Drum & Bass | Jungle 138 Items

Vinyl with a couple of light scuffs

Vinyl with a couple of light scuffs

Vinyl 1 ONLY (Sides A / B)

White labels. Vinyl 1 ONLY (Sides A / B)

Generic label cover

Generic label cover

White vinyl

Still in shrink but opened with hype sticker. tiny wear. Limited edition.

only record 1, record 2 and cover are missing

small Writing on label sticker. Label cover.

Label cover.

Writing on label sticker.

Only record 2! record 1 and cover are missing.

stickered white label copy

Label cover. Writing on label sticker.

Generic label cover

Generic label cover

Picture disc.

Limited edition

Label sleeve has small creasing upper seam.

2024 Repress

Leipzig’s DJ Detox brings out his first extended player of breaks / future hardcore on R.A.N.D. Muzik Recordings.

Limited Edition Orange Crush coloured vinyl LP run of 100 in full colour jackets with OBI and shrink wrapped.

2023 repress.

The Dragonforce EP could be the best work yet to emerge from the studios of Laurence Reading aka Halogenix. Flipping from the Japanese comic book influence of the title track to the beautiful future soul of Independent is something not many other producers are capable of. Tekina brings even more ingenuity with a delicate light/dark fusion whilst Reminisce is awash with warmth and ethereal feels. An essential EP.

2022 repress

Two absolute bangers you need and you'll love. Pressed on a 10" clear + solid red mixed vinyl.

On 6 th November Bristolian master Krust presents 'The Edge Of Everything' – his first album in 14 years. The pre-eminent electronic icon – who continuously prolifically blew minds throughout the 90s and 00s – has now fully returned from a long break, rejuvenated and artistically liberated. The album appears if beamed-in from the edge of the universe, way beyond the precipice in a metaphysical netherworld. This is Krust as futurist revisionist, making exhilarating, standout music of depth and substance, which is unlike anything else, above-and-beyond floor-focussed confines. Krust’s music is more individualistic; closer to the vivid brushstrokes of a fauvist painting, and less like a diagram on a grid.

Argentinian producer Thissperso has been living in Barcelona for a good season while producing music that reflects what he experiences in his day to day life. His productions are harsh and violent, but they have a quality and energy that makes them contagious and addictive. This work, edited by NNY Records, compiles some old songs that have been revisited and remastered, which coexist with new compositions that continue to explore the most visceral and dark side of electronics. This is the work of a producer who is not tied to any style and who enjoys setting the dancefloor on fire when one of his songs is played. Producers like Parris Smith have already been able to verify it in the first person with a couple of songs from this new EP in which we find Electro mixed with Industrial, EBM, Acid and a punk and nonconformist attitude.

San steps forward with idiosyncratic, textured jungle for the modern era on his debut 12". Anxious and introspective throughout, San's detailed sound design and close control of intricate drum edits clearly mark his pedigree. The jungle alias of a Bristol based techno producer, the San project reflects upon the rave landscape of 2020, and finds it to be a dark place.

The mighty Ron Wells returns with his legendary “Fast Floor” project. Limited copies.

Reinforced Architect Immortal Minds makes his debuts on AKO with 2 beautiful soulful tracks that perfectly fit the AKO sound. Available on a fuchsia pink transparent vinyl.

Following a jaw-dropping LP on Ghostly International in 2018, multifarious rave authority Tadd Mullinix reanimates his hi-tek junglist guise X-Altera for an EP on Sneaker Social Club. It’s a perfect fit between project and label, as Mullinix exercises his fearsome knowledge and grasp of foundational jungle and drum & bass on an imprint with strong form in the field (from seminal Foul Play works reissued to contemporary cut ups by Dead Man’s Chest, Etch and more).

2022 repress

In the mid 90's, Julee Cruise and Eric Kupper were signed to the same music publisher, Warner Chappell. Patrick Conseil, who signed both, thought it would be a good idea for them to get together and collaborate. He was correct in that assumption, and this has lead to an enduring relationship, both creatively and as friends. These two tracks were originally intended as demos, but somehow got leaked onto YouTube, with positive response. Eric thought it would be a great idea to remaster the demos, keeping the raw edge, and give them a proper release, some 20 plus years later. Julee enthusiastically agreed. Having been influenced by the likes of Roni Size, 4 Hero, Jacob’s Optical Stairway, LTJ Bukem and DJ Die (the latter of whom Eric did a collaboration with), Kupper was experimenting with drum and bass. He could often be spotted in London clubs 'The End' and 'The Globe' checking out and enjoying the music and the vibes. 'My Blue Yonder' is one of the few tracks Kupper has ever written lyrics to. They were inspired by his then toddler daughter, Zoe. One day, Eric found his 3 year old on the floor, wrapped up in a blue blanket, looking blissful. When he asked her what she was doing, she replied 'I'm in my blue yonder'. She had heard the phrase in a song from a children's video. Eric then sat down and wrote a moody yet childlike song about a utopia, based on his daughter's likes and dislikes, her joys and her fears. A compelling blend of orchestral arrangements, frenetic beats, and Julee's unique vocal approach. Julee has often commented that it is one of her favourite tracks she has ever recorded. This collaboration also led to 'Satisfied', with lyrics and melody written by Julee. An ethereal somewhat existential track, with jazzy chords and pulsating arpeggios, it still has Eric's vibe, within a different music style. Julee's beautifully phrased vocals and lyrics bring the track to life, giving it a clear vision. This is the first release on Kupper's new 'Hysteria misc.' label. A label for all kinds of music, electronic to acoustic, rock to experimental, and 'misc.'... In Julee’s words, 'Thanks Eric, for doing this. I really love what we did'.

As 2020 draws to a close the Surface Tension Series reaches its apex with part III, containing a like number of compositions which continue the sound refined and alloyed in the preceding volumes.

2022 repress