Drum & Bass | Jungle Vinyl 151 Items

Daniel Schwerdel aka Acid Lab has been a familiar face on Lossless Music and Dope Plates over the last few years. Turning heads with his tracks 'Ancestors' and 'Tundra', Dan has laid the ground work for a bigger project, a solo album. 'A Matter Of Time' is a stunning 10 track breakbeat odyssey which sees Dan draw on influences from the past as well as futuristic visions which combine to form a body of work that perfectly fits the Dope Plates ethos.

Adam Feingold aka Ex-Terrestrial, finds himself providing a hit single along with two remixes on the flip from Project Pablo & Diji himself.

Axe Gabba Murda Mob releasing on PRSPCT's RVLT imprint for the first time. What does this mean? Well.. Bryan Furry & Hellfish with their signature quality UK Hardcore sound but jut that little bit more broken up. In other words: brutal and out of the box. Just the way we like it!

2021 repress

Infectious. Vibrant. Diverse. All of these are perfect descriptors of Bert H's debut album "All About." This freshman album for the Moscow based producer showcases his incredibly vast love of all sounds and styles of drum and bass, and gives a dramatic glimpse into just what he is "All About" as a producer. His collaborations with local producer High N Sick as well as Monrroe and Silence Groove shine with influences from all parties involved. Rounding out the album nicely is a set of powerful remixes from heavyweights such as Bop, Seba, The Vanguard Project, and Command Strange. Bert H's "All About" is available in Vinyl, Digital, and CD format this October on Fokuz Recordings.

With this album BSN Posse want to reflect their love, respect and passion for the footwork culture in general and for the city of Chicago in particular, with its guetto suburbs being the origin and starting point of the juke and footwork movement. ‘Take Me Back To The South’ combines masterfully in eight tracks elements of jungle, drum & bass, soul and funk with the classic juke and footwork take at 160bpms.

Repress in legendary Soul:r Sleeve for 2022

2022 repress

2023 repress

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Calibre & Marcus Intalex team up with Fox for Signature Recordings number 20. Manchester born, Jamaican bred, Fox is a stalwart of the Mancunian music scene. Known as much for his Yardie inflected Mancunian accented Mcing as his sweet melodic singing. It is fair to say both tracks Run Away & Somethin Heavy are massive.

- 2022 repress -

Comes in original sleeve + download code for the full 12 track album.

As the dust begins to settle on one of his most significant and pivotal bodies of work to date - the critically acclaimed techno-focused 'Grow' released by Craig Richards on The Nothing Special - Calibre returns to his own label Signature for another fathomless LP exploration. Laced and spaced with the precision balance of sounds, speeds and styles he's known for, and predominantly characterised by his own lyrics and vocal textures, 'Deep' once again reminds us of Calibre's singular status as an artist whose creations transcend time, tempo and territory. Ranging from one of his most in-demand dubs 'No One Gets You' to poignant yearning introspection of tracks such as 'Better Than Me' and the rolling, jazzy broken beat summer serenade 'Lit', 'Deep' is yet another accomplished, alluring and truly unique pieces of work from one of electronic music's most consistent and prolific artists.

Conduct's focus is firmly on the juxtaposition between electronic and acoustic instrumentation, with a cinematic approach to composition influenced by the likes of Hans Zimmer and Jesper Kyd. Conduct strive to create an emotional response in the listener, aiming to create a timeless body of work.

A download code is included.

Exit Records expands on dBridge' sophomore album A Love I Can't Explain with two new interpretations by The Fear Ratio (James Ruskin & Mark Broom) and Kahn. In keeping with the label's ethos the artists were left alone to deliver remixes without any stylistic requests and as a result we have two tracks that are personal & uncompromising.

Dexta and Crypticz are delighted to announce their long awaited 12" single, 'Together', featuring two remixes from Munich-based Danny Scrilla. Two years in the making, the project will finally see the light of day on 10th November 2017 via Diffrent Music.

A fusion of Drum & Bass, Jungle, House and Garage, 'Together' is built for the dancefloor. The track borrows vocals and breaks from the early '90s, while blending drum machines, bass samples and vintage effect processes crafted by Dexta & Crypticz.

