Dub Sale 129 Items

Taken from the self-produced LP "Empty Promises" released on Bridge records in Canada, 1987.

After the recent Experiments re-issue with 90's off-style unclassifiable tracks composed by the legendary Dub producer - The Disciples - Androo (NS Kroo) sets out to re-create and freely adapt this material. The fact that Sound Metaphors chose Androo to re-construct these works in to new material is not random. Androo has been producing Dub since he was a teenager but he quickly turned to all kinds of musical experiences, mixing styles and influences. Once past the intimidation of working with material from one of his favorite and revered producers, Androo tried to pay homage to the free spirit that this Disciples album contains. Between reference and irreverence, the album is woven with a playful, DIY, and also serious weave. As you listen, a sometimes very harmonious and controlled landscape takes shape, then suddenly steep slopes and raw ridges appear. Almost like an art of sound drawing. A line in permanent oscillation between supposedly antagonistic registers. Danceable pieces cut for dancefloor brush against strange, problematic, and voluntarily irrecoverable elements. Consensual pop chords rub shoulders with sizzling blurred contours and sounds that are sometimes too loud. 4/4 rhythms get jackhammered out of the tempo with opulent delay effects. The “Dubmix” is here, constantly at work. It is, above all, an art of the hands, fingers handling the console which from then on becomes an instrument in its own right - for Androo Dub is experimental music.

Killer female roots vocal on the tuff lick of the 'Java' rhythm that we released other cuts on (see above links). This tune was originally released on 12" on Park Heights' Son of a Gun label, under the name 'Park Heights Angel' aka Angel Hoytt. This is the first release on 45, and the A-side vocal cut is an alternate previously unreleased mix.

‘Nam Ton Tad’ is a sun-soaked amalgamation of groove-trenched reggae & traditional Thai molam essence. Rooted with Laotian origins from the Isan region of northern Thailand, this contemporary interpretation of ancient folk melody is both lush and intriguing" - Mixmag Asia Nam Ton Tad is the new EP by Thai-Dutch electro-molam-band Apichat Pakwan, and the 9th release on Animist Records. This single is a follow-up to their international critical-acclaimed debut album Esantronics, which was released in October 2019. The album was named Best Asian Album of 2019 by World Music Central. Apichat Pakwan is a Dutch-Thai band based in Amsterdam. Their music is a mix of morlam, electronic music, dub and hiphop. They perform with their own compositions, as well as with new interpretations of classic Thai and Lao folkmusic repertory. The music collective was founded in 2015 by Dutch musician Olivier Schreuder (electronics, compositions, traditional Thai instruments) and Thai musician Angkanang Pimwankum (percussion). They compose and perform with an alternating group of musicians from the Northeast region of Thailand, also known as Isan. The group was called "most innovative molam hybrid" by The Bangkok Post.

.. Abi Shanti engineered.......more sooon

Bassnectar is back with a new 17 track album, packed to the max with a diverse array of freestyle electronic music. The long wait for new music is (finally) over. Limited edition gatefold sleeve pressing on 180 gram multi-colored vinyl (blue, orange, yellow).

Here's the inaugural release in a new series from the archives of the late great engineer & producer Philip Smart. Philip's resume is impeccable - early friend and collaborator of Augustus Pablo, radio host and dj, first apprentice of King Tubby, and founder, producer and engineer at one of the major reggae studios of New York City history, Hc&f. Many years back our brother label Goldshop did a series of 45 reissues of the dancehall classics from Philip's Eclipse label. We always wanted to go deeper, but time moves fast, and unfortunately, Philip left us in 2014. But everything in due course, and now with his estate we've gone thru the archives to assemble a fantastic series of releases. This first release is a must - produced by Philip during his time as engineer at Tubby's studio, this is an awesome rockers style take on the moody Paragons classic. The flip features a classic blueprint mid 70s Tubby's style dub, HPF in effect with the first Prince, Philip Smart at the helm. Originally released thru Brooklyn's legendary Keith's record shop back around the time it was recorded.

