Downbeat | Electronica | Leftfield 9851 Items

2LP | 2003 | US | Original (Mush)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limpio Records is a vinyl and digital record label, founded in 2019 and based in Frankfurt am Main. The releases mainly focus on downtempo, organic and slow techno music. The first label release „Seltene Erden“ is a various artists EP, produced by artists that create new ideas of slow electronic and danceable music between 100 and 108 BPM. Our aim is to bring people, nature, cities and music together in a slow and powerful way. All our releases tell a story and are made for the dance floor.

Go to Item

Curse Ov Dialect

Lost In The Real Sky

2LP | 2020 | EU | Original (BMG)

Release: 2003 / US – Original

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Still in shrink but opened with hype sticker. Vinyl is Close to VG+.

Go to Item

Robot Koch

The Next Billion Years

25,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bird Cage: Birdfriend Archives

V.A.

2LP | 2020 | US | Original (EM)

Diasporas Clear Red Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* This compilation, available on CD and double vinyl, features 18 tracks by Japanese artists, from 2013-2017, previously available only on hard-to-find cassettes on the Birdfriend label

* Compiled by Hino, who also provides liner notes and cover art

Go to Item

Ghédalia Tazartès

LP | 2020 | US | Original (Dais)

24,99 €*

Diasporas Black Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally recorded in 1977, following a limited release in 1979, Ghedalia Tazartes debut album, Diasporas, introduced listeners to the surreal, mysterious and truly unclassifiable statement of Tazartes and his out-of-time place in the French avant-garde canon. Born in Paris in 1947 to Judaeo-Spanish parents of Greek descent, Tazartes spent his early career as an autodidact utilizing his knowledge of repetition and collage, coupled with his Ladino linguistic heritage, to create some of the most unique recordings of the late 20th century. Interest in the works of Tazartes truly sparked when artist Steve Stapleton included his follow up album, Tazartes' Transports, in his famed "Nurse With Wound List," thus adding endless curiosity to the folklore behind Tazartes and his mystical entree. From the onset of Diasporas, looping incantations seemingly pile up at the behest of Tazartes. In almost a prayer-like decree, Tazartes chants to the gods in an undefined whail that is both haunting and spiritually divine. Tazartes unique use of tape loops to capture the disappearing traditions of his family's past creates an atmospheric texture that unexpectedly complements his cut-up, manipulated vocal experiments. While contemporaries within the French avant-garde maneuvered academic theory and rigid tradition, Diasporas strays away from these boundaries, working in Tazartes' invented practice of 'impromuz', a method in which he endlessly records for hours and edits only the moments that display any sense of spontaneous enlightenment. Further emboldening the obtuse nature of Diasporas are the seemingly random recitation of poet Stephane Mallarme and the traditional 'Parisian-style' piano accompaniment of experimental composer Michel Chion. Since its initial release over 40 years ago, both Dais Records and Alga Marghen have released reissues of Diasporas in various formats, all of which quickly fell out of print. Dais Records presents an official reissue, newly remastered by Josh Bonati, utilizing the original artwork of Diasporas in its sole album form, for the first time in over four decades.

Go to Item

Ghédalia Tazartès

LP | 2020 | US | Original (Dais)

Music For Film Black Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Jacaszek

LP | 2020 | US | Original (Ghostly Edition)

LP | 1980 | EU | Reissue (Wah Wah)

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Since his earliest projects nearly two decades ago, Polish composer Michal Jacaszek has kept some proximity to film music. Initially, his output simply felt cinematic by nature; densely detailed electroacoustic textures on releases like Lo-Fi Stories (2004), Treny (2008) and Glimmer (2011) evoked dimly-lit worlds within themselves, vignettes of the imagination. Over time his interest in sound design and collaboration would manifest actual film projects and commissions, some of which have earned him awards. Jacaszek's practice - an amalgamation of ambient, classical, and musique concrete - deploys field recordings, acoustic samples, poetry, and baroque instrumentation to paint pictures, oftentimes melancholic, nostalgic, tragic. His 2020 album, Music For Film, marks the naturally-occurring intersection of his identities as a solo artist and a film score artist. The collection is now sequenced and released as a single autonomic movement. "I didn't write to particular scenes," says Jacaszek, recalling the process of envisioning music for Rainer Sarnet's 2017 black-and-white fantasy drama November. "He asked me to create a bunch of pieces for a dark fairytale-like movie about love in old Estonian pagan times - full of dark magic, strange beliefs, poverty, grit, and natural beauty." That versatile purpose from the onset affords the material particular pliability in the album format; the pieces work on their own. Two tracks originated from the 2019 documentary He Dreams of Giants; another was first used in 2008 project Golgota wroc?awska. Context removed, they fuse seamlessly; ten years time between some recordings, erased. A visceral dynamism emerges here with a relatively restricted palette of sounds. Music moves in measured steps, inconspicuous yet holding attention. Opener "The Zone" is curious and brittle, crawling on keys and a foundational bass thump as strings seep beneath in a raspy hush. Centerpiece "Dance" folds into an ominous and molasses-slow trot through minor chords, spacious percussion, and static, all under the spell of a mournful violin lead. Windswept vocals haunt "Liina" from a distance, while they sink deeply into orchestral closer "November Late." Jacaszek's work is that of an auteur; he has signatures that he uses faithfully and with much aplomb. Listeners can expect subtle gesture and baroque grandeur on Music For Films: soaring melodies cloaked in reverberation, delicate piano ruminations, and textural craftwork capable of creating and disrupting motifs, smothering and enchanting minds.

Go to Item

Cultural Noise

Aphorisms Insane

LP | 2020 | EU | Original (Recollection GRM)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two pieces of this record, one per side, being compared by reviewers to works by Zanov or Anna Själv Tredge. Mentions of Tangerine Dream are also present on reviews, although Cultural Noise have a pretty unique personality on their own and besides sharing the use of Mellotron, sequencers and analog synths we have a totally personal concept here which sets them aside from all TD impersonators of the era.

The album was originally released in 1980 on CBS and later repressed in 1981 which came in a B&W version of the sleeve that some sources list as a self release private pressing done by the band themselves - this has been denied by members of Cultural Noise.

We are proud to offer a 500 copies only reissue, housed in its original full colour version artwork.

Go to Item

Bernard Fort

Fractals / Brain Fever

2LP | 2020 | EU | Original (Editions Mego)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

FRACTALS (1981), 21’26

Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac.

Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored.
FRACTALS is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself.
FRACTALS, music pieces sculpted in four dimensions, are vast microcosms that can only be inhabited by the mind. Each Fractal can be approached from several angles, far, near, etc. Some can be listened to at different speeds, forwards or backwards.
FRACTALS: amorphous and endless music pieces whose centre is everywhere and circumference nowhere.

Brain Fever (2017), 18'00

Wherever you may be in the forest of South India, the Brain Fever bird, together with the Seven Sisters, literally gets into your head. Whether it be early morning, daytime, or nighttime, amidst the stridulations of insects, its song utterly reflects Indian life: sonorous, noisy, insistent, dense, overcrowded, mobile, swarming, frantic, overheated, deprived of rest and sleep.
Brain Fever echoes sonic images caught in the Aurovillian forest, near Pondicherry, and rich fragments of improvisations made in Lyon on analog sound synthesis or feedback devices, the kind I used to do in the first GMVL studios.

Brain Fever is dedicated to Sofia Jannok, a musician and sàmi singer.

Go to Item

Electric Indigo

Ferrum

Something Of What We've Lost

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ferrum is a large-scale exploration of inharmonic timbres, oscillating between brutal grinding textures and intricate percussive singularities, created by digitally transforming recordings of various metallic objects.

Susanne Kirchmayr's new album takes a close personal look at the spectral richness of iron and other metals, in various shapes and sizes, recorded, processed and arranged to a carefully curated selection of musical miniatures. Some of the results are an obvious nod to her Electric Indigo DJ alias, music that could be played on the dance floor of an alien cargo ship, both highly familiar and foreign at the same time. Others offer almost steady-state like meditative qualities, vibrations from deep within, on a sub atomic level, full of light and motion on the tiniest possible scale. The limitation in material opens up a seemingly unlimited world of colours and rhythms, oscillating, resonating and highly immersive.

Go to Item

Renee Van Trier

12"+7" | 2020 | EU | Original (Caf?)

14,99 €*

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Renée van Trier is a transdisciplinary artist that mourns the loss of the comfort of disconnected life. Her songs will soothe our anxieties, heal our torments and make us smile for weeks. The fifth CAF? release is skipping between genres such as songwriting, punk, breakcore, jungle, hardcore, and parody.

