Drum & Bass | Jungle Vinyl 334 Items

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M27 brings out the underground sound with a dark breakbeat hardcore choon. Rolling breaks and hardcore drum machines tear down the house with sprinkles of soul and summertime for the hardcore massive.

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Rufkraft brings the darkness with an exorcism of analog jungle breaks in a drum n bass stylee. Dissonant snares and worbly basslines make this track an absolute mental slammer for all drum n bass junglist in the dance. Use with extreme caution. credits Vinyl includes a sample/scratchband.

Exit Records expands on dBridge' sophomore album A Love I Can't Explain with two new interpretations by The Fear Ratio (James Ruskin & Mark Broom) and Kahn. In keeping with the label's ethos the artists were left alone to deliver remixes without any stylistic requests and as a result we have two tracks that are personal & uncompromising.

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Dj Beeno is a relative newcomer to old skool music, but an old hand in the Kniteforce world, with a few very strong releases under his belt on Kniteforce digital, and then on Kniteforce White (both EPs selling out in under two weeks), not to mention numerous high profile remixes. In other words, this debut on Kniteforce proper is long overdue. As always, he brings his playful and chaotic style to this EP, includint his trademarked cheeky samples and unexpected twists and turns, always keeping that authentic anarchic vibe that the original old skool masters did with such ease…In short, this will sell fast and be one to remember

Serious sound system pressure on this one! Select tracks from Natalie Slade's debut album 'Control' have been completely reimagined and transformed into Jungle, Footwork, Garage, Broken Beat and Hip Hop by some of the most exciting talent around, including Tek-Life affiliate DJ Taye, Azymuth producer Daniel Maunick, Garage young blood Holloway and Chicago's DJ Hank amongst others.

2013 sees King FiFi return with a double-A side 7" vinyl for 457. Up first is "Oh Baby" and from the opening chords we are on course for this superb dub 45. King FiFi cooks up a serious blend in no time with a skanking guitar line, percussion-laden drums and a compelling rootsy bassline - while his signature vocal samples and effects echo around the mix.

Limited black vinyl re-press due to popular demand.

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Industries Of The Blend is the latest project from Dj Luna-C, and this is his second EP under that name. Once again aiming for a slightly slower speed and earlier era, this one leans more into the Njoi, Rhythm Section type of original old skool, with light painos and swiftly changing patterns and stabs. Each track is beautifully crafted to fit in with both an early 1992 set, and the modern love for authentic old skool. Each track was made entirely on hardware, and the original soundscape is obvious to any old skool raver.

Argentinian producer Thissperso has been living in Barcelona for a good season while producing music that reflects what he experiences in his day to day life. His productions are harsh and violent, but they have a quality and energy that makes them contagious and addictive. This work, edited by NNY Records, compiles some old songs that have been revisited and remastered, which coexist with new compositions that continue to explore the most visceral and dark side of electronics. This is the work of a producer who is not tied to any style and who enjoys setting the dancefloor on fire when one of his songs is played. Producers like Parris Smith have already been able to verify it in the first person with a couple of songs from this new EP in which we find Electro mixed with Industrial, EBM, Acid and a punk and nonconformist attitude.

A message from the unknown.

As 2020 draws to a close the Surface Tension Series reaches its apex with part III, containing a like number of compositions which continue the sound refined and alloyed in the preceding volumes.

Following a jaw-dropping LP on Ghostly International in 2018, multifarious rave authority Tadd Mullinix reanimates his hi-tek junglist guise X-Altera for an EP on Sneaker Social Club. It’s a perfect fit between project and label, as Mullinix exercises his fearsome knowledge and grasp of foundational jungle and drum & bass on an imprint with strong form in the field (from seminal Foul Play works reissued to contemporary cut ups by Dead Man’s Chest, Etch and more).

Acid Skanking is dedicated to cross-cultural riddims. the first one drops versions of the ‚planck‘ riddim: acid basslines meets dub science on 162 bpm. there we go ska rude girls and boys skanking on acid. the flip side with the ‚hypernism planck‘ brings back old school hardcore on the same bassline inclusive a proper slamming hoover ending.

Mark Boombastik is a human beatbox with advanced technics. Early in his career, he added guitar effects and bass synths to his live sets to push his vocal art to a new level. Mark Boombastik is mostly known for his astonishing crossover pop-song "Putzen" which was licensed for german TV shows among other crazy things. Through this novelty hit he caught the attention of the Berlin record label Shitkatapult for which he produced the long-player "Adios Berlin" together with Eduardo Delgado-Lopez. Lesser known but extremely sought after are his releases on Meeuw Muzak and Gagarin Records. With Gagarin Records chairman Felix Kubin he did countless live and studio collaborations. After a brief release-hiatus, this 7" on Sozialistischer Plattenbau presents two recent tracks. The record comes in a cover that was designed by Hamburg artist Thomas Baldischwyler and printed in 3 punky color-layers with a middle-aged Riso printer on recycled paper.

The 6th vinyl release on BTG sees a newcomer to the label and a relative newcomer to the scene taking the reins. In his short time on the electronic radar J-Shadow has already had releases on Nous Disques, Car Crash Set, Prime, The Collection Artaud, eatmybeat, Dissident Sound and Dream Eater.

Utopia Music are extremely proud to present UM023, the debut 4 track EP from Belgian badman Mzine. Based in Brussels, Belgium, M-zine (Joeri Deyaert) is no stranger in the Belgian Drum & Bass scene. Having had releases on labels such as Dispatch, Critical and 31 Records and playing big time parties, such as Star Warz, Rampage, Stealth Bombers, Mentality, he has been cooking his way up, slowly but steadily, in it for the long haul.

Mark is releasing a new EP called Integriert Euch Nicht. It features two tracks taken from his Berghain debut and a freshly-composed drum & bass missile. “Fucking Sick Of Myself Since Day One (Hot Desk Mix)” and “Hats Off To Herr. F” were first performed at Mark’s 2018 Berghain live set during Ostgut Ton Nacht. The former is a breakcore-adjacent call to arms for the self-loathing, the latter an antarctic shiver of predator- mode IDM-illektro. “Integriert Euch Nicht (Commercial Jump Up Mix)” features singing from Blackest Ever Black alum Silvia Kastel. Mark wrote the vocal parts with sine waves before Kastel recorded each tone individually, creating microtonal clusters in the vein of Luigi Nono. The sax-like sounds are Wilted Woman playing the aerophone, an electronic woodwind instrument. Otherwise, it's Mark's most deliberately straight ahead drum & bass track to date, trading the beat science of former releases for a stubbornly boneheaded approach in line with the title's message. Integriert Euch Nicht is something of a spiritual successor to last year’s tech/gentrification/real- estate-investment themed Integrier Dich Du Yuppie and a ruffer, more floor-focussed elaboration of the techniques tested on his unterton debut The Least Likely Event Will Occur In The Long Run. Under his Klon Dump alias, Mark has also previously released a psych-mnml double EP called Klon Dump Vs. The Open Air on A Colourful Storm and Two Rooms, a tape of sound art improv and knackered pop-strumentals on Bristol-based imprint NoCorner. When not playing solo, Mark also accompanies Blackest Ever Black’s Carla dal Forno on live electronics.

FSL007 drops from Corkwegian, Berlin-based producer and dj Ellen King AKA ELLLL. ELLLL has always brought a different cut to bass ans techno music and with Febreeze it sets out into the further realms of breaks, jungle and euphoric rhythms alongside a bass driven tech-house uk funky joint from College Driver G.E.O. Corp.

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Includes CD.