Drum & Bass | Jungle 371 Items

Your favorite Heresy bangers are now available on this Limited Edition 2x12" Vinyl. Part II holds tracks by Ophidian, IGneon System, The Satan, N-Vitral and more... High quality pressing on Solid Silver Colored Vinyl.

This limited edition debut release from “The Collector” is a incredible 4 tracker showcasing 4 great styles from this new producer. Only 250 copies on Red Vinyl! After collecting records for the last 25 years “The Collector” decided to give something back to the scene. This limited edition 4 track EP kicks off with “Slap the shit out if it”. A hybrid hardcore techno / breakbeat track at 180bpm that rolls along nicely with great samples and programming. Next up is “All the F’s” which is a proper old skool jungle banger. With hilarious samples from “The inbetweeners” this track is a proper classic. On the flip is the PCP/Mover style doomcore techno track to rival any of the output from Germanys top doomy techno label! Finally “Bitch aint’ one” samples Jay Zs classic 99 problems to great effect. This Deathchant style track will sit nicely in a UK hardcore set. 4 top tracks from this new producer that

Originally produced in 1998 for exclusive use in his own Logical Progression sets , Blame comes with two unreleased tracks from the golden era of Drum and Bass. Taken from the original DAT and lovingly remastered by Simon Davey at The Exchange this release consists of 'Whirlpool' which was a feature of Blame's sets with DRS and Conrad and In My Dreams is a powerful sonic Amen-break workout with atmospherics to take you on a journey of the mind. Both tracks have been highly sought after for many years and they now make their debut on the wax to the delight of vinyl lovers and collectors.

Originally produced in 1998 for exclusive use in his own Logical Progression sets , Blame comes with two unreleased tracks from the golden era of Drum and Bass. Taken from the original DAT and lovingly remastered by Simon Davey at The Exchange this release consists of 'Whirlpool' which was a feature of Blame's sets with DRS and Conrad and In My Dreams is a powerful sonic Amen-break workout with atmospherics to take you on a journey of the mind. Both tracks have been highly sought after for many years and they now make their debut on the wax to the delight of vinyl lovers and collectors.

Madison, Wisconsin producer Sam Link exploded onto the breaks circuit with his debut EP on Prague-based record label Yuku - exploring classic underground jungle and juke templates and stretching them into new and distinct formats - and now the emerging artist readies four varied cuts of stylish, club-ready breakbeats and bass on Low Battery.

With one gun-finger fixated on the past and the other firmly pointing to the future, Sam implements a unique form of production within his work. Holding down a full-time job as an artist is never easy, so Sam now works in 20-30 minute bursts, capturing the creative spurts and happy accidents, and allowing space between creation to allow ideas to breathe.

Ragga-tipped jungle at break-neck pace kicks things off on 'The Breath'; a cut of vortex-breakbeats that strikes a fine balance between meditative and energetic, like all great ragga-inspired cuts should. 'Uproar' lowers the tempo slightly in favour of stretching basslines, underwater-wubs and murky atmospherics on a growling cut of breaks that transatlantically shatters over the UK-sound.

'Chance' puts the emphasis on 'less is more'. Stripped-back percussion, nature-atmospherics and hefty low-end bass vibrations combine on a minimal jungle cut designed to vibe in the rave, before Teklife and Cosmic Bridge affiliate A.Fruit rounds out the release with a stuttering breakbeat-footwork remix of its predecessor.

Myor proudly welcome DJ Sofa to their ever expanding roster of talent. A swiftly rising star within contemporary jungle, her tracks have already found their way into the sets of scene stalwards like Double O, Sully and Tim Reaper.

On her first offering for Myor Massiv she delivers two choice cuts of melodic, beautifully crafted, uptempo dancefloor business.

Faces Of Bass head honcho Coco Bryce once again dons his DJ Y moniker, delivering two slices of four to the floor sorcery.

Cheech Wizard is straight-for-the-throat hardcore acid, which wouldn't have sounded out of place at a turn-of-the-century squat party in a deserted warehouse in Rotterdam.

On Junk Waffle he opts for a more rave-centric jungle techno vibe: stabs galore, deep subs, pounding kick drums and a solid dose of Amens.

In what's been a stand out year for the Berlin based, London born, DJ & producer, Amy Dabbs has dropped releases on Lobster Theremin, launched her own label 'Dabbs Traxx' and collaborated with junglist Coco Bryce on new label project 'LT Coda'. With a distinguished sound and undeniable flair, both behind the booth and in the studio, Amy's brand of classic house and radiant jungle now comes to Low Battery with her 'Baddest Gal' EP.

