Downbeat | Electronica | Leftfield 9958 Items

Release: 2024 / Original

Genre: Electronic & Dance

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Colour Green Transparent Green Vinyl Edition

Sibylle Baier

LP | 2006 | EU (Klimt)

Release: 2006 / EU

Genre: Electronic & Dance

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2LP | 2002 | US | Reissue (Astralwerks)

Chemical Brothers

Come With Us

33,99 €*

Release: 2002 / US – Reissue

Genre: Electronic & Dance

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LP | 2015 | US | Original (Now-Again)

Rodinia

Drumside / Dreamside

18,04 €* 18,99 € -5%

Audiostatik Repress Black Vinyl Edition

Release: 2015 / US – Original

Genre: Electronic & Dance

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Now-Again Records has enjoyed a long and creative partnership with Munich-based multi-instrumentalist JJ
Whitefield, creative force behind the Poets of Rhythm, Whitefield Brothers and Karl Hector & The Malcouns.
Rodinia, his latest project, is quite different than anything that’s come from his oeuvre to date, but follows in
the line of the Poets of Rhythm’s great Discern/Define, as it reaches back to Krautrock’s experimental heyday
but pushes its boundaries with a post-hip-hop approach.

That’s to say that everything you read in the header above is true, but the ambient sound Whitefield and his
Rodinia collaborator - saxophonist and keyboardist Johannes Schleiermacher – reached for found itself
morphing over the course of a year. What was originally recorded in a two-day studio lock-in, which found
Whitefield and Schleiermacher hooking up “all our vintage synths (Korg MS-20, Moog Prodigy, Roland Juno
60, Jen SX 1000, Korg Polysix), triggering everything with a vintage Korg rhythm box, absorbing some mind
altering substances and jamming out,” was later turned into two, side-long suites, with over-dubbed reeds,
drums and guitar, and self-made Moroccan field recordings introducing the project on its Drumside.
The result is as winsome and exploratory as those from their forebears, but respectfully distanced from the
past’s trappings. With original artwork by Jason Jagel (DOOM’s Mm Food, Operation DOOMsday).

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Le Syndicat

LP | 1983 | EU | Reissue (Rotorelief)

LP | 2014 | EU | Original (Victory)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Le Syndicat with this reissue of Audiostatik Repress from 1983, certified to be a head-cleaner of brutalist, bruitist, rhythmicist, industrial noise. The rhythm and noise for Le Syndicat evolved through process mingling tape-loops, overblown drum machine programming, shortwave radio experiments, short-circuited consumer electronics, and eventually rudimentary sampler technolog. Audiostatik Repress is a visionnary project in 1983 of what's happened late in the 90's sounds. The rhythm and noise for Le Syndicat evolved through process mingling tape-loops, overblown drum machine programming, shortwave radio experiments, short-circuited consumer electronics, and eventually rudimentary sampler technolog. Audiostatik Repress is a visionnary project in 1983 of what's happened late in the 90's sounds.

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Shoji Yamashiro

OST Akira

21,99 €*

Release: 2014 / EU – Original

Genre: Electronic & Dance, Soundtracks

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2LP | 2013 | EU | Original (!K7)

Tosca

Odeon

28,99 €*

Midnight On Rainbow Road 2024 Repress

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Richard Dorfmeister & Rupert Huber with another batch of finest Vienna Downbeat with a touch of Ambient. Tip!

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Leon Vynehall

12" | 2016 | EU | Original (Rush Hour)

8,99 €*

Tam tikri objektai erdvėje

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Leon Vynehall’s beautiful ambient, cinematic race car track now reconstructed for the dancefloor. Comes with an unreleased beat version on the A-side and the original version taken from Gerd Janson's "Music For Autobahns 2" on the flip. Tip!

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Sam Gendel and Ugnė Uma

LP | 2023 | EU | Original (Meakusma)

Nothing Brings Us Back EP

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Between improv, pop and r&b abstractions, and contemplative balearics, Sam Gendel and Ugné Uma “Tam tikri objektai erdvėje” subtly meanders through a fragile and forward cosmos both inward and out.

Sam Gendel and Ugnė Uma’s Tam Tikri Objektai Erdvėje album sketches a layered, melismatic and intertextual view on what both performers define as a lightness of being. Ugnė Uma’s musical stance is influenced by experimental poetry and Lithuania’s 20th century underground music scene - jazz and folk, resulting from the liberation of the country’s independence movements. Sam Gendel, from Los Angeles, is a saxophonist and producer, proficient on more instruments than the saxophone alone, whose recorded work both solo and collaborative has brought him acclaim as a vital new voice in modern jazz and beyond.

Tam Tikri Objektai Erdvėje is Lithuanian and translates as Some Particular Objects in Space. The six tracks on the album stand for every letter of the word Saturn. They sketch out a sound palette both fragile and full of forward momentum. With hints of improv, sampling their own recorded work and sounds of a childhood’s Yamaha Portasound PSS-290 synth into abstractions of pop and r&b, some of these tracks reach an almost balearic feel, the more contemplative end of it. With lyrics delving into cosmic phenomena, Tam Tikri Objektai Erdvėje is an album about space, whether cosmic or inward or the one in between. It easily surpasses the sum of its influences and the materials and tactics used to produce it.

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Jack Pattern

12" | 2015 | EU | Reissue (Groovin)

13,99 €*

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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2023 official repress of the EP originally released in 2015 by the swiss/german production team "Jack Pattern". Electronic music with italo-disco influences at the highest level.

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Produkt: Rare Synth Wave/Minimal/Post Punk Worldwide 1979-1984

LP | 2023 | EU | Original (Produkt)

22,99 €*

LP | 2023 | EU | Original (Just Music)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The "Produkt" compilation takes us back to the time between 1979 and 1984, when post-punk was the main expression of the underground movement. Bands in the wake of PIL and Joy Division came out like mushrooms after the punk crush. In this compilation you will find mostly unknown yet interesting productions. This is a 10 track album, all originally released on 7" from all over the world: from Poland to Sweden, from Yugoslavia to Denmark. A perfect item for both enthusiasts and completists but also for those curious, passionate of those extraordinary years and lovers of a genre that still continues to evolve and that indeed continues to storm clubs around the world.

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Marconi Union

Weightless

Healing Sword / Snake (Live)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The album includes the now iconic and seminal track Weightless together with 5 more tracks, the latter derived from the ideas of the former, simply entitled Part 1 – Part 6. The tracks are minimal, combining warm drones and drifting sounds with occasional sparse rhythms. The inspiration for the album came after the band were commissioned to collaborate with a sound therapist from the British Academy of Sound Therapy and write a piece of relaxing music, the first "Weightless" track. When scientifically tested for its effectiveness scientists reported that their research indicated that the music slowed the heart rate, reduced blood pressure and decreased levels of cortisol, a steroid hormone that is released in response to stress. When the research was made public there was an instant and intense media reaction which continues to this day.

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7fo

7" | 2023 | JP | Original (EM)

14,99 €*

LP | 2022 | EU | Original (Osàre! Editions)

Release: 2023 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Electronic musician 7FO's first release on EM Records in a long time is a new tune and single that will change the image of 7FO. The new song, "Healing Sword," which the artist says they approached with the "feeling of being mysterious DIY musicians" (not a feeling, they actually are), was the first single song in 7FO history to be produced as a tribute to the 7" pop era and Joe Meek. "Surf synth acid dancehall rock!!" - Jackson Bailey (Tapes/Rezette)

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Violetov General

Gentle Reactor

12" | 2022 | UK | Original (Gaia Tones)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Welcome to the magenta world of Emil Valev. During the late 1980s and 90s, at the helm of Violetov General, he pioneered a darkly melancholic, avant-garde formulation of the new wave sound. The band enjoyed international acclaim, spending time in the underground scenes of Bulgaria, Berlin and Slovakia. Since then, Valev has gone on to refine his hypnotically idiosyncratic style with a number of solo releases and appearances at electronic music festivals. Now, Osàre! is honoured to present Gentle Reactor. Collecting together twenty-five years of remastered and more recent material, the album is powered by the sensual fission of harsh textures, metronomic beats and playful excess.

Label boss Elena Colombi initially received over eighty songs from Valev, two of which appeared on the compilations Il Monte Analogo (2021) and Il Lupo Della Steppa (2020) respectively. But it was clear that a full album dedicated to Violetov General needed to be in the works. The pair spent two years combing through recordings, selecting the tracks that would eventually form the double-sided LP. From the locked-groove beat of ‘Valahoveine’ to 'Poliani’s sizzling industrial refrain and the slap-bass finale of 'Black Cat', Gentle Reactor is a wild ride.

The record takes the darkwave genre on a cosmic journey across the realms of prog rock, noise, Eastern European folk-tinged melodies, ritualistic percussion and a patchwork of vocal breakdowns. Driven by an intuitive compositional process and slick production, the retrospective is a fascinating slice of experimental music history that's anything but backwards facing.

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Gaia Tones

Dream

14,99 €*

7" | 2022 | EU | Original (Stroom)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"Vengeful abstractions and pagan patterns filling the subconscious with loose, biotic rhythms locked in sync by distant chants and and faint echoes of percussion from the ether. Dream contains the jazz-minded YIN, building borderless walls of ambience with rich analog sounds recalling water and air. On the flip side, 11+ minutes of land-filled, mechanical dub-beatings act as spiritual steps through the deep, intricate maze of consciousness that is Gaia Tones."

