Downbeat | Electronica | Leftfield 85 Items

Chilled, tripping leftfield House/Ambient hybrid EP

Side A written and performed by Ludwig Plath. Side A written and performed by Fee Kuerten. Recorded, mixed and mastered by René Huthwelker at Niedervolthoudini Studio, Hamburg 2012. Artwork by Ludwig Plath.

After KRTS toured his successful LP The Dread of an Unknown Evil, left with only one pair of boots and a few spare clothes of baggage, KRTS obtained his visa and began a new life as The Foreigner in Germany.
The Foreigner is looking through an alien’s eyes from the first step of landing on new soil. The outsider position – Not knowing the language, direction, new set of rules, personalities, and learning how to become a part of a new society.

KRTS’s often approach to music creation normally follows zero rules and boundaries of genres. This time, KRTS welds together influences of genres but, places them in a bubble of hard hitting Boom-Bap HipHop percussions, thumping bass-lines, and combines a melodramatic set of layered vocals sung by KRTS with rows of melodies that weave in and out creating various atmospheres within one song. As if creating different cities inside one country.

When you know your time at a certain beloved place is coming to an end, it leaves you in a state of emptyness and sadness. An important period of your life has come to closure and there is nothing left but appreciating the beautiful time you had. Right when you have finally gotten acustomed to a very foreign place and its own set of rules and regulations, you have yet again to readjust to an old, yet strangely new place once again and change your world completely. The aim of this EP is to soak in any sensory impressions, all details of light, color, smell of air and other odors and the look of the sky and the people going about their daily business, in order to make the most out of these last days.

Find yourself on an interstellar trip away from the solitude and darkness of a wasted and depleted home-world on its final demise. During this journey you will not only move unbelievable distances through space and time but furthermore make unforeseen progress in your inner-mind and deepest parts of your psyche – questioning yourself and your perception on what it is to be real. These questions of self-doubt lead to an identity crisis that ultimately results in the hope of discovering a fantastic new utopian world that can only be reached through an incredible wormhole of a very special kind.
But what does reality mean in this blurry timeless vision?

Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspiring Bioniq, known for his surrealistic portraits, blending humans and elements of technology.

The fifth edition of our “Faces“ series comes with double the amount of producers as usually. One side we find Greek brothers and production duo Tendts while the other side is shared by the two young artists Daixie and Hanami, from Australia and the UK respectively.

- gnothi seauton | nosce the ipsum –
The oldest masks are more than 9000 years old and have been a part of earliest ritual ceremonies.
A mask disguises our true emotion and can also give the impression of fake feelings or make us appear emotionless. Strangely contrasted like the painted face of a clown, we appear sad and happy simultaneously. Moods and temper change rapidly, while there is nothing visible on the outside. We reflect ourselves in the image of others, project our ambitions and wishes but also fears into them, caring more about our perception by others until we don’t recognize our own image in the mirror anymore, instead of focusing on self-awareness and knowledge of self.

Where is the thin line between the truth and a lie? Do we all wear invisible masks during our everyday life? A story fractured into million pieces of a puzzle, waiting to be put back together.

If you were an idea, would you be a static one? An idea that never changes ?
An idea that tends to become something else ? An idea that becomes an obsession?
An idea can be an object, can be a sentence or just one word.
“Tendts“. What kind of word is that ? Could it be two words merged into one ? Or was it one from the beginning ? Let’s just say that the idea behind the word came up when two people were writing music in a room. In this particular room the only window that had a view of the outside world was always blocked by a rusty, dusty tent. Was this annoying tent worth becoming their artistic totem ? Maybe. But the one thing sure needed was a change. They had to transform the word into something else. They had to add something else. One letter.
Tent. Tend. TENDTS.

Hertfordshire based producer ‘Hanami‘ is set to stir things up in the coming months for the UK electronic music scene.
Now moving away from his days of working in a live electro band, Ryan Newton has decided to embark on an ambitious solo project. A direction that he has been meaning to pursue for some time. Whilst still keeping the use of sampled instruments and drum sequencers he is looking to bring a new lease of life to the increasingly generic sounds the scene continues to produce as the music becomes more popular.

Only 19 years of age and only producing for seven months now, Alex Xie, alias Daixie, is a young producer from Australia with a Chinese and Cambodian background. While drawing influences from many artists, his main inspiration comes from nature and his everyday personal interactions. His music, based heavily on field recordings, is a way of expressing his emotions – something that he has trouble doing in his day to day life. It is his release which allows him to feel more deeply about things he can not express by other means.

Bioniq is an artwork designer, DJ and producer from St. Petersburg in cold Russia and Project: Mooncircle’s special KGB agent. With his drawings he aims to create new horizons on paper and draws inspiration from historic tales, events of the present age but also possibilities the future might hold.

Limited 12” vinyl for serious collectors, DJ’s and record addicts only!

