Downbeat | Electronica | Leftfield 3070 Items

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Molecule Presents: Music For Containment

4LP | 2021 | EU | Original (Diggers Factory / Milles Feuilles)

39,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Before I Die Blue Vinyl Edition

Park Hye Jin

LP | 2021 | UK | Original (Ninja Tune)

25,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (We Jazz)

Kaukolampi

We Jazz Reworks Volume 1

20,99 €*

Psychedelic Sampling Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We Jazz Records is delighted to share the first edition of our new series of reworks with you . Our aim is to invite some of our favourite artists to take a fresh look at our album releases with the interval of 10 full length album releases. In other words, the invited artist has complete freedom to choose (or not to choose) any sample material from their allocated range of ten We Jazz Records albums, and there are no artistic boundaries of what they should do with the material. Each artist will then create a new musical piece based on the sample material and whatever instrumentation they wish to add to it.

As our first guest, we have the great Finnish producer Timo Kaukolampi who goes by his last name only when creating deep and mobile soundscapes, that never fail to evoke emotions and thoughts in the listener. We have long been fans of his work, released under Kaukolampi, Kaukolampi & Puranen (a duo with Tuomo Puranen), and on the vast discography of kraut-informed space rockers K-X-P.

As this is the first of our new series, Kaukolampi's task at hand is to dive deep into the first 10 We Jazz LPs, ranging from WJLP01 Bowman Trio released in 2016 to the 2018 release WJLP10 Alder Ego "II".

With the initial edition of any series comes the freedom and necessity of defining a new direction. We trusted Kaukolampi would be the right person to show us what the idea will be, and we were right. He premiered this piece at the We Jazz Festival back in 2018 and developed his ideas further during several studio sessions later on. The finished product opens things up with a bang and shows the value in going deep. Kaukolampi manages to distill new music from the source material, twisted and strecthed into dimensions beyond what is usually there. "Ambient Dub"? Perhaps at times. "Drone"? Maybe also. And then some.

To complete the idea, we invited the visionary graphic designer (and K-X-P drummer) Tomi Leppänen to "rework" the graphics of the source albums to construct the base of the design, which you see envelop the LP sleeve.

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Mustafa Özkent

LP | 2021 | EU | Original (Hammer Müzik)

12" | 2021 | EU | Original (Kompakt)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Mustafa Özkent made this eclectic ‘’psychedelic Sampling’’ album for sixtieth year of his musical adventure. He wanted to create a new & modern sound with sample instruments and live solos in his studio. Basically recorded modernized short melodies of traditional Turkish folk music combined with additional melodies and solos he composed. He played all the sample instruments and live solos with his electric guitar, fretless guitar and his new special instrument Saztar which is combination guitar and saz. As always, DR.FRANKESTEIN! Synthesized Turkish traditional folk music with psychedelic funk, jazz, rock, blues solos arranged, performed, recorded and mixed by Mustafa Özkent himself.

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Michael Mayer

Brainwave Technology

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Infinite Machine)

Galtier

Pulchra Es Elementis

2LP | 2021 | EU | Original (Mille Plateaux)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With 10 years in the 'biz' firmly under his belt, Jiah Wells is poised to release the first full-length LP of his Galtier project, Pulchra Es Elementis. Whilst Galtier is arguably one of the originators of the percussive style that would eventually fall under the Hard Drum label, the heightened theatrics of his recent output have seen him channel Blade Runner-styled sonics and move further away from absolute club functionality. Whilst Galtier's output often seems to soundtrack hypothetical, off-planet words, Pulchra Es Elementis turns the focus inwards: towards Wells' own emotional constellation, his evolving spirituality and his attempts to tap into planes of existence beyond the tangible. The album's Latin title translates to 'Elements are Beautiful' and encapsulates the artist's belief that there is grace in all of life's aspects; pushing past what we deem as good or bad, minuscule or massive.

Pulchra Es Elementis begins with Crystalised Larva, a brooding opener of breathy pad synths and expansive kick drums which reverberate through the mix as if the hits originate from the bottom of a valley. There's an indistinct sense of tension on this track, in part due to a central melody, which never resolves but only descends lower in pitch. This tension turns to explorative wonder on Wilfull Saviour, where a mirage of musical ideas come in and out of focus. Although the sonic worlds Galtier explores are internal to him, Wilfull Saviour still possesses that sense of a cosmic journey we've come to expect from Wells; an ardent fan of dystopian films and literature.

Continuing this emotional odyssey, Bruised, But Not Broken sees the artist push deeper into the psychological undergrowth; its murky tonality juxtaposes crisp, Reggaeton-inspired drum patterns with a heavily compressed one-note synth line that modulates wildly - cutting through the mix like a nagging thought that won't leave your mind. Next up is U Were, U Are & What U Will Be, one of the more club-ready tracks of the LP, which gets us moving with a snarling bassline and layers upon layers of percussive hits and inflections.

At Pulchra Es Elementis' mid-point is the LP's title track, a drumless interlude where blissful, shimmering synths create a patchwork of intensities. Galtier's approach to songwriting shines through here; ignoring musical pragmatics, he opts to feel his way through his compositions without knowing where they might end up. Following on from that weightless breather, Phantasiai turns up the freneticism with its head-spinning mix of drum programming and a glitched-out synth line that yo-yos up and down octaves. Things get even more furious on the Superficie-featuring Cavernam, a hollow Hard Drum banger inspired by Eskibeat sensibilities and designed to create a sense of self-implosion.

The album's penultimate track, (U Are) Beautiful, is a tale of two halves: beginning with a moment of serenity as synthesizers swell like an ocean tide before evolving into a marching crescendo of raw energy. Rounding off the album, Shine Forth hurtles through pacey drum work and all manner of strange zaps and klaxons before giving way to a final dose of nebulous ambience.

A musical journey unlike any other 'club music' albums, Pulchra Es Elementis is an LP that demands to be consumed in one sitting. Reflecting on his place within the universe and the musical landscape, the album could be viewed as a musical exorcism which sees Galtier working through and shedding huge chunks of his ego that stuck to him out of fear of the unknown. Pulchra Es Elementis begins on an insecure, overwhelming or, even, existential note before rounding off with a related sense of vastness seen with new, more positive eyes. It's a voyage we hope you will join him on.

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Porter Ricks

28,99 €*

LP | 2021 | EU | Original (Fodderbasis)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album “Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.

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Tibor Szemzo

Arbo X

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (CES)

Anushka Chkheidze

Move 20-21

18,99 €*

LP | 2021 | EU | Original (Growing Bin)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Short while after Anushka's debut album "Halfie", that has won her "Tsinandali Prize" and has been nominated for "The Album Of The Year 2020" Impala awards, 23 years old Anushka Chkheidze is back with her second album "Move 20-21". Created during 2020 pandemics, spent mostly in lockdown. In Anushkas own words "Move 20 â€“ 21" is a mind journey through space and time without any physical movement.

Digitally released earlier 2021, "Move 20-21" cout the attention of Music Moves Europe Talent Awards; has been nemed as "Band of the day" by Europavox; has been choosen as track of the day by Kexp; has been broadcasted by United We Stream for Femmely Affair in the light of International Women's Day 2021.

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Sorcerer

Kids World

2LP | 2021 | EU | Original (Rumpelmusig)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dancing On Waves Working his mellow magic on the Growing Bin, Sorcerer entertains your inner child with eight tracks of instrumental west coast pop suitable for dancing, dreaming and surfing a wave or two. While Basso sat in a Teutonic treehouse, feeding his head with the sounds of the woodland, Dan Judd danced on the sands of San Francisco’s Baker Beach. Stretching between them, like the world’s longest tin can radio, was the Dream Chimney. This legendary forum, run by Ryan Bishop, better known as The Beat Broker, helped to launch a thousand labels, and the Growing Bin is one of them - all hail the Chim! Here, Dan, naturally mystic in his Sorcerer guise, satisfies all our sensory needs with a Kinder Surprise of sweet melodies, coastal cool and playful rhythms inspired by his children’s earliest responses to music. Following his feelings and avoiding overthinking, he creates open, enticing and accessible cuts; each living and breathing that mellow magic you only get on the West Coast.

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Kalabrese

Let Love Rumpel Part 1

When I Hit You You'll Feel It Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Kalabrese lets it rumpel. The third album by the Swiss all-round musician is - as always - relaxed, comes straight from the heart, and is showing his typically own approach to melt disco, blues and club music into a wunderbar overall performance.

to the friends it may concern of the rollin' rumpelmusig revue i’m finally laying down the carpet again, but this time as a double-pack. part one will be released in the fall of 2021 and part two in spring 2022.

finally rumpelmusig is back! kalabrese enrolls himself out off a red carpet made of corona soup onto your quilted carpet at your home. eleven fave songs outta the kitchen of haute cuisine rumpelchef. and on top of that: for the upcoming spring, a second album in the «let love rumpel» circle will be released (part 2). two times double vinyl. two times favorite songs. two times bustling life. four vinyls as a contemporary witness about what kind of creativity such a pandemic can awaken in an artist. in one song it says «you take the l train». it's obvious that the meaning of this l is love. kala is a rolling stone. wherever he lays his beat, is his home.