Jeez, this time round, the GTs take us on a motorik trip down the Mariana Trench - Japan Blues

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Hiele Kinsella

The Third Summer Of Love

12,99 €*

Eric Hilton Of Thievery Corporation

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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It was the third summer of love and the radio was streaming a festival down by the sound mirrors. The neo hippies were worshipping the womb and vibrating with the infinite palette of rainbows. Couples were copulating by the concrete, as a hooded man resequenced its DNA, tuning the mirrors to five two eight. It was the love frequency, and they were spreading the love.

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Ceremony

2LP | 2022 | US | Original (ESL / Montserrat House)

Release: 2022 / US – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (ANS)

Anthony Naples

Chameleon

Arthur Boto Conley's Music Workshop

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Anthony Naples returns after two and a half years to bring to those interested, a new album of twelve songs titled Chameleon. This album represents the first time Anthony wrote the songs on instruments first - guitar, bass, synthesizer, drums, et cetera. Through changing well worn musical habits and endless jammin’, a new side of the A.N. sound revealed itself as liquid, phased-out, in-studio magic.

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Mm/Km @ Kardamom

LP | 2021 | EU | Original (Travel By Goods)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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3LP | 1995 | UK | Reissue (Warp)

Seefeel

Succour (Redux)

49,99 €*

CD | 2021 | JP | Original (EM)

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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Just as paradigm-shifting ideas are met with some cautious scepticism when they first occur, the history of Seefeel’s second LP Succour is a little chequered. Coming in hot from the success of their 1993 debut Quique — regarded as a prophetic example of shoegaze’s eventual transformation into post-rock — a newly minted contract with Warp would prove symbolic of where the group would steer his project next. The few “rock” elements of its full-length predecessor had evaporated, and vast spaces of dub and ambient would come to inform 1995’s Succour. Skeletal rhythmic elements amalgamating into their brooding, elemental and completely singular sound.

Bookending tracks ‘Meol’ and ‘Tempean’ open up like two gaping mouths on a mottled, heavy beast of droning synthesis, laying the groundwork for the world-enveloping tones Stars of the Lid would later produce. The delicate balance of weights teeters throughout the LP, crushing up sheet metal percussion on the techno-minded ‘Fracture’ and ‘Rupt’, which both simultaneously recall Aphex Twin’s rhythmic experiments and large-scale dub textures. The latter style is heavily hinted in the third LP of mostly unreleased tracks in this expanded (Redux) edition, all delay-drenched and booming with bass.

Seefeel proselytised the limitless potential of the post-rock genre with Succour — and produced one of the 1990s’ greatest albums in the process.

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Clan Caiman

Asoma

LP | 2020 | US | Original (Valley Of Search)

Release: 2021 / JP – Original

Genre: Electronic & Dance

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Clan Caimán returns to EM Records for their second album, continuing the instinctive evolution of their music: a wordless, timeless, gently pulsing and sweetly melodic soundworld, based on composer Emilio Haro’s vision of a band playing the music of an imaginary undiscovered ethnic group. Woven together by Haro’s self-made kalimbafón, a tuned percussion instrument, these five Argentinian musicians also use threads of lap steel, guitars, bass and percussion to knit their beyond-genre textures, seemingly ageless despite being recorded in December 2019. Available on CD, digital download and 12’’ LP, the latter cut at Berlin’s famed Dubplates and Mastering. “Asoma” is perfect music for imaginary voyages during travel-restricted times.

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Patricia Brennan

Maquishti

Time Together (Hues And Intensities)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Mexican-born, New York-based vibraphonist, marimbist, improviser and composer Patricia Brennan has confirmed the release of her debut full-length album Maquishti on the Valley of Search label.

The twelve original instrumentals that make up the album were composed and performed solo by Brennan on vibraphone and marimba. Employing unusual performance techniques and occasional electronics, many of the compositions were borne from improvisations created live in the studio at the time of recording. At times, exploring silence and space, stillness and patience, the album investigates new sonic territories with an endless sense of curiosity.

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Susannah Stark

LP | 2020 | EU | Original (Stroom)

LP | 2020 | EU | Original (Osàre! Editions)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Composed between 2017 - 2020, these songs came to fruition over a period of time coinciding with an awakening spirituality. 'Time Together' is an attempt at describing the beginning of a journey into self knowledge and spiritual awareness through music, creating something soothing and meditative that is also percussive and bass heavy to convey a diversity of spaces, places and emotional states navigated through voice and song

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Free Range

Camry Horses

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Free Range are back with their second outing for Osàre editions. ‘Camry Horses’ is a mesmerising dive into the brutal pop-tinged electronics of the duo, taking the mutant surrealism of their first release on the label a step further. Deliciously droning, Matt Weiner and Ernestas Sadau warp melancholic synth over a stomping-techno pulse in ‘Jet Lag is Calling.’ ‘Thunder God’ predicts transmogrifying weather patterns, while ‘Liquid Latex’ casts a touch of dominatrix energy, all powered by hypnotic dancefloor occultism.

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Respect The Unexpected - In The Age Of Sci-Fi

LP+CD | 2020 | EU | Original (Kashual Plastik)

LP | 2020 | EU | Original (Stroom)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The sleeves are DIY screen printed and the jacket is built out of wire fence! Kӣr is there with two tracks "Basamaci" on vinyl and "Altro non è'l mi'amor" on CD!

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Ben Bertrand

Manes

The Dreams Clear Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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There is an endless abundance of variations that the clarinet can use in changing the colour of a single note. Ben creates a web of sounds that are hard to pin down but easy to absorb as a whole. A sense and perception of continued growth too illuminated and overwhelming to resist.

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Delia Derbyshire

LP | 2016 | EU | Reissue (Fantome Phonographique)

LP | 2019 | EU | Original (New Info)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Delia Derbyshire is one of the most innovative electronic musicians of the 20th Century. She is best known for her pioneering work for the BBC Radiophonic Workshop, and for composing the classic theme song for the original Doctor Who, believed to be the earliest "electronic" theme song in television history. A brilliant composer and one of the few women operating in the early era of electronic music, In the early '60s she collaborated with the British artist and playwright Barry Bermange for the BBC's Third Programme to produce four Inventions for Radio, a collage of people describing their dreams, set to a background of electronic sound. This is the first, simply titled Dreams, an attempt to represent, in sound, the sensation of dreaming. Derbyshire's electronic and musique concrete soundbed is the perfect underscore to the narration, simultaneously jarring, dissonant, and terrifying. An amazing piece of work from one of the legendary pioneers of electronic music.

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Ot To, Not To

It Loved To Happen

15,99 €*

LP | 1960 | EU | Reissue (Fantome Phonographique)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ot to not to is the experimental RnB recording project of Virginia natives Ian Mugerwa and Noah Smith In 2016, Mugerwa released the first Ot to Not to LP Goshen through Nicolas Jaar’s OTHER PEOPLE imprint after being discovered by Jaar in 2015 while recording.
Goshen was a very deliberate effort to create an RnB concept album that explored aesthetics and recording methods usually more associated with European experimental electronic music. More specifically, it was an effort to subvert tropes in pop RnB, whether those be the stereotypical, sterile cleanliness of radio RnB or the safe themes and song structures. While Goshen was undertaken primarily as a solo effort while Ian was casually homeless in Richmond, Virginia, the contributions Noah did make (namely the last track) served as the basis for the aesthetic shift seen in their most recent 2nd LP It Loved to Happen.
After releasing Goshen in 2016, Mugerwa did a series of informal experiments in laptop recording that resulted in his These Movements I & II double EP. The EPs, released through European ambient label ACR, served as an outlet for Mugerwa to explore genres like ambient, modern classical, IDM, and lo-fi R'n'B without the added pressure of being bound to a strict concept or narrative. Furthermore, these EPs afforded Mugerwa some familiarity with the styles and techniques he would explore with Smith on the next Ot to not to LP.
In late 2016, Ian joined Noah at his family’s cabin in the Virginia Appalachian mountains to record a follow-up to Goshen. Prior to this, both artists had been suffering the isolating effects of untreated mental illness, and retreating to mountains to record seemed to offer a desperately needed cathartic outlet. This sylvan setting inspired a shift from the more cold, abstract, electronics of Goshen to the more naturalistic, analog-focused, and guitar-driven aesthetic of the new LP. Artists like Talk Talk, Baden Powell, Nick Drake, Vashti Bunyan and Phil Elverum were playing constantly in the cabin when the duo weren’t actively tracking, influencing the sound of the LP. Just as on Goshen, tape processing was heavily utilized as a way to collage and manipulate samples.
All instruments - even the orchestral parts - were performed by Ian and Noah. Subtle, but detailed sample-based sound design was utilized throughout the album for texture and, unlike their debut, no synths were used. Instead there was an emphasis on manipulating samples the duo would amass from hours of field recording. Throughout the recording session the duo adopted a religious reverence for the woods and mountains that surrounded them, and as a result the album took on themes of spiritual yearning and exploration that flowed under allegorical lyrics about isolation and lost love. Additionally, elements of ambient electronic music were explored on It Loved to Happen, with some tracks abandoning any song structure in favour of raw sound exploration.