Go to Item

Giuliano Sorgini

Elettroformule

28,99 €*

2LP | 2020 | US | Original (Temporary Residence)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.

Go to Item

Field Works

Ultrasonic

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2020 | EU | Original

404

10,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original

Insanity Check

Unrecoverable Reality

2LP | 2014 | UK | Original (Brainfeeder)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded in Helsinki 2014-2018

Go to Item

Teebs

E s t a r a

22,99 €*

Release: 2014 / UK – Original

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 2017 | DE | Original (Monkeytown)

Siriusmo

Comic

Release: 2017 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 1988 | EU | Reissue (Fortuna)

Raviv Gazit

12" | 2020 | EU | Original (Vessel)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fortuna Records return with an exceptional reissue of a mid-80s early electronica LP by keyboardist Raviv Gazit. The album was composed entirely on the Synclavier synthesizer in the basement of the Tel-Aviv University in 1985. Gazit was ahead of his time composing cold yet blissful electronic music for film and theatre which he later released as an album. An unexpected yet extremely welcome addition to Fortuna's killer catalog.

Go to Item

Miris

In Omelas

Marsicoditrapani (Maurizio Marsico & Stefano Di Trapani)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Miris injects a drummer’s finesse and human timing into the arena of machine generated sound and humming electronics. Equally formidable for the adventurous DJ as for contemplative home listening, Vessel is proud to present ‘In Omelas’ as the debut EP from Melbourne’s Miris. Vital Sales Points: ‘In Omelas’ is the debut solo EP from Monty Hartnett’s electronic project: Miris. Hartnett is an Australian drummer based in Melbourne, well known for his work in Ambient, Art Rock and Dream Pop bands such as Sagamore, Sleep Decade and Dreamin’ Wild. ‘In Omelas’ sees Hartnett experiment with drum machines and synthesis to full effect.

Go to Item

Greatest Nots

LP | 2020 | EU | Original (Plastica Marella)

26,99 €*

LP | 2020 | EU | Original (Pingipung)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sooner or later it was bound to happen. They are those unforeseen occurrences that suddenly and unexpectedly appear inside your auricle that make the history of Italian music. “History” with an incorruptibly lowercase “h”; because it’s the fact that it’s lowercase that changes our cultural existence. That unanticipated oversight that comes bursting through, that unwanted error that rises up with absolute certainty. The minimum common divisor that becomes huge in the mainstream imagination. Inside or outside. With or without. It is or it isn’t. The philosophical garbage heap for the underclass perpetually suffering from symptoms of withdrawal from everywhere and anyway.
Maurizio Marsico, the magnificent mistake of Italian music. An absolute master at running decades of contemporary music through the spin cycle in the pressure cooker of post-modern madness. Inadvertently. Since the end of the seventies, he has been silently leading the way for Italian cultural processes, giddily masturbating them and tossing them to people who are hungry but have no digestive apparatus, aimlessly displaced in the outskirts of nothingness. From Milan to New York. Almost always with no return.
Then there’s Stefano Di Trapani, the absolute presence of the “other cultures” that have traversed the first twenty years of the 2000s. Without Di Trapani (often masquerading under the pseudonym “Demented Burrocacao”), Rome would have failed to dictate forms and methods within the architecture of international sound. He is an absolute manipulator of compliant thought and a declared destroyer of the planetary rules of sound. He is also a member of the cultural underclass in the wretched realm of absolute certainties. Together they created The Greatest Nots, an encyclopaedic crib sheet of what was, is and will be missing from Italian music. A Hahnemann-esque project where forty years of splinters of Italian music have been diluted and dynamised. A homeopathic process carried out by two alchemists who are totally unaware of the processes that led to the creation of the homunculus, settling for just his hearing apparatus and his hypothalamus. Like modern butchers, they offer us the rotten meat of Italian music, blood and fat to feed the proletariat crushed by contemporary simultaneity. Everything is so that everything returns, in distorted yet fascinating and obsessive forms. Things that make the “newness” we’re drowning in look like the sludge extracted from the sewers of a modern psychiatric facility. Nothing will be as it was before because what there was before never existed.
All this is contained within an eye-catching extendable cover illustrated by Enrico Infidel D’Elia and Simone Tso. Inside you can find a record telling you about everything you’ve missed over these years of pointless sound existence. Amen.

Go to Item

M.Rux

Vermonische Melodien

March Of The Imbecile / Love From The Astroplane

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vermonische Melodien is a collection of compositions by DJ-producer M.RUX, made with old VERMONA machines from Eastern Germany. The nine Electronica tracks can’t conceal their influences from Exotica records of the 1960s as well as their fondness for vintage music technology. We hear voices singing lullabies (“Magische Time”), mumbling chopped up syllables (“Seelnatrax”) or reciting a Shakespeare quote (“Bakelit”) - are they real? Yes! But they are mostly generated by the world’s first speech synthesis hardware, the IBM 704 from 1954, and processed into off-key melodic beauty with vocoders. "I’ve always been curious about musical visions from the 1970s", says M.RUX about his inspiration for Vermonische Melodien. "Those nifty Vermona machines can today be seen as future machines from the 1970s. They seem almost mystical to me. Like relics from an epoch long ago… and I wanted to find out how music from that time could have sounded." On the album M.RUX uses, above all, equipment by Vermona, a brand from Eastern Germany manufacturing electronic musical instruments until 1990. The drum machine VERMONA ER-9 (1976) was the first instrument M.RUX ever possessed. It forms the rhythmical backbone of his studio on this record. The melodies on the other hand have mainly been played on a Vermona Formation-1, a suitcase synthesizer from 1980. Although these two machines are joined by countless other instruments and effect units, their particular soft sound is present in every single moment of this soothing album. "I also take a deep bow to the late Reinhard ‘Lacky’ Lakomy", M.RUX adds. "His releases were the first electronic instrumental records on the Amiga label which has been a huge influence for my work in general and this record in particular." M.RUX has appeared as a solo producer with his “In the Hold“ EP (2016) on his own YNFND imprint. Before that he had become famous for his edits which gently transform songs by Nina Simone, Townes Van Zandt, Tom Zé and many more into slow, dancefloor-ready gems. Pingipung is proud to present this first full-length album by M.RUX. He is not only a talented multiinstrumentalist and original producer but also a skillful remixer - as he has shown twice to the Pingipung audience in the last two years with his touches on Umeko Ando’s Ainu folklore songs.

Go to Item

Leisure Connection

7" | 2020 | EU | Original (R=A)

10,79 €* 11,99 € -10%

12" | 2016 | NL | Original (Delsin)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A pair of high voltage fairy-tales from the ever psychedelic Leisure Connection crew (responsible for the classic frolicking, sloth adorned Jungle Dancing No 'Label' 12" back in 2013) . With twists and turns a plenty along the way - everything sounds gloriously badly wired and sparking. Big. Recorded in Los Angeles. Mastered by the Bastard.

Go to Item

Gunnar Haslam

Athabaskan Languages

9,99 €*

12" | 2020 | EU | Original (Internasjonal)

Release: 2016 / NL – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM

Go to Item

Anton Klint

Gitts EP

7,14 €* 10,99 € -35%

DJ Marcelle & Another Nice Mess

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Anton Klint has been on our radar for a good 10 years now with killer releases as Tiedye on Italians Do It Better, and under his own name on Public Possession, 2MR and Hivern Discs just to mention a few. Since 2016 he’s also been running the label Tryck & Ton together with his old Tiedye sparring partner Edvin Edvinsson. We’re psyched to have him onboard and we hope you are to!

Go to Item

Everything Not Yet

10" | 2020 | EU | Original (Jahmoni)

The Dark Side Of Underground

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Marcelle arrived via punk, post-punk, avant garde and dub and lives by the independent, forward-thinking spirit inherent in those scenes. "Everything Not Yet" is Marcelle’s ninth vinyl-only release for Jahmoni Music from Munich and follows on from last year’s ‘One Place For The First Time’ which swiftly sold-out and is now onto a repress. The 10" vinyl is released alongside her latest album "Saturate The Market, Now!" featuring a shorter album-cut of ‘Everything Not Yet’ among nine other tracks. So are you sitting comfortably? Well Marcelle would prefer if you weren’t. Because this is music for misfits to move to. The very opposite of business techno. A missive from a cult DJ with an enviable record collection and a fearless artist who couldn’t give a flying fuck about dance music norms. Saturate the market with pure energy – let’s do this!
Seb Wheeler, Mixmag

Go to Item

Comado EP

12" | 2020 | EU | Original (Twilight Enterprise)

10,49 €* 13,99 € -25%

Alchemy Gold Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rudolf (Mr. Tophat) and Jac (Skycity) team up for this weirdo-acid-filled collaboration. Two straight up danceable quirky-cozy-basement-club tracks. London, New York, Berlin, The comado Ep is here!! Limited vinyl only edition.

