Downbeat | Electronica | Leftfield 909 Items

Release: 2018 / EU – Original

Genre: Electronic & Dance

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LP | 2018 | EU | Original (Caroline)

Carpenter Brut

Leather Teeth

Release: 2018 / EU – Original

Genre: Electronic & Dance

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LP | 2016 | EU | Original (Erased Tapes)

Rival Consoles

Night Melody

Abandon 15th Anniversary Black, White & Orange Vinyl Edition

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Electronic musician Ryan West's latest release as Rival Consoles has a level of warmth and humanity missing from his earlier records. This is his most expressive and emotional music yet. - pitchfork.com

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Pharmakon

LP | 2013 | US | Reissue (Sacred Bones)

2LP | 2018 | UK | Original (Wolf Music)

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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In celebration of the label's 15th year anniversary Sacred Bones is now repressing this legendary debut on Colored Vinyl for the very first time. The vinyl colour is a mix of black, white & orange! Margaret Chardiet was born and raised in New York City. As a founding member of the Red Light District collective in Far Rockaway, NY she has been a figurehead in the underground experimental scene since the age of seventeen. She describes her drive to make noise music as something akin to an exorcism where she is able to express, her "deep-seated need/drive/urge/possession to reach other people and make them Feel something [specifically] in uncomfortable/confrontational ways." Engineered by Sean Ragon of Cult of Youth, Abandon is Pharmakon's first proper studio album and also her first widely distributed release. The songs on this album were all written and recorded during a turbulent three month time period during which several fundamental life changes forced her to begin living in a completely new way and in a new space. She describes the lyrical themes of this album as being about "Loss. Losing everything. Relinquishing control. Complete psychic abandon. Blind leaps of faith into the fire, walking out unscathed. Crawling out of the pit."

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Moomin

Yesterday's Tomorrows

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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4x12" | 2016 | US | Original (Infrastructure New York)

Infrastructure Facticity

LP | 2018 | US | Original (Mailboat)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. With insert. Limited edition

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Jake Shimabukuro

The Greatest Day

Release: 2018 / US – Original

Genre: Electronic & Dance

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Holding Onto Yesterday White & Blue Swirl Effect Colored Edition W/ Pink Splatter

Stilz

LP | 2018 | EU | Original (Electronic Purification)

12" | 2012 | UK | Reissue (Warp)

Release: 2018 / EU – Original

Genre: Electronic & Dance, Pop

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black flood print inside. synthwave

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Flying Lotus

Reset

Release: 2012 / UK – Reissue

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2018 | UK | Original (Hessle Audio)

Bruce

Sonder Somatic

LP | 2018 | EU | Original (Ish)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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The record is deeply varied in styles, ideas and tempos; from the tight rhythmic groove of album opener 'Elo' to the weaponised onslaught of ominous club cuts 'What' and 'Cacao' - through drifting, meditative techno and the skeletal sound design of 'Ore' and 'Baychimo.' Each track shifts the tonal mood in subtle and distinct ways, whilst retaining a consistent icy sound palette infused with colour and human warmth.

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Pablo Color

La Calle Roja

Autobiography (Music from Wayne McGregor's Autobiography)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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12inch Japanese style with Obi and heavy tip-on sleeve plus insert. Pablo Color`s La Calle Roja, on ISH, opens in a Cantoma-esque fashion. With acoustic six-strings, bongos, cuica, and shakers. But the sum of the LP is much more than that. Despite being centered largely on unadorned guitar, within its opening five missives it manages to pack in a variety of punches. Stylistically alluding to greats such as Japan`s DSK, Moonboot`s favourite, July Skies` Softest Kisses, Paqua`s The Visitor, Tommy Guerrero`s Loose Grooves & Bastard Blues. Parasol (2PM) sets Robin Guthrie “Shallow Bay” delay against the sampled sound of a beach. Surf, and families at play. The Spaghetti Western feel of Cavallo, of course, remembers the master, Morricone, but also nods to Neil Young`s improvised riffing for Jim Jarmusch`s Dead Man. The music of feted heroes riding out to a date with destiny.

The concluding two pieces widen the album`s scope still further. With Chee Shimizu`s remix turning the titular La Calle Roja into the next Yawn Yawn Yawn. A beautiful New Age-y float of bird song, cymbal shimmer, and drone. While Music From Memory man, and Ambient genius, Gigi Masin, collaborates on Waves. His trademark minimalism – of twilight synths- subtle, subliminal electronics – and isolated piano notes – creating a moment of hush. Under his influence, the guitar more concerned with atmospheres than Tirando techniques.

review by Robert Harris

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Jlin

2LP | 2018 | EU | Original (Planet Mu)

LP | 2018 | EU | Original (Music For Dreams)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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By now, the story of how Jlin went from working in a steel factory in Gary, Indiana to being one of the most widely appreciated electronic musicians is well known. “Black Origami” was one of the most reviewed and lauded albums last year. Seriously prolific and seriously hard-working, she has toured constantly since its May 2017 release and despite being involved in a wide range of projects, still manages to find a balance and “do some personal healing and growing.”
Here we are over a year later with “Autobiography,” the score for her collaboration with renowned British choreographer Wayne McGregor arranged by Unsound. This isn’t technically her third album (that’s due to arrive in 2019 or 2020), but the soundtrack stands up on its own with all the emotional peaks and troughs of a well-sequenced longplayer.
For Jlin, making music for dance is the fulfillment of one of her lifelong dreams – and remarkably, Company Wayne McGregor’s performance was the first show she’d ever seen. She describes the process of working with Wayne: “We first met face to face in October 2016 in a downtown Chicago hotel, talking for about a solid two hours. Immediately, I saw Wayne was very friendly and energetic. He’s brilliant, witty, and knows exactly what he wants; an absolute gem to work with. Before I even started composing for Autobiography, Wayne told me so gently that he trusts me completely with my direction of creating the score. That was the best feeling in the world. I would wake up at two in the morning and work until six in the evening until I completed all the pieces. We were both very happy with the outcome. Creating the score for an impeccable piece of work such as Autobiography changed my life as an artist.”
“Autobiography” is a highlight in an evolving and growing career. During the last year, Jlin has also become an in-demand remixer, securing her place among a roster of music heavyweights. Unsurprisingly, given her positive and outgoing nature, she also developed friendships with the artists she has remixed such as Björk, Max Richter and Ben Frost.
Jlin will be touring with Company Wayne McGregor performing “Autobiography” this year in addition to completing a commission for the Kronos Quartet titled “Little Black Book.” She still approaches every performance “with the same attitude of doing my best to execute a good show, no more, no less. Doing my best is what’s most important to me.” She also still lives in Gary, Indiana, which keeps her grounded. She notes with her typical humility, “The local community is a little more knowledgeable of me now. But I don’t mind my community taking its time.”