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Pierre Henry

Orphée Ballet

Epitaph Für Aikichi Kuboyama / Sechs Studien

Release: 1960 / EU – Reissue

Genre: Electronic & Dance

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Scored for Maurice Béjart's choreography to the 'Orphée Ballet', based on the Greek god Orpheus, this is one of Pierre Henry's finest works of musique concrète, the genre in which Henry was an early innovator and to which he devoted his career. After years working for the French national radio (RTF) and honing his studio chops on radio spots and editing/composition, Henry formed his own studio in 1958 and began working on modern dance and ballet and soundtrack work. Incorporating percussion, industrial soundscapes, nature sounds, spoken French narrative, and synthesized tones, 'Orphée Ballet' is a beautiful piece that, while less known than what is perhaps his most famous work, also for Béjart's ballet production, 1967's 'Les Jerks Électroniques De La Messe Pour Le Temps Présent Et Musiques Concrètes Pour Maurice Béjart', is equally compelling and groundbreaking. Following his passing in 2017 at age 89, Henry's work has found renewed interest, and this is a welcome reissue of one of his rarest and finest works. Truly brilliant.

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Herbert Eimert

LP | 1966 | EU | Reissue (Fantome Phonographique)

14,99 €*

En Route To Thailand Repress Edition

Release: 1966 / EU – Reissue

Genre: Electronic & Dance

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Herbert Eimert was a German music renaissance man, with his expertise ranging from theory to composition, editing, radio production, and criticism. He wrote numerous books on music theory, worked for years at the British occupational forces run Nordwestdeutscher Rundfunk. It was there in 1951 that he established a studio for electronic music that he ran until 1961, which hosted recordings from Stockhausen, Xenakis, and Cardew, among others. This brilliant work begins on side A with 'Epitaph Für Aikichi Kuboyama', a brilliant piece of voice and electronics dedicated to a Japanese fishing boat radioman, who lost his life from complications related to radiation poisoning in 1954, after the ship he worked on was contaminated from fallout after the USA's nuclear testing at Bikini atoll. In addition to being a brilliant piece of electronic musique concrete, it is a damning indictment of nuclear warfare, as prescient now as it was during The Cold War. Side B is made up of six studies in electronic music, showcasing Eimert's talents which are as impressive as his more famous contemporaries. Essential early electronic music.

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Sound Voyage

12" | 2018 | EU | Original (Free Soul Inc.)

18,99 €*

Tomorrow's Modern Boxes White Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Stunning LP fusing far-eastern field-recordings with modern electronic production techniques - a true Sound Voyage! This time as repressed basic editon without the golden bagde!

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Thom Yorke

LP | 2014 | EU | Reissue (XL)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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LP | 2015 | EU | Original (Rotorelief)

Sand

His First Steps

35,99 €*

The Reconstruction Of Na Mele A Ka Haku

Release: 2015 / EU – Original

Genre: Electronic & Dance

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1972. His First Steps is a forerunner of Golem, the legendary 1974 album from the cosmic and psychedelic genius that is Sand. After the split of P.O.T., the early Sand submerged as a threesome in the basement of Claudiusstrasse and built up an alchemical assembling shop, where they resurrected the archetypical Golem. Sand considered themselves as an exile community in a fascinating area - full of distinctly bizarre energy.
Cover painting by Babs Santini, 2009.

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Compuma Meets Haku

LP | 2015 | JP | Reissue (EM)

Heart Stop Feat. Jennifer Charles

Release: 2015 / JP – Reissue

Genre: Rock & Indie, Electronic & Dance

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Compuma, a.k.a. Koichi Matsunaga, reaches back through time to 1970s Hawaii to perform a mind meld, his old-school Roland drum machines and present-era compumagic vulcanizing and reshaping Haku's original home-grown analog synth madness. Not merely a remix, this a synergistic reconstruction, a transformation at the molecular level in which Haku's source-code DNA is reborn in 2015.

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Wax Tailor

10" | 2012 | EU | Original (Lab'oratorie)

11,99 €*

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Oh yeah, a new Wax Tailor is coming! Limited edition 10" containing a RJD2 remix and both instrumental versions.

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12" | 2024 | UK | Original (29 Speedway)

29 Speedway: Ultrabody

2LP | 2021 | UK | Reissue (Warp)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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29 Speedway is a record label and performance series based in Brooklyn, NY featuring forward-thinking improvisational music and live multimedia. Founded in 2020 by Ben Shirken a.k.a. Ex Wiish (‘Shards Of Axel’, Incienso 2023), 29S serves as a platform for artists exploring the fringes of interdisciplinary art and music. Hosting D.I.Y-guerrilla style sound and performance art concerts at Pioneer Works (nyc), Public Records, and in Europe in partnership with Index Records, they have worked with artists such as James Hoff, J. Albert, Yolabmi, Robert Aiki Aubrey Lowe, AceMo, Flora Yin Wong, Nexcyia, Young Boy Dancing Group, Umfang, Color Plus, Poncili Creación, Special Guest DJ, Arushi Jain, Drumloop, Isabella Koen, Ben Bondy, Kamran Sadeghi, Yawning Portal, James K., Syndey Spann, Debit, Pent and many others.

Resident Advisor called their most recent compilation record ‘Channel Plus’ “one of the most stunning documents of the ‘modern ambient-techno movement pioneered by labels such as Motion Ward and West Mineral’, with a focus on New York as well as a global outreach that encompasses chilled-out trap, electro, downtempo and even early '00s electroacoustic music”. Their debut solo artist release from J. Albert and Will August Park, entitled “Flat Earth” (2023), was based on free improvisation and ambient jazz, receiving praise from Philip Sherburne, Shawn Reynaldo, and was included in RYMs top EPs of the year. 29S has been written about on ID, Bandcamp Daily: Best Ambient, Boomkat, Paper Mag, Artnet, Dazed, Clot Mag, Nina Protocol, and Document Journal.

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & Mu Tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, Muein and Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record was born out of a desire to investiage how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw from his piece on David Cronenberg’s Videodrome, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored in 29 Speedway: UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

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Seefeel

(Ch-vox) (REDUX)

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tape | 2024 | EU | Original (Kashual Plastic)

Ministry Of Excess

2LP | 2024 | JP | Original (Hive Mind)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Obscene data and expressive concepts: while being sober all the time, Kashual Plastik launches the “Ministry of excess”. A 21-track strong tape compilation of unrestricted musical memoirs, created by individuals with no memory. Transportive noise, catching sounds from all hums. Experimental sculptures, fractured in research. Hunting the sub-consciousness of things. Instinct acting from an inner necessity. Making familiar objects be as if they were not familiar - and vice versa.

On the bill KP acquainted mega selling pop acts like Greymouth, T.V.S.T., Crude Fact, Lamusa II, or Laure Boer, all totally kashual in plastic since a while. New faces in the KP circle appear too. Like Sweden’s Nærværet, taping an oddly new melodic galaxy. Or New Zealand’s LSD Fundraiser, tripping Ayler-esque on squeaking doors and other machinery. There is French sculptor and sound artist Méryll Ampe, passing a new kind of bass music, electric amp driven, partly veiled in an Arthur Russel charm. Or Irish ambient musician Natalia Beylis, drifting into a piano heaven, droning arpeggio journey music.

We could tell more, but all is there to listen. So, annex the music, fashion your own stories, sing or speak along the noise and be your own celebrity in this industrial cry. The machines are coming, they will swap you too.

Tape presented tied onto paper tracklisting artwork, with plastic card front, printed by hand in coil (tattoo) ink.

"Also by these artists": ed & screen-printed felt sleeve) (kp13) £16

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Herandu

Ocher Red

LP | 2024 | UK | Original (Macadam Mambo)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Herandu Ocher Red

Hmrlp030 2LP £15

01. Ocher Red 02. Bicycle Ride 03. Incident in the Theater 04. Downtown Street 05. Taxi Trip 06. Bizarre Morning 07. Flea Market Finds 08. Fab-U-Lous 09. Not Least 10. Regrets 11. Amongst Ourselves

"Once again it's quite difficult to pin down exactly what's going on through Herandu's debut album, Ocher Red, but its a little bit like Metalheadz meets Weather Report out on the Siberian steppes...

Herandu are brothers Evgeny and Mikhail Gavrilov from Novosibirsk in Siberia. Mikhail and his brother have played music together since they were very young eventually forming the band Fprf together in the mid 2000's. Eventually the group split as the members dispersed around Russia, but Evgeny and Mikhail continued to make music, Evgeny under the alias Dyad and Mikhail under the name Misha Sultan (some of you may remember his excellent cassette, Roots, which came out on Hive Mind in 2022).

Herandu was born in 2022 during several studio sessions they managed to grab whilst both visiting Siberia. They both quickly realised that together they were making music that didn't quite sound like either of their solo projects but which was influenced by the music of their formative years. Their friend Vladimir Luchansky was invited in to add saxophone and the result is an 'urban music' that's as influenced by the gritty cityscapes of '70s TV cop thrillers as it is by 21st Century urbanism.

The paintings on the album cover are by Italian artist Mauro Reggio, who kindly allowed us to use his work, and whose paintings seem to convey something of the mood of Herandu..."

