Downbeat | Electronica | Leftfield 9787 Items

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Automne Six aka Philippe Poirier & Stefan Schneider

Automne Six

LP | 2022 | DE | Original (Tal)

LP | 2021 | EU | Original (Mais Um Discos)

Release: 2022 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original inner sleeve. Tiny wear.

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Howie Lee

Birdy Island

16,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2LP | 2020 | US | Original (Late Music)

Cantus, Descant

Release: 2020 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Side B is VG+, other sides are NM. Beginning seam splits.

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LP | 2021 | US | Original (Late Music)

Antiphonals

LP | 1977 | BE | Reissue (Cortizona)

Release: 2021 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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V.A.

Noises

Wide Through The Eyes Of No One

Release: 1977 / BE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

With inserts. Limited edition 2019 reissue.

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Steoples

LP | 2021 | US | Original

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2015 | ES | Original (Wah Wah)

Via Lactea

Vía Láctea

Ashraf Sharif Khan & Viktor Marek

Release: 2015 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited edition.

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Sufi Dub Brothers Black Vinyl Edition

LP | 2020 | EU | Original (Fun In The Church)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Start. Continue. Save. Exit.

World Complete Marbled Vinyl Edition

LP | 2024 | US | Original (Stratford Ct.)

Start. Continue. Save. Exit.

Release: 2024 / US – Original

Genre: Electronic & Dance

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Sounds to get the air moving around your ears. Inspired by imaginings of the past, present and future... and many cups of tea. Huge thanks to Stratford Ct for releasing this album - truly a dream made real <3 Enjoy and thanks for listening :)

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World Complete Splatter Vinyl Edition

LP | 2024 | US | Original (Stratford Ct.)

LP | 2020 | EU | Original (Night School)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Cucina Povera

Tyyni

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Trifecta Gold / Black Split Vinyl Edition

A.L.I.S.O.N, Viq, Krosia

LP | 2023 | US | Reissue (Stratford Ct.)

Release: 2023 / US – Reissue

Genre: Electronic & Dance

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Trifecta Gold W/ Black Splatter Vinyl Edition

A.L.I.S.O.N, Viq, Krosia

LP | 2023 | US | Reissue (Stratford Ct.)

Release: 2023 / US – Reissue

Genre: Electronic & Dance

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2LP | 2018 | US | Original (Jagjaguwar)

Lonnie Holley

Mith

LP | 2024 | EU | Original (Editions Mego)

Release: 2018 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Smoke vinyl and cover are close to NM.

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Innode

Grain

P.T. Adamczyk / Jacek Paciorkowski

Release: 2024 / EU – Original

Genre: Electronic & Dance

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»grain« is the third Innode release following on from Gridshifter in 2013 and syn in 2021.

A new methodology to make the album is applied yet again from the trio of Bernhard Breuer, Steven Hess and Stefan Németh. The approach is more an anti approach where the trio let the process of creation itself steer the development of the recording, without any prior conceptual agenda.

Irregular rhythmic patterns often served as the initial springboard for each piece with Breuer creating a loop either by playing drums or with the aid of a modelling percussion synthesizer. The results often bypass existing formulaic grids. The outfit embraced these anti-precision steps building shapes around the tarnished templates.

The process of building upon the core structures laid forth alters throughout. In the case of »Splitter« you can hear an example of Bernhard´s core loops dominating a skeletal audio sphere. The title of the track »Impactopium« reflects the process of its construction being a conglomeration of individual titles meshed into a whole. The audio is a non-linear compendium of several fragments of individual elements. A conscious method of exploring a more decentralised architecture saw three disparate elements layered randomly on top of each other with some synths added as a sonic seasoning at the later stages.

Elsewhere sonic elements are restructured in unusual ways. One member's contribution is completely stripped away, quiet sounds captured with contact mics are highly amplified, the last track introduces twisted themes of the first track.

The title »grain« refers to the roughness resulting from these explorations. It also takes note of the term grain as used in analogue photography or in the case of audio as a distorted signal, or »noise.« All of these elements, normally eschewed, are here embraced as a thematic thread to instigate the exploratory proceedings.

This is a playbox of inventiveness, a hall of mirrors and an endless search for unusual tactics and fresh results.

Tackling the initial loop tracks from a wide variety of strategic approaches Innode has concocted a strangely cohesive work. From sparse source material to heavy overdubs of overdubs »grain« is a uplifting collection of works from this relentlessly curious and exploratory Austrian outfit. Humans make the work but the random embracing of unexpected processes means the gentleman of the outfit is not fully ruling what becomes of these works.

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OST Cyberpunk 2077: Phantom Liberty

LP | 2024 | Original (Masterworks)

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | MX | Original (Aurora Central)

Sarah Belle Reid

Mass

44,99 €*

Release: 2024 / MX – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (City Slang)

Efterklang

Things We Have In Common

12" | 2024 | UK | Original (Nunorthern Soul)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-09-27

An album about friendship, belonging, faith and understanding, themes which are palpable in the music, which is gentle and uplifting, healing and rousing. Efterklang has become an open community with three permanent members: Mads Brauer, Casper Clausen and Rasmus Stolberg. On this album the core trio re-connected with their old friend and founding Efterklang member Rune Mølgaard who left the band in 2007 to join the mormon church, and ultimately withdrew from the church in 2022. His profound spiritual journey significantly influences the album's content and tone, on which he has co-written seven of the nine songs. 'Things We Have In Common' coincides with the 20th anniversary of the band’s debut album, and presents 2 decades of collaboration, exploration, evolution and reconnection. The album features contributions from a variety of international musicians. Zach Condon of Beirut, Finnish drummer Tatu Rönkkö, Venezuelan guitarist Hector Tosta and Guatemalan cellist and singer Mabe Fratti all became key collaborators. Italian award-winning mixer Francesco Donadello and South Denmark Girls’ Choir both left their indelible mark on the record, as their did with the band’s 2012 album ‘Piramida’.

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BJ Smith

Umi Says / Runnin

15,99 €*

CD | 2024 | US | Original (Youngbloods)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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This neat slice of mashup-Balearic from BJ Smith is a clever exercise in sample combination. First released in 2013 but reissued again here, we hear two iconic hip-hop tracks - Mos Def's 'Umi Says' and The Pharcyde's 'Runnin' - both laid to serene, lackadaisical Balearic backings. Thus two sunrise classics were born, complementing a very particular kind of rave.

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The June Carriers

Equanimity

14,99 €*

S.Maharba (Twin Sisters Edition)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Introducing The June Carriers: a project by Portuguese artist Francisco Silva, also known musically as Old Jerusalem. The full length album "Equanimity" is a departure from previous efforts, turning from traditional folk to experimental instrumental guitar works that are warm in tone, measured in pace, and ponderous in structure. "Equanimity" casts a series of aural still lifes that reflect the wisdom (and namesake) borrowed from an ancient 10th century collection of Zen riddles. Silva points to one in particular: a pilgrim is asked what the purpose of his pilgrimage is, to which he claims he does not know, he is merely following the wind. Silva, finding himself in similar circumstances, found inspiration in the riddle’s conclusion that not knowing is most intimate. Based in the northern coastal city of Porto, Silva has spent his career recording under the alias Old Jerusalem-a nod to the concluding work from Will Oldham’s (Bonnie Prince Billy) 1995 album Viva Last Blues. As Old Jerusalem, Silva’s recordings are vivid, lyrical, and poetic, balancing similarities with Paul Simon, Art Garfunkel, M. Ward, and Mark Oliver Everett, while sonically his recordings are contoured by earnestness and a sense of foreign nostalgia. Under his newly minted The June Carriers alias, Silva’s music is comparatively more abstract, spinning off from the stylistic clarity of his hitherto main creative endeavors into a rolling collection of meditative instrumentals. Stylistically, Equanimity inspires visual apparitions and open-ended story telling amidst a blend of staccato-led rhythms and waves of embracing chords, reminiscent of the Atlantic rolling along Porto’s western shores. Shades of Americana and traditional Portuguese folk stand alongside whispering recollections of endless afternoons and warm days. Compositionally, Equanimity stands atop individual snapshots of Silva in an unencumbered mode of creation, culminating and blooming into the intimate freedom of being unburdened. In this zen state of unknowing, we effortlessly become both the observer and the agent.

