. Van Bonn rounds up the remix edition. Using some trippy fx, he lays the chords and field recordings on top of a very deep dub beat in his mystic remix for Forest Of The Monkeys.

Maayan Nidam's launches her new imprint with a four tracks release from the ever-elusive Hubble, presenting deep and heavy sound esthetics we grew to expect from the intriguing producer as well as from Nidam's distinct preferences when curating her dj sets. The record begins with a promise to a spiritual journey, arriving to full expression on the second track. The flip side returns to the body with a primal groove that explores movement in personal space, fantastically growing to the firm and definite steps of the forth and final track on the EP.

Hidden Operator coming through with some fresh dub infused power powder. Horns get twisted and turned inside out and laid on a bed of suitably phased out beat work.

Healing Force Project continues its sonic journey towards territories of dub/reggae derivation. In this case, creating for Analog Versions, two tracks with a dark flavor, introspective but never banal. In the piece "The Bathysphere Stalks The Ganja", which gives the title to the 10inch record, there is a well-defined rhythmic gait, obviously with a markedly dub timbre and a structure that almost transforms into a jungle mantra, almost giving the listener a feeling of sensory loss. Continuing on this type of production and composition, "Jah Connection" develops on a slow groove in the first bars of the track, and then opens up to contexts close enough to the breakbeat and with a voice that repeatedly punctuates the riddim that is created step by step. Bottom line: whoever listens to this project just has to let themselves be carried away by these timeless sounds.

Dubai’s lo-fi wizards Shadi Megallaa & Abood Nasrawi aka Gyps take a break from their lo-fi experiments & venture onto the dancefloor with 3 original cuts aimed to make the bass bins rumble. We’ve also enlisted Dub master & Mosaic main-man, Steve O’Sullivan for a remix that takes the title track to another dimension.

For those who might have missed out on the sonic odysseys of Gyps1-6, fret not, as they await discovery on Bandcamp under the moniker "gypstapes

IAL welcomes Giacomo Pellegrino who arrives at our doors bringing a groovy and deep EP with his distinguishable sounds. Rich and precise sounds make this release an excellent tool for the dance floor accompanied by a fantastic remix by Delano Smith, who by speeding up the rhythm leaves his unmistakable stamp on a perpetual and devastating mood. This fourth release in a limited copy of 300 is unmissable!

Firescope are always on the lookout for new music, searching and sieving with headphones clamped over ears. Gggg, a recent discovery, unveils a stunning debut release. The co-founder of D.Ko Records may be a fresh face when it comes to releasing, but he has a wealth of both experience not to mention talent. His album, Gazé, is testament to this. A spread of styles and influences coalesce to create Gggg’s unique sound. Ambient. Braindance. Electronica. Techno. All are melted and forged into the new. Processed percussion is the shifting sands from which a swooping melody takes flight, a melody that bends and soars as “K-Robot OG” ascends. Crystalline chords are shaven with fizzing drums in the frenzied elation of “Cas Contact.” And this is what lies at the heart of the collection, a rapturous joy that permeates the entire record. From the complexity and grandeur of “Chien Flûte 5.1” to the considered and subtle “Mudla 2”, the brightness of the audio palette chosen gives tracks an incandescence. This “joi de vivre” glistens and glows in the more playful tones of “Broutine Lamé” and “Cat Intro.” Textures are another area of interest for Gggg. Pieces like “Slowdry” and “Trip 2 Delinc” reshape and ruffle rhythms to bring a counterpoint to form and harmony. Beats are replaced by gentle waves of sound as the twelve-work collection culminates in “Sac Ala Blofel.” Gazé tracks a course. From the energy and frenetic rhythms of first encounters to the atmospheric embrace of the latter part of the album, there is the sense that Gggg is celebrating the astounding of the ordinary, the amazing that is contained from the routine of dawn to dusk.

First Sonntag release, consisting of 4 hypnotic flowing and atmospheric dubtechno tracks. Including a remix by Icelandic dubtechno veteran OHM

Fractions return to Fleisch for a third time with their debut LP, unleashing eight tracks of highly effective techno-infused body music inspired by the melodrama of French films such as La Haine and Irreversible. With a palette of modernized 90s rave elements they transport the listener on a cinematic ride of contrasts between the explosive and the soothing, through violence and action to love and hope. Featuring Zanias on Track A4

First release from the Portuguese vinyl only label, Dreams Come True. Born from the childhood dream of his mentor Ostinato, DCT aim to reflect his passion for vinyl records and electronic music. For this first release, nothing better than bring together friendship, passion and talent. In the last couple of years Floog and Ostinato became close friends and crafted this release togheter. The original tracks from Floog reflect all his versatility fusing minimal with some spicy and tasty vocals, following a different path of the classic rominimal sound. The remixes are the reflection of the label owners personal taste. Antraum (Traumer and Anton) did a huge remix with an infectious groove, a huge bassline, and certain sound complexity that makes you dance from the first to the last beat. Ted Amber its for sure one of the bastions of the classical Rominimal sound. This remix shows all his talent to build unique vibes in each release he does. Dreams Come True is now unleashed, and we ll keep sharing them with you.