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Poperttelli

Disjointed Dreams

Günther Schickert & Udo Erdenreich

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The new Macadam Mambo release by Poperttelli is a great piece of music ! In the Ambient vibe of the originators Future Sound Of London or The Orb, this album concept around dreams travelling, brings us into tribal futuristic landscapes, dark atmospheres on heavy beats and trippy floatings. Poperttelli is not a new artist in the electronic scene, he has already put out few releases on labels like Lost Dogs, Brokntoys, Maturre or Pinkman more recently, and is definetely a name to follow if you didn’t alredy do…

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Schickreich

LP | 2024 | UK (Marmo Music)

25,99 €*

LP | 2023 | FR | Original (Ekleroshock)

Release: 2024 / UK

Genre: Electronic & Dance

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Jabbering people, a dry bassline, nagging punks, the bassline again, a dry cough, the U-1 passes by, a guitar starts weeping: welcome to Schickreich, a rare recording of a super group that cut short into a duo. Comprised of bass, hurdy gurdy, jaw harp player, DJ, Intermedia-artist Udo Erdenreich, and Berlin’s cosmic kraut legend Günter Schickert. They were bandmates in Ziguri and played since the late 1980s off and on as Schickreich. Marmo now brings to life an album that uncovers two wings of their manifold musical explorations.

The A-Side, “Die Zukunft ist den Kindern und den Narren“, is an epic live recording from Easter Sunday 1988, when Schickreich first performed at Das Arschloch, an open-air pit at Kreuzberg’s Oranienstr. 1 / Manteuffelstrasse 43 at Berlin’s Görlitzer Straße underground station. At that time, the pit was a regular venue for concerts, performances, happenings, and other events of art. Free and outside was the slogan. The duo performed an improvised show alongside the megaphone shouting of Mirko from the Irren-Offensive, a 1980 formed association that served (according to the statutes) "the self-help of current or former psychiatric inmates" and "works toward creating understanding of madness and finding new ways of living with madness." The group's friend Uschi Schröder, at that time cultural manager in Berlin's underground culture, recorded the unique show with her cassette recorder, walking around in the pit, absorbing music, bypassing city noise, and the talk of the audience. After 35 years in deep sleep, the unique cultural document gets published for the first time. It brings all that Angst, that revolutionary Geist, that anarchy, West-Berlin had to offer for a brief period. You hear them shouting for free madness over low hanging bass figures and stretched guitar echoes. The audience is part of the show, children talk while strange drones appear just to disappear again.

The B-Side features a totally different musical universe of Schickreich. A meditative one, recorded 2008 by Günter Schickert while playing live to an audiovisual show about the cultural heritage of Tibet called Tibet Rediscovered. Two eight- to 16-minute-long tunes run by the names “Kang Rinpoche” and “Mapam Yu Tso”, featuring Günter Schickert playing his famous snail horns, while Erdenreich adds gentle bell tones, jaw harp frequencies and percussion on the flight. They are documenting an inner voyage into Schickreich's deep layered telepathic zones, where both artists speak in tones to each other, imagining the mountain regions of Kang Rinpoche and the nearby clear waters of high-altitude lake Mapam Yu Tso as a spiritual musical galaxy of their very own. Gently played, with long meandering tones in the spirit of Pauline Oliveros, unfolding a mystical story ark for friends of trance-portive music. Manufactured with snail horn, guitar, hurdy gurdy, bell, jaw harp, percussion, and two inspired spirits, that trust each other’s visions deeply. Free music for free zones.

Three recordings, two different atmospheric longings, created by two individuals of West-Berlin’s free agitating cultural zone, that followed their very own artistic path, never coping with the current, ever listening to their peculiar heartbeat, that pumps deep down in their psychedelic souls. Günter Schickert, Udo Erdenreich, Schickreich in eternity.

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Antonin

En Silence

Release: 2023 / FR – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Wrong Speed)

Jellyskin

In Brine

LP | 2023 | EU | Original (blundar)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Limited Aquatic Blue Vinyl! Much anticipated debut album from this Leeds-based electronic duo, following high-profile UK festival slots, and shows alongside luminaries The Brian Jonestown Massacre, Warmduscher, Sea Power, Moonlandingz, The KVB, with multiple plays across BBC6/BBC Introducing and Amazing Radio, jellyskin are finally ready to unleash 'In Brine', their first full length release. The result of four years spent writing, recording, and refining the album between Leeds, Liverpool, Bristol, Palamos, and Berlin, 'In Brine' showcases the many talents of Will Ainsley and Zia Larty-Healy in a work straddling iridescent electronica, tungsten-tipped techno, art pop, and queasy, brown acid folk. The songs are pieced together with themes of longing, misadventure by the sea, desire and aquatic apparitions that showcase Larty-Healy's warm but urgent vocal range, as at home around the campfire as it is in the club. The pair's meticulous arrangement and rearrangement, sculpting, recording, and mixing was a glacially slow process of adaptation, mutation, cooperation, growth, and, yes, natural selection. First single 'Bringer of Brine' thumps from the speaker anthemically and forcefully, pitched somewhere beautiful and uncanny; Larty-Healy's vocals soar and skim off the production like a smooth stone across choppy waves. The radio-ready pop electronica of 'I Was The First Tetrapod' bursts into the world with an urgency in line with the lyrics. An aquatic tale of crawling onto land for the first time, desperate to make new life forms, it's also a positive, joyful rebuke to the despair of the world around us. "Growing my legs...". The fuzzed-out psychedelic keys and forward-moving, Knife-like structure echo throughout while beautiful lyrics detail visions of where this would all lead life as we know it-"I can run freely, white horse behind me. Flexing my bones and artery twine, find human tone and reach for the vine." 'Fox Again' opens with chopped alarm clocks segueing into a lurching rhythm, before exploding into skittering beats and a soaring chorus. The effect is like waking up drowsily, going over to the window in your room and yanking open the curtains to be blasted by searing sunshine. The pair brought in Berlin based co-producer, mixer and masterer Lewis D-t to help finesse the tracks into fat-free hunks of ecstasy and sonic exploration, their rich depths marking 'In Brine' as an album everyone should be talking about this summer and beyond-all nine tracks will have feet moving and hearts swelling in equal measure. RIYL: Jockstrap/Working Men's Club/Stealing Sheep/Broadcast etc.

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Jorgen Teller

Untitled

Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhiro Yamamoto

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Perhaps best described as a pioneer of the underground experimental scene, the signature of Jørgen Teller on the musical landscape of Denmark traces back to the late 1970’s. Sprung out of a whirlpool of post-punk and art school ideas, Teller has relentlessly been chiseling away on the constrictions of music in various bands, collaborations and solo projects ever since. Searching out its farthest outposts - be it free jazz, noise or acousmatic music - Teller has strived towards an approach to music without rules, often by way of improvisation and usually with the aid of electric guitar.

This album is based on a live performance held at the Inter Arts Center in Malmö in early 2022, where Teller performed a semi-improvised piece in homage to the poet Poul Borum, whom he had worked with in the mid-90’s closely before Borum’s death in 1996.

As a composer, Teller relies on a set of “basic choices” that becomes a “precise point of departure” - where he can then go against his “good knowing” of the science, trends and different schools of music and go straight into his own instincts as a performer. For this performance, he used pre- recorded material of three rhythm boxes (all out of sync), timbales and sessions on Erica synths.

In dialogue with the label, Teller has focused on extracting the recording of the rhythm boxes and timbales alone, emphasizing the tension between the rhythms. With minimalist drum sequences that could easily be placed in a proto-techno context, and the whooshing of what might be an ancient rhombus instrument, there is a feeling of a primitive presence to Teller’s rhythmic excursions. A throwback to the spiritual realms of a wordless society fighting the demons of chance.

Occasionally pierced by stark industrial drum crashes and rattling post-punk percussion, it also conjures echoes from the darker side of the 1980s. In citing Borum as its inspiration, Teller shares that he channels the poet’s energy and their shared love of “noisy stuff and darkness”. But the pace can also go somewhere close to breakbeat on track B2, where a whirlwind of rhythmic elements clash into a deranged deconstructed club tune.

The album also features a remix by a fellow colleague of the acousmatic community; the composer Jacob Riis. On the closing track B3, Riis quietly manipulates and balances the elements of Teller’s recordings and gently releases them into a contemplative pool of static.

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Album I Black Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

27,99 €*

2LP | 2001 | UK | Reissue (Caroline)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spar who featured Ishibashi on their then new album "Under Pressure".

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Björk

Vespertine

LP | 2024 | Original (Real Gone Music)

Release: 2001 / UK – Reissue

Genre: Electronic & Dance

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Repress 2021

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Willie Tee

I'm Only A Man

38,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhiro Yamamoto

Album II Black Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

27,99 €*

Sara Dale's Sensual Massage

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Coil

2LP | 2020 | EU | Original (Infinite Fog)

36,99 €*

LP | 2024 | Original (Cls Music)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Infinite Fog presents a long-awaited complete version of “Sara Dale's Sensual Massage” OST with 8 exclusive and unheard tracks. Sara Dale's Sensual Massage was a delightful erotic video with a mystic soundtrack by Coil. Quite unusual for the band dreamy ambient, almost spa-relaxed soft harmonies, bland tribal rhythms, chimes, and birdsong but still with dark mysterious and inimitable Coil musick's charm. However, the second part of the album explores more rhythmic structures that remind 'Gay Man's Guide...' soundtrack.

Besides the OST recordings, the edition includes bonus tracks from the "Basilisk prod.'s" era: “Theme From Blue”, and grandiose "The Hills Are Alive" so badly wanted on vinyl. Artwork by Steven Stapleton. Mastering by Martin Bowes.