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

49,99 €*

The Long And Short Of It Forest Green Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Quickly, Quickly

LP | 2021 | US | Original (Ghostly International)

LP | 2021 | EU | Original (Music From Memory)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Debut full length from Portland-based DIY multi-instrumentalist; for Fans of King Krule, Unknown Mortal Orchestra, Thundercat, Shigeto, Mild High Club, Crumb. Portland, Oregon-based musician Graham Jonson started early: playing piano as a toddler, finding the music of J Dilla in fifth grade, and self-releasing singles by age 16. First appearing under the name quickly, quickly in 2017, his project's profile has since grown fervently with fans in the beats-oriented corners of SoundCloud, YouTube, and Reddit. Some of his early tracks tally north of 10 million plays on Spotify. The figure isn't meant to flex as much as it is to point out that Jonson's work has resonated without the traditional industry levers; he is a wunderkind DIY internet success story, but, by his own assessment at the present age of 20, he's only now getting serious. With The Long and Short of It, his Ghostly International debut, Jonson reinvents his project as a full-fledged songwriter, vocalist, and arranger, playing nearly everything from drums to keys and guitar. The resulting sound straddles jazz, hip hop, R&B, and psych-pop while suggesting a wholly genre-less path forward. Recorded during and after a short-lived move to Los Angeles, songs find Jonson cool and comfortable, navigating the planes between anxiety and apathy, distance and desire with lyrical vulnerability and introspection. A student of the Stones Throw catalog (his favorite is Madlib's Quasimoto), Jonson remains rhythm-driven at heart, trusting his instincts in this new palette of organic instrumentation and verse-chorus structure. Tracks glide and bump with tasteful care to tempo as his scene-building and storytelling knack comes into focus. Jonson's past material often suited passive listenership, the kind of bedroom-produced beat music that offers secondary utility and function as a companion to primary activities. The Long and Short of It showcases an evolutionary step into a style that uses chops cultivated in that niche that demand a more active listenership. That attention is rewarded with earworms, dazzling production flare, and earnest, genre-spanning songwriting. Opener "Phases" launches on the radical wisdom of the album's sole vocal feature, courtesy of renowned poet and activist, Sharrif Simmons, who contributes a psychedelic poem spanning cosmic existentialism _ something he wrote off the cuff during a session. As the fiery spoken word unfolds, a frenzy of drum grooves from Micah Hummel and strings from Elliot Cleverdon rise higher into the mix, all setting the stage for Jonson's debut at the mic and keys. The back half of "Phases" shifts into a hypnotic instrumental, the drums interlocking on guitar lines, pausing for a spacious break before reassembling twice as potent, riding into a blissful, cathartic saxophone solo by Haily Naiswanger. "Shee" was written on his girlfriend's guitar and every line glows with uncomplicated adoration. He is captivated in this daydream, which drifts off into a haze of strums and hums. We wake to the looping drums of "Leave It." Above the pattern, layering piano and guitar, Jonson pokes holes in himself _ his "cognitive dissonance," being "too jaded" to see what's right in front of him - the notions blurring back into that haze on an outro of sublime ambient psych-jazz. Jonson returns to the piano for "I Am Close To The River," the place he goes to break a creative rut, as he was the morning this bittersweet melody entered his mind. He says the song is loosely based on a psychonautic experience he had along the Willamette River. Once home, he put the song to paper, over time arranging a bucolic mix of shimmering chimes, saturated percussion, and orchestral strings from Elliot Cleverdon. A highlight on the record's b-side, "Everything is Different (To Me)" features all the traits of the new quickly, quickly in one ambitious suite: a catchy guitar loop, a classic hip-hop drum break, a swell of strings, and sly chord progression changes, all in clever contrast to Jonson's lyrics detailing bouts with lethargy. The album ends on a series of questions in the poignant "Wy," a delightful resignation. Jonson, lonely in LA, spins the hypochondriac wheel and checks off concerns that seem to plague internet dwellers; his neck hurts, his hands are shaky, his stomach feels off. He dismisses his need to self-diagnose and opts to lean into the moment through music. A billowing outro builds on airy synths, his contemplative guitar strums, and a soothing water droplet sound. The comedown is "Otto's Dance," a brief instrumental reverie nodding to one of his favorite Brazilian albums, Milton Nascimento and Lô Borges' Clube Da Esquina. That's The Long and Short of It, a summary of transition, self-validation, and a great leap forward in a young artist's life.

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Loveshadow

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music From Memory are excited to introduce another new group for 2021, this time presenting the self-titled debut album from Loveshadow. Currently based in San Francisco, the duo of Anya and Izaak initially met whilst working in an Oakland cafe in 2016. The two Californians quickly bonded over a track by the ’80s disco band Aurra which was playing over the radio and almost immediately their separate journeys in music became interwoven. They soon began to write music and creating their own work would become a way for the pair to get closer to the sound they were searching for, as well as enabling them to discover the healing power of making and listening to music. ‘Loveshadow’ was recorded predominantly in the Bay Area between 2017-2020 as well as whilst traveling to NYC, Chicago and around Portland. Having released previously as the outfit ‘S Transporter’ alongside Detroit friend Ryan Spencer, Loveshadow is formed of Anya as singer and song writer alongside Izaak on synthesizers, bass and percussion. This eight track album is the duo’s first release; exploring emotive Pop and DIY Funk leanings it stands as a joyful homage to the music they bond over, as well as an ode to their own love and friendship.

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2LP | 2021 | CA | Original (Inner Ocean)

Futures Volume 7

35,99 €*

Release: 2021 / CA – Original

Genre: Hip Hop, Electronic & Dance

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LP | 2021 | EU | Original (Squama)

Popp

Devi

Outlines (Repurposed) 2013-2019

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After several collaborative releases, German drummer Simon Popp is back on Squama with his second solo album ‘Devi’. While his phenomenal debut ‘Laya’ was a percussive take on ambient and third stream minimalism, ‘Devi’ features eight tracks of bold organic grooves, uplifting and hopeful in one moment, sinister and dark in the next. This dualism is reflective of the ups and downs in Simon’s own life, making the album a brutally honest and deeply personal record. Over the past two years Popp has steadily refined his skills both as a player and an engineer: There are virtuoso drumming parts, revealing his passion for polyrhythm and complex structures and recording techniques such as heavy limiting, using gated reverb and pitch-shifting give the record a modern 90s vibe. ‘Devi’ is a forceful statement of what contemporary drum music can sound like today.

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Anthony Linell

12" | 2021 | EU | Original (Northern Electronics)

Fabric Presents: Overmono

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Beautiful soundscapes and deep techno previously only released on cassette, 'Outlines (Repurposed) 2013-2019' is a compendium of Anthony Linell's sketches and supports from a seven-year period. Capturing an incongruous assignment together, these liminal works frame moments of transport between process and material that are otherwise private and archived.

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Overmono

2LP | 2021 | UK | Original (Fabric)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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How Much Time Between You And Me?

Perila

LP | 2021 | EU | Original (Smalltown Supersound)

LP | 2021 | UK | Original (Mute)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Perila (Aleksandra Zakharenko) left her native Russia six years ago, landing in Berlin. Finding her place almost immediately - first at Berlin Community Radio and through that amongst a group of like-minded creative individuals (including her current flatmates Special Guest DJ and exael) - she started a regular practice of working on an expressionistic "sonic diary" of field recordings and electronic sound research for her own pleasure. When the opportunity arose to create her own podcast series, WET (or Weird Erotic Tension) was born. Upon hearing her evocative and atmospheric music layered with friends Nat Marcus and Inger Wold Lund's erotic spoken word poetry, Sferic Records asked to release it, and Perila - a project name originally used for her BCR show - truly came to be. Aleksandra, who was raised in St. Petersburg, has been involved in music since childhood thanks to her melomaniac father. She's been both drummer and singer in local bands in Russia, and is also the co-founder of radio.syg.ma - one of the first online stations in Russian focusing on experimental sounds - but Perila is something else entirely. You could loosely describe it as ambient, but her soundworld is so specific and transportative, filled with detail and movement, it's more akin to hauntological musique concrète, touched by song. Her fascination with voice and language - she studied English literature at university - is still evident, although that's now her voice, her texts, her crooning you can hear on the Everything Is Already There cassette (Boomkat Editions, 2020), her processed breaths on the Meta Door L cassette (Paralaxe Editions, 2020). The Wire Magazine got it right when they said about Irer Dent that, "Sensuality is presented as a secret pass to a higher consciousness." For her debut album, How Much Time it is Between You and Me?, released via Smalltown Supersound on June 11th, Aleksandra takes inspiration from the concept of time, which she felt keenly during the pandemic. Recorded primarily in September 2020 in a rural village in France - her only travel during the first year of the pandemic period - surrounded by mountains but otherwise alone with no internet, her perception of time there differed immensely. She describes the trip as, "an immersive experience into self," viewed through a "silence prism" where everyday sounds usually ignored felt amplified. While her work has always dealt in intimacy - be it the private thrills of WET or the audible closeness of our surroundings - the organic response and consistent feedback she gets for Perila made Aleksandra recognize a longing, a need for it in today's world. Intent on creating work based in honesty and tenderness, Perila's practice also explores how we feel music and emotion throughout the body and how sound can help to release it. How does the sound enter a body and travel through it? Where does movement start? How do you reach and unblock emotional clusters with the help of sound and deep listening of the body responses? Aleksandra likes to describe her music and performances as trips - thick narratives drifting along sound to get closer to self. Let Perila guide you through this journey.

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Yann Tiersen

Kerber

2x12" | 2021 | EU | Original (ESP Institute)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Songwriter and multi-instrumentalist Yann Tiersen is back with his new album Kerber. With Kerber,a new chapter in Yann Tiersen's career opens. True to his nuanced and subtle sound approach, the composer offers us here a beautifully textured, highly immersive and carefully constructed world in which he invites us to enter. In this new album, the piano is the source, but electronics is the environment in which it exists: "The piano was a precursor to create something around which electronics could work." After spending the spring writing the piano parts, he spent the summer creating a bank of sound samples inspired by these parts and playing them on instruments such as the piano, mellotron and harpsichord. Stunningly beautiful, Yann Tiersen mixes classical influences with more contemporary influences on Kerber. An atmospheric and cinematic result captivating.