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Prins Emanuel

Diagonal Music

LP | 2018 | EU | Original (J)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The young virtuoso producer Prins Emanuel follows up his acclaimed debut album on Music For Dreams with something quite different than what we’re used to hearing from him. While Arbete & Fritid was an epic odyssey into the furthest corners of disco with an array of studio wizardry and complex rhythms, Diagonal Musik is a sparse and delicate exploration of the acoustic guitar. Steering away from his comfort zone, the Prins follows his intuition for experimentation and lands somewhere in a field of genre-defiant folk-jazz meditations; a development that fits like hand in glove for the eccentric nature of Music For Dreams.

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JB Dunckel

H+

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Flowers From The Ashes: Contemporary Italian Electronic Music

2LP | 2018 | EU | Original (Stroboscopic Artefacts)

Oxygene 3 Clear Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A download code is included. The release comes on 180g heavy weight vinyl in a deluxe matte-finish Gatefold cover. Flowers From The Ashes is the latest multi-artist project to bear the acclaimed Stroboscopic Artefacts imprimatur. Silvia Kastel, Andrea Belfi, Marco Shuttle, Ninos Du Brasil, Alessandro Adriani, Chevel, Lucy, Lory D, Caterina Barbieri & Neel

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Jean-Michel Jarre

LP | 2016 | EU | Original (Sony)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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LP | 2016 | EU | Original (Staubgold)

Vivien Goldman

Resolutionary

LP | 2016 | EU | Original (4AD)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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There’s a myth about music critics that says we are frustrated, wannabe performers. Evidence to the contrary: Vivien Goldman. Ever since she migrated from pitching editors on the little-known music of Robert Nesta Marley to becoming one of the foremost chroniclers of the perfect storm of reggae, punk, hiphop and Afro-Beat, the London-born, New York-based Goldman has made documenting music her primary life work.

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Tim Hecker

Love Streams

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Electronica Volume 2: The Heart Of Noise

Jean-Michel Jarre

2LP | 2016 | EU | Original (Sony)

Dakota Suite & Emanuele Errante

Release: 2016 / EU – Original

Genre: Electronic & Dance

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180 gram vinyl!

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The North Green

2LP | 2016 | EU | Original (Karaoke Kalk)

2x12" | 2013 | Original (Matador)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Chris Hooson of Dakota Suite asked Emanuele Errante to work with him on a project composed for the death of his sister-in-law. Chris had composed a series of themes around the loss of his sister-in-law and in Emanuele found a partner to create the sounds which would evoke loss, the temporary nature of life and the stillness to get through. The powerful result 'The North Green Down' was originally released on Lidar in 2012 as a limited CD which is long since sold out. Now Karaoke Kalk makes this heartfelt and poignant album available again and for the first time ever on vinyl, including one additional previously unreleased track.

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Darkside

Psychic

LP | 2018 | Original (Kscope)

Release: 2013 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Lunatic Soul

Under The Fragmented Sky

Release: 2018 / Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Hour Of Bewilderbeast

Badly Drawn Boy

2LP | 2016 | UK | Reissue (XL)

Release: 2016 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2x12" | 2013 | Original (Matador)

Darkside

Psychic

Release: 2013 / Original

Genre: Rock & Indie, Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: Mint, Cover: Sealed

2LP | 2016 | UK | Original (Warp)

Danny Brown

Atrocity Exhibition

LP | 2012 | US | Reissue (Clouds Hill)

Release: 2016 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Omar Rodriguez-Lopez

Octopus Kool Aid

LP | 2012 | EU | Reissue (Field)

Release: 2012 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2024 reissue.

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Celer

Perfectly Beneath Us

26,09 €* 28,99 € -10%

Kingdoms In Colour Black Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Field Records takes a look into the vast catalogue of Celer, the prolific ambient project from Tokyo-based artist Will Long. Perfectly Beneath Us was originally released in 2012 as a Cd-r on Still*Sleep, and now it’s being presented as a vinyl release remastered by Stephan Mathieu.

Celer began in California as a collaborative project in 2005 between Long and Danielle Baquet, resulting in reams of self-released work up until Baquet passed away in 2009. Long opted to keep their project going, and Celer has continued to grow as an expansive exploration of purest ambient. Meanwhile Long’s solo work under his own name has been equally accomplished, with scores of releases on DJ Sprinkles’ Comatonse Recordings and respected Norwegian leftfield label Smalltown Supersound.

With such a sizable library of sounds to explore, the reissue of Perfectly Beneath Us serves as an ideal entry point into the Celer catalogue, presenting four pieces of sustained, glacial movement wreaking profound emotional impact from the subtlest methods. Long exercises the utmost patience from the shorter ‘Distressing Sensations’ and ‘Ultra-terrestrial Yearning’ through to the 10-minutes-plus stretches of ‘Slightly Apart, Almost Touching’ and ‘Absolute Receptivity Of All The Senses’.

It’s truly immersive, captivating drone music that rewards the attentive listener as much as it soothes the casual drifter. Originally limited to just 100 copies in 2012, it’s now beautifully framed on a carefully considered reissue which adds to Field’s own repertoire of evocative, subliminal electronics.

About Field Records Field Records has been publishing versatile electronic music from a string of high-principled artists since 2008. Firmly rooted in minimalism and modesty, the label gained a reputation for its versatile and atmospheric output - which includes works from the likes of Artefakt, ENA, Imaginary Softwoods, Monolake and Sugai KEN.

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Maribou State

LP | 2018 | UK | Original (Counter)

Singularity Black Vinyl Edition

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Maribou State announce their new album “Kingdoms In Colour”, via Ninja Tune’s Counter Records imprint, their first full-length since 2015’s breakthrough debut album “Portraits”. The record features new single ‘Feel Good’ - a collaboration born of their friendship with Houston-based trio Khruangbin and a shared love of breakbeats, vintage surf riffs and a common desire to explore worldwide music cultures. "Sometimes a chance meeting plants the seed for something bigger,” say Khruangbin. “Such was the case when we met Maribou State at KOKO a couple of years ago. We are very happy to be involved in this project. And we ‘feel good’ already.”

The band continue their long standing relationship with Holly Walker who has previously vocalled fan favourites such as ‘Midas’, ‘Steal’ and ‘Tongue’. Also featured on the record is recent single ‘Turnmills’ - named after the legendary London club which closed its doors in 2008 - the release was accompanied by a sold-out ‘all-night’ DJ set at Corsica Studios raising money and awareness for the The Night Time Industries Association's #SaveNightlife campaign to protect the UK’s most vulnerable music venues from closure.