The Truth and Vibes label is back with its highly anticipated second vinyl release, and this time, we’re pulling out all the stops to bring you a diverse lineup of both fresh faces and familiar talents who have already graced our previous release. Our journey begins with the talented producer and our good friend, Bukkha, hailing from Spain. A notable figure on the dub scene, Bukkha has been invited to play at Dub der guten Hoffnung in Graz already twice, solidifying our productive creative relationship. The genesis of this release traces back to a track known as “Jah Praise”, which we’ve cherished as a dubplate for many years. As the years rolled on, an exciting development took place when our brethren, Joyful Lion, contributed a mesmerizing saxophone performance. It was at this moment that we knew this track deserved to see the light of day as a full release. The creative journey didn’t stop there. We embarked on a quest to infuse this already captivating tune with even more depth and soul. Enter the remarkable singer Galas, who lent his powerful voice to the project, introducing a theme of “Repatriation” that resonated deeply with our vibes. But we weren’t finished yet. To complement the rich lyrics, we sought the talents of our friend Vale from Berlin, known for his exceptional horn skills. The harmonious melodies he crafted were so captivating that we couldn’t resist asking him to contribute some solo sections, resulting in a full horns version of the track. With all the pieces falling into place, we entrusted the track to Matt from Pressure Mastering, who added the final touches to bring out its true essence. As always, we’ve teamed up with Austro Vinyl, nestled in the green heart of Austria, to deliver a high-quality pressing on heavy 180g vinyl. The release comes adorned with full cover artwork, ensuring that the visual experience matches the sonic journey.

Champagne Dub is a collective of selected artists who come together to practice psychedelic dub rituals. Lysergic weather front top-loaded via betamax"s hippocampus trapdoor melding Catto"s studio into a rainbow of textures, formless places, and emotional sonics awash with resonant poy-rhythms. Champagne Dub is a mission in space-dub whose "crew" took a few too many wrong turns. "We are here to bring raw metamorphic rock-rituals that escaped our minds."

Back in 2014 Caio linked up with the legendary singer Clive Matthews in Jamaica as he was interested in recording some specials for his Dub Foundation Sound System. Talking about it came out the idea to play the Apology rhythm from scratch, one of Clive's biggest hits from back in the days.

It took around one year to organize everything and by the end of 2015 Clive Matthews was able to get in touch and gather all the original musicians who played the riddim back in 1973 : Bagga at the Bassline , Leroy “Horsemouth” Wallace on drums , Norman Vessel on lead guitar & rhythm and Jah D on Keyboard. Music was then recorded at Anchor Studio, Jamaica, with Garfield McDonald's as Engineer.

“Mama Afrika” has been since 2015 one of the Anthem of Black Foundation Sound System and we at Dig This Way Records were lucky enough to cooperate with Caio to work on this release with a new mix of the vocal.

Mixed and dubbed by Michael Exodus at Dub Basement Studio in Rome and mastered by Matt at Pressure Mastering in Uk.

Hard piece of stepping digital from 1989 with the masters of the era on the rhythm track, Steely & Clevie. Likewise, Conroy is one of the iconic artists of the late '80s digital era with numerous classics to his name.

In the Afro×jazz×global Bass scene, Galliano's Constantine Weir adds a new dimension. And incredibly, Congo Natty is joining as a producer. Featuring lyrics inspired by Islamic mysticism, accompanied by robust electronic bass music that floods the auditory senses. Constantine Weir initially signed with Acid Jazz Records, helmed by Gilles Peterson, and rose to prominence in the 1990s with the acid jazz group Galliano. He has also collaborated with S'Express, Paul Weller, Pressure Drop, Amy Winehouse, Outside, Ocean Colour Scene, Congo Natty, as well as contributed to works by Japanese artists such as United Future Organization (U.F.O) and Hirosi Kamayatsu.