Every six lunar months – when Sun, Earth, and Moon are aligned – we experience a partial or total lunar eclipse that can be observed anywhere on the night side of Earth. Lunar eclipses can only occur at full moon, that time when the moon is directly opposite Earth in relation to the Sun. Many ancient civilizations cultivated a multitude of myths surrounding these astronomic events, most of them depicting wild animals or mystical creatures eating the moon or crossing it’s path. Tibetan Buddhists say that during a lunar eclipse, our actions, whether good or bad, are multiplied one thousandfold, whereas, in ancient egypt, a lunar eclipse was considered to be the precursor of natural disasters, catastrophes, wars, and diseases and the biggest possible harm would be cast upon the earth if Isfet, the manifestation of the total eclipse and god of injustice and violence, would make the sky fall onto earth and therefore bring chaos upon it.

As the soundtrack for tonight’s lunar eclipse, we selected some exclusive and unreleased songs from Robot Koch, Submerse, Rain Dog, Sieren, Daisuke Tanabe, Lomovolokno, KRTS, and Daixie on this mini-compilation.

Artwork by MN (from Bratislava, Slovak).

This EP is the outcome of a five month spanning transition between warm and bright summerdays to dark and dusky winterdays resulting in a change of moods that accompany this shift from lights, colours and sounds perceived everyday. It is a soundtrack made for commuting between different places in large urban spaces, filled by swarms of people shoaling and funneling across intersections, subway stations and central hubs like corpuscles pulsating in the cities veins, conducted by invisible algorithms in the symbiotic superorganism that is a metropole.

“I took a lot of inspiration from 3 main points of Tokyo City. There are traditional parks and shrines/temples that really take you away from the high rise buildings and make you feel like you could be in the countryside. Next, there are typical shops, neon lights, offices and general city life, and lastly, there is the red light area which is a great place to see all walks of life, from gangsters, working girls and strange things behind closed doors. I’m fascinated by this place, It seems like another world to me, I’m always drawn to it out of curiosity and the feeling I get while passing though is really inspiring.”

The EP also features a collaboration with Sorrow from Birmingham, UK, who has been making a name for himself in the scene since 2010.

Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspiring Bioniq, known for his surrealistic portraits, blending humans and technology.

On our fourth “Faces” edition we are featuring the two ascending artists Lomovolokno and Sieren, presumably the two most unknown so far. Originally hailing from Krasnodar, Russia and Bielefeld, Germany, one was inspired by naive childhood memories of imaginative creatures seen floating in the nighttime sky, while the other looks into an uncertain future that holds the anxiety of a fresh start but also the ever present risk of failure. The artwork takes these motifs and implements them in a vision of technological enhancements of human capacities and evolvement, forming a futuristic symbiosis that enables for synaesthetic senses heightened to an subatomic degree. But it is unsure, however, if these augmentations can actually expand our human experience or rather amplify our solitary existence and emotional void while traveling across fantastic worlds and the universal vacuum filling the space between.

Krasnodar, Russia: In the midst of grey soviet housing projects, a young boy enjoys playing and improvising his first little melodies on his parents piano. Always being inspired by the nature nearby the city - memories of peaceful springtime swimming sessions in the Black Sea come to mind – Lomovolokno grows up fascinated by machinery like samplers and the rapidly increasing possibilities of modern computers. Delving deeply into twisting melodies, building sounds and crossing notes leads his way to first field recordings resulting in an influx of elements ranging from waves of the sea, the wind, sand, crackling noises, banging and rustling becoming a part of his sound.

Sieren is the maiden name of Matthias Frick’s mother and also his current alias under which he started to release his first free tracks in 2011. Rumor has it that he has a dark secret history of producing experimental techno, albeit his love for UK influenced bass music existed for more than one handful of years. It was not until recently that he began to make the most of his love for field recording and experimental soundscaping and is now throwing his full force into music, while simultaneously finishing a university degree in computer science and design before moving from small town to métropole to follow a new set of challenges and advance to the next stage of his life.

Bioniq is an artwork designer, DJ and producer from St. Petersburg in cold Russia and Project: Mooncircle's special KGB agent. With his drawings he aims to create new horizons on paper and draws inspiration from historic tales, events of the present age but also possibilities the future might hold.

Swedish House don Joel Alter is back on Bass culture! Also features an Ed Davenport Remix.

Top Detroit-tainted techno tracks including a DVS1 remix!