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Trinity Carbon

OST Yasuke (A Netflix Original Series ) Red Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Something wicked this way comes. Following singles 'Know The Future' b/w 'Digital Warfare' in 2019 and 'Hypersocial' b/w 'Safety Test' in 2020, ESP’s own Patrick Conway has now teamed up with the illustrious Appleblim (of Skull Disco and Apple Pips fame) for a meaty self-titled debut 2xLP under the new collaborative moniker, Trinity Carbon. There is something to be said for art created in the face of global unraveling, while mass transgression and the friction of culture shifting produce poignant commentary, but more often than not, it’s the personal coping mechanisms within our work that have the power to speak directly to the receiver. After a number of sessions resulting in wild imaginative beginnings, it was the untimely passing of Andrew Weatherall and a coming to terms with that loss that moved the two Brits-via-Berlin to herd their roaming sketches into a more narrative statement. In the uphill struggle to retain some sense of individualism, it’s always outsiders like Weatherall whose risks illuminate the roads of creativity less traveled, and when those beacons go dark there is a disorientation felt far and wide. Conway and Blim concede to the internal inquiry, “What would Weatherall do?” bringing to mind the man’s pervading morale, always soldiering onward through mediocrity, as it was undoubtedly an impetus for the duo growing steadfast and chiseling 'Trinity Carbon' into completion. While employing trusted machines in the bass department, they established a warm euphonic home base from which they could stray in a variety of tonal and rhythmic directions without straining a tether to the album’s core. However, as soon as any hint of familiarity may arise, or listeners begin to mentally assign stylistic epithets, the duo boldly change course to remind us that while the banal stay safely defined, it’s the iconoclasts, the outsiders who make us feel.

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Flying Lotus

LP | 2021 | UK | Original (Warp)

31,99 €*

LP | 2021 | EU | Original (Tax Free)

Release: 2021 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Given his noted love of anime, scoring a fantastical retelling of a 16th-century samurai warrior of African descent serving under a Japanese daimyo, must be a dream project for Flying Lotus. But, as we’ve come to expect from the man who brought us the mind-bending 2019 LP Flamagra and his own written, directed and scored full-length surrealist fever dream Kuso back in 2017, Steve Ellison is anything but predictable.

Where his recent work has ventured deep into the hitherto unexplored avant-garde reaches of contemporary electronic music, jazz and hip-hop, FlyLo’s score to renowned anime creators Studio MAPPA’s Netflix original series Yasuke — on which he also acts as story consultant and executive producer — sees FlyLo eschew his digital maximalism with rumblings of traditional instrumentation, sweeping romanticism and widescreen cinematic scope.

Broadening the canvas of show creators LeSean Thomas and Takeshi Satou’s alternative-historical Sengoku period of magic and swordplay, with a soundtrack of Morricone-style epic tones, traditional Japanese percussion instruments and West African percussion, the feudal yet futuristic world of Yasuke is summoned.

The drum-driven drama of ‘Your Armour’ and ‘Your Lord’ simmer with synth flutes, strings and koto, as the bubbling arps of ‘War Lords’ recall the cyberpunk noir of Vangelis’ Blade Runner score, while frequent collaborators Thundercat and Niki Randa, also make an appearance in this parallel universe.

Another spellbinding FlyLo release even without the stylish animations of the show, Yasuke is set to be one of Ellison’s most prized releases.

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ccctyyy

Reappearance

13,99 €*

The Future Sound Of London

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Digital renaissance & romantic ambient by ccctyyy with contributions by isangyi. Reoccurring payment reminder

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Music From Calendars

LP | 2021 | UK | Original (Jumpin & Pumpin)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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We Love You Roger Part II

LP | 2021 | EU | Original (Neon Finger)

Piano Versions Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Neon Finger once again pays tribute to the figure of the great Roger Troutman with the second part of the compilation entitled “We Love You Roger”. Some of the most respected names in the modern funk scene show his love for a key figure, who still remains a huge influence today.

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Jon Hopkins

12" | 2021 | UK | Original (Domino)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Feldeffekt)

Nodfeld

Cloud Code

Since I Left You 20th Anniversary Deluxe Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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180g vinyl, limted to 200 copies, including download code.

The corona pandemic slowed life down. No more gigs, clubs closed, festivals canceled. For me the chance to try new things and find a new way to make music. Without the club context, I was free in my mind. Making music right out of myself was a liberating feeling. I could do what had been dormant in me for a long time. There were attempts now and then, but in the end I couldn't get rid of the feeling of always doing techno. Nice too, but not everything for me. Many inspirations of my music come from artists such as Nils Frahm, Ólafur Arnalds, Yann Tiersen, Martin Kohlstedt, Poppy Ackroyd and many others, as well as nature, forest and city noises. And often from the instruments themselves. I switched my setup in the studio from the electronic to a minimalist instrument setup, just piano, double bass and a Moog synthesizer. I also like the background noise that comes from an instrument, like the hammers and dampers on the piano, the fingerboard and bow noises of the double bass. So I tried a lot of recording techniques and microphones until I found the sound I was looking for. After a few recordings, a number of pieces came together that went well together. I decided to finish it as an album. Some of them are one-takes with the associated imperfections, others are recorded and arranged layer by layer in the studio. I also used field recordings. A warm summer rain was the starting point for "Rain". The album will be released in May 2021 as a limited vinyl edition and digitally on my newly founded label "Feldeffekt".

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The Avalanches

2CD | 2021 | UK | Original (XL)

16,99 €*

Since I Left You 20th Anniversary Deluxe Edition

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

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The Avalanches

4LP | 2021 | UK | Original (XL)

58,99 €*

LP | 2021 | JP | Reissue (HMV Record Shop)

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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One copy per customer.

The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

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Fujio Yamaguchi

Himatsubushi

57,99 €*

Release: 2021 / JP – Reissue

Genre: Electronic & Dance

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LP | 2021 | UK | Original (Hyperdub)

Fatima Al Qadiri

Medieval Femme

15,99 €*

LP | 2021 | EU | Original (Erased Tapes)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Medieval Femme, Fatima Al Qadiri's new ten track suite inspired by the classical poems of Arab women, invokes a daydream through the metaphor of an Islamic garden, at the border between depression and desire, where the present temporarily dissolves, leaving only past and future. Mixing neon drones and the faint outlines of Arabesque melody, `Medieval Femme' reveals a fully-realised, dreamlike setting, shaded with colour and subtle friction. Conveying a thematic state of melancholic longing, Fatima seeks to transport the listener to a place of reverie and desolation, to question the line between two seemingly opposite states and rejoice in celestial sorrow. `Medieval Femme' takes instrumentation from music of the Middle Ages, recast in a futuristic setting; soft-synth lutes, organs and pipes reverberate in space while gauzy pulses ripple in response. Fatima's vocals of repeated, mantra-like phrases are sometimes pitched and altered, drawing out increasingly intense peaks, angelic choruses and yearning incantations. On `Tasakuba', Kaltham Jassim's recitation of a couplet from the 7th century poet Al-Khansa', the sorrow of her words are given a turbulent, hallucinatory setting, before the album resolves on the final song, the limpid, airy `Zandaq'.

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Nils Frahm

Graz

Luzoscura Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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Piano Day 2021 sees Nils Frahm surprise the world with his Erased Tapes debut. Wait, what? How? Anyone who has seen the trail blazing sonic pioneer live will know Nils likes to deadpan a joke. Graz is in fact the first studio album he recorded for the label back in 2009, that somehow remained a secret… until now. Nils Frahm has quietly changed the musical landscape, reincarnating the centuries old figure of a pianist-composer for a new generation of music fans. As Nils’ word-of-mouth popularity grew and grew, so did the pop-culture profile of his instrument. He founded Piano Day with a team of like-minded friends in 2015 to help that process, some years releasing an album of piano recordings to celebrate one of humankind’s greatest inventions. Graz is one such record; an unheard snapshot of a young Nils recorded at Mumuth, the University of Music and Performing Arts Graz, in 2009 as part of the thesis Conversations for Piano and Room produced by Thomas Geiger, which received an award in the Classical Surround Recording category at the 127th AES Convention in New York. Whilst at the time it was decided to keep the grand piano recordings from the Graz sessions locked away and instead focus on his close mic’ed, dampened piano explorations which would become his acclaimed studio album Felt in 2011, two of the pieces — most notably Hammers — lived on as part of his live set, and were expanded on and re-recorded as part of his breakthrough 2013 record Spaces (a collage of field recordings from concerts which broke the Fourth Wall and included audience coughs). Over his mercurial career, Nils has pushed and pulled at the boundaries and parameters of his prolific work like that. He’s physically changed his piano (the softened prepared strings of Felt) played with a modified body (Screws recorded with 9 fingers and a broken thumb) played with scale (Solo recorded on the 3.7 metre high Klavins M370) and with the different layers of formats (last year’s Tripping with Nils Frahm nested his studio setup inside a live performance, concert film and live album). Now with Graz he has found the final frontier for play: time itself and his own discography. Graz is a moment of time at the very beginning of Nils’ quiet revolution. The essential genius is already evident; the harmonic language of classical, and the immediacy of jazz. Nils seems to pull down each idea moment by moment, gently, to not scare away the muse. He describes: “sometimes when you hear a piano, you might think it’s a conversation between a woman and a man. At the same time, it can hint at shapes of the universe and describe how a black hole looks. You can make

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Sasha

3LP | 2021 | EU | Original (Alkaane)

2LP | 2021 | EU | Original (Parradox Entertainment)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sasha introduces LUZoSCURA, a new compilation that hasevolved from the thriving eponymous playlist. Featuring adiverse package of original works from a host of fresh talent, aswell as established artists and Sasha himself, it traverse selectronica, ambient, breaks and techno. Meaning light and dark, LUZoSCURA began on Spotify as a stash of tracks sent to Sasha which didn't meet the pace of his clubsets nor suit his venerated label Lnoe, LUZoSCURA came into itsown through 2020 as Sasha gravitated toward more mellowed sounds while being off the road, and clubbers diverted their ears to home listening. Gaining a renewed source of energy inconnecting with more gifted, budding producers and seeing the project blossom, the idea for the compilation came off the back of doing a live stream solely featuring tracks from the playlist. Meticulously compiled to flow like a DJ mix for home listening, Sasha kicks it off with the buoyant, breaks-influenced 'Corner Shop', the first of his three tracks on the compilation. MJ Cole is among the established artists to feature with blissed out track 'Maestro', while The Micronaut, a multi-instrumentalist whose back catalogue was a favourite of Sasha's through lockdown, offers an immersive trip in 'Koelsa'. Lau.ra, lead singer from British experimental rock band Ultraísta, evokes a sense of spiritedness in 'I'll Wait' before we hear again from Sasha with another breaks-loaded trip in 'hndi' and a collaboration withB ritish producer Franky Wah. Closing the odyssey with a stirring, expansive soundscape is synth duo Felsmann + Tiley.