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S.Maharba

2LP | 2016 | DE | Original (BTS Radio)

89,99 €*

Caverna Magica (...Under The Tree - In The Cave...)

Release: 2016 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

White, smoke,splattered vinyl! Record is close to NM, cover has bumped corners.

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Andreas Vollenweider

LP | 1983 | EU | Original (CBS)

8,99 €*

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2021 | DE | Original (Kryptox)

Mathias Modica

Sonic Rohstoff

Tom Rogerson with Brian Eno

Release: 2021 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve. with booklet.

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Finding Shore

LP | 2017 | US | Original (Dead Oceans)

The Grass Is Always Greener

Release: 2017 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue Opaque Vinyl!

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Barbara Morgenstern

CD | 2006 | DE | Original (Monika)

8,99 €*

Release: 2006 / DE – Original

Genre: Electronic & Dance

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Reflections Vol. 1: Let The Moon Be A Planet

Steve Gunn & David Moore

LP | 2023 | US | Original (Rvng Intl.)

2LP | 2023 | EU | Original (Double Six)

Release: 2023 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM.

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John Cale

Mercy

12"+Cassette | 2022 | DE | Original (Treibender Teppich)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny corner wear. Original inner sleeves.

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Marlais

Stream Of Forms

11,99 €*

438Hz As It Is, As You Are

Release: 2022 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. With insert. Tape is missing.

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Tomoyoshi Date

LP | 2022 | FR | Original (Laaps)

LP | 2023 | US | Original (Joyful Noise)

Release: 2022 / FR – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Golden vinyl. Limited edition numbered.

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Deerhoof

Miracle-Level

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl. Original inner sleeve.

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Selected Works I Black Vinyl Edition

LP | 2023 | EU | Original (Disciples / Late Msic)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Selected Works II Black Vinyl Edition

LP | 2023 | EU | Original (Disciples / Late Msic)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | EU | Original (Optimo Music)

Jose Manuel

Janara

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2019 | UK | Original (Leaving)

Ana Roxanne

~ ~ ~

72,99 €*

LP | 2017 | DE | Original (Albumlabel)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM.

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Cummi Flu / Raz Ohara

16,99 €*

Into The Traffic, Under The Moonlight Clear Vinyl Edition

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear.

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Laila Sakini

LP | 2021 | EU | Original (Laila Sakini)

44,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 1998 | UK | Reissue (Chemikal Underground)

Arab Strap

Philophobia

Release: 1998 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Original inner sleeves. Few paper scuffs. 2019 reissue.

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LP | 2021 | US | Reissue (Late Music)

All My Circles Run

20,99 €*

LP | 2020 | US | Original (Kranky)

Release: 2021 / US – Reissue

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gold vinyl. Cover with a small dent/bump on top spine.

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Ana Roxanne

Because Of A Flower

Mother Is The Milky Way Remastered Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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Broadcast

LP | 2010 | UK | Reissue (Warp)

Release: 2010 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2022 | EU | Original (Shelter Press)

Felicia Atkinson

Image Langage

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tape | 2024 | UK | Original (The Tapeworm)

Runar Magnusson

Inside Out Of Chaos

Tape | 2024 | UK | Original (The Tapeworm)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Runar Magnusson is an Icelandic/Danish sound artist and musician, currently based in Austria. With a masters degree in Electronic Music Composition from The Royal Academy of Music, Aarhus, Denmark, he is inspired by the sounds of nature, noise, and meditation. Magnusson specialises in atmospheric disturbances through minimalist compositions. A sly humour cuts through the dark hues of his works.

Magnusson writes: "The two works which make up "Inside Out of Chaos" are somewhat related. They were made at the same time and share the same source materials somewhat – a pool of sounds I had been experimenting with for a couple of years. Two separate projects created the opportunities for me to realise them in these finished forms.

At the beginning of 2020 I was invited to participate in an acousmatic concert series at the Traktorfabrikken in Vienna. Curated by Austrian composer Christian Tschinkel and performed on his Akusmonautikum sound system this particular event, titled Kill & Kaoss, was the last in the series. I named my piece after the event and dedicated it to Tschinkel´s Akusmonautikum system. Without my knowing, I had witnessed this system in action half a year earlier at a concert at the Hermann Nitsch Museum in Mistelbach, with Hermann Nitch playing the organ and Tschinkel operating the sound system – a profoundly enjoyable performance. I was very happy when I connected the dots soon after the invitation to participate. I intended my work for Kill & Kaoss to be a way to greet the new lunar year of the rat – a year which held many surprises… The event took place on 22nd of February 2020 at Traktorfabrikken, Vienna.

"Inside Out (for Trattner)" was composed for Austrian artist Josef Trattner. It was the soundtrack for a film that was a part of his exhibition "Inside Out" at the Kiesler Foundation in Vienna, 2020. I assisted with the installation of the exhibition, itself a filmed action that evolved into the movie of which this is the score. The installation was a very hard physical process that left me bloody and blistered. It was also a fascinating, trance-inducing experience. Mining with ones bare hands, digging out this huge structure and creating a womblike cave, a tunnel system, a playground, a hideaway while experiencing ever-increasing pain in the fingers and hands. The exhibition ran from 27 February 2020 until 23 December 2020.

I consider this release as the final part of a trilogy I refer to as "the three sisters of sorrow". These three releases are an insight into my state of mind at the time – a mental collapse, somewhat triggered by a move to a new country, the death of my friend Jóhann Jóhannsson and the loss of my father a year later. Between 2018 and 2021 I had the trilogy almost ready but had not been able to finish them. I sought professional help to lift me up from the deep and was diagnosed with Adhd, which explained many things in my life. Only after the darkness had lifted could I see that these three releases were connected. They depicted both the mental state I had been in – an incapacitating downward spiral, a crushing chaos – and also my search for the light, a way out of the maze and my path up to the surface."

Runar Magnusson, Vienna, 13 November 2023

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Microcorps

Macrocorpse - 2021-2024

12" | 2024 | UK | Original (Evar)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Microcorps, Alexander Tucker's mutant techno alter ego, presents "Macrocorpse – 2021-2024", an 8-track collection of tracks that stray into a mutated space where techno-based composition inhabits the same space as microsound time scales, drone and noise. Regular Tapeworm collaborator Savage Pencil lends his warped graphic visions to the cover artwork.

"I'd always admired The Tapeworm from afar and over the years The Tapeworm and I would often bump into one another at gigs and enthuse about Derek Jarman." explained Tucker, "I'd amassed all these tracks, some of which I'd forgotten even existed until they asked me to produce a tape. Each track is made with a specific system I had set up on the modular rig. I'd have all these processes feeding back into each other creating these dense fragmented bangers."

Across the album, machine technology sits next to Tucker's own voice, processed through electronics and granular sampling. Vocals are pitched beyond recognition and delivered in a wordless constructed language that attempts to create its own alien landscapes. Tucker's aim is for each track to set a balance between structure and disrupting processes that feed off one another, where core rhythmic elements rub up against fried textures that fold in and out of each track. Always keen to marry electronic systems and acoustic instruments Tucker also employs cello layers which are resampled into sonic drone debris.

He expands "I often want to have my cake and eat it with these tracks. My idea was is to place my love of experimental techno, drone, music concréte and composition into each piece, where all these elements can weave through each other and produce a hybrid area"
Tucker is joined on final track PYN by Luke J Murray (Nonexistent, Stonecirclesampler, Liquid DnB-like Ambient Grime 2) adding his gauzy drones and electronic drift.

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Speed Dealer Moms

Birth Control Pill

LP | 2010 | EU | Reissue (Bureau B)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Speed Dealer Moms, the combustible live electronics duo comprising John Frusciante (Red Hot Chili Peppers) and Aaron Funk (Venetian Snares) is over a decade into their idiosyncratic run. On "Birth Control Pill," the duo's third release, the parameters of the chaotic and elegant project come into focus.