Six years have passed since the last album by Andi Otto alias Springintgut, (“Park and Ride”, City Centre Offices, 2007). In this period, Otto has done nothing less than inventing a new instru- ment: His “Fello” is a cello with movement sensors attached to the bow and a corresponding software. The development has been kicked off at STEIM in Amsterdam already in 2007. Since then, Otto has achieved vital refinements of the system, cooperated with artists of various fields as diverse as choreographers in Macedonia, theatre in Nigeria and Techno DJs in the Berghain Kantine in Berlin or the Fusion Festival. He even played solo with his instrument on different continents. For this third album, “Where We Need No Map” Otto takes the “Fello” to his studio in Hamburg for the first time. He records his instrument which has until today only been presented live on stage. In these Fello Sessions, the bow gestures immediate- ly modulate and process the amplified cello sound. In the subsequent editings he selects and cuts these sessions and merges them with other styles, such as Skweee, House and Jazz. Springintgut's trademark sound, this unique playfulness, is pre- sent throughout, while the live-processed cello adds an unrivaled deepness. The artist's expeditions even add more colour. Two tracks have been recorded in India. The lead voi- ce in “Bangalore Kids” is a field recording of a schoolboy in Cubbon Park, Bangalore. Andi Otto spends three months in Japan as artist- in-residence in the Villa Kamogawa in Kyoto. Du- ring this concentrated period he produces the more contemplative tracks of the album, like “Ka- mogawa Cycling” and “Western Kyoto”. In Sri Lan- ka, finally, he meets Sasha Perera, the voice of Berlin's Dub Techno band Jahcoozi. They record two songs together. Especially in “Bullet” one can sense the lazy, muggy, peaceful heat of the after- noons in which this beautiful track has been com- posed. These stories may help to locate the music's orig- ins but still the sound of “Where We Need No Map” points us to unknown territories. The journey itself is the reward, let's listen!

In a world where harder, faster and more obnoxious is the order of the day Frederic Robinson deals in complex and nuanced music that displays a maturity of thought far beyond the young German’s years. Disciplined and focused, he stretches genres until the restrictions of tempo lose their meaning and the listener is free to simply experience music rather than categorise it. His intensely intricate sound design, instrumentation and arrangement places him closer to contemporary classical composers such as Steve Reich, Terry Riley or Philip Glass than the more typically accepted gurus of dance music. The music itself is beautiful, both subtle and satisfying. Harmonies rush and swoop, collapsing in on each other amid fractured percussion and sparkling melody, simultaneously muscular and fragile. Motifs appear, become warped then reappear in different forms, helping the music to talk about itself while it shifts through distinct movements of light and shade. It is this fearsome and unique skill in execution which has led Frederic Robinson to the ears of tastemakers across the spectrum, from Gilles Peterson to London Elektricity, and seen a flurry of releases on Hospital Records, Brownswood, Bmtm and Med School along with remix work for some of his most promising young contemporaries.

Journey through vivid sonic currents and a state which might as well be regarded as Rashim's magnum opus: this is a new height with a mini album as the sixth release on ARR. The more basic and primal spirit of this release encapsulates Rashim's music in a way which makes total sense. Bound over for tracks, which all displays a different perspective of this dramatic colossus

Taking inspiration from the 1969 French adventure book of the same name, Papillon explores the sonic interzones between dream and nightmare. Through the use of augmented field recordings, Papillon uses the ‘exotic’ jungle as the starting point to develop a dense and evocative sound where ethnic recordings, impromptu synth jams, modular synthesis and foley art effects come together to create a quasi-mystical crackpot mix of esoteric visions, near death experiences, shamanism, fever deliriums and lucid dreaming.

Robot Koch and director Lukas Feigelfeld have teamed up to create a special collaboration project. After Lukas directed the video “Autodreams“ (“The Other Side“, Project: Mooncircle) in 2011, they wanted to go a step further. The idea behind the release “Unpaved“ was to create a short film in which the music and the images are equally important.

Imagine the old mystic character “Pan”, which represents nature, animalism and freedom, in a contemporary and realistic setting; becoming a modern vagabond, a drifter, living in the woods and roaming the lands, always accompanied by his friend, the dog. As his path leads him into the city of modern society, he is quickly confronted with its harsh reality – The conflict between living in an urban space and wanting to be at piece in a remote place in nature. Can we consider ourselves animals or have we already evolved into something too distanced from its natural enviroment and essence?

“When I write music it’s always very visual. I have images in my mind that put me in certain moods while I produce – oftentimes I make music to a film that hasn’t been shot yet. This has been something I wanted to do for a long time: compose music for a film.“ – Koch
„As a film director, the great aim of this project was to create a symbiotic piece of work that allows the musician and the director to work on an equal level. By bouncing back and forth ideas, images, sounds and moods, we were finally able to combine these elements and establish a harmonious piece that reflects both his and my creative expression.“ – Feigelfeld

“Unpaved“ will be released on 12“ vinyl including a download code for the film.

Heavyweight soul providers Fat Freddy’s Drop are about to take flight once again with the worldwide release of new album Blackbird!

For her new album “Olvido”, although working with Robot Koch and Sneaky again, Graciela Maria kept much more control of the producing part. The result sounds even more organic and acoustic than her debut. The electronic elements are very subtly used and the arrangements sound like a minimal playing but orchestral sounding folk band.

