Downbeat | Electronica | Leftfield 2238 Items

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Zoe Mc Pherson & Rupert Clervaux

Plafond 5

LP | 2019 | EU | Original (Bakk)

12" | 2019 | EU | Original (Budabeats)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Radically shapeshifting and surrealist, as spinning sonic prisms taunting the ears, 'Cercle Vicieux' and 'Cercle Vertueux' channel Fluxus artistry, straying past jazz-licked drones, avalanching low end and blood red scatting. Scenes both condescending and anxious -- this release is carried by its interwoven conflicts, where strange attractors reveal knots at each listen. The fifth Plafond is a special joint project tying the synchronicity of two contemporary minds. Both Zoe Mc Pherson and Rupert Clervaux are known to actively transgress art forms, reconstituting production methods through respective audiovisual and literary pursuits. The listener is relocated in their musical interzone, bordered by avant-garde experimentalism on one side, and bass-heavy club mutations on the other. This ambiguation lays out a gateway, one through which modern producers can re-adopt the revolutionary energy of those who unraveled conventions on music and sound in the first place -- a 'Cercle Vertueux', indeed. Comes in a hand printed sleeve with multiple tints grey and silver, including an Obi-strip, by the BAKK Interzone Alcazar.

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Kobza Vajk

Kara Libanon

Accosting Form, Pure Intent White Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Kobza Vajk is a Hungarian self-taught psychedelic folk musician who has been playing the oud and other obscure stringed instruments, like kithara or the lute for more than 15 years. His main influences are folk and ancient music of all kinds, what brings these together is his contemporary approach of composing and the oriental technique he plays his instruments with.

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Nathaniel Young

LP | 2019 | EU | Original (Mysteries Of The Deep)

2x12" | 2019 | EU | Original (Honest Jon's)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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“Accosting Form, Pure Intent” - Nathaniel Young’s new album for Mysteries of the Deep - is a contradiction that makes sense. At once raw and elegant, it emerges from a place of constraint and desire. Its individual tracks reflect this paradox as the album unlocks itself like a koan: a riddle that, once solved, dawns on the listener like an epiphany.

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Don't DJ

Laniakea

Vanishing Point Translucent Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Great new Don't DJ. Don't miss!

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Birds Of Prey

LP | 2019 | EU | Original (Mysteries Of The Deep)

LP | 2019 | EU | Original (New Info)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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If emptiness is heaviness is Godliness, Birds of Prey’s third full-length LP is an immaculate conception from on high. The record luxuriates in the spaces between. What’s left out says as much as what made it in. Deep, droning, and dub wise, “Vanishing Point” cascades in elegance. Its reference points call towards the sample manipulation of American tape music and the downward gaze of amniotic British bass music.

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Ot To, Not To

It Loved To Happen

LP | 2019 | EU | Original (Local Action)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ot to not to is the experimental RnB recording project of Virginia natives Ian Mugerwa and Noah Smith In 2016, Mugerwa released the first Ot to Not to LP Goshen through Nicolas Jaar’s OTHER PEOPLE imprint after being discovered by Jaar in 2015 while recording.
Goshen was a very deliberate effort to create an RnB concept album that explored aesthetics and recording methods usually more associated with European experimental electronic music. More specifically, it was an effort to subvert tropes in pop RnB, whether those be the stereotypical, sterile cleanliness of radio RnB or the safe themes and song structures. While Goshen was undertaken primarily as a solo effort while Ian was casually homeless in Richmond, Virginia, the contributions Noah did make (namely the last track) served as the basis for the aesthetic shift seen in their most recent 2nd LP It Loved to Happen.
After releasing Goshen in 2016, Mugerwa did a series of informal experiments in laptop recording that resulted in his These Movements I & II double EP. The EPs, released through European ambient label ACR, served as an outlet for Mugerwa to explore genres like ambient, modern classical, IDM, and lo-fi R'n'B without the added pressure of being bound to a strict concept or narrative. Furthermore, these EPs afforded Mugerwa some familiarity with the styles and techniques he would explore with Smith on the next Ot to not to LP.
In late 2016, Ian joined Noah at his family’s cabin in the Virginia Appalachian mountains to record a follow-up to Goshen. Prior to this, both artists had been suffering the isolating effects of untreated mental illness, and retreating to mountains to record seemed to offer a desperately needed cathartic outlet. This sylvan setting inspired a shift from the more cold, abstract, electronics of Goshen to the more naturalistic, analog-focused, and guitar-driven aesthetic of the new LP. Artists like Talk Talk, Baden Powell, Nick Drake, Vashti Bunyan and Phil Elverum were playing constantly in the cabin when the duo weren’t actively tracking, influencing the sound of the LP. Just as on Goshen, tape processing was heavily utilized as a way to collage and manipulate samples.
All instruments - even the orchestral parts - were performed by Ian and Noah. Subtle, but detailed sample-based sound design was utilized throughout the album for texture and, unlike their debut, no synths were used. Instead there was an emphasis on manipulating samples the duo would amass from hours of field recording. Throughout the recording session the duo adopted a religious reverence for the woods and mountains that surrounded them, and as a result the album took on themes of spiritual yearning and exploration that flowed under allegorical lyrics about isolation and lost love. Additionally, elements of ambient electronic music were explored on It Loved to Happen, with some tracks abandoning any song structure in favour of raw sound exploration.

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Lena Raine

Oneknowing

Release: 2019 / EU – Original

Genre: Electronic & Dance

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CD | 2019 | US | Original (Friends Of Friends)

Shlohmo

The End

10" | 2016 | EU | Original (Animist)

Release: 2019 / US – Original

Genre: Electronic & Dance

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New album from Los Angeles composer/producer Henry Laufer, out March 22nd on Friends of Friends/Wedidit
“The album is vaguely about the end of the world, but from the viewpoint of smoking on the couch during the extinction event. Reading a nice book while the meteor hits. The fake peace of insularity during chaos” Shlohmo

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Apichat Pakwan

Angkanang

OST Alle Sorgenti Delle Civilta

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Apichat Pakwan is a music collective put together by Olivier Schreuder, an Amsterdam-based musician, DJ & producer.

Together they produce “Isantronics” - a hybrid approach to blending Molam (folkmusic of the ethnic Lao, of whom the largest population is living in Isan, another name for Northeast-Thailand), electronic music, Dub & Hip Hop.

Apichat Pakwan consists of Olivier Schreuder (electronics, production, percussion), Pongsapon Upani (Kaen), Artit Krajangsree (Phin, bass), Robin Koek (drums), Angkanang Pimwankum (percussion) and is based in Amsterdam (the Netherlands) and Khon Kaen (Thailand). TIP!!!

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Kema

10" | 2016 | UK | Original (Cacophonic)

12" | 2012 | US | Original (Tri Angle)

Release: 2016 / UK – Original

Genre: Electronic & Dance

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The first-ever dedicated album release by pioneering female Italian film music composer/arranger/multi-instrumentalist Giulia De Muittis (aka Mrs. Alessandro Alessandroni). Rare undercover pseudo-ethnological studio sessions made under her experimental alter ego Kema (The Pawnshop/Abnormal Sensations) combining the ethos of Can’s Ethnological Forgery Series (EFS) with the studio trickery of Delia Derbyshire and unshakable credentials as one of the founding figures of Giallo film music and Italian psych soundtracks.

Perhaps best known amongst fans of Italian production music and Giallo movie soundtracks as the wife of the legendary Alessandro Alessandroni, composer, vocalist and multi-instrumentalist Giulia De Muittis was an equally formidable force who emerged from the formative years of the aforementioned anti-genres and rose to a monarchic status within the country’s vibrant, and seldom rivalled musical secret society. The cliché “behind every successful man, there is a strong woman” might not do Alessandro and Giulia’s long-running creative unison justice but one thing that rings true that in the shadows of Senor Alessandroni’s limelight (illuminated by his work with Ennio Morricone for the films of Sergio Leone and Dario Argento) remained a darker musical feminine force which in time has come to represent the duo’s finest and most sought after sonic artifacts. In a career that spanned four decades until her untimely death in 1984 Giulia’s collaborative work as a reliable creative all-rounder and pop polymath has stood the unshakable test of time like few other musicians resulting in projects like The Pawnshop, Femina Ridens, Revolver, Questo Sporco Mondo Meraviglioso, The Night Evelyn Came Out Of The Tomb, Angoscia, Inchiesta Giudiziaria and Witchcraft ‘70 (Angeli bianchi Angeli neri) earning increasing “Most Wanted” status on the collectors’ market. It is of no coincidence that Giulia’s nom de plumes, Kema and De Muittis, have in recent, more educated years, become trusted seals of approval which connect top choice composers such as Raskovich (aka Sorgini), Stelvio Cipriani, Morricone, Braen (aka Alessandroni) Amedeo Tomassi, Piero Umiliani and Bruno Nicolai amongst select others. It is, however, De Muittis’ seldom heard self-initiated solo work for small independent Italian library music imprints that reveal a unique multi-instrumentalist female composer working at her most intimate and uncompromised best.

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Evian Christ

Kings And Them

Release: 2012 / US – Original

Genre: Electronic & Dance

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kidkanevil & Daisuke Tanabe

Kidsuke Black Vinyl Edition

2LP | 2012 | EU | Reissue (Project: Mooncircle / HHV)

The Dread Of An Unknown Evil

Release: 2012 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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2nd pressing on black vinyl! A child agrees then screams the name. Kid-o-suke. Did you hear that right? The music trickles in. It sounds like it was made in a toy factory. Hold on. Let me reach for the button over there. Childhood memories. The magical sounds of a roundabout sending you to sleep. The wonders of the world seen through eyes that don’t yet ully comprehend and ears that find musical potential in everything. Two kindred souls find each other, distance never the issue, they share and laugh the only way they know how.