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Clara La San

Made Mistakes

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (City Slang)

Efterklang

Things We Have In Common

Emak Bakia Picture Disc Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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An album about friendship, belonging, faith and understanding, themes which are palpable in the music, which is gentle and uplifting, healing and rousing. Efterklang has become an open community with three permanent members: Mads Brauer, Casper Clausen and Rasmus Stolberg. On this album the core trio re-connected with their old friend and founding Efterklang member Rune Mølgaard who left the band in 2007 to join the mormon church, and ultimately withdrew from the church in 2022. His profound spiritual journey significantly influences the album's content and tone, on which he has co-written seven of the nine songs. 'Things We Have In Common' coincides with the 20th anniversary of the band’s debut album, and presents 2 decades of collaboration, exploration, evolution and reconnection. The album features contributions from a variety of international musicians. Zach Condon of Beirut, Finnish drummer Tatu Rönkkö, Venezuelan guitarist Hector Tosta and Guatemalan cellist and singer Mabe Fratti all became key collaborators. Italian award-winning mixer Francesco Donadello and South Denmark Girls’ Choir both left their indelible mark on the record, as their did with the band’s 2012 album ‘Piramida’.

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Muslimgauze

LP | 1994 | EU | Reissue (Kontakt Audio)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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12" | 2024 | Original (Fauxpas Musik)

Ovïd

Dream Sequence EP

Swastikas For Noddy Picture Disc Editoin

Release: 2024 / Original

Genre: Electronic & Dance, Reggae & Dancehall

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Fauxpas Musik is excited to announce the latest release from Joe McBride, better known as Synkro. This EP features three atmospheric tracks that showcase Synkro's signature Lo-Fi Dub sound, highlighting his talent for creating emotional and immersive soundscapes. The release is available exclusively on vinyl, accompanied by a beautifully designed cover from artist Alex Ketzer, with photography by Alexander Binder. This blend of audiovisual aesthetics and high-quality pressing makes the EP a must-have for music lovers and collectors alike. Vinyl Tastes Better...

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Current 93

LP | 1988 | US | Reissue (Cashens Gap)

36,99 €*

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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LP | 1975 | EU | Reissue (Music On Vinyl)

Modulations

It's Rough Out Here

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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10" | 2022 | Original (Lex)

Kaleida

Think Rep

25,99 €*

Release: 2022 / Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Fixt)

Mega Drive

199xad

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Row)

Dayzero

Lurking In The City EP

13,99 €*

India Lo-Fi Abuse Picture Disc Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After his remix for Keita Sano's 'Legacy For Leyton' EP in 2022, Tokyo-based Dayzero is back on Row with a four-track EP. Drawing inspiration from his urban surroundings, the ‘Lurking in the City’ EP is a multi-tempo’d playground for dynamic rhythms and effects. This EP sets another highlight in his growing discography, including releases on Livity Sound, ZamZam, Vomitspit, Sentry Records, the Chikara Project, and Nostrohoodsystem.

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Muslimgauze

LP | 2022 | EU | Original (Kontakt Audio)

LP | 2004 | US | Reissue (Kranky)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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India Lo-Fi Abuse was recorded in 1998, some tracks are "pure" Muslimgauze and some are re-mixs of tracks from Systemwide's "Sirius" CD (see also Systemwide meets Muslimgauze "at the City of the Dead" 12"). Nearly all of the tracks have hand percussion in varying tempos and intensities and at least 1/2 make use of electronic noise surges. The sound is very crisp and clean, extremely well produced, recorded and nicely varied throughout the length of the disc. Some track by track comments: "Antalya" is obviously from the same sessions as "Fakir Sind" seeing as it shares the same hand percussion sound, whistles, vocal wailing, cut-ups and delays. "Valencia Flames" sounds like a Systemwide remix. A dub bass line, hi-hat and background vocal of some sort are all obliterated by numerous delays, starts, stops and re-starts with an unpredictable nature in these cut-up tracks. "Al Souk Dub" injects background voices, market sounds and drones into the cut-up mix of slow hand percussion playing. "Catacomb Dub" and the final two tracks make use of twinkling synth waves, presumably a Systemwide sound source. "Dust of Saqqara" has a heavy pulsating electronic sound wave over an old beat box rhythm. "Android Cleaver" is brutal (as is "Nommos' Afterburn") hand percussion, jabs of noise and an oft repeated, unintelligible vocal sample. Yes, India Lo-Fi Abuse is yet another great Muslimgauze release, grab it! - Brainwashed.com

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Dead Texan

12" | 2022 | EU | Original (Permutation)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Another sweeping album from Stars OF THE LID and AIX EM Klemm member Adam Wiltzie, this time under his new Dead Texan moniker. Eleven mini-symphonies of nocturnal psychedelia and reverie-inducing soundcraft, propelled with piano, strings, and Wiltzie's surreal smear of guitars. Includes a DVD with music videos by Wiltzie and video artist Christina Vantzous.

“Stars Of The Lid’s Adam Wiltzie presents a collection of drone compositions that he considered too aggressive for his parent band—which means they range somewhere between a whisper and a shout. The sense of cathedral-like reverence is balanced with extreme intimacy.” —Pitchfork

“This is quite possibly the best music available for slowly drifting into dreamland. Equal parts intrigue and sedative, The Dead Texan is an elegantly hypnotic album that manages to freeze time in addition to passing it.” —Tinymixtapes

“The Dead Texan remains a remarkably subtle and tranquil work. Disarmingly lovely...” —Textura

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Permutation

Epicycles

10,99 €*

LP | 2022 | EU | Original (Souk)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Reordering musical elements, patterns, and machines, Permutation is a duo of music producers from Barcelona who bridge influences from electro and techno to 90s IDM and ambient electronica. Their second release presents three tracks developing a nuanced sonic palette of syncopated electro rhythms and intricate percussion immersed in a dreamy contemplative atmosphere.

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Serpente

Dias Da Aranha

2LP | 1993 | EU | Reissue (Kontakt Audio)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It is no surprise that the most populated Serpente record to date is also his most vibrant and emancipated. With collaborations from Maxwell Sterling, Kelly Jayne Jones, Pedro Sousa, Vasco Alves and Gabriel Ferrandini, “Dias da Aranha” is a leap from previous releases like “Parada” and “Fé/Vazio”, both on Ecstatic. If you’re keeping in touch with Portuguese electronic music, then Bruno Silva’s music should be no stranger to you. If you’ve also been keeping tabs on his evolution throughout our catalogue, you’ll notice how mature and resolved his sounds feels in “Dias da Aranha”. There’s no restrain here, the beats evolve in a self-confident way and the way it assembles and incorporates other people's sounds is a bliss. Go straight to the last track, “Ritos de Poeira”, and listen to how organic everything feels, the endless rhythm and how Pedro Sousa’s saxophone is incorporated as a beautiful hopeful lament. Just put it on repeat. Bliss. We have never heard Bruno – as Serpente or Ondness – so sure of himself. Escapism is very present in his music. In the past the idea of searching for it was key, in “Dias da Aranha” he lives in it. It is daring and luminous, streaming a continuous beam of bright ideas, making sure that they find the right course on their own (“Meio Ondness”). It never stops, keeps evolving, getting better and finding ways to surprise the listener. In some moments you can listen to the music breathing. Or sense some kind of field recordings shape. It doesn’t rely anymore on the idea of music as a work in progress. This is evolution. Welcome to the Serpente Era.

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Rapoon

Raising Earthly Spirits

45,99 €*

The New Backwards Black Vinyl Edition

Release: 1993 / EU – Reissue

Genre: Electronic & Dance

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Raising Earthly Spirits was conceived as a ritualistic, shamanistic album centred around the concept of transcending this level of consciousness and existing mindfully in multidimensional space and time. It draws heavily upon the sacred ideas and practices of many indigenous peoples from this earth and how they communicate and interact with their ancestors and how they see themselves in relation to this world. It was made with respect towards these beliefs. - Robin Storey/Rapoon

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Coil

LP | 2008 | EU | Reissue (Kontakt Audio)

2LP | 1996 | EU | Reissue (Kontakt Audio)

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

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“The New Backwards” was conceived by Peter “Sleazy” Christopherson in 2007, revisiting stray tracks which hadn’t seemed to gel with the material he had chosen for the more somber “Ape of Naples” from 2005, Coil’s initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance.

Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album that was begun as early as 1993 and had originally been conceptualised as the follow-up to “Love’s Secret Domain”. These songs are as diverse and wild as the places they originated from, partly infamously spawned in Sharon Tate’s former home in the Hollywood Hills, the Nine Inch Nails home base in New Orleans and London’s Swanyard, remixed and restructured with the help of long-term friend Danny Hyde in Thailand, this collection has its own unique flow and an atmosphere not found on any other Coil release.

Both “ayor” and “Backwards” had by the time the album was first released already become favourites in Coil’s manic live performances. Some of the other tracks had only leaked in demo versions and are here presented updated and polished as Christopherson and Hyde intended them to be heard. It is interesting to consider Balance’s vocal contributions, too. Whilst on the albums Coil did release at the time this material was first put aside (“Black Light District” and “ElpH”) his voice is all but absent, his vocal performances and his lyric writing here are arguably more closely indebted to the previous “Love’s Secret Domain” era, especially the epic “Copacaballa” is noteworthy in that respect. The New Backwards” effectively became the final official Coil studio release of all new material whilst Peter was still alive and is here presented for the first time fully supervised by Danny Hyde, its co-creator. The stunning cover uses a detail from artist Ian Johnstone’s “Cubic Raven” painting, licensed from the estate of IJ..

It is high time to rediscover this timeless album now!

