Drum & Bass | Jungle Vinyl 336 Items

Still transmitting from Lockdown in the UK. Banoffee Pies Records 14th release in the original series comes from London based Angel D'lite. A deep passion for rave and NRG with an established high-octane approach to music, heavily influenced by hardcore and early pop bangers, her debut EP further reflecting this mood. Three heavy club tracks and a broken beat dubbed remix from JAY to round things off.

Wheez-ie joins Craigie Knowes offshoot C-know-evil with bone-shakin' breaks, piercing synths and flavours channeled from 90s UK rave-culture. 'only Human' sets the record straight with chopped and distorted breaks laden with carefully selected voice clips and samples - building a haunting wall-shaker built for any dancefloor willing enough to test their stamina. 'weaponized' continues in a similar vein, injecting acid into the heart of the signature Wheez-ie sound. A record for the bolt of heart, stray carefully.

London-based Kouslin's Le Chatroom imprint presents LCR003; a percussion-heavy release of four tracks from close friends and affiliates.

Taking inspiration from rhythms around the world and the uproar within the new-gen UK Funky scene, Le Chatroom once again exhibit their ethos of eclecticism that has found them in the record bags of the likes of Ben UFO and Call Super.

Shanghai’s Hyph11e commits a debut album of brooding sound design and gnashing breaks to her home city’s Svbkvlt stronghold, following hardcore ballistics for Hakuna Kulala and a lead single prepped with a killer Kode9 refix. Dragging UK ‘nuum dynamics into Shanghai’s impending, fast-fwd present, Tess Sun aka Hyph11e has carved out a fierce reputation with her shots found on the praised ‘Cache 01’ compilation and in DJ mixes by key players including M.E.S.H., Aisha Devi, and Kode 9 & Burial over the past four years. On ‘Aperture’ she plays around the theme of holes, rupturing her own path thru rave spacetime with deft, barrelling breakbeats wrapped up in fluidly contoured synth schematics that probe mutant corners of the dance, somewhere between industrial breakcore tekno and junglist footwork, with bleak but sensually personalised soundcraft done in a mechanised outernational dancehall style shades away from her label mate 33emybw and Uganda’s Slikback.

Mark Boombastik is a human beatbox with advanced technics. Early in his career, he added guitar effects and bass synths to his live sets to push his vocal art to a new level. Mark Boombastik is mostly known for his astonishing crossover pop-song "Putzen" which was licensed for german TV shows among other crazy things. Through this novelty hit he caught the attention of the Berlin record label Shitkatapult for which he produced the long-player "Adios Berlin" together with Eduardo Delgado-Lopez. Lesser known but extremely sought after are his releases on Meeuw Muzak and Gagarin Records. With Gagarin Records chairman Felix Kubin he did countless live and studio collaborations. After a brief release-hiatus, this 7" on Sozialistischer Plattenbau presents two recent tracks. The record comes in a cover that was designed by Hamburg artist Thomas Baldischwyler and printed in 3 punky color-layers with a middle-aged Riso printer on recycled paper.

Acid Skanking is dedicated to cross-cultural riddims. the first one drops versions of the ‚planck‘ riddim: acid basslines meets dub science on 162 bpm. there we go ska rude girls and boys skanking on acid. the flip side with the ‚hypernism planck‘ brings back old school hardcore on the same bassline inclusive a proper slamming hoover ending.

Mind Control: Making people believe by shaping what they hear; a sonata for the age of acceleration morphosis; a music born under punches. Play at any required speed.
Cristian Vogel is a life-long innovator in the design, composition and performance of electronic sounds. His independent career in music and audio technology has won prizes and awards establishing him as an outstanding influence in the field of composition for studio, club culture and stage. He performs, remixes and produces original music and sound design at an international level. He has lived in Brighton, Barcelona, Berlin and Geneva and is now permanently based in Copenhagen where he continues creating technologically based music, sound and audio technology at his design studios Ekometic and NeverEngineLabs.

2022 repress

As 2020 draws to a close the Surface Tension Series reaches its apex with part III, containing a like number of compositions which continue the sound refined and alloyed in the preceding volumes.