This new album is calmer but more intense, like an intimate whisper in a church or cold water dripping in a cave. Only the song “Last Place” with its snarling bassline reminds of the earlier electronica and dubstep influences. More than the last album, ”Olvido” includes songs with Spanish lyrics, nearly half of the songs are sung in Graciela Maria’s native language, which once more increases the closeness of the songs. “Olvido” is life written in music, music that invites us to listen to the silent moments that pass unnoticed. The lyrics of this album embrace the empty spaces left by losses. It is a requiem to a past that cannot be grasped with words and that Graciela Maria holds with her voice to avoid looking into the abyss. This album is to be heard in solitude, to look inside one´s self and ask: What is it, that we see there? What do we listen to and who are we?

Graciela Maria writes free verses, not looking for exact metrics her voice is floating on piano lines, drifting through organic sounds and gliding on cello strings. She creates an atmosphere of a standstill in time, remembering what has been, listening to the hours gone by. The voice on Olvido should be followed… because it´s an echo of a lost century in which poetry was written to feel life with words and to be able to die every night.

New 2 track EP from Theo Parrish. Far Out Sounds from the boss! Nuff Said!

For Samuel Evans, or Rain Dog, creating this album was a vast experiment to combine different attempts of blending more traditional elements of song writing and composition with the more contemporary influences of modern electronic dance and bass music, all within the confines of his computer and chair…

Being compelled by melody and variation, Rain Dog, by his own admission, never had much talent for songwriting in terms of lyrics. To circumvent this, however, he focuses on creating a narrative within the music through the combination of synth work and samples. He starts with anything that sparks an interest or emotion in him – Tom Waits, Joni Mitchel, Ella Fitzgerald, Portico Quartet and moments from movies, samples like these usually work as a foundation for the tracks. He then adds layers of unique and organic synth sounds (a notion he finds quite interesting when working entirely from a digital platform) before eventually completing the production with the beat. He likes his music like a nice pie – warm, hearty, and crusty.

Artwork by Felicia Simion. Guests: Robot Koch, BigsonTomika & Sam Rogers.

This January we will be releasing the sophomore album by Polish producer Blossom, entitled „The Longest Journey“ on vinyl. As a bonus we added his debut album „Blue Balloons“ to the package, which will be pressed on vinyl for the first time.

“The Longest Journey“ (2013) represents the musical journey of Łukasz Czajewski, depicting a one year cycle in his life, rich in thoughts, important life-events and experiences. He processed influences like nature, mind-created images and innervisions to create an album about one’s journey into the understanding of the world, soul, consciousness and creation. While seasons came and went, he reflected on these events and gained valuable experiences. Every single track has its unique meaning and is a part of this inner expedition. Ultimately, it all comes down to one question: Where are YOU heading in Your journey?

Several months of hard work between January 2010 and October 2011 resulted in “Blue Balloons“, an album filled with delicately arranged downtempo guitar motifs, distinctive complex rhythms and complementing rich basslines, all encased in the unique aura that sorrounds Blossom’s debut album and gives it a deeply atmospheric feel.

All tracks Written & produced by Łukasz Czajewski in Leszczyny, Poland. Saxophone on “Don’t Grow Up”, “Signs of a New Day”, “We Go” by Aleksander Papierz. Vocals on “Dusk” by JEHST.

Donky Pitch are very proud to announce that in October 2013 they will release the first album from their stable of artists, Providence RI’s The Range.

Following two EP’s on the label over the last 18 months, ‘Nonfiction‘ is an 11 track full length that further defines his uniquely crafted musical outlook; a sound that takes in ethereal classical instruments, tough intricate percussion, thick bass and packs them with melody and emotion. With nods to Jungle, Footwork, Grime and RnB, The Range manages to skilfully balance all his compositions into something that truly has no peers, proper song writing from a real talent.

The Range released ‘The Big Dip’ on Astro Nautico in 2011, followed by the two Donky Pitch EPs ‘disk’ and ‘Seneca’. He has received regular support on BBC Radio 1 from Benji B, frequently playing shows across the US, and completed remixes for artists like Howse (Tri Angle), Kuhn (Civil Music) & Alphabets Heaven (King Deluxe). In September he plays The Boiler Room US, followed by a string of UK and European dates in October (his first overseas shows) to co-incide with the album release.

‘Nonfiction’ will be released digitally and on limited vinyl in collaboration with Berlin label Project: Mooncircle.

Originally released in 2013, this full length collaboration from Duane Pitre and Eleh is now available on cassette. Pitreleh use high resolution analog and digital tools to create music utilizing natural vibrations and harmonics as rhythm and melody. Inspiration is drawn directly from vibrational waves (sound, gravity, water). The electronics, of which both pieces are constructed, are tuned using pure intonation which utilizes the prime numbers: 1-3-5-7. The debut live performance of Pitreleh was recently presented at the Issue Project Room in Brooklyn as well as the Museum Of Contemporary Art in Cleveland.