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KRTS

2LP | 2012 | EU | Original (Project: Mooncircle / HHV)

kidkanevil & Daisuke Tanabe

Release: 2012 / EU – Original

Genre: Electronic & Dance

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In 2011 we saw KRTS breaking free from the boundaries of NYC's five boroughs, releasing his first EP, Hold On, with the Berlin-based label Project: Mooncircle. The five tracks of Hold On represent the organic, heavily emotional and lively style of broken-beat, fusion jazz, boom-bap, and dubstep.

With the end of 2012 comes The Dread Of An Unknown Evil, KRTS's first LP (limited, colored, double vinyl / uv-varnish print cover) for Project: Mooncircle. With bass-culture styles reflecting the darker side of everyday reality, the album explores themes such as fear, apprehension, doubt, angst, and sorrow, with the prevailing dread of an unknown and uncertain future—always there, peering around corners, waiting and watching.

"Your Eyes" features Stevee Wellons — a soulful diva and KRTS's own mother — telling the story of lost loves and abandoned hopes.
"Knuckle Under" is an immediate cinematic ride through the chaotic New York City underground, each bass line like an elbow to the shoulder, spinning you and pushing you down until it all turns black.
"Something New" featuring sibling Jon Hairston on vocals, is a plea to love and the risks involved when we hold hearts back.

The ten tracks of The Dread Of An Unknown Evil form an intimate LP from a musician battling to make it between cities, families, loves, losses, and futures — on to the next chapter.

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Kidsuke Orange Vinyl Edition

2LP | 2012 | EU | Original (Project: Mooncircle / HHV)

LP | 2012 | EU | Original (Pingipung)

Release: 2012 / EU – Original

Genre: Hip Hop, Electronic & Dance

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A child agrees then screams the name. Kid-o-suke. Did you hear that right? The music trickles in. It sounds like it was made in a toy factory. Hold on. Let me reach for the button over there. Childhood memories. The magical sounds of a roundabout sending you to sleep. The wonders of the world seen through eyes that don’t yet fully comprehend and ears that find musical potential in everything. Two kindred souls find each other, distance never the issue, they share and laugh the only way they know how.

The wonderful pixelated world of a video game. Where does reality end and where does the imagination start? Somewhere in the distance an explosion can be heard, or was it a booming bass drum? There are birds singing a crystalline melody. One I heard before, in a dream perhaps. All of a sudden a child exclaims ‘come, let’s go’. Where did he come from? Is he real or another pixelated fragment of imagination?

Yokatta desu. There’s a castle in the sky. Two boys team up to reach it, carried by the power of their dreams. The same dreams that marked their childhood and brought them to be men. If ever there was music worthy of becoming the soundtrack to a Ghibli movie this could be it. There’s a girl asleep on a plastic deer, going around and around. She reminds me of the hand drawn versions of the pixelated heroes of my childhood. I imagine her dreams filled with exciting adventures.

I swear I heard the sounds of Tokyo’s public transport. It told me we’d arrived at Shibuya yet I can’t see the neon bright lights when I look around. Oh well, I’ll just have to imagine them.

It’s an album, so of course it’s real. The music is the result of a desire to create regardless of outcome, for the simple fact that there is a story to tell. People will consume it whichever way they want. Is it this sound or that sound? Does it really matter? Stop for a minute and enjoy the music for what it is. A synthesis of two aesthetics joined not just by a love of music but also a love of the abstract and the childish, the things that remind us we were all young one day and things were simpler. Things like dancing as if no one was looking or making music as if the outcome never mattered.

Kidsuke is a collaborative project between the UK’s Kidkanevil and Japan’s Daisuke Tanabe. Their self-titled debut is released by Project Mooncircle in November 2012 on double colored vinyl LP and digital.

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Rom

Foot Signal

2LP | 2012 | EU | Original (Project: Mooncircle / HHV)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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The New York and Miami based duo ROM deliver this LP with twelve super energetic instrumental pieces. Pingipung very happily welcome Roberto Carlos Lange and Matt Crum to their artist family. ROM is the vibrant collaboration of two sound artists who have been on the radar for a long time, as members of beloved projects such as Savath&Savalas (Warp, with Prefuse 73's Guillermo Scott Herren), Comic Wow (Asthmatic Kitty, with Tortoise's John McEntire) or Roberto's solo project Helado Negro. ROM's first appearance marked their self-titled debut on the Japanese WIMM imprint in 2005. Raised in south Florida on tropical fruits and pan con lechón; surrounded by picturesque beaches and stifling humidity, ROM’s members Roberto Lange and Matt Crum create music so deeply imbued with the contrasting textures found in the world in which they were reared. Despite having been recorded over the span of three years, and in various locations in different cities, ROM’s sophomore “Foot Signal” effort is an entirely cohesive sonic outing. That they used mostly broken instruments throughout the process only reinforces that soundscape they sought to create. That they played them even with their feet as the title reveals gives us a slight visual hint at the anarchy of the sessions. Could they have used an organ that stayed in tune? Probably. But taping its keys down and pressing record in hopes to document something at all usable is part of the random fabric that makes ROM’s music so incredibly transcendent. Largely recorded with Will Loftin at Shangri-la Studios in Atlanta, Roberto Lange and Matt Crum captured scores of live improvised sessions onto two-inch tape. The two also set up shop in apartments, studios, and storage units in Miami, Savannah, New York - even Jeremy Lemos’s Chicago studio to try and document the inspiration they felt lurking. The sessions were then labored over at home studios, shared over the Internet, processed and reorganized until this collection of twelve wildly captivating instrumental pieces emerged. Foot Signal contains material that had been released on CD through WIMM in Japan in 2008. It has now been reworked by the band and cut onto vinyl at Dubplates & Mastering in Berlin. Standout track “Whale Vomit” does not sound like a regurgitated mess it purports itself to be. Instead, it is the perfect combination of unwavering percussion, vibraphone flourishes, and studio-manipulation wizardry. It’s the kind of stuff that makes ROM and Foot Signal so darn exciting.

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Rumpistol / Red Baron

Floating

LP | 2019 | DE | Original (Dezi Belle)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Danish electronic artist Rumpistol, aka Jens B. Christiansen, releases his fourth and most ambitious album yet – Floating – a collaboration with LA based vocalist Red Baron that further explores the post dub-step vocal territories opened up on last year’s Talk To You EP. With tighter song structures, intimate lyrics and the Baron’s ecstatic vocal projections, the two create a parallel world in which the domestic breakdowns of wintry Copenhagen are filtered through surreal sun-bleached Californian dreams, resulting in a robotic and hypnagogic hybrid of soul.
The sound, while still recognizably “Rumpistol” in its organically unstable clicks and gurgles, marks an evolution in Christiansen’s thinking, shedding light on the interior landscapes of existential crisis and bliss that he’s been essaying over the last ten years.

The introduction of Red Baron does a great deal to carry this forward. Many of the tracks were written in partnership with the elusive vocalist on an almost subconscious level, through a process where different phrases were recorded until the atmosphere was properly expressed. It’s through the Baron’s heavily processed voice, hovering between male and female timbres, that the ghost of American pop culture finds itself here too. In this way Grace Jones stands tall in a frozen stream on I’m Not Listening, Lionel Richie gets stuck in traffic on a bad trip in Colors Breaking while Kanye pushes his auto-tuned bicycle through the blizzard of Floating. But as the arctic arpeggiated synths let you know, the album is more about the future than any past, a future where Rumpistol and Red Baron dare to take current genres from the post dub-step and wonky scenes and defy them with the human voice for a dystopic soul music of their own.

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Don Philippe & Rzuma

Neighbors

LP | 2016 | US | Original (Western Vinyl)

Release: 2019 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Marbled vinyl.

Cover with seam split.
Record is close to VG+.

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Kaitlyn Aurelia Smith

EARS

LP | 2019 | EU | Original (Different Circles)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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ENA

Baroque

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2022 | EU | Original (Workshop)

Lowtec

Old Economy

12" | 2019 | Original (Village Green)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Captivating, cinematic, side-long Electronica & leftfield House extravaganza

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Snow Palms

Everything Ascending

Release: 2019 / Original

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Kame House)

Pawel's Bar

Pawel's Desert Trip

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Favourite People Hazy Red Vinyl Edition

Favourite People

LP | 2022 | UK | Original (Selva)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Are Faces Really Necessary?

Foreign Sequence

2LP | 2019 | EU | Original (D.Ko)

16,14 €* 18,99 € -15%

12" | 2019 | EU | Original (Raster)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Foreign Sequence is a French producer from Paris who delivers his first LP on D.KO Records. This record is a timeless excursion into the IDM world.

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Belief Defect

Remixed 01

16,14 €* 16,99 € -5%

A Skeleton Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After their highly acclaimed debut album »Decadent yet Depraved«, Berlin and LA-based producers Belief Defect invited a variety of artists to join their »Remixed« project. The following 12” EP is a first four-track release of this project. The original tracks of the album are only an approximate starting point for »Remixed«. In contrast to »Decadent yet Depraved«, largely conceived in song structures, this EP is about transferring the pieces back into abstract space, and each remixer does it in his very own way. Alessandro Cortini’s one-take live recording is a lesson in classical ambient music. Telefon Tel Aviv’s remix is timelessly modern and extremely delicate sound design. Rather opposite concepts are coming from Surachai’s brutal pattern design and Kangding Ray’s expressive and analogously saturated repetitions for the dance floor.

