Downbeat | Electronica | Leftfield 9670 Items

A Lion Is A Lion And Not A Lamb

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Inspired by a life long obsession of dub, synth, industrial and different kinds of minimalism, "Extended Player" 12"ep by The Idealist is a tribute to these inspirations aswell as an attempt to move forward or elsewhere. This is experimental techno and electronic music from an artist that is freely moving between drone and noise to this. Party music for professionals.

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The Idealist

LP | 2022 | EU | Original (Meakusma)

24,99 €*

Only One Night Coloured Vinyl

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Idealist is one of the many projects of Joachim Nordwall who has a long history in Swedish experimental music running the quintessential iDEAL Recordings record label since 1998, as a member of the psych-drone duo Alvars Orkester, avant punk rock trio Kid Commando and ritual drone rock group The Skull Defekts and through his many solo recordings and collaborations with people such as John Duncan, Aaron Dilloway, Mika Vainio, Mats Gustafsson, Leif Elggren, Gabi Losoncy, Mark Wastell and Christine Abdelour. As The Idealist, he has been delving into an amalgam of experimental techno, dub and industrial music since 2006. His new A Lion Is A Lion And Not A Lamb continues this perspective unabatedly, conjuring up six tracks that shimmer with an almost psychotropic intensity, sometimes including acidic touches, dwelling in a confrontational minimalist musical stance where repetition, bursts of gorgeous noise and dubbed out skeletal rhythms make for wayward yet driving grooves at home on the dance floor and a set of headphones alike. The Idealist looks for engagement within rhythm, in its almost purest form.

Design by Meeuw

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The Hurricanes

12" | 1988 | EU | Reissue (ZYX Music)

16,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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The Humble Bee & Offthesky

Here In, Absence

LP | 2024 | EU | Original (IIKKI)

26,99 €*

Nightmark Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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»Here In, Absence« is the result of the dialogue between the Finnish photographer Mikael Siirilä and ambient artists The Humble Bee & Offthesky. Mikael Siirilä describes himself as a darkroom artist based in Helsinki, Finland. »My small individual photographs examine the themes of absence, presence and outsiderhood. My characters appear immersed in their inner worlds and moments of being: simultaneously absent and intensely present.«

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The Humble Bee

LP | 2020 | EU | Original (Dauw)

Daymark Clear Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Craig Tattersall made quite a name for himself by offering a series of consistent releases on his own imprints Cotton Goods and Other Ideas. After more than 5 years of silence, he is finally back with 2 new full length albums: Daymark and Nightmark. Both albums are made around the same time and can be seen as complementary odes to these different and opposite parts of the day.

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The Humble Bee

LP | 2020 | EU | Original (Dauw)

The Humble Bee & Benoit Pioulard

Release: 2020 / EU – Original

Genre: Electronic & Dance

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I Suppose I'm Your Future

LP | 2019 | EU | Original (Dauw)

LP | 2024 | UK | Original (Reducer / Bkv)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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First collaborational album by Craig Tattersall aka The Humble Bee (The Boats, The Remote Viewer) & Thomas Meluch aka Benoît Pioulard (Orcas).

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The Human Aerial

Antenna

20,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-09

Tape | 2022 | UK | Original (The Tapeworm)

The Howling

All Hail Mega Force

12,99 €*

The House That Dirt Built

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The Howling is a collaborative project started by writer Ken Hollings and sound artist Howlround devoted exclusively to their shared love of text, audiotape and trash aesthetics. An intense collision of spoken word and analogue tape effects, the Howling's first performance took place at the Iklectik in September 2019 as part of a special programme to celebrate The Tapeworm's 10th anniversary.
Despite the pandemic, they have managed to continue working and conferring together since then, sharing sound files, texts and mixes online, which has resulted in All Hail Mega Force, their first full-length release for The Tapeworm. The two extended tracks contained on this audiocassette reflect their shared interest in Fluxus and how informal rules and permutations can be set up to work themselves out through loops and repetitions. A straight line connects Terry Riley's tape experiments in Paris from the early 60s with their experimental recordings in the Wimpy Bar on Streatham High Road, one of their favourite meeting places. 'The idea of instant, disposable one-off creations appealed to us a lot at the time,' The Howling explain, 'particularly as both pieces were conceived and developed during different phases of Covid lockdown in the UK.'
The title and source material are derived from the kid's adventure movie MegaForce, starring Barry Bostwik and Michael Beck. Designed to sell a range of Mattel hi-tech action toys, MegaForce tanked at the box office but lives on in the collective consciousness of those who share with The Howling a special love for Trash and Trash Aesthetics.
The two tracks also share similarities in approach and realization.
'All Hail Mega Force' was created by reading combinations of the words 'All Hail Mega Force' into a voice memo recorder, transferring it to tape, cutting the whole thing as a single long loop and then stretching it across three reel-to-reel machines simultaneously, using two pencils and a pint glass full of loose change to try and maintain sufficient playback tension. Over time the loop started to degrade, which accounts for the increasingly slurry and unpredictable playback, plus frequent ruptures caused by the tape becoming jammed and having to be tugged through the machine workings by hand. Twenty-four minutes later and the result was a completed new work and a slight backache.
The text for 'Are You Man Enough For Mega Force?' was recorded live in the Wimpy Bar on Streatham High Road, 28 November 2021. It was cut to tape and looped on 3 December 2021 at Warrior Studios, Loughborough Junction. Dragged by motor and then by hand across two tape machines with copious amounts of closed input feedback provided by a third rushing in to fill the gaps. One take with no effects or overdubs, but one tiny edit in the middle when something fell over.

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The Heavy

LP | 2009 | UK | Original (Counter)

Great Vengeance And Furious Fire

Release: 2009 / UK – Original

Genre: Electronic & Dance

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Mixed and produced by Jim Abiss!

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The Heavy

LP | 2007 | EU | Reissue (Counter)

Release: 2007 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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12" | 2024 | US | Original (Archaic Devices)

The Haxan Cloak

N/Y

18,19 €* 27,99 € -35%

12" | 2015 | EU | Original (Out To Lunch)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Bobby Krlic is an artist, producer and multi-instrumentalist hailing from Wakefield, Yorkshire and now residing in Los Angeles. His music stems from a fusion of the punk, metal and post hardcore of his teens and later discovery of avant garde music, drone metal, ambient and modern composition. It combines acoustic instruments, synthesis and field recordings manipulated to create a singular, visceral listening experience.

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The Hangout Project

Sword Of Light

6,99 €*

LP | 2023 | EU | Original (Music From Memory)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Fine, from out there Footwork-ing to chilled Downbeat alike House EP

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The Habitat Ensemble

28,99 €*

LP | 2021 | UK | Original (DGM Panegyric)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschayer.

The collective originates deep in the south of the Czech Republic, on the border with Austria, amongst the idyllic hills and fields of a village called Maříž, where a summer school of outsiders and creatives have been gathering since the 1990s. Enriching each other through intercultural exchange, summer school participants have created a unique gathering of artistic expression and interdisciplinary research.

Originally grown out of the idea of translating the unique energy of the community and its environment into a musical journey where each member makes their own individual contribution, during the summer of August 2022, The Habitat Ensemble became an exciting vehicle for connection and co-creation.

Whether it be musical experimentation, composition, poetry, song or dance, Habitat Ensemble, having started as a series of multidisciplinary workshops, slowly developed into a unique musical recording. The album serves to conjure the unique nature, community, experimentation surrounding the school and the collective’s search for harmony across all of these, both musical and spiritual.