If there are virtuosos patching modular synthesizers and slicing up breakbeats, then they were in the room when these two tracks were recorded. The epic title cut is perhaps the most "functional" track the duo has ever recorded. This is ruffneck dnb business, but it's also the Speed Dealer Moms, so there is the requisite descent into chaos. The track's precise melodies are unceremoniously dunked into Funk's signature, ripping breakcore, the drums picking up speed until the crash test dummies hit the wall—a thrilling, extratone breakdown.

More madness lurks on the B-side, "Benakis," which seemingly nods to the visionary Greek composer. With its unconventional time signature and intricate melodies, this song cycles through breakcore and hard techno before eventually giving the listener a reprieve with a dreamy, beatless outro.

Speed Dealer Moms drive their own, crooked road built on friendship and a telepathic musical connection—the collaboration and encouragement of Funk ushered Frusciante into the dense world of hardcore machine funk. The results of these sessions don't sound quite like anything else, they are electronic records made in fearless pursuit of the new. Funk and Frusciante follow ideas to an illogical endpoint, and this hurtling approach has now resulted in the best and most concise Speed Dealer Moms record yet.

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Conrad Schnitzler

Slow Motion

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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Phelimuncasi & Metal Preyers

Izigqinamba

LP | 2024 | EU | Original (Nyege Nyege Tapes)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Eric Hilton Of Thievery Corporation

Closer White Vinyl Edition

7" | 2024 | US | Original (Montserrat House)

15,19 €* 15,99 € -5%

Release: 2024 / US – Original

Genre: Electronic & Dance

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Descending Moonsine Dervishes

Terry Riley

LP | 1982 | US | Reissue (Beacon Sound)

28,99 €*

Micha Volders & Miet Warlop

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-08-16

Accurately described by Thurston Moore as "great for meditating to the cosmos," Terry Riley's classic Descending Moonshine Dervishes is available again in a limited edition repress manufactured by Optimal in Germany. Originally recorded live in Berlin in 1975 and released by Kuckuck in 1982, Beacon Sound reissued the album in 2016 to widespread acclaim. Using just intonation and a modified organ, Riley conjures forth a rich and layered sound that challenges the Western ear, reflecting his associations with Indian classical singer Pandit Pran Nath and La Monte Young , whose Well Tuned Piano was well underway. Descending Moonshine Dervishes is a virtuosic and kaleidoscopic performance, standing as one of the finest works of a revolutionary composer and musician at the height of his powers. Recorded in concert November 29, 1975 at Metamusik Festival in Berlin.

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Icchä Picture Disc Vinyl Edition

LP | 2024 | EU | Original (Mutropia)

Box Set | 2008 | EU (One Little Indian)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited Edition Picture Disc. Including Silver/Chrome Obi Sticker and Silver Postcard with album titles and info in English and Bengali. Housed in PVC sleeve.

Icchā is an international collaboration project that originated in 2023 in Dhaka, Bangladesh. The work "Chant For Hope" was realized by Miet Warlop and created on site with local performers while Micha Volders composed the musical context. The performance acts as a monumental living sculpture, in which the physical process of casting hundreds of Bengali words in plaster becomes the driving force to create a playing field between performers, public space, and participation. Woven through this performative context are more complex relationships that explore the tension between humans and language. As the words become so visible and tangible, an image of their inner bearing and our dealings with them emerges.

The recordings of this performance have been adapted and enhanced to create an album that reflects the energy and expands upon the sound created in Dhaka. Icchā is the Bengali wording of "desire," and reflects the eagerness and urgency felt within the process of this collaboration. In conjunction with the seven performers, a sonic adventure emerges that thrives on the energetic rendering of the Bangla language through transient patterns and snappy melodic figures. The album will be released on 24.05.24 as vinyl picture disc and digital, and will be available as a pre-order online and in local selected record shops.

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Björk

Innocence

LP | 2024 | EU | Original (Garmo)

Release: 2008 / EU

Genre: Electronic & Dance

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Box set featuring remixes of the song “Innocence”

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Orchestroll

Hyperwide Lustre

LP | 2024 | UK | Original (First Word)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Hyperwide Lustre is Orchestroll’s debut record, a mini-LP released on Montreal’s Garmo – a highly curious and deeply devolved collection of music produced and performed for a run of live club sets by the duo.

Jester-like, this is music that laughs at you: because it’s funny, because it’s not; because you did too much, because you did too little. Because you’re too loud; too quiet. Wrapped in the exquisite production chops of Richard-Robitaille and Osborne-Lanthier, Hyperwide Lustre is quasi-sarcastic and fully irreverent, a shimmering hybrid of spectral dance music and avant classical; psychedelic, cinematic, fluid, and yet bejeweled with a crushing opulence. Lovelorn synths and haunted, clattering, percussion rolls through these halls. Will you follow them to their source? Or turn away?

Like a slow labyrinthine descent into ever-less-familiar passages, Orchestroll have crafted an album that feels genuinely puzzling and new. A warm welcome into a strange world. Two puppetmasters who lost control of their puppets long ago. The keyboard whispers, but the mouse decides the tale.

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Quiet Dawn

Celebrate

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (High Priestess)

Excelsior Ruth

12" | 2024 | EU | Original (Espace Noir)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Excelsior Ruth is a composer, DJ and producer born in the North-East of England but who currently resides in South London.

On her eponymously titled debut, she combines a life-long love of euphoric trance with echoes of her live performances as exlRuth, which incorporate sound recordings, drone, traditional choral music and the makina backdrop of her youth. Embedded in community heritage, it’s a record that probes connections between the classical and contemporary.

Gossamer harp drifts across time on ‘Haunt’, leading to the affecting arpeggios, strings and high BPMs of ‘Dream Of Night’, programmed, as much of the EP was, on classic 90s synthesisers, including the Roland JP8080 and Quasimidi Rave-0-Lution 309. Drinkwater’s ‘Dawn Return mix’ reduces ‘Dream Of Night’ down to a moment of 6am E-motion, limbs weaving through dry ice like mist on long-forgotten moors.

A cathedral of angelic voices swells in ‘Dream Of You’, their hymn to oceanic feeling rooted to earth by a raining cascade of kicks. And ‘Sleepy Hollow’ journeys further into deep, unspeakable bodily knowing, pushed and pulled between propulsion and stasis as fizzy high hats and restless melodies weave through shrouds of ambient pads.

Words by Joe Roberts.

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Emkay

Maailma (Sansibar Remix)

LP | 2024 | UK | Original (Invisible, Inc)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Maailma. Ethereal, hypnotic, entrancing - emkay’s release, the third on Espace Noir, is all of the above and more. Gated vocals, deep pads and shimmering stabs, Maailma feels like a memory from another time, a cloudy dream, or a place you’ve never quite been. It’s familiar but foreign, comforting yet thought provoking. And to top it all off? Maailma includes a remix from Finnish partner in crime (and Espace Noir favourite), Sansibar.

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Double Geography

Open Water

Tape | 2024 | JP | Original (Zouen Keikaku)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Invisible Inc once again presents another incredible full-length album from the talented Double Geography. Following on from 2020's “The Indoor Gardener”, the new LP “Open Water” is bathed in a similar blissful atmosphere...it would be appropriate to describe it as rather sublime.

Double Geography aka Duncan Thornley (one half of Weird Weather and studio engineer at MAP Studios), following the success of his debut album “The Indoor Gardener” (also on Invisible Inc) had sent Invisible Inc label boss GK Machine demos of his second and third album, which the label reluctantly declined on the basis that the music didn't sound quite right for the label. However, this fourth studio album fits the bill perfectly. Leaning towards the label's more ambient and laidback output, the album is themed around water, moving on and escape and sounds as unshackled and free-flowing as you'd expect...you can almost feel the breeze in the air and the sun on your skin.