Laurent Jeanneau aka Kink Gong ethnic electronic project continues on Discrepant... Since the end of the 90's, Laurent Jeanneau, also an integral Sublime Frequencies contributor, has been recording the music of mostly endangered minorities of South East Asia. Alongside his relentless pursue of remote exotic and unpublished musical traditions, he also started creating electronic versions by combining raw recordings with natural sounds, archive material and electronically treated sounds. For Voices, Laurent based his alternate re-versions around the extensive voice recordings he made on location in the southern regions of Yunnan and Guizhou in China as well as in Sapa, North Vietnam and Phongsaly, Northern Laos. The compositions contain unedited acoustic recordings, computer modified parts, sound collages and acoustic recordings of people and instruments. All tracks were recorded on location and re-arranged by Laurent Jeanneau in Dali, China. Special vinyl one time pressing to 300 copies mastered and cut at Dubplate @ Mastering by Rashad Becker.

Thomas Mullarney and Jacob Gossett, aka Brooklyn duo Beacon, introduced themselves to the world with the No Body and For Now EPs, both released last year on Ghostly International. The EPs were united by minimalist, R&B-influenced instrumentation, and also by a lyrical theme, with both serving as meditations on the darkness that underpins the most intense of human emotions: love.

The duo's debut album The Ways We Separate both consolidates and develops these ideas. The album focuses, as the title suggests, on the idea of separation — both within the context of relationships and in a more intimate, psychological sense. As Mullarney explains, "The narrative contained inside The Ways We Separate deals with two kinds of separation: one where two entities grow apart, and the other where we grow apart from ourselves. Over the course of a relationship, the two sometimes happen together, one being the result of the other."

Here we go with the vinyl version of another quality instrumental set by Five Deez' very own Fat Jon, "Repaint Tomorrow", on orange wax.

One of the most popular releases in 2011, “The Mesektet” by London resident fLako gets the reissue treatment this summer, featuring a quantity of exclusive tracks only to be found on the reissue.

‘The Mesektet’, in ancient egyptian mythology, is one of the two solar boats used by the sun god ‘Ra’ to travel through the cycle of night and day and carry the moon across the sky. It is told that he died every dusk, had to fight the dark forces of the underworld and bring light to the dead souls as he passed through – just to be reborn in the morning. Just like the sun god, uprising producer fLako uses ‘The Mesektet’ to end the cycle of darkness and prepare for his own rebirth, marking the end of an era in his style of production and move forward into new musical directions, which he already started to explore on his ‘Mini Toolbooth EP’. This release includes a collection of previously unreleased or only digitally available works from the time up until 2008.

Limited to 500 copies.

Stareaway is Markus Guentner (Kompakt, A Strangely Isolated Place) and Heiko Badje (La Grande Illusion) carefully combining ambient soundscapes, shoegazy guitars, melancholic Pop melodies and these amazing bodiless vocals to form a deep, subtle and somehow hard to define kind of enchanted music. Their 2013 album No Life In This Ghost Town (mastered by Rafael Anton Irisarri) is now re-released (via Couldn’t Care More); seven wonderful tracks, caressing and thoughtful, yet touched by a certain darkness that makes you shiver. Brilliant works that need to be rediscovered. The album-rerelease is accompanied by a spectacular EP with remixes by Rafael Anton Iris-arri, Simon Scott (Slowdive), Thomas Fehlmann und David Westlake (ex-Sneaker Pimps).

Benedek's debut LP for PPU!

Karel Goeyvaerts was born in Antwerp in 1923.
After having received a humanistic education in Antwerp, he took courses at
the Lemmens Institute in Malines. From 1943 until 1947 he studied at the Royal
Flemish Conservatoire of Antwerp. From 1947 until 1950 he studied composition
with Darius Milhaud, music analysis with Olivier Messiaen and was in addition the
pupil of Maurice Martenot at the “Conservatoire
National” in Paris. In 1949 he was awarded the 2nd Prize for Composition and the
Lili Boulanger Prize at the same Conservatoire. He obtained the Halphen Prize in
1950.
During the winter of 1950-51, he wrote the “Sonata for two pianos”. Because of
its decisive and total stylistic novelty he designated this work as “Composition
No 1”, thus rejecting all his former work. With this sonata he created a structural
synthesis of the dodecaphonic system of Anton Webern and the teachings of
Olivier Messiaen and laid the foundations for generalized “punctual” serialism. He
demonstrated the application of this technique on the electronic medium in his
compositions Nrs. 4, 5 and 7. During the period 1951-1956, he influenced directly
through personal contact and intensive correspondence the musical creativity of
Karlheinz Stockhausen, whom he met during the summer-courses of 1951 in
Darmstadt. In 1953, Goeyvaerts and Stockhausen produced the first electronic
music in the studio of the NWDR in Cologne.
In 1 970 th e BRT app oin ted h im as pr oducer at th e “Institute of Psychoacoustics
and Electronic Music” (IPEM) in Ghent. Since 1974 he is in charge of the New Music
productions for BRT-3 in Brussels. Karel Goeyvaerts received several awards,
such as the Koopal Prize in 1967 and the Visser-Neerlandia Prize in 1969. He
also was given commissions by the BRT, the Festiv al o f Fland ers and the NOS
(Nede r- lan ds e Omroepstichting). His works have been performed in several
European countries, in Canada, the United States, Japan and at the festivals of the
“International Society for Contemporary Music” (ISCM) Brussels 1950, Oslo 1953,
Graz 1972 and Bonn 1977.