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Ben Shemie Of Suuns

LP | 2019 | EU | Original (Hands In The Dark)

16,19 €* 17,99 € -10%

LP | 2022 | EU | Original (Harmless Youth)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Limited to 400 copies on black vinyl. Hailing from Suuns, Canadian Ben Shemie offers up his first solo work, ‘A Skeleton’ - an experimental pop album of cold synthetic sounds with touches of psychedelia.

Based on his live, itinerant experiments, the whole album was recorded in a single take with no overdub. Shemie has left traces of the atmosphere of each recording space, adding an element of chaos and unpredictability alongside his masterful/dexterous manipulation of the equipment.

The voices and instruments sound as if they were drawn from a not-too-distant future in which artificial intelligence has taken over human life and mutated into an artist. The album recounts the random wanderings and metaphysical rêveries of a skeleton - the fantasy muse of the machine, devoid of sex or race, a neutral entity.

The refined, minimal sonic narration is executed with astonishing precision and sensitivity. With ‘A Skeleton’, Shemie has definitely painted us a refreshing avant-garde picture.

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Vision Of 1994

Defragmented Dream

16,49 €* 21,99 € -25%

LP | 2016 | EU | Original (Nakama)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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‘Defragmented Dream’ is the second half of Vision of 1994’s double album dedicated to his raising in middle class 90’s and early 00’s Czechia, and of his personal transformation in more recent years.

The first album ‘Concrete Memories’ was indebted to his childhood among the ‘pre-fab’ soviet tombstone tower blocks; growing up in the disillusioned socialist urban environments of the Eastern Bloc, of graffiti, parties, and running riot. ‘Defragmented Dream’ is his self-reflection, set in the here and now, on the inescapable demands of maturity and the troubled fulfilment of hand-me-down dreams of prior generations; the kid, the family, the house and car.

Vision pulls back the veils of youthful expectation. Reeling out of wild adolescence and on to the barren fruitlessness of adulthood proper, the fabric of the Dream is in sampling: repurposed memories painting dour false negatives of life.

Defragmented Dream may have its roots in the cold ground, but its upper reaches bathe in the sun. The good with the bad; bright days in gardens and long nights in basements. Keeping the darkness at bay with piecemeal happiness; smiling grim as we walk through the rain.

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Filosofer

Landet Er Gitt Oss

16,49 €* 21,99 € -25%

Release: 2016 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2019 | EU | Original (Riot Season)

Taras Bulba

One

16,79 €* 20,99 € -20%

12" | 2022 | EU | Reissue (Columbia International)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Taras Bulba was formed in the winter of 2019 by Fred Laird and Jon Blacow. Taking a new direction from their last musical outfit Eearthling Society, the duo embarked on an inner space mission for new age ideas, rhythmic mantras, ambient landscapes and creative micro dosing.

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Gala

Freed From Desire

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Second Circle)

Zatua

Sin Existencia

12" | 2022 | UK | Original (Scene Unseen)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Next up on Second Circle is the debut release of Indonesian outft Zatua, with their album ‘Sin Existencia’. Led up by Dea Barandana and Harsya Wahono, the seven track album was recorded in Jakarta and Bali over two years and grew out of improvised live shows the duo had put together.

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Jinjé

A Brief Utopia

12" | 2022 | EU | Original (Ilian Tape Beat Series)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Kicking off proceedings on new label, Scene Unseen is Yorkshire’s finest, Jinjé a.k.a. Lee J Malcolm. Scene Unseen will focus on exploring and showcasing scenes from around the world (some seen or some maybe unseen), as well as releasing music from artists who incorporate sounds from across the globe within a music style that's closer to home. This is where Jinjé steps in, delivering an EP of Afro-funk and Afro-tech. He draws upon his usual duties as a fine Techno, House and Electronica producer and combines them with rhythms inspired by African and Indian music, using instruments (played and recorded live by Jinjé) and field recordings from both regions. Jinjé (Lee J Malcolm) has released on labels such as Messrs. Kicks & Drums, EPM Music, Mesh and Ostgut Ton. He was also a founding member and mainstay in the Leeds band, Vessels (Different Recordings), until leaving a couple of years ago to concentrate on solo projects. The track names tell all, as Jinjé gives a clear nod to the Africanism is his music. First track, 'Ngoma' is a name used across Africa to describe certain drums and percussive instruments, which can be heard here, like Djembes from the Conga region, as well as live and acoustic components, blended with modular and other electronic sounds. 'Burkina Faso' takes us west and hits the ground running with a vocal sample of Tribal women from the area, singing praise and joy to engineers who have come to provide fresh water to the village: "Praise God for they have come to build us a well." The progression of the track is based around this joy and develops nicely alongside some intense bass and drums. 'Dusk' is inspired by thoughts of the Serengeti planes at night fall, all built around Jinjé's live M'bira plugged into a modular synth, grouped with live flute and field recordings from India which provide additional percussion. 'Ya Maji' is a collection of high energy rhythms from a Moroccan frame drum, congas, clapping, live bass, distorted marimba and the mighty Korg Ms20 playing the lead synth lines. Last up is 'Jara', a nod to Steve Reich and his six marimbas, as well as drawing inspiration from Fela Kuti. Vocal samples bring in more of the field recordings Jinjé made in India, as well as the clapping elements. Acoustic and electronic sounds intertwine to great effect and sum up the EP as a whole. Look out for more from Jinjé in this musical direction as he seeks to bring these tracks and future ones to a live band setup.

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Kid Sundance

Tien Seconden

Natural Aerials EP Sherelle Remix

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Dutch Sp1200 wizard Kid Sundance delivers pure heat to the Ilian Beat Series.

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Lone

12" | 2022 | EU | Original (Greco-Roman)

Ebg Tolouse Low Trax Remix

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following widespread acclaim for his recent LP ‘Always Inside your Head’, on March 4th / April 8th Matt Cutler AKA Lone releases four re-works of tracks from the album, entitled ‘Natural Aerials’. On ‘Natural Aerials (Mouth of God Part Two)’, Lone utilises a similar sound palette as album track ‘Mouth Of God’, but rebuilds it into a brand new banger. Energetic, deep, trancey and driven by jungle-schooled breakbeats, with bassbin shuddering low-end, he delves deeper into the vortex. Whereas the album was made predominantly using software, Cutler has since been buying hardware – and this marks the first track made on these newly acquired synths. Based around a version from Lone’s recent sold-out live show at London’s Village Underground, on ‘Inlove2 (One Thirty Mix)’ he ups the original’s BPM count, with sights set firmly on the dancefloor. Taking cues from the ‘Ambivert Tools’ series, this is a high-grade, proggy, main room acid rush. On ‘Visited By Astronauts (sherelle Had A Groove Remix)’, the fast-rising star takes an ambient interlude from the album, and gives it what she calls “a space age, footwork jungle twist”. Her first released remix, Sherelle continues an impeccable purple patch, with a re-rub that’s both airy and light, but also heavily percussive, full of propulsive forward motion. She states, "it’s a pleasure and honour to remix for Lone, as being a long time fan, it's a beautiful thing to be able to collaborate. I really wanted my first remix to be special and also for someone who I hugely admire, so Matt asking me to be involved in this process wastruly magical!” ‘Echo Paths Ebb And Flow’ takes a downtempo album highlight, strips it back to just the synths, then unfurls them into a blissful ambient work that’s melodic, warm and fuzzy, swaddling the listener in candy floss clouds.

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Elektronik Body Girl

12" | 2022 | EU | Original (Emotional Response)

LP | 2019 | EU | Original (Salin)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Emotional Response presents Elektronik Body Girl, a musical alter-ego of artist Shelbatra Jashari, with production by soFa elsewhere. Spontaneously born out of 2 souls in an imaginary industrial wasteland of earthly survivors, this Belgo-Albanian postpunk extravaganza is perfectly suited for our unreal times.

Infused with raw attitude and improvisational approach, Shelbatra is an artist, dancer, performer, and singer in search of challenges and expressive forms into new territory, with an individual way in dealing with the ""empowering feminine" and its representation - a vision central to her artistic creation.

Teaming up with Brussels based soFa DJ, they debut an EP of challenging story-telling comes backed with a wonderfully conjured beatdown remix by label associate, Tolouse Low Trax, to act as a seal of dis)approval.

First known as a DJ and selector and then compilation curator of the "elsewhere" series of albums across multiple labels - including Emotional Response Ers042) - soFa recent collaborations as Mameen 3 on Bongo Joe, Cccvvv on Strangelove Music and the highly praised album with Houschyar and Okay Temiz on Second Circle, has established him as a producer of repute in an incredibly short time space.

Taking a production backseat to underpin Jashari's performance, his percussive, atmospheric oeuvre allows her vocals to explore roots in both Kosova and Belgium, molding a focus on the art of "the other" or the outsider. Outside the "normality"", a different energy is heard. Exploring elements of the human body, the human condition and its representation in various "thinking" systems and political contexts, EBG is manifestation in sound and movement.