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The Grid / Fripp

Leviathan

30,99 €*

2LP | 2024 | EU | Original (Glitz Audio)

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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New collaborative album from electronic duo The Grid (aka Richard Norris & Dave Ball) and King Crimson’s Robert Fripp Combining Fripp Soundscapes with synth, drums, programming and effects by The Grid

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The Glitz

Axen

Sexuality Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-16

Heavy support by Radio Slave, Sam Divine, Acid Pauli, Green Velvet and Maceo Plex to name a few, while also being played on radio stations world wide. The album marks the beginning of a new chapter for The Glitz as they embark on a journey beyond the world of electronic music. After a wide range of beautiful, inspiring, provoking and uplifting The Glitz-singles, we are now approaching the full album in all its might. The singles have shown us the diverse soundscapes you can find in Andreas and Daniels musical multiverse, with the genres ranging from the classic House and Techno genres, to also introducing their take on Trip Hop, Neo RnB, Hip Hop, Ballad and Electronica. This journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the German Club Charts for four weeks straight (it is still in the Beatport top100 after 7 months). Born out of a desire to create a space to explore and expand their unique sound, their new album is a bold extension of The Glitz vision and purpose. It has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter Mulay. And now it is time to present the full album to the world. is the mesmerising product of one of their many jam sessions in the studio. It carries the unique The Glitz fingerprints all over it while also letting them shine in a new context. The slow flowing Hip Hop beat paired with Mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new The Glitz-fans alike.

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The Germans

LP+CD | 2019 | EU | Original (Unday)

2LP | 2012 | US | Original (Brainfeeder)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Clear vinyl in gatefold sleeve, including the album on cd format.On their new album 'Sexuality', the band challenge the cult of celebrity and self-promotion by displaying their ugly as well as their sexy. The tone is confusingly kinky.

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The Gaslamp Killer

Breakthrough

82,99 €*

Release: 2012 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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LP | 2022 | UK | Original (fsoldigital.com)

Rituals >e7.001

38,95 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG

Limited Edition for Record Store Day 2022. Numbered 305/2000. Cover has a bent corner and a seam split, close to VG+.

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12" | 1992 | UK | Reissue (Jumpin & Pumpin)

Papua New Guinea

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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Back for a limited edition, individually numbered 12” single from The Future Sound of London comes the iconic original ‘12tot17r’ collection of “Papua New Guinea” mixes. Mixes alongside the classic 12” Original include the full length Andrew Weatherall Mix, reissued here for the first time since 1992. Andrew Weatherall (1963-2020) was one of the key DJs on the acid house dance scene and this mix is one of his most highly regarded works next to Happy Mondays, New Order and Bjork. This edition is a limited edition to only 2000 copies only.

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LP | 2018 | UK | Original (Jumpin & Pumpin)

My Kingdom (Re-Imagined)

24,99 €*

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2018!

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LP | 2016 | UK | Original (Jumpin & Pumpin)

Environments Volume 6.5

20,99 €*

Release: 2016 / UK – Original

Genre: Electronic & Dance

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LP | 2016 | UK | Original (Jumpin & Pumpin)

Environments Volume 6

Release: 2016 / UK – Original

Genre: Electronic & Dance

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LP | 2015 | UK | Original (Jumpin & Pumpin)

Archived 8

19,99 €*

LP | 2019 | EU | Original (Flau)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.

Archived 8 brings together another 12 such tracks; in some cases these are completed but unreleased songs from that time, in others the songs have been reconstructed or enhanced and then further mixed to form the journey. This album is not just a collection of random off-cuts. It is a fully realised album, worthy of sitting alongside the rest of the band's critically acclaimed work.

Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994.

Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide.

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The Future Eve

Kitsune / Brian The Fox

32,99 €*

12" | 2007 | EU | Original (Ugly Truth)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Japanese producer The Future Eve – known for his minimalist, synthesised pieces under the moniker Tomo Akikawabaya such as The Castle (1984), reissued alongside other works on New York's Minimal Wave Records as The Invitation of The Dead in 2015 – has announced a landmark collaboration spanning continents and planes of existence. Going under the new name of The Future Eve, he has worked together with the legendary Robert Wyatt to create an electronic journey of sound.

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The Freelance Hellraiser

We don't belong

3,99 €*

Release: 2007 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

CD | 2022 | UK | Original (Ghost Box)

The Focus Group

Sketches & Spells

14,99 €*

LP | 2005 | UK | Reissue (Ghost Box)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The Focus Group is the recording alias for Ghost Box co-founder and well respected graphic designer and film maker Julian House. This debut album was first release in 2005 on a burn to order Cd-r. Now packaged in a 4 panel digipack with the original sleeve art by Julian House that established the rules for the primary Ghost Box artwork layout. It’s a design grid that the label has continuously revisited and tinkered with ever since.

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The Focus Group

Sketches And Spells

10" | 2023 | UK | Original (Ghost Box)

Release: 2005 / UK – Reissue

Genre: Electronic & Dance

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The Focus Group

Hey Let Loose Your Love

18,74 €* 24,99 € -25%

The Secret Dub Life Of The Flying Lizards

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Pieced together with musty samples from children’s exercise records, vintage drama, clunky British jazz and library records, this is an archaeology of emotion, an exploration of the power of not only childhood memories, but of the collective unconscious.

Julian House’s own The Focus Group; oddly assembled sampledelic collages, stitched together from fragments of library cues and forgotten soundtracks. A beautiful, unhinged stream of consciousness that seems to prod at buried memories. Reviews Julian Houses's Focus Group should appeal to anyone who grew up in Britain in the '70s: its a condensed memory of that decade's daytime and after hours television. These 19 soundbites ape the incidental music for The Tomorrow People, The Clangers and Follyfoot, jazz drums, bass flutes, continuity men and grubby science-lab electronica. Like Boards of Canada minus beats, the feeling of smothered innocence evokes powerful intimations of the uncanny.

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The Flying Lizards

LP | 2010 | EU | Original (Staubgold)

26,99 €*

Release: 2010 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The Flower Travellin' Band

Picture
Coming Soon

Beam Penetration And Mad Computer Special Edition

10"+CD | 2024 | JP | Original (EM Custom)

51,99 €*

The Flower Travellin' Band

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Special Edition includes a Cd-r of an interview program with the producers of "Beam Penetration" in 1970. At the end of the program, the Flower Travellin' Band appeared with motorcycles and performed in the studio. Also includes insert with English translation of the interview. Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan’s most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Band. A series of performances, billed as “Night Events” were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles”, but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run.

An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. And what an event it was: a night-time sound-bomb with a fabled band, electronic sound and 50 motorcycles with horns blaring, spotlights, electronic billboards and a robot ― all flashing, roaring and howling at the night sky. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.

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Coming Soon

Beam Penetration And Mad Computer

10"+CD | 2024 | JP | Original (EM Custom)

46,99 €*

12" | 1998 | UK | Original (Filter)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan’s most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Band. A series of performances, billed as “Night Events” were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles”, but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run.

An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. And what an event it was: a night-time sound-bomb with a fabled band, electronic sound and 50 motorcycles with horns blaring, spotlights, electronic billboards and a robot ― all flashing, roaring and howling at the night sky. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.

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The Fire This Time

I Love Tha Future

4,99 €*

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Yesterday And Today Remixe

The Field

12" | 2009 | EU | Original (Kompakt)

5,99 €*

Release: 2009 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Home Recordings, 1978-1980

The Fast Set

Tape | 2024 | UK | Original (The Tapeworm)

2LP | 2015 | EU | Original (Versatile)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"In 1978 I started making experimental home recordings with my old schoolfriend Alan Clark. We both had Akai 4000ds reel-to-reels, which made for easy swapping of locations and ideas. We would meet most evenings to record – for the best part of two years. Much of the music on this tape comes from those experiments.

Some of my solo pieces on this cassette were on a compilation cassette I made for my friend Brad Day, who in 1979 was working at Beggars Banquet record shop in Earl's Court. He happened to be playing it in the shop when co-manager Peter Kent walked in and asked who it was. From that I was offered a 7" release on the Axis label Peter was starting with his colleague Ivo Watts-Russell, and my first gig was organised at Mayhem Studio in Battersea, supporting Vice Versa. With another schoolfriend, Steve Player on guitar and Stylophone 350s, my 16-year-old brother Peter Knight on backing tapes and backing vocals, and me on Vcs3 and vocals, we put a set together within a week. The filmmaker John Maybury projected Super-8 films over us at the gig, and suggested we call ourselves The Fast Set – as all three of us were rooted static to the spot with nerves. The name stuck, and it now seems appropriate to retrospectively apply that name to our previous untitled endeavours.