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Parra For Cuva

Juno

25,99 €*

LP | 2021 | EU | Original (Be With)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Thinking of dreamy, melancholic electronic music with an organic approach Parra for Cuva is
one of the names which come to mind immediately.
After Nicolas Demuth´s previous highly acclaimed album, Paspatou, the busy producer from
Germany kicked off the journey to his new album Juno (out July 16th) with the single ‚Ordel‘
that already accumulated 2Mio+ streams and "Dream Reverb" showing off just how much
Nicolas is an explorer of sound who cherishes collaborations and a multi-cultural approach.
Her Entrance (Innellea Remix):
For a remix of “Her Entrance” Parra for Cuva teamed up with Innellea who was named best
newcomer by Groove Magazine in 2017 and took the scene by storm with releases on
Innervisions and a recent Cercle set at Jaisalmer Fort.
Innellea´s interpretation of "Her Entrance" was shaped by his desire for extensive and intense
club nights. He adapted the mysterious mood from the original and added dynamic hihats
and driving basslines to create a remix suitable for any dancefloor.

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Maston

Darkland

Live In Stuttgart 1975 Orange Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Maston’s Darkland is a breezy collection of the material from the Tulips sessions that didn’t make it on to the original LP. Originally a digital-only release for those in the know in the autumn of 2018, after re-issuing Tulips in 2020 it made too much sense for Be With to give Darkland a vinyl release. Like Tulips, Darkland was recorded mostly in Hoorn, in the Netherlands, between 2015-2017 during downtime from Frank’s touring duties with Jacco Gardner’s band. Bits were also done in Los Angeles on some extended trips back home. The collection plays like an alternate view of Maston’s instant modern classic Tulips; a companion piece to the LP proper with similar mixture of shorter themes and more full length tracks.

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Can

3LP | 2021 | Original (Spoon)

34,99 €*

Release: 2021 / Original

Genre: Rock & Indie, Electronic & Dance

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12" | 2021 | EU | Original (Eudemonia)

Vertical67

The Early Hours

Release: 2021 / EU – Original

Genre: Electronic & Dance

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3LP | 2021 | EU | Original (Figure)

Placid Angles

Touch The Earth

31,99 €*

Keiji Haino, Jim O'Rourke & Oren Ambarchi

Release: 2021 / EU – Original

Genre: Electronic & Dance

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When the first Placid Angels album dropped in 1997, Jon Beltran was already an established force within dance music’s then-emerging scene. He had a knack for both the melodic side as well as intricately designed rhythmic programming. A signature style that went for his early records in the 1990s as much as it does for this new installment of the Placid Angles series. The blissful synths, Aphex Twin-era IDM and loose percussive patterns take you right back to where it all began when genres didn’t mean anything and Beltran was just starting out to experiment with any sound that would elevate your consciousness. The Michigan-born artist since has spanned a career of nearly four decades, remaining relevant all the while, by playing the music he found himself most drawn to express. By working with artists like Detroit veteran Carl Craig, labels such as R&S or more recently his LPs for Delsin or his joint work with Four Tet. Whether it be his more Techno-leaning or New Wave-inspired works, his takes on Ambient, or the more Latin-influenced productions - he has always stayed active and re-invented himself while painting his records with a clearly own palette that is full of beautiful melodies and a timeless sound-design. The album Touch The Earth itself comes as diverse as the artist’s own legacy, ranging from skittish, colorful UKG to proper pulsing sub-basslines as it progresses deeper into intelligent drum programming and further into the melodic ventures of what’s at the core of Beltran’s work.

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Each Side Has A Depth Of 5 Seconds A Polka Dot Pattern In Horizontal Array A Flickering That Moves Vertically

LP | 2021 | EU | Original (Black Truffle)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | UK | Original (Last Resort)

G.S. Schray

The Changing Account

12" | 2021 | UK | Original (Research)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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One of life's most difficult arts is learning to let go. You can try to cling to control in the face of a turbulent world, but the only constant we can count on is changeâ€”the tendrils of cleansing fire wiping away the old, new life springing forth from the dust and ash. So what's the point? Give yourself over to the depths. Surrender to the flow. G.S. Schray's new solo album The Changing Account is an appropriate soundtrack for learning to cope with a world we can't count on. Each piece is full of elliptical melodies that swirl with the unstable logic of dreams. Flurries of piano, guitar lines, and other more alien instrumentation shimmer delicately, but before they coalesce into familiar shapes or rhythms they change, then change, then change again. Listening is a bit like falling asleep on a long roadâ€”with each passing song you're waking up somewhere new, trying to get your bearings in another strange world. How did I get here? Where are we going? It doesn't matter. Close your eyes, drift away again.

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Big Yawn

No! Remixes

12" | 2021 | EU | Original (Raster)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Electronic four-piece Big Yawn invites five revered artists to reconstruct their debut album No!, originally released in March 2020 through Research Records.

The remixes convey a unique combination of darker textures and brooding sounds, clearly indebted to their source material.

The release features interpretations from Sleep D, Jay Glass Dubs, Maria Moles, Bullant and Raymond Scottwalker.

Rhythm merchants Sleep D (Butter Sessions) up the tempo and weave their signature expansive production in their fearless take on 'Reflex'.
Prolific producer Jay Glass Dubs (Bokeh Versions) flavours the 'Body Double' refix with looping clattering drums and glitchy murk, creating a compelling arrangement.
Like a drift into a warm gorge, percussionist Maria Moles (Nice Music) inserts gentle sustained synth work into 'Doodle Damage'.
Bullant (Flightless Records) pulls the listener out abruptly with a rework of 'Skinrat', a house-streaked churner.
Raymond Scottwalker (Fallopian Tunes) wraps up the record with another rework of 'Reflex', creating a mind-bending, aggressive industrial rejig.

Big Yawn's remix EP is a dynamic pairing to No!, entrusting an exceptional group of musicians to adhere to the spirit of the record, yet take it in a totally re-imagined direction

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Atom TM

0.9

LP | 2021 | EU | Original (Strut)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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0.9999...//READ That Sequence Like A Mantra After their successful collaboration on “<3”, AtomTM and X1N are back, this time presenting the 4 track EP “0.9”. It contains both the opening and closing tracks of “<3” as well as their corresponding mutations. While “0.9 (Almost a Unit)” was remixed by Esplendor Geométrico, “Almost a Unit (0.9)” got reworked by Peter van Hoesen. “Both renditions contribute amplified iterations of inherent attributes of <3” as X1N eloquently states. On a side note it may be mentioned that in mathematics, the expression “0.999..” is considered being identical to 1. Meditating over that very fact may tell you a lot about our current reality.

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Electric Jalaba

El Hal / The Feeling

7" | 2021 | US | Original (Mom & Pop)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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El Hal / The Feeling by Electric Jalaba

Share / Embed Wishlist supported by Thom D thumbnail David Wagstaff thumbnail dickbonham thumbnail kosmicanimal thumbnail Michael Anthony thumbnail Samuel Vonäsch thumbnail Sarapuaj thumbnail eddystone thumbnail albondiga thumbnail wfryco thumbnail Jason Boon thumbnail Dietmar Petschl thumbnail zrankfappa thumbnail npmarsden thumbnail calico jack thumbnail duncanamhp thumbnail Pedb thumbnail Daniel Patrick thumbnail mongeese thumbnail almo182 thumbnail silentlistener thumbnail Fulan 00:00 / 04:50 Digital Album Streaming + Download Pre-order of El Hal / The Feeling. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, Flac and more), plus the complete album the moment it’s released. releases March 19, 2021 Pre-order Digital Album €11 EUR or more Send as Gift El Hal / The Feeling (lp) Record/Vinyl + Digital Album package image Includes digital pre-order of El Hal / The Feeling. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, Flac and more), plus the complete album the moment it’s released. digital album releases March 19, 2021 item ships out within 3 days Pre-order Record/Vinyl €18 EUR Send as Gift El Hal / The Feeling (cd) Compact Disc (cd) + Digital Album package image Includes digital pre-order of El Hal / The Feeling. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, Flac and more), plus the complete album the moment it’s released. digital album releases March 19, 2021 item ships out within 3 days Pre-order Compact Disc €12 EUR or more Send as Gift 1. Tora Tora 2. Cubaili Ba 03:50 3. Agia Hausa 4. Daimla 03:56 video 5. Fulan 04:50 6. Shabakru 7. Briando 8. Tugra 9. Hindewu 10. Lagmami about Electric Jalaba comprises six accomplished musicians with an empathy that feels telepathic and a groove that immerses. In Arabic, the mother tongue of Moroccan-born singer and guimbri player Simo Lagnawi, a leading practitioner of Gnawa music in Britain, they call this indefinable quality, “El Hal” – “The feeling”. “It’s the feeling that comes when we’re playing and totally forgetting where we are,” says producer and bassist Olly Keen. “The feeling of being grabbed by the music and lost in the groove.”