San Francisco dub techno magician is in the game, but wait a minute.. Does anybody know What Robot Says? Vinyl Only Introducing the debut EP from the visionary electronic artist Federsen, What Robot Says Records proudly presents a mesmerizing journey into the depths of dub-infused electronic music. Hailing from the vibrant city of San Francisco, Federsen, also known as Chris Kelly, brings forth a sonic landscape rich with the influence of dub reggae recording techniques. Within this inaugural release, Federsen masterfully melds vintage tape delays and analog equipment to craft a sonic experience unlike any other. Each track within the EP is a testament to Federsen's meticulous attention to detail and his ability to weave intricate melodies with hypnotic rhythms. Opening the EP is "High Pressure," a seamless blend of precise minimalistic percussion and ethereal melodies, effortlessly drawing listeners into a world of hazy dub textures. Following suit is "Sono," where deeper melodic layers intertwine with Federsen's signature sophistication, creating a timeless elegance that permeates every note. As the EP unfolds, "Fazed" emerges as a standout track, delivering a powerful groove destined to ignite dancefloors while still maintaining the immersive simplicity of dub soundscapes. Finally, "Quadrata" serves as the perfect conclusion to the journey, offering a sublime fusion of atmospheric elements that evoke a sense of introspection and tranquility. With this EP, Federsen invites listeners to immerse themselves in a sonic tapestry where tradition meets innovation, where every beat pulses with intention, and where the boundaries between genres blur into oblivion. What Robot Says Records proudly presents Federsen's debut EP, a testament to the boundless creativity and artistry of one of electronic music's most promising talents.

We would like to welcome Ezeph, an enigmatic duo out of Paris, France in the evergrowing Moonshine family. We have the extreme pleasure to bring you their debut release. Limited to 400 pcs 10" marbled black clouds vinyl.

After 5 years of silence and profound changes in the label, the 8th release sees the light these days. The uncanny producer Etrigramm gives us examples of his underrated talent on this 4 track vinyl. 5 slow dubby techno gems where he explores the darkness and his taste for 90 ́s projects like Download, Richard H. Kirk ́s Trafficante, Lassigue Benthaus and other experiments with an Industrial aftertaste. If there were clubs in Mordor, this is what they would sound like. 200 copies pressed.

This is the fourth and final installment of Sushitech label head Yossi Amoya's reissue series focussing on the work of Eric Spire and his Silver Pearl label. The Los Angeles based producer was on a hot streak back in the late 90s, fomenting a new take on West Coast house music with hard drums and psychedelic synths that lay down something of a blueprint for later tech house a la Craig Richards, Wiggle and co. This useful 12" packs another punch with potent drums and razor sharp percussion across three cuts from some of the Silver Pearl mainstays.

Berlin's cultured Sushitech label is back with another of its superb reissue projects, this time focusing on a small but vital label from the 90s. Silver Pearl was where Los Angeles based producer Eric Spire released a small but steady and superb series of records that took house music into all new realms. He and his peers brought a touch of heaviness and psychedelic energy that paved the way for later developments by artists like Craig Richards & Lee Burridge's Tyrant nights at Fabric. Relive the magic of that time with this new series of carefully curated 12"s featuring high grade club weaponry.

You might think you know the West Coast house sound but are you familiar with Eric Spire and his Silver Pearl label? He's a rather overlooked but influential figure from Los Angeles who dropped some seriously sick records back in the late 90s. They brought a hardness and psychedelic edge to house music that eventually paved the way of the sort of industrial tech that was championed by the likes of Craig Richards with his Tyrant nights and project alongside Lee Burridge. Now Sushitech label head Yossi Amoya has dug into it to put together a series of 12"s that best showcase this special era.

The West Coast has long been synonymous with a sunny, breezy take on tech house thanks to artists like Fresh and Low, Hipp-E and Halo and Doc Martin. Lesser known but just as influential was LA based producer Eric Spire and some of his Silver Pearl label mates. Back in the late 90s they cooked up plenty of forward-thinking cuts with a heavy, psychedelic edge on the now cult imprint. Now some of the best of them have been assembled by Sushitech label head Yossi Amoyal across four superb 12"s that offer a great reminder of this vital era.

New Jersey Dub Techno stalwart Eric Louis delivers Rollings Hills, featuring remixes from Thule Records artist OHM, Vuo Records boss Tm Shuffle and Australian rising talent Dan Goul (Mixcult, Berg Audio) on remix duties. Feedback and support from Andrey Pushkarev, Sascha Dive, grad_u, Eric Cloutier. Vinyl only.