Today they also announce a new headline UK tour this Autumn. Returning with a 5-piece band, they play at London’s iconic Roundhouse on the 18th October. Ahead of this they will also embark on a string of European festival dates which include a headline show at Sonar By Day, Parklife Festival, Roskilde, Pukkelpop Festival, Nova Batida and recently DJ’d after Flying Lotus at All Points East festival in London.

Beginning life in 2011 as a project between Chris Davids and Liam Ivory, Maribou State had released a string of EP’s and singles before the arrival of debut album “Portraits” propelled them to the world stage. Spawning a live show that took them around the globe and included standout festival performances at Glastonbury, Bestival, a headline slot at Secret Garden party; a 32-date European tour with two sold-out London shows including the legendary KOKO; plus dates throughout Asia, Australia and America. They received radio support from the likes of Annie Mac, Zane Lowe and Gilles Peterson, addition to the BBC 6 Music A-list, a 5-show BBC Radio 1 Residency, a slot on the legendary BBC Radio 1 Essential Mix and performed a session Live from Maida Vale. Critical support came from the likes of The Guardian, I-D magazine and Vogue, with the album amassing over 80 million streams to date and drawing comparisons to acts such as The XX, James Blake & Mount Kimbie, as well earning them plaudits from the likes of DJ Koze and Bonobo.

This incredible success that followed the release of “Portraits” took Chris and Liam quite by surprise, “It was like Christmas every day” laughs Liam, “stuff like doing a show in Bangalore and having a crowd come and see us who knew the music and would sing all the words. It was an incredible experience”.

After more than a year of touring they returned to the UK to begin work on new material, but relocating their studio from The Shack - their home-built studio at the back of Liam’s garden in Hertfordshire - to a new base in London found them struggling to find their creative flow. The solution was to start looking outward and back over their journey of the past two years. They began making regular excursions out of the city, setting up a temporary studio space for weeks at a time, they started to piece together a “sonic collage” - drawing on ideas that were written while touring in places like India, and on field recordings from Asia, Australia, Morocco, America and beyond - the result of which is the stunning "Kingdoms In Colour”.

“The first album felt quite insular for us” says Chris, "not just in sound, but literally that it was all written in The Shack. We always had a bigger idea of what we wanted it to be, we wanted to create something that was palpable, that could in some way transport you to another country or another place entirely in your mind”. “The idea with Maribou State was always to draw on influences from different parts of the world” continues Liam "by traveling, sampling, recording, we wanted to create this all encompassing thing. Which is what this second record has ended up being for us”.

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Jon Hopkins

2LP | 2018 | UK | Reissue (Domino)

LP | 2016 | EU | Reissue (Grönland)

Release: 2018 / UK – Reissue

Genre: Electronic & Dance

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Singularity begins and ends on the same note: a universe beginning, expanding, and contracting towards the same infinitesimal point. Where Immunity – his hypnotic breakthrough LP – charted the dark alternative reality of an epic night out, Singularity explores the dissonance between dystopian urbanity and the green forest. It is a journey that returns to where it began – from the opening note of foreboding to the final sound of acceptance.

Shaped by his experiences with meditation and trance states, the album flows seamlessly from rugged techno to transcendent choral music, from solo acoustic piano to psychedelic ambient. Its epic musical palette is visceral and emotionally honest: with a destructive opener full of industrial electronics and sonic claustrophobia and a redemptive, pure end on solo piano.

Exploring the connectivity of the mind, sonics and the natural world, Singularity reflects the different psychological states Hopkins experienced while writing and recording. It is a transformative trip of defiance from his initial sense of frustration at the state of the contemporary world to the ultimate conclusion that a true sense of peace and belonging can only come from nature.

Singularity is intended to be listened to in one sitting, as a complete body of work.

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Harmonia

Documents 1975

Release: 2016 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Second Woman Clear Vinyl Edition

Second Woman

2LP | 2016 | EU | Reissue (Spectrum Spools)

2LP | 2018 | EU | Original (Aguirre)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Second Woman is a collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of the renowned Telefon Tel Aviv. As one would imagine, »Second Woman« is a nonpareil debut of futuristic electronic music fusing the coveted genetics of the duos respective previous endeavors into an alluring new enigma of ASMR-inducing kaleidoscopic dub. Second Woman is a fully realized entity; a well-crafted sound world and a refreshing shared effort which is inspiring in its purity and painstaking in its design.

The opening "100407jd7" wastes no time exhibiting mastery in both sound and structure, contorting the frequency spectrum into a psychoactive mirage with its mutating tectonics and vaporous tone clouds. Cuts like "200601je6" and "700358bc5" are bar-raising examples of veteran craftsmanship and vision, refining and reengineering the blue prints of their early works to create an original and dynamic album. The deliberation and control over every particle is obsessive, but the end results of each individual track unfold with an organic temperament unparalleled in a grid-locked world of DAW shaped musics and rat's-nest modular aleatory. Words fail where essential sonics are concerned, and this vital new creation speaks for itself.

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New Dreams Ltd.

Sleepline

2LP | 2018 | EU | Original (Aguirre)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Sleepline (released as New Dreams Ltd.), plays in the liminal space between states of consciousness, inducing a hazy, deteriorating quality that stands in contrast to Shader Complete's mostly hi-definition aesthetics. It was written in winter 2013-2014, but it didn't see an official release until 2016. Originally conceived as a Sacred Tapestry sequel called Transcontinent, the album saw Xavier returning to her plunderphonic tactics, looping and down-pitching what sounds like decades-old Japanese commercials. This time, Xavier sought out source material that would more readily fall under fair use, attempting to bridge the aesthetic gap between her works by foregrounding her editing techniques as much as transforming the source material.

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Sacred Tapestry

Shader Complete

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Shader Complete is an exquisite, multi-faceted album that pivots effortlessly between widescreen electronic synthscapes, atmospheric drones, and claustrophobic appropriations. It's the latest permutation of a release that originally arrived in summer 2012 as Sacred Tapestry. That version, titled Shader, was written during the first couple months at her new home of Portland, marking a period of instability and existential confusion for Xavier.

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2LP | 2018 | EU | Original (Kompakt)

Pop Ambient 2019

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A download code is included.

Thore Pfeiffer, Coupler, The Black Frame, Kenneth James Gibson. Boum Boum Boum! 25 years of Kompakt. When a record label still thrives after a quarter of a century thanks to a focus of what was expected to be a short lived music phenomenon called Techno, then it stands to prove two things; that it techno has taken its place amongst serious, multilayered musical genres like rock’n’roll, pop and folk music. And that Kompakt has never been only for techno, but Kompakt stands as a broad-minded, genre-defying entity that has set out to cross-pollinate all kinds of musical inventions within the realm of electronic music. Through its course, Kompakt has sent “Around The World”, all kinds of sub-genres, concept series and crossover adventures based on the non- negotiable 4/4 beat. And back again.

