Drum & Bass | Jungle 144 Items

Clear vinyl

Vinyl with a couple of light scuffs

Vinyl closer to VG+

Vinyl with a couple of light scuffs. Generic label cover

Copy is close to VG+!

Generic label cover

Transparent Pink vinyl

Generic label cover

Generic label cover

Vinyl with a couple of light scuffs. Generic label cover

Generic label cover

Vinyl closer to VG+

Vinyl with scuffs and hairlines

This record was originally released by us in 2019 on yellow vinyl, part of the Holy Quattro. Only 250 were pressed back then and sold out that year. We have done a limited repress of 150 units on 180g black vinyl.

stamped white label and stamped inner sleeve

only record 2, record 1 and cover is missing. Writing on label sticker.

Writing on label sticker.

Label cover.

Only record 1, record 2 is missing!

Label cover.

Clear pink vinyl is close to NM.

Red vinyl.

Vinyl is Close to VG+.

Only record 2, record 1 and cover are missing!

only recorfd 2 and 4, record 1, 3 and cover are missing. Writing on label sticker.

Writing on label sticker.

Record is close to VG+.

After a strain of jungle releases, Myor Massiv enters 2017 with two slices of piano infused breakbeat hardcore.

On “Love Flows” Coco Bryce blends the old with the new by fusing 92-style pitched vocals and piano chords with crisp sounding, stripped down production techniques in the best of post-noughties traditions.

“Fools Gold” features a more throwback-heavy approach; gritty rave stabs, filtered gabber synths, a cut-up airhorn and pitched vocals of both the singing diva as well as the rapping tough-guy variant.

Dutch jungle loons FFF and Coco Bryce team up once again for another Amen excursion on Myor Massiv. Space is the place on this 12”, with both jams featuring a short documentary's worth of chatter about giant planets, failed stars and opposing quadrants. Whereas FFF takes a rather intricate and, dare I say it, intelligent approach on the A-side, Coco Bryce's “More Massiv” goes straight for the throat, with Amen chops and a double tempo pulse bassline being dropped mere seconds after take off.

Copy is close to NM.
Includes CD.

Dexta and Crypticz are delighted to announce their long awaited 12" single, 'Together', featuring two remixes from Munich-based Danny Scrilla. Two years in the making, the project will finally see the light of day on 10th November 2017 via Diffrent Music.

A fusion of Drum & Bass, Jungle, House and Garage, 'Together' is built for the dancefloor. The track borrows vocals and breaks from the early '90s, while blending drum machines, bass samples and vintage effect processes crafted by Dexta & Crypticz.

Danny Scrilla debuts on the label with a pair of remixes. The 'Reslice', is a great example of signature Scrilla, manipulating the original parts into an exploration of dubby, half time soundsystem music. His 'Reflop', meanwhile, is a 140bpm re-think, splicing chopped up breaks and bass stabs from the original along with strong percussion lines and weird vocal edits.

Since his outing on Hospital Records in 2015, and his debut 'SE4 EP' on Diffrent Music last year, Dexta - otherwise known as Londoner Chris Royle - has released the third part in an ongoing series for None60 Recordings, honing tracks for dancefloors and stereos alike.

Somerset's Crypticz (aka Jordan Parsons) has had quite an eventful 12 months, with his 'Echo Sound EP' on Doc Scott's 31 Recordings, and more recently the 'Forever EP' Om Unit's Cosmic Bridge imprint, while evolving his club performance from a DJ set to a custom live show consisting solely of his own music and explorations in sound design. This single comes two weeks after his latest release, the 'Access You EP', also on Diffrent Music, which set a new benchmark for Jordan, refining his sound to its highest quality.

Danny Scrilla (born Daniel Pirkl) has gone from strength to strength this year, dropping a cassette tape project on Cosmic Bridge, compiled of 16 synth and hardware-led experiments. Last month Dan also released a collaborative 12" with Sam Binga called 'Weird In Munich' - a superb effort, pushing boundaries from both their usual styles - before putting out an EP for Amit's AMAR imprint in early September.

'Together' will be available as a limited 300 run of 180gsm coloured 12" vinyl, and will be officially released on 10th November 2017. An exclusive small batch will be available at the Clashmouth D&B Label Market on 28th October 2017 at Cafe 1001 on London s Brick Lane.