This cassette release is a 'patchwork' I constructed back in 1980 of the late-70s home recordings – both solo or with Alan. There were two projects back then – the experimental pieces, and the electronic 'pop' songs. This release consists of the former, which I feel age has been kinder to. The tapes had remained untouched for over 40 years until I baked and transferred them recently, so please excuse the hiss, distortion, pops, crackles, and wobbles, as I wish to maintain the integrity and home-made feel of the original recordings." – David Knight, London, 10 January 2024.

London-based musician David Knight has been a member of/worked with: The Fast Set, Five Or Six, Shock Headed Peters, Left Hand Right Hand, Arkkon, The Amal Gamal Ensemble, The Stargazer's Assistant, and Lydia Lunch. He wrote and recorded with Danielle Dax throughout the 1980s, and currently works with Stephen Thrower (Coil, Cyclobe) in UnicaZürn.

Recorded between 1978 and 1980 in Battersea, London on an Akai 4000ds and later a Teac 3300sx. Instruments used: EMS Vcs3, Roland System 100, Hohner K4 String Machine, Dubreq 350s, Piano, Guitar, Percussion, Roland Re201 Space Echo, Colorsound Ring Modulator, EHX Small Stone Phaser, Ibanez Standard Fuzz. Written, recorded and performed by David Knight and Alan Clark. Compiled and mastered by David Knight.

Artwork by Danielle Dax.

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The Explosion

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Some Other Place Volume 1

The Exaltics

12" | 2014 | EU | Original (Clone West Coast Series)

12,99 €*

12" | 2011 | DE | Original (The End Of All Existence)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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The Exaltics make their debut on Clone Westcoast Series. This the first volume in a triptych of their stark, futuristic sound yet showing a more melancholic and introspective side this time. You can almost hear the longing for other places.

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The End Of All Existence

The Final Hours

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

E-Numbers Clear Vinyl Edtion

The Embassy

LP | 2023 | EU | Original (Dream On)

24,69 €* 25,99 € -5%

Nuthin' But Sum Duke Knwldg

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The Embassy is a Gothenburg pop duo consisting of guitarist/vocalist Fredrik Lindson and keyboardist/programmer Torbjörn Håkansson. Their music can be described as a blend of disco, twee pop and pub rock. Their music was first released by the independent label Service but is currently released via the bands own imprint, International. The group's post-modernist attitude, anti-rock aesthetics and disrespectful live performances have made them both loved and loathed.'

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The Duke Of Juke

10" | 2014 | NL | Original (Anus)

2LP | 2023 | EU | Original (Pensaments Sonics)

Release: 2014 / NL – Original

Genre: Electronic & Dance

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Ltd edition 300, vinyl only release.

The Duke of Juke returns with a smashing 10", his first release on dutch imprint ANUS Records. Here he shows his variety of musical knowledge fitting our philosophy - be odd, be future, be not too serious. Get to know!

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The Drift Institute

Damage And Their Slices

LP | 2024 | Original (Dualtone)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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"Damage and Their Slices" is a collaborative debut album by Nvst and Theo Muller as The Drift Institute, in which they invite the listeners to a deep dive into an esoteric universe where dark magic meets political revolt.

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The Dip

Love Direction

26,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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Experiments in ambient soul

The Dining Rooms

LP | 2005 | EU | Original (Schema)

12" | 2014 | DE | Original (Aufnahme + Wiedergabe)

Release: 2005 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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9 tracks

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The Devil & The Universe

What Time Is Love?

Release: 2014 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | 2023 | UK | Original (Tain)

The Dengie Hundred

Lammas Land

LP | 2022 | UK | Original (Ethbo)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The new recordings from The Dengie Hundred unfurl on Tain Records after a busy year releasing a solo tape on Sagome and a collaborative LP and tape with Japan Blues on Demdike Stare's DDS imprint.

Lammas Land is an album which meditates on the Walthamstow Marshes, an ever-changing watery landscape, rich with history and wildlife. The Dengie Hundred writes:

"I am sitting at my table overlooking the marshes listening to Lammas Land in November 2023, watching crows fight a never-ending aerial battle with the gulls. In summer, you can see bats from here every evening, fluttering around the windows as the light begins to fade, but today it is colder so there is smoke rising from the boats on the River Lea and the dog walkers are wrapped up tight against the wind. Most of Lammas Land was made sitting right here, playing guitar and recording the sounds passing by. I would hang a microphone out of the window to capture the ‘putput’ boat which delivers provisions, or the trains that rattle along the tracks that cut across the marshes and up to Stanstead, carrying passengers to the airport and away. I wonder what tourists make of the marshes as they cross them, the landscape opening up for a moment between the urban sprawl of the East End and the rampant development of Tottenham. They offer a jarring pause of green and sky. I feel very lucky to be living in that pause, a resident, for now…

The album contains a whole year of found sounds recorded from the window and while out walking. It is full of bird song and radio sounds, singing, life.

Many others have been inspired by this space, this pause. The author Esther Kinsky who wrote River, published by Fitzcarraldo Editions, captures this area so perfectly. I borrowed the two track names for this album from her book. I hope she doesn’t mind.

Also, the photographer Paul Fuller whose work reflects the atmosphere I feel here precisely. On hearing the music he wanted to collaborate on the Lammas Land project, He spent a year filming the marsh through the seasons. Some of his images are included with the vinyl release, and there is an accompanying film close to completion. I am so pleased this project is continuing in new forms.

The vinyl also contains a piece of writing, ‘Sound Fishing’, by Gemma Blackshaw, an author, art historian and curator who in a twist of fate also found herself spending time on the marshes, but that is her story, for another day."

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The Dengie Hundred

Brackenbank

Paravents Et Miroirs, Une Cérémonie

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Debut solo album from The Dengie Hundred, one half of London’s Blackwater whose slo-motion synth-pop LP ‘Navigation’ was acclaimed by cult record shops Monorail, All Night Flight and World of Echo, which included it in its review of the best releases of 2021.

Named after a clifftop cabin overlooking Whitsand Bay in Cornwall’s ‘forgotten corner’, ‘Brackenbank’ charts the first weeks of a new relationship between long-distance lovers in London and the South West. Desiring vocals move like the tide toward and away from drones and dub-soaked drum machines that recall heart beats, train tracks, the clinks of boat rigs and clunks of ferry chains. Composed of sounds recorded in an unfamiliar landscape of sea and rock and sky, ‘Brackenbank’s’ electronic sonic atmosphere was processed on the lines of the Great Western Railway as The Dengie Hundred travelled back and forth: looking forward; longing after. Kingsand, Cawsand, Eddystone, Firestone – the album’s grid references are both geographical and emotional, offering love songs and instrumentals as pulsing trances from places that can be traced with a finger across the map of The Rame, Cornwall’s ‘most unsung’ peninsula.

"Comparisons are odious but inevitable", so we suggest touches of Wire, Martin Hannett's pensive moments, gawd knows, Eno? Possible threads of all these and more, but cast in the Dengie's singular sound-world of twilight marshes, rusting hulks and unearthly train stations.

Brackenbank was mastered by Carim Clasmann, mastered and cut for vinyl by Stefan Betke (aka Pole).