El Hal is the new third album from Electric Jalaba and their first release in five years. It’s a multi-faceted work that finds the band tighter than ever, deploying a vast cache of influences across nine tracks improvised and developed in their south London studio then deftly produced by Keen. Some tracks pay homage to the origins of Gnawa music, whose repertoire of Arabic-language praise songs contains remnants of West African dialects – Bambara from Mali, Fulani and Hausa from the Sahel region – that point to a centuries-old migration.

“The trance-inducing effect of Gnawa was what hit us first. It was visceral, heart stopping,” continues Olly, whose siblings – producer/keys player Henry Keen, guitarist/ multi-instrumentalist Nathaniel Keen and singer/multi-instrumentalist Barnaby Keen – make up Electric Jalaba alongside revered Anglo-Italian kit drummer Dave De Rose and Simo on vocals, krakeb and guimbri. “Simo selected the chant from the traditional song suites and, as a band, we extended these short pieces of ceremonial music and experimented with sound and structure,” explains Olly.

Tracks include the funky single ‘Cubaili Ba’ featuring the disco-fied patterns of a Juno synth and the drumming of De Rose; ‘Agia Hausa’ is a multi-layered wig-out that partly takes its inspiration from Senegal’s fiercely percussive mbalax rhythms and ‘Daimla’ is a gloriously dubby ode to Allah and iconic maalems including the late Mahmoud Guinea. “There’s a very strong rhythmic element within the band but because of our different perspectives but the melodic components are really unique as well,” says Henry. That feeling of being outside of yourself but totally within yourself at the same time… That’s what all of us, collectively, are striving for.”

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Porter Robinson

Look At The Sky

13,99 €*

Release: 2021 / US – Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Mule Musiq)

Koss

Ancient Rain

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Music From Memory)

Yu Su

Yellow River Blue

Bruce Brubaker & Max Cooper

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music From Memory are excited to present the debut LP of Kaifeng born, Vancouver based artist Yu Su in collaboration with Chinese label bié Records. Titled 'Yellow River Blue' it is our first release of 2021 and the second collaboration between label and artist, following up on the strongly received EP 'Roll With The Punches' from 2019 on Second Circle. Named after the world’s most heavily silted river, 'Yellow River Blue' is Yu Su's personal musical autobiography, constructed around stories of chasing something inconceivable. Written and recorded in different continents in between August 2019 and March 2020, all songs seek to musically translate years of moving and touring, temporarily settling, and the feelings of both being turned away and accepted. In her own words, “The world is my home and it isn’t, but as long as there is generosity of water and mud...” It is an homage to her home beside the Yellow River. Yu Su's debut album consists of eight songs that are versatile in both writing and aesthetics. Versatile individually, consistent as a whole. Yu Su is in a class of her own, dodging the obvious while combining sounds and inspirations of various origins into a new destination that sounds like her home in the here and now. It's a release that is constantly in motion and moves fluently between contemporary pop, ethereal sound compositions and dance-floor experiments. 'Yellow River Blue' comes as part of a collaboration with Yu Su's co-founded new label bié Records and will be released as Mfm052 in vinyl format by Music From Memory on January 25th 2021, after seeing a full digital album release via bié on January 22nd in the new Year of the Ox, according to the Chinese zodiac. Both formats come in different exclusively designed artworks.

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Glassforms Versions

12" | 2021 | EU | Original (Infine)

16,99 €*

LP | 2021 | EU | Original (Moloton)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Laurel Halo, Donato Dozzy and Teheran sound artist Tegh give us their “Glassforms Versions"alongside a new edit by Max Cooper. The works of Philip Glass are reflected and refracted in a myriad of ways by some of the most renowned electronic artists alive, making for a blissful, multi-dimensional listening experience.

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Linus Hillborg

Magelungsverket

20,39 €* 23,99 € -15%

LP | 2021 | EU | Original (Be With)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Linus Hillborg’s solo debut lures listeners through despaired soundscapes of justly tuned electroacoustic orchestral arrangements seeped in rich harmonic synthesis. Magelungsverket is a rendering of materials from Hillborg’s own computer game hacking project, Orphan Works, where an obsolete game engine was modified to create an interactive installation in which participants drive through the purple midnight streets of a decrepit and abandoned Stockholm. The rendered pieces on Magelungsverket have been adapted from Orphan Works’ interactive and generative material into separate, fixed compositions, bound by duration, each one named after a location in this fictional, virtual Stockholm.

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Steve Moore

Analog Sensitivity

2LP | 2021 | EU | Original (Switchstance)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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When a synth master like Steve Moore joins forces with the legendary KPM, magic must materialise. And so it does with Analog Sensitivity: cinematic, enigmatic synthscapes to both haunt and heal. New York-based multi-instrumentalist/producer/film composer Steve Moore is probably best known for his synthesizer and bass guitar work as Zombi, together with Anthony Paterra. But he is also part of Miracle and Titan as well as being a prolific solo artist releasing music as Gianni Rossi, Lovelock and under his own name. The story of Analog Sensitivity starts with those soundtracks, or more specifically the time in between them. Rather than being commissioned by KPM, this LP comes from music Steve was recording sporadically and tinkering with for over three years during the downtime between his film projects. There were no ideas about what it was nor a plan for how it would be released, or even if it was going to be released at all. However, after Jon Tye invited him to play on the Ocean Moon project for KPM Steve realised that the hallowed library label might be the perfect home for what he had been working on. The people at KPM agreed. Finishing production in late 2019 in Albany, NY, he came up with the track sequencing and suddenly, he had an album: Analog Sensitivity.

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Ancient Astronauts

Zik Zak

30,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Erased Tapes)

Nils Frahm

Tripping With Nils Frahm

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2019 | EU | Original (Cold Light)

Sunun

CL003

13,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Vilod (Villalobos & Loderbauer)

The Clouds Know

2LP | 2019 | UK | Original (Mana)

20,79 €* 25,99 € -20%

Cats Do Not Care About Glasses

Release: 2019 / UK – Original

Genre: Electronic & Dance

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“Cryptic, twilight emissions from Villalobos and Loderbauer; their synthetic compound of electronics and ouroboros jazz has walked from ECM and Perlon over to Mana.

Developing a sound that tends to drift along as otherworldly atmospheres and strange fusion, Vilod evade easy categorisation, even compared to Villalobos’ already experimental and genre-twisting solo minimal offerings. He and Loderbauer pull away the backbone inherent to the structure of that dance music, and The Clouds Know refines a deft and subtle musical noir built on ambient cues, sparks and claps of electricity, brushed drums, black voids and subterranean bass swoops. There's a twinkle in the eye and moments of deadpan levity, but the overall mood here is sober and introspective. Emotions run deep.

Through studio mastery and an enigmatic language the album forms a fascinating sonic and sensory work with few compromises. With erratic rhythms notably submerged—techno remains as an irregular pulse in the belly of the beast—fields of crisp, uncanny detail expand greatly. Humid environments appear, dense with the chatter of synthesised insects and the gentle rain of drums and whispering cymbals, enchanting the listener in focus or sublimating into layers of ambience depending on your disposition - and the quality of your stereo field.”

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Juan Moretti

LP | 2019 | EU | Original (Hell Yeah)

LP | 2019 | US | Original (Dark Entries)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Summer might be fading away, but the good time grooves keep on coming courtesy of Hell Yeah’s next album project: Cats Do Not Care About Glasses is the latest from all round musical talent Juan Moretti, who fuses together jazz, hip hop, electronics, soundtracks, musical experimentation and much more into a freeform album of intoxicating sonic journeys.
Moretti is a bassist, drummer, composer, arranger, visual artist, DJ, hard clubber and good food lover who has been plotting his own route since the early nineties. He is co-founder of the 3IO jazz band and Things Happen nu disco duo who has been involved with theatre shows, short soundtracks, visual installations, festivals, DJ sets, experimental art and more. Drawing on all that and heading off into the unknown, out of his comfort zone and into brave new sound worlds, he goes where the compositional process takes him without a view to any specific genre or style.
That plays out across the seven suburb tracks, with opener ‘Flare’ managing to be a worldly ambient piece as well as a slow motion acid track, a blissful balearic trip but also a majestic melodic masterpiece. ‘Fahrenheit’ fuses cosmic Sun Ra jazz with glistening electronics that drown you in warm sunshine, and ‘Insane’ has a tropical feeling and gentle bossa rhythm, but intensely freeform synths that tie you up in knots.
The midpoint sinks you into the breezy wind instruments, afro vocals and gently lilting guitar licks of ‘Fortaleza’ before ‘Claustrophonic’ is another celestial electronic jazz epic with withering sci-fi synths and live drums that constantly evolves. A swaggering dub beat and drifting sax line make ‘Moroboshi’ a low key beach club classic in the making, and finally ‘Backdoor (Mad The Cat)’ is a lush hip hop vibe awash with breezy licks and steamy chords.
This is a brilliantly inventive album that brings together jazz, electronics and hip hop in truly magical new ways.