Go to Item

Tara Nome Doyle

LP | 2020 | EU | Original (Martin Hossbach)

Tape | 2020 | EU | Original (Gang Of Ducks)

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The first press is limited to 500 copies. The complete lyrics are included exclusivly on the vinyl edition. Alchemy is the debut album from 22-year old singer-songwriter Tara Nome Doyle, following the singles Heathens, Neon Woods and Mercury. Doyle’s 2018 EP Dandelion, featuring her breakthrough-hit Down with You, has so far amassed nearly two million streams. Recently, two of her songs featured in Sophie Kluge’s feature film Golden Twenties. Doyle is a member of Kat Frankie’s choir on whose a capella EP she features. The concept album was recorded in large parts with David Specht (bass player and producer of Isolation Berlin) and Doyle's newly founded band in Berlin. Specht remains reserved, keeping the band in check. It’s the interiors that we should hear – acoustically, but also thematically. The drums sound more like a knock on the window pane than the city noise outside the door, the guitar controls the harmony and not the power supply. The first instrument remains Doyle’s voice, which is always working and is looking for a way. Inward, outward. All songs were written by Doyle, for the arrangement for »Neon Woods« she worked with Max Rieger (Die Nerven, producer for e.g. Drangsal and Ilgen-Nur).

Go to Item

Camarades Breton

12,99 €*

12" | 2020 | EU | Original (Puu)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The album will be released in a cassette format to encourage an uninterrupted listening, as suggested by the producer. For the same reason it will
be released into just two continuous tracks in the digital version as well.
The album has been entirely recorded by the artist at home, using only a CMX-5000 CD-J, a twin CD-mixing system rack distributed by Pioneer at the beginnings of the 2000s, and an old two-channel mixer he has been using since childhood.
Recordings started in a very instinctive and naif way, by simply putting together two very short loops taken from two different sources, just
for the fun of it. Quite soon however, this extremely simple technique turned into a proper method highlighting a constant struggle between two different forces. As a result of a constant shift of tempo and pitch, the two inputs rarely fit together perfectly. This conflict awakens the producer's vision, turning this clash of sounds either into an emotional struggle, in tracks such as Stella, or into a political struggle, like in the B-side opening track NoTav which, through the costant tension between the two audio sources, evokes the recent fight against the construction of theTurin-Lyon high-speed railway line that is causing huge social and environmental damages.
The sounds get hijacked and given a new meaning, mostly in a contradictory way, giving life to the sounds beyond their original sources.This method can be compared to that of the détournement, as Situationist Guy Debord named it.
The choice of using old material has political reasons as well. Feeling unconfident in producing new sounds in a consumerist and over- polluted Western world where culture has reached a saturation point, the artist decides to recycle some of the sounds recorded in the last fifty years, randomly picking bargain second-hand CD's or taking them away from the dust at people's places.
The artwork of the album, made by the artist himself, integrates the conflictual contrasts of the record, juxtaposing a photograph of the 1962 Algerian women's demonstration for Independence with a photograph of the May '68 Paris streets riots – two different struggles with a common revolutionary feeling.
French director Jean-Luc Godard once said that "you need to put together two images to let things happen". This is probably the best explanation for how this album has been recorded, treating two sound sources as if they were images, waiting for something to finally happen.
The album will be released in a cassette format to encourage an uninterrupted listening, as suggested by the producer. For the same reason it will be released into just two continuous tracks in the digital version as well.
Born in 1989, Stefano Murgia alias Camarades Breton is a producer and D.J. from Turin, Italy. Overly bored by the musical theory lessons he took as a child, pretty soon he starts experimenting with tape recording in his room and playing in a band. Deeply rooted into the underground scene of his hometown, he is currently working on different projects concerning music, film-making and editorial stuff, with a DIY approach.

Go to Item

Nick Araguay

12,99 €*

Tape | 2020 | EU | Original (Sucata Tapes)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nick Araguay is born in Paris and lives in London.
Not much is known about him.

Go to Item

Ubek

13,99 €*

Reveal, Accept, Remember, Forget

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ubek returns. The mysterious Polish duo digs out a new collection of degraded echoes, salvaged from authority. Galvanised as if lost to the shock of formal experiments. Ubek II revises the present and takes us back to other versions of actuality.

Go to Item

Prophetas

Tape | 2020 | EU | Original (Sucata Tapes)

13,99 €*

10" | 2020 | EU | Original (Emika)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Inspired by visionary/paranoid cult figures, gurus with delusions of grandeur, lonely and indiosyncratic figures as symbols of hope/despair for the uncertain times of the new decade. Starting with ideas develloped in the mid 50’s: UFO paranoia, suburbia, lemuria, space race and going all the way to 80’s excess, mall culture, collective consumerism, future memories finalizing laying the ground work for the new fake prophets of the 21st century, in the guise of silicon valley type bosses, Apple, Facebook - the new cults - all filtered through an overused 80's broken lens. Living and repeating the exact same age of dystopia paranoia as ever, Reveal, Accept, Remember - and Forget.

Go to Item

Emika

Dilo Variations

Klavirni Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dilo Variations EP (not released previously before on vinyl) will come as part of the Emika Records 5 year anniversary releases during Spring 2020.

Go to Item

Emika

LP | 2015 | EU | Reissue (Emika)

LP | 2020 | US | Original (Friends Of Friends)

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A very sweet release, I love the scores you get with the vinyl” – Wolfgang Zamastil (composer/cellist)

Go to Item

Somni

Home

19,99 €* 24,99 € -20%

7" | 2020 | EU | Original (Activ Analog)

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Taking influence from home recording, beat tape production and psychedelic West Coast soul combined with intimate, homespun songwriting and experimental instrumental arrangements; UK born, LA based Somni is set to release new album 'Home' via Friends of Friends Music on 27th March 2020. Leo Shulman aka Somni moved to Los Angeles from Hampshire, UK with his family when he was eight years old. From a family of mostly classical musicians - his father Andrew Shulman is a notable session and concert cellist (LA Chamber Orchestra, LA Philharmonic, Britten Quartet, London's Philharmonia Orchestra) - he studied classical guitar from a young age, also learning drums, bass and piano. The album features an array of instrumentation, from the common: acoustic guitar, upright and electric bass, drums, synths; to the more exotic: kalimba, melodica, zither, toy piano, and accordion, alongside field recordings and cassette tape manipulation. Both in narrative and in wordless harmony, Leo's vocals across the record are pitched and manipulated adding a further layer of otherworldliness. Inspired into songwriting by artists like Elliott Smith, Modest Mouse and Cat Power in his early teens; inspiration from the LA beat scene, notably Low End Theory, and artists like Amon Tobin, Portishead, J Dilla, Flying Lotus and Shlohmo brought together a fitting collision of these two worlds in his own music.

Go to Item

Wave Shaper

11,19 €* 13,99 € -20%

LP | 2020 | EU | Original (Editions Mego)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wave Shapers's approach to electronic music entails the collection of field recordings and foley sounds blended with sequences and live playing of synths over multi tracked backgrounds consisting of the blended captured sounds, all to create a free form escape for the listener. A form of auditory meditation/contemplation as the eventual goal. Enjoy!

Go to Item

Jasmine Guffond

Microphone Permission

16,79 €* 20,99 € -20%

LP | 2020 | US | Original (Important)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Editions Mego releases the new album by Australian producer Jasmine Guffond. Developed over a two year period, Microphone Permission is an unsettling musical journey utilising contemporary tools of communication to display Guffond’s ongoing research into online surveillance and sound as a method of investigation.

Source material on Microphone Permission are from various projects Guffond has been working on; a commission to sonify the data of the city of Melbourne, a dance performance about the future sounds of an extinct forest, an installation that sonifies Twitter meta data in real time, a job as a composer for a theatre work about music and feminism by five young female identifying performers in Western Sydney and a site specific installation at the Linachtalsperre dam that employed the harmonic frequencies of electric currents.

The results are a stark, brooding, disorientating journey into a paranoid musical field that sits somewhere between ambient club music and a dystopian soundtrack. Elements of techno, classical music and sound art form a dark intriguing masterwork that questions the nature of invasive, algorithmic and computational listening practices.