The album is a progression from his previous releases, this time featuring several additional guest musicians, including stalwarts of the London jazz scene Greg Foat and Kaidi Akinnibi, to compliment Thornley's electronics...adding a complexity and depth to each of these compositions and an overall 'organic' quality that makes these new pieces sound like quite a departure from the first album. Fretless bass, clarinet, piano and saxophone decorate the music with refrains and melodies that have been enchanting our reveries since first hearing them.

“I wanted to incorporate some live musicians on this release so called upon some of the talent I'd worked with as an engineer at MAP Studios...that was the main drive behind the music for this release. The tracks are named after things that relate to either leaving behind canal boat living, e.g. Goodbye Great Escape (Great Escape was the name of our boat) or memories from a trip to Hydra, Greece. All sorta water related… On one of our walks around the island we ended up sharing a beach with Pierluigi Collina hence Famous Italian Referee! That track felt like the weirdest of the bunch so it got designated the weirdest name / memory!” (Duncan Thornley, March 2024)

Duncan Thornley - synthesizers, programming, percussion Adam Hayes - drum kit, roto-toms (A1, A3, A5) Pike Ogilvy - congas (A2, A3) Jasper Osbourne - fretless bass (A1, A3, A5) Kaidi Akinnibi - tenor and soprano saxophones (A1, A5) Simeon May - bass clarinet (A2, A3, B2, B4) Greg Foat - piano (b1)

Recorded and mixed at MAP Studios, London Mastered by James Savage at Milk Mastering Cyanotype photography by Lydia Dique Sleeve layout and design by Gordon Mackinnon

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After Dark Tour

12" | 2024 | EU | Original (Step Ball Chain)

Release: 2024 / JP – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The new release from Zouen Keikaku, an independent label that has released works by Ooyamada Daisanmyaku and Yaryu, among others, that made a splash at last year's RSD and Record Day Japan. This is the second collection by Tokyo electronic musician, Yo. The sharply polished post-industrial sound tangles the feet that line the dance floor and interrupts their dance steps. The dub-derived heavy bass swings aimlessly, crawling around like a snake with bizarre sound textures that cannot be enclosed in any musical genre. A DL code for "B," a special collection of remixed and unreleased sound sources, is included along with a mini booklet that resembles a sightseeing pamphlet.

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Trickpony

Pillow Talk

15,99 €*

Musica Esporadica 2024 Repress

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Step Ball Chain’s unconventional prototype band trickpony is the 11th release on the ever evolving imprint. An assortment of sensual cyber jams collaged together by the trio over timezones, birthed in Perth, Australia by Mike Midnight and Roza Terenzi; old friends joined by Helsinki’s visionary songstress Maria Korkeila. A trinity of alchemy blossomed into an audio rendition of exquisite corpse, layers of each entity glistening through amongst a united cosmos; trip hop atmospherics and downtempo drippings. The five track EP reveals a metamorphosis of nostalgia, a foot in the ever present and daydreams of future. A subconscious deep dive into lustful pop, guided by spine tingling vocal fantasies; textural hallucination, harmonic odes to the golden era underground and a flirtation with drum and bass, tribal percussive freakouts and dream tinged lyrics of desire. Pillow talk is a timeless exhibit of esoteric treasures, a portal to a private world of modern enchantment that reveals itself in new ways each listen, music for lovers created by a supergroup of innovators to be digested, shared and cherished.

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Musica Esporadica

LP | 1985 | EU | Reissue (Music From Memory)

26,09 €* 28,99 € -10%

LP | 1976 | US | Original (Virgin)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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“The idea of getting together Orquesta De Las Nubes with Glen Velez, Layne Redmond and Miguel Herrero in a recording studio arose when Glen and Layne visited Spain to hold a seminar on frame drums techniques. We had met Glen some years before during an event that took place in the amazing “Aula de Música de la Universidad Complutense de Madrid”. Glen came to Madrid playing with Charlie Morrow as part of an event about Fluxus with Alison Knowles and Philip Corner. On that time Glen played in Steve Reich Ensemble and our mutual love for repetitive music and ethnic music allowed us to build a very good friendship. When Glen visited Madrid we always get together in our rehearsal space and we played, talked and drink for hours. In 1985, during one of those sessions, Miguel Herrero joined us. On that time Miguel and meI used to play together in a club each week, where we made a bizarre fusion between pop and repetitive music. The sessions sounded so good, our ideas flowed so easily that after one session, I called Track Studios to ask if they have free rooms to make a recording during next days and as they told yes, I booked it immediately. The recording was made with an incredible fluency and about 12 hours after, we had recorded Música Esporádica. Fluency, spontaneity, close friendship was the fuel that fed us. After 34 years everything remains the same. Some of them are not with us any more but Música Esporádica keeps the unselfish spirit that encourages to share without objectives. Música Esporádica never step on stage and the 6 never met again altogether.” - Suso Saiz

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Tangerine Dream

Stratosfear

Release: 1976 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Yuji Takahashi / Mamoru Fujieda

Music For 'Cyber Cafe'

LP | 2024 | JP | Original (EM)

32,99 €*

2LP | 2024 | Original (Electronique)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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The hidden history of Japanese electronic music, where contemporary music and cyber-occultism converge, makes a reappearance on a special edition LP! Reproduction of the print pattern of the flyer for the "Ikebukuro Cyber Cafe" event held in 1991 on the cover, a center hole on the back side, a reproduction of the original cassette index of "Computer Cafe Music" and an IC board for electronic devices (the real one) are pasted on the front cover. The disc was mastered by D&M and cut at 45 rpm. An insert is included. Standard black vinyl pressing.

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Tinlicker

Cold Enough For Snow

31,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (All My Thoughts)

Yetsuby

B_b

Counting The Beats Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-30

Prolific visionary Yetsuby makes her debut on all my thoughts with a celestial concept LP that chimes into the deeper, inner emotions.

Yetsuby is the solo project of South Koren artist Yejin Jang. Since 2019 she has carved out a reputation as something of a prolific visionary, with 6 albums, 7 EPsand a flurry of singles between her two projects to date. Her recent album “My Star, My Planet Earth” received the “best electronic album of 2023" award at the KoreanMusic Awards.

Beyond her solo work Jang is also one half of the critically acclaimed electronic duo Salamanda, which has been featured in Pitchfork, Crack Magazine, and Dj Mag. The duo also host a residency called “shadow dance” on NTS radio. Yetsuby’s debut release on Seb Wilblood’s all my thoughts label is a heartfelt and forward thinking mini LP.

Yetsuby’s debut release on Seb Wilblood’s all my thoughts label is a heartfelt and forward thinking mini LP. The 6 track release effortlessly chimes into the deeper, inner emotions whilst providing a window into her abundant breadth of skills through tantalising themes of sonic alchemy.

“I want to put comfort into the music and give some message to people who blame themselves” - Yetsuby

The resulting effect is a release that feels sincere and deeply personal but has a celestial magic about it that feels both kaleidoscopic and transcendent. It effectively creates a world for the listener to inhabit, whilst inviting them to connect with the album’s themes on a personal level.

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Band Of Nowhere

LP | 2024 | EU | Original (Wah Wah)

Shout Out! To Freedom Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-23

Band Of Nowhere is a new constellation project by Juanjo Sánchez, together with other collaborators with whom he had previously worked. It is worth mentioning Bob Drake on drums, former member of the legendary formation Thinking Plague (also on Hail, 5UU's, The Science Group) who has also mastered the project from their studio in the Midi-Pyrénées and also to mention the guitarist Jordi Cabayol (Camino al Desván) both Juanjo and Jordi began their career in a significant band of Barcelona of the early eighties, such as Entr'acte.

The becoming of Juanjo Sánchez would take him to other latitudes as a member of Alondra Satori and without losing the lighthouse of his city, he would collaborate with other outstanding musicians such as Quicu Samsó (Koniec, Macromassa).

The fluidity and chromaticism of his previous album Gonza Magilla is still perceived in here, but in a much more electrified way with guitars that are sometimes expansive, other times exuberant wrapped up with contagious synthesizer modulations and very marked rhythms. The production and especially the arrangements are fantastic with those special presences of synthesizers that are not common around here.