Praise for Blackwater – Navigation (ethbo12lp) “Watery xylophone, deep drones and the distant thud of drum machines ebb and flow beneath tranced world weary vocals. Out at the end of England, beacon lights blink in the darkness.” (All Night Flight Records)

“A great debut” (World Of Echo)

“A really, very lovely album of mysterious dark and dubwise electronic lullabies” (Dubwise Vinyl)

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The Dead Mauriacs

LP | 2023 | JP | Original (Calax)

29,99 €*

12" | 2017 | EU | Original (Life & Death)

Release: 2023 / JP – Original

Genre: Electronic & Dance

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The Dead Mauriacs is the project of French artist Olivier Prieur, "Paravents et miroirs, une cérémonie" is a live soundtrack.

The Dead Mauriacs describe their music as "Exotica Concrete" - their music is composed of field recordings made on a daily basis, as well as a diverse collection of sounds, including piano, Indian harmonium, violin, ukulele, didgeridoo, pieces of wood, glass, paper, and metal plates. The album is a spectacular 40-minute sound collage, assembled by sampling Exotica music represented by musicians and arrangers such as Les Baxter and Arthur Lyman, who were active in the 1950s.

"Exotica is a musical genre or sub-genre that emerged in the 1950s in the United States with musicians and arrangers like Les Baxter or Arthur Lyman. It is an extraordinary music because it is false: bird calls imitate bird songs, you can hear the sound of the waves, it is a Western fantasy, particularly North American, of a world and an imagery that never existed. It is a music associated with mass tourism, mass entertainment, consumerism. Arthur Lyman recorded about 30 records in 10 years in Waikiki. With his band, they played and recorded under a geodesic aluminum dome. The dome belonged to the owner of the hotel he played for every night. They did this at night to avoid noise. It's music that is both profoundly naive and totally flawed. In this, it is seductive and intellectually interesting. It is music that could easily be criticized today, but it is an imaginary in itself, like the Italian film music of the 1960s and 1970s." (Excerpt from the calax's interview)

The Dead Mauriacs are not only involved in music, but also in a wide range of other creative endeavors, including video and painting. He also repsonsible for the artwork of this LP. The inside of the product is also accompanied by an 8-page interview with Mauriacs and compiled his amazing artworks.

The Dead Mauriacs Paravents et miroirs : une cérémonie / Screens and mirrors: a ceremony

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The/Das

Drug Dilling EP

12,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The Dark Side Of Underground

Comado EP

12" | 2020 | EU | Original (Twilight Enterprise)

11,89 €* 13,99 € -15%

Transition Orange Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Rudolf (Mr. Tophat) and Jac (Skycity) team up for this weirdo-acid-filled collaboration. Two straight up danceable quirky-cozy-basement-club tracks. London, New York, Berlin, The comado Ep is here!! Limited vinyl only edition.

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The Dark Destiny

LP | 2021 | EU | Original (Hiraeth)

35,99 €*

Transition Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A Shroud OF Dark Desolation Falls Over A Once Bounteous Utopia

Having explored a range of genres, 暗闇destiny finds a glorious sweet spot in a work that revels in euphoria, whilst utilising synth-driven instrumentation to confidently progress the neo-mythic narrative. Watch the story unfold like an epic poem of deities and divine landscapes.

遷移transition shows the transformation of a location blooming with vitality into a dark, unrecognisable place. 暗闇destiny masterfully weaves sombre ambient with visceral electronic instrumentation. The artist paints a picture of epic proportions, the slow degradation and collapse of a fruitful society, and the privation of its positive energy.

The lines of this picture trace horrifyingly close to the lines of our own world, as 暗闇destiny explores themes such as environmental destruction, mankind’s self-harming nature and the world’s beauty succumbing to evil, insatiable forces.

Hiraeth Records invites listeners to witness the destruction of an utopian empire on this sublime work. Attend the dismantling of a world, told through lashings of atmospheric ambient and dreamy electronic instrumentation. Wander through a stark wasteland, as 暗闇destiny illustrates a story as epic as those depicted by the romanticist painters of old.

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The Dark Destiny

LP | 2021 | EU | Original (Hiraeth)

32,99 €*

LP | 2018 | EU | Original (Viewlexx)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Conservatives

Terrorama

15,99 €*

Tape | 2023 | UK | Original (U-Trax)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Here it is! Appearing first time on vinyl. The film tells the story of six mental cases, trying to get rid of society's norms and values by kidnapping, a well-known TV host. Delivering the soundtrack, The Conservatives (I-F & Intergalatic Gary) are setting down the perfect mood for this cult classic.

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The Connection Machine

Blackhole+

13,99 €*

2LP | 2009 | US | Original (Ubiquity)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Downtempo techno stars The Connection Machine return with stunning re-release, featuring unreleased tracks and Legowelt remix of classic Echoes From Tau Ceti. Four years after the re-release of their debut The Dream Tec Album on U-trax, the Dutch downtempo techno duo The Connection Machine returns with a second highly anticipated re-release. BlackHole+ contains remastered versions of most of the tracks on their original The Black Hole EP, released on U-trax in 1995, plus five tracks from their highly sought-after EPs on Tabernacle Records: Lost Connection and Lost Machine (with electro outfit Lost Trax on the flipside). The original Black Hole EP had black labels and all details of the release were added as a computer-spoken track on the b-side. For this re-release, this track was removed and a Legowelt remix was added of the still immensely popular track Echoes From Tau Ceti. The CD, cassette and digital versions will bring even more goodness in the form of two brand new tracks (Theorems, Theorems and Together), bringing the total number of tracks to eleven. As usual with U-trax releases, the cassette version boast yet another previously unreleased bonus track, Thinking Machine 23, plus the original 13 minute version of 8 Minutes.

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The Clonious

Between The Dots

20,99 €*

Release: 2009 / US – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Guests on the album include Dorian Concept and Cid Rim, Muhsinah, Dudley Perkins & Georgia Anne Muldrow, but Clonious is a good nice dude, too!

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To Believe Black Vinyl Edition

2LP | 2019 | UK | Original (Ninja Tune)

34,19 €* 35,99 € -5%

Release: 2019 / UK – Original

Genre: Electronic & Dance

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The Cinematic Orchestra are back with a definitive new album that explores a timeless question of vital importance in 2019 - what to believe? Founding member Jason Swinscoe and longtime partner Dominic Smith have enlisted album contributions from collaborators old and new: Moses Sumney, Roots Manuva, Heidi Vogel, Grey Reverend (vocalist on Bonobo’s 'First Fires’), Dorian Concept and Tawiah (Mark Ronson, Kindness), Miguel Atwood-Ferguson (Flying Lotus, Anderson Paak, Thundercat, Hiatus Kaiyote) features on strings and photographer and visual artist Brian “B+” Cross collaborated with Swinscoe and Smith on the album’s concept. The record was mixed by multiple Grammy winner Tom Elmhirst (David Bowie, Frank Ocean, Adele) in Jimi Hendrix’s legendary Electric Lady studios. The album artwork comes courtesy of The Designers Republic™ (Aphex Twin).

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CD | 2019 | UK | Original (Ninja Tune)

To Believe

12,59 €* 13,99 € -10%

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Man With The Movie Camera / Flite

12" | 2004 | UK | Original (Ninja Tune)

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Ma Fleur Clear Vinyl Edition

2LP | 2007 | UK | Reissue (Ninja Tune)

Release: 2007 / UK – Reissue

Genre: Electronic & Dance

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Every Day 20th Anniversary Colored Vinyl Edition

3LP | 2002 | UK | Reissue (Ninja Tune)

41,99 €*

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

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Red Lantern at the Kallikatsou

The Chi Factory

12" | 2017 | EU | Original (Astral Industries)

27,54 €* 28,99 € -5%

2LP | 2020 | UK | Original (Hyperdub)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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"I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It’s the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic “old speaker” effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - ‘Red Lantern at the Kallkatsou’”.