For example Microphone Permission refers to the consent we routinely give when installing various apps. onto our smart devices. Inspired by a 2018 scandal in which fans of Spain’s most popular soccer team were effectively turned into unwitting spies by granting the La Liga application microphone permission. No matter which make or model, all smart devices are built with a microphone that is by default, forever listening. Listening in these situations often takes on an algorithmic form that enables tech developers to bypass public response to what is intuitively considered invasive practice, that is, traditional modes of eavesdropping such as using the microphone to listen and record audio.

Go to Item

NYZ

Millz Medz

LP | 2020 | EU | Original (Alter)

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lose yourself in the circuitry of the original 1965 Buchla 100 with NYZ (Dave Burraston) as he utilizes Barbara Hero's Lambdoma tuning theories to create two slow, deeply layered, subconscious, organic and meditative compositions.

David Burraston is an award winning artist/scientist working in the areas of technology and electronic music, operating Noyzelab as an independant art/science music studio since 1981. His experimental arts practice encompasses field recording, landscape-scale sound art, chaos/complexity, practice-based research, sound synthesis and electronic music. He performs, lectures, conducts workshops and creates art installations in Regional NSW and around the world. David also designs and builds sound synthesizers based on his theories of chaos/complexity science. He was recently interviewed by Bandcamp Daily and The Wire Magazine.

David has worked with many diverse collaborators such as Aphex Twin, Chris Watson, Doug Quin, Russell Haswell, Robin Fox, Oren Ambarchi, Sarah Last, Cat Hope, Garry Bradbury, William Barton, Alan Lamb, MIT Media Lab and the Australian Broadcasting Corporation. In 2014 he independently published the legendary "SYROBONKERS!", the most technical and in-depth interview ever given by Aphex Twin.

Recorded at Center for Contemporary Music, Mills College, Oakland, CA, USA on 5th April 2015
Mixed and arranged at Noyzelab, NSW, Australia between July 2015 & Febuary 2016
Sound Source: Noyzelab 4 Voice Digital Microtonal Oscillator
Processing: Buchla 100 Modular Synthesizer

NYZ's split 12" with ELEH will be released at the same time as Millz Medz and both records are available in a first pressing of 500 copies.

Go to Item

Container

Scramblers

LP | 2020 | EU | Original (Possible Motive)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Container is the project of American noise veteran Ren Schofield, originally from Providence, Rhode Island, and now based in London. Container first appeared at the turn of the decade with a slew of freakish tapes for various small labels. In wake of thesereleases, Editions Mego offshoot Spectrum Spools –run by old friend John Elliott of the band Emeralds –took the punt to release his debut LP, a collection of mutated Techno tracks simply titled ‘LP’. The record gained attention quickly in the Electronicmusic scene largely thanks to Schofield’s unique production style that separates him from forms of conventional dance music. Whilst the music of Container sits perfectly fine within the genre and is functional enough to blow apart the walls of any club, years on the US noise circuit have given Schofield’s brand of techno a rawness and direct intensity that stands out in the club and crosses over into other sub-sections of the underground. His modest set up of Roland MC-909, a four-track porta studio and anarray of pedals allowed him to hone his scuzzy and bewildering beat music over the years, leading to three more well received, and literally titled, LP’s. Over this time period Container also released some EPs on Morphine, Liberation Technologies and Diagonal, did a variety of remixes for acts likeFour Tet, The Body, Panda Bear and Fucked Up plus maintained a healthy touring schedule that reached over every continent. His exhilarating live show has hit pretty much every major electronic music festival andclub in Europe, as well as tours and gigs with a diverse range of acts such as Wolf Eyes, Zola Jesus, Daughters, Pharmakon and Ryley Walker.Almost a decade since his debut, Container arrives on ALTER with his first non-”LP” titled album called ‘Scramblers’. The title taken from both a Baltimore street drug and a Rhode Island Diner he used to eat at with his father. Schofield elaborates: “The juxtaposition between these two Scramblers is a great one. I wanted to pay homage to a nice name that lends itself to both depraved and wholesome contexts and do my part to carry on the tradition.” The eight tracks have their origins in live performance and a more high-octane delivery is noticeable when compared with previous Container albums. ‘Mottle’ sits in a mysterious zone between the productions of EVOL and early Ruff Sqwad. Fierce electro cuts like ‘Trench’ and ‘Nozzle’ work alongside the nauseous slink of ‘Duster’, which in typical Container fashion morphs into a frenzy in no time. A frenzy which may be linkedcosmically to the fact that ‘Scramblers’ was recorded, mixed and mastered in one day, reinforcing further his unorthodox and fun approach to club music.

Go to Item

Moisture

Substance

LP | 2020 | US | Original (Stones Throw)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Substance, the second album by producer Moisture, sets out to deliver an immersive tech-noir fantasy of emotional and physical deconstruction. Inspired in part by William S. Burroughs 1959 novel Naked Lunch, the conceptual narrative of the album follows a humanoid subject through an urban landscape and the exploration of its depravations.
Sampling and filtering sounds from other music, movies and own field recordings, the tapestry of Substance is a three-dimensional world of hard industrial spaces and fluid organic matter. While its conception is rooted equally in literature and film as well as music, one can draw comparisons in particular to Barry Adamsons 1989 album Moss Side Story, in that it also works as a chronological narrative; the tracks aligning to make a world of its own.
And while Adamson was aiming to create an imaginary soundscape of his native Manchester, the geography of Substance is based on the city of Malmö. Using field recordings from its city streets, the album paints a rain soaked, neon-clad portrait of the city's hedonistic nightlife.
On the opening "The Marketplace" we are teleported to Bergsgatan at night (the track title a subtle nod towards Eden Ahbez 1960 song of the same name).
This introduction is similar in line with the experience Burroughs once had in 1957 upon entering Malmö for the first and only time, which he details briefly in Naked Lunch: "averted eyes and the cemetery in the middle of town (every town in Sweden seems to be built around a cemetery), and nothing to do in the afternoon (...)"
This image of Malmö portrayed with dread and loathing holds a longstanding narrative tradition over the cultural geography of the town. Yet it is often paired with an image of great promise and bohemian splendor, seemingly a paradox but often perversely intertwined. This duality has always been a vital mindset in the underground music scene of the town and its illegal after hours clubs. Substance is a work steeped in the grayscale prism of techno and its post-industrial fetischism. Yet in picking it apart, one can find elements of everything from post-punk, drum & bass, trip hop and new age.
The theme of depravation that soaks through Burroughs Naked Lunch seems oddly befitting to this side of Malmö (one wonders what the author would have made of it had he stayed longer) Through rhythmic excursions and the exploration of repetition, the tracks of Substance are arranged to convey this self-destructive longing for depravity. Michel Foucault's ideas on limit experiences serves as context for this peculiar form of endeavour, as he puts it: "the point of life which lies as close as possible to the impossibility of living, which lies at the limit or the extreme".

Go to Item

John Carroll Kirby

My Garden

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CEL (Felix Kubin & Hubert Zelmer)

CEL

LP | 2020 | EU | Original (Bureau B)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Milkteeth Clear Vinyl Edition

Douglas Dare

LP | 2020 | EU | Original (Erased Tapes)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Milkteeth Black Vinyl Edition

Douglas Dare

LP | 2020 | EU | Original (Erased Tapes)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Aidan Baker & Gareth Davis

Invisible Cities II

LP | 2020 | EU | Original (Karl)

LP | 2020 | EU | Original (Karl)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A download code is included. Aidan Baker (Nadja, B/B/S) and bass clarinetist Gareth Davis continue their fruitful collaboration with „Invisible Cities II“ five new tracks of finest ambient / chamber jazz / subtle drones of a highly meditative quality.

Go to Item

Richard Muhal Abrams

Celestial Birds

LP | 1988 | EU | Reissue (Libreville)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A download code is included. The compilation “Celestial Birds” reveals and focuses on the widely unkown electronic compositions of the AACM founder and jazz pianist Muhal Richard Abrams. #5 in the Perihel Series, curated by zeitkratzer director Reinhold Friedl.