Legendary Reggae vocalist Cornell Campbell is to release a new E.P entitled 'Time For Peace', to mark the 52nd Anniversary of Martin Luthur King Jr's assassination, 4th April 2021. Taking its title from Cornell's lyrical addition to Black Man In A White World, "I want you to understand, I need, I need everyone to hang on, in love, peace and unity", the new 12" EP features bold interpretations of two of soul music's most iconic songs about race, identity and injustice. Both Michael Kiwanuka's 'Black Man In A White World' and 'Outernational Blues' - a take on the Marvin Gaye classic 'Inner City Blues' - evoke the sentiment and spirit of MLK's peaceful protest, and act as a reminder as to the importance of grace, pride and dignity in difficult times. Capturing a unique combination of vocal vulnerability and wisdom, this is music that demands deep listening. Cornell Campbell's voice at 75, carries a new found poignancy and depth of emotion; one which feels perfectly suited to delivering an elders perspective on such emotionally loaded topics. The E.P was recorded and produced over four countries, with the music for all tracks having been recorded in London, England at The Total Refreshment Centre, before being voiced in Kingston Jamaica at Anchor Studios. Additional backing vocals were added at Heritage Recording Co in Burbank, California, before the track was finally mixed and produced by Sergio Lopez, in Andalucia, Spain. 'Time For Peace' is the first in a series of four releases from icons of reggae, including 'Time For Love' by Tabby Diamond, of The Mighty Diamonds, 'Time For Change' by Fred Locks and 'Time For Unity' by Big Youth; all to be released on limited 12" vinyl. All music recorded by Kristian Craig Robinson at Total Refreshment Studios, London. Vocals recorded by Delroy 'Phatta' Pottinger at Anchor Studios, Kingston, Jamaica. Mixed and produced by Sergio Lopez. Keith 'Mindlink' McKintosh: MD, Arranger and Keys Ajani 'aj' McKnezie: Bass Brian 'Rim Bim' Gustave: Drums Benedict Wood: Guitar Jordi Viella: Guitar Alabaster DePlume: Saxaphone Jackson Mathod: Trumpet Tamina Johnson-Lawson, Aankha Neil and Moira Mack: Backing vocals Backing vocals recorded by Chris Rondell at Heritage Recording Co, Burbank, California and arranged arranged & produced by Brandon Eugene Owens.

Fully remastered and licensed, ltd to 500 copies 180 gr vinyl. Officially the latest album released by the british super group, Lows & Highs is the triumphant epilogue to these fascinating adventure in rhythm. Featuring vocals from Crucial Tony and Lizard Logan this is probably the most straight ahead reggae album in their whole discography. Producer Adrian Sherwood is in charge behind the desk while Style Scott, Eskimo Fox and Donald Campbell bring all their potential efforts on the drums. Deadly Headley and Dave’ Flash’ Wright are the top horn section here. The album features the bonus track Read And learn from 1982 single ‘Love I Can Feel’. A must have for any english dub worshipper.

Years ago we were lucky enough to get an incredible and uncredited Acetate with a deep instrumental cut of Satta Massagana , long story short after few weeks we got it the plate totally cracked and became unplayable. We managed to send the plate to Rome at Vinyl restoration who made a little miracle and somehow fixed it well enough for us to export a digital crackling recording of it to keep in our archives. Few years later , we played the noisy recording to the great musicians from Dig This Way All Stars and we decided it was absolutely the case to attempt a modern remake of it. Thats how Abeng , Sere and Monz made the structure of the Riddim , than Rootikal Horns handled the Trombone and Sax version , Nicola Gallo did the Organ part and Jonny De Ambassador played the percussions! The final touch is done by Yakka who mixed a couple wicked dubwises of it and Pressure Mastering that made it sounds proper! The 45rpm is pressed in 250 black copies.

Fresh heavyweight speaker-distressing business from The Disciples with a vocal track from the legendary Dixie Peach (Jah Tubbys, Fashion labels and many more).