Recorded at Swanyard, London and at Nothing Studios, New Orleans, 1996. Thanks to everyone there, especially Trent Reznor who made it all possible. Written & Produced by Coil & Danny Hyde. Remixed by Peter Christopherson & Danny Hyde, Bangkok 2007. For that session Coil were: Peter Christopherson, Jhonn Balance & Drew McDowall. Mastered by Jessica Thompson. Front artwork by Ian Johnstone. Artwork licensed from The Estate of Ian Johnstone. Layout Cold Graves and Oleg Galay.

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Ihor Tsymbrovsky

Come, Angel

37,99 €*

LP | 2021 | EU | Original (Discrepant)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Kontakt Audio and Infinite Fog Productions proudly present the 25-th anniversary reissue of the one of most unique albums on avantgarde/neoclassic music – Ihor Tsymbrovsky – Come, Angel.

Recorded in 1995 in Ukraine and released in 1996 just as a small run on cassette on Polish label Koka Records, the album without any promotion little by little became legendary and madly wanted by many fans all around the world. And from the first seconds, you can hear why it is so. Pretty hard to explain what songs play Ihor, moreover that would be senseless. “Come, Angel” is one of those albums which are so unique that takes you in a vacuum of verbal forms in an attempt to describe the record. In a few words, this is definitely very intimate and deeply emotional music with an absolutely incredible voice. The first associations could forward you to Antony Hegarty from Antony And The Johnsons, Marc Almond, Arthur Russell, Baby Dee, Bjork. Experienced listener familiar with these great artist knows that all of them are inimitable and Ihor Tsymbrovsky is totally inimitable as well.

In 2016 well-known German label Offen Music published 3 tracks from the album “Come, Angel” which brought a lot of attention to Ihor’s music. This time we’re excited to announce the first full album reissue on CD, Double vinyl, and tapes. Beside the full version of the album, you’ll find an exclusive bonus song from the cult compilation “Music The World Does Not See” – Nefryt Records 2000.

~

“For me, music is a certain way of cultural survival. Here I do not set myself theoretical problems or experiments. The connotations of life are important: rhythms, melodies, their connection with language, poetry, real life, virtual or imaginary space. It is very important to me how the recitation of work sounds, how consonant and vowel sounds dissolve in singing, how they combine musically. I understand sound space as a field of my interpretations, preferences, priorities, and I do not use direct imitation. If I hear a melody or a musical phrase, and it is fixed in my memory, later I extract it in my own interpretation, as already formed by this field. In art, the goal is in the work itself, not outside it. For me, the expression “To be is to create a new reality” is another winged reality.” – Ihor Tsymbrovsky

~~

“Tsymbrovsky – an architect, musician, a poet, an artist; one of the most underestimated musicians in Ukraine’s artistic world. Many critics pulled their hair out trying to get to the bottom of Tsymbrovsky’s music. It has been inspired by jazz, minimal, modern, ethnic, and meditation music. Tsymbrovsky is not a virtuoso, however, he creates whole worlds with his astonishing falsetto. Although Cymbrovsky’s music is simple it is made of many elements. Filled with magic and unusual sensitivity and warmth it can be therapeutic for the listener. This is that kind of music, which can be listened to many times – in a different way each time.” – Koka Records.

~~~

“Igor Tsymbrovsky’s only album “Come Angel” (1995) still remains perhaps the most bizarre phenomenon in Ukrainian music since independence. The story of its author is a vivid example of cultural amnesia. In the pre-Internet era, Tsymbrovsky was a prominent figure in the Ukrainian underground, performed on the “Red Route”, went on tour in Germany. However, he left a minimum of evidence of his activity and became a silent legend for a few. We talked to Igor to find out where he came from and where he was going.

The album “Come Angel” is eight compositions performed with a falsetto to the accompaniment of a piano. (Tsymbrovsky’s falsetto is a legacy of the Lviv Dudaryk choir, where he sang as a child.) It would seem that it could be easier. But, despite such ascetic tools, Tsymbrovsky managed to create a phenomenon unique to Ukrainian culture. Some people compare him to Benjamin Clementine and Anthony Hegarty, but no comparison will be exhaustive. The lyrics of the songs attract special attention: two of them were written by Tsymbrovsky himself, the others demonstrate his remarkable literary knowledge. Here and Guillaume Apollinaire, and Mikhaijl Semenko, and even less obvious poets, such as Mykola Vorobyov or Jozsef Attila.

The young performer’s first performance took place in 1987 in the club of the Forestry Institute. It is quite symbolic that this room used to be a Jesuit church because such a chamber environment suits his songs about angels much better than the noise of big festivals. However, there were also many festivals in Tsymbrovsky’s career: in 1989, Chorna Rada and Chervona Ruta, in 1991, Kharkiv’s Nova Scena and Ukrainian Nights in Gdansk, Alternativa in Lviv. Ihor calls his first performances musical performances and notes that they sounded completely different. Unfortunately, we will never know exactly how.” – Amnesia

~~~~

“The magicians at Dusseldorf’s Offen Music pluck a madly beguiling pearl of late-night songcraft by Ukraine’s Ihor Tsymbrovsky to follow their vital releases by Toresch and Rex Ilusivii. Come Angel was first recorded in Lviv, Ukraine, in 1995, and issued on cassette by Poland’s Koka Records in 1996. There appears to be no prior mention of the release or artist on the internet and quite how it came into of Offen Music possession is not disclosed, and that only ratchets the record’s enigma to astonishing degrees once you’ve heard the music. In a quivering, high register, androgynous trill, Ihor Tsymbrovsky beckons heavenly beings in the remarkable A-side Come, Angel against a swirling backdrop of phasing, subtly delayed organ. It was recorded in one take (this is the 2nd version), and, if we’re not mistaken, you can hear the keys being pressed rhythmically in the background, which seems to be the song’s only tangible connection to this mortal world as Ihor vaults octaves high and close-in-the-mix with the sort of alien, dreamlike vocal that requires pinching oneself to make sure you’re awake. Spellbinding is definitely the word. On the other side he (we’re assured it is a ‘he’ in the promo text) sets two poems by Mykola Vorobyov and Mykhal Semenko, respectively, to emphatic piano keys, this time more shy of FX save for some delay, placing that willowing, avian vocal at a dreamy arms reach in Roses for the Poet, and with a sort of liturgical dark jazz feel, sorta like Lewis repenting his sins as a castrato monk, in the spare atmosphere in By the Sea. This is gold-seal business, we tell ya. Clock the clips and clear some swooning room.” – Boomkat

credits: Music By – Ihor Tsymbrovsky Lyrics By: Ihor Tsymbrovsky (tracks: C2, D1) Atilla Joszef (tracks: B1) Mychajl Semenko (tracks: B2, C1,C3, D2) Mykoła Worobjow (tracks: A1,A2) Engineer – Edward Hryhorjew Remastering – Ihor Tsymbrovsky

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Kink Gong

Zomia Volume 1

19,99 €*

LP | 2021 | EU | Original (Squama)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Kink Gong is back with his unique take and re-interpretation of the music he’s been recording and documenting for years in the South East Asian highlands. Zomia Vol.1 takes the conceptual idea of Zomia, proposed by James C Scott in The Art of Not Being Governed, an Anarchist History of Upland South East Asia, to construct its very own mythological soundscape inspired by a semi-utopic region where state rules don’t apply. Zomia might be (almost) gone but Kink Gong is keen keep its spirit alive by releasing a series of albums celebrating the region’s quasi mythological features.

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9ms

Pleats

19,99 €*

Utakata No Hibi Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. 9ms is the duo of Simon Popp and Florian König. On their wide ranging debut album ‚Pleats’ the tech-savvy drummers offer grooves from the dubbier realms of World Music and Krautrock - some meditative and light, some thick as wall and steady as a clock. The album was recorded live in a large wooden hall in the Bavarian Alps with only three microphones. Using various infrared and magnetic field sensors, Popp and König were able to translate their movements into control voltage, which they then used to trigger and tweak synthesizers and a myriad of effects. A way for two humans to become one with their mystic machinery.

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Mariah

2LP | 1983 | EU | Reissue (Everland)

LP | 1983 | EU | Reissue (WRWTFWW)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!

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Inoyamaland

Danzindan-Pojidon

LP | 2019 | EU | Original (Discrepant)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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WRWTFWW Records is too happy to announce the much anticipated official reissue of Japanese duo Inoyamaland’s quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue. With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as “a special place where the kingdom of summer vacation never ended". Playful and magical, it’s a sonic landscape defined by tinkling synths, floating minimalist melodies, pastoral excursions, and mythical overtones.

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Raed Yassin

CW Tapes

14,43 €* 18,99 € -24%

12" | 2014 | UK | Original (HYMN)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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In this 24-minute composition, released here in its original name for the first time, Yassin encapsulates and condenses the aural and sonic landscapes experienced by those who bore witness to the war. In the 1980s, while the Lebanese Civil War, which ravaged the country between 1975 and 1990, was raging, television but particularly transistor radios were the only means through which people heard the news during interminable periods of power cuts or waiting in basement shelters. The audio material was collected by Yassin on his regular trips to the dispersed and neglected archives of militias and political parties, radio and TV stations, and record shops across Lebanon.

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Gwilym Gold

Muscle

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Apologues Clear Vinyl Edition

Masayoshi Fujita

LP | 2018 | EU | Original (Erased Tapes)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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LP | 2013 | EU | Reissue (Erased Tapes)

Masayoshi Fujita

Stories

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2014 | DE | Original (Staatsakt.)