Its original improvisation and experimentation is skilfully adjusted by Juanjo Sánchez, giving a much more playful result with unexpected combinations, very much in continuity with a certain European Art Rock such as Aksak Maboul, Etron Fou, Zamla,The Work or the mischievous resonances of The League of Gentlemen; all this mapping the sound transit, to an unpredictable and vibrant non-place.

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Nightmares On Wax

2LP | 2021 | Original (Warp)

Release: 2021 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP+LP+All Media | 2003 | EU | Reissue (Sony Music)

Prefab Sprout

I Trawl The Megahertz

LP | 2024 | EU | Original (Oblio)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance, Pop, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. Original inner sleeves. 180gr vinyl. 2019 reissue.

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Maurizio Bianchi

Regel

LP | 2024 | EU | Original (Meakusma)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The brand new imprint Oblio - the latest adventure in the Die Schachtel / Blume family - delivers their debut LP, the first ever fully remastered vinyl reissue of Maurizio Bianchi's seminal 1982 album “Regel”. A startling bridge between 1950s and '60s avant-garde electronic music and the legacies of punk, originally released on Bianchi's own Mectpyo Sounds imprint under the moniker M.B., for decades it has been hotly pursued as one of the great cornerstones of early '80s Italian experimentalism and Industrial music. Fully remastered by Andrea Marutti and issued in collaboration with the artist in a very limited edition of 280 copies on black vinyl, the album is housed in a sleeve that fully replicates the original, and contains two inserts and a sticker. It is a rare chance to immerse yourself in one of the remarkable artefacts of its era and Bianchi's singular sound world.

Having begun his career as music journalist attending to the more ambitious trajectories of Kosmische, experimentalism, and early industrial music, in 1979 Maurizio Bianchi turned his focus to making music of his own, initially self-releasing four cassettes under the moniker Sacher-Pelz, before beginning to work under his own name or the abbreviation M.B. in 1980. Regarded as a foundational project in the movements of Italian industrial music and noise, as well as a crucial link between the Milan scene and similar artists working in other parts of the world - Bianchi was in regular correspondence with Merzbow, SPK, Nigel Ayers of Nocturnal Emissions and William Bennett of Whitehouse - between 1980 and 1984, when Bianchi left the music world behind, beginning a decade and a half hiatus, he was caught in one of the most prolific flurries of production to emerge from the noise / Industrial scene, releasing roughly three dozen full-lengths of dazzling dark and bristling music in the short period of time. Of these, M.B.’s 1982 album “Regel”, originally released in a tiny edition of 280 copies by Bianchi's own Mectpyo Sounds imprint, remains one of the most celebrated and sought after.

Comprising two, untitled, side-long compositions, M.B.’s “Regel” stands among the best illuminations of the tangible links between the early electronic avant-garde and certain forms of music that blossomed from the cultural revolution of punk. The first piece draws upon manipulated sound sources, threaded with synthesizer or theremin, which collectively gather an almost post-apocalyptic sensibility. Using a similar sound palette, the album's second side delves toward a more markedly tonal realm, utilising deconstructed melodic elements, striking harmonic collisions and pulses, placed within a cavernous sense of space and texture that achieves thrilling seductiveness.

Remarkably cohesive over the entirety of its length - resembling an expansive and evolving sonorous journey through the darkened depths of visionary creative mind - “Regel” is made up of two sprawling, long-form sides standing in stark contrast to M.B.'s more aggressive, industrial-oriented works. Instead, what unfolds is a classic of austere musical hypnotism, helping add to the spiritual nature of the album as it ebbs and flows, culminating as an unprecedented form of meditation music, pitch perfect for the moment it emerged.

An unquestionable high-water mark in early '80s Italian experimentalism, as well as within the broader movements of Industrial music and noise, Maurizio Bianchi's seminal LP “Regel” remains as fresh, engrossing, and exciting as the day it first appeared in 1982. Issued by Oblio in full collaboration with the artist in a very limited edition of 280 fully remastered copies on black vinyl, housed in a sleeve that fully replicates the original and contains a sticker and two inserts, don’t miss your chance to grab a copy of a truly singular and towering piece of work.

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Manuel Troller

Halcyon Future

26,59 €* 27,99 € -5%

LP | 2024 | EU | Original (Hands In The Dark)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A bit more than half a decade on from his widely acclaimed debut Vanishing Points from 2018, Swiss guitarist, composer, and improv musician Manuel Troller releases his new record Halcyon Future. A rhythmically dense and ambiguous, yet joyful ride for unstable times, a plea for warmth and hopeful resistance.

Troller’s mode of incorporating, zooming in, and expanding on small elements from improvised sessions creates a multilayered work of driving rhythms and abstract, vibrating textures. Opening with Halcyon Future I’s distinctive open pulse, this first piece guides us through subtle harmonic shifts that are almost unrecognizable as they take place over extended time, overlapping and creating a sense of ambiguity until the piece reaches an almost optimistic level with Mario Hänni’s unexpected introduction of driving acoustic drums. Relentlessly and with increasing excitement, heavy electronic 80s bass drums and an armada of layered hi-hats push them on, leading to the all-incorporating melodic finale.

The two long pieces Halcyon Future I and Halcyon Future II focus on forward momentum. In between them stands DNA, a purposely directionless contemplation on emotion as such. It is raw, naked, and confrontational, with a tender and subtly changing chord progression creating intimacy and proximity, abstraction and warmth, like a beautifully vibrant hologram for the listener to walk around in.

The B-side with its 20-minute Halcyon Future II features playful futuristic guitars, enhancing and challenging the stereo image that Troller is already well-known for. As it’s given time to develop and take root, the ever-varying guitar interactions densify and the staccato patterns jump out of the speakers with joy, creating excitement and building momentum. Compared to Side A, things turn to a slightly more complex rhythmical, melodic, and harmonic feel here. There are easy references, such as Manuel Göttsching’s E2-e4 or Pat Metheny performing Steve Reich’s Electric Counterpoint, but Troller goes a different and very much more concrete way. Although the piece has been recorded in various places and through a long process of overdubbing, there is an astonishingly strong live feel to it, from beginning to the end, from the slow rise to the full spectrum and the almost krautrock-like finale. Improvisers Hans Koch on soprano saxophone and Michael Flury on heavily fuzzed trombone join in, while Troller and Mario Hänni on many guitars, bass, drum machines, and acoustic drums provide a joyous driving entity, not giving up until it all breaks down again. There is overkill and brute force, though never without depth and a vision of future.

In the musical scope of Halcyon Future, there is no need for an absolute definition of things. A continuously changing interpretation of repetitive and variable elements fading in and out of focus tells a story of an excited sense of acceptance. Feelings of transcendence stem from Troller’s layering of constantly shifting rhythmic structures with unforeseen improvised harmonic changes. Drum machine parts overlayed with acoustic drums shift between musical modes, anchoring the album on the verge of a jazz-influenced, motorik, post-ECM balearic plateau. Abstract textural elements gently swirl around and behind all that is rhythm, providing a submissive counterpoint. As with much of Troller’s work, Halcyon Future is an album that unfolds slowly, revealing more of its richness, detail, and subtle beauty at each listen.

Halcyon Future is a joint release by three:four records and meakusma.

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Andrea Taeggi

Nattdett

12" | 2024 | EU | Original (Oraculo)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Berlin-based, Italian-born sound artist Andrea Taeggi introduces his debut release on Hands in the Dark records with 'Nattdett', an album showcasing six mesmerising and rhythmically intricate electronic compositions. Drawing inspiration from previous works such as 'Mama Matrix Most Mysterious' (2015), 'Batch 0006' (2017), and 'Zimní Král' (2018), Taeggi delves further into his exploration of cyclical patterns and tension-filled compositions within his creative process.

The album's tracks focus on unsettling atmospheres, unusual rhythms and percussive tones, using a vast array of rare equipment, including the analog computer from the Willem-Twee synthesis studio in the Netherlands, initially employed for flight simulation in the Cold War-era. 'Nattdett' eloquently showcases Taeggi's talent in transmuting the essence of vintage machinery into a compelling primal language, offering an immersive and mind-expanding listening journey.