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Sable Blanc

Homecoming

Shackleton With Ernesto Tomasini

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Salin Records proudly presents Sable Blancs debut album „Homecoming“. Each Salin Records release is about telling a story and taking you on a journey. The day Sable Blanc told us about the idea of producing an EP based on the memories of a trip to New York City he made with three close friends in the summer of 2018 we instantly fell in love with this idea. After a few months of intense work, it became an LP - Sable Blanc‘s debut album and also a debut for Salin Records as this is the first album for the label. Inspired by the beautiful colours, outstanding energy and peace all around New York City that specific summer, Sable Blanc produced „Homecoming“. Every track on the album is about memories and friendship. For two reasons it felt like coming home for him. He lived a few years in the US and went to high school there. It was amazing to come back and finally meet a very close friend again. Sable Blanc chose a photo for each track - taken by his friend Adrien Philibert - which connects to the moment that inspired the track. Daria Salin developed the photos using the cyanotype, an analogue photo development process that was also used for the cover background. Together with the stories that Sable Blanc tells about each photo, the cyanotypes build an artistic booklet that is a special feature of the album. Homecoming is an album for a quiet, cosy evening, where you sit back in your favourite chair and hold the booklet in your hand to follow Sable Blanc and his friends on their trip to New York City. Enjoy the trip...Thank you for your support <3 Christophe & Daria

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Devotional Songs

2x12" | 2016 | UK | Original (Honest Jons)

LP | 2022 | EU (Survival Research)

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Shackleton's most expansive, ecstatic and hallucinatory music to date. Four long form pieces developing the free-flowing compositional aesthetic of his recent Deliverance series and Powerplant performances: fiery rhythmic-melodic turbulence channeling Congotronics way to the east - with an aura of restrained mania reminiscent of the feral pomp and gallows humour of Coil's Moon-Musick phase - all earthed by dub wise bass. The pairing with Tomasini - the cult singer, performer and artist whose history spans experimental theatre, cabaret and collaborations with (among many others) Othon, Marc Almond, Sleazy, Julia Kent and David Tibet - is a match made in heaven. With his four-octave voice swooping from deep growl to piercing falsetto, Tomasini's presence both heightens the taste for the theatrical that’s always been integral to Shackleton’s music, and makes explicit the latter’s kinship to the occult energies of the UK’s post-industrial underground. As the record's title suggests, these are shadowy songs rich with allusions to bodily ritual and psychic exploration, with Tomasini’s lyrics framed by luminous whirls of hand-struck drums and synthetic gamelan, bells and tumbling organ melodies. You Are The One escalates from delicate choral chant to full-bore psychedelic organ freak out; Rinse Out All Contaminants is a slow incantation, to purge all negative thoughts; the melodies of Father You Have Left Me are smudged like early Steve Reich, then burned out by snarling subs; and the magnificent Twelve Shared Addictions balances elliptical melodies like spinning plates, gradually unfurling into a breakneck storm of voice and hammered keys. A remarkable collaboration that also, crucially, hints towards new emerging futures in the work of one of this decade’s pioneers in electronic sound and rhythm.

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Clara Mondshine

Visions Of Audio

LP | 2022 | UK | Original (Halocline Trance)

Release: 2022 / EU

Genre: Rock & Indie, Electronic & Dance

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The final instalment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the obtuse loops of ‘The Final Ritual,’ the work inspiring future hitmaker Pilooski. Mondshine fans, Berlin School freaks and abstract electronica lovers should bag it.

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Mue

Les Vasières

Supermarket Variations 1 & 2

Release: 2022 / UK – Original

Genre: Electronic & Dance

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No binaries, no simple opposition. Either/or is subsumed by infinite relations and dizzying possibilities, by the perpetual crest of and/and. Freedom is the key to bring about all complex and incongruous multiplicities. Embodied, embedded, relational freedom is the key. Mue is a duo based in Tiohtià:ke/Montréal composed of Catherine Debard and Léon Lo. Formed in the Spring of 2020, the electronic musical project merges two distinct practices and explores the way they interact with each other. Drawing on early-IDM, illbient, minimalism, and natural phenomena, the resulting real-time hardware improvisations weave asymmetric patterns, create spaces, and digest various sounds.

Recorded in 2020, Les vasières explores unsynchronized hardware electronic impro-visations where individual sonic elements come to life by creating new and complex layers and organizational logics — melodically and rhythmically modulating each other. The French album title translates to “The mudflats.” Sounds from disparate sources form an aural silt that is brought to life by waxing and waning cycles, each improvi-sation presenting a new, different mudflat scenario. Mue asked visual artist Katherine Melançon to create the album’s artwork, which was the artist’s first dive into compost as source material. The resulting image—an otherworldly organic smear, both intimate and alien — was incorporated into graphic designer Haley Parker’s montage, hard frames recalling the flatbed scanner used by Melançon, and branch-like typography nodding to the organic concerns of all the artists involved.

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Thomas Haines

LP | 2022 | UK | Original (Oak Hill Antenna)

CD | 2022 | EU | Original (Nous Klaer Audio)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Thomas Haines (th) is a composer and sound editor who primarily works in film, TV and animation. TH has recently completed score and sound on cinema projects with artist film makers including Shezad Dawood, Georgina Starr, Noor Afshan Mirza, Brad Butler and Patrick Goddard. As well as writing music for picture, TH is a core member of the London Snorkelling Team, who recently performed the world Premier of Gavin Bryars' On Lassus for the Collège de Pataphysique in Paris. In 2022, TH wrote a large scale live percussion ensemble score for artist Georgina Starr's Gelato Balleto.
The two pieces on this LP were generated from musical material found within a 14-minute recording of Sainsbury's supermarket, Chingford, UK. The source recording contains music-like material, scanner bleeps and conveyor belt drones. This material, once isolated, cross-processed and re-recorded, reveals vivid extended electroacoustic versions of itself. The compositions use film sound restoration processing, mixed with compositional techniques popular in classic early electronic music and musique concrète including pointalist collage, and ring modulation.

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Mathilde Nobel

Founds On Land

12" | 2022 | EU | Original (New Interplanetary Melodies)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Nous'klaer Audio presents the official debut album by Mathilde Nobel: Founds on Land. Eleven magnificent dark experimental pop tracks written, produced and performed by Mathilde Nobel. Today I woke up with a vague memory of yesterday. It's not the first time that I've encountered clouded memories. From where I lay I can see there are fresh cuts on my arms and feet and legs next to scarred over wounds. I turn my head and see that there are a few drops of blood dried on the white bathroom tile next to caked on red stains turned brown. I've reached the point where I stopped asking "why"? In fairness, I stopped asking "what?", too. I stand out of bed into a relatively organized room. There's no headache, no hangover, no shaking, no blurred vision. There's no nausea, no instability. One foot smoothly walks in front of the other. I trace my fingers along the white walls as I cross the threshold into the bright kitchen. Through the windows I see the city, its skyscrapers glowing in the cold winter morning sun. Beyond them I can make out the snowy mountains and the cold black ocean. As I dress in silence, my mind is empty and clear. My day is not purposeless, I'm not directionless. I have a calling and it's guiding hand leads me outside. As I step outside I turn left down the road one foot smoothly in front of the other, I'm not directionless; I walk in silence. Mixed by Remco de Jong at Phako Studio. Mastered by Neel at Enisslab. Words by Gregory Markus.

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Feel Fly

Sacrificio

Tape | 2022 | US | Original (The Flenser)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Born in 1989, Daniele Tomassini aka Feel Fly, dj, producer, sound composer (he recently completed the soundtrack for the movie I Santi by Giacomo Abbruzzese, awarded at the prestigious CineMed festival in Montpellier), co-founder of the Afro Templum party, already known for his previous works for labels such as Prins Thomas’ Norwegian Internasjonal or the Ibizenca International Feel, lands on Simona Faraone’s label, New Interplanetary Melodies, with his first EP, after having made his debut on the same label as remixer on the EP signed by Leo Young (nim005).

The entire EP is inspired by the ancient and mysterious Etruscan culture, whose peoples inhabited the historical-geographical region of central Italy: all the tracks that compose it were in fact conceived under the cloister of Manu (National Archaeological Museum of Umbria) in Perugia.

The title track, Sacrificio (a1) opens the album with an ecstatic drum-break on which powerful subs stand out, catapulting you directly into the obscure rituals of the haruspices, intent on interpreting the signs of the divine, with the help of mysterious pads and shimmering synths like fires in the night.

Side A continues with Hypnopedia (a2), House music characterised by pressing rhythms and sharp rides that transport us into a dreamy dimension, a nostalgic, evocative dream of worlds that now belong only to the sphere of memory. While in Aisna (a3), which closes the first side, the atmosphere changes decidedly towards progressive house, a sound that has become topical again in recent years, after having raged in the second half of the 90s in those lands that were once called Etruria. And just as the Aisna was an early morning ritual held in a field or a sacred wood, this track has all the makings of a rave at the crack of dawn.

The B side starts on the same wavelength with which the first side closed, Afro Trance Amnesia (b1), in fact it maintains that feeling with the most sweaty dancefloors thanks to its epic breaks and vaguely Trancey arrangements that rest on dragging and obsessive percussions able to smash any kind of dancefloor. With Thi Rie (b2) the groove becomes decidedly more disco thanks to a rolling bass line interspersed with powerful toms and full of suspense thanks to the skilful use of enigmatic pads.

Étoile Romance (b3) is the title of the beautiful piece of Ambient that closes this first EP by Feel Fly on NIM, 6 minutes and more of dreamy arpeggios that fit perfectly into the groove of that Italian tradition of soundtracks and library music that has produced so many masterpieces.