The Equations Collective is an experimental sound project formed by a multi-disciplinary group of artists, active in the fields of music, photography, sound design & software development.
In 2018, the collective set up a temporary outdoor recording studio, 1130 meters above sea level, on the slopes of Mount Helicon in Greece, with the ambition of recording their work in a natural environment. A 'mobile and modular' construction, fully powered by solar panels, the design of the studio showcases the possibilities of a progressive, environmentally sustainable future through renewable energy.
Embodying ecological incentives, and representing an immersive engagement with the landscape, the 'Helicon Sessions' document this extraordinary residency, capturing a profound dialogue with the eponymous mountain region.
Situated in Boeotia, Central Greece, Mount Helicon has a prominent archaic significance. A historic location where stories of sacred springs and the epic origins of the Muses and Narcissus converge. Steeped in the heritage of ancient narratives, Helicon is seen as a principal symbol of poetic inspiration.
On the 'Helicon Sessions' the collective draw upon the inspiring topography and fabled mythological resonances of the area, unfurling an expansive, hypnotic suite of abstract electronics. Liberated by an open-ended, improvisational dynamic, the collective move through a mysterious, elemental cycle that mirrors the imposing scale and dramatic atmospheres of the setting.
Across an entrancing, fluid sequence of five designated 'cuts', the collective traverse the borderlands of drone, techno, dub, and acid, amplifying the acoustic traces of Helicon by integrating field recordings collected at the site into this arresting body of work. With these recordings, the collective delineate an odyssey of subverted 303s, sputtering drum machines and formidable, oscillating low end that drifts and coalesces like an amorphous mirage; a spellbinding sound world of clarity and shadow.
The 'Helicon Sessions' signify a symbiosis (between the terrestrial and the engineered, between wildlife and futurism, between the intrinsic and the synthetic, between the innate and the manmade) And with their conception of a portable, eco-friendly studio The Equations Collective focalize valuable ideas centred on ingenuity and evolution. The outcome of this project illustrates a unique collaborative exchange which acknowledges the deep nuances of environment and the enduring echoes of history.
The Equations Collective is a collaboration between Artefakt, Aroma Pitch, Aphelion and Sphera De Noumenon across Berlin, Amsterdam, Cologne and Hamburg. Together they have established an all night long live event in Berlin, starting at Sameheads and Acud Macht Neu, which eventually lead to their residency at OHM (Tresor).
For this format they have collaborated with the following artists: Alex The Fairy, Anna Z, D-ix, Eliad Wagner, Jón Friđgeir Sigurđsson, Orson Wells, Phillip Jondo, Philipp Matalla, Prsmc, Rabih Beaini, Sabrina Gricourt, Sébastien Robert, and Vida Vojić.
The respective members of The Equations Collective have released a range of output on the likes of Field Records, Delsin, Semantica Records, De Stijl, & Soul People Music.

Since 2018 their visual identity has been shaped by Elias Hanzer.
The 'Helicon Sessions' is their debut release.

The initiatory release on the co:clear label is a stunning debut by Brooklyn-based artist, Eden Aurelius. Written between Chicago and New York throughout 2023, 'Plateau' is a lacework of chiller dub-techno and ambient sparkle, crafted via recorded material, astute sampling, and live instrumentation. Rounded off with a stellar remix from your favourite ambient boyband (Purelink), this record is one for the serial unwinders.

Traversing the boundaries of techno, a unique textural palette of Detroit, dub, ambient and breakbeat influences - the compelling debut album from Eddie Hale (Melbourne, Australia) beckons the listener on an introspective journey of the imagination.

Primary Colours Reserve Series returns in 2023 with Youthman, a slung dubbed out, rootz laiden steppa. Echo Inspectors teams up with Queenslander dub heavy weight Subset for his debut along with the smooth stoned out vocals of Prince Morella for this Rhythm & Sound inspired dubber. Joining the PC family is another debutant, long time friend Biodub. Biodub brings his funk and groove to the plate, stepping up the tempo with his signature rhythmic, bass driven sound. Roll a Bat, get lit for this one.

Drum & Lace, aka Sofia degli Alessandri-Hultquist, is an Italian composer, sound artist and performer that writes and creates music for film and media. 'Natura' is her debut Past Inside the Present release, in addition to it being her first formal full-length album. Natura pays homage to intelligent electronica and will no doubt be a defining album in the ambient/IDM genre.

Drum & Lace, aka Sofia degli Alessandri-Hultquist, is an Italian composer, sound artist and performer that writes and creates music for film and media. 'Natura' is her debut Past Inside the Present release, in addition to it being her first formal full-length album. Natura pays homage to intelligent electronica and will no doubt be a defining album in the ambient/IDM genre.

Mysticisms' Dubplate series is back once again, this time with Nick Barber aka Doof at the helm. He was a 90s trance icon who here serves up some tunes that have previously only been available digitally. They were all recorded to tape and remixed and live dubbed on the desk so have an authentic feel to the melon twisting sounds. There are plenty of psychedelic twists and turns to the wispy synth leads and snaking hits here, all with heavy and cavernous low ends and plenty of future facing ideas. Each one is sure to set the dancefloor alight when dropped at the right moment.