Low Fidelity

33,99 €*

Release: 2014 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2001 | EU | Reissue (Just Music)

Jon Hopkins

Opalescent

Carnal Lust & Carnivorous Eating

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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This extraordinary debut uniquely combines the light with the dark, the beautiful with the mysterious, in a glorious atmosphere where the worlds of trip hop beats and chill out are made Jon's own personal domain. Sometimes eerie, sometimes majestic, but always profoundly musical.

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Hogg

LP | 2016 | US | Original (Rotted Tooth)

12" | 2015 | UK | Original (The Death Of Rave)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Anthems for society's collapse that would appeal to both alt rockers with chock full Expedit shelves in LA & band weary oogles from Baltimore. From sea to shitty sea, this is controlled paranoia available for micro dosing, just drop the needle.

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Rian Treanor

A Rational Tangle

12,99 €*

LP | 2013 | US | Original (Discrepant)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Rian Treanor re-imagines the intersection of club culture, experimental art and computer music with ‘A Rational Tangle’, his debut quartet of glass-cut, 150bpm hyperprisms for The Death of Rave.

Galvanising and accelerating garage and techno with cuttingly crisp tonal diction and pointillist percussive palette, ‘A Rational Tangle’ demonstrates Treanor’s adroit and finely-nurtured rhythmelodic instincts through a quicksilver syntax of kerned, polychromatic 2-step patterns and whipsmart, emotive jit music.

Functionally titled A1 thru B2, the EP’s four tracks vacillate ping-pong ballistics and recursive melodic motifs constructed in Max/MSP, dancing from pendulous, aerobic minimalism to taut, synthetic tabla grooves with grid melting nous, whilst also taking in gamelan-esque hypeR&B through wormholes of smeared and curdled harmonics, plus one dead lush section of Detroit-via-Yorkshire styled hi-tech funk.

The production is stainlessly dry and future-proof whilst his arrangements are considerately efficient, yet it’s all blessed with a pop or ‘floor-ready turn of phrase that reveals new kinks, fills and twysts with each return listen.

Whichever angle you view it from ‘A Rational Tangle’ forms a rewarding introduction to the work of a very promising and distinct new voice in electronic music.

Rian Treanor (b. 1988) is an artist and producer based in the North of the UK. His practice references the dynamic cut-ups of Fluxus and Dada as much as UK dance music to present an insightful and compelling musical world of interlocking and fractured components. He has formerly studied with Lupo at Berlin’s Dubplates & Mastering, besides years spent running the Enjoy artspace in Leeds.

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Kink Gong

Voices

19,99 €*

Release: 2013 / US – Original

Genre: Electronic & Dance

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Exoteric Continent & Cont Ext

Residual EP

7" | 2016 | EU | Reissue (Altre)

13,99 €*

LP | 2024 | EU | Original (Ideologic Organ)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Behind this work lays the evolution of our idea of the human, with all that it entails in current times. This is an effort to reflect with compassion and to experience feelings of helplessness through loss. The cognitive volitional duality of being a human in 2016 - Where do we belong?

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Timothy Archambault

Onimikic

Live At Golden Pudel Club

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Timothy Archambault's unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder). Each piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground). An important document of new music meets contemporary musicological research via Stephen O'Malley of Sunn O)))'s Ideologic Organ. The Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa & Saint Lawrence Rivers. To the Algonquin the flute (Pibigwan) is the wind maker or essence of the wind. Unlike other tribal nations whom the majority used the flute as a courting instrument, the Algonquin generally utilized the flute for more contemplative singular usage to mimic the sounds of nature or as a signaling device during times of conflict. When love songs were required, they were usually more plaintive in character expressing sadness, loneliness, or concerning the departure of a lover. The album intro begins with the shaking of a necklace of otter penis bone, fish spine, bear claw, elk teeth and deer hide, gifted from Algonquin Elder Ajawajawesi. It is meant to focus the listener's attention before the flute pieces begin. The warble or multi-phonic oscillation prevalent in all the pieces traditionally represented the "throat rattling" vocalization of the tonic note, sometimes known as the horizon of which the melody floats from. Due to the repetition of multi-phonic oscillation the performer will breathe erratically creating an altered state correlating with similar traditional ceremonial practices.

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Benjamin Brunn

12" | 2015 | DE | Original (Smallville)

8,99 €*

Release: 2015 / DE – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG+

2LP | 2021 | Original (Blackhole)

Markus Schulz

Escape

Release: 2021 / Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Holuzam)

Hidden Horse

Incorporeal

2LP | 2023 | EU | Original (Lex)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Burnt down utopias and urban paranoia, Hidden Horse are back with their second album. “Incorporeal” is the follow-up to 2022’s “Opala” and the band’s first release on vinyl. Composed by João Kyron (keyboards/electronics) and Tony Watts (drums), long-time friends and collaborators on different projects, the most prominent one being the exotic and dreamy Beautify Junkyards (Ghost Box). As a duo they’re a totally different game.

Playing live regularly after the release of “Opala” offered them the possibility to explore a more freeform approach to their sound. Their live sets were often unpredictable, focused on the communication dynamic between the trio (Ana Farinha joins them on their performances) and where they could be led to, instead of reinterpreting the songs. “Incorporeal” embodies that attitude, it is a less confined album and it is not worried about being referential or even self-referential. They finally discovered how to expand the hauntology dynamics and free themselves from design restraints.

The album feels lighter, fluent, more optimistic. It remains thematically close to the eternal sci-fi discomfort, imagine Burial living in Lisbon, Portugal. João and Tony feel free from any doubts they might have had in the beginning of this project and are now more confident about how Hidden Horse sounds and unpreoccupied about the narrative: it is rock oriented but dressed as the electronic / dance music they would like to listen and dance to. Guest slots from Arianne Churchman (“The Tape Spool Within The Horse’s Mouth”) and Clothilde (“Espectros no Cctv”) offer a new range of feelings and confirms how Hidden Horse’s music evolves into new grounds when accepting new ideas and voices. “Opala” was a trojan horse to come out – of the pandemic? – and play. “Incorporeal” feels like the real deal.

“A startling step sideways from Beautify Junkyards’s sweetly spooky psychedelia, this parallel project brings the New Sonic Architecture of Eighties electronica into the 21st Century. Spacious and eerie, these glistening vistas bear comparison with Cabaret Voltaire, Chris & Cosey, and The Tear Garden, as well as the desolate moodscapes of Burial and Actress. Unmissable.”

- Simon Reynolds

"A journey through odd spaces and echoing caverns, powered along by angular rhythms and hypnotic sequencers. An electronic, motorik tapestry that feels both industrial and organic - like a dystopian Harmonia. Utterly beguiling!" - Jim Jupp (Ghost Box Records)

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Yungmorpheus

From Whence It Came

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Lex)

Eyedress

Full Time Lover

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Northern Electronics)

Polar Inertia

Environment Control

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Cafe Exil - New Adventures In European Music 1972-1980

2LP | 2020 | UK | Original (Ace)

Samuel Kerridge & Taylor Burch

Release: 2020 / UK – Original

Genre: Electronic & Dance

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When David Bowie and Iggy Pop relocated from LA to continental Europe, taking trains to Berlin, Paris and Warsaw, they would have come across new music that was very different to the burgeoning disco scene they left behind. “Cafe Exil” – named after one of Bowie’s favourite Berlin haunts – imagines the soundtrack that would have informed “Low”, “Heroes” and “Lodger”. It’s an awesome mix of electronica, Krautrock and experimental treats.

There are key tracks from members of Can and Tangerine Dream, fascinating obscurities by German act Streetmark and Italian library maestro Piero Umiliani, the Herzog-soundtracking Popul Vuh, and highly collectible avant-strangeness by Annette Peacock. Czech-born Jan Hammer’s beautiful, light, atmospheric groove is among myriad surprises.

“Cafe Exil” has been put together by Saint Etienne’s Bob Stanley and Jason Wood, author of multiple books on cinema and programmer at Home in Manchester. It fits in with other recent Ace compilations such as “English Weather” and “76 In The Shade” – it creates a mood, a time and a place. You’re right there, sat next to Bowie, drinking his Pernod and black, in a darkly lit Berlin bar.

This 2LP set features a bonus track from Edgar Froese.

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The Other

2LP | 2019 | EU | Original (Downwards)

22,99 €*

Migratory Clear Vinyl Editoin

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Sam Kerridge teams up with DVA Damas’ Taylor Burch in ‘The Other’, a narrative-structured collaboration set to an absorbing contrast of seething electronics and technoid impulses riddled by droll vocals in billowing negative space. Opening his sound up to mutual spirits, and allowing more space and time for his sounds to take hold, ‘The Other’ locates a newfound sense of maturity and sensuality in Kerridge’s music. His arrangements here feel more layered and ductile, finely consolidating the gloomy slow pressure of his earliest work for Horizontal Ground with the uptick in pace and rabid energy found on 2017/2018’s ‘The Silence Between Us’ and ‘The I Is Nothing’. The adaptation is necessary as the music now accounts for half of an AV live project with Daisy Dickinson and also needs to accommodate Taylor Burch’s low key vocal delivery. In the process Kerridge is pushed to rethink and more subtly reframe his sound after seven years squashing and pummelling listeners into submission.