Who thought this would ever happen? All new album from Michael Sandison & Marcus Eoin Sandison! Limited digipack with artcards.

a dream come true. 2021 edition with 4 bonus tracks.

This year’s label-compilation thematically revolves all about the rise up from the generic. It is about young talented artists who are still struggling on their way up and are out there to make a name for themselves.

A wild stallion fights it’s way up from the dirt and tries to receive recognition by separating itself from the herd. Breaking through the anonymity of the group to the freedom of running through endless land- and soundscapes into horizons of new sonic worlds.

The compilation includes IIIII (Five Eyes), KRTS, Sieren, my.head, FiJi, Long Arm, Kidkanevil, Daisuke Tanabe, Hanami, Julien Mier, Deft, submerse, opti, Den5hion, Tom Day, Monsoonsiren, Tendts, Thriftworks, DH the Mythicalifornian, PYUR, Rain Dog, Daixie, FauDeam, Jean du Voyage, Djéla, Pierre Harmegnies, Robot Koch, Robert Valsinger, Blossom, Neema, Tomika, How Green, Drogtech, Bruises, Night Logic, Deep Shoq, Stèv, Cass., Anna Marjamäki, Vitrion, and MockSun.

From its opening notes ‘You, Me, Temporary’ announces itself as music from the soul reaching for the soul. The album recounts a modern day love story through the musical eyes of its protagonist, Sweatson Klank. It’s a story of love in the fast lane that touches on the good – innocence, romance, lust, sex – and the bad – drugs, debauchery, loss of self, despair – before closing with the peaceful beauty that comes with total acceptance of what is. ‘You, Me, Temporary’ is Sweatson Klank’s third full-length album in 10 years, and it shows just how extensive the Los Angeles native’s artistic growth has been. The music tight ropes between electronic, hip hop and futuristic R&B, sidestepping obvious boxes while finding its own effortlessly. ‘You, Me, Temporary’ transcends genres, balancing the vulnerable and sensual with the rough and jagged. The album has an emotive and sometimes pressing quality, in direct opposition to today’s disposable music mania. The hypnotic interplay of chords, melodies and rhythms draws you in and is equally effective in headphones as it is on the dancefloor. The warmth of analogue equipment flirts with expert sampling and chops that evoke the playful soul of ‘90s R&B and the heartfelt angst of classic hip hop while remaining forward thinking.

A wide cast of vocal guests help recount the different tales and stages of this story: Vikter Duplaix, Ango, Selfsays, Doc Illingsworth, Deniro Farrar, Anna Wise of Sonny Moon and Pat Parra. Upbeat and energetic songs sit next to hypnotic ballads, the sort most conducive to ‘baby making’ you might even say. The music is often elating, sexy and at times dreamy but also progresses to show melancholy and despondency in the sincerest way. Sometimes playful, sometimes serious the vocal tracks add a human dimension to the story that ‘You, Me, Temporary’ tells, completing its message and taking the album to that proverbial next level.

With this third album Sweatson Klank puts aside self-indulgence for simple honesty and the maturity that only comes with being a seasoned artist. ‘You, Me, Temporary’ tells a timeless story in a compelling way, and while its title hints at the trials and tribulations behind relationships, the overt concept lies in the impermanence of everything around us.

Established in 2013 by Valentina Magaletti and Tom Relleen, the duo operated until 2020 as a creative laboratory for the London-based musicians to explore beyond their traditional musical endeavours. They sought to deconstruct their usual sonic frameworks, venturing into a novel and unfamiliar auditory landscape. Their work seamlessly integrated various forms of multi-instrumentalism, traversing the realms of industrial, jazz, psychedelia and minimalism.

'The band's self-released cassette debut, 'Sleepy Jazz for Tired Cats' presents an unconstrained, complex and abstract introduction to their distinctive and darkly thought-provoking sound. In contrast, Tomaga’s seminal album, 'Futura Grotesk', further elevates their sonic explorations, leading to compositions that are more elusive and profoundly evocative, resembling the surreal and unsettling language of dreams and other subconscious wanderings transposed into a unique musical expression.

Repress on black vinyl!

mp3 download card included!