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2Tape | 2018 | CA | Original (Inner Ocean)

Bless Volume 2

Michael Beharie And Teddy Rankin-Parker

Release: 2018 / CA – Original

Genre: Hip Hop, Electronic & Dance

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The Bless compilation series is our annual fundraiser to gather artists and beat makers together to raise money for the global community. Bless Volume 2 is a collection of 99 tracks from artists representing 25 different countries, the full album spans nearly 4 hours of incredible music! This year we wanted to do something special and curated a selection of tracks from the full album for this Limited Edition Double LP release.

100% of the proceeds from the sale ofBless Volume 2 will be donated to a variety of Micro Loan programs for Women, Sustainable Water and Agriculture projects, Refugees, Education, Health Care and the Arts. The funds from the Micro Loans are paid back over time and it’s our promise to the supporters of this album that we will perpetually reinvest those funds back into future Micro Loans. This way the funds can continue to support people who need it for many years ahead.

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A Heart From Your Shadow

LP | 2018 | EU | Original (Mondoj)

LP | 2018 | UK | Original (Counter)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A Heart From Your Shadow is the debut collaborative LP from Michael Beharie (New York) and Teddy Rankin-Parker (Chicago). Since graduating together from Oberlin College, Beharie and Rankin-Parker each veered into markedly different avenues. Beharie joined up with the ever-confounding New York ensemble Zs (Northern Spy, The Social Registry). Rankin-Parker became an on-demand cellist for his prowess in the work of improvisation and avant-garde music, lending his talents to a wide array of collaborators such as Primus, Iron & Wine, Steve Reich, and Pauline Oliveros. Rather than jump into stream-of-concious improvisation, Beharie and Rankin-Parker chose to focus the album's themes via intricately composed pieces. A Heart From Your Shadow could be described as protest music, brimming with intense energy, harrowing anxiety, and steadfast optimism. Produced by Michael Beharie, mixed carefully by Jim O'Rourke, mastered by James Plotkin and cut to LP at D&M Berlin.
Black virgin vinyl housed in poly-lined inner sleeve in reverse board-printed double-width spine jacket with spot UV finishing.
First pressing of 300 copies.

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Kasbo

Places We Don't Know

Release: 2018 / UK – Original

Genre: Electronic & Dance

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M.M.M. (Macelleria Mobile Di Mezzanotte)

Hiver Noir

LP+CD | 2018 | EU | Original (Subsound)

LP | 2018 | EU | Original (Music From Memory)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The new record from M.M.M. (Macelleria Mobile Di Mezzanotte) goes back to the sound of "Black Lake Confidence" and reveals more cold and deeper Doom Jazz suites in the style of Bohren and Der Club of Gore, The Mount Fuji Doomjazz Corporation, Dale Cooper quartet. Manuele Frau (Der Noir, Blackland) joins the band to play guitar tunes, while Riccardo Chiaretti (Moonlite Bunny Ranch, Chaos/Order), who has contributed on the last two records, performs more songs and helped with songwriting. New soundscapes are explored by the band on this fine new album on Subsound Records.

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Terekke

Improvisational Loops

Chemistry Lessons Volume 1 Colored Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Not much to say on this one: Terekke goes ambient for Music From Memory - scream and buy!

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Chris Carter

2LP | 2018 | UK | Original (Mute)

Release: 2018 / UK – Original

Genre: Electronic & Dance, Pop

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Tape | 2016 | CA | Original (Inner Ocean)

Futures Volume 3

Release: 2016 / CA – Original

Genre: Hip Hop, Electronic & Dance

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We present the third instalment of our mega compilation album, FUTURES Vol. 3, containing 46 artists with 44 tracks running in at 82 minutes. Fam unite on this ultra chill release, featuring the quality grooves of some lo-fi community favourites and some fresh faces to the scene.

This is one for the people, all the studio dwellers lighting up their SP's providing the soundtrack to the forever chill life.

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Tape | 2016 | CA | Original (Inner Ocean)

Futures Volume 2

LP | 2016 | UK | Original (4AD)

Release: 2016 / CA – Original

Genre: Hip Hop, Electronic & Dance

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Our most ambitious project to date, a massive compilation of talented young producers that are shaping the way forward. This release was conceptualized as a means to unite the music community together and be as inclusive as possible. An album by the people, for the people. With over an hour and a half worth of music you can sit back and vibe to this tape all day!

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SOHN

Rennen

2LP+CD | 2016 | US | Original (Med School)

Release: 2016 / UK – Original

Genre: Electronic & Dance

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The London-born artist has traded Vienna for the warmth of Los Angeles, but the influence of his former home still lingers (Rennen is a German verb meaning ‘to run’). Resuming a nocturnal schedule – as he did with Tremors – SOHN spent a month writing alone in northern California, recording until the morning most days. The ten songs of Rennen are confidently direct and focused. Consciously exercising restraint SOHN used only a handful of musical elements on each track, eager to allow the spotlight to shine on the vocals, melodies and rhythms.

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Frederic Robinson

Flea Waltz

LP | 2016 | EU | Original (Village Green)

Release: 2016 / US – Original

Genre: Electronic & Dance

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In the three years following ‘Mixed Signals’, Frederic has been developing his spectacular live show, experimenting with new instruments and technologies, and, naturally, working on his stunning follow up LP, Flea Waltz.

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Matt Dunkley

Six Cycles

Funky Beat Box: The Authentic Funk, Hip Hop, Jazz & Soul Experience

Release: 2016 / EU – Original

Genre: Electronic & Dance

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‘Six Cycles’ is the debut artist album from one of the world’s leading orchestrators, arrangers and conductors; Matt Dunkley. Having worked on films such as ‘Inception’, ‘The Dark Knight’ and ‘Black Swan’, and with artists such as Patti Smith, Nick Cave, Massive Attack and Kronos Quartet, as well as a successful composer for film and television, it was only a matter of time before Matt Dunkley released his own album.