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Identity Theft

Omnia Vitas

2LP | 2024 | UK | Original (Spare Thought)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Identity Theft is the solo electronic music of Michael Buchanan, commencing in 2011 with the album Night Workers. He has previously released music on labels such as Oráculo Records, Treue Um Treue, Record Label Records, and Katabatik. Rooted in Düsseldorf-school electro with strong leanings towards the more abstract Krautrock origins of the genre, Omnia Vanitas presents the listener with a narrative arc moving beyond the ‘modern problems’ which previous Identity Theft work was concerned with (e.g. themes of surveillance and paranoia). Presented in One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid Black vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany). Includes inmediate digital download.

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Adult Jazz

So Sorry, So Slow

31,99 €*

LP | 2024 | UK | Original (Subtext / Unsound)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.

Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.

“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”

Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.

“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”

“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”

“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”

So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.

Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.

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Bela

Noise And Cries

25,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Music From Memory)

Contours

Elevations

28,99 €*

12" | 2024 | Original (Arma)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Music From Memory is delighted to present ‘Elevations’, a new album from Manchester based artist Tom Burford, aka Contours.

Drawing heavily on his background as a drummer and percussionist, ‘Elevations’ began as an exploration of the Balafon, a Malian tuned percussion instrument, before organically growing into its final form; a delicate suite of compositions centered around rhythmical interactions of percussion, synthesizer and strings.

Recorded during the pandemic and the period following, the album reflects a desire to lose oneself in the expanse of nature - the title ‘Elevations’ being a direct nod to the mountainous area of Cumbria where Tom grew up. The album also represents the joy of creating with friends; it features performances from several of his musical contemporaries, many of which were recorded at his home in Manchester. Slowly taking shape, the final result is a record that seamlessly blends electronic and acoustic, operating at the intersection of Minimalism, Jazz, Fourth World and Contemporary Classical music.

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Cotenius X

Plastic Bag

11,99 €*

LP | 2024 | Original (Lustpoderosa)

Release: 2024 / Original

Genre: Electronic & Dance

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Cotenius X is an exploratory improvisational project of the Ukrainian sound artist Daria Redkina and the
Russian experimental vocalist Varya Pavlova aka Lisokot. Improvising together since 2017 they
incorporate folk, electronic and musique concrète elements into their spontaneous compositions. “Plastic
Bag” is a testament to collaboration - an archival reflection of the time the duo spent experimenting
together. Their theatrical performances involve impersonation or adoption of different characters and are
informed by social, political, historical, and site-specific narratives. The duo has been compared to The
Residents and see themselves carrying the psychedelic absurdity of the US group forward by giving it a
feminine twist.

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Lool2luul

Ace Ure Bra

LP | 2024 | US | Original (Impatience)

Release: 2024 / Original

Genre: Electronic & Dance

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Lool2Luul's debut LP on Lustpoderosa introduces listeners to a captivating realm, where uncharted adventures await. This sonic journey transports you to an enigmatic cityscape, perhaps named Worynea, set in an undefined future. The music is haunting, pulsating, and imbued with intricate textures, creating an immersive experience. Within this lo-fi landscape, warmth and chill coexist, offering a paradoxical yet mesmerizing atmosphere. The vast spectrum of frequencies in this meticulously crafted musical narrative paints a vivid picture, blurring the lines between reality and imagination. Embark on this masterfully woven tale and allow yourself to be engulfed in its spellbinding allure.

All tracks written and produced by Lucas Delmenico
Mastering by Never Enough System

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Nuke Watch

Pepper's Ghost

26,99 €* 29,99 € -10%

LP | 2024 | EU | Original (Byt')

Release: 2024 / US – Original

Genre: Electronic & Dance

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Don’t believe your ears - Pepper’s Ghost is the latest offering from NYC project Nuke Watch.

Whatever you think it is - it is not. By the same token it really can be whatever you want - electronica, jazz, improv, noise, new age, ambient - it’s none and all of these. Like the primitive visual illusion it’s named for - Pepper’s Ghost is a projection of a thing, it’s not the thing.

The Nuke Watch method - like that of Aaron Anderson and Chris Hontos’ other primary project Beat Detectives - leans almost entirely on live improvisation, with some advanced studio alchemy in post. Where the Beat Detectives palette draws from club music tropes, Nuke Watch blends recognizable tones (hand drums, woodwinds, keys, fretless bass) with sounds of providence unknown, the line between organic and synthesized instrumentation unintelligibly smudged. What is real and what is projection? It’s hard to say. What do our ears tell us? This is where we arrive at Pepper’s Ghost.

Warped as the sounds may be, the playing belies a crew of deeply expressive, learned improvisers who have their craft honed. Their friendship and psychic connection enhances the ritualistic rhythms, mutant modular synthesis, nimble keyboard runs, absurdist sampling and unidentified skronk. They’re wonderfully complemented across several tracks on this set by Cole Pulice’s levitational, sublime saxophone.

As unhinged as this might all appear, once the mind and music meet on the same wavelength this is profoundly moving, energizing and uplifting Alive Music that recalibrates the sense of what music can be.

Nuke Watch is Aaron Anderson and Chris Hontos, with an array of friendly guests. They’ve released records as Nuke Watch on The Trilogy Tapes, Commend and Moon Glyph. As Beat Detectives they’ve released records on Not Not Fun, 100% Silk and their own studio imprint Nypd Records.

Pepper's Ghost was written and produced by Aaron Anderson and Chris Hontos. Additional instrumentation on these recordings by Cole Police, Leonard King, Eric Timothy Carlson, Chris Farstad and William Statler. It was mixed by Chris Hontos and mastered by Jack Callahan. Painting on the cover is “The Unity Of Being” (2020), by Ry Fyan. Design and layout by Aaron Anderson.

Riyl - Musical illusions, puzzles and magic tricks, downtempo, music of the spheres, good journey, Eddie Harris, Ketron, "world building", orange sunshine, suspension of disbelief.

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Telva

Revelation

Swinging Berlin - Tanzmusik Der 30er Jahre

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Having worked silently in her sonic philosophy for almost a decade, vocalist, music producer and Dj Telva has launched her music label byt’, starting with the publication of her debut album. The album, ‘Revelation’, opens with an unusual and experimental offering, which sets the tone for the label's subsequent eclectic and unexpected releases. The compilation of 10 tracks, has been documented for 5 years through an experimental vocal, instrumental sonic journey, that is composed of Telva's life experiences during this period.

Telva is a vocalist, producer and only vinyl Dj based in Berlin. Defining her path through art in every sense of it by turning passion into a way of life, she has been playing and collecting records as main craft since 2016. Followed by uninterrupted hours in the studio, her creations and sonic philosophy, aka record label byt’, have been materialized by the wide range of influences she’s been absorbing along her way as an artist, where different cultures, scenes, and places have shaped and influenced her understanding and projection of her musical vision. Her love for the underground movement and the deep work in silence have made her music shows special and respected. For listeners and dancers, her well-chosen exposure is an unexpected experience. Her purpose is to offer quality music based on eclectic diversity, that surprises the audience with the love it spreads through sound, aiming to touch their hearts. ‘Music is a channel of transmission in where to materialize one’s lifetime vision’

Byt' (быть in Slavic meaning 'to be' / pronounced 'beat') is a music philosophy, also known as a record label, focusing on the connection between music and artist as a primary form of communication and source of expression. It represents 'the music of the being'.
The meaning and purpose are to comprehend the concept of musical interpretation through the artistic vision of the person behind it, by appreciating the significance of conveying a life experience through sound, making a recognition on what is behind the music we listen to. The label will be composed of solo releases, sonic cinematic experiences, collaborations and other archives, spanning an unlimited wide range of genres, yet rooted mainly in electronic music.