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Drowse

Wane Into It

12" | 2022 | EU | Original (S76)

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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In 2019, Drowse’s Kyle Bates set out to produce a self-recorded new album. Marked by moving across state lines, long-distance relationships, and deaths in the family, the following years proved to be metamorphic. Now, three years later, he’s emerged with Wane Into It, continuing a distinctly Pacific Northwestern tradition of self-recording indie experimentalists (Grouper, The Microphones, Unwound’s Leaves Turn Inside You). One of the most impactful moments came during the looming passing of a family member. With death expected, the choice was made to conduct a bizarre “living-wake” gathering—with the soon-to-be-deceased in attendance. Shortly after, Bates found himself disturbed, preoccupied with the abstraction of memory. The experience led him to reassess the tool one uses to curate our selective memories: the internet. The internet, which creeped into even more aspects of life during the pandemic, serves as our self-made digital link to the past. Its uncaring presence layered over humbling thoughts of death and his own childhood memories of the Oregon Coast as he worked on Wane Into It; life’s hyperreal texture sank into the recordings as he felt his body age and wane. Big sounds were captured in bedrooms, hallways, practice spaces, forests, and on highways throughout West Coast—vibraphones chime over black metal guitars, a mellotron drones under degraded samples, violins splinter against granular field recordings. In the process of documenting these aural moments Bates completed an MFA at Mills College, coloring the album with shades of avant-electronic and minimalist composition (Pauline Oliveros, Terry Riley, Maryanne Amacher, Sarah Davachi etc…). To realize this scope Drowse collaborated with Madeline Johnston (Midwife), Alex Kent (Sprain), Lula Asplund, a chamber ensemble and more. Bates’s songwriting and production have never been more lucid; sounds flicker as he sings with fragile intensity. The record, Drowse’s third for The Flenser, impressionistically distills loss, distance, mystery, prescription drugs, the preservation of memory via recording, and ambient anxiety through its titular act: to Wane Into It, to disappear awaiting the next moon phase, water returning to sea before reemerging as a wave.

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Quinzequinze

Varua EP

12" | 2022 | EU | Original (She Lost Kontrol)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The meaning of Vārua, soul or spirit in Tahitian, is also the root of the word Vārua'ino, designating both evil spirits and celestial phenomena (thunder, rain, meteorites and rainbows), and helps shed a new light on the true essence of this new EP. Its changing nature naturally encourages the connection between the tracks and the variety of genres they conjure. The whole project articulates itself around a DNA formed by traditional percussive instruments, Ori deck, a bravado carried by the young Tahitian underground scene, and ancestral ōrero (Polynesian oratory art).

Often swaying between stellar coherence and astral wandering, the seven tracks of the EP see QuinzeQuinze highlighting personal feelings and paradoxes which make for the backbone of human experience through an archipelago of fables with mystical allegories.

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Savage Ground

Hidden By The Night

16,99 €* 19,99 € -15%

Choices (Fuga Ronto Remix)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Savage Grounds lands on She Lost Kontrol with a 7 track EP, Hidden by the Night.

For the first time, the voice of Kleio Thomaïdes joins Savage Grounds members Florin Büchel (Synthesizers) and Daniele Cosmo (Drum Machines). The result is an attractive, intense record with some nuances that will surely make the old nostalgics of Krilian Camera and Simona Buja's voice squeak their eyes.
The record reminds us the heartbeat of Italian darkwave, the angularity of German basements, the youthful despair of French coldwave. But it’s more than that because it’s a very personal kind of darkness.
The exasperated atmospheres seem to resonate on both sides of the record, with the due differences between the darker-wave elements of the record and the more proto-ebm ones.
All these songs are almost ‘goth love protest songs’: they all have the gloominess of the pre-disappointed, of the already-disgusted, of the unrelentlessly bleak against a freezing, sparse, ethereal electronic landscape.
The voice by Kleio Thomaïdes is so fascinating because... more credits released March 15, 2022 Slk016 Savage Grounds are Kleio Thomaïdes (Voice), Florin Büchel (Synthesizers) and Daniele Cosmo (Drum Machines). Recorded between Zürich and Geneva, 2020/2021 Composed and recorded by Savage Grounds. Lyrics by Kleio Thomaïdes and Daniele Cosmo. Mixed by Florin Büchel. Mastered by Andrea Merlini. Photography by Erika Marthins Artwork by dudegraph - Michelangelo Greco Executive producer: Giovanni Rispoli & Carmine Staiano

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ETHIMM

7" | 2022 | CH | Original (Phantom Island / No Sense Necessary)

12" | 2022 | UK | Original (Nummer Music)

Release: 2022 / CH – Original

Genre: Electronic & Dance

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In spite of the odds, dreams sometimes do come true. And when they do, they feel like Fuga Ronto's remix of Choices. Sweet in composition, encouraging in ideas, and over quicker than you wanted them to be. Fuga Ronto's Choices remix is a perfect sundowner of a tune, a heater that oozes cool, relaxing, refreshing and rare as fuck. Hello island, bye bye city life.

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A Psychic Yes

Ep4

12" | 2022 | UK | Original (Indigo Soul)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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On his fourth EP, Tim Crombie aka A Psychic Yes invites us to follow him off the beaten track – or dancefloor. With their mix of leftfield grooves, intuitive instrumentation and dreamlike field recordings, these cuts apply club principles to the soundscape of a distant yet familiar world. A bus radio clamours in a terminus in South India. Industrious algorithms go about their daily routines. The sun breaks through a dense canopy, illuminating the damp undergrowth and the psychedelic critters that call it home. Close your eyes and let your mind and feet lead you. Words by Joe Delon

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Catching Flies

The Stars EP

LP | 2022 | EU | Original (Ikuisuus)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Due to popular demand, Indigo Soul are releasing a limited edition one-off Vinyl press of Catching Flies' first EP 'The Stars' on Vinyl to mark it's 10 year anniversary. Support for the EP came from the likes of Gilles Peterson, Bonobo, Odesza, Lauren Laverne, iD Magazine, Clash Magazine, Mixmag, NME, The Line of Best Fit and more.
Catching Flies – aka multi-instrumentalist, producer and DJ George King – is the very model of a modern musician. He blurs the boundaries between mainstream and underground, and between electronic and "real" music as easily as the biggest and the best. His music is a bass heavy yet melodic mesh of broody electronics and intricate rhythms, containing shades of everything from hip-hop to house, from soul to jazz.

The Stars was followed up by Catching Flies' debut album 'Silver Linings' in July 2019. Containing shades of everything from hip-hop to house, from soul to jazz, it was hailed as 'a soundtrack to Summertime' by the 405 - and was awarded album of the month by Future Music who described it as 'a brilliantly eclectic record… a moving journey that will last long in the memory.' Clash Magazine praised the LP's 'killer beats' and 'artfully orchestrated introspection,' whilst London In Stereo praised it's 'exceptional production.' Other press coverage for the album included The Guardian, Complex, Nowness, iD Magazine, Dazed & Confused, The Line of Best Fit and more. He has received radio support from the likes of Gilles Peterson, Annie Mac, Lauren Laverne, Mary Anne Hobbes & Huw Stephens. Artist support for 'Silver Linings' has come from the likes of Bonobo, Jungle, Loyle Carner, Nils Frahm, George Fitzgerald and Lane 8. He toured the album performing headline Live shows throughout the UK, Europe, Asia and North America, as well as DJ shows at Bonobo's 'outlier' event series in Europe and North America. He was also recently nominated for a Bafta ('Best Music' category) for his soundtrack work on a video game.

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The Parels

Soul Moth

Bald Eagle Over Food City

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Parels (Jim Goodall and Eddie Ruscha) are back with a new LP of morphing 5th world psychotropic music. All manner of bizarre forms take shape and shift throughout the proceedings journeying through exotic psych, swamp funk, musique concrete, and acoustic miniatures all held together by a biomorphic DNA strand that resides somewhere in a subterranean alien cocoon.

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Bromp Treb

LP | 2022 | EU | Original (Ikuisuus)

12" | 2022 | UK | Original (Domestic Exile)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Bald Eagle Over Food City is a blurry zoomed-in photograph of a national bird soaring over a grocery store parking lot. It is an album of thirteen failed portraits attempting to distill the impossible essence of a place that is repeatedly deformed by displacement and extraction, quietly made invisible by milltown charm.

Bromp Treb is the solo project of noisemaker and filmmaker Neil ‘Cloaca’ Young, who has been performing and producing small-run releases under this moniker for some 20 years. For almost as long he’s been the percussionist for weirdo noise collective Fat Worm of Error, and collaborating in other units such as Carbus, Gloyd and Playbackers.

Young co-directed Milford Graves Full Mantis with Jake Meginsky, as well as making many other obscure personal experimental films. He has lived in the village described in Bald Eagle Over Food City for the past 16 years and between the Connecticut and Hudson River Valleys his whole life.