The first album by Ben Lukas Boysen (also known for being the musician behind Hecq), "Gravity" is a deeply personal work in which this highly-praised producer sheds the artifacts of electronic music to compose a solemn and touching album of beauty and depths. Melancholic piano lines, warm analogue sound, tender drums: "Gravity" is only as sad as you want it to be, for it is first a solitary and introvert journey through heights and emotions. Much more than a new beginning: a revealing.

In celebration of the label's 15th year anniversary Sacred Bones is now repressing this legendary debut on Colored Vinyl for the very first time. The vinyl colour is a mix of black, white & orange! Margaret Chardiet was born and raised in New York City. As a founding member of the Red Light District collective in Far Rockaway, NY she has been a figurehead in the underground experimental scene since the age of seventeen. She describes her drive to make noise music as something akin to an exorcism where she is able to express, her "deep-seated need/drive/urge/possession to reach other people and make them Feel something [specifically] in uncomfortable/confrontational ways." Engineered by Sean Ragon of Cult of Youth, Abandon is Pharmakon's first proper studio album and also her first widely distributed release. The songs on this album were all written and recorded during a turbulent three month time period during which several fundamental life changes forced her to begin living in a completely new way and in a new space. She describes the lyrical themes of this album as being about "Loss. Losing everything. Relinquishing control. Complete psychic abandon. Blind leaps of faith into the fire, walking out unscathed. Crawling out of the pit."

Late Night Tales and Bonobo were pretty much made for each other, it just took them a while to both realise it. Stepping forward into the compiler’s spotlight for the 33rd edition is Simon Green – aka Bonobo – a musician, producer and DJ perfectly suited to soundtrack an evening spent reclining to some parallel beats.

180 gram vinyl incl. download code!

Oooohwee! New Bonobo for 2013!
incl. download code

Another great comp on the Late Night Tales imprint feat. Rahsaan Roland Kirk, Koushik, Gravediggaz, Madvillain, Fairport Convention!

Transcendentally beautiful, The Space Lady's music is returning to Earth. Transmitting messages of peace and harmony, The Space Lady began her odyssey on the streets of Boston in the late 70s, then San Francisco ten years later, playing versions of contemporary pop music with an accordion and dressed flamboyantly. Following the theft and destruction of her accordion , The Space Lady invested in a then-new Casio keyboard, complete with a phase shifter and headset mic, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its leading exponents ever since. The legend of The Space Lady has continued to grow in the 21st century. Following inclusions on compilations by John Maus, Erol Alkan and Irwin Chusid's "Songs In The Key of Z," the benevolent spectre of The Space Lady inspired humanity from afar in the mists of time and obscurity. 2013 sees the first official release of The Space Lady's music following a hand-dubbed cassette and CD in the early 90s. These recordings were recorded in 1990 for that hand-made release and have now been remastered by Brian Pyle (Ensemble Economique).

180g vinyl!

180g vinyl!

Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

Full length collaboration from Duane Pitre & ELEH. Pitreleh use high resolution analog and digital tools to create music utilizing natural vibrations and harmonics as rhythm and melody. Inspiration is drawn directly from vibrational waves (sound, gravity, water). The electronics, of which both pieces are constructed, are tuned using pure intonation which utilizes the prime numbers: 1-3-5-7.

Richard Dorfmeister & Rupert Huber with another batch of finest Vienna Downbeat with a touch of Ambient. Tip!

Tosca is Richard Dorfmeister (of Kruder & Dorfmeister fame) and Rupert Huber, who have been crafting trip-hop and downtempo together for nearly two decades. Odeon, their sixth proper full-length album, should be darker and more subdued than previous material. Dorfmeister explains: "We"ve always had a darker, ambient side, but we really wanted to emphasize that aspect of music with this record. That"s where our hearts are at the moment, just keeping the whole vibe low and understated." The album promises to be an intimate listen as well, due in part to Tosca"s face-to-face work with a "creative inner circle" of guest vocalists.

Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

Superb album revisiting the traditional and early psychedelic Arabic music, all through distorted paths and instruments, remashed and deconstructed sounds, recreating patterns with diverse instruments to give a different perspective of the sound itself.

Heavyweight soul providers Fat Freddy’s Drop are about to take flight once again with the worldwide release of new album Blackbird!

Strong 4th album by always busy Jon Hopkins.

Nigel Goodrich, Flea (Red Hot Chili Peppers), Joey Waronker (Beck, R.E.M.), Mauro Refosco (David Byrnem Peppers) & Thom Yorke are Atoms For Peace!

Perhaps one of the most revolutionary and influential people in the cannon of disco music, Patrick Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." This very special LP features a compilation of restored Cowley productions unearthed in the garage of vintage gay porn company Fox Studio. Spanning nearly 90 minutes, the 11 tracks (originally recorded between 1973 and 1981), epitomize Cowley's forward thinking and his affinity for mixing elements of varying styles of music. Simply put, Cowley was a musical trailblazer ahead of his time. His credits as a producer include SYLVESTER's "Do You Wanna Funk,” PAUL PARKER’s "Right on Target" and collaborations with JORGE SOCCARAS of INDOOR LIFE—this is just the tip of the iceberg. An early victim of AIDS, Cowley passed away at the age of 32; these recordings shine a new light on the experimental side of a disco legend who was taken too soon from us. Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, Muscle Up and School Daze, never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, JORGE SOCCARRAS. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon.