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The Bug & Dis Fig

In Blue

The Brandt Brauer Frick Ensemble

Release: 2020 / UK – Original

Genre: Electronic & Dance

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The Bug aka Kevin Martin, and producer/vocalist Dis Fig aka Felicia Chen, refer to their style on `In Blue' as "Tunnel Sound"; a foggy, melancholic meltdown of narco-dancehall-soul and dread-drenched, electronic dub. The 2018 prototype rhythms for this album were a continuation of Martin's ongoing quest for a futuristic dancehall mutation, but more sci-fi, aquatic and smokey than before. An obsessive search for the right sultry 2AM voice to ride his syncopated walls of sub, fuzzed out white noise and infinite echoes eventually led him to Dis Fig's torched soul-jazz glow, and 20 months of subsequent lab exchanges have resulted in the deeply sensual pulsations and lyrical long shadows of `In Blue' - an album that shares shades of King Midas Sound's wrecked lovers rock, alongside the bass immersion that The Bug has become infamously known for. Just as Martin took a stylistic swerve on `In Blue', so did Chen. Previously known for experimental noise onslaughts and emotional exorcisms, she opts here for threatening intimacy and hushed confessionals, concentrating on bittersweet vocals and seductive surprises that are all the more potent for their inferred narratives and delicate delivery. Mixed during lockdown, the sense of claustrofear, escapism and tension throughout is palpable. With the bewitching croon of Dis Fig directing the flow, carnality and violence merge under the turbulent, cinematic surface of an hypnotically addictive album.

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Mr. Machine Clear Vinyl Edition

2LP | 2024 | EU | Original (!K7)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Ohm Resistance)

The Blood Of Heroes

Nine Cities

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Blood of Heroes is a amalgamation of artists re-envisioning worlds first created in the Rutger Hauer film by the same name. In “Nine Cities”, the trilogy is completed. The first self-titled album depicted the Present post-apocalypse as depicted in the film. The second album,The Waking Nightmare, showed the world during the actual apocalypse in the Past that led to the times in the film. This third album is the Future – further past even post-apocalypse – “Nine Cities buried deep underground” – what had survived, and how did these cities evolve beyond the world-ending criteria of their creation and burial? Past the film inspired storyline, we have for the first time in many years, 2 members of the original Napalm Death collaborating with each other: guitarist Justin K. Broadrick is joined by Scorn beat master Mick Harris. With Submeged on bass, and Enduser on keyboards, the frame is set. Joined by all the artists depicted below, including returning vocalist Dr. Israel, and Fear Factory’s Burton C. Bell, this cast is full of surprising interactions, all masterfully mixed by Dadub’s Daniele Antezza. Original artwork is an extended booklet by Khomatech; these Nine Cities are a world of their own, illustrated by one of the masters of fantasial art.

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2LP | 1995 | UK | Reissue (Warp)

Spanners

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Dust Science)

Silenced (Remastered)

32,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In the enigmatic realm of electronic music, The Black Dog stands as a visionary act, responsible for crafting, among other things, the mesmerising album "Silenced". Notably, this release marks a significant milestone in the band's evolution, being the first album from the new line-up and their collaboration with the fledgling label Dust Science.

Defying industry norms, The Black Dog embodies a Do-It-Yourself (diy) ethos. Their artistic journey remains steadfast, with a commitment to originality and creative freedom, unfettered by the limitations imposed by the commercial music industry.

The record label Dust Science takes pride in championing The Black Dog's musical prowess, with its first release being the band's 4-track EP "Bite Thee Back". However, this EP was only a prototype for the revitalised collective, eventually leading to the composition of Silenced, which followed soon after.

This creative period denotes a fresh start for The Black Dog, a testament to their resilience and a commitment to evolving their sound. The resulting album represents a new beginning, celebrating and transcending the echoes of the past. It redefines the band's sonic landscape and establishes a distinct musical narrative that resonates with dedicated followers and newcomers alike.

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Radio Scarecrow (2023 Remastered)

CD | 2008 | EU | Reissue (Dust Science)

14,99 €*

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

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The Black Dog's highly regarded album, Radio Scarecrow, is now remastered and re-issued on Dust Science, 15 years after its original release on Soma Records.

Two years of constant development culminated in a masterpiece that flows delightfully and hits hard. Marking a true progression from the band's previous album, Silenced, the trio are keen to note:

"The beats are faster and the bass is much heavier - so much so, that it was making us ill, working with the low frequencies for hours on end. We could only do 3 hours at a time on some parts."

Tracks like Floods v3.9 and Beep are a testament to this. With throbbing basslines strong enough to make an impact on the Richter scale, these tracks are best played out on big sound systems.

Radio Scarecrow unfolds gracefully, barely skipping a beat between tracks. The act have created an album that demands to be listened to in its entirety. With elements blending between tracks (the same kick drum being used to very different means in Short Wave Lies and Siiiipher for example) and with constant references to conspiracy theories and the supernatural, The Black Dog present more than a collection of tracks. Influenced heavily by their interest in Magick, Numbers Stations and Electronic Voice Phenomenon (evp), the act have hidden examples of these within their work.

"These transmissions and recordings (and people's interpretations of them) had a strong influence on many of the final concepts and compositions, to the point where we've been embedding coded messages and curses deep inside the tracks".

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CD | 2024 | EU | Original (Dust Science)

Other, Like Me

15,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Experience the sonic journey that is The Black Dog's latest album, "Other, Like Me," as they delve into the intricacies of the artist's psyche, questioning the very essence of individuality and creative worth. The album invites listeners to confront darker thoughts about self-identity, imposter syndrome, and the relentless pursuit of creative value, all while celebrating the joy found in the act of artistic creation. In this introspective exploration, The Black Dog challenge both themselves and their audience, creating a musical experience that is profoundly personal and open to interpretation. The themes woven throughout the album are a poignant counterpoint between the shadows of self-doubt and the exuberance of creative expression. It's an inward exploration, offering a place of solace for listeners to find comfort amid the chaos of external influences. The album's title, "Other, Like Me", draws inspiration from an interview with Cosey Fanni Tutti in 1999, resonating deeply with The Black Dog's outsider perspective. The phrase encapsulates the essence of the album, reflecting the band's unique identity and shared experiences, while respecting each member's individual passions and interests. Navigating the waters of cognitive dissonance, The Black Dog bring an authenticity to their music that mirrors the internal and external conflicts of the contemporary music scene. With a commitment to stripping back layers and allowing the heart of each song to shine through, "Other, Like Me" offers a raw and unfiltered musical experience that speaks directly to the soul. It's an invitation to introspection, a celebration of independence, and a testament to the power of authentic artistic expression.

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2LP | 2024 | EU | Original (Dust Science)

Other, Like Me

36,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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My Brutal Life White Colored Vinyl Edition

LP | 2023 | EU | Original (Dust Science)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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My Brutal Life delves into the profound aspects of our artistic endeavours encompassing brutalism, the environment, and humanity. Throughout our ongoing creative journey, we consistently gravitate towards these themes, documenting and exploring the human experience within these environments. Our unwavering fixation on Symmetry, Synchronisation, and Repetition are the driving force in our artistic expression. Moreover, we strive to peel away superficial layers to expose the underlying emotional strata of the human aspect, unearthing the often overlooked beauty within the ordinary. Although frequently disregarded, the human aspect resonates with echoes from the past, enlightening and guiding our artistic process. Even the failures encountered serve as poignant reminders of the delicate structures we construct. My Brutal Life constitutes a pivotal component within an enduring exhibition, meticulously crafted to delve into the aesthetic and human facets of brutalism.

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CD | 2022 | EU | Original (Dust Science)

Music For Real Airports

15,99 €*

LP | 2022 | UK | Original (Wedothings)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Music for Real Airports is a series of exciting live art events and installations in art galleries/spaces that are artistic response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno´s work from the 70s. Produced by musicians and artists with an international reputation - the Black Dog and Human - the project will portray airports as they really are, rather than idealised utopian vision of what they should be. Combining performances of electronic music and live-mixed animation and digital video projected on multiple screens, Music for Release Airports will be a unique, immersive experience that will draw in new audiences to art galleries.