Danny Scrilla debuts on the label with a pair of remixes. The 'Reslice', is a great example of signature Scrilla, manipulating the original parts into an exploration of dubby, half time soundsystem music. His 'Reflop', meanwhile, is a 140bpm re-think, splicing chopped up breaks and bass stabs from the original along with strong percussion lines and weird vocal edits.

Since his outing on Hospital Records in 2015, and his debut 'SE4 EP' on Diffrent Music last year, Dexta - otherwise known as Londoner Chris Royle - has released the third part in an ongoing series for None60 Recordings, honing tracks for dancefloors and stereos alike.

Somerset's Crypticz (aka Jordan Parsons) has had quite an eventful 12 months, with his 'Echo Sound EP' on Doc Scott's 31 Recordings, and more recently the 'Forever EP' Om Unit's Cosmic Bridge imprint, while evolving his club performance from a DJ set to a custom live show consisting solely of his own music and explorations in sound design. This single comes two weeks after his latest release, the 'Access You EP', also on Diffrent Music, which set a new benchmark for Jordan, refining his sound to its highest quality.

Danny Scrilla (born Daniel Pirkl) has gone from strength to strength this year, dropping a cassette tape project on Cosmic Bridge, compiled of 16 synth and hardware-led experiments. Last month Dan also released a collaborative 12" with Sam Binga called 'Weird In Munich' - a superb effort, pushing boundaries from both their usual styles - before putting out an EP for Amit's AMAR imprint in early September.

'Together' will be available as a limited 300 run of 180gsm coloured 12" vinyl, and will be officially released on 10th November 2017. An exclusive small batch will be available at the Clashmouth D&B Label Market on 28th October 2017 at Cafe 1001 on London s Brick Lane.

dark blue & red marbled vinyl

DJ Manny on True Color! Label bsed in Barcelona, operated by 7th Sense and Aku.

A generation younger than the founders of the Teklife crew, DJ Rashad and DJ Spinn, DJ Taye was originally a rapper and beat maker before hooking up with the collective and jumping into the world of footwork production and DJing. However, it was Rashad’s untimely passing in 2014 that was the unlikely catalyst for developing the sounds and ideas for this album. He says, "When Rashad passed away I felt inspired to continue evolving the music that I loved so much coming up in this world. So, I had to do something…make something brand new." 100% committed to pushing further the potential of the footwork template, Still Trippin’ is ambitious in its range and scope. Taking two years to formulate, the record broadens the possibilities of the sound, forcing it to adapt to songwriting, and also revives Taye’s talent for MCing and producing beats to which he can rap and sing. Furthermore Taye definitely ups the ante with his complex and precise drum programming, never losing sight of footwork’s ability to confound. The album features a range of guests that span contemporary music; the eccentric, instructive rapping of Chuck Inglish of Detroit duo the Cool Kids is featured on ‘Get It Jukin’, Odile Myrtil, a young vocalist from Montreal, lends her smokey soul to ‘Same Sound’, Fabi Reyna, the editor of the celebrated women’s guitar magazine She Shreds, sings and plays bass and rhythm guitar on ‘I Don’t Know’ and Jersey club queen UNIIQU3 offers production and rapping on ‘Gimme Some Mo’.Also, Teklife members DJ PayPal and DJ Manny assist on production, and DJ Lucky is a guest MC on ‘Smokeout’. Taye is ambitious in his hopes for the album; "I took this as an opportunity to not have boundaries with footwork. Different approaches to our ‘underground’ sound to make it broader. It’s only underground until it crosses that visible threshold.” This album brings all of this to the forefront.

FSL007 drops from Corkwegian, Berlin-based producer and dj Ellen King AKA ELLLL. ELLLL has always brought a different cut to bass ans techno music and with Febreeze it sets out into the further realms of breaks, jungle and euphoric rhythms alongside a bass driven tech-house uk funky joint from College Driver G.E.O. Corp.

A download code is included. Rotterdam's Nr1 Jungle & Breakcore badman FFF back on PRSPCT's RVLT imprint.