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Dark Day

Darkest Before Dawn

LP | 2019 | UK | Original (Cache Cache)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Dark Day is the brainchild of Robin Crutchfield, a New York City based musician, performance artist, and writer. Robin’s musical path began in 1977 when he formed the no wave group DNA with Arto Lindsay and Ikue Mori. In 1979 Crutchfield left DNA to pursue his more synthesizer-based solo project. He released the ‘Hands In The Dark’ 7” followed by two albums, ‘Exterminating Angel’ in 1980 and ‘Window’ in 1982. In 1984 he re-launched Dark Day as an acoustic chamber ensemble performing ethereal soundscapes and self-released two cassette albums “Obsession” and “Beyond The Pale”. ‘Darkest Before Dawn' is a collection of 13 songs recorded between 1985-86, released on CD in 1989 that have never been pressed to vinyl before. The album is a lost medieval collection of pagan tunes for private ceremonies. Played on echoey pipe organ backed by saw-like rhythmic cello lines and melodic woodwind recorder, driven by the beats of rattles, bells, and drums. These simple, cyclical layered instrumental rounds owe much to the inspiration of Moondog as well as the efforts of the Penguin Cafe Orchestra and Dead Can Dance. The original press release stated, “Serious gothic organ works which cross Captain Nemo's Nautilus pipe organ with the standing stones of Stonehenge and reminisce Babylonian battle hymns and Egyptian burial ceremonies.” All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in jacket featuring illustrations from Thomas Bewick’s ‘Vignettes’ and includes a double sided insert with photos and notes.

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Biting Tongues

Live It

Joe McPhee, Charlie McPhee, Graham Lambkin & Oliver Lambkin

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Essential misplaced DIY tape adds jagged jigsaw piece to Manc punk funk
legacy.

The “difficult second album” by Biting Tongues originally released on a
minuscule cassette run by The Buzzcocks’ vanity label.

Live It is a welcome misplaced release and an essential addition to Finders
Keepers’ Cache Cache catalogue. Biting Tongues make wise heads!

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Live In The Batcave

LP | 2019 | EU | Original (Black Truffle)

LP | 2019 | EU | Original (Don't Be Afraid)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Presented in a gatefold sleevewith extensive photographic documentation and liner notes from Joe McPhee. Black Truffle invite you to an evening of drunken revelry in the Batcave! After a chance meeting at a local supermarket in Poughkeepsie, New York, Joe McPhee and Graham Lambkin have performed together as a duo extensively in recent years, in addition to their joint work excavating some of the wildest tapes from McPhee’s archive for Lambkin’s now defunct Kye label. Live in the Batcave documents an evening the two friends spent together in the company of Joe’s brother Charlie and Lambkin’s son Oliver in November 2017 at Charlie’s house in Poughkeepsie. The LP captures seven increasingly drunken snapshots of the four shooting the breeze, playing flutes and whistles, drumming on anything at hand, and playing records. Edited together in Lambkin’s distinctive style of lo-fi domestic tape collage, the multiple simultaneous cassette recordings of the shenanigans abruptly cut in and out and fall out of sync, creating disorientating, woozy echoes. Mics are bumped, stories are told, drinks are poured, text messages arrive, and AACM-esque flute jams are interrupted by violent bursts of laughter and wet-mouthed sound poetry. All the while, classic soul records play, initially in the background, but coming increasingly to the fore until the record culminates in a strangely moving free-associative singalong. Presented in a gatefold sleeve with extensive photographic documentation and liner notes from Joe McPhee, Live in the Batcave is a truly unique document that exists somewhere between free jazz, audio verité, performance art, and everyday life. File next to your copy of Das Kümmerling Trio. ‘Our music was born from the sounds of jazz, funk, soul, noise … sounds with no other reason so exist, except because they did, sounds which occurred like putting one step in front of the other to see if the way was clear to take the next step. The plan was, there is no plan, just start at the beginning, end at the end and party like it’s 1999’ – Joe McPhee

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rRoxymore

Face To Phase

20,99 €*

LP | 2019 | US | Original (YNFND)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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rRoxymore's long-anticipated debut album, Face To Phase, was born of her annual creative hibernation practice. Whereas her previous appearances for Don't Be Afraid - Thoughts Of An Introvert, Parts 1 & 2 - revealed inner worlds of saturated colour and natural expressiveness, she retreated into her studio at the turn of winter 2018 occupied with the idea of dismantling the dancefloor-centric pressure paradigm.
The resulting album, Face to Phase, finds rRoxymore methodically and mindfully stripping back to fundamentals: rumbling minimalist dub, sparse polymetric drums, boldy unpredictable melodic narratives and subtleties which hover out-of-reach or disappear into vapour. Forged by the spirit of club music cultures, Face To Phase favours deep listening; resisting the temptation to reflect on the past or project towards the future, it's an album that is firmly rooted in the contemporary.
Sparked by her own archive of field recordings, and produced primarily but not exclusively in the box, Face To Phase adds several facets to rRoxymore's already wide repertoire. The pensive and beatless opener "Home Is Where The Music Is" was inspired by her longtime friend Planningtorock, while "Forward Flamingo" is a spiraling dream-state of house music dissociation; elsewhere "Energy Points" remains anchored to the ocean floor, radiating heavy dub waves, "Passages" is a ghoulish skeleton of UK break beats, "What's The Plan" closes the album in a blissfully blunted fashion, while twisting, shape-shifting rhythms push and pulse "PPS21" into series of ever-evolving shapes and forms.
Through and in between the eight songs of Face To Phase, rRoxymore fortifies her status as a seasoned artist, grounded by over a decade of live performance and touring, collaboration, composition and experimentation. With a new live performance collaboration with a percussionist set to debut the LP at Atonal on 1st September, rRoxymore is primed to expand her reputation even further as one of the most vital and distinctive artists on the fringes of contemporary club culture.

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Kusht

Together

14,99 €*

Magdalene Black Vinyl Edition

Release: 2019 / US – Original

Genre: Electronic & Dance

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Kusht surfaces with a playful release full of tottery synths, crisp percussions and mind-bending samples. On this 6-track LP released on almost occult YNFND from Germany's ever rainy baltic coast, the Scottish producer easily blends bluesy guitar riffs
with wailing electronic pads. Shuffled backbeats melt with ominous samples into a sticky glue, trapping every listener into a bouncy dance. Kusht can already look back on a vivid and versatile back-catalogue but still manages to top it off with a many-sided and thought-out work of art in his signature style. This 12" full of folkloristic beats has what it needs to become one of this year's secret weapons, with early support of some of Germany's acknowledged tastemakers.

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FKA Twigs

LP | 2019 | UK | Original (Young Turks)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Keiji Haino / Merzbow / Balazs Pandi

Become The Discovered, Not The Discoverer

LP | 2019 | EU | Original (Rarenoise)

36,99 €*

LP | 2019 | EU | Original (Salin)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A certain magic floods the room when free improvisers of the highest order get together to make music. And when said improvisers are also kindred spirits who know and can anticipate each other's moves, a kind of wonderful telepathy takes over. Such was the case when enigmatic Japanese noise legend Merzbow (Masami Akita) got together in the studio with fellow countryman Keiji Haino and Hungarian drummer Balazs Pandi for Become The Discovered, Not The Discoverer. For their second encounter for RareNoise Records, following 2016's An Untroublesome Defencelessness, the three intrepid improvisers explore a threshold of sound so blisteringly intense, that it passes into a zone of divine cacophony. Comprised of four lengthy, uninterrupted suites, each containing dense, sometimes harsh sonic onslaughts, Become The Discovered, Not The Discoverer is fueled by Merzbow's cathartic sheets of electronic sound and guitar, Haino's slashing guitar, bass and vocal work and Pandi's pummeling intensity on the kit.

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Sable Blanc

Homecoming

16,99 €*

Dreams Are Not Enough Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Salin Records proudly presents Sable Blancs debut album „Homecoming“. Each Salin Records release is about telling a story and taking you on a journey. The day Sable Blanc told us about the idea of producing an EP based on the memories of a trip to New York City he made with three close friends in the summer of 2018 we instantly fell in love with this idea. After a few months of intense work, it became an LP - Sable Blanc‘s debut album and also a debut for Salin Records as this is the first album for the label. Inspired by the beautiful colours, outstanding energy and peace all around New York City that specific summer, Sable Blanc produced „Homecoming“. Every track on the album is about memories and friendship. For two reasons it felt like coming home for him. He lived a few years in the US and went to high school there. It was amazing to come back and finally meet a very close friend again. Sable Blanc chose a photo for each track - taken by his friend Adrien Philibert - which connects to the moment that inspired the track. Daria Salin developed the photos using the cyanotype, an analogue photo development process that was also used for the cover background. Together with the stories that Sable Blanc tells about each photo, the cyanotypes build an artistic booklet that is a special feature of the album. Homecoming is an album for a quiet, cosy evening, where you sit back in your favourite chair and hold the booklet in your hand to follow Sable Blanc and his friends on their trip to New York City. Enjoy the trip...Thank you for your support <3 Christophe & Daria

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Telefon Tel Aviv

2LP | 2019 | US | Original (Ghostly International)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Mezzanine (The Mad Professor Remixes Vinyl)

Massive Attack

LP | 2019 | EU | Original (Virgin)

43,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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High Atlas To The Sahara Desert

Ross Alexander

LP | 2019 | EU | Original (Discrepant)

LP | 2019 | UK | Original (Brainfeeder)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ross Alexander first came to our attention with Memorias Vol.1 - Bugandan Sacred Places, released back in 2017 on Sucata Tapes, it featured a mind altering mix of recorded sounds from a series of visited sites considered sacred within the Bugandan kingdom and session recordings with Ugandan musicians Albert Sempeke and the Nilotika Collective layered with his own original composition using the Yamaha DX7 and programmed FM synthesis. The result being an unique reconfiguration of new age vocabulary with East African traditional sensibilities. The tape quickly sold out and the new Volume of Memorias presented here arrives now on the mother label Discrepant, on Vinyl with an expanded sound palette appropriate to the format.