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Masayoshi Fujita

LP | 2024 | EU | Original (Erased Tapes)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | DE | Original (ZYX Music)

P. Lion

Dream

Release: 2024 / DE – Original

Genre: Electronic & Dance

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Lounge Psychédélique (The Best Of Lounge & Exotica 1954-2022) Black Vinyl Edition

2LP | 2023 | EU | Original (Two Piers)

35,99 €*

Takashi Kokubo & Andrea Esperti

Release: 2023 / EU – Original

Genre: Electronic & Dance

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* Available on Black Double Vinyl and Mint Green Double Vinyl * Third installment in the Psychédélique Compilation series on Two-Piers * Featuring music by Martin Denny, Yma Sumac, Mel Tormé, and more! / ‘Lounge Psychédélique’ takes you on a journey into the world of Lounge, Exotica and Space Age Bachelor Pad Music, from its early days in the 1950s and 1960s to the current crop of artists championing the Lounge & Exotica sounds today. Compiled by Spencer Hickman & Mark McQuillan for Two-Piers ‘Lounge Psychédélique (The Best of Lounge & Exotica 1954-2022)’ is the third instalment in the Psychédélique Compilation series on Two-Piers, following the critically acclaimed ‘Pop Psychédélique (The Best of French Psychedelic Pop 1964-2019)’ and ‘Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019)’. ‘Lounge Psychédélique’ brings together the sounds of Easy Listening, Soundtrack Instrumentals, Exotica, Jazz, Psychedelic, and Space Age sounds all under the umbrella of Lounge Music. The compilation includes legends of the Lounge and Exotica scene, such as Martin Denny, Yma Sumac, Mel Tormé, Herb Alpert, and Les Baxter, alongside legendary composers Hugo Montenegro, Lalo Schifrin, Michael Giacchino. Add some Lounge Jazz from Cal Tjader and the Latin Bossa Nova of Quincy Jones. Then throw in some beautiful oddities from Leonard Nimoy, Pizzicato Five and Mort Garson. Next, mix in some Lounge-Mod moments from Dave Pike and Jack Trombey, KPM library classics from Alan Hawkshaw and Keith Mansfield, and finish with some brilliant modern-day exponents of the Exotica sound Los Bitchos, Ixtaheule and the Percussive Funk Moog party sounds of The Bongolian. The result is a fun and crazy ride through the world of Lounge Music which will bring a smile to your face and a spring to your step. So raise a cocktail glass to ‘Lounge Psychédélique (The Best of Lounge & Exotica 1954-2022) – a sheer joy from start to finish! ‘Lounge Psychédélique’ isn’t meant to be a ‘crate diggers’ album or a compilation of obscure, hard-to-find tracks to outdo your mates. Instead, it is intended to celebrate the Lounge scene and, hopefully, the perfect introduction to this fantastic and beautiful music for any newcomers out there. So let your journey into Lounge and Exotica begin here…

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Music For A Cosmic Garden

2LP | 2023 | Original (WRWTFWW)

33,99 €*

LP | 2022 | UK | Original (3XL)

Release: 2023 / Original

Genre: Electronic & Dance

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WRWTFWW Records is very excited to present a new full-length collaborative project by Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian/Swiss trombonist Andrea Esperti (Esperti Project): Music for a Cosmic Garden.

Recorded during the heights of the pandemic and completed in February 2021, the majestic 8-track ethereal/botanical soundscape created by Kokubo and Esperti is available as a limited edition double LP, a digipack CD, as well as in digital format.

Takashi KOKUBO, environmental music figure, celebrated sound designer, and founder of Studio Ion, has released over 20 albums, including the genre-defining and highly sought-after Ion Series. He's also played a major role in the sonic identity of Japan, creating the country’s mobile phone earthquake alert sound, credit card payment validation jingles, and much more. In 2020, Takashi Kokubo received a Grammy nomination for his track "A Dream Sails Out to Sea, Scene 3" off Light in the Attic’s Kankyo Ongaku compilation. He is known for recording “sound scenes from nature” around the world using a binaural CyberPhonic microphone of his own invention and for his very unique brand of healing music.

Andrea ESPERTI is a Swiss trombonist and composer originally from Puglia (Italy). He plays in multiple genres (classical, pop, world, electro, jazz) with a globe-trotting approach: encounters with peers, rhythmic exchanges, and unplanned music projects; this is where lies the foundation of his work.

Music for a Cosmic Garden is an ode to celestial botanics, a contemporary and hallucinogenic take on the soothing ambient genre immortalized by artists such as Midori Takada and Satoshi Ashikawa, a beautiful pairing of synthesizers and the mighty trombone, taking you to a meditative galaxy far, far away, where other-worldly is just another word for cozy.

Recommended track for maximum pleasure: "Gaia’s Love Theme".

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Nug

Napping Under God

Earth Ff Clear Vinyl Edtion

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Super deep n’ rolling ambient junglist mutations from hyped cloakroom attendent Florian T M Zeisig and mysterious XPQ? operator Pvas, uniting under the NUG moniker for a highly atmospheric session beamed directly from that short-lived, elusive sweetspot in the mid 90’s when Omni Trio and DJ Crystl collided with Mo Wax’s Some Scientific Abstract Type Shit! and Gescom’s Disengage, all red lights dappling thru a dense fog of smoke.

Rinsed out under the timeless influence of “bong & sterni” - who sound like a legendary Berlin ambient duo, but are just weed and beer - Zeisig and Pvas collide in midair for a stereo-swirled recollection taking us back to 1995 - that Autechre radio show on Kiss FM, peak Mo Wax, Kodwo Eshun’s ‘club trax’ column, just before everything went fully tasteful. Throwing links to more contemporary refractions found on various J. Albert workouts as much as Skee Mask’s most vapourised breaks, the NUG sound keeps toes and heads off the ‘floor with a rugged but lush suite of rave suspension systems making critical use of negative space and recoiling dub dynamics.

One for the early hours of the club, ‘Not Many People Here yet’ gives acres of room to bounce off the walls, while the ruder ‘Filthy Club’ sounds like the backroom heard from ceramic tiled bogs, and you’re already healthily zonked for the zombie float of ‘Is Under The Blanket.’ The radiant pads and swingeing breaks of ‘Morpheus’ dial up Skee Mask’s most pendulous rave visions, and ‘Napping Under God’ rolls out on 9 minutes of webbed breakbeat for the locked-in steppers, with Florian’s ambient texturing fully coming into effect on the blurry-eyed flex of ‘Lite.’

Uncanny just how well this one nails the sound - top marks and full reccomendations for anyone looking for that liminal, junglist special sauce.

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Stone

LP | 2022 | UK | Original (3XL)

LP | 2022 | UK | Original (Downwards)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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A new avatar on 3XL, someone you may or may not have encountered before on the experiences / west mineral axis, tending to the inner life with a lush fantasy of sound-bathing beatdown and mossy atmospherics somewhere between Ulla x Malibu x Headz-era Mo Wax.

‘Earth FF’ yields a delicate bouquet of synaesthetic ambience designed to sooth yr frayed nerves. The album transposes a flickering vibe to inner sanctums, painting an organically detailed vista that hinges around late ‘90s/early ‘00s illbient/trip hop atmospherics referencing classic Mo Wax / Headz, and melting out into a sanguine bbblisss enhanced by a patina of field recordings.

Distinguished by a tender grasp of tongue-tip thizz and lysergic nuance, the 10 tracks fan out in pruned designs between pads and whispered vox reminding us of Kenji Kawai or Nozomu Matsumoto on ‘Evil Day’, via the silvery contrails of ‘Beacon’, the eyrie illbient of ‘Root Loop’, to purest writhing-in-the-floatation tank kiss-off on ’Sunn’ replete with Asmr gynoid vocals on a Perila x Ulla x Malibu tip.

With no sharp edges to snag your tumescent skin, it’s all low-lit neon, palm trees gently swaying in the breeze, eyes-rolling in the early-hours, blissed sorta gear.

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Eros

A Southern Code

Figures Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Einstürzende Neubauten producer Boris Wilsdorf, Karl O’Connor aka Regis and MY DISCO’s Liam Andrews assemble as Eros, bottling no-wave/industrial lightning with a tight set of pulverized, widescreen torched-songs that rasp, grate and throb somewhere between This Heat, The Cure, Cabaret Voltaire, Alva Noto x Pan Sonic. An industrial fantasy of flesh and steel, ‘A Southern Code’ is the stunning continuation of the trio’s work at Wilsdorf’s pivotal Anderesbaustelle studio on Regis’ watershed album, ‘Hidden In This Is The Light That You Miss’. Rejoined by another key muse, Anni Hogan, and Einstürzende Neubauten’s Jochen Arbeit, they effectively galvanised a new band, Eros, during long days and nights in the studio across 2020 and into 2021. The sound they make is fiercely lean, shaped by Wilsdorf’s manacled mixing and anchored in the frankly sexy as f#ck swerve of Regis vocals and his snake- hipped rhythm section. The first songs issued from those sessions form a lustrous new high point of contemporary industrial and dance music, one porous to Kurdish dabke as much as archetypal goth, pulsing with a metallic bloodlust and spatialized by Wilsdorf’s genre-forming tekkerz in a way that seriously rewards with proper amplification. Judged on its immediate merits, it’s the sort of record that could have feasibly come out at any point between the ‘80s and now, but closer inspection reveals a discreet framework of sculpted subbass and sleekly rolling traction that betrays the modernity of minimalist