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The Beetools

Soulnova

LP | 2003 | EU | Reissue (Dancing Bear)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Brand new Italian label “WeDoThings” is happy to introduce “The Beetools” with the debut album ‘SoulNova: The Magical Tones Revenge’. “The Beetools” are a four elements crew who love music and mostly enjoy live playing instruments and synths. Their roots start from Latin and Electronic Music as well as Funk & Jazz, inspired and influenced by Mambo & Samba rhythms too. Starting from here, they have joined together and created an Italian soup/group as follows: Original Recipe: - take four poor guys with different music styles and put them in a mixing bowl - add few spoons of keys, flutes and some drums - put inside a pinch of synths - mix and fry 180 grams of magical sound - a sprinkle of groove and trumpets on top Everything seems to work fine and now it’s cooked to perfection, ready to please your ears. Strictly serve it hot on a “vinyl plate” It’s a limited pleasure, this one is a keeper !!

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The Bambi Molesters

Dumb Loud Hollow Twang

LP | 2010 | EU | Reissue (Dancing Bear)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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180 gram vinyl

Not many acts who continue for a few albums get a chance to go back and take care of what they might see in retrospect as mistakes or tentative starts — but there are always glorious exceptions. Thus the course of events that led to the Croatian surf-rock quartet The Bambi Molesters rerecording their 1997 debut Dumb Loud Hollow Twang in a ‘deluxe’ edition, with special guests, bonus tracks and more besides.

What might have seemed a quixotic exercise gets explained in the liner notes — the album’s original run, though popular in surf-rock obsessive circles, had not resulted in a reprint, while the group’s growing popularity resulted in further demand and attention for the start. The band themselves felt the debut was far too rushed — it was literally recorded in three hours as a one-take rip with instrument leakage and bad mixing ruining the impact — so with more time to spare and a chance to flesh out the sound, the result was 2003’s Deluxe.

The quartet’s command of the surf vernacular is unparalleled — guitarists Dalibor Pavicić and Dinko Tomljanović have the reverb down and rhythm section Lada and Hrvoje Zaborac shift between mania and moodout with ease. The guest musicians add just the right touches — keep an ear out for Neven Franges’s piano on the late-night menace of “Pearl Divin’”, as well as on the smoky Eurospy vibe of “Sun Stroke” and a trumpet/sax duo on a variety of songs adding some further sting.

If the overall effect is pleasantly reverential rather than a striking new reworking of surf and garage roots, it’s still a solid result that works beyond mere genre exercise. The bonus tracks are all covers, and winners they are — the Molesters collaborator in the Strange project, Chris Eckman, adds whispering menace to “Restless”, the album’s sole vocal track. Best song title of the bunch — “Beach Murder Mystery.” (Ned Ragget, All Music Guide, 2005)

Nothin’ dumb about this one! The Bambi Molesters hail from Sisak, Croatia, and they play a slightly dark brand of traditional instrumental surf music. They’re all about subtlety. Lead guitarist Dalibor Pavicić lays back in the mix, painting the sound with dreamy apparitions of melody and tone. How much of this was always part of their formula, and how much producer Phil Dirt created at the console, I don’t know, but either way they’re onto something good here.

All fifteen tunes were written by Pavicić and guitarist Dinko Tomljanović, and that’s surprising enough for such a young band, but on top of that, all fifteen are exquisitely crafted and fully realized. “Sun Stroke” is one of the most beautiful surf tunes of the year, filled with passion and power and delivered with a delicate touch. If you fancy a twist of spy in your surf, “Beach Murder Mystery” is the bomb. By the way, if you’re voting for great titles of the year, you may want to consider “Standing on the Nose in a Stylish Manner”, which also happens to be a killer surf tune. So add Croatia to your surf scene map and keep an eye on The Bambi Molesters, because they’ve officially taken their place in the book of who’s who. (DJ Johnson, Cosmik Debris, 1998)

A stunningly good set of tracks from the only surf band in Croatia. Their writing is melodic, pristine, well structured, and unique. I find their slower material to be the best, with its stellar beauty and delicate balance between lead and rhythm. I’ve been communicating with the band for about a year, and earlier this year, they asked me to produce their album. I was honored. They laid down 16 track ADAT in Croatia, and mailed them to me in the US. I mixed them here, and mastered them as well. Based on the DAT I’d received late last year, I was expecting good tracks. I was not prepared for just how good they’d turn out to be. This will be a classic of the future. (Phil Dirt, DJ KFJC)

Dancing Bear Band Information (from 2005)

Formed in 1995 under the influence of 60’s garage and surf classics, the Croatia based band The Bambi Molesters won sympathies of rock critics and underground rock audience with their first album “Dumb Loud Hollow Twang” which was released in 1997. Since then they have been playing regularly in Croatia and all over Europe and their fiery and energetic live performances have helped to build their reputation as one of the finest and most original contemporary instrumental bands.

In 1999 the band signed the record deal with Dancing Bear. They released their second album called “Intensity”. The same LP was also released in Germany on Kamikaze Records. Both “Intensity” and “Dumb Loud Hollow Twang” gained positive reviews in the music press and were nominated in various categories of the Croatian music award.

In December 2001 The Bambi Molesters released their 3rd CD “Sonic Bullets: 13 from the Hip” (the LP version is from 2003) with the following guests: Peter Buck (REM), Scott McCaughey (Minus Five, REM touring band), Chris Eckman (The Walkabouts), Terry Lee Hale and Eduardo “Speedo” Martinez (The Flaming Sideburns). Just like the previous one, the new The Bambi Molesters album was published by the Croatian record label Dancing Bear. The CD got excellent reviews in various magazines (Mojo, Uncut, Pitchfork, ...) and received the Croatian journalist award for the best album of the year 2001.

In June 2002 “Sonic Bullets: 13 from the Hip” was licensed by ACE Records and was released on their Big Beat label.

The Bambi Molesters’ songs are regularly played on American (KFJC, KFAI, KXLU, WREK, WHUS) and British (BBC RADIO 1 in London) radio stations. The song “C Alpha E” was included in the movie called “The Treat” by Jonathan Gems (screenwriter for “Mars Attacks” and “1984”). Their music can also be heard in videos (“Cross Cuts” for Tonix Pictures and Dragonfly BMX video). Three songs from the first LP are included in the movie “Barabe” (Viba film, Slovenia). During the last couple of years the band has played more than 100 gigs and supported well known acts including The Cramps, REM, Chrome Cranks, Man or Astroman,...

In July 2003 the band played as a support at the R.E.M. European tour. The Bambi Molesters played at three gigs in front of 50000 people altogether.

In June 2004, together with The Walkabouts singer Chris Eckman they formed The Strange. Their debut album “Nights of Forgotten Films” is out on Dancing Bear.

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The Bambi Molesters

As the Dark Wave Swells

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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180g Vinyl

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2LP | 2016 | UK | Original (XL)

Wildflower

30,99 €*

Release: 2016 / UK – Original

Genre: Hip Hop, Electronic & Dance, Pop

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Probably the most anticipated follow up album in music's history featuring Danny Brown, MF DOOM, Father John Misty, Toro Y Moi, Jennifer Herremaof Roayl Trux, Biz Markie and so much more.

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2LP+CD+All Media | 2016 | Original (XL)

Wildflower

36,99 €*

Release: 2016 / Original

Genre: Hip Hop, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

8 panel gatefold. CD is missing. Original inner sleeves.

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We Will Always Love You Black Vinyl Edition

2LP | 2020 | EU | Original (Emi Australia)

33,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

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Dieses Mal ging es dann doch etwas schneller: Nachdem sich die australische Band The Avalanches zwischen dem Debüt und dem Nachfolger 16 Jahre Zeit gelassen hatte, wird das dritte Album „We Will Always Love You“ am 11. Dezember erscheinen.