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Grim Lusk

Diving Pool

12" | 2022 | UK | Original (Grade 10)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Domestic Exile warmly welcome the return of Grim Lusk, coming full circle to follow up 2018’s ‘sunp0101’ after releasing under their Dip Friso and Sunny Balm aliases in the interim. ‘Diving Pool’ is a hallucinogenic concoction of marshy, aquatic, oscillated dubs and skittering, microtonal beat experiments. Grim Lusk's signature production style is in full effect, often occupying some liminal space nearing offbeat discordancy, but beautifully pulling together on the brink. Gelatinous machine funk rhythms and sweet, syrupy dub bass ooozing with a vibrant convergence of bright psychedelic greens, yellows and oranges, akin to bubbling sulphur pools and lava lakes, are present throughout the 6 tracks; Nuovo takes late 80’s drum machine patterns and twists them up with rough-cut vocal chops and long-form sampling of a 60’s film on the first iteration of ‘Il Gruppo”. Striding into the turbulent sea, Partans is kept jovial by rim shots, cymbals and snares fed back over the forward bass buzz. Not Enough is a bizarre, primordial, stretched-out gloop sludge half-speed version of the B-side track Too Much, twisted into new rhythmic territory by an off-kilter breakbeat sample. Diving Pool takes crushed, bouncing drum machines and loop-focussed experimentation to find incidental interplay between the two, whilst somehow retaining ebullient make-you-movable gusto. Angular rhythm and zealous sample manipulation seep through in Too Much, live drums patched, extrapolated and pulled further out in the mix, where jump cuts between familiar vocal chops and distorted tape delay contort manically- a warped, swinging echo of Slum Village's ‘I Don’t Know’. Wazoo rounds things out with the most club-leaning moment of the record, a saturated, throbbing atmosphere hanging over a beat-up, lurching drum sample layered with malleable pitched percussion and fuzz guitar. Peculiar shapes, fragmented shards of rhythmic patterns, crushed, crystallised snares, and congealed, jelly-like dubs; the music embodies a sense of carefree fun and playfulness, where dissolving layers of organic echoes, warm, slippery reverbs, and expansive phaser EFX stretch out into nebulous space…

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Kollaps

Growth

7" | 2022 | EU | Original (EM)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Having first released on Grade 10 back in 2015 with the labels inaugural release entitled 'Misery', heavenly duo Kollaps return with 'Growth', a 5-track experimental EP inspired by travels through space and time, showcasing dream-like soundscapes, intergalactic communications, and hints of high intensity grit.

Rife with illusive euphoria throughout, 'Aquarids' is a meteor shower of field recordings and sounds from the cosmos, whilst title track 'Growth' is a brooding soundscape finalised with heavy drums and harsh stabs from ghosts in the machine.

On the B side, Kollaps delve deeper into their well renowned rhythmic pads through soft piano work and synth studies, concluding the EP and touching back down to earth.

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Henry Kawahara

Minami-Kaze A Wave

Strange Bounty / About Life

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Special! Limited** One-sided 7-inch. Cover art is printed on specialty paper with aluminum vapor deposition.

"Minami-kaze α Wave (Southerly wind alpha wave)“ is a very rare ‘vocal piece’ that Henry Kawahara has produced, and released under the name HMD (H Music Deperception) in 1993. The song is a vocal version of the cyber-occult exotic instrumental piece "Nanpu“ included in the compilation “Cybernetic Defiance and Orgasm: The Essential Henry Kawahara” [em1197tcd/dlp]. This track is a rare example that proves he had also a genius for producing ‘pops’ in the general sense of the word, and which seems to have challenged head-on the pop songs produced by Haruomi Hosono or Tetsuya Komuro in the 80s-90s.

The Henry Kawahara project on EM Records was developed only with the enthusiasm of proving Kawahara's existence if he is to be erased as nothing in the current art context, and we have confirmed that there are a lot of supporters all over the world for our opinion when we released "Cybernetic Defiance and Orgasm" (several articles and interviews have been given). This single is a 'prescription' for the sequel, tentatively titled "Cybernetic Defiance and Orgasm 2: Other Sides of Henry Kawahara," which is currently in the process of being prepared.

This 7” is a limited one-off release, not included in the full compilation released in 2021

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Act!

LP | 2022 | EU | Original (Halocline Trance)

Tape | 2022 | EU | Original (Terrestrial Funk)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Toronto-based musician and producer David Psutka aka ACT! (fka Egyptrixx / Anamai / Ceramic TL) releases his latest project ‘Strange Bounty / About Life’ for his own Halocline Trance imprint.

‘Strange Bounty / About Life’ is Psutka’s debut album proper as ACT! following the release of the “sonic mixtape” ‘Universalist’ in 2018 and the augmented reality soundtrack ‘Grey Matter AR’ in 2021; a series of Snapchat filters created by artist Karen Vanderborght and soundtracked by ACT! which explored the poetic and existential potential of AR and social media.

The new album represents a refinement of aesthetic and compositional ideas that exist across Psutka’s various projects and collaborations. It is a bold blend of new psychedelia braided with ecstatic groove. It’s a collage of physical sound, composition and freeform electronics that is simultaneously original, bold, and balmy whilst retaining a certain timeless familiarity and the obvious, indelible hallmarks of Psutka’s creative vision.

“‘Strange Bounty / About Life’ is in some ways my most refined record. The previous period of solo material was quite experimental and spontaneous, whereas this was written slowly and with more intentionality, and as a result, feels very clarified. Robin Dann of Bernice, and Alanna Stuart of Bonjay both contributed lovely vocal work to the record and it was written and performed primarily on guitar. I think it is fair to call this an 'experimental guitar record'.” David Psutka (ACT!)

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Coral Morphologic

Coral Morphologic 1

Live From Woodblocks 2021

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Coral Morphologic is the brainchild of Jared McKay and Colin Foord. A mending of minds, the arts, science, and the sea. Their lab in Miami lies close to the Florida Reef just offshore; the third largest coral barrier reef system in the world. This album composed by Jared echoes the voice of the reef. A reflection of its cosmic connection to our moon. A departure from the earth into deep space. We often wonder what intelligent life exists outside of our own aquatic world. Look and listen to the synchronous celestial satellites and the endless love song they sing. *features a foldout poster with album art by Robert Beatty

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Victor De Roo

Tape | 2022 | EU | Original (Kiosk)

Tape | 2022 | UK | Original (Vanishing Tapes)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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On a sultry summer evening last summer, Brussels producer Victor De Roo performed solo on the debut evening of Woodblocks, a series of live concerts at Parc Royal hosted by Kiosk Radio.

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Andrea Benedetti

Intervallo

LP | 2022 | EU | Original (White Skull)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Andrea Benedetti mixes the 90's Italian electronic continuum. LYL's radio Vanishing Points show goes physical with two exclusive tapes.

The first tape, Intervallo, selected and mixed by Andrea Benedetti (New Acid Generation) pays homage to the 90's Italian electronic spectrum. Covering from 1993 till the turn of the millennium, the mix covers IDM and electro, exploring obscurities and rarely heard tracks from a sprawling, unique scene.

A key player as a producer, DJ and label owner, Andrea Benedetti was at the helm of Final Frontier, actively involved in the creation of a mass of classic material.

Limited to 50 copies

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Zero Netcost

Remixes

Tape | 2022 | US | Original (Laffs & Danger)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It's been a long journey for Romain Bezzina aka Zero Netcost ever since 2002 when he discovered the band that would become his favorite of all time: The British duo Bent through the amazing track "Always" remixed by Ashley Beedle. Twenty years later, the circle is complete with this compilation of remixes from all his idols including, of course, a beautiful atmospheric/downtempo remix from Bent, a cheeky mega drive mix from Simon Mills (one half of Bent), a chunky sunny remix from the legendary Ashley Beedle, and to complete this nice bunch of guys, a very nice sharp balearic remix from the amazing I:Cube. Enjoy!

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Growing

Diptych

Found Myself Or Just I'm Dead

Release: 2022 / US – Original

Genre: Electronic & Dance

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Diptych is a masterclass in slowly undulating ambient drift, and quite possibly the definitive headphone album of the year. Guitars that sound like organs pointed at the heavens are cut with subtly damaged electronic moves, the end result being a record that is at once ecstatic, transportive and gritty

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Gerry Franke

LP | 2022 | EU | Original (TAX FREE)

12" | 2022 | UK | Original (Love Love)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Mystic sounds and more percussive Bedroom Shreds by Gerry Franke. Big!

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Carl Brown

Koto

Mad Wee Light Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Wildly creative East Anglian musician Carl Brown is welcomed to the Love Love fold with great excitement. Carl has been consistently doing his own thing in music for quite a while and it’s high time some more people heard his sound. So many great ideas and lush feels are packed within. And while the sound palette is often electronic the tracks are positively human in nature, incorporating a wide variety of styles - playful, clever and eccentric, full of melodic shenanigans and top notch musicianship.

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Otherworld

LP | 2022 | UK | Original (Kit)

12" | 2022 | EU | Original (All Day I Dream)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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**Available on black vinyl (kjr02v) and white vinyl (kjr02vw)**
Four years on since the portal to Glasgow outsider artist Kay Logan's Otherworld creaked open for the first time, we sit back and admire 'Mad Wee Light' in newly remastered form. Committed to both black and white vinyl editions, her masterpiece glows like a restored AI generated painting, binary scrubbed and winding with fractal strangeness towards its core.

Praise for Otherworld, from Boomkat:

"Stunning, perfectly zonked and secretive drone visions from Kay Logan's Otherworld for her Anxiety bandmate Michael Kasparis' ever-surprising Night School - a real shout for fans of Zoviet France, Two Daughters, Coil, Kevin Drumm

A lowkey jaw-dropper ... The music is really of the rarest drone ambient ilk, spun from real instruments and tape loops with a sort of supernatural, atavistic and prelinguistic quality that gets us slack jawed and heavy-lidded in the most special way.