In the mid 90's, Julee Cruise and Eric Kupper were signed to the same music publisher, Warner Chappell. Patrick Conseil, who signed both, thought it would be a good idea for them to get together and collaborate. He was correct in that assumption, and this has lead to an enduring relationship, both creatively and as friends. These two tracks were originally intended as demos, but somehow got leaked onto YouTube, with positive response. Eric thought it would be a great idea to remaster the demos, keeping the raw edge, and give them a proper release, some 20 plus years later. Julee enthusiastically agreed. Having been influenced by the likes of Roni Size, 4 Hero, Jacob’s Optical Stairway, LTJ Bukem and DJ Die (the latter of whom Eric did a collaboration with), Kupper was experimenting with drum and bass. He could often be spotted in London clubs 'The End' and 'The Globe' checking out and enjoying the music and the vibes. 'My Blue Yonder' is one of the few tracks Kupper has ever written lyrics to. They were inspired by his then toddler daughter, Zoe. One day, Eric found his 3 year old on the floor, wrapped up in a blue blanket, looking blissful. When he asked her what she was doing, she replied 'I'm in my blue yonder'. She had heard the phrase in a song from a children's video. Eric then sat down and wrote a moody yet childlike song about a utopia, based on his daughter's likes and dislikes, her joys and her fears. A compelling blend of orchestral arrangements, frenetic beats, and Julee's unique vocal approach. Julee has often commented that it is one of her favourite tracks she has ever recorded. This collaboration also led to 'Satisfied', with lyrics and melody written by Julee. An ethereal somewhat existential track, with jazzy chords and pulsating arpeggios, it still has Eric's vibe, within a different music style. Julee's beautifully phrased vocals and lyrics bring the track to life, giving it a clear vision. This is the first release on Kupper's new 'Hysteria misc.' label. A label for all kinds of music, electronic to acoustic, rock to experimental, and 'misc.'... In Julee’s words, 'Thanks Eric, for doing this. I really love what we did'.

2022 repress

Following a jaw-dropping LP on Ghostly International in 2018, multifarious rave authority Tadd Mullinix reanimates his hi-tek junglist guise X-Altera for an EP on Sneaker Social Club. It’s a perfect fit between project and label, as Mullinix exercises his fearsome knowledge and grasp of foundational jungle and drum & bass on an imprint with strong form in the field (from seminal Foul Play works reissued to contemporary cut ups by Dead Man’s Chest, Etch and more).

Reinforced Architect Immortal Minds makes his debuts on AKO with 2 beautiful soulful tracks that perfectly fit the AKO sound. Available on a fuchsia pink transparent vinyl.

The mighty Ron Wells returns with his legendary “Fast Floor” project. Limited copies.

San steps forward with idiosyncratic, textured jungle for the modern era on his debut 12". Anxious and introspective throughout, San's detailed sound design and close control of intricate drum edits clearly mark his pedigree. The jungle alias of a Bristol based techno producer, the San project reflects upon the rave landscape of 2020, and finds it to be a dark place.

Argentinian producer Thissperso has been living in Barcelona for a good season while producing music that reflects what he experiences in his day to day life. His productions are harsh and violent, but they have a quality and energy that makes them contagious and addictive. This work, edited by NNY Records, compiles some old songs that have been revisited and remastered, which coexist with new compositions that continue to explore the most visceral and dark side of electronics. This is the work of a producer who is not tied to any style and who enjoys setting the dancefloor on fire when one of his songs is played. Producers like Parris Smith have already been able to verify it in the first person with a couple of songs from this new EP in which we find Electro mixed with Industrial, EBM, Acid and a punk and nonconformist attitude.

On 6 th November Bristolian master Krust presents 'The Edge Of Everything' – his first album in 14 years. The pre-eminent electronic icon – who continuously prolifically blew minds throughout the 90s and 00s – has now fully returned from a long break, rejuvenated and artistically liberated. The album appears if beamed-in from the edge of the universe, way beyond the precipice in a metaphysical netherworld. This is Krust as futurist revisionist, making exhilarating, standout music of depth and substance, which is unlike anything else, above-and-beyond floor-focussed confines. Krust’s music is more individualistic; closer to the vivid brushstrokes of a fauvist painting, and less like a diagram on a grid.

2022 repress

Two absolute bangers you need and you'll love. Pressed on a 10" clear + solid red mixed vinyl.

The Dragonforce EP could be the best work yet to emerge from the studios of Laurence Reading aka Halogenix. Flipping from the Japanese comic book influence of the title track to the beautiful future soul of Independent is something not many other producers are capable of. Tekina brings even more ingenuity with a delicate light/dark fusion whilst Reminisce is awash with warmth and ethereal feels. An essential EP.

2023 repress.