Dutch jungle loons FFF and Coco Bryce team up once again for another Amen excursion on Myor Massiv. Space is the place on this 12”, with both jams featuring a short documentary's worth of chatter about giant planets, failed stars and opposing quadrants. Whereas FFF takes a rather intricate and, dare I say it, intelligent approach on the A-side, Coco Bryce's “More Massiv” goes straight for the throat, with Amen chops and a double tempo pulse bassline being dropped mere seconds after take off.

Amen manipulator extraordinaire FFF and fellow Dutchman Coco Bryce team up for the first release on Myor's sub label Myor Massiv.

FFF kicks off the a-side with "Superhero Can't Test", a 170 bpm slice of reggae infused jungle
wizardry, followed by "Free Your Soul", which brings down the tempo a couple of notches, taking things back to an era where breakbeats, piano riffs and pitched vocals reigned supreme.

The flipside holds 2 cuts by Coco Bryce. "Deeper And Deeper" features heavy Amen choppage and filtered breaks, carried by a small series of rap threats and boasts uttered by a not-so-underground MC, whilst "Runnin" takes a more melodic and rave-centric approach.

The 5th Myor Massiv release also marks FFF's 3rd outing for the label. No split this time, but a full 4 track solo ep by the Dutch Amen manipulator extraordinaire. No time for funny business on this one. FFF takes you straight into moody sci-fi territory and heavy yet intricate choppage on “It Began In Man's Mind”, followed by “We Sleep”, on which he takes a slightly less throat-cut approach, slowly building things up to a dark hoover climax. “Would D Think It's Smooth Enough” displays a beautiful mish mash of slick sounding synth stabs, 808 Juke drums and break beats. Dedicated to Dyanko. The ep is finished off in style with “Murder Comet”, which kicks off with a loud and clear clash message to all soundboys out there, followed by a spot of smoothness, only to take a turn for the worse again after about a minute or so, before all mayhem is finally unleashed via a set of mentasm stabs halfway through the tune. No prisoners, no mercy..

Eski style Hardcore reductions, served up from the rave archivist Filter Dread.

Francois X presents Irregular Passion Reshape, a 12 track LP that re-works his album of the same name, due for release in November on Demented XXX. The original full length LP, released in 2018 explored themes of euphoria and melancholy. Entertaining the listener with sensual atmospheres and unpredictable fervour, all designed to mirror the emotions and intensities of nightlife. With Blade Runner-esque soundscapes and bassy club tracks, Francois X played with a variety of genres and references, holding the piece together with cinematic and hedonistic atmospheres. Francois X has invited an accomplished list of friends and artists, both established and newcomers, to re- imagine the album tracks for Irregular Passion Reshape, building a community of like-minded producers that boldy represent what XXX is all about. From Bjarki's frenzied IDM exploration of breaks and golden era dubstep on 'Blurry Youth', to Anthony Linell aka Abdullah Rashim's experimental reshape of 'Down Under'. The collection marks a beautiful transmigration of the original work, embodying the diversity and myriad influences in Francois' own music. 'I wanted a complete rework of my album, containing a wide range of musical directions. A good representation of what XXX is all about. The important thing for me was to have some real transformations on my original material, in a way its a complete new album.'

Limited black vinyl re-press due to popular demand.

In a world where harder, faster and more obnoxious is the order of the day Frederic Robinson deals in complex and nuanced music that displays a maturity of thought far beyond the young German’s years. Disciplined and focused, he stretches genres until the restrictions of tempo lose their meaning and the listener is free to simply experience music rather than categorise it. His intensely intricate sound design, instrumentation and arrangement places him closer to contemporary classical composers such as Steve Reich, Terry Riley or Philip Glass than the more typically accepted gurus of dance music. The music itself is beautiful, both subtle and satisfying. Harmonies rush and swoop, collapsing in on each other amid fractured percussion and sparkling melody, simultaneously muscular and fragile. Motifs appear, become warped then reappear in different forms, helping the music to talk about itself while it shifts through distinct movements of light and shade. It is this fearsome and unique skill in execution which has led Frederic Robinson to the ears of tastemakers across the spectrum, from Gilles Peterson to London Elektricity, and seen a flurry of releases on Hospital Records, Brownswood, Bmtm and Med School along with remix work for some of his most promising young contemporaries.