Spanning tracts of scudding windswept ambience recalling the lushest sort of loopy ambient regressions of Zoviet France, to rawly Scelsi-esque one note drone intensities and the kind of acidic didgeridoo scapes Coil would dream of, Otherworld is making exactly the kind of quietly immanent, life-affirming, expansive musick that we need right now..."

Otherworld is Kay Logan, a multi-disciplinary artist, instrumentalist and sound engineer from Airdrie, now living in Glasgow. Her guitar and bass work in sweaty, thrashing outfits like Herbert Powell and Anxiety are an inverse corollary to the curious tapestries in which Otherworld takes shape. The preternatural stylistic sensibility Logan exhibits in all of her work isn't limited to sound, either – she's a prodigious visual artist with the kind of signature sartorial sensibility that could launch a thousand ships, or lookalikes. Logan's Otherworld project is a musique concrete excursion likely to appeal to fans of Zoviet France or Coil.

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Nohan

Mother Land EP

12" | 2022 | EU | Original (In Waves)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Spread across 4-tracks, the producer offers fanciful instrumentation and production while conveying a narrative of preservation for mother nature. The theme of Mother Land is inspired by one of Nohan’s main interests: nature. In response to ongoing climate change and global environmental degradation, he opted to craft a project that captured the planet's beauty - with a message of sustainability.

The EP is a faithful representation of Nohan the producer - packed with his love for the piano, ipnothic synths, and suspended ambient compositions. The project opens with the title track - kickstarting the subtle, yet palpable production rooted in tangible instrumentation. “The world’s on fire… It’s calling out for you and me” are the opening lines from the vocalist, reminding listeners that earth’s fate revolves around us.

“Heavenly Sing” presents a more upstart offering, with loose shakers and scintillating keys leading. This more tropical take provides optimism in sound, serving as prose for uplifting introspection in headphones as well as the Adid dancefloor. “The Sun in December” reflects its title - somber piano leads the way through a serene, melancholy soundscape. The EP also includes an ambient take on “Mother Land,” which strips its electronic backing in the intro to draw focus to the words and theme of the project.

Noahn makes a perfect fit with this emblematic imprint.

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Bona Fide & Luka Sambe

The Lost Orchestra

LP | 2022 | EU | Original (Expanding Vision)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Bona Fide & Luka Sambe deliver us four beautiful tracks for our second release on their Lost Orchestra EP.

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J.S. Zeiter

EV 001

Octave One Presents Never On Sunday

Release: 2022 / EU – Original

Genre: Electronic & Dance

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New label launch from Anil Lal & Jdsk, courtesy of Furthur Electronix & Under The Radar. Expanding Vision will be focusing on Ambient and IDM. First up is UK mastermind J.S. Zeiter. Limited copies..

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Contemplate

12" | 2022 | EU | Original (430 West)

Voyage To The Bottom Of The Sea 2022 Repress

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This winter, Detroit techno pioneers Octave One re-establish their introspective side-project Never On Sunday with a fantastic new double EP, Contemplate. It follows some taster remixes earlier in the year and shows another super side to the brothers’ famous sound. The Burden Brothers have been as busy as ever in 2021 with a third volume in their Locus of Control series, some new reworks and first Never On Sunday tracks since the 90s.

It is a project reserved for more pensive atmospheres and deeper grooves, so naturally came back to the fore during the quiet months spent at home during the pandemic. Although the iconic Octave One live act is back on the road, the pair have also found time to craft this first full Never On Sunday release in 30 years. ‘The Bearer’ (main mix) opens up in beautifully melancholic fashion. A wistful lead synth hangs in the air while a crisp breakbeat powers the groove along, but it’s Karina Mia’s stunning and tender vocal that really tugs at the heat. She again lights up the tumbling breakbeats of ‘Contemplate’ (main mix), her aching voice providing the centre point amongst the cosmic melody all around. Closing out the Side A, ‘Enterstella’ is an intriguing three minute ambient piece with gurgling machines and slithering synths taking you deep into another world. The fantastic ‘Price We Pay’ (main mix) is another celestial excursion with bright, lush cosmic twinkles and Mia’s heartfelt voice soothing your soul. The broad bass adds real weight then ‘A Moment of Truth’ slows things down to an absorbing and atmospheric pace. Majestic string sounds, astral lights and a gentle breakbeat sink you into a pensive headspace, then closer ‘Metal Forest’ leaves your brain feeling cleaned with its watery sound effects, glass tinkles and heavenly atmosphere punctured only occasionally by big, sonorous bell hitsThis cinematic EP proves that Never On Sunday is a perfectly thoughtful yin to the more energetic techno yang of Octave One.

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Mouth

12" | 2016 | EU | Reissue (Emotional Rescue)

12" | 2022 | EU | Original (Kame House)

Release: 2016 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Reggae & Dancehall

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Emotional Rescue looks back again with a 2022 repress, digging deep in to the early 80s Bristol post punk scene of Pig Pag, the Wild Bunch and the Dug Out club. A short lived project of just 3 releases, Mouth trail-blazed leftfield percussive jams in the rich vain of Liquid Liquid and ESG but in their own jazz-infused way. Centered round the cultural melting post of the St Paul's district, it's pubs, clubs and blues parties threw together young and old to the sounds of dub, funk, jazz and soul and took the spark lit by punk rock and new wave and spawned music that still resonates today. Consisting of a floating line up based around main members Andy Guy and Rob Merrill, alumina included a young Nellie Hooper before he would go on to be a founding member of the Wild Bunch and on to produce the likes of Bjork, U2 and Madonna. Based around a hard tribal drumming, mixing guitar, trumpet, shouted vocals and effects, the thrown in the mix nature was inspired as much by avant-jazz than punk's do it yourself attitude. Here then, on one EP are their complete recordings, including as the title cut, their best and deepest, Voyage To The Bottom Of The Sea. Featured on a compilation LP from the legendary Y Records, its bottom heavy dub sound is augmented by female and toasted vocals riding a top a heavy stepper style riddim. This is followed by an increasingly dizzy array of percussion jams. Acab Part 2) is all skips and trumpets, while the versions of Take Your Coat Off perfect skat vocal / tom interplay, before the finale busts out the rockabilly influences in full effect with jagged guitar, skipping hats meets double bass punk style.

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Pawel's Bar

Pawel's Desert Trip

CD | 2022 | US | Original (Needlejuice)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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When the great mystic Meister Eckhart went out from Gotha into the world to investigate the states of the souls of the clergy, the faithful and mankind in general, he soon ended up in the desert regions. A flash of lightning quickly passed through him, one of insight: the desert is us, it is within us. It is the place of total contemplation, a fortress of solitude. The real desert, whether Gobi, Sahara or Atacama, on the other hand, is populated: by animals, small and large, crawling and flying; by plants, prickly, green, brown or in permanent sleep; by billions of micro and macro-organisms. Pawel, your insights are like those of the mystic: THE Desert IS Alive!
Pawel'S BAR is the alias of Leipzig based Marvin Uhde aka Qnete. While as the latter he’s known for sophisticated house and shows a preference for breakbeats, Pawel's Bar is much more reserved and subtle. Its dub and downbeat structures that build the foundation on »Pawel’s Desert Trip«. Instead of facing the dancefloor head-on, tracks like the shimmering Welwitschia, the mellow Many Birds or the nature-dubby Pharaohs work excellently as companions for any life situation. Rather soundtracks of withdrawal than mere ecstatic escapism. Big feelings. Meanwhile, on Recycle, Refresh and Beach Nights you can hear why Qnete is such a sought-after DJ and producer (X-Kalay, Shtum or 777): a deep knowledge of what a party might need, although nobody expects it - as Pawel's Bar he can prove this knowledge as well, even if he tries to disguise it.With this, he also follows the rumor that has been around for a few years about the Kame House Records: This is where great producers come to think outside the box and deliver their unexpectedly best records.

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Therealsullyg

Otama-Tunes, Vol. 1

LP | 2016 | AT (Atlantide)

Release: 2022 / US – Original

Genre: Electronic & Dance

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With about a million subscribers and millions upon millions of views, TheRealSullyG is the undisputed King of Otamatones. His lovingly-produced otamatone covers of pop-culture standards, paired with quirky and imaginative videos starring the adorable Japanese synthesizers, have proven to be a recipe for viral success. Covering roughly his first year of otamatone content, Otama-Tunes, Vol. 1 dazzles the ears and delights the senses with wahsome covers of Queen, Daft Punk, Michael Jackson, Dragonforce and more! Remastered by Angel Marcloid, TheRealSullyG’s debut on physical media is presented on two different deluxe gatefold vinyl variants as well as CD and cassette.

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Rex Ilusivii

Disillusioned!

Release: 2016 / AT

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2019 | ES | Original (HVNX)

Lamusa II

Sulfureo

Release: 2019 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP+LP+All Media | 2012 | DE | Original (Monkeytown)

Mouse On Mars

WOW

Release: 2012 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2019 | EU | Original (Rubber)

J A

Enter Ja

LP | 2019 | EU | Original (Different Circles)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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J A surfaces on RUBBER with six disorienting wave tracks, reigniting the catalogue after a short hiatus. Crafted by Andrea Noce (Eva Geist, As Longitude) and Jonida Prifti (Acchiappashpirt, Opa Opa), these productions find elegance in their noir aesthetic and sketch-like composition, breathing filmic atmospheres of its creative process and the hedonist self alike. Straying away from the societal drift for efficiency and make belief, this record was produced over a timespan of five years, while shifting between Berlin and Rome. Dancing and loafing, mirrors were splintered and scattered shards reflected a new light. Here, Noce her serpentine sense of melody guides uncharted signatures of reverberating syncopated drums, while soundscapes move in and out as apparitions fogging the mind. The poetic spoken-singing of Prifti subdues the tracks, through a linguistic form where Albanian and Italian intertwine, channeling her scientific field into art. Cleverly processed, the vocals take on many shapes, blurring lines between instrumentation and recognition, creating meaning where language ends.