Schon Anfang des Jahres waren erste Albumvorboten aufgetaucht: Neben dem mit Blood Orange aufgenommen Titelsong und dem Stück „Running Red Lights“ feat. Rivers Cuomo & Pink Siifu zählten auch „Reflecting Light“ feat. Sananda Maitreya & Vashti Bunyan und „Wherever You Go“ feat. Jamie xx, Neneh Cherry & Clypso dazu; letzterer Titel beginnt mit jenem Gruß der Menschheit, der mit den „Voyager Golden Records“ ins All geschossen wurde.

Pünktlich zum Preorder-Start gibt’s noch einen doppelten Nachschlag: „Take Care In Your Dreaming“ feat. Denzel Curry, Tricky und Sampa The Great sowie „Music Makes Me High“.

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Since I left You Black Vinyl Edition

2LP | 2001 | US | Reissue (Astralwerks)

39,99 €*

Release: 2001 / US – Reissue

Genre: Electronic & Dance

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The Avalanches' Downbeat milestone back in print!

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Since I Left You 20th Anniversary Deluxe Edition

2CD | 2021 | UK | Original (XL)

16,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

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Since I Left You 20th Anniversary Deluxe Edition

4LP | 2021 | UK | Original (XL)

58,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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One copy per customer.

The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

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2LP | 2001 | UK | Reissue (XL)

Since I left You

The Amorphous Androgynous & Peter Hammill

Release: 2001 / UK – Reissue

Genre: Hip Hop, Electronic & Dance

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The Avalanches' Downbeat milestone back in print!

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We Persuade Ourselves We Are Immortal

LP | 2020 | EU | Original (Jumpin & Pumpin)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Lofi Dimensions White & Pink Splattered Edition

The American Dollar

LP | 2020 | EU | Original (Post.)

33,99 €*

LP | 2020 | EU | Original (Post.)

Release: 2020 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Traditionally the liner notes of an album take on a kind of third-party address, where a writer is delivering their thoughts about how an album makes them feel without breaching that space where they are representing themselves or the moment in time directly to the reader. The goal is typically a kind of timelessness, but as we live in unprecedented times, unconventional methods take on new life, and hopefully importance. In the spirit of that idea... man, is this the kind of album we all need right now. So many of us feel like we're constantly walking a tightrope, are feeling like we can't unwind, are in genuine need of a few moments of respite. Every so often an album emerges from an artist that most likely did not realize when they were composing how timely the results would be, and Lofi Dimensions is exactly that kind of record. It doesn't really matter why it's coming when it is, what's important is that it's here, offering peace to the perturbed and inspiration for the downcast. The American Dollar have long been one of those artists operating in a kind of middle ground, a band with a long history of creating moving instrumental rock that has somehow avoided ever becoming synonymous with modern American post-rock acts. They retain a sort of autonomy in a valued position just outside the boundaries of classification. Blending electronic textures with moving guitar and keyboard melodies, their music has always traveled somewhere in the spaces between trip-hop, electronic, post-rock and ambient, and this inability to be defined is ultimately what sets them apart from the trappings of genre, allowing them to be whatever they want The American Dollar to be in a given moment, always on their terms.

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The American Dollar

Lofi Dimensions 2

29,99 €*

Easy Action - 2nd Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Alps

LP | 2012 | US | Original (Mexican Summer)

6,99 €*

Release: 2012 / US – Original

Genre: Electronic & Dance, Pop

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This Constant Chase For Thrills

The Aloof

2LP | 1999 | UK | Reissue (Acid Jazz)

28,99 €*

LP | 2023 | EU | Original (Awaken Chronicles)

Release: 1999 / UK – Reissue

Genre: Electronic & Dance

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The Aloof formed in 1990 and forged a reputation as one of the hardest working bands around. While other acts incorporated an electronica into a general rock sound in the early ‘90s, The Aloof were always a pioneering electronic act. Touring alongside the likes of Massive Attack and Leftfield, they released three albums with Warner’s EastWest label: Cover The Crime (1994), Sinking (1996) and Seeking Pleasure (1998). After parting ways with Warner, they were in charge of their own destiny, and formed their own ‘Screaming Target’ label as they set about making a new record.

The resultant album ‘This Constant Chase For Thrills’ has established a reputation as a cult classic, but internal struggles and the wider pressure of the industry meant it didn’t get the coverage it deserved. Despite this, ‘So Good’ became a radio hit after featuring on the US version of Queer As Folk, and remains a fan-favourite. In anticipation of the release, it has finally issued as a single, setting the tone for the full reissue of the LP on Acid Jazz Records.

Defined by a positive DIY spirit as the band moved on their own, This Constant Chase For Thrills, has an Ibiza and Balearic feel, alongside its dark, moody and atmospheric moments. Aside from ‘So Good’ – described as ‘a dark cloud being lifted’ by founding member Dean Thatcher – there is the late night intensity of ‘Doing It For Money’, describing the need to make ends meet in difficult circumstances, which gained attraction when first released. Meanwhile, closing tune ‘Painted Face’ is arguably the album’s standout, infused with wide-eyed psychadelia and open adventure.

“I think ‘Constant Chase For Thrills’ was a return to form for The Aloof and I’m really chuffed this album is going to see the light of day properly and finally get the exposure it deserves” - Dean Thatcher, The Aloof.

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The Allegorist

TEKHENU

LP | 2022 | EU | Original (Awaken Chronicles)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Holistic, soundscape storyteller The Allegorist takes inspiration from the ancient world for her fifth studio album, set for release on her label Awaken Chronicles. A sonic fable titled TEKHENU, it continues the trajectory that the Berlin-based electronic producer and sound-designer has been following since the beginning - conceptualising narrative-heavy LPs centered around mythical lands. Her new works depict a lost protagonist and her spiritual, inward search across ten enrapturing chapters.

The title of the LP is a nod to the towering monoliths by the ancient Egyptians. Known to most by their Greek-given name “obelisk”, they stand tall around the world and it’s their global dispersion that inspired The Allegorist for the title of the album, seeing it as an allegory of a common bond, a point of connection.

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The Allegorist

Blind Emperor

18,99 €*

LP | 2023 | UK | Original (Eastern Glow)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Highly recommended. About the album Blind Emperor Through wetland, winters, rubble and fallout come horizons new; civilisation shattered under a vengeful cataclysm, eventually led to dawn from the light of a blighted leader. Every action has a reaction, and those who wish to prosper must first be willing to offer something of intrinsic value. As one empire crumbles, another takes its place. The struggle for a fleeting utopia comes at a cost, and those who strive towards golden gates must trek along a solemn valley. The Allegorist Berlin-based artist, The Allegorist, has been meandering through stories with her purposeful and introspective take on electronic music. Each release explores themes that require joint participation from the listener as they look to flood your mind with images of fabled characters and places through her artistic soundscapes. Her carefully build worlds that straddle sci-fi and fantasy, feeding off of the light and dark dualism are the perfect blend of reflective contemplation and storytelling. As a holistic artist, Anna Jordan (The Allegorist) encapsulates a myriad of her talents within her work. Her previous albums, Hybrid Dimensions I. and Hybrid Dimensions II., established her aesthetic and detailed fictitious stories, along with the language ‘Mondoneoh’, a language to unite all nations. Her latest endeavour, and 4th album, The Blind Emperor, portrays the essence of a mythical land that tells of struggle that will lead to prosperity. The protagonist, Blind Emperor, leads the charge into a brighter tomorrow. Like chapters from a novel, each track allows the listener to be carried by the story. It is an epic, cinematic, choral, ambient techno album. The album combines her depictive, written and musical storytelling with a concept portrayed visually, orally and audibly to deliver another saga in her ever-evolving figments of fantasy. It comes as an entire artistic project, as The Allegorist created the album art, wrote the included story and composed a poem that all combine to tell the tale of Blind Emperor.