Halogenix raises the bar once more, flipping between the light and the dark of his "Gaslight EP". The exquisite summertime bounce of "Out Of Line" featuring Solah on vocals and the future liquid of "Would You" give the perfect balance to the frenetic paranoia of title track "Gaslight" and "Line B". One of his best releases to date.

Halogenix takes some time out of the Ivy Lab super group to go it alone on the heavily hyped 'Velvet EP'. The future jump-up of 'Blej' leads the way, a tune that had Andy C peering over Kasra's shoulder at his recent Xoyo London shows. Whilst heading back into more blissed Ivy vibes of title track 'Velvet' and 'Cliche', Halo pulls in the help of Monty on the bouncing 'Old Town' to complete an utterly essential EP.

Hellfish and Bryan Fury, the Axe Gabba Murda Mob, are two of the biggest innovators in hardcore techno. Both have been pushing the genre in all kinds of directions for over two decades providing the pulse for thousands of parties around the globe. So with this in mind, we are honoured to present ‘Baby Eaters’, an earth shaking joyride to the very edge of the human psyche and beyond.

The eponymous A-side strikes terror into the hearts of men, splitting brain cells like atoms with destructive chain reactions of radical distortion and soul-stripping screams. Pure demonic catharsis, sound frequencies don’t get more violent than this. The B side ‘Acid Abyss’ is an LSD stained hardcore techno anthem where eerily cold voices are strangled by crunchy bellowing kick drums and bleeding 303s. Despite still being cranked up, the precision of the fills in this track offsets the chaotic kicks of the A-side, coming off almost subtle in comparison.

This single is for connoisseurs coming lovingly housed with artwork by the wonderful Jim’ll’Paint it, depicting the deadly duo conducting some rather grizzly research in their underworld studio.

Label stalwart HumaNature's track Eleventh Hour gets a remix treatment by Zero T. We have an altogether different beast. Stripped back to that infectious groove which he is renowned for, Zero T delivers a funk laden remix. Eyes down business.

One of the most distinct talents of recent times returns to Critical with his first EP release since the acclaimed 'All Talk'. Once more Hyroglifics presents a typically eclectic showcase ranging from the heads down D&B of 'South London's Finest' to the electro-infested 'Cheyhboi' making for one of the most dope EP's of the year so far.

2023 repress -

Noisia & Foreign Beggars are extremely proud to present I Am Legion's much anticipated self-titled, 16 track, debut album.

"The album was made during countless sessions (no more than 40 full studio days max) over the last five years. Many passes of production and scrutiny reached every track, alongside a plethora of feedback spread sheets and whiteboard summaries. We never set a deadline for ourselves; the whole idea of a full album only took shape later in the process when we realized how much material we had generated and how cool it could be to put it out as one big thing." I Am Legion nods to rap's erstwhile forays into electronica, absorbing elements of its present whilst laying out a reassuringly disturbed vision of what's to come.

I-iii kicks up a dust on Livity Sound with two killer rhythm workouts focussed directly on the dancefloor.

Two big tunes from the vault that go really well together. The A-side is taken from Rubik Records 023 and the B-side comes from Fokuz 077. You can't go wrong with these two Calibre remixes, that's for sure.

The 6th vinyl release on BTG sees a newcomer to the label and a relative newcomer to the scene taking the reins. In his short time on the electronic radar J-Shadow has already had releases on Nous Disques, Car Crash Set, Prime, The Collection Artaud, eatmybeat, Dissident Sound and Dream Eater.

We launch a new vinyl series, strictly limited to 200 units, NO repress, on which we'll be releasing the finest tracks released on The Digital Pot (DIGIPOT). For this first strike, we've chosen a oldie but definitely goodie, released back in 2009 on DIGIPOT18: Katharsys, Gancher & Ruin - Dirt Track EP. The original release includes 4 tracks, we've taken these 2 for "hard-stuff-on-vinyl" lovers: Sky From Beyond / I Think Its Done.

