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Dox
Benjamin Herman - Trouble Feat. Daniël Von Piekartz
Benjamin Herman
Trouble Feat. Daniël Von Piekartz
LP | 2024 | EU | Original (Dox)
28,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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For years, Benjamin Herman has formed a frighteningly tight trio with Ernst Glerum and Joost Patočka. Whether its compositions from Misha Mengelberg, jazz evergreens or original works, these are all interpreted with vision and “rollicking virtuosity’’ (Volkskrant). Erupting from Herman's creative spirit and the two worlds of Glerum (icp Orchestra) and Patočka (Rita Reys), the formation’s work is always of the highest class.

The new album Trouble with the young and exceptionally talented singer/pianist Daniel von Piekartz adds a new chapter to their collaboration. Songs from Fats Waller, Henry Mancini and Sly Stone get a postmodern make-over that will inspire many concert-goers to willingly miss that last tram home. And naturally, the musical fireworks that we’ve come accustomed are still
Dolphin Hyperspace - What Is My Porpoise?
Dolphin Hyperspace
What Is My Porpoise?
LP | 2024 | EU | Original (Dox)
29,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Dolphin Hyperspace is a Los Angeles-based electro-jazz duo led by saxophonist Nicole McCabe & bassist Logan Kane. Widely known for legendary concerts featuring instrumental madness amongst many synths and bonkers dance beats. In May their new album What's My Porpoise will be released, supported by drummers like Louis Cole and Justin Brown (Thundercat, Flying Lotus) the band finds new ways to combine jazz and beat culture time and time again.
Benjamin Herman - Nostalgia Blitz
Benjamin Herman
Nostalgia Blitz
LP | 2024 | EU | Original (Dox)
29,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Nostalgia Blitz' is a record born from a wild collection of ideas and influences drawing on an alternative saxophone universe from Benjamin's formative years. Benjamin Herman explains: "When I picked up the saxophone in 1980, it was the coolest instrument on the planet. Every band had a saxophonist, usually dressed in an oversized pastel-colored power suit with rolled-up sleeves. Besides an abundance of sax heroes in pop, fusion and jazz music, the 80s also had individuals who did it all their own way. James Chance, John Lurie, Xero Slingsby, and of course Dutch mover and shaker Hans Dulfer were some of my favorites. Saxophonists with an attitude: supercharged, perky, and highly creative. An atonal, arty and conceptual kind of saxophone music that really spoke to me. Besides Charlie Parker, Johnny Hodges, Sonny Rollins, and John Coltrane, they greatly influenced my musical taste. ’Nostalgia Blitz’ is once again an attempt to push the boundaries of my own playing and simultaneously tip my hat to some of my all-time heroes."
New Cool Collective - Trippin' Feat. Tony Allen
New Cool Collective
Trippin' Feat. Tony Allen
LP | 2022 | EU | Original (Dox)
31,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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The Amsterdam based New Cool Collective has released an impressive amount of albums within the last 28 years. With an astonishingly diverse list of collaborations ranging from Matt Bianco and Tony Allen to Orchestra Baobab’s saxman Thierno Koité. Awards for film scores, hit records, popularity polls, and even a style award for Benjamin Herman’s impeccable wardrobe. New Cool Collective has become an extremely tight unit, totally at ease performing on live television shows, stage plays, giant stages, tiny clubs, jazz festivals, pop festivals, world music festivals and anything else you can think of.

Playing a familiar mix of Jazz, Latin, Afrobeat and Boogaloo. “In 2005 we set out to record an album reflecting this and came up with some great tracks full of energetic ideas from all kinds of sources. After touring with Tony Allen and Ali Boulo Santo we decided to open our music even further. We booked Studio 150 and invited Tony to stick around in Amsterdam for an extra day. Instead of recording Willem’s big band charts we wanted to see what would happen without a safety net and decided to wing it. We would have been happy with one or hopefully two extra tracks, but six hours later we had a whole album. Each tune is improvised, beamed down directly from something that just happened to be in the air that day. We tied up a few loose ends afterwards, but basically what you hear is the sound of nine guys creating music in its purest form. This and our previously recorded material were way too much for one cd. Instead of cutting everything down to bite size fragments we decided to give you an uncut version of the pure New Cool Collective Sound. This became the double-cd Trippin’ which we released in 2006. More than 15 years later the tracks find their way to the format that suits them best: a vinyl record” – New Cool Collective
Reinier Baas - Relief Party
Reinier Baas
Relief Party
LP | 2024 | EU | Original (Dox)
23,99 €* 29,99 € -20%
Release: 2024 / EU – Original
Genre: Organic Grooves
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Relief Party by Reinier Baas. Dance music for odd people, written in a long-forgotten era where your spouse was your hairdresser and toilet paper was a national obsession. A celebration of life, of the collective human experience and, above all, of a new record featuring Europe's finest avant-jazz misfits. With contributions from a stellar lineup including Louis Cole, Ben van Gelder, Joris Roelofs, Kit Downes, and a host of other brilliant musicians, Relief Party emerges as a distinctive and captivating addition to Reinier Baas's ever-evolving discography.
Bram De Looze - Spotting Gateways
Bram De Looze
Spotting Gateways
LP | 2024 | EU | Original (Dox)
24,79 €* 30,99 € -20%
Release: 2024 / EU – Original
Genre: Organic Grooves
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Bram De Looze's latest solo album 'Spotting Gateways' is built around an eternal challenge and personal aim while creating music: daring to keep the music open enough in the moment itself and stay close and connect to the higher potential it can offer. Bram De Looze on the album and creative process:

"The title 'Spotting Gateways' refers to the creating process in the months prior to the recording dates. Many days I was spending time on finding musical material, without writing anything down, only listening to what the sound suggests. I started recording myself doing this and thus collecting all different kinds of seeds for making music with. The process of finding these musical seeds are very precious moments. Almost every time it comes as a surprise thanks to the subconscious mind. It is very addictive.

All these recordings, at home or elsewhere, were the beginning of creating this album. On purpose I tried to write down as less as I could so I didn't loose the specific vibe I found due to changes in tempo or dynamics or energy. I was being very sensitive to the specificity of the music. As many musicians know, reading while playing makes you play very different, becoming less sensitive and less aware of the impact that certain ingredients in the music have Mostly I don't change much to the 'seed' or compose more out of it. Instead, I improvise with it. A seed functions as a gateway to enter a specific zone in music for a while.

Deciding the form in the moment happens frequently, depending on where the take is going it is only possible because the seed is strong and clear enough. I felt this was the way to go, looking for a place through which you have to go in order to get to a very particular area"
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