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Paris DJs Soundsystem

5CD | 2016 | EU | Original (Paris DJs)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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The Afrofunk & Tropical Grooves Experience

Paris DJs Soundsystem

5CD | 2016 | EU | Original (Paris DJs)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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LP | 2013 | EU | Original (Village Green)

Chris Morphitis

Where To Go

Release: 2013 / EU – Original

Genre: Electronic & Dance

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One Man Session Vol. 5: Just Cooking

Massimo Martellotta

LP | 2018 | EU | Original (Cinedelic)

25,64 €* 26,99 € -5%

D'Ya Hear Me: Naffi Years 1979-83

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Departed in May from the nebula of synthesizers, passed through the prepared piano and a symphony orchestra, and after immersion in the depths of the minimal and liquid pieces of the most recent UNDERWATER, we have reached the fifth and last volume of the One Man Sessions by Massimo Martellotta. JUST COOKING is a collection of grooves cooked in total freedom by Martellotta, in tribute to two great passions of Italy, music and cuisine, for an association of the most classic and well-chosen of all time: the one between composing music and cooking a plate. Let's move from the Italian sound groove of "Carbonara" with which the album opens, to the "Spicey Kudu" acrobat; from the hypnotic minimalism of "Hummer milkshake" to the different funk / jazz declinations: the one enriched by the clapping of "Big Burger", the spatial one of "Midnight snack" or à la carte of "Foie gras", the psych of "Pasticciotto" and "Zighinì". A record of pure instinct, in which once again we try our hand with all the tools, which intersect like the ingredients in the hands of a chef; aMedeski Martin and Woodin one person, winking at the sunniest episodes of theBudos BandandHeliocentrics, withMaestro Umilianialways in mind. After 4 chapters of increasing intensity of an often introspective journey, "JUST COOKING" arrives as a closing after-party, informal, but rich and without brakes, in which we find many elements of that Italian funk that has brought itsCalibro 35, here however turned into barbecue sauce. Between afrobeat cues, library music and creative cuisine from last-minute guests, "JUST COOKING" closes the circle.

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Brenda Ray

LP | 2012 | UK | Reissue (EM)

25,64 €* 26,99 € -5%

The Future Sound Of London

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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Welcome 2023 re-press of this sweet post-punk vocalist's heartfelt reggae/funk with analogue dubs. A unique slice of late-70s/early-80s niceness from Brenda Ray, whose previous EM release, Walatta [EM1071CD], has been embraced by a large number of listeners. Recorded in North West England, D'Ya Hear Me! is warm-hearted, open, fresh and slyly experimental. With a true D.I.Y. soul, these thirteen tracks, originally released in various formats by Ray a.k.a. Brenda Kenny a.k.a. Natalie Sand a.k.a. Polly Rith'm, and her musical friends under the moniker(s) Naffi/Naffi Sandwich, were recorded in a simple home-made studio, to tape. Far from media-crazed London, Naffi created a musical world free from lust for the spotlight, focusing solely on the music, and the results are fittingly pure. D'Ya Hear Me! is a wide-ranging release, with lovely vocal tracks, warm dubs and pleasingly odd instrumentals, all knitted together with a special trans-Atlantic rhythmic sense. Two songs of special interest here are "Moonbeams" and the Young Marble Giants-esque "Everyday Just Another Dream", which are early versions of "Starlight" and "Another Dream" from Walatta. Also noteworthy are several previously unissued longer versions of some songs. A year-round collection of summery breezes.

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Environments Volume 6

LP | 2016 | UK | Original (Jumpin & Pumpin)

25,59 €* 31,99 € -20%

Release: 2016 / UK – Original

Genre: Electronic & Dance

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2LP | 2013 | EU | Reissue (Erased Tapes)

Nils Frahm

Spaces

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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LP | 2016 | UK | Reissue (Finders Keepers)

Suzanne Ciani

Buchhla Concerts 1975

LP | 2018 | UK | Original (Eglo)

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Finders Keepers invite you to witness these incredible earl Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking. This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance. In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith. These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then. The importance of these genuinely lost pieces of electronic musics puzzle almost eclipses the glaring detail of Suzanne’s gender as a distinct minority in an almost exclusively male dominated, faceless, coldly scientific landscape. Those familiar with Suzanne’s work, a vast vault of previously unpublished “nonrecords”, will already know how the creative politics in her art of “being” simultaneously reshaped the worlds of synth design, advertising and film composition before anyone had even dropped a stylus in her groove. Needless to say this record, finally commanding the archival format of choice, courtesy of the Ciani and Finders Keepers longstanding unison, was not the last “first” with which this hugely important composer would gift society, and the future of a wide range of exciting evolving creative disciplines. You have found a holy grail of electronic music and a female musical pioneer who was too proactive to take the trophies. With the light of Buchla and Ciani’s initial flame Finders Keepers continues to take a torch through the vaults of this lesser-celebrated music legacy shining a beam on these “non-records” that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again. You, are invited!

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Steve Spacek

Natural Sci-Fi

2LP | 2016 | UK | Original (Warp)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Eglo Records are proud to present the second official solo album by the forward facing producer and vocalist Steve Spacek. The album, entitled 'Natural Sci-Fi' originally began production in 2005, shortly after the release of the now classic 'Spaceshift' album (which included the J-Dilla collaboration 'Dollar'), but was never completed. Over the last few years Steve has added a some tweaks and changes - including a new song and guests vocalists Oddisee and Natalie Slade - eventually finalising the project and readying it for its release in 2018. The album continues the post Spaceshift vibration of Steve's signature production style and effortless vocal delivery. Swinging spaciuosly from past to present, packed with soul, sounding as fresh and relevant today as it did when it began back in 2005.

Since the albums inception Steve has released projects with Mark Pritchard as one half of Africa Hitech on Warp, an instrumental LP as Black Pocket for his brother D-Bridge's Exit Records and a concept LP as Beat Spacek for Ninja Tune. Following a string of EP releases for Eglo over the last two years we are thrilled to finally be able to bring to you a full length release from one of the UK's most unique and talented artists.

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Gonjasufi

Callus

Release: 2016 / UK – Original

Genre: Electronic & Dance

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LP | 2016 | US | Original (Leaving)

Seiho

Collapse

LP | 2012 | US | Original (Kranky)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Hailing from Osaka, Japan, and owner of the Daytripper label, seiho is a new producer set to join the Leaving Records family with his debut full-length release.

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Mirrorring

Foreign Body

Release: 2012 / US – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music

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LP | 2018 | EU | Reissue (Faitiche)

Jan Jelinek

Zwischen

Souvenir Transparent Red Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Faitiche releases a short version of the radio play Zwischen (German for ‘between’). Devised and produced by Jan Jelinek for German public broadcaster Swr2, Zwischen brings together twelve sound poetry collages using interview answers by public figures. Each collage consists of the brief moments between the spoken words: silences, pauses for breath and hesitations in which the interviewees utter non-semantic sound particles. These voice collages also control a synthesizer, creating electronic sounds that overlay and merge with the voices to make twelve acoustic structures. We all know the speaker’s fate: you falter, you mispronounce, there are breaks, silences and false starts. This results in delays, a language noise compared by Roland Barthes to the knocks made by a malfunctioning motor. Such gaps can be disconcerting, standing as they do for a failure of the speaker’s rhetorical skills. But what happens when they become a constitutive, poetic factor? Zwischen consists of twelve answers to twelve questions. The answers were all recorded in interview situations. From the speech of the interviewees – all eloquent public figures – the pauses are extracted and edited together. The result is a series of sound collages of silence. But this silence is deceptive, as it is only meaning that falls silent. What remains audible is an archaic body language: modes of breathing, planning phases, seething word particles in search of sense that can break out into onomatopoeic tumult or drift off into sonorous noise. In a further step, each of the twelve collages controls a modular synthesizer via its amplitude and frequency. Supposedly defective speech acts conduct synthetic sounds and the speakers regain their composure – not via the spoken word, but through sound. The opening questions in the various interviews are answered by: Alice Schwarzer, John Cage, Hubert Fichte, Slavoj Žižek, Joseph Beuys, Lady Gaga, Ernst Jandl, Karlheinz Stockhausen, Marcel Duchamp, Friederike Mayröcker, Yoko Ono and Max Ernst. Many thanks to Frank Halbig / Swr2.