2013 sees King FiFi return with a double-A side 7" vinyl for 457. Up first is "Oh Baby" and from the opening chords we are on course for this superb dub 45. King FiFi cooks up a serious blend in no time with a skanking guitar line, percussion-laden drums and a compelling rootsy bassline - while his signature vocal samples and effects echo around the mix.

A download code is included. Klute, a.k.a. Tom Withers is no stranger to the LP format, Whatever It Takes is his 9th solo album. It was recorded over a period of 18 months in his own PBJ Studio, located in Suffolk.

Master of snare disaster "Limewax" strikes back hard again on this huge 4 track EP on PRSPCT. Delivering all things great this disturbed but brilliant producer has to offer. Drum & Bass for the freaks and outcasts that crave for more then just a rolling beat. 2 solo tracks + 2 collabs with the likes of L 33, Switch Technique, Dieselboy and Thrasher. Did we mention this release is huge? Hell yeah we did! Well it's a good thing as its double huge anyway!

Repress in full artwork sleeve

2023 repress

Repress in full artwork sleeve

Limited vinyl edition of 150 copies will be available - don't sleep on this!

Rua Sound is proud to present the Echosystem EP from Lynch Kingsley
On his first 12" of the year, the Italian producer continues to carve out a space that is entirely his own. Over four tracks, Lynch lays out an array of rhythms and styles that don't square well with gentrification. Iin proper Rua style, there's plenty in there for the dnb, jungle, dub and footwork heads to get on with.

We are proud to present the next release by Macca teaming up with Melinki with a banging 4 tracker EP showing their darker side of Drum & Bass.

Much requested repress of the last solo Marcus Intalex EP for Soul:R

Mark is releasing a new EP called Integriert Euch Nicht. It features two tracks taken from his Berghain debut and a freshly-composed drum & bass missile. “Fucking Sick Of Myself Since Day One (Hot Desk Mix)” and “Hats Off To Herr. F” were first performed at Mark’s 2018 Berghain live set during Ostgut Ton Nacht. The former is a breakcore-adjacent call to arms for the self-loathing, the latter an antarctic shiver of predator- mode IDM-illektro. “Integriert Euch Nicht (Commercial Jump Up Mix)” features singing from Blackest Ever Black alum Silvia Kastel. Mark wrote the vocal parts with sine waves before Kastel recorded each tone individually, creating microtonal clusters in the vein of Luigi Nono. The sax-like sounds are Wilted Woman playing the aerophone, an electronic woodwind instrument. Otherwise, it's Mark's most deliberately straight ahead drum & bass track to date, trading the beat science of former releases for a stubbornly boneheaded approach in line with the title's message. Integriert Euch Nicht is something of a spiritual successor to last year’s tech/gentrification/real- estate-investment themed Integrier Dich Du Yuppie and a ruffer, more floor-focussed elaboration of the techniques tested on his unterton debut The Least Likely Event Will Occur In The Long Run. Under his Klon Dump alias, Mark has also previously released a psych-mnml double EP called Klon Dump Vs. The Open Air on A Colourful Storm and Two Rooms, a tape of sound art improv and knackered pop-strumentals on Bristol-based imprint NoCorner. When not playing solo, Mark also accompanies Blackest Ever Black’s Carla dal Forno on live electronics.

Dbridge, Nathan Jonson and Konrad Black Remixes. Mathew Jonson’s “Decompression” was first released on Minus in 2004. To celebrate 13 years since it’s release Mathew has commissioned 11 artists to remix this classic split over 4 releases. The first EP of the series features remixes from dBridge, Konrad Black and Nathan Jonson, each artists contribution provides a fresh approach to a package fuelled by the influence of Drum & Bass.

Drum & Bass's number one Italian Stallion Maztek on PRSPCT with a huge 2 track vinyl! When it comes to badass quality drum & bass Maztek is is for sure Italy's flag ship artist who puts that Spaghetti western pizza munching ex Roman empire on the map. Two banging tracks delivering his hardest most brutal work to date. This records has no B side. All killer no filler and AA all the way!