Element, co-founder of Riddim Chango imprint, introduces his latest creation, a 4 track EP, under the freshly forged subsidiary label, Parallel Line.

The EP opens with the abstract dancehall mic-man in Kingston I Jahbar, reprising his collaboration with Element from their 2021” Andromeda EP on Bokeh Versions, narrating rhythmic tales of style and ambitious hustle. The records transitions to the intense dubwise cut to the A1,“Chicken Gravy Dub”, and the B-side unfolds“Nine Mall”and“Martian Gravity,”instrumentals resonating with obscure yet atmospheric dancehall/dembow echoes.

The EP embodies a fusion of eclectic influences, resonating with reflecting the innovative and unique soundscapes of Element and his Parallel Line imprint.

Killer mid '80s 'live digital' tune made at Aquarius Studio, released for the first time ever. A rarity to get Dunkley on this type of rhythm, this one was great to unearth.

Finally here, the first release in our long planned Parish label reissue program. Students of late '80s digital reggae know that Edgar Whyte's Parish label is one of the finest labels of the period, issuing many singles and albums, with a unique selection of artists and a bunch of killer original rhythms. We've been working on this program a long time and are very pleased it's finally here. There will be a killer selection of reissue and previously unreleased tunes coming in 2024, all from master tapes. We figured it's only fitting to start off with what is likely the most in demand Parish single for '80s digital collectors, and from one of the label's signature artists. Everton Chambers' "This Love of Mine" came out in 1988 and is extremely tough to find, a ruff piece of stepping digital, even favored for play by the late great Jah Shaka.

Produced by Alvin "GG's" Ranglin in 1980. Killer roots vocal & Dj's, Dub on the flip.

Glen Brown, also known as "The Rhythm Master". He was the first producer to credit King Tubby as an artist. This album is a collection of unreleased dubs left by Glen Brown and his ally King Tubby during the heyday of roots rock. This is an outtake of the version that appeared on the B-side of singles by artists such as Sylford Walker and Big Youth, released on labels such as Pantomine, South East, and Dwyer. We hope you will enjoy the deep world that the genius producer, who started his career as a jazz singer, has created with King Tubby, Family Man, and the others!!

Limited to 250 numbered copies

TRS Records unveils the next instalment of our Harry J reissues, shining a spotlight on the timeless classic "Callie Weed." The debate over who the lead singer is has been resolved, confirming that Jackie Bernard from the group Kingstonians is, in fact, the soulful voice driving this iconic song. Teaming up with Bernard, are friends Telford "Tilly" Nelson and Leroy Sibbles who contribute unique background vocals that effortlessly enhance Bernard's emotive delivery. Coming together to provide the instrumental backdrop was the Soul Syndicate band, enhancing the composition's depth. Reflecting on the creation of "Callie Weed," Telford Nelson vividly recalls auditioning the song on his guitar for producer Harry J in 1975. Before the official recording, Harry J reached out to Leroy Sibbles (who had just returned from living abroad in Canada) in hope to enrich the track with his distinctive backing vocals. This collaborative effort resulted in a dynamic blend, showcasing the different vocals and musical elements. It's important to note that the record was initially attributed to the 'Heptones Expression,' likely for marketing reasons. However, in reality it was Telford Nelson's composition from the beginning. As the only member of the actual Heptones involved in this recording, Leroy Sibbles contributed by providing a subtle touch of backing vocals, even though Nelson's harmonies takes precedence in the final vocal mix following Jackie Bernard's lead. Remarkably, on the Dub side, Telford's vocals are isolated in the mix, resulting in a clear and distinct presence.

All Nations Records present a new 12" with 2 original instrumental tracks, followed by their own dubs.
Thoses 2 tracks are the result of a collaboration between Higher Meditation and Simon Nyabinghi.
Simon sent the drum patterns to Addis from Higher Meditation, for him to play the rest of the instruments. A task he accomplished brilliantly!
The stunning melodies and bass fit perfectly with the raw drums.
Side A offers "Conquering Dub", a stepper tune that will surely be played on sound system sessions, as it has all the ingredients selectors and massives need when the dances get hot.
On B Side you will find a different groove, a tune called "Lion Dub", more down tempo, but as interesting as the first track.

