Drum & Bass | Jungle Vinyl 335 Items

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M27 brings out the underground sound with a dark breakbeat hardcore choon. Rolling breaks and hardcore drum machines tear down the house with sprinkles of soul and summertime for the hardcore massive.

Exit Records expands on dBridge' sophomore album A Love I Can't Explain with two new interpretations by The Fear Ratio (James Ruskin & Mark Broom) and Kahn. In keeping with the label's ethos the artists were left alone to deliver remixes without any stylistic requests and as a result we have two tracks that are personal & uncompromising.

Ibiza Records brings you Archives Vol 12 EP with the flavours of 1994 when the scene was emerging from hardcore into Junglism thus the creation of Jungle. These 3 track are gems from 2 On A Tip n Paul Ibiza taken from Ibiza's vast back catalogue showcasing their musical prowess.

We launch a new vinyl series, strictly limited to 200 units, NO repress, on which we'll be releasing the finest tracks released on The Digital Pot (DIGIPOT). For this first strike, we've chosen a oldie but definitely goodie, released back in 2009 on DIGIPOT18: Katharsys, Gancher & Ruin - Dirt Track EP. The original release includes 4 tracks, we've taken these 2 for "hard-stuff-on-vinyl" lovers: Sky From Beyond / I Think Its Done.

Higher Science on deepes beats!

Taken from the acclaimed "Migration" album, "Kypoli" sees Poirier sharing production duties with fellow Ninja Tune alumni and hot property Machinedrum. Taking vocal samples from Aleisha Lee (co-writer of Tinie Tempah's recent smash "Girls Like" amongst others) and twisting, chopping and manipulating them into a completely new composition, the pair create a brooding post-dancehall/soul fusion, gaining the perfect balance between ethereal beauty and heavy dancefloor menace. Bukem-esque pads and deep dub elegance give way to pounding kicks and floating harmonies, relentlessly building a wall of sonic beauty.

Remixes come from France's dub mad scientist Moresounds, who ups the jungle influence with a classic Reese-style bassline and signature rolling snare chops, whilst retaining the balance between dark & light and Montreal-based newcomer Thomas White who flips the vibe completely for a slo-mo Soulection style builder.

2013 sees King FiFi return with a double-A side 7" vinyl for 457. Up first is "Oh Baby" and from the opening chords we are on course for this superb dub 45. King FiFi cooks up a serious blend in no time with a skanking guitar line, percussion-laden drums and a compelling rootsy bassline - while his signature vocal samples and effects echo around the mix.

Limited black vinyl re-press due to popular demand.

Heavy tribal percussion and a deep bassline set the pace for a rootsy groove while melodica and horns drift in and out of the mix. Add a few lashings of dub and leave to bake. On the flip Istanbul's d'n'b hero Flatliners returns with "Raw Fi Dub", an unstoppably catchy slice of ziontific bass and beats.

ltd 200 copies

ltd 200 copies. Second Acid Skanking! What is this, no teebee 303 this time, but we have a transformer scratching technics main theme this time! this one drops down on the a side to 126 bpm into boom bap and hip house. Scavaged from an originated version from 1996 made with a soundtracker in 8 bit and 22 khz. The flipside drops a hardcore house version running up into 150 bpm and adds some crunchy akai 950 amen flavour breaks.

The 6th vinyl release on BTG sees a newcomer to the label and a relative newcomer to the scene taking the reins. In his short time on the electronic radar J-Shadow has already had releases on Nous Disques, Car Crash Set, Prime, The Collection Artaud, eatmybeat, Dissident Sound and Dream Eater.

Cosmic Bridge’s club focused ‘Earthbase Series’ continues with ‘Nocturnal’ the new release from Russian producer A.Fruit. Four tracks that fuse Footwork, Drum’n’Bass, Techno and bold sound design into the 160 BPM framework. A er a heavy hitting set of releases via Russian imprint Hyperboloid, Irish modern trendsetters Rua Sound, and the ever vigilant Med School, so please welcome A.Fruit to the Cosmic Bridge roster.

Utopia Music are extremely proud to present UM023, the debut 4 track EP from Belgian badman Mzine. Based in Brussels, Belgium, M-zine (Joeri Deyaert) is no stranger in the Belgian Drum & Bass scene. Having had releases on labels such as Dispatch, Critical and 31 Records and playing big time parties, such as Star Warz, Rampage, Stealth Bombers, Mentality, he has been cooking his way up, slowly but steadily, in it for the long haul.

