Drum & Bass | Jungle Vinyl 383 Items

With releases already under his belt with Cosmic Bridge and Civil Music, Danny Scrilla returns with a killer 12? released on Rudimentary Records. The release continues Danny’s exploration of cinematic bass heavy sounds, with a dynamic astral sound. Bismuth rides the slowfast rhythm with intricate beats and a constantly evolving synth melody, on the flip Lone Ranger takes you on an epic journey into deep space.

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M27 brings out the underground sound with a dark breakbeat hardcore choon. Rolling breaks and hardcore drum machines tear down the house with sprinkles of soul and summertime for the hardcore massive.

This is the 4th ep that continues a volume of a 5 ep project. Its own kind of album type edition so to speak. Destination celebrates the drum and bass genre with its own style reminiscent of Aphex Twin and Squarepusher. type programming. It fuse’s eclectic beats with a more common flow of bass licks that cruise throughout the track. With a more psychedelic presence this track offers a complexity of rich sounds that will encapsulate any avid lover of electronic music from the headphones to the dance floor. Bouncy and fun yet with deep exploration of ‘Abstract sounds’ bringing a serious edge, Destination is equipped for any explorer seeking any type of Destination. Then comes Arrival. Not an ordinary piece of music, with the artist expressing themselves from past musical influences, to curve their own piece of storytelling art, through audio sonic means. An inner world reflective explanation can be as follows - An epic piece revealing the adventures of seeking depth, from ones dense conscious reality, tribal like mannerisms, traveling to a higher frequency of light and wonder, breaking through to the heart centre of ones own unique truth. By doing so, welding together the whole aspects of being, Arriving at ones own true balance of self. Reuniting with the dense tribal like self yet with a complete transformative understanding of life and self in relation to life as a whole. Ones outer world of reflective explanation can be this - starting from earth, leaving the tribal terrains of earth based reality, exploring out into the cosmic wilderness, looking back from a distance, witnessing Earths magnificence and enigmatic beauty. Continuing to swim out to the depths of the galaxy to ‘Arrive” at an unexpected splendour unknown to the human consciousness ,to a cosmic giant….. giant what? This remains to be unseen! It’s left to the imaginators discretion of wonder within the experience of the audio sonic delights presented in,….. ‘Arrival’.

Acid Skanking is dedicated to cross-cultural riddims. the first one drops versions of the ‚planck‘ riddim: acid basslines meets dub science on 162 bpm. there we go ska rude girls and boys skanking on acid. the flip side with the ‚hypernism planck‘ brings back old school hardcore on the same bassline inclusive a proper slamming hoover ending.

Exit Records expands on dBridge' sophomore album A Love I Can't Explain with two new interpretations by The Fear Ratio (James Ruskin & Mark Broom) and Kahn. In keeping with the label's ethos the artists were left alone to deliver remixes without any stylistic requests and as a result we have two tracks that are personal & uncompromising.

Ibiza Records brings you Archives Vol 12 EP with the flavours of 1994 when the scene was emerging from hardcore into Junglism thus the creation of Jungle. These 3 track are gems from 2 On A Tip n Paul Ibiza taken from Ibiza's vast back catalogue showcasing their musical prowess.

Higher Science on deepes beats!

Taken from the acclaimed "Migration" album, "Kypoli" sees Poirier sharing production duties with fellow Ninja Tune alumni and hot property Machinedrum. Taking vocal samples from Aleisha Lee (co-writer of Tinie Tempah's recent smash "Girls Like" amongst others) and twisting, chopping and manipulating them into a completely new composition, the pair create a brooding post-dancehall/soul fusion, gaining the perfect balance between ethereal beauty and heavy dancefloor menace. Bukem-esque pads and deep dub elegance give way to pounding kicks and floating harmonies, relentlessly building a wall of sonic beauty.

Remixes come from France's dub mad scientist Moresounds, who ups the jungle influence with a classic Reese-style bassline and signature rolling snare chops, whilst retaining the balance between dark & light and Montreal-based newcomer Thomas White who flips the vibe completely for a slo-mo Soulection style builder.

Debut 12” release from Hospital’s latest signing Krakota sees the Bournemouth based youngster flex his musical muscles with two contrasting tracks of quality nu-school d+b magic.

Ltd edition 300, vinyl only release.

The Duke of Juke returns with a smashing 10", his first release on dutch imprint ANUS Records. Here he shows his variety of musical knowledge fitting our philosophy - be odd, be future, be not too serious. Get to know!

Heavy tribal percussion and a deep bassline set the pace for a rootsy groove while melodica and horns drift in and out of the mix. Add a few lashings of dub and leave to bake. On the flip Istanbul's d'n'b hero Flatliners returns with "Raw Fi Dub", an unstoppably catchy slice of ziontific bass and beats.

Rufkraft brings the darkness with an exorcism of analog jungle breaks in a drum n bass stylee. Dissonant snares and worbly basslines make this track an absolute mental slammer for all drum n bass junglist in the dance. Use with extreme caution. credits Vinyl includes a sample/scratchband.

ltd 200 copies

ltd 200 copies. Second Acid Skanking! What is this, no teebee 303 this time, but we have a transformer scratching technics main theme this time! this one drops down on the a side to 126 bpm into boom bap and hip house. Scavaged from an originated version from 1996 made with a soundtracker in 8 bit and 22 khz. The flipside drops a hardcore house version running up into 150 bpm and adds some crunchy akai 950 amen flavour breaks.