Originally released in 1988 ‘Hot Rock’ was the final single from Pennsylvanian based roots reggae band House Of Assembly. The band, comprising main songwriter Norman Bailey, Marc Campbell, Claver Campbell and Louis Putman, grew up in the Water House area of Kingston, Jamaica bonding over their shared love of Dub & Reggae. The 4 members moved to Pennsylvania in the US in the early 80’s and released one album ‘Confusion’ on the local Meadowlark label, touring throughout the Mid-Atlantic region and becoming stalwarts of the Pennsylvanian roots scene.

The band started their own Concrete label in 1988 releasing ‘Hot Rock’ complete with a Dub Version possessing a potent combination of punchy 707 drum programming, killer rolling bassline, stripped back lead guitar and a rising synth line. For the official reissue there’s an added ‘Rockapella’ version not found on the original 12” and a new full sleeve jacket designed by Bradley Pinkerton.

Wicked previously unreleased late '80s combination tune from Icho Candy & his brother Prince Junior, who are sometimes confused for each other. On the same rhythm as King Kong's "Agony and Pain", which we've now repressed after being long out of stock (see link above). Lyrically about the struggle for freedom of the day, as resonant today as it was nearly 40 years ago.

Kheper Wax is the second solo album of Imhotep, artist known for have being the sound architecht of IAM, a very popular hip hop group from Marseille (South of France) in the 90’s and the early 00’s.

The 100% instrumental album is a blend of Dub and Trip-Hop, infused with oriental music samples.

It was self-released by the artist in 2013 and since, the album price has increased a lot on Internet.

Next from Jerry Harris' new label Motive is this killer modern roots tune, a version of a classic roots rhythm, with excellent dub wise side by Wackie's own Prince Douglas. Top shelf contemporary reggae from two OG's here, don't miss it.

Double sided killer Wackie's from 1978 - Both sides fully smoked out dubwise trademark Wackie's style, essential.

Originally released on the Jumbo Caribbean Disco label from Brooklyn. "Big Leg Mary" is on the same rhythm as Wayne Jarrett's killer "Come Let's Go" (same rhythm as Dkr-125 ). Wasn't It You is a different cut from the earlier one on the Senrab label (a different cut of DKR 132), but equally as killer.

Killer combination roots tune from these two legends. Released in 1986, but the music sounds more in a 1980-81 Roots Radics style. Backed with hard dub version.

Synth lovers rock at its best! Jamaican born and New-York based, Laury Webb is a singer, musician, producer, actor, former model and writer. He's been called both the Opera Dread and the Frank Sinatra of Reggae. Laury's musical career began with a role as keyboardist and later backing vocalist with the reggae vocal group The Meditations (with whom he continues to perform). Laury Webb posses a unique and eclectic vocal style. He has performed at some of New York city's premier musical venues, including Lincoln Center's Alice Tully Hall, The Village Gate, S.O.B.'s, The Ritz, The Lion's Den, Joe's Pub, Leopard Lounge, Kenny's Castaway, Central Park Summer Stage, The Baggot Inn and The Brooklyn Bowl. After enjoying years of being a back-up musician, Laury launched a solo career with his Tigerbone Band. During that period he recorded and releases singles "Woman My Queen" and "It Seems The Same". He was fresh out of college and touring with The Meditations, when he purchased a small organ for his girlfriend/mother of his two children for Christmas. By the time her birthday came around he was so broke and could not afford to purchase a birthday present for her so he gave her a writing pad and pen and told her to write down whatever came out of her mouth, and he sat at the keyboard and began playing and singing. “Woman My Queen”, was the result. “It Seems The Same” was begun in America but I did not finish writing it till the music was recorded. My cousin, Barry Biggs, worked with me on this one. We both sang on the backing tracks.