Heavy tribal percussion and a deep bassline set the pace for a rootsy groove while melodica and horns drift in and out of the mix. Add a few lashings of dub and leave to bake. On the flip Istanbul's d'n'b hero Flatliners returns with "Raw Fi Dub", an unstoppably catchy slice of ziontific bass and beats.

This is the debut release of Greek prolific Drum & Bass artist mSdoS on Tempo Records. Four diverse & energetic tracks of the highest quality covering all styles of the Drum & Bass / Jungle spectre.

2022 repress

Since launching last summer, Rasta Vibez has carved a niche for itself among the drum and bass community for those seeking out some dub and reggae flecked jungle cuts for the dance. Now, after a successful series of 10" hand stamped records, Mystic Pulse kicks off a new 12" series pushing a more serious and distinguished sound with style. Both sides start off halftime but effectively evolve into breakbeat chaos, which has already proven to shake up the dancefloor big time. In short a must have for all ragga muffin junglists!

Utopia Music are extremely proud to present UM023, the debut 4 track EP from Belgian badman Mzine. Based in Brussels, Belgium, M-zine (Joeri Deyaert) is no stranger in the Belgian Drum & Bass scene. Having had releases on labels such as Dispatch, Critical and 31 Records and playing big time parties, such as Star Warz, Rampage, Stealth Bombers, Mentality, he has been cooking his way up, slowly but steadily, in it for the long haul.

A joint project of NF Zessho (from Oll Korrect) and Aru-2 (beatmaker for Daichi Yamamoto, KID Fresino etc), "akira" was originally released in 2019 and now available in long-awaited vinyl format!　

- 2023 repress -

IMPERIAL EP

We figured it was time for some d&b again, we had a few tracks lying around for a while that we wanted to finish and put out and we had 2 collabs that went well together. We wanted to call it the "Tryhard EP", cause all the tracks were so full on. Then Nik & Karol (khomatech.com) started on the artwork, and couldn't really come up with anything cool with that name, so we decided 'Imperial' was a better name. The artwork took about a week to make. We are very proud of this EP.

IMPERIAL

Phace came out to Groningen again, as he tends to do, to do music. We started this one without working on the main groove first, Florian had brought this awesome chord progression. We made the intro and progression from it, which is quite different musically from our normal stuff. Then we went a bit theatrical with the music, I guess we kind of surprised ourselves with the intensity of the drop. But it was refreshing to do. And it's been going down rather well in our sets.

TRYHARD

This is an older track that has had quite a few incarnations. It used to be called "lomp", which translates to crude, or blunt. We had it lying around unfinished for a long time, and a certain youtube set rip was getting a lot of love, so we figured we'd finish it. Changed the mix, added a rollout section, etc. One of the inspirations for this track is Bad Company - Dogfight, such a sick tune.

DUSTUP

Our friends The Upbeats came down to Groningen amidst one of their Europe tours and we hung out, got in the studio, found an old unused bass riff, used it in the buildup, recorded all of us going 'HA' and 'ZU', worked on drum fills for a long time, temporarily called the tune 'Pumpers', jumped around in the studio and voila! "Dust Up" was born.

CONTAINMENT

This track has had many faces as well. It started as a bit of a Kemal tribute and and an attempt to do as many things with synths as possible, like the main drums for example (FM8). Along the way it became a journey back into the dark spacious sound of the early 2000's era of D&B.

Comes in standard full colour Vision Recordings repress sleeve.

Noisia are releasing four drum & bass tracks from their highly anticipated album on this Vision Recordings EP! Vinyl contains extended, DJ-freindly versions of the tunes. Also check the EP on the “Division” Label for their non-DnB tunes!!!

They hit the limit. The limit hit back!

Vision Recordings presents 'Dead Limit' starring Noisia & The Upbeats
'Jones' depth of character is mouth-watering 9/10 RuPaul LeSnack, Variety
'Great stunt sequences hampered by a terrible soundtrack' 2/10 Mario van Peebles 2015 Shark Documentary Festival Awards Honorary Mention
'Depicts gravely the ongoing struggle between man and wild insects' 7/10 National Geographic