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The Album Leaf

Future Falling

34,99 €*

The Air Music International

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Jimmy LaValle’s The Album Leaf has spun from solo outlet to full band and back in its nearly 25 years. His acclaimed catalog spans releases for labels such as Sub Pop, City Slang, Relapse, and others. He also composes music for film and television, scoring over 20 projects (narrative features, documentaries, and TV series) since 2009. The cinematic sensibilities of The Album Leaf were present from the beginning. His 1999 debut introduced the start of a signature sound: melodic and meditative electro-organic soundscapes constructed with guitar, percussion, Rhodes, and field recordings.

His seventh full-length LP, and first since 2016, arrives in 2023 via Vancouver’s Nettwerk Records. Future Falling finds LaValle working with an array of musicians, shaping slightly darker, more spacious, and synth-driven songs with contributions from Bat For Lashes, Kimbra, and many others.

The music registers a shade darker and more synth-driven than most moments in his acclaimed catalog, a bridge between shadowy, cerebral terrain and dreamy precision pop, where softly percussive frameworks meet shimmering sound design and emotive instrumentation.

LaValle sees the construction of Future Falling as less conventional than past work. Contributions were done remotely with a “throw everything at it” mindset, making LaValle the arranger of layers from all over: drums, synths, horns, violins, voice, and more. LaValle created a pastiche of these layers and elements; in some cases even moving vocal takes to new tracks entirely. Without the in-the-room dynamics, he had more time to experiment, adding and subtracting ad infinitum.

The album opens on “PROLOGUE,” an evocative, slow-building instrumental that rides a pattern into a symphonic sea of static. Keys and horns glide atop the rhythmic pulse of “dust COLLECTS,” setting the contemplative scene for “AFTERGLOW,” the record’s most pop-minded performance. Here Kimbra, the Grammy-winning New Zealand singer-songwriter, renders a striking recollection of past love as percussive elements shimmer and swirl.

A plaintive piano line moves throughout “Cycles 19.9” encircled by light ambient washes, both a valley between two peaks and a powerful composition in its own right. “Future Falling” follows; with origins tracing back to 2015, the track embodies the full sonic journey LaValle has taken. All the hallmarks of The Album Leaf — melodic builds, vivid sprawl, tonal shape-shifting — assemble to a blissful finish.

For the next stretch, “Cycles” begins with a uneasy Rhodes loop that builds and erupts into a wall of texture paving its way into “Give In,” where LaValle models a movement that begins subtle and measured before curving up with skyward, percussive bursts (“Stride”) and settling back down to the album’s back-half centerpiece, “Near” featuring the acclaimed English artist Natasha Khan aka Bat For Lashes. “Do you feel me near?” she sings into a mist of widescreen synths and soothing, distant drum beats as if searching through the dark.

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Pass The Santa-Lucia Gate In Manila

LP | 1984 | JP | Reissue (Music That Shapes)

43,99 €*

Ways Of Seeing Gold Vinyl Edition

Release: 1984 / JP – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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A very rare independent LP known among Japanese new wave maniacs is officially reissued on Music That Shapes! THE AIR Music International is an experimental band that brings a background of dub and roots reggae to avant-garde free jazz sessions with fuzzy psychedelic guitars. The album was self-produced in 1984 in collaboration with the indie label ICR. The album is dedicated to LEE Perry and quotes Holger Czukay and Upsetters. This album has an unparalleled vibe and is highly recommended for dub, free jazz, new wave, environmental music and ambient music lovers.

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The Advisory Circle

LP | 2018 | UK | Reissue (Ghost Box)

2x10" | 2022 | UK | Original (Ghost Box)

Release: 2018 / UK – Reissue

Genre: Electronic & Dance

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Jon Brook's fifth album as The Advisory Circle is a beautiful and uplifting selection of electronic pieces, inspired by late 70s and early 80s library music. Never descending into parody or obvious re-enactment Brooks is the absolute master in this field.

The LP packaging is designed by Julian House. The elegantly simple artwork and typography, reminiscent of 80s photographic manuals and magazines, is rendered on metallic gold foil packaging. This edition, repressed by state51, is specially cut on gold Colored Vinyl to match the packaging.

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The Advisory Circle

Full Circle

29,99 €*

LP | 2014 | UK | Original (Ghost Box)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Full Circle is the sixth album by long time Ghost Box roster member, The Advisory Circle. Self-avowed synaesthesiac, Cate Brooks conjures a very visual fantasy in four acts (the vinyl version across four sides of a luxurious gatefold double 10”). Her tracks evoke human dramas played out against the timeless backdrop of a utopian built environment, where leisure, luxury, elegance and romance are always in fashion.

Brooks' music is by turns ambient, dramatic, upbeat and melancholic. It's instrumental electronica of the very highest calibre, an expert and masterly manipulation of electronic equipment both old and new. Light touches of acoustic and electric instrumentation and flourishes of both tape and digital sound manipulation add colour throughout.

This long running solo project is saturated in 70s and 80s TV and library music influences, and in some ways Full Circle is a call back to the 2005 debut EP Mind How You Go. However, the music and production have evolved over the yers, into a distinctively rich and three dimensional soundworld. The album wears its influences and sonic components proudly, but feels contemporary, cool, and fresh. Brooks' music career predates and now transcends the world of hauntological electronica that it inspired.

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The Advisory Circle

From Out Here

19,99 €*

12" | 2012 | UK | Original (Southern Fried)

Release: 2014 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Concept: On this new album for Ghost Box Records, The Advisory Circle (aka Jon Brooks) explores darker territory than on 2012’s more pastoral As The Crow Flies. This time Brooks hints at a Wyndham-esque science fiction story, where bucolic English scenery is being manipulated and maybe even artificially generated by bizarre multi-dimensional computer technology.

Sound: Brooks’ strong sense of melody and composition is still evident as are his renowned sound design and production skills. Consequently the album is a rich and rewarding experience that subtly showcases a wealth of musical experience. The usual analogue synth sound palette is augmented with found-sound from antique tape reels and Brooks’ ever growing tangle of home built electronics.

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The 2 Bears

Take A Look Around

11,19 €* 15,99 € -30%

Release: 2012 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1996 | UK | Original (On Delancey Street)

The 13th Sign

Da Story Never Ends

6,49 €* 9,99 € -35%

LP | 2020 | EU | Original (Soundway)

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is close to near mint.
Small sticker on cover.

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Thaba

Eyes Rest Their Feet

17,99 €*

LP | 2024 | EU | Original (Efficient Space)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Thaba is a collaboration between South African singer/songwriter Khusi Seremane and American producer/musician Gabriel Cyr. Tragically in July 2020, while the two were working with Soundway to prepare the release of their first record, Seremane died a few days past his 41st birthday, after battling health issues for several years. The particular Thaba sound reflects a sonic duality drawing on a double pop heritage of Mbaqanga and Bubblegum artists like The Soul Brothers, Paul Ndlovu and Pat Shange alongside traces of Roxy Music, Grace Jones, Sade, and Talk Talk that’s wrapped up in a modern, electronic, layered, introspective and at times jazz-tinged production style. Brought together by a shared love of kwaito, 90’s R&B and classic downtempo, Seremane and Cyr collaborated for a decade after meeting online in the halcyon days of Myspace Music. While the pair initially planned for Seremane to guest on a Teleseen track, their ideas eventually evolved into an entire record. Their debut, Eyes Rest Their Feet, was created remotely over the course of several years, with the core recorded during a 2016 studio session in Cape Town. After returning to New York, Cyr honed these recordings with several Brooklyn-based musicians, calling upon members of Antibalas, Underground System, Midnight Magic, Loboko and others. Eyes Rest Their Feet spans genres as well as geography, touching on elements of soul, reggae, synth-pop and beyond, with lyrical themes that explore loneliness and the challenges of human relationships. Eyes Rest Their Feet not only represents the apex of Seremane’s work as an artist but also a meditation on the transformative power of love and the impermanence of all things.

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Th Blisks

Elixa