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ENA

Baroque

One Instrument Sessions 03

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Two years in the works, ‘Baroque’ follows from the D&B-styled flux of Ena’s early 2019 collaboration with Felix K (F&E #1) to sound out more unorthodox areas of inquiry of abtruse, Chain Reaction-like sound design and algorithmic decomposition. In terms of the music’s boneless construction and roiling spectral nature, it surely ranks among Different Circles’ headiest and most psychedelic releases following the dread kinematics of Logos’ ‘Imperial Flood’ album and the cult acclaim given to their killer Raime and Szare 12”s in the past year.

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Fahmi Mursyid

12" | 2019 | EU | Original (One Instrument)

12" | 2019 | EU | Original (Gooiland Elektro)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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One Instrument Session series presents the Indonesian artist, Fahmi Mursyid. His mini-album includes 6 tracks that have the ability to take the listener on a warm, experimental journey of varying timbres.

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Robert Auser & Unhuman

Unhuman / Roberto Auser

10" | 2019 | EU | Original (Neue Meister)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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(split 12″ EP, edition of 200 copies) Both Unhuman and Roberto Auser should be names that ring a bell… Unhuman is from Greece but residing in Berlin… with his music he is always bordering techno, industrial and noise… for Enfant Terrible/Gooiland Elektro he crafted two tracks which pay tribute to old school EBM and New Beat… slow and dark beats… with a post-punk attitude and a decadent touch which makes them perfect for the dance floor early in the morning… Roberto Auser has built a name of his own but still stays something like a best kept secret of the Dutch electronic music scene… this mainly due to his output which is never to be pinned to one specific genre or style… For this release he came up with two harsh pounding tracks with dark beats and industrial sounds and a true rave spirit… see you on the dance floor!

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Robot Koch

Otherwhere

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Orbeatize)

Peter Frohmader

Live Electronic Music

CD | 2019 | US | Original (Innovative Leisure)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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King Frohmader having fun with live modular electronics. No overdubs.

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J-E-T-S

Zoospa

Outro Tempo II Ep: Electronic And Contemporary Music From Brazil, 1984-1996

Release: 2019 / US – Original

Genre: Hip Hop, Electronic & Dance

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JETS is the collaboration project of powerhouse producers Travis Stewart (Machinedrum) and Jimmy Edgar. On the first single, "PLAY," from their forthcoming full-length album, the duo teams up with boldly pioneering rapper Mykki Blanco. The sparse, yet aggressive beat slaps back and forth between Blanco's playfully sinister vocals.

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V.A.

12" | 2019 | EU | Original (Music From Memory)

LP | 2019 | EU | Original (Hivern Discs)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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In the lead up to part two of the highly anticipated Outro Tempo compilation, MFM drops this teaser EP with the never before heard cassette madness of São Paulo’s Bruhahá Babélico and Individual Industry’s ethereal electro pop on the flip.
Music From Memory announces a series of Brazilian releases for this Spring that pick up where their 2017 Outro Tempo compilation left off. Circling around the musical projects that emerged out of the art world in Brazilian cities during the late 1980s and 1990s, “Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996” takes anotherdive into the depths of the Brazilian underworld, exploring the rhythms that lurk beneath the Ipanema sunset. It shines light on more illustrious unknowns and on the genre-defying music that maintained asymbiotic, yet uneasy, relationship with mainstream popular culture.

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Lamusa II

Sulfureo

LP | 2019 | EU | Original (Fati)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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When Giampaolo Scapigliati was a kid he liked to explore the hidden abandoned places in the outskirts of his hometown, Viterbo. Especially those natural pools in the middle of nowhere that attract tourists for their sulfurous healing water, not welcoming smell and obscure plants. What he cherished the most, though, was its fascinating aura, one that can only emanate from an immortal ancient site. This kind of mysterious mood is what inspires "Sulfureo", his second album as Lamusa II. Along its eleven cuts, Giampaolo experiments with wet percussive sounds, drum machines, syndrums, echos and analog and digital synthesizers programmed with sequencers and midi devices that, in his own words, "created different paths when crossing on each other". In contrast to all of this synchronization, he also experiments with guitars and bass, using a live "free approach" reminiscent of krautrock and new wave obscurities. Also near Viterbo is located the monumental complex of 'Sacro Bosco', where Giampaolo spent many afternoons walking and losing himself inside the weirdness and charm of that place. Surrounded by the grotesque sculptures, enigmatic buildings hidden among the abandoned vegetation and gloomy animals sounds he used to leap into imaginary alternative states that represented some kind of 'journey of initiation'. Now located in Paris, "away from home, from the nature and from those childhood places", he revisited all of those feelings and moods to create a sonic trip at least as equally fascinating.

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Ambien Baby

En Transito

12" | 2019 | US | Original (Thrill Jockey)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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En Transito is a document of the evolution of the Ambien Baby collaboration between D Tiffany and NAP. An ode to friendship and creative symbiosis. The tracks on this record showcase the project from its beginnings in 2015 to present day.

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Sequoyah Murray

Penalties Of Love

Release: 2019 / US – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Zaun)

Hubur

Music From The Archive

LP | 2016 | EU | Original (Emika)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The music of Hubur is full of details and small elements that trigger the big picture profoundly. You can call his music electronic. You can say he writes tracks. But then there are some song-ish moments in them – even if there is no singing at all. Not at least because his melodies are tempting. You can also find traces of hip hop. Traces of leftfield electronics. Traces of jazz without jazz. A gentle ride with a story arc that absorbs profoundly and that does not require a commercial value to exist and be meaningful.

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Emika

Melanfonie

2x12" | 2016 | EU | Original (General Elektro)

Release: 2016 / EU – Original

Genre: Electronic & Dance, Pop, Classical Music

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The crossover between electronic music and classical composition has never been in more vibrant and dynamic health. Multifarious musician Emika explores this fertile ground on her ambitious new opus 'Melanfonie': her first orchestral composition, some four years in the making.
Funded by a hugely successful Kickstarter campaign that exceeded its target by an impressive €25,000.
While many rebel from their classical training never to return to it explicitly, Emika has always been attracted to the potential and freedoms offered by the symphony form. As well as taking inspiration from her electronic music background in composing the music itself, Emika also applied some of production and playback principles from that realm to create a piece whose every element has been carefully considered.
Emika is on a quest to try and change what we mean when we talk about ‘classical music’. For her, the magic of the ‘genre’ is about the instruments themselves and more importantly the people who play them; not the restricting traditions and conventions of the classical world itself. I want to change the face of classical music and give it a more honest and real image. It is time we had something other than pomp and circumstance and avant-garde squeaks and pops.”

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Busen

(Ge Bu 3)

Beautiful People Feat. Thom Yorke

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Industrially minimalistic, generously coherent & truly acidic LP in the vain of techno, EBM & true underground electronic music. Dark droned ambience and skeletal rhythms but also beautifull and trippy pieces spaceously cut for sonically heavy playback on soundsystems & home stereos. From the rigid & non-confirmist ideology of General Elektro & Sex Tags Mani

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Mark Pritchard

12" | 2016 | UK | Original (Warp)

Jesse Osborne-Lanthier & Grischa Lichtenberger

Release: 2016 / UK – Original

Genre: Electronic & Dance

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‘Beautiful People’, the lead track from Mark Pritchard’s latest and critically acclaimed album ‘Under The Sun’ gets a 12" relase!

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CSLM

LP | 2016 | EU | Original (Cosmo Rhythmatic)

LP | 2016 | EU | Original (Psykofarmakarisma)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Conversation Sur Lettres Mortes is a conceptual album revolving around the relationship between Berlin’s Jesse Osborne Lanthier & Grischa Lichtenberger and the archaic apparatus of old cathode ray televisions and VHS units. It was first conceived as a live project for the Mutek/Elektra festival 2014 at the MAC in Montre´al, QC Canada, and now lands heavy on Cosmo Rhythmatic - the label curated by Shapednoise.

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Lord Akton

Old Future Worlds

LP | 2012 | UK | Original (Spectrum Spools)

Release: 2016 / EU – Original

Genre: Hip Hop, Electronic & Dance

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'Old Future Worlds' is the second full-length instrumental album from Danish producer Lord Akton.

For this release, Akton's inspiration was ignited by Northern European forests, ancestral thoughts, jazz legends and the idea of tomorrow.
Genre-defying, the sound can be described as "sample-based spiritual synth-electro".

Working with everything from vinyl to synthesizers, drums to guitars, samplers to Logic, Rolands to Rhodes, dreams to reality, coffee to herbs, Lord Akton seeks to capture the listeners’ attention and curiosity, as they embark on an infinite train ride through unexplored worlds.

33 minutes of otherworldly traveling.

Limited to 150 copies.

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Forma

Off / On

Release: 2012 / UK – Original

Genre: Electronic & Dance

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LP | 2012 | EU | Original (Pingipung)

Sven Kacirek

Scarlet Pitch Dreams