As 2020 draws to a close the Surface Tension Series reaches its apex with part III, containing a like number of compositions which continue the sound refined and alloyed in the preceding volumes.

Following a jaw-dropping LP on Ghostly International in 2018, multifarious rave authority Tadd Mullinix reanimates his hi-tek junglist guise X-Altera for an EP on Sneaker Social Club. It’s a perfect fit between project and label, as Mullinix exercises his fearsome knowledge and grasp of foundational jungle and drum & bass on an imprint with strong form in the field (from seminal Foul Play works reissued to contemporary cut ups by Dead Man’s Chest, Etch and more).

Mark Boombastik is a human beatbox with advanced technics. Early in his career, he added guitar effects and bass synths to his live sets to push his vocal art to a new level. Mark Boombastik is mostly known for his astonishing crossover pop-song "Putzen" which was licensed for german TV shows among other crazy things. Through this novelty hit he caught the attention of the Berlin record label Shitkatapult for which he produced the long-player "Adios Berlin" together with Eduardo Delgado-Lopez. Lesser known but extremely sought after are his releases on Meeuw Muzak and Gagarin Records. With Gagarin Records chairman Felix Kubin he did countless live and studio collaborations. After a brief release-hiatus, this 7" on Sozialistischer Plattenbau presents two recent tracks. The record comes in a cover that was designed by Hamburg artist Thomas Baldischwyler and printed in 3 punky color-layers with a middle-aged Riso printer on recycled paper.

The DJ Producer is a legend and has been a force to recon with for well over 2 decades. Unlike some veterans this hot piece man meat still keeps reinventing himself, pushing the envelope with every new piece of music he creates. That's what true artists do, they push boundaries and keep their hearts and souls in it full force till the bitter fucking end and amen for that.

The 6th vinyl release on BTG sees a newcomer to the label and a relative newcomer to the scene taking the reins. In his short time on the electronic radar J-Shadow has already had releases on Nous Disques, Car Crash Set, Prime, The Collection Artaud, eatmybeat, Dissident Sound and Dream Eater.

Cosmic Bridge’s club focused ‘Earthbase Series’ continues with ‘Nocturnal’ the new release from Russian producer A.Fruit. Four tracks that fuse Footwork, Drum’n’Bass, Techno and bold sound design into the 160 BPM framework. A er a heavy hitting set of releases via Russian imprint Hyperboloid, Irish modern trendsetters Rua Sound, and the ever vigilant Med School, so please welcome A.Fruit to the Cosmic Bridge roster.

Utopia Music are extremely proud to present UM023, the debut 4 track EP from Belgian badman Mzine. Based in Brussels, Belgium, M-zine (Joeri Deyaert) is no stranger in the Belgian Drum & Bass scene. Having had releases on labels such as Dispatch, Critical and 31 Records and playing big time parties, such as Star Warz, Rampage, Stealth Bombers, Mentality, he has been cooking his way up, slowly but steadily, in it for the long haul.

Mark is releasing a new EP called Integriert Euch Nicht. It features two tracks taken from his Berghain debut and a freshly-composed drum & bass missile. “Fucking Sick Of Myself Since Day One (Hot Desk Mix)” and “Hats Off To Herr. F” were first performed at Mark’s 2018 Berghain live set during Ostgut Ton Nacht. The former is a breakcore-adjacent call to arms for the self-loathing, the latter an antarctic shiver of predator- mode IDM-illektro. “Integriert Euch Nicht (Commercial Jump Up Mix)” features singing from Blackest Ever Black alum Silvia Kastel. Mark wrote the vocal parts with sine waves before Kastel recorded each tone individually, creating microtonal clusters in the vein of Luigi Nono. The sax-like sounds are Wilted Woman playing the aerophone, an electronic woodwind instrument. Otherwise, it's Mark's most deliberately straight ahead drum & bass track to date, trading the beat science of former releases for a stubbornly boneheaded approach in line with the title's message. Integriert Euch Nicht is something of a spiritual successor to last year’s tech/gentrification/real- estate-investment themed Integrier Dich Du Yuppie and a ruffer, more floor-focussed elaboration of the techniques tested on his unterton debut The Least Likely Event Will Occur In The Long Run. Under his Klon Dump alias, Mark has also previously released a psych-mnml double EP called Klon Dump Vs. The Open Air on A Colourful Storm and Two Rooms, a tape of sound art improv and knackered pop-strumentals on Bristol-based imprint NoCorner. When not playing solo, Mark also accompanies Blackest Ever Black’s Carla dal Forno on live electronics.

FSL007 drops from Corkwegian, Berlin-based producer and dj Ellen King AKA ELLLL. ELLLL has always brought a different cut to bass ans techno music and with Febreeze it sets out into the further realms of breaks, jungle and euphoric rhythms alongside a bass driven tech-house uk funky joint from College Driver G.E.O. Corp.

I-iii kicks up a dust on Livity Sound with two killer rhythm workouts focussed directly on the dancefloor.

dark blue & red marbled vinyl

Stamped die-cut cardboard sleeve, incl. 20 loops.