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Videotapemusic

LP | 2018 | EU | Reissue (180g)

12" | 2018 | UK | Original (Ninja Tune)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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180g are delighted to release “Souvenir”, an album by one of the most promising and talented music makers from today’s Japanese underground scene: VIDEOTAPEMUSIC.

Videotapemusic is a young music and video producer from Tokyo who uses old Japanese and Asian VHS tapes collected in dusty recycle shops and closed rental video stores as raw material for his sampling work and video production, creating a singular and highly unique musical world that has created waves on the Japanese scene since 2009. Starting out strong with three self-released albums, followed by two albums on Japanese label Kakubarhythm and a collaboration 12” on EM Records, “Souvenir” is now the first Videotapemusic album released outside of Japan, available as a limited 180g heavyweight vinyl LP edition, and in digital format. The LP comes with a download card.

The eight tracks in “Souvenir” also feature the cream of the crop from the current Japanese scene: Beipana on steel guitar, MC.sirafu on steel pan, saxophonists Satomi Endo, Satoru Takeshima and Kaoru Masuda, trumpetists Taichiro Kawasaki and Makoto Takahashi, DJ Eskimo, guitarist Yuichi Ushioda, percussionist and hand sonic player Hajime Matsushita, keyboardist Yu Arauchi, Videotapemusic on pianica and vocalists Sansuke Yamada, Toshihiko Ikeda and Ryu Tsuruoka. Dive into a world of musical delight and discover today’s best music from Japan!

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Peggy Gou

Once

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Alternative Funk: Volume 1

LP | 2018 | EU | Reissue (Platform 23)

2LP | 2016 | EU | Original (Grautag)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Platform 23 launches with the reissue of the seminal Alternative Funk compilation series, presenting a selection of music across 2 volumes.

Known for the highly heralded "Folie Distinguee" album in 1985, what is often over looked is the fact there accompanied 2 further "Alternative Funk" cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these "Various Artist" selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene.

As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet's aka Pacific 231) VP 231 label, released a number of cassettes, 7" and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists.

Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts - with a long lost first ever recording - and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy.

What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time - such as Auxilio De Cientos' Terra Incognita volumes or Final Image's Nightlands - created a label snapshot by pulling together far and wide contributions but retaining an overall 'sound'.

The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts - an Alternative Funk.

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Brume

Mother Blast

Release: 2016 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2018 | EU | Original (Ajlavmjuzik)

Pkrek

Release: 2018 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Metaboman And Large M / Barnt

Nachti Color

12" | 2013 | DE | Original (Nachtdigital)

2LP+CD | 2013 | DE | Original (Frank Music)

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Plastic sleeve with print. Blue marbled vinyl. Vinyl only, strictly limited, no repress.
Each copy sold at the festival comes with an "aurologic" photo of the purchaser.

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Johannes Albert

Hotel Novalis

Room To Expand (Expanded)

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Hauschka

2LP | 2016 | EU | Reissue (130701)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP+CD+All Media | 2013 | UK | Reissue (Domino)

Four Tet

Rounds

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2012 | DE | Original (Denovali)

Poppy Ackroyd

Escapement

Release: 2012 / DE – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Memoire Magnetique Volume 1

Bernard Parmegiani

LP | 2018 | EU | Original (Transversales Disques)

LP | 2018 | US | Original (Ba Da Bing)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Transversales is very glad to announce the release of Mémoire Magnétique Vol.1 spanning 1966-1990, revelatory collection of commercial and secret music by electronic music pionneer Bernard Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some sixty concert music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also musical pieces for dance, stage or TV. The first volume of this compilation allows us to discover some of these lost tapes and unpublished recordings which were composed for the screen or the performing arts.

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Sarah Davachi

Gave In Rest

LP | 2018 | US | Original

Release: 2018 / US – Original

Genre: Electronic & Dance

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Sarah Davachi has quickly risen in prominence since her first release five years ago, and Gave In Rest represents her highest artistic achievement. By infusing her compositional style within a predilection for medieval and Renaissance music, Davachi unearths a new realm of musical reverence, creating works both contemplative and beatific, eerie yet essentially human. Gave In Rest is a modern reading of early music, reforming sacred and secular sentiments to fit her purview and provide an exciting new way to hear the sounds that exist around us.

Between January and September of 2017, Sarah Davachi lived in flux; storing her belongings in Vancouver, she spent the summer in Europe, occasionally performing in churches and lapidariums and seeking respite from her transitional state while surrounded by such storied history. This latest album echoes that emotional state of solitude and ephemerality, reaching towards familiar musical landscapes but from oblique perspectives.

“I named each track after a particular time of day as a way of expressing my experiencing different moments of quietude, how morning and night are both independent and interconnected entities in this regard,” she says. Her titles evoke canonical phrases referring to morning or evening prayers, as well as Latin and German phrasings for metaphors about the time of day. “From my perspective, there is a lot of loneliness on this record, and I think it is as much about beginnings as endings,” she continues. “In a way, it’s about the prospect of the unknown as it manifests alongside a very inward form of grieving—really the essence of what constitutes a period of transition.

Davachi has mined a bottomless landscape where listeners can witness music’s participation in their solitudes. Gave In Rest lends a voice to her personal exploration with a firm, intuitive stance.

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Dreamcast

The Lost Tape

Notes From The Underground

Release: 2018 / US – Original

Genre: Hip Hop, Electronic & Dance

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Traded for promotional use only at Dreamcast's live venues. THIS IS NOT A CD, label just looks like the original demo CD-R. This album celebrates all of the gems that i've released in the past and taken down from soundcloud.. Dreamcast vol. 2+3. To everyone who has ever told me to keep going...this is for you... Davon Dreamcast

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Gone Beyond & Mumbles

LP | 2018 | US | Original (The Content Label)

Of Snowdonia & Something Bells Green Vinyl Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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Years in the making, Notes From The Underground is an essential and evocative album from acclaimed producers Gone Beyond and Mumbles. The journey began when Cut Chemist enlisted the duo to participate in a 2007 concert series titled Pravda, held at the Walt Disney Concert Hall in Los Angeles. The series was a tribute to the Russian classical musicians living under the rule of Joseph Stalin, primarily Mosolov, Shostakovich, and Prokofiev. One night featured DJs and producers incorporating these works into their beats and included the likes of DJ Spooky, and Amon Tobin. Gone Beyond and Mumbles spent months scouring through hundreds of recordings from various classical performances and put together five tracks for the show.