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Goldene Sieben

LP | 2024 | DE | Original (ZYX Music)

17,99 €*

Release: 2024 / DE – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Gamine)

Evanton

Better Days EP

13,99 €*

LP | 2024 | JP | Original (Jet Set)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Run since the fall of 2012, Evanton is the italo/synthwave project of Greek electronic producer Evangelos Zacharopoulos (aka Binalog Frequency, Bionic Breaker etc.). With numerous releases under his belt over the years, Evanton has established himself as a leading force on the current new retrowave scene.

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Harikuyamaku

Denshi Kacharsee

39,59 €* 43,99 € -10%

Release: 2024 / JP – Original

Genre: Electronic & Dance

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2x12" | 2011 | UK | Reissue (Dynamic Tension)

Surgeon

Breaking The Frame

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

The Turning Wheel Black Vinyl Edition

SPELLLING

LP | 2021 | US | Original (Sacred Bones)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | EU | Original (WRWTFWW)

Somei Satoh

Emerald Tablet / Echoes

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 2024 | UK | Original (Room 40)

Madeleine Cocolas

Bodies

15,99 €*

LP | 2024 | UK | Original (Nashazphone)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A companion album to 2022's restrained 'Spectral', 'Bodies' blurs the boundaries between bodies of water and human bodies, provoking presence by emulating wave cycles and heartbeats with deft electronic rhythms and obscuring vocals and field recordings with tense synths.

Cocolas headed to the Australian coast and explored the creeks and waterfalls of Far North Queensland to source environmental sounds for 'Bodies'. And although these recordings are mostly hidden, they provide the album with its backbone, over which Cocolas lavishes concealed chorals and orchestral waves of powerful, distorted electronics. There's a palpable tension to the material; we can hear Cocolas' cries on opening track 'Bodies I', but it's buried beneath saturated, cinematic washes that might be strings, and might be synths.

She wanted her collages to evoke memories and emotions rather than represent something more tangible, and handles this by drifting from digital to analog, electronic to acoustic, concealing everything almost beyond recognition. On 'A Current Runs Through', Cocolas turns her instrumentation into crashing, cinematic drones that emerge like bubbling waters, and on 'Exhale' it sounds as if she's sunk beneath the surface, her ensemble drowned by filtered bubbles and ominous groans.

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1127.0

33,99 €*

2LP | 2024 | EU | Original (Nakid)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Experimental enigma 1127 fuses grime and hard techno into early 20th Century Egyptian music on his outstanding second album for Cairo’s Nashazphone label, building a wall of floury, computerised noise that relentlessly pushes the dancefloor into the backroom, and the backroom towards the rally. Breathtaking, mind-altering gear, essential listening for fans of Mutamassik, Autechre, Kelman Duran, Nkisi, even James Ferraro.

The fifteenth letter of the Arabic alphabet, ض (ḍād) is one of only six letters that were added to the Phoenician alphabet to construct the language. It exists only in Arabic, and is notoriously difficult for non-native speakers to pronounce. As such, it's a fitting title for 1127's mystifying second album, a profound expression that challenges us to look beyond the aesthetic and unravel a knotty collage of influences and innovation.

On his acclaimed 2019 debut ’Tqaseem Mqamat El Haram’, 1127 delivered a shock to experimental electronic club musicks that snagged everyone from Rat Heart to Rabit and Elvin Brandhi with fractal decimations of Egyptian rave and street noise. On this new one, he simmers it down through reticulated junglist and trap modes, whilst crucially retaining a hallucinatory sense of chaos reflective of modern day Giza. With contributions from a whole bunch of collaborators including Minusdesire, Caironomixx, Emna Mâaref - plus many others, he deploys fractured melodies, voices and robust club structures at once distinctly recalling Mutamassik’s millennium-era fusions, with a crucial quota of controlled madness that 1127 can safely call his own.

There are traces of Autechre's latter-day autogenic reveries on 'hyperfals(E)xoteric@iro', sweeping up thunderous, asynchronous percussion in brisk sonic winds, folding in oud-like electronic plucks to illuminate unconventional commonalities and shared narratives between future / primitive practice. On '1446' he uses a heavy-footed drum battery, burying drill-warped subs and almost invisible vocals in a disheveled mix, shepherding us towards 'iii اعيش في جلباب ابي Lenn', a disco-baked headmelter that takes the language of French touch and uses it to carve new shapes into deconstructed Egyptian pop. On the Caretaker-referencing ‘complexity induced amnesia’, he creates a smoky aura, dissolving the rhythm and trace vocals into unstable FX-corroded loops, designed to melt the memory banks.

With thanks to Rashad Becker’s faithful vinyl master that presents the music with all its burred edges, pressure drops, and textures in tact, ‘ض’ is an absolute must check for anyone bitten by the unstoppable sprawl and refraction of traditional club and experimental musicks into new dimensions.

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Nsi.

A Day Or Two

37,99 €*

Venus Rising From The Sea

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Nakid presents the first album in years from Max Loderbauer (Sun Electric) and Tobias Freund’s cult Non Standard Institute. Delving deep into the aether with a double LP - almost an hour and a half in length - featuring ruined, vaporous and engrossing ambient variations on a theme.

Planing axes between iridescent new age ambient, sublime folk and avant-classical, to miasmic drone and plangent shoegaze; ‘A Day or Two’ charts the Non Standard Institute’s first actions in 6 years and serves as a compelling reminder of their intuitive work in abundance. Expanding and contracting their sound across 18 parts, they arc from heaving, oddly-tuned drones to smoggy, surreal soundscapes, bringing a wealth of fine-tuned instincts to the table. With Max Loderbauer’s 35+ years as Berlin ambient pioneer with Sun Electric, jams with Villalobos, and roles in Vladislav Delay Quintet and the Moritz von Oswald Trio, he’s matched by Freund’s 40 years of deep engineering expertise embedded in the experimental industrial and techno trenches.

The melancholy, Satie-laced piano meditations that grounded 2018's '5863' are gone, and the human touch that's been present since their very first collaborations is placed under the microscope, enhanced by their use of the Haken Continuum Fingerboard, a gestural synth that was developed to open up new modes of playing. Loderbauer's experience with the piano helps him make the most of the instrument's touch-sensitive 3D surface, while Freund uses two multi-channel loopers, piping the sounds through his arsenal of pedals.

The 18 tracks are billed as "unplanned atmospheres" that arc from sombre, drone-heavy material to humid, tape-saturated imaginary-island jams such as 'Listening To Cells' and 'Are You One Of Them'. On the latter, the duo work patiently, letting dusted string plucks tumble across each other while warbling pads hum below, bending like flutes. On 'Unlikely Events', anxious didgeridoo-like wails are ruptured by environmental rattles, before ominous voices lead us into a pocket of industrialised resonance. In time, the skies open up and the sounds morph into pastoral song, the drone blurring into hopeful pads almost as lucid and eloquent as AFX's 'saw Vol. II', with sonorous synths that float over formless strings. Reflective, cinematic arrangements for flute and silvery ambient give way to diffusions of denser, resonant polychromatics and pucker up in outernational, alien ambient impulses recalling Connor Camburn jamming with dirashe folk pipes.

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V.A.

LP | 2024 | EU | Original (Doyenne)

LP | 2024 | Original (Mr Bongo)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Commissioned and curated by Flora Yin Wong for her label and publishing house Doyenne, ‘Venus Rising From The Sea’ is a collection of love-themed cover versions featuring Teresa Winter, Susu Laroche, Alex Zhang Hungtai, aya, Maria Minerva, Christina Vantzou, Spivak, Salamanda, clare rousay, Wild Terrier Orchestra, Dania and Flora Yin Wong herself covering songs by The Cure, Robert Wyatt, Mariah Carey, The Cranberries, Pentangle, The Carter Family, Spiritualized, Debussy and more.

‘Venus Rising From The Sea’ takes its cues from the classical deity Aphrodite - whose name literally means “sea foam” - for an ever necessary expression of love in the modern age. The label asked friends and collaborators to interpret “love” in whichever way they saw fit, be it obsession, self-love, unrequited, unconditional, whatever. But despite the open brief, and the vastly different modes of execution, all the artists involved somehow ended up linking hands with a shared determination to smudge the original songs into bleary-eyed, uncanny traces of the originals.