Go to Item

Mega Wave Orchestra

24,99 €*

LP | 2020 | EU | Original (Alien Transistor)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Libreville Records is proud to present a focus on legendary electronic swiss project Mega Wave Orchestra in the form of a compilation LP including unreleased material.
Originally released privately in Geneva in 1988 as a box set containing five LPs by The Mega Wave Orchestra and five prints by the artist H. Richard Reimann.
The Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music big-band. It was comprised of seven multi-instrumentalists Christine Schaller, Vincent Barras, Jacques Demierre, Olivier Rogg, Rainer Boesch, Roger Baudet, and Benoit Corboz, with Oestreicher as arranger and producer.
The Mega Wave Orchestra created a new hybrid music. It was a music with roots in the jazz and classical traditions, but one which also drew on the sonic freedom of musique concrete and the kind of total experience offered by psychedelia. The diverse backgrounds and specialisms of each of the band leaders/writers resulted in a wide variety of music across the five discs: from austere drones and granular aural detail to warm oddball fusion and gorgeous but cracked vocal jazz.
There are useful contemporary comparisons to be made: zoned synth jazz like the Azimuth LP on ECM or Karin Krog’s Freestyle; Larry Heard’s sequencer dreamtime; the Valium minimalism of Pep Llopis or Jun Fukamaki; Dexter Wansel’s shimmering arrangements for Loose Ends, or even the FM sheen meets cold war threat of Donald Fagen’s Night Fly. Here, too, is the sound of music technology about to snowball and define its own aesthetic, unknowingly prefiguring auteurish bedroom producers like Black Dog or The Detroit Escalator Company.
Lovely crafted tip-on sleeve. Remastered from Master tapes. 500 copies.

Go to Item

Saroos

Olu

NGHTCRWLR A.K.A. Kris Esfandiari

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Deliberately breaking all the rules Mr. Hornby once famously outlined regarding the creation of homemade (tape) compilations, Saroos’ members indeed had the term “mixtape” on their minds while working on their latest full-length – albeit in the hip-hop sense: a sonic snack box, interconnected shots from the hip, something that just came together and immediately felt right.
Whereas hip-hop folks nowadays often use the vacuous term “project” in order to steer clear of the ontological debate caused by the almost synonymous use of album/mixtape, Florian Zimmer, Christoph Brandner, and Max Punktezahl, otherwise busy with The Notwist, Driftmachine & Lali Puna, stick to the classics: their new 16-track project “OLU” (Off Label Use) is, officially, still an album. But it’s wild and vibrant like a mixtape, interwoven like its cover: a seamless burst of ideas, impulsively combined to form a split-screen snapshot of recent moments and momentums.
Re-appropriating the term “Off Label Use” – which actually means: using prescription drugs in ways that aren’t mentioned on the instruction leaflet – in their own “off-label” way, Saroos never sounded more loose-limbed and elastic. Whereas the trio’s earlier releases were rather conceptual and homogenous, “OLU” indeed has a more loose, spur-of-the-moment feel, a spontaneous force at its core. Checking the weighty sci-fi inspirations at the door, they use that Bomb Shelter-type of freedom to reinvent themselves at every turn, chasing sounds that happened to emerge in the group’s triangular energy field.

Go to Item

Let The Children Scream

12" | 2020 | EU | Original (Amniote Editions)

14,99 €*

12" | 2020 | EU | Original (blundar)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

NGHTCRWLR is the latest embodiment of NYC based Iranian Artist Kris Esfandiari. After a decade of fronting monumental Relapse & Sargent House affiliate King Woman, Kris now shape-shifts into her latest impulse. NGHTCRWLR: a hybrid of expressions; erupting into a slithering mass of noise, industrial, and 808’s. This debut sonic mutation contains the familiarity of Dean Blunt’s aplomb cadence twisted with the electronic jolt of The Prodigy.

Go to Item

Lowtec

Untitled

16,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2020 | US | Original (L.I.E.S.)

Ron Morelli

Laugh Taker Remixes

15,99 €*

Psycho Romance And Other Spooky Ballads

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition 300 copy white label only release.
Crushing remix pack for Ron Morelli's "Laugh Taker" track which came out on his 2018 Hospital Productions LP "Disappearer" Mick Harris (Scorn, Fret, Downwards), Parrish Smith, and Overlook all contributing heavy versions of the track. TIP!!!!

Go to Item

Men With Secrets

LP | 2020 | US | Original (The Bunker New York)

12" | 1999 | DE | Original (Unique)

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sometimes you want something so badly you don't even know to ask for it in the first place. Like Adam and Eve stumbling upon the fruit of knowledge — or psychedelic techno wizards Donato Dozzy and Retina.it (aka Lino Monaco and Nicola Buono) producing a pitch-perfect, vintage-styled minimal wave record, filled with icy synths, shuddering bass, and anthemic vocals, sounding like a lost gem unearthed from 1982 for the first time.
Except it's not — this record is brand new. The three Italians first came together under the moniker Le Officine Di Efesto, releasing an EP of murky left-field techno on Dozzy's own Spazio Disponibile. They quickly discovered a shared love of classic post-punk, wave, and synthpop, and not long after, Men With Secrets was born.
"Men With Secrets" might sound like an old-school synthpop act you've never heard of, but the name is actually borrowed from Richard Bone, an early New York electronic musician and minimal pop pioneer. The trio's name is but one of their many homages — Cabaret Voltaire, The Human League, New Order, and even Dopplereffekt are additional reference points — but this album is neither imitation nor rehash. It's just as carefully and ingeniously produced as you'd expect a record from Donato Dozzy and Retina.it to be, except it's filled with poppy hooks so brilliantly catchy they'll stick in your head until you hit 'Repeat' and find yourself singing along.
These Men With Secrets clearly have their tongue placed firmly in cheek: check the record's title and artwork for proof. But the music is deadly serious. The drums hit hard, the synths soar to emotional heights, and the vocals intone rhythmically. All of it's coated in the warm fuzz of analogue tape. Not many records on The Bunker New York are as likely to be played in goth clubs as they are by adventurous techno DJs, but then again, this is not your average Bunker New York record.

Go to Item

Matthias Arfmann

Home Stranger

2,49 €* 4,99 € -50%

Release: 1999 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 2020 | JP | Original (Ethbo)

Omochi

Devil / Happy Moment

12" | 2020 | EU | Original (Numbers)

Release: 2020 / JP – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Omochi’s debut single, Devil is an amorphous urban lysergic bass-pop expulsion. A motorbike ride through late night Tokyo, headlights and neon ooze across wind battered eyeballs. A sudden lurch takes the ramp up to the overpass, revealing the electrified vista. With a dime bag of psychoactive tweaks and bleeps, a foraging bassline - a Billy Cobham on K. Dial-ups cry out to connect, once the signal catches, it's moved out of view, as the organ mourns the hint of dawn on the horizon.

A Happy Moment: percussive spasm, bass once again lurches, unfolding. Omochi’s lyrical push-me-pull-you phased out vocal, the drum machine falls down the stairs, while church organ goes secular, concentrating on the notes outside - mind your pews and Qs.

Omochi, (honorific “O” before mochi - show some fucking respect) in daily parlance is actually a rice cake, a dense glutinous product suited to many recipes, be they sweet or savoury. Stick one under the grill, watch it burst open, wrap it in crisp seaweed and dip it in soya - a healthy snack, and a staple around Japanese New Year. Like everything, Omochi also has its dark side - each year it kills off a small section of the aged community, the gluey bolus a hard act to swallow - the unwary can quickly choke to death.

So maybe Omochi's music is best to sample in small chunks initially? Could be too much for the uninitiated? A 7” might be a safer initial taste of what Omochi is going to do to your brain - there's an album on the way - could be time to stock up on soft furnishings.

Omochi is in fact Tadaki Matsunaga, of early 2000s Tokyo three piece Femini Flyers. The Feminis were Tadaki (bass), Sachie (vocals) and Koji (drums). Their 7” single “Like You See” / “Masterbed” was an early Ethbo release - the most requested track from Japan Blues’ Boiler Room Collections video, since it was first aired, way back in 2014. Since that recording, Tadaki has built, and been working in, his home studio. Devil and Happy Moment are a hint of the album that Omochi has ready. Grill-ready - wanna bite?

Mastered by Kuratani, pressed at the only independent record pressing plant in Japan: Toyo Kasei. Housed in psychoactive sleeve and label artwork by Mishumaro Nakamura.

With airpay support from Ben UFO, On The Wire (BBC),
Do!! You!!! (NTS) and Japan Blues (NTS).