Ten years later and the spark of this performance has ignited into a full album, made even more relevant by current events and the socio-political atmosphere. Notes from the Underground is named after Dostoyevsky's classic existential novel, pointing the way to the themes presented by the music. The album is an artistic commentary on the ability of the human spirit to overcome oppression, adversity, and fascism. Gone Beyond and Mumbles have remixed and given a modern, empowered voice to the great composers of Russia who wrote under the yoke of Stalin during the early 20th Century, exposing the struggles and this compelling music to a new generation.

The remarkableness of the project is transmitted in how natural the contemporary beats sound accompanying these vintage compositions. Take “Apropos for the Wet Snow” which uses a melancholy piano motif and flavors it with dusty rhythms, subtle, staccato horn blasts, and echoing soundscapes. Rather than obscuring the feeling of the original piece the production embellishments serve to enhance. “Knight In The Panther’s Skin” is another extraordinary moment, including lush strings, gentle piano, and an operatic vocal over the drums for an, especially dramatic effect.

Gone Beyond and Mumbles previously collaborated on the 2005 album S.E.V.A. for Mush Records and on 2012’s A Duet For Space And Time 10” for The Content Label. Both producers are revered as beat-making legends, with an expressive sonic palette that takes the listener deep into the duo’s mindset. Notes From The Underground is a startling and important document from Gone Beyond and Mumbles, and a welcome return of this collaboration to The Content Label. Hip-hop sampling and remixing is a powerful way to interpret classic themes, and Notes From The Underground is meant to stir the listener toward thought, motivation, and empowerment in these challenging times.

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Daedelus

2LP | 2018 | US | Original (Magical Properties)

Untitled Black Vinyl Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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First time on vinyl. Strictly limited to 500 copies worldwide.

Formative album from Daedelus, 2003’s Of Snowdonia (never before issued on vinyl) is Los Angeles’ Beat Scene just burgeoning, with accompanying Something Bells EP bundled into double vinyl. Additions from an early Busdriver, edIT, Omid, Abstract Rude, among others. The whole LP based around a childhood trip to Wales, is skittering beats, plucked guitar strings, and remnant R&B... all still resonate!

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Uon

LP | 2018 | EU | Original (West Mineral Ltd.)

LP | 2018 | EU | Original (ZZK)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Huerco S’ West Mineral label follow Pendant’s sublime Make Me Know You Sweet album with uon’s wholly absorbing study in brownian motion and isolation tank ambience. It’s the 2nd release from the enigmatic project whose debut 12”s in 2017 was among the year’s finest.

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King Coya

Tierra De King Coya

Sandro / John Malkovich / Eric Alexandrakis

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The latest sonic adventure by King Coya, danceable alter ego of Gaby Kerpel (De La Guarda, Fuerza Bruta) a pioneer of Latin American folklore fused with electronic music, is called “Tierra de King Coya” (Land of King Coya) where rhythms such as the wayno and instruments from the Andes like the ronroco and tarka, are digitally intertwined with the ritual of dance and celebration. Like a sorcerer from the future, King Coya creates a map of sound exploration navigating the continent through his digital point of view. For this project he incorporates his own voice and also plays a smattering of live instruments.
Since his debut as King Coya with “Cumbias de Villa Donde” (2009) Gaby has produced remixes for artists such as Amadou & Mariam, Brazilian Girls, Julieta Venegas, Luzmila Carpio, Chancha Via Circuito, Tom Tom Club, Petrona Martinez and Magin Díaz amongst others. As well as forming part of the band Terraplén (2010) produced by Santaolalla and the album “Tira Torito” along the coplera Balvina Ramos.
The journey through the “Land of King Coya” begins with “Te Digo Wayno” a powerful track that highlights the joy of dance, and makes a poetic introduction of the Queen Cholas, a dance trio that performs with him during live shows. A true ceremony of celebration that integrates the audience into a singular immersive experience.
The album features diverse guest singers such as: La Yegros - musical companion from his first shows at Zizek Club and for whom he has produced 3 albums. On the first single “Algo” (Something) a sort of kuduro mutates into and Andean dub. For the song “Tierra de King Coya” a combination of Colombian buyerengue and Argentine carnavalito we find La Walichera’s enchanting voice. Balvina Ramos collaborates on “Pa que yo Te Cure” a remix of the song “Linda Flor” (Tira Torito - 2012). Iara Nara - one of the Queen Cholas - jumps in on the track “Pachamá” with airs of a coplera singer over dancehall beats, reinforcing the main objective of bringing folklore to the dancefloor.
“Como Saber” (How to know) and “Dorremi” invoke his foundational album “Carnavalito”, (Nonesuch Records 2001) instilling a particular energy to this album that aims to represent the journey in which Gaby Kerpel ultimately becomes King Coya. The end of this road comes with “Icaro Llama Planta” alongside Isabel Pinedo Rengifo’s mystical voice, a healer from the Shipibo community (Peru), whos shamanic chants invite the listener to reconnect with the earth and give closure to this festive ceremony.

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Hell On Earth Yellow Vinyl Edition

LP | 2018 | US | Original (B9)

The Future Sound Of London

Release: 2018 / US – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2018!

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My Kingdom (Re-Imagined)

LP | 2018 | UK | Original (Jumpin & Pumpin)

Les Shadoks 50th Anniversary Edition

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2018!

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Robert Cohen-Solal

LP+7" | 2018 | EU | Original (WRWTFWW)

LP | 2016 | US | Original (Stones Throw)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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WRWTFWW Records is delighted to announce the release of the complete soundtrack of cult French animated TV series Les Shadoks (1968-1974) by Robert Cohen-Solal, available for the first time ever in its entirety. Right in time to celebrate the 50th anniversary of Jacques Rouxel and René Borg’s legendary television cartoon, this collector’s item comes in two versions: a limited edition 12" + 7" vinyl album housed in a high glossy gatefold and with an exclusive Shadok drawing by Robert Cohen-Solal, and a digipack CD. Both versions are cut and mastered from the original reels under the supervision of the artist, and contain liner notes in French and English.
Electro-acoustic pioneer and eminent member of the illustrious GRM (Groupe de recherches musicales, the French equivalent of the BBC Radiophonic Workshop), Robert Cohen-Solal has explored music and sound alongside luminaries such as Bernard Parmegiani, Pierre Henry, Luc Ferrari, and Iannis Xenakis, and is responsible for numerous projects in the field of applied music, soundtracks (documentaries, shorts etc.), and experimental recordings. His work on Les Shadoks is simply extraordinary - a fascinating and bizarre collage of wacky electro pop (à la Jean-Jacques Perrey), drones, musique concrète, classical, and dadaist sound experiments seamlessly mixing into a cohesive and cinematic listening experience. The ideal soundtrack for what will remain one of the weirdest animated TV series ever created!
A true literary, cultural and philosophical phenomenon in France, Les Shadoks caused a sensation while airing between 1968 and 1974. Its unique combination of Alfred Jarry-style surrealism, off-centered British humor, and US comic strip inspiration, all brought to life by illustrated bird-like creatures (reminiscent of Paul Klee’s La machine à gazouiller), left a lasting mark, making the term Shadok an often-used satirical expression to describe policies and attitudes considered to be absurd.