Mark is releasing a new EP called Integriert Euch Nicht. It features two tracks taken from his Berghain debut and a freshly-composed drum & bass missile. “Fucking Sick Of Myself Since Day One (Hot Desk Mix)” and “Hats Off To Herr. F” were first performed at Mark’s 2018 Berghain live set during Ostgut Ton Nacht. The former is a breakcore-adjacent call to arms for the self-loathing, the latter an antarctic shiver of predator- mode IDM-illektro. “Integriert Euch Nicht (Commercial Jump Up Mix)” features singing from Blackest Ever Black alum Silvia Kastel. Mark wrote the vocal parts with sine waves before Kastel recorded each tone individually, creating microtonal clusters in the vein of Luigi Nono. The sax-like sounds are Wilted Woman playing the aerophone, an electronic woodwind instrument. Otherwise, it's Mark's most deliberately straight ahead drum & bass track to date, trading the beat science of former releases for a stubbornly boneheaded approach in line with the title's message. Integriert Euch Nicht is something of a spiritual successor to last year’s tech/gentrification/real- estate-investment themed Integrier Dich Du Yuppie and a ruffer, more floor-focussed elaboration of the techniques tested on his unterton debut The Least Likely Event Will Occur In The Long Run. Under his Klon Dump alias, Mark has also previously released a psych-mnml double EP called Klon Dump Vs. The Open Air on A Colourful Storm and Two Rooms, a tape of sound art improv and knackered pop-strumentals on Bristol-based imprint NoCorner. When not playing solo, Mark also accompanies Blackest Ever Black’s Carla dal Forno on live electronics.

FSL007 drops from Corkwegian, Berlin-based producer and dj Ellen King AKA ELLLL. ELLLL has always brought a different cut to bass ans techno music and with Febreeze it sets out into the further realms of breaks, jungle and euphoric rhythms alongside a bass driven tech-house uk funky joint from College Driver G.E.O. Corp.

Following a string of releases on his own Manband label, Toma Kami lands on Livity Sound with a fresh two track 12” contrasting the zippy percussive groove of 'Sharp Tool' with the gurgling vibrations of 'Land of the Insane'.

After four years and Istari Lasterfahrers last mini-lp from 2014 he is now back on the Dubcore series with four tracks. Starting up with percussive synth clonks “Extasy” jumps right into polyrythmic territory. From the exodus to extasy transformed a stuttering vocal sample and suddenly the euphoria kicks in and there we go hooked on a house piano progression that let’s into high tension rave mayhem.

The vinyl includes a phenakistoscope, a turntable-powered animation illusion.

I-iii kicks up a dust on Livity Sound with two killer rhythm workouts focussed directly on the dancefloor.

The third instalment of our Amenizer series continues in the same vein as the previous two, with a generous serving of every junglist’s favourite breakbeat, on a no frills white label vinyl, with an undercover artist providing the ammunition.

Jedi Hi-Fi is an alias of one of our core Foundation X family members, and if you listen keenly it shouldn’t be too hard to work out who is responsible for these four cuts, with a trademark jungle sound which is heavily influenced by 80's Jamaican dancehall sound systems and 70's dub production.....

dark blue & red marbled vinyl

Stamped die-cut cardboard sleeve, incl. 20 loops.

Conduct's focus is firmly on the juxtaposition between electronic and acoustic instrumentation, with a cinematic approach to composition influenced by the likes of Hans Zimmer and Jesper Kyd. Conduct strive to create an emotional response in the listener, aiming to create a timeless body of work.

"Dead Man's Hand" is six cold minutes of tooth-and-nail destruction from Black Yukon Sucker Punch. The flipside gives way to an equally heavy, acid-tinged remix by neurofunk mainstay Kemal.

Dj Beeno is a relative newcomer to old skool music, but an old hand in the Kniteforce world, with a few very strong releases under his belt on Kniteforce digital, and then on Kniteforce White (both EPs selling out in under two weeks), not to mention numerous high profile remixes. In other words, this debut on Kniteforce proper is long overdue. As always, he brings his playful and chaotic style to this EP, includint his trademarked cheeky samples and unexpected twists and turns, always keeping that authentic anarchic vibe that the original old skool masters did with such ease…In short, this will sell fast and be one to remember

Two darkside tunes on the Acid Skanking Volume 5. The a side brings in first a rude hardcore stomper at 150 bpm with a dub wise bassline. Flipside then drops down to a wave garage dub track on 140 bpm.

Bournemouth foundation Jungle Label -Underdog Recordings (est 1993)brings you the "Ghosts of Future Past" EP from unknown quantity Ghost Unit. 2x 170Bpm Jungle tunes on side A are complimented by 2x 130bpm breakbeat hardcore influenced tracks re-visitng some of the most well known vocal samples from the Rave Era repackaged for 2021 but still in the authentic Old Skool style. Released on a limited run of 300 electronic blue 12" vinyl.

Fresh from her collaboration with Collette Warren, Riya returns to Spearhead Records with the Blame EP. Will Hine (aka Hospital Records artist Whiney) steps up on production duty on all four tracks (plus a little help from Emba on Descend).

South London housemates Surface and Ackroyd team up for their vinyl debut and deliver 3 cuts of razor-sharp breakbeat mastery.