To open, Pentangle's jaunty 'No Love is Sorrow' is puffed into stormy clouds by Teresa Winter, who retains the original’s unmistakable bass twang and teases Jacqui McShee's siren song into a saturated buzz of layered, obfuscated words. Verses twist into verses, lines into echoed-out lines, capturing the song’s boundless yearning, rather than tracing its exact contours. Next, Susu Laroche yields one of the set’s highlights on a brilliantly nuanced, highly impactful version of Nina Simone’s take on folk standard ‘Black is the Colour of My True Love’s Hair’, turning the original’s multi-faceted Appalachian/Scottish routes into a heart-stopping, Nico-esque fuzz we haven’t stopped playing for weeks. Christina Vantzou (the CV ov CV & Jab) is joined by pianist Ezra Fieremans in the absorbingly filmic scenes of ‘Hot Springs’, while Maria Spivak's interpretation of Robert Wyatt's 'Just as You Are' finds her singing Brazilian vocalist Mônica Vasconcelos' words with reverence, smearing them into a hypnagogic fantasy.

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Raul Gomez

Release: 2024 / Original

Genre: Electronic & Dance

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Horror Of The Hexham Heads

The Night Monitor

LP | 2024 | UK | Original (Library Of The Occult)

LP | 2024 | UK | Original (Castles In Space)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Night Monitor deftly constructs an auditory labyrinth, intertwining layers of analog synthesis and spectral ambience. Drawing inspiration from the obscure landscapes of 1970s electronic experimentation and the spectral echoes of the BBC Radiophonic Workshop to create an immersive experience that resonates with the unknown. From the dissonant whispers to the pulsating rhythms, "Horror of the Hexham Heads" invites listeners to navigate the murky waters of the unexplained, delving deep into the real-life paranormal saga surrounding the Hexham Heads, a tale shrouded in mystery and intrigue.

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Kinbrae

Cryptophasia

LP | 2024 | EU | Original (Umor-Rex)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Cryptophasia is the third album from Scottish twin brothers Andy and Mike Truscott under their Kinbrae moniker.

Shifting focus from their previous landscape-based releases, Cryptophasia sees the band explore their relationship growing up as twins and how this has shaped and formed them as people both individually and collectively. Reflecting on experiences across their lives, the album deals with themes including family dynamics, lived experiences and memories, identity, sibling rivalry, isolation and battles with mental health. Looking at these aspects allowed the band to see how they have supported each other over the years and consider the way their relationship as brothers has developed across their lifetimes.

Working with producer and frequent collaborator Ben Chatwin, the band were awarded a Jerwood Bursary to initially experiment and improvise with new instruments and techniques, with these early drafts used to then structure fully formed pieces. At its core, the record incorporates modular and analog synthesizers that are intertwined with brass layers and melodies. These sounds are further developed with the use of field recordings, piano, live percussion and bass guitar to both further establish and build upon the band's signature ambient and melancholic sound.

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Driftmachine & Ammer

Sonic Behaviour

LP | 2024 | EU | Original (Faitiche)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sonic Behavior by Driftmachine & Ammer is an album exploring the origins of sound, noise, and various music genres. Alongside lyrical declarations of love for noise ("Song To Noise"), the album delves into sonic reflections on how beauty and emotion emerge from mundane vibrations in the air ("The Siren Is A Simple Device"). For the first time, the analog sound researchers of Driftmachine (Andreas Gerth, Florian Zimmer) incorporate spoken language and noise into their sound research. They have collaborated with word and sound artist Andreas Ammer, renowned for his radio plays with Acid Pauli, aka Console ("Spaceman 85"), or FM Einheit ("Radio Inferno," "Symphony of Sirens").

In "The Siren Is A Simple Device," the words are spoken by 81-year-old musician and poet legend Ted Milton (Blurt, Loopspool). Despite its simplicity and obvious ability to produce high volumes, the siren has led a marginal existence as a musical instrument. Yet, it is capable of evoking the most intense emotional states in the listener in the shortest possible time, like almost no other sound-producing mechanism. "Sonic Behavior" capitalizes on this fact. The familiar hypnotic sounds of Driftmachine are accompanied by a siren organ inspired by the revolutionary Russian futurist Arsenij Avranov and built by Andreas Ammer, while the lyrics talk about the simple physical reasons behind the sound chaos that has just been unleashed: A siren ... chops the air into sound.

The core of the album is "Song To Noise," an electro-acoustic mini-symphony about the beauties of noise and all its producers, which is based on a poem by the British poet Deryn Rees-Jones and spoken by the poet herself and Alexander Hacke (Einstürzende Neubauten, Hackedepicciotto). Driftmachine & Ammer develop a soundtrack that is as powerful as it is loud and danceable (which is why the LP also includes a textless version of the composition).

"Sonic Sculpture" is the zenith of the work: a text/music track spoken by Ted Milton, which creates the possibility of a sound sculpture that encompasses the universe: What if one could imagine the infernal sound that encompasses all conceivable harmonies at the same time? A piano does when you throw it down an earthly staircase (the epitome of music is a piano falling down the stairs) through silent space to the next theoretically life-filled, Earth-like planet, Proxima Centauri B. The radio makes it possible. Driftmachine & Ammer tried it. The result will be heard there in 4.24 light-years. On planet Earth, the time has come on May 2, 2024. On this day, Sonic Behavior will be released, a conceptual album by Driftmachine & Ammer exploring sound, its creation, and its power.

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Jan Jelinek

Social Engineering

25,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Ghost Box)

Pye Corner Audio

The Endless Echo

In Fractured Silence Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Endless Echo is the fifth album on Ghost Box for the highly prolific Martin Jenkins. Pye Corner Audio cinematic electronica shifts effortlessly between brooding ambience and menacing dance floor grooves. It evokes awe-inspiring vistas and moments of sublime spine-tingling wonder. This time around Jenkins draws inspiration from scientific and science-fictional notions about the nature of time and the idea that it may be entirely unreal.

Pye Corner Audio’s discography includes eleven full length albums and many more singles and EPs across several labels. There are also remixes for John Foxx, Mogwai, Ride’s Andy Bell, Mark Lanegan, Maps, Apta, Alice Hubble, Stealing Sheep, Knightstown, Dolphin Midwives and Japanese Television.

Pye Corner Audio’s music appears in the soundtracks to Adam Curtis’s 2016 film HyperNormalisation, the 2018 Shudder TV series Deadwax, Sky TV’s 2019 sci-fi drama series Curfew and 2022 Netflix documentary Slay.

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In Fractured Silence

LP | 2023 | UK | Original (Soufflecontinuu)

LP | 2023 | UK | Original (Fascination Street)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last...

... but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you’ll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birgé and Gorgé, who were then playing with Bernard Vitet in ‘Un drame musical instantané’.

It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantané, could be heard Hélène Sage (whom Birgé introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.

The curtain is raised and it is Un drame musical instantané who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it’s a debacle, the Drame won, Hélène Sage can take over. Heading up a quintette including Gorgé and Vitet, she creates a cushioned chamber music with strings and many silences.

On the B side, it’s the other side of the channel. Sema’s piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides.'

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Oslo Twins

Back To Nothing

John Carter & Bobby Bradford

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The band's debut EP 'Back To Nothing' is subtly influenced by dance, industrial and lo-fi music of the 80s and 90s, adorned with distinctive, hooky pop melodies. The new EP includes previously released singles “Breath”, “Miss Yesterday” and title track “Back to Nothing”, all receiving notable support from BBC 6 Music, So Young Magazine, The Independent, DIY Magazine, Rough Trade, The Line Of Best Fit, amongst others.

The songs on Oslo Twins' debut EP vary in mood from the danceable anthem “Miss Yesterday” to the rhythmic and otherworldly “Basilica”, all connected by a sense of distant places and the tension between unity and isolation.

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Self Determination Music

LP | 2023 | EU | Original (Hiq)