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Gabriel Garzón-Montano

Jardin

LP | 2016 | US | Original (Friends Of Friends)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Jardín' is Gabriel Garzón-Montano’s debut album, out January 2017 on Stones Throw Records. Gabriel Garzón-Montano’s formidable skills have come to fruition on his Stones Throw debut. “This album came out of wanting to make music that reminds people how beautiful life is and how delicate their heart is,” he said. “I've always wanted to make music that is healing, comforting, and funky. I named the album 'Jardín' hoping for it to create a space for healing when people put it on.
“A garden is full of life, growth and beauty,” Gabriel said of choosing that unifying image as the title for his new album. “It makes me think of green and white and all the colors as they appear in different flowers.” That vivid spectrum bursts forth on 'Jardín' itself and the album contains references to fruit of all sorts, sour mango, juicy tangerines and sweet peaches.
From the heartache and aching vocals that float over the dusty drums of “Crawl” to the stutter-step thump of “Bombo Fabrika” to the high falsetto he nails on “Octave,” GarzónMontano proves himself to already be one of 2017’s biggest breakout talents.

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Kyson

Book Of Flying

LP | 2012 | US | Original (Fake Four Inc.)

Release: 2016 / US – Original

Genre: Electronic & Dance

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11 roomy, beatific songs rounded around Kyson's delicate vocal work.

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Cars & Trains

We Are All Fire

In England Now, Underwater

Release: 2012 / US – Original

Genre: Electronic & Dance, Pop

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Electronic-folk toy-instrument live-looping craziness a la The Microphones, Tunng, Psapp, or Múm.

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Cremation Lily

LP | 2018 | UK | Original (Alter)

LP | 2018 | UK | Original (Gearbox)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl close to NM. Still in shrink, but opened

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Antony Gormley

Sounds Of The Studio

LP | 2016 | DE | Original (Disco Halal)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Mint

Limited edition for Record Store Day 2018!

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Autarkic

Can You Pass The Knife?

2LP | 2018 | US | Original (Kowloon)

Release: 2016 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Stamped white label test pressing!

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Mahdyar

Seized

Release: 2018 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2018 | EU | Original (Orbeatize)

Michel Nolet

Electronic, Absolutely

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Orbit Ceremony 77 Deluxe Edition

Bernard Fevre

LP | 2016 | EU | Original (Private)

10" | 2012 | EU | Original (Denovali)

Release: 2016 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Deluxe Limited Edition.
Includes poster.

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Saffronkeira

Release: 2012 / EU – Original

Genre: Electronic & Dance

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LP | 2018 | EU | Original (Sono Music)

Sono

Human

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Mad But Soft Green Vinyl Edition

Mecha Maiko

LP | 2018 | US | Reissue (Newretrowave)

24,74 €* 32,99 € -25%

Olafur Arnalds & Nils Frahm

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Presenting the multi-talented force that is Mecha Maiko, who is also known as Hayley Stewart, and previously one-half of Dead Astronauts. This debut span many sounds influenced by many cultures and synth implementation. The overall effect is killer sonics and a fresh sound we have been waiting for. Mad But Soft is a solid debut for Mecha Maiko, and all retro lovers and synth maniacs alike will enjoy this album.

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Trance Frendz

LP | 2016 | EU | Original (Erased Tapes)

2LP | 2016 | EU | Reissue (Beyond The Groove)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Since 2012 Erased Tapes peers Ólafur Arnalds and Nils Frahm have spent many hours together in their studios across Berlin and Reykjavik, freely improvising and occasionally capturing the music for their fans. The duo's sound is an astoundingly rich, tonally pure example of synth-driven experimentation, conceived and performed by two prolific collaborators.

During a session at Nils's Durton Studio in Berlin last summer the two specially invited photographer Alexander Schneider to capture one of their unique improvised sessions. Lasting long into the night, the pair gradually and organically formed several individual songs – each contributing to the narrative of a larger, transformative piece of music. Recorded in eight hours with no overdubs or edits, 'Trance Frendz' is a captivating journey through grand soundscapes and droning crescendos which crash and recede back, making way for delicate piano notes and swirling synthesizers.

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Tom Misch

Beat Tape 2

Release: 2016 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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LP | 2016 | US | Original (Kranky)

MJ Guider

Precious Systems

Joaquin Joe Claussell Meets Manuel Göttsching

Release: 2016 / US – Original

Genre: Electronic & Dance

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Melissa Guion is Mj Guider. She lives and works in New Orleans and previously released the Green Plastic extended play cassette in early 2014 on the Constellation Tatsu label. Employing heavy washes of bass and a deft touch in mixing, she uses stark contrasts to construct a semi-surreal aural space. What results are songs that exist in a wholly contained sound environment, minimal yet lush, spare yet saturated, and most importantly, entirely compelling. Having recently expanded to a trio, the group will be making select live appearances following Precious Systems release.

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Manuel Göttsching

LP | 2016 | EU | Original (MG.Art)

LP | 2012 | UK | Reissue (Cellule 75)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Many of you will remember Manuel Göttsching by his Masterpiece “E2-E4? and know the fact it got sampled by far more than once. Think “Sueno Latino” to start with… and the plethora of further re-recordings by Derrick May, Joe Claussell, and a bootleg by Carl Craig that prove how “Now” and Iconic Manuel´s Work is. The 2006 edition “Joaquin Joe Claussell meets Manuel Göttsching” is the first attempt to bring these once illegal mixes finally to a broader and wider audience. It comes with 2 very rare and first time officially released tribute mixes of 1970´s Göttsching Classics, carefully remodeled by Joe Claussell (21.12 minute “Deeper Distance” plus 10.17 Minute “Ain´t No Time For Tears"). The last words, however, are left to MG himself, with “Shuttlecock", a final eighteen minute excursion, which has Manuel improvise over a soft carpet of delayed bell sounds, before the guitar fades away and the track deepens and thickens, like a dark river sweeping along ever more motives and harmonies.

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Black To Comm

Earth