Analha was one of the first approaches I had with the design of analog basses and drums, to understand the way in which we can involve so many sounds and transform them to our own liking, to give it its own narrative, a sense, an identity in which it can be navigated about different styles without problem.

They are two pieces that make up totally different break paths where "Mi ama Dic K no" [a1] is my own exploration and vision of the break beat, three melodies written in F # that count the subtlety, while the bass contrasts in an aggressive idea to the beat of many changing rhythms in the drums, which sorfs between a Mpc, 808, Dsm & V Modular ; Classic trip hop voices samples that guide the way this own idea progresses on the breaks and pads that generate a more complete environment with a very energetic atmosphere that is constantly on the rise in the active and natural development of the track.

Towards the B side "Run mami run" [b1] is composed by a classic intro of acid cut while some seconds of drums interpose which are accompanied by a radio narration of a chase, a return change is present with a vinyl spin between voices from GTA & WU Tang Clan which make an intro for an infusion of breaks fully aligned to the beginnings of oldskool drum and bass which are accompanied by voices recorded, treated and edited to connect more directly between the spaces interrupted by the glitch acid chords.

Among contrary structures "Analha" contains hidden but marked criticisms, it is a project that comes from 2018 and ended at the beginning of 2019 which made him think about how to involve more than music within his own sound narrative.

The sonorous identity of rachiid today is different, he understands his environment but does not believe in adapting, he tells us that each exploration and discovery during these years have led him to think how this first release was born until now but is not connected at all with what nowadays, describes his sonority today as changeable, essential and highly with IDM, experimental and breaks.

Young Bristol based artist Rise delivers an outstanding two track 12” for the Liondub International | Uproar Audio sub-label showcasing technical drums, refined sound design, deep bass lines, and a pinch of jungle flavor. ‘Analysis’ & ‘Feline’ are already getting wide raging support, and will be lasting additions to your coveted vinyl collection. We know you will love this!

With a fundamental emphasis on the encouragement of genre hybridization, Evar Records, the Los Angeles-based imprint co-founded by Trickfinger (John Frusciante) and Aura T-09 (Marcia Pinna), continues its momentum with an expansive 9-track collection from Netherlands-based luminary, Limewax.

After making a strong first impression with its 2020 debut offerings, Evar Records has recruited Limewax to carry forward its mission of blurring boundaries and challenging conventions in electronic music. The Ukranian hard drum and bass hero happily obliged, referring to signing with Evar as a breaking point which allowed him, finally, to take full stock of his background in classical and electronic music simultaneously. Although Maxim Anokhin is widely known for his hard-edged breakbeats, releasing on labels such as Tech Itch Recordings, Position Chrome, Freak Recordings, and Prspct, the full scope of his artistry shines through on Untitled.

The opening cut, "Porcelaineworm," is a futuristic electro cut recalling IDM classics like AFX's "XMD5A." Of course, the virtuosic drum programming and hectic D&B sound which Limewax has built his reputation upon is here in spades on tracks like "Stay Lackey. Cuts like "Ushio" and "Whay1" are fascinating studies in contrasts—the former balances bludgeoning techno of the Ansome and Perc variety with a resolve that recalls Fennesz's pastoral glitch abstractions. "Whay1," meanwhile, is sub-rattling drum and bass nuanced by cinematic string themes. "Getupa" is an experimental beat track that truly bangs, its layers of texture and field recordings placing Limewax in the company of bleeding-edge acts like SVBKVLT's breakout star Hyph11E. The very next track, "19NB," is a subtle update to the original minimal technical template established by Detroit icons Robert Hood & Jeff Mills.

While most of the album hurtles forward at hard techno and D&B tempos, "Maleisae" is a sensual 70 BPM track mixing ghostly R&B and acid. That spectacular cut heralds Untitled's intricate denouement. The brief "Wernmqbram" effortlessly reconciles a baroque minor-key piano theme with the renegade snares of classic jungle. "Hasan" is a true "closing credits" master stroke, half-time acid giving way to gorgeous IDM-meets-Blade Runner synth leads.

Far from a genre-jumping hodgepodge, Untitled is a remarkably coherent full-length by a virtuosic artist free to explore the entirety of their creative influences. The Tilburg-based artist cites the poets Marina Tsvetaeva and David Whyte as influential on Untitled and also listened to works by 1771-1862 works by organ builders when crafting the album. The end result reveals Limewax as a masterful, diverse artist, capable of any style he pursues. It's a clear indicator of the boundless promise of Evar's core principle—a staunch refusal to put artists in boxes.

Rufkraft brings the darkness with an exorcism of analog jungle breaks in a drum n bass stylee. Dissonant snares and worbly basslines make this track an absolute mental slammer for all drum n bass junglist in the dance. Use with extreme caution. credits Vinyl includes a sample/scratchband.

Young gun Edlan teams up with Septabeat, Syren River and Minos for the next output of Fokuz Recordings. Jazzy rollers for your soul.