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Salami Rose Joe Louis

Zdenka 2080

25,99 €*

Release: 2019 / UK – Original

Genre: Electronic & Dance

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LP | 2019 | CZ | Original (Dais)

Pink Turns Blue

Meta Black Vinyl Edition

12" | 2019 | EU | Original (Kaizen)

Release: 2019 / CZ – Original

Genre: Electronic & Dance

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Recorded on the heels of their debut album If Two World Kiss (Also reissued by Dais on August 9th) and informed by the band's oscillating live synergy and bolstered by a boon of new equipment and texture, Pink Turns Blue's sophomore album Meta (1988) was a conceptual leap predicated by the study of sound and exploration of its edges. With the same fervor that Joy Division mined deeper, darker, and less linear on Closer, Meta is a cohesive meditation on atmosphere and how every note and passage can traverse space individually and as part of a larger narrative. Singles "Touch the Skies" and "Your Master Is Calling" are the albums cornerstones; airy, steady, and driving tracks with a depth of melody and orchestration that sparked a shimmering new example of dark pop. The instrumental balance throughout the album creates a strobe light journey later echoed throughout gothic compatriots exploring minor keys and nocturnal themes.

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Silas And Snare

Pressure EP

LP | 2019 | UK | Original (Finders Keepers)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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KZN005 sees Silas & Snare return to the Kaizen fold with the three-track 'Pressure' EP. Lead track 'Pressure' is a continuation of Kaizen's recognisably weighty bass-inspired sound, carried by hefty kicks and screwed synths after a lengthy cosmic build-up. A downtempo influence runs through 'Dreamscape', the floaty synths countered with skittering drums, while EP closer 'Whistle Blower' is packed with industrial percussion and creepy bleeps made for those heads-down, screw-face moments on the dancefloor. This EP comes three years after Silas & Snare's Kaizen debut, 'Biometric'. Gear up and get ready for some 'Pressure'!

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Suzanne Ciani

Flowers Of Evil

12" | 2019 | EU | Original (Avian)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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As a genuine vanguard of electronic music composition at the forefront of the modular synthesiser revolution in the late 1960s, Suzanne Ciani’s forward-thinking approach to new music would rarely look to the past for inspiration, which makes this unheard composition from 1969 a rare exception to the collective futurist vision of Ciani and synthesiser designer Don Buchla. In choosing to adapt the controversial prose of French poet Charles Baudelaire, Suzanne would join the ranks of ongoing generations of pioneering musicians like Olivier Messiaen, Karlheinz Stockhausen, Serge Gainsbourg, Etron Fou Leloublan, Celtic Frost and Marc Almond (not forgetting Star Trek’s William Shatner!), all equally inspired by the 19th century writer’s works of “modernité” (modernity), a self-coined term dedicated to capturing the fleeting, ephemeral experience of life in an urban metropolis, best exemplified in his symbolic, erotic and macabre ode to Parisian industrialisation, Les Fleurs du mal (Flowers Of Evil).
In her varied career that would combine art gallery installations, major film soundtrackings and commissions for Atari, Suzanne Ciani’s earliest experiments remain some of her most challenging, beguiling and timeless... Flowers Of Evil ticks all the above boxes and flicks switches that would power-up a new uncharted universe of her own musical modernité. For the many enthusiasts that have already drawn the parallels between Baudelaire’s writings and experimental/electronic music (a relationship rivalled only by the likes of J. G. Ballard and Aldous
Huxley) some might instantly recognise an unconscious sistership between this recording and another 1969 electronic adaptation of Flowers Of Evil by celebrated female electronic composer Ruth White. An interesting distinction of White’s excellent version of Flowers Of Evil (released via Limelight records, home to the likes of Fifty Foot Hose and Paul Bley) is that its dark tone generation and vocal manipulation was created with a Moog synthesiser, the commercially triumphant
rival to Suzanne and Don’s Buchla Systems (Buchla and Moog’s historic, simultaneous, neck-and-neck synth developments are well documented.) The fact that Ciani’s version was never intended for commercial release (not unlike her 1975 Buchla concerts, which could easily have taken Morton Subotnick’s Bull by the horns!) is also poetically reflective of the nature of Ciani and Buchla’s alternative perspective. The choice to present this extract from Flowers Of Evil in its intended French language further distances Ciani’s faithful reaction from some of its better-known variations. Having attempted to voice the poem herself, the multilingual Italian-American composer’s French accent did not meet her own standards, resulting in the request for a fellow unnamed French student who lived on campus at Mills College in Oakland to accurately verbalise the section of Baudelaire’s collection entitled Élévation.

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Plants Army Revolver

Yguana

11,99 €*

Samuel Kerridge & Taylor Burch

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Plants Army Revolver debut on Avian. The Italian live act will join Avian for a five track EP showcasing the pair’s breadth as producers. Working within the bounds of a carefully refined sound palette, Marco Ragni & Birgan Valentin look to the more muted, tentatively melodic end of loop Techno, with excursions into washed out Ambient & leftfield Electronica, placing the focus on sound texture & tone.

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The Other

2LP | 2019 | EU | Original (Downwards)

LP | 2019 | US | Original (Soft Abuse)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Sam Kerridge teams up with DVA Damas’ Taylor Burch in ‘The Other’, a narrative-structured collaboration set to an absorbing contrast of seething electronics and technoid impulses riddled by droll vocals in billowing negative space. Opening his sound up to mutual spirits, and allowing more space and time for his sounds to take hold, ‘The Other’ locates a newfound sense of maturity and sensuality in Kerridge’s music. His arrangements here feel more layered and ductile, finely consolidating the gloomy slow pressure of his earliest work for Horizontal Ground with the uptick in pace and rabid energy found on 2017/2018’s ‘The Silence Between Us’ and ‘The I Is Nothing’. The adaptation is necessary as the music now accounts for half of an AV live project with Daisy Dickinson and also needs to accommodate Taylor Burch’s low key vocal delivery. In the process Kerridge is pushed to rethink and more subtly reframe his sound after seven years squashing and pummelling listeners into submission.

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Steven R. Smith

A Sketchbook Of Endings

LP | 2019 | EU | Original (Unseen Worlds)

Release: 2019 / US – Original

Genre: Electronic & Dance

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With nearly 25 years of solo recordings and releases to his credit, hermetic Californian Steven R. Smith goes back to the start with A Sketchbook Of Endings, the first solo release under his own name in eight years. This album continues Smith’s exploration of the intersection of moody post-punk and cinematic psychedelia, delivered in lysergic pop song-length spurts.

Brevity does nothing to sacrifice density or dynamics—Smith offers both in abundance across the album’s fifteen instrumentals. These songs are packed with all of the depth, intensity and nuance that have been trademarks of his music for so long. Despite appearing under his given name, A Sketchbook Of Endings includes traces of recent work, under guises such as Ulaan Khol, Ulaan Markhor and Ulaan Passerine, as well echoes of his forebearers Mick Harvey and Rowland S. Howard. This release is a highlight of Smith’s first quarter century of activities, a beacon of his rich and varied anti-career.

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Gene "Blue" Tyranny

Out Of The Blue

22,79 €* 23,99 € -5%

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Flamagra Black Vinyl Edition

Flying Lotus

2LP | 2019 | UK | Original (Warp)

36,99 €*

LP | 2019 | EU | Original (Dial)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Black Vinyl in gatefold sleeve with mp3 code included!

Almost five years have passed since the last album by Flying Lotus, You're Dead! and he has had many irons in the fire. Collaborating on Kendrick Lamar's To Pimp a Butterfly, playing a key role in the production of Thundercat's Drunk, writing and directing the hallucinatory horror film Kuso, all the while working on his next afro-futurist masterpiece, Flamagra.

Drawing the lines between the galaxies of hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM and the beat scene of his hometown L.A, Lotus creates a universe that is uniquely his own. Calling on an all-star cast from the cosmos, Anderson .Paak, George Clinton, Little Dragon, Tierra Whack, Denzel Curry, David Lynch, Shabazz Palaces, Thundercat, Toro y Moi and Solange; Lotus takes these artists on an astral plane to explore his world of fire.

“I’d been working on stuff for the past five years, but it was always all over the place. I’d always had this thematic idea in mind—a lingering concept about fire, an eternal flame sitting on a hill,” Lotus says. “Some people love it, some people hate it. Some people would go on dates there and some people would burn love letters in the fire.” - Flying Lotus.

Hold tight, Fire is Coming.

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Tracey

Biostar

12,59 €* 20,99 € -40%

Mother Earth's Plantasia Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A new addition to the label’s extended family, Tracey arrives on Dial with his debut LP, Biostar. Following previous releases on Aus Music, Voyage Direct and Intergraded, ‘Biostar’ pushes the technical and emotional craft of this vital young producer in exciting new directions, submerging listeners in thirteen tracks of sublime electro, ambient experimentation and warm, tonal techno. Based in the Netherlands, Tracey’s music is undoubtedly indebted to a legacy of emotive electronic music, the sort whose stark futurist vision cannot be equalled. Instead he strives and succeeds to create something personal and charismatic from a perhaps familiar palette of sounds.

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Mort Garson

LP | 2019 | US | Original (Sacred Bones)

2LP | 2019 | EU | Original (Music From Memory)

Release: 2019 / US – Original

Genre: Electronic & Dance

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If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.
Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”
But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed.
“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.
Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia's new renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.

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Suso Sáiz

Nothing Is Objective

Palomo Wendel (Natureboy Flako)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Spanish ambient composer Suso Saiz deepens his relationship with Music From Memory with the release of a new album, Nothing Is Objective. This joins 2017’s Rainworks as his second full-length album for the label, following archival collections of solo music and of his group Orquesta De Las Nubes.
Nothing Is Objective was recorded in Madrid in 2018 during a period of transcendental change and creative awakening for Suso. It captures the composer as he develops a renewed relationship with his instruments and craft, channeling a dialogue between the meticulous use of technology and the outer reaches of human expression. Suso’s universe is one that remains in constant mutation and emphasizes time above all else. His radiant drones are a nest of hidden feelings; they glisten with complex emotions and textures, teasing out moods of vulnerability and hope. Nothing Is Objective is a delicate and intimate record that harnesses smalls drops of sentiment for listeners to withdraw into. Released in a gatefold 2xLP it features collaborations with Austrian guitarist Christian Fennesz, liner notes by John Gómez, and music dedicated to Suso’s friend, the late Mexican musician Jorge Reyes. Nothing Is Objective cements Suso’s place as one of the label’s central and most loved artists.