Go to Item

Perko

The City Rings

12,99 €*

2LP | 2020 | EU | Original (Analogical Force)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Taking inspiration from the open spaces, noise, and density of his adopted city Copenhagen, Perko follows up the acclaimed ‘NV Auto’ EP with new music that yields maximum impact via minimalist principles.
Across the record’s eight tracks, rhythms are reduced to their most essential components. There is no wastage, just pure precision and skeletal funk juxtaposed with microscopic melodies. Embedded across the entirety of the release are the sounds of the city. Listen carefully and you’ll hear recordings of his friends and their local neighbourhoods, with the city becoming a bed of sound.
‘Stutter’ melts these influences into quick-footed vaporous electro. On ‘The Reason’ Perko strips away the CSI synced excesses of drum n bass and synthesises percussion from samples of Stevie Williams skating at Love Park.
‘Grounds’ is a collaboration with Australian DJ / Producer Lia T, and stems from an exchange of field recordings between the two. These recordings became the core of the track, before Lia laid down additional synths. This all bleeds away into ‘Luna’, which connects gently cascading melodies to the urban landscape.
The record closes with ‘Pippin’, which comes in two versions. The grime concrète of the ‘Version’ oozes feelings of creeping dread and nightmarish bass stabs. The original takes the stabs and merges them with his take on the steppers’ riddim.
In Perko’s world, introspective and breakneck electronic music share the same space, mirroring the complexities of the city around him.

Go to Item

RTR

Planetx

26,99 €*

LP | 2014 | EU | Reissue (Running Back)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

BRAINDANCE ALERT! Do you know what RTR means? Just RTR.

Go to Item

Suzanne Kraft

Missum

15,99 €*

LP | 2020 | EU | Original (Morr Music)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2020 repress.

Go to Item

Robin Saville Of Isan

Build A Diorama

LP | 2020 | US | Original (Students Of Decay)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

ISAN’s Robin Saville reveals an ambient album, which merges the Electronica aesthetics of his main project with field recordings, drones and acoustic instrumentation.

A lot of things have been written about what happens to the mind when the body starts moving. Instead of reciting poems of the inevitable self-help books, let’s get straight to the point: For many, taking walks on a regular basis is both liberating and empowering. It is not necessarily so much about the exercise, but rather finding one’s own rhythm in life. Robin Saville – of ISAN fame – is such an ambler His walks inspired him to base his third solo album – his first one for Morr Music – on the out of the way places he came to see and experience while being out and about.

Clocking in at just under 40 minutes in total, "Build A Diorama" is both a subtle culmination and a poignant antipode to what Saville has achieved together with Antony Ryan as ISAN. While the aesthetics might seem similar in places, Saville opts for a decisively different pace when it comes to writing and producing. Progress is steady, and change, however, is slow – like looking at a diorama for a long period of time in the ever so slightly changing light or as a flaneur focussing on one particular spot, a found object so-to-speak, waiting for the mind to orchestrate it appropriately, giving it sense and meaning.

Built around quiet field recordings, Saville’s six compositions transform this highly personal and, therefore, difficult-to-convey experience into a comprehensible exploration of beauty. Where ISAN almost exclusively uses electronics, Saville deliberately expands this well-established palette with acoustic instruments like bass guitar, chimes and glockenspiel, aiming for an even more suitable musical manifestation of what the walker sees and feels once he fully engages in his passion. Ranging from blissfully pulsing pads allowing for complete associative freedom ("The Deepdale Halophyte Economy") to the playful minimalism of an orchestra dominated by busy bells ("Bosky"), Saville’s "Build A Diorama" is not just a valuable addition to his musical output, but an essential audio guide for those striving to explore, learn and understand.

Go to Item

Crys Cole

Besde Myself

David Toop And Paul Burwell

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Beside Myself is the second full-length release from Canadian sound artist crys cole. Known to many through her extensive collaborative practice with artists such as Oren Ambarchi, Leif Elggren and James Rushford, in her solo work cole uses contact microphones, voice, simple electronics and field recordings to create sonic environments that linger uneasily at the threshold of perception. Demonstrating how cole’s work has developed and deepened since the relative austerity of her first solo LP Sand/Layna (2015, Black Truffle), Beside Myself offers two lushly immersive side-long pieces that explore ideas of compositional drift.

'The Nonsuch' is inspired by the aural hallucinations experienced in the hypnagogic state during the onset of sleep. Opening with scratching contact mic textures and unintelligible vocal murmurs, the piece threads together live and studio performances with field recordings of urban environments to create a texture that is at once seemingly consistent and marked by constant transitions. Individual elements rise up from the background thrum only to disappear just as we become conscious of them; heterogenous sounds and spaces succeed one another with the unassailable logic of dreams.

'In Praise of Blandness (Chapter IX)' also focusses on drift and transition, but in a much more single-minded way. Over a rich, slowly-evolving organ drone, cole reads a passage from the French sinologist François Julien’s book In Praise of Blandness exploring the concept of ‘blandness’ in the Taoist aesthetics of sound. Beginning crisp and clear, cole’s voice becomes gradually less distinct over the course of the piece, the spoken words blurred by resonant frequencies à la Lucier’s I Am Sitting in a Room until we are left with only the rhythm of incomprehensible speech. The text that cole reads acts a perfect description of her aesthetic project: ‘We hear it still, but just barely, and as it diminishes it makes all the more audible that soundless beyond into which it is about to extinguish itself. We are listening then, to its extinction, to its return to that great undifferentiated matrix’.

- Francis Plagne (November, 2019)

Go to Item

Wounds

LP | 2020 | EU | Original (Song Cycle)

The Prime Same Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Song Cycle presents the first reissue of the album Wounds by David Toop and Paul Burwell. Originally released in 1980 on Toop’s Quartz! label, the album is representative of a seminal moment within the British music scene evolved around the London Musicians Collective in the late 1970s and early 1980s.

Go to Item

Asfast

LP | 2020 | EU | Original (Denovali)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Prime Same Black Vinyl Edition

Asfast

LP | 2020 | EU | Original (Denovali)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Mütesna)

Alper Maral & Mert Topel

Control Voltage Project

21,99 €*

Let It Go Cyan Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Control Voltage Project is a long running project of Alper Maral and Mert Topel; Alper Maral is one of the most significant sound discoverers around Turkey through auditory and academical researches he has made about experimental electronic music. Mert Topel is a versatile musician, one of the most important keyboardist for many artists in popular music in Turkey. He has released his first solo album “Serendipity” in 2017. Control Voltage Project is named after the electric signals which are used for the interactions between various physical sound layers. Recordings of CVP -first album from the duo- was finished in 2005 and released in 2015 on “Müzik Hayvanı” as free download on web.

Go to Item

Dan Mason

7" | 2020 | US | Original (100% Electronica)

14,39 €* 15,99 € -10%

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CP/BW (Corporate Park & Beau Wanzer)

Untitled LP

LP | 2020 | US | Original (B.W.)

LP | 2020 | EU | Original (Unday)

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

THE GOOPY GOONS ARE BACK with another collection of twisted American electronics. For those not familiar, CP/BW is a collaboration between Corporate Park (aka Shane English/Jonah Lange) and Beau Wanzer. This second LP collects tracks from various recording sessions done in Texas over the past 5 years. Humid ditties, bumpkin beats, toothless treats, and only for the freaks.

Go to Item

Dijf Sanders

Puja

LP | 2020 | EU | Original (Pan)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black vinyl version in printed innersleeve. Multi-instrumentalist and composer David 'Dijf' Sanders combines a broad mix of styles with a boundless approach full of multicultural blends.Expect a sound trance where monk chanting, eclectic beats but also mantra style techno will be fused. Namaste!

Go to Item

Beatrice Dillon

Workaround

26,99 €*

LP | 2020 | EU | Original (Rvng Intl.)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythm-obsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro-Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Go to Item

Sign Libra

Sea To Sea

21,99 €*

LP | 2020 | EU | Original (Hiraeth)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On Sea to Sea, Sign Libra drifts between the cerebral and celestial, arranging, and then rearranging, the complex and magnificent systems of our immediate and greater cosmos into her own graceful and eccentric sound patterns. As the moon illuminates in different ways on different days, Sign Libra leaves Sea to Sea open like an ocean to interpretation and imagination. Vinyl includes high quality digital download.

Go to Item

Passive Refraction

27th Floor

Tropical Cosmic Sounds From Space

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“27th Floor” is the debut album by musical duo Passive Refraction. Let it take you on a journey through the city in search for your loved one…

Passive Refraction created an album for those who love to fade away into ambient and cyberpunk backdrops – neon lit buildings and heavy rain falling straight into your take-out food… waiting for the next Hover Tram into City Central.