'Don't Go' opens the EP with shimmering synths and lighter than air percussion. The mood is light and understated, conjuring warm and affectionate emotions without the need for amplified design. 'No You' then welcomes us with mid-summer melodies and sprawling pads; vocal loops adding to that feeling of fuzziness and warmth.

The B side opens with title track 'Baddest Gal' an emotional percussive workout that combines thoughtful arrangement with euphoric and dreamy notes. It's one of those tracks that could work just as well in a DJ set or cloud watching as the world slowly drifts by. 'Your Move', The record's finale shows a different side to Amy's dynamic productions; the track ebbs and flows and could be likened to the mixed emotions of meeting an old friend: Excited but nervous, happy but always with a heartheavy goodbye

Calibre - "I first came across Adam's work via a remix I did of 'She Rocks, I Roll' back in 2019, the vibe was melancholic and leaned toward my own bluesy take on things. When 'Dissolve In The Rain' hit my inbox, I instantly connected with the guitar and vocal, in particular the lyrics, and felt it could be merged with a piano idea that I had. Merging these worlds created an arrangement for two sections; a lyrical passage that leads to harmonised vocals, and then an improvised and layered section, accentuated by Adam's lyric and guitar. It was a real pleasure to watch it almost make itself. The worlds combined lead to something nostalgic but new, it's a wonderful meeting of musical minds."

Chelou - "From a weird set of demos that I sent him around four years ago, Calibre picked the most obscure, and that's when I knew he got it! The idea that an artist like him heard something in my acoustic music that sparked him to transform it into a track like this, has blown me away. The piano and harrowing pace is something that I would have never created, it's fucking gold."

Blissful atmospherics wash behind heavy amens on Spacewalk, tightly constructed old school style breaks thump along with subtle effects create a vibe that will take you to a world beyond ours.

A distinctive crisp unorthodox beat pattern opens Oceans and sets the tone for this beautiful composition of smooth pads and earthy bass-lines, a dreamy treat which builds the vibe as the track progresses.

Messages from Space opens with a mellow, eerie intro that washes in before the Spectrum breaks - heavy on the ride cymbals - take centre stage in this lunar-inspired composition.

Energetic rapid-fire break work punctuates Quiet Storm with drum funk vibes that sound immense at this BPM - playfully filtered, surrounded by delicate atmospherics and an understated vocal sample - a treat for the breaks fans.

Words by Chris Hayes (Spatial / Red Mist)

DJ Trace & HLZ present Mavericks, a synthesized odyssey of precision drums, savage basslines and dark cinematic atmospheres that hark back to the golden era whilst setting a firm course into the future.

Pixl returns say AKO after a successful track Tubby’s Innovation on AKOism 4.

This time with a 2-track solo release on Ako10 two incredible atmospheric Amen tracks will take on a journey from light to dark. Pixl is in an incredible zone right now and everything he’s doing is grabbing the attention within the scene. Elysian Tide is AKO favourite, which was sent to label boss to Stretch during the lockdown, and from when he heard it, knew this would be perfect for AKO We think you’ll enjoy this release as they bring two different flavours from the bedroom to the dancefloor.

GlassBox has been collaborating with DJ Clear for a few years now on Sweet Sensi's sister label I'm Sorry Jon. So it only made sense to sign 'Algonquin Pride' when it was floating around on dubplate due to it's dirty bassline, freshly chopped drums and Canadian wilderness jazz loon samples. Krugah, the mad scientist beat arranger's ragga outing 'Triple Digits' is a perfect compliment to Algonquin Pride, delivering a solid reggae one-foot skanking drum funk workout.

NewKiller returns with an EP that is firmly rooted in the dark 93 days. There has been a big buzz about this one with all 4 tracks being championed by Jay Cunning on his new hardcore & jungle show.

“If” is an unsettling slow builder. When it drops…. oh my, it all comes together. Not for the feint hearted.

“Mind Loss” & “Danger” tear the dance floor a new one with hoover noises galore, grim samples and rushing breaks.

The free bonus track “Slippery Slope” is a beast of a track. Amens, dark pads and samples that will be familiar to the genre hoppers amongst you.