Die limitierte Auflage kommt als "rauchig schwarzes" Vinyl mit Download-Karte, die digitale Bonustracks enthält. Nach Ausflügen in Deep House, Acid und Techno, die ihn laut Resident Advisor zu "einem der fesselndsten Künstler Berlins" gemacht hatten, brachte Lorenz Brunner 2013 sein Projekt Recondite mit dem Album „Hinterland“ bei Ghostly International unter.

Der Produzent schaute auf die Heimat seiner Kindheit, Niederbayern, und nutzte Field Recordings, um die Musik mit den Emotionen der Jahreszeiten in der Region zu verbinden. „Hinterland“ präsentierte eine besondere Atmosphäre - eisige, unheimliche, melancholische Musik, die intime Melodien mit knackigen Perkussion-Sounds kreuzte -, die zum Markenzeichen von Recondite werden sollte. "Das ist das Album, das irgendwann aus Recondite herauskommen musste", sagte er damals. "Es ist Recondite." Ein Jahrzehnt später ist der Sound immer noch ganz und gar sein eigener.

Tricky"s first album on his brand new False Idols imprint, launched almost a decade ago in 2013. "I was lost for ages" he says, after a 3 year hiatus since his previous album.

2024 repress -

Originally released in 2013, and now re mastered and repressed on 180 Gram vinyl with the original gatefold sleeve containing the lyrics inside.

Dominick Martin (Calibre) from 2013 "Along the west coast of Co Kerry in Ireland you will find the amazing Valentia Island. Attached by a bridge to the mainland, it is a place of beauty touched by years of history and the songs of the sea. I managed to obtain a house there for a few weeks, I took my computer and mic with me not knowing what to expect when I got there. In one of the rooms sat a piano, and as my fingers touched the keys I knew there was a story there waiting to be told. The sound of the piano in that place was something very magical as 100mph winds battered the house and interrupted my recordings. Other material has since emerged from those days spent on the island, but the main body of work that I recorded there makes up this album that I now present to you".

Pressing of 500

Who thought this would ever happen? All new album from Michael Sandison & Marcus Eoin Sandison! Gatefold sleeve with printed inners.

Berlin-based contemporary composer Nils Frahm has built a steady reputation for his intimate, poignant piano recordings, yet they only reveal a fragment of what to expect from a Frahm concert. The artist’s heart lies in improvisation, in the magic of a moment where, inspired by the space and the audience, his fingers create new compositions loosely based around his familiar melodies.

Spaces is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they witness during his concerts. Breaking the convention of a traditional live release, the album was recorded over the course of two years in different locations and on various media, including old portable reel-to-reel recorders and cassette decks. These moments were later pieced together in his Durton Studio for what Frahm refers to as a collage of field recordings rather than a live album.

Spaces includes surprises such as the sound of a toilet brush banging on piano strings to create a dub-sounding track. The decision to select takes that include the sounds of people coughing and cell phones ringing make clear that his audience is an integral part of every performance

Oh yes, finally the follow-up to Mount Kimbie's critically acclaimed debut "Crooks & Lovers", now on Warp Records!

A 33 track monument, based on the rich history of recent dance music. Rave, Jungle, House, Techno & Grime are melted into a wild mixture!

Alessandro Cortini (Nine Inch Nails/How To Destroy Angels) composed the Forse series using a Buchla Music Easel. Forse, meaning "maybe" In Italian, is a series of 3 double LP releases Cortini recorded for Imprec to release in 2013.

"All pieces were written and performed live on a Buchla Music Easel, in the span of one month. I found that the limited array of modules that the instrument offers sparked my creativity. Most pieces consist of a repeating chord progression, where the real change happens at a spectral/dynamic level, as opposed to the harmonic/chordal one. I believe that the former are just as effective as the latter, in the sense that the sonic presentation (distortion , filtering, wave shaping, etc) are just as expressive as a chord change or chord type, and often reinforce said chord progressions.

Of all the years with Nine Inch Nails the period spent writing and recording the instrumental record Ghosts I-iv is probably the one which changed my approach to music making the most. After that record I started getting more into instrumental composition, although I tried to approach it in a different way. While we had a vast array of tools and instruments at our disposal then, I decided to approach my pieces limiting myself to one instrument only, as I found myself being more decisive when faced with a limited creative environment."

This limited box set presents a full retrospective of the artist's performance at Museo Marini in Florence on Feb 17 2012 with additional features and bonus contents: 2 DVDs, a 12-page photo albums and more. Limited to 500!