2023 repress -

Noisia & Foreign Beggars are extremely proud to present I Am Legion's much anticipated self-titled, 16 track, debut album.

"The album was made during countless sessions (no more than 40 full studio days max) over the last five years. Many passes of production and scrutiny reached every track, alongside a plethora of feedback spread sheets and whiteboard summaries. We never set a deadline for ourselves; the whole idea of a full album only took shape later in the process when we realized how much material we had generated and how cool it could be to put it out as one big thing." I Am Legion nods to rap's erstwhile forays into electronica, absorbing elements of its present whilst laying out a reassuringly disturbed vision of what's to come.

A joint project of NF Zessho (from Oll Korrect) and Aru-2 (beatmaker for Daichi Yamamoto, KID Fresino etc), "akira" was originally released in 2019 and now available in long-awaited vinyl format!　

Three appearances on Andy C’s Nightlife 5 in 2010 signaled the start of Wilkinson’s journey with RAM Records. Three years later he would go on to drop his debut album ‘Lazers Not Included’, propelled by the success of ‘Afterglow’, featuring Becky Hill, making a dent in the UK Top 10 and going on to gold certified status with over 150+ million streams to date. Capturing his dancefloor ready sound, which helped make him one of the biggest names in electronic music in the UK and beyond, Lazers features the anthems ‘Take You Higher’, ‘Heartbeat’, ‘Too Close’ and ‘Half Light’.

To mark the 10th anniversary of its release, the album has been pressed in full for the very first time on yellow vinyl. With a refreshed design, this special edition will make a great collector’s item for old and new Wilkinson fans alike.

2023 Repress in updated tea stained sleeve

Label cover.

Halogenix takes some time out of the Ivy Lab super group to go it alone on the heavily hyped 'Velvet EP'. The future jump-up of 'Blej' leads the way, a tune that had Andy C peering over Kasra's shoulder at his recent Xoyo London shows. Whilst heading back into more blissed Ivy vibes of title track 'Velvet' and 'Cliche', Halo pulls in the help of Monty on the bouncing 'Old Town' to complete an utterly essential EP.

As the dust begins to settle on one of his most significant and pivotal bodies of work to date - the critically acclaimed techno-focused 'Grow' released by Craig Richards on The Nothing Special - Calibre returns to his own label Signature for another fathomless LP exploration. Laced and spaced with the precision balance of sounds, speeds and styles he's known for, and predominantly characterised by his own lyrics and vocal textures, 'Deep' once again reminds us of Calibre's singular status as an artist whose creations transcend time, tempo and territory. Ranging from one of his most in-demand dubs 'No One Gets You' to poignant yearning introspection of tracks such as 'Better Than Me' and the rolling, jazzy broken beat summer serenade 'Lit', 'Deep' is yet another accomplished, alluring and truly unique pieces of work from one of electronic music's most consistent and prolific artists.

Halogenix raises the bar once more, flipping between the light and the dark of his "Gaslight EP". The exquisite summertime bounce of "Out Of Line" featuring Solah on vocals and the future liquid of "Would You" give the perfect balance to the frenetic paranoia of title track "Gaslight" and "Line B". One of his best releases to date.

Repress in legendary Soul:r Sleeve for 2022

Repress in legendary Soul:r Sleeve for 2022

2022 repress

In a world where harder, faster and more obnoxious is the order of the day Frederic Robinson deals in complex and nuanced music that displays a maturity of thought far beyond the young German’s years. Disciplined and focused, he stretches genres until the restrictions of tempo lose their meaning and the listener is free to simply experience music rather than categorise it. His intensely intricate sound design, instrumentation and arrangement places him closer to contemporary classical composers such as Steve Reich, Terry Riley or Philip Glass than the more typically accepted gurus of dance music. The music itself is beautiful, both subtle and satisfying. Harmonies rush and swoop, collapsing in on each other amid fractured percussion and sparkling melody, simultaneously muscular and fragile. Motifs appear, become warped then reappear in different forms, helping the music to talk about itself while it shifts through distinct movements of light and shade. It is this fearsome and unique skill in execution which has led Frederic Robinson to the ears of tastemakers across the spectrum, from Gilles Peterson to London Elektricity, and seen a flurry of releases on Hospital Records, Brownswood, Bmtm and Med School along with remix work for some of his most promising young contemporaries.

A very nice EP with Burial-esque soundscapes and spaced-out vocals!