Go to Item

Rada

2LP | 2020 | EU | Original (El Palmas Music)

LP | 2020 | US | Original (Birdwatcher)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Angel Rada, pioneer of experimental electronic music in Venezuela, has always been a restless mind, an experimentalist with his feet firmly planted on the ground of the art, his particular mix of sound design, cultural avant-garde attitude and spiritual inquiry led him to explore an impressively rich sound universe throughout his more than 20 productions (one of the most extensive in his country) making him the cult musician he is today. El Palmas Music, an independent record label in Barcelona, pays tribute to this visionary Venezuelan musician in its upcoming release entitled Rada: Tropical Cosmic Sounds from Space, a double LP compilation with 15 carefully selected tracks from Angel Rada’s extraordinary first period, coveted by experimental and cult electronics collectors around the globe. The main focus of the compilation is between 1980 to 1989, the time when Rada released cosmic-tropical experimental jewels such as Upadesa, Viveka, Continuvm, Armagedon & the Third Wave Revolution and Ethnosonic Impressions. Tropical Cosmic Sounds will also be also available in digital platforms and it comes with a code to download 7 additional songs, certainly a delight for music lovers.
Rada embraced psychedelia in his youth, his rock band named The Gas Light gave him the opportunity to experiment with electronic instruments, electric organs and the autoharp. This impulse led him to get his career to the next level. While he was taking music studies in Germany, gets in direct contact with cosmic music and iconic artists such as Klaus Schulze. Back in Venezuela, at the beginning of the eighties, he establishes the foundation of his work and begin to be known as a reference, subverting the industry rules, not only from the point of view of sound and production but also because of his self-management.
Although his direct influences: psychedelia, krautrock and experimental electronic, were a starting point for his work during his studies in Germany between 1973 and 1978, Rada not only mastered the art of analog synthesizers, creating totally new sounds, but put his efforts on the search for an original sound landscape, rooted in its native homeland as in spiritual matters. His music was tagged in his time by his German colleagues as “Latin Cosmic Psikraut”, a futuristic vision of the Caribbean Sea ahead of its time, full of innovative textures and amorphous envelopes with an almost narcotic effect. The general idea of Rada’s sound was to take his influences and evolve from that, from the minimal and repetitive to dynamic and melodic structures, always avoiding the “popular music’s complacency”.
Unexpectedly, while rehearsing, one day in 1999, a natural tragedy would take his studio away, and all those valuable instruments that had accompanied him throughout his life were forever gone. However, Rada was already on another spiritual level, in his own words: “only ceasing to intervene in external events will take the suffering away”. Rada is always adapting his life to the circumstances, he continues producing with his own label, overcoming ever more complex obstacles as the debacle of his country in the hands of the wildest corruption in its history or his own health issues. Still, nothing stops him, his work remains.

Go to Item

Ross Goldstein

Timoka

A Typical Night In The Pit

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

'Timoka' is an all instrumental album from Ross Goldstein featuring 11 compositions created using a Mellotron exclusively. It is a companion piece (volume 2) to 'The 8th House' and like that album it is inspired by cinema and film soundtracks

While plenty of homage has been paid to the anxiety-heavy synthy soundtracks of 70's b-movie horror flicks or the acid rock freak outs that soundtracked movies from the early days hippie subculture, The Eighth House goes in a very different direction. More than those popular entry points, the music here is subdued and slow-moving, curiously inspecting ideas as the album moves through various fantastical passages. Even when cartoonish sound effects meet with tense swells of strings or dramatic orchestral flourishes (early Chamberlin models recorded their sounds using players of the Lawrence Welk Orchestra, no less!), the result is never garish but always patient and communicative. Bells ring in the distance, memories and possibilities are implied but left open to interpretation and strange but friendly sounds linger for just a moment before melting into something else. The result is a muted and wintery paradise that envisions Smile-era Brian Wilson scoring the softer moments of a Jodorowsky film.

Go to Item

Nicholas Malkin

LP | 2020 | EU | Original (Soda Gong)

LP | 2020 | EU | Original (Offen Music)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“A Typical Night in the Pit” is a collection of new music by Los Angeles’ Nick Malkin. It is an album that finds the artist absorbed in the density and chaos of the urban complex. It is unquestionably an “LA album”, but not the LA of hi-fi listening bars and twinkling, Instagram-ready New Age. Rather, Malkin navigates something more akin to the LA found in the films of Robert Altman or Alan Rudolph — overheated, tense, hazy, frayed — with blue-lit, nocturnal compositions that at times recall Mark Isham’s noirish scores for those subversive (anti-)Hollywood pictures. Enlisting a revolving cast of LA experimentalists, Malkin has assembled a record that is as chameleonic as it is cohesive, offering up vignettes ranging from the skewed MIDI-jazz of “Sixth Street Conversation” to the skulking menace of “Estacionamiento Privado,” before giving way to the wide-eyed, cloudy closer “View From Two Perspectives.” C’mon, let’s go in here and get outta this heat.

Mastered by Kassian Troyer at D&M, Artwork by Alex McCullough and Niall Wynne Lewis.

Go to Item

Smagghe & Cross

1819

LP | 1987 | EU | Reissue (Utopia)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ivan Smagghe & Rupert Cross collaborate again.. and it's another beauty! TIP!
"This second LP on Offen is an ajar window overlooking the phantasmagoric world of Smagghe & Cross, a remembrance of days that never were. The music is sparse, the past is forever : ghosts of industries are conjured through the English countryside, fading memories play static with an idea of romance, the sun breaks through the iron clouds. A record free of uncouth nostalgia but laced with ethereal melancholia. "

Go to Item

Gianni Gebbia

LP | 2019 | US | Original (Sic)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Alex Bradley's new reissue division at Utopia Records recovers the early works of Gianni Gebbia, a saxophonist and composer from Palermo, Sicily whose highly sought-after debut LP from 1987 is remastered with added unreleased material and updated art work by Gebbia himself. A minimal and contemporary jazz album of the highest order, its beautiful sound, sentimental electronics and use of synthesisers - that were a precursor to the house and dance music scene of the early 90's - has made the album endure the years that have passed. It will be sure to be a valuable addition to your home listening collection with stand out tracks like Cud evoking visions of a Sicilian beach stroll and the intense and brooding 'Vedersi Passare le Cose Attorno' with its Juno chords transports you to a Detroit night club in 1992 counterbalanced by Gebbia's soft saxophonic embrace. The self taught Gebbia's works touches on the avant-garde whilst maintaining a musicality and fluidity with his technique of circular breathing adding an extra element to his playing, the ability to create Reichian like minimalism with a single breath whilst maintaining melodic structure. The multi solo album artist is noted recently for working on the music score of Heiner Goebbels' music performance piece 'Everything that happened and would happen' at the Manchester international festival and for his curating of the "Anassimandro Festival of Music and Philosophy" in his home city of Palermo of which Bradley hosted last years after party.

Go to Item

Uncle Squidz

Cheap Foods

38,99 €*

LP | 2019 | Original (Fullset)

Release: 2019 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

ONLY 150 PRESSED!!

(NO REPRESSINGS)

Go to Item

Jeremy Blake / MTN

Unbiased EP

21,59 €* 26,99 € -20%

LP | 2020 | EU | Original (Materialized Moments / HHV)

Release: 2019 / Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jeremy Blake (Red Means Recording) and MTN (FULLSET Music) present their love letter to Teenage Engineering's OP-1 Synth. Featuring 8 tracks and 35 minutes of playing time full of freehand arranged synth waveforms and samples. This release is strictly limited to 230 pieces!

Go to Item

Natureboy Flako

Ambitus Of Beauty

12" | 2020 | EU | Original (Materialized Moments / HHV)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Imagine Plantasia was an animated film narrated by Jacque Cousteau and the musical score reminds you of your favourite library record. “Ambitus Of Beauty” invites you on yet another beautiful and timeless full-length journey through various magic moments, scenes and soundscapes created by Natureboy Flako. You will be floating on a vast stream of memories, ideas, thoughts, wishes and feelings translated into sound while your mind starts dancing gracefully and is likely to drift into nothing and everything at the same time. Carefully crafted with a great sense of oneness, this album is offering a mind travel to focus and re-calibrate. Music Heals!

For fans of Plantasia (Mort Garson), Brian Eno, Suzanne Ciani, Vangelis or Ryuichi Sakamoto.

Go to Item

Natureboy Flako

Besito

13,99 €*

LP | 2020 | EU | Original (Black Truffle)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition of 300 copies of Natureboy Flako's all new 4-track EP "Besito".