Run it Red, sister label to Echo Chamber Sound comes again with 002 in the catalogue with four upfront jungle/dnb cuts from four artists on black vinyl 12inch. First up Midnight Dubs and LQ continue their collaborations on the skanking amen workout Draw Dubplate, sampling obscure 80s reggae records and giving bass bins a workout with their trademark deep and rolling bassline. Eximious NZ producer RQ contributes an atmospheric roller entitled Forward, which deftly walks the line of headphone soundscapes and 4am soundsystem meditation. Duburban brings the ragga heat with a wicked vocal hook and breakbeat science on his tune Version Stylee. The ep finishes with LQ on a late 80s / early 90s dancehall flex with signature crisp and clean amen edits and thundering sub on the reworked version of his infamous dubplate only cut, Terminator. Dj Support from Jay Cunning, Sully, RSD, Repertiore, JPS, LQ, Bronx, Tamen and more.

One of our most anticipated of the year, the 'Bleep Test EP' finally drops on Overview from duo Koherent. Josh and Luke have been busy locked away creating this incredible collection of tracks, with 4 red hot minimal rollers ready to cause any dance some serious issues. Collette Warren's stand out feature on Red Lipstick sets the tone right from the off, music capable of elevating any dancefloor, you won't turn it down for second. The title track itself Bleep Test follows, one that's wonked out raves worldwide already, seeing huge support across the board from all corners. Finishing off the proceedings we have Analog Roller & Stab Trilogy, two vibey boys that'll make all your dreams come true. We couldn't be more excited to welcome Koherent to Overview and it's safe to say they've simply done this business here. Real fire inside.

Spearhead Records bring back some of the most requested tracks from the back catalogue.

Ramos is a name synonymous with hardcore from the 90s, usually working with his friends in Supreme and Sunset Regime. But this is something different from one of the south coast’s finest. Producing solo but utilising the amazing vocal talents of his muse, Elayne. This EP features 4 very differently styled mixes of one amazing track. First is the Breakbeat mix, which is in the style of early hardcore rave music, when breakbeat first met piano. Then it’s technically the only remix on the EP, from Stu Chapman. Stu does what he does best and sets his version firmly in the 93/94 era of hardcore but with his own twist. On the flip side, Ramos takes his own spin on the later breakbeat hardcore style. It has a 1995 vibe to it with all the energy and vigour you would expect from Ramos from that time. Finally we round this EP out with a more chilled version in the Deep Breaks Mix. This is the version you listen to when you wish to unwind after a heavy night if raving.

Rikers Island is yet another very sought after slice of wax from Q Project, this time with the aid of his long time collaborator, Dj Spinback. This track, with it’s two different versions, will cater to pretty much any jungle raver. The ‘On The Run Mix’ is the darker of the two and today would most definitely be called the ‘vip Mix’ for sure, but this is from a time where artists and producers where still inventing the music. Then the ‘Dream Mix’ is the more atmospheric version, the one that you would drop when the crowd isn’t as dark or you wanted to lift them back up some, and this track does that perfectly.

The Sandman ‘Psychosis’ EP is one of the most original and unusual records ever to grace the early rave scene. Indeed, when listening to it now, you can hear that this is almost a template for what trance music would become, even though this EP is full on breakbeat madness. An underground classic and favourite of many producers, this repress changes hands for serious money even when used, and is, quite simply, a lovingly remastered and unmissable slice of rave history!

Long time supporters of Kniteforce will be well aware of the truly amazing series, Remix Records & Kniteforce presents ‘The Remix’s’, and here we have Part 17! All the records in this series are insanely good and this EP does not disappoint. To start we have the mighty Bay B Kane taking one of Phuture Assassins newer tracks and turning it into an amazing jungle track, using the original vibe and cranking it up to the maximum with a proper early Bay B Kane style. Next is an absolutely mental remix from Heavy Systems Inc. of an already mental track! One of NRG’s most insane tracks gets the rough and raw treatment that HSI is known for, drawing on the underground sound of 1992. The action doesn’t stop on the other side either! The living legend that is Austin takes an already hugely popular track from Sunny & Deck Hussy and absolutely sprinkles it with awesome. This is Austin at his best, and it shows how he has not missed a step in 3 decades of music production. Rounding out this installment is The BradderCase remix of Stu Chapman’s Rude Boy. The duo of BradderCase, aka Paul Bradley and The Lowercase, took this Stu Chapman track and flipped it on its head. Extracting the energy from the original and lighting a fire under it, showing that hardcore can be fun and serious at the same time.

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