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Morning Glow

LP | 2019 | EU | Original (Materialized Moments / HHV Records)

2LP | 2019 | UK | Original (Fabric)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Limited edition of 300 copies on black vinyl.

“Morning Glow” is the first release by Natureboy Flako under the Palomo Wendel moniker, capturing positive energies with a gentle and bright attitude. Recorded during the breaking light of dawn, it embodies the pureness of the rising sun and invites for untroubled moments in time.

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Bonobo

Fabric Presents: Bonobo

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Ushering in an exciting new era for the label, nightclub, and mix series, Bonobo opens the Fabric Presents series. His highly textural aesthetic translates into an ethos that looks to introduce a more open musical palette for the label. His mix features "Roach" from his rare pop-up alias Barakas and employs multi-instrumental arrangements in this 74 minutes of house, techno, electronica, and breakbeat. Features ten exclusive or unreleased tracks, including two from Bonobo and one from his Barakas alias. Bonobo's first official mix release since LateNightTales in 2013 and follows on from the world-wide success of Migration in 2017. Also features Poté, Alex Kassian, Âme, Durante, Dark Sky & Afriquoi, Olsen, O'Flynn, TSHA, Will Saul, Titeknots, Dan Kye, R. Lyle, Rhone, Laurent Garnier, Throwing Snow, Nepa Allstar, DJ Seinfeld, Earth Trax & Newborn JR, Annjet, and John Beltran.

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Munk Presents Teutonik Disaster

2x12" | 2019 | EU | Original (Toy Tonics)

LP | 2019 | UK | Original (Latency)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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German New Wave Funk 1979 - 1983 Compilation originally released 2003 on Gomma records. A very special compilation. 8 edits and reworks of rare German New Wave Funk and Disco Punk.

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Martina Lussi

Diffusion Is A Force

18,99 €*

3LP | 2019 | EU | Original (Kompakt)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Martina Lussi’s second album fuses together disparate sound sources with a disorienting
quality that reflects the modern climate of dispersion and distraction. The Lucerne, Switzerland- based sound artist released her debut album ‘Selected Ambient’ on Hallow Ground in 2017, and now comes to Latency with a bold new set of themes and processes.

The range of tools at her disposal spans field recordings, processed instrumentation, synthesised elements and snatches of human expression. The guitar is a recurring figure, subjected to a variety of treatments from heavy, sustained distortion to clean, pealing notes. Elsewhere the sound of sports crowds and choral singing merge, and patient beds of drones and noise melt into the sounds of industry and mechanics. The track titles manifest as a compositional game of deception complete with innuendos, empty phrases and claims – flirtations with perfume names and ironic assertions.

From the volatile geopolitical climate to the changing nature of music consumption in the face of streaming and digital access, ‘Diffusion is a Force’ is a reflection on fractured times where familiar modes and models change their meaning with the ever-quickening pace of communication.

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GAS

Zauberberg

45,99 €*

Small Moon White Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included.

Wolfgang Voigt’s most fundamental (and foreboding) release under his alias GAS and perhaps of all in his untold discography – finally stands alone once again and is released in the way its original splendour. Originally released in 1997 on the iconic Frankfurt imprint Mille Plateaux, and then reissued in 2016 as a part of GAS “BOX”, Zauberberg is now released on his own label KOMPAKT on 180 gram vinyl in its original. Though this narcotic symphony is not the first release under the GAS moniker, Zauberberg is the first to disclose the true nature of Wolfgang Voigt’s unified sound and ideology as GAS. Layers of ominous intensity supported by muffled kick drums as classical music loops incessantly swirl with no direction, Zauberberg is the definitive GAS album and a perfect starting point for those not familiar with his music.

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Chris Carter

2LP | 2019 | UK | Original (Mute)

2LP | 2019 | EU | Original (!K7)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Includes downloadcode!

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Bjarki

Happy Earthday

20,99 €*

Sounds From The Village Volume 2

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Electronic artist and founder of bbbbbb Bjarki announces new
album ‘Happy Earthday’ with a slew of tour dates in the new year,
including shows in London, Berlin, Paris, Amsterdam, Sydney and
Barcelona.
“Maybe you can feel the melancholy of my life, the nature overall.
Volcanos and the lava flowing down the slopes, the frightening
noise of the ocean beating the land, the strong wind in the
mountain passes and a glimpse of the first ray of the rising sun
over the glacier. Now that is the dawn of a new day.”
An expressive electronic album filled with sadness, yet one with
the sort of positive, stirring resolve that leaves you feeling utterly
comforted, Bjarki’s new album ‘Happy Earthday’ is influenced by
his home country Iceland as well as environmental issues.
Having released bodies of work on Nina Kraviz’s label and
his own label bbbbbb, Bjarki views ‘Happy Earthday’ as his
proper debut album; he feels it’s a more coherent and conceptual
body of work that finds him offering up music he never thought he
would release.

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Al Dobson Jr.

LP | 2019 | EU | Original (Izwid / HHV Records)

18,99 €*

12" | 2013 | US | Original (Sound Signature)

Release: 2019 / EU – Original

Genre: Hip Hop, Electronic & Dance

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We are super excited to present Al Dobson Jr.'s second "Sounds From The Village" issue on almighty Kutmah's Izwid imprint on vinyl. 23 tracks in total. Artwork by Kutmah. Sleeve design by Brandy Flower of the Hit+Run Crew.

Volume 2 in the series unearths more drum tracks and abstract musical curation from the Dobson Jr. archives. Fonk tales & movie scene interludes from a span of 2006-2016 compiled by Kutmah.

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Theo Parrish

Long Walk In Your Sun

15,99 €*

LP | 2013 | UK | Original (Important)

Release: 2013 / US – Original

Genre: Electronic & Dance

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New 2 track EP from Theo Parrish. Far Out Sounds from the boss! Nuff Said!

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Pitreleh

28,99 €*

2LP | 2013 | US | Original (Dark Entries)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Full length collaboration from Duane Pitre & ELEH. Pitreleh use high resolution analog and digital tools to create music utilizing natural vibrations and harmonics as rhythm and melody. Inspiration is drawn directly from vibrational waves (sound, gravity, water). The electronics, of which both pieces are constructed, are tuned using pure intonation which utilizes the prime numbers: 1-3-5-7.

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Patrick Cowley

School Daze

32,99 €*

2LP | 2013 | UK | Original (Late Night Tales)

Release: 2013 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Perhaps one of the most revolutionary and influential people in the cannon of disco music, Patrick Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." This very special LP features a compilation of restored Cowley productions unearthed in the garage of vintage gay porn company Fox Studio. Spanning nearly 90 minutes, the 11 tracks (originally recorded between 1973 and 1981), epitomize Cowley's forward thinking and his affinity for mixing elements of varying styles of music. Simply put, Cowley was a musical trailblazer ahead of his time. His credits as a producer include SYLVESTER's "Do You Wanna Funk,” PAUL PARKER’s "Right on Target" and collaborations with JORGE SOCCARAS of INDOOR LIFE—this is just the tip of the iceberg. An early victim of AIDS, Cowley passed away at the age of 32; these recordings shine a new light on the experimental side of a disco legend who was taken too soon from us. Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, Muscle Up and School Daze, never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, JORGE SOCCARRAS. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon.

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Four Tet

Late Night Tales

LP | 2013 | UK | Original (Invada)

Release: 2013 / UK – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Another great comp on the Late Night Tales imprint feat. Rahsaan Roland Kirk, Koushik, Gravediggaz, Madvillain, Fairport Convention!

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College

Heritage

30,99 €*

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Cold Spring Fault Less Youth

Mount Kimbie

2LP | 2013 | UK | Original (Warp)

38,99 €*

LP | 2013 | EU | Original (Ghostly International)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Oh yes, finally the follow-up to Mount Kimbie's critically acclaimed debut "Crooks & Lovers", now on Warp Records!

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Beacon

The Ways We Separate

Atoms For Peace (Thom Yorke)

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Thomas Mullarney and Jacob Gossett, aka Brooklyn duo Beacon, introduced themselves to the world with the No Body and For Now EPs, both released last year on Ghostly International. The EPs were united by minimalist, R&B-influenced instrumentation, and also by a lyrical theme, with both serving as meditations on the darkness that underpins the most intense of human emotions: love.

The duo's debut album The Ways We Separate both consolidates and develops these ideas. The album focuses, as the title suggests, on the idea of separation — both within the context of relationships and in a more intimate, psychological sense. As Mullarney explains, "The narrative contained inside The Ways We Separate deals with two kinds of separation: one where two entities grow apart, and the other where we grow apart from ourselves. Over the course of a relationship, the two sometimes happen together, one being the result of the other."

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Amok

2LP+CD | 2013 | UK | Original (XL)

30,99 €*

2LP | 2019 | UK | Original (LateNightTales)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Nigel Goodrich, Flea (Red Hot Chili Peppers), Joey Waronker (Beck, R.E.M.), Mauro Refosco (David Byrnem Peppers) & Thom Yorke are Atoms For Peace!

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Floating Points

LateNightTales

LP | 2022 | EU | Reissue (Muscut)

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with slightly bumped corner, close to NM

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Nikolaienko

Nostalgia Por Mesozoica