Dario Rojo Guerra aka Natureboy Flako is set to release a unique musical room shaker. Picking up the energy of productions such as “Kuku” from his debut album, these four new banging tracks invite to dance and have fun while bouncing them out loud. The title track “Besito” is carrying a sincere message of love with an unmistaken production quality, also found on his previous release entitled “Theme For A Dream” which explores the boundaries of music, science and spirituality. His rather unpredictable but inspiring output will be continued with a full length album of library-like songs & soundscapes which is set to be released before summer also. But for now level up the energy and enjoy singing along to “Besito”.

“WOW I’m happy you are still making such incredible heat! I actually lost my fucking mind as well as the rest of the club.” - Gaslamp Killer

Go to Item

Realejo

Manuel Pessoa De Lima

21,99 €*

How I (Rhythm Love Affair)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black Truffle is pleased to present Realejo, the first vinyl release from Brazilian sound artist and composer Manuel Pessoa de Lima. Having composed works for diverse contexts including cinema, contemporary dance, theatre and television, Lima’s live appearances often take the form of self-reflexive lecture performances that combine electro-acoustic sound, red light, video and spoken text, moving unpredictably from the hilarious to the distressing.

Go to Item

Mo Kolours

12" | 2015 | UK | Original (One-Handed Music)

9,99 €*

LP | 2018 | EU | Original (Dancing Bear)

Release: 2015 / UK – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl is Close to VG+.

Go to Item

Drumelody

Hyperbola

11,24 €* 14,99 € -25%

Release: 2018 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2019 | EU | Original (Pan)

Stine Janvin

Fake Synthetic Music

LP | 1991 | UK | Reissue (Parlophone)

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pan tout a real beauty with Stine Janvin’s scintillating vocal suite ‘Fake Synthetic Music’ - a transfixing and distinguished demonstration of the voice as a hugely flexible instrument, presented in a range of minimalist yet extreme, probing scenarios providing a radical new perspective on familiar sounds. Conceived as a full-body physical and ambient live performance for theatres, clubs and galleries, ‘Fake Synthetic Space’ is an intently focussed and singular follow-up to Stine’s previous solo LP ‘In Labour’ [Pica Disk, 2014] and her input to last year’s Native Instrument release ‘Camo’ for Shelter Press. Where both of those releases found her vocals combined with field recordings in myriad ways, the Norwegian artist’s latest side is stripped right back to vocals and FX, offering a visceral investigation of her full frequency range with results that explore the deeply uncanny auditory phenomena of otoacoustic emissions in melodic, minimal sequences referencing pop, techno, and trance.

Go to Item

Electronic

34,99 €*

Matstudio (Jonny Nash & Sk U Kno)

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Electronic are proud to present the release of their self-titled album. Pressed on 180g black vinyl, this reissue features the black cover on vinyl for the very first time, which was first used on the CD version released in 1994.

Electronic were the coming together of Bernard Sumner and Johnny Marr in 1987. This was the year of the sudden and wholly unexpected demise of The Smiths, who imploded in July after Marr left the group. Two months later, midway through a North American tour, Bernard Sumner shocked his bandmates by announcing that he planned to take time out from New Order.

Marr and Sumner had met in 1984 when Marr added guitar to Atom Rock by Quando Quango, an electro-dance track co-produced by Sumner. Marr sums up their coming together for Electronic; ‘We were two musicians who wanted to get away from the suffocating politics of the band. At the same time, it was OK for duos and DJs and non-groups to make records, and that really appealed to Bernard and me.”

The project was a joyous Venn Diagram of Sumner and Marr’s influences. Although ostensibly coming from different disciplines, the experimental dance-pop of New Order and the fullbodied jangle of The Smiths, their common interests were many: dance music, a good tune and pushing musical boundaries. At the time of release (May 1991), ‘Electronic’ was met with huge acclaim and stands up as one of the most important electronica albums of all time.

Go to Item

Matstudio 3

LP | 2020 | EU | Original (Melody As Truth)

2x12" | 2016 | ES | Original (Non Series)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Part 3 of the Melody As Truth Studio vinyl documents

Go to Item

Tadeo

Chronicles Of The Future

8,99 €*

LP | 2020 | EU | Original (Music For The Other People Place)

Release: 2016 / ES – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Near Mint

note: INCOMPLETE!
Side C & D only.

Go to Item

Unknown Artist

Topp 011

12" | 2020 | EU | Original (Supergenius)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Very special and highly limited electro / electronics project (tributed to James Stinson) from the Fundamental Records camp, produced by different artists that will remain anonymous, if they choose to…

Go to Item

Master Flashhh

Blue Eyes

The Humble Bee & Benoit Pioulard

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For his first EP, Master Flashhh carved 5 beautiful tracks of analog funkiness, drawing inspiration from drifting in Georgia, solitary walks alongside the ocean in Finistere Brittany or recording his neighbors banging behind the wall.

Go to Item

I Suppose I'm Your Future

LP | 2019 | EU | Original (Dauw)

25,99 €*

Jon Hopkins & Kelly Lee Owens

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First collaborational album by Craig Tattersall aka The Humble Bee (The Boats, The Remote Viewer) & Thomas Meluch aka Benoît Pioulard (Orcas).

Go to Item

Luminous Spaces / Luminous Beings

12" | 2020 | UK | Original (Domino)

Release: 2020 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2020 | EU | Original (Upperberry)

Lag

Upperberry

10,39 €* 12,99 € -20%

Tape | 2019 | CA | Original (Inner Ocean)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Established Berlin based events organizer UPPERBERRY stepping up w/ their brand-new label. For the first EP, Lag has the honor to kick off their game. 4 mind-boggling tracks including 2 remixes by UK’s JoeFarr and Happa.

Go to Item

Kazumi Kaneda

Morpheme Tone

12" | 2020 | EU | Original (blundar)

Release: 2019 / CA – Original

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 100 copies.

Tokyo's own beat maker and multi-instrumentalist, Kazumi Kaneda, brings us another Jazz opus full of dazzle and wonder. Following up his 2017’s album Hardlight, Morpheme Tone sets a new bar in original jazz & hip hop production, continually refining his particular flavour and style. Kaneda presents his work as gritty and complex, smooth and subtle with equal parts bebop and hip hop, coalescing into a project of ultimate coolness.

Jazz heads and Hip Hop heads worldwide are keeping tabs on Kazumi Kaneda, watching and waiting for those next brilliant moves. Morpheme Tone is one of those moves.

Go to Item

STL

Untitled

16,99 €*

2LP | 2020 | EU | Original (Left Ear)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

STL machine groove strikes back “blundar” imprint: 180g 12” EP, dub and house rooted cuts, and the expected locked surprise.

Go to Item

I.A.O.

Phase 3

28,99 €*

2LP | 2018 | EU | Reissue (Virgin EMI)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Left Ear have put together a collection of recordings taken from the elusive Berlin band I.A.O., spanning their third phase from 1988 to 1995. Phase III commemorates the bands final line-up of three members; Achim Kohlberger, Ralf Östereich and Carsten Zielske. The sounds on this retrospective vary widely, however, link with threads of melancholic sequences, angular jamming and a focus on electronic soundscapes.
The tracks are pinned against a backdrop of political and social unrest in Berlin at the time. Two different cities had become one with the fall of the wall, driving a bubbling subculture attempting to reunite the capital. Seemingly irrelevant to what I.A.O. was producing, these territories dance parallel to one another. In the late 1980’s, Achim Kohlberger of the band and partner Dimitri Hegemann, were orchestrating ‘Atonal Festival’, these days known as Berlin Atonal. Soon after, they set-up of one of the first techno clubs in the world - UFO, today known as Tresor.
I.A.O. cites the cast of personalities they would come across in the clubs and pubs as influential in their songwriting, artists, outsiders or the ‘general dropouts.’ However, the works of IAO far resemble techno music. Phase III’s opening track Gospel IV introduces the band with their patience and restraint, synthesizers work to reveal folding melodies. The downtempo voyage continues with Marshmallow Girls, an insight into the band’s sensitive observations and hazy imagery. All Is Bliss presents a vocal mantra cooperating with nagging bass lines and euphonic percussion. Meanwhile, two instrumentals Love and Twinkle Twinkle Twinkle Little Star both typify and defy timeless dancefloor paradigms. The compilation signs off with Ferns, binding the icy yet bright tones found throughout.

Go to Item

David Sylvian

Dead Bees On A Cake

84,99 €*

L'Alchimia Dell Svanimento (1983-1988)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

Go to Item

La Luna Sotto Il Ponte

3LP | 2020 | EU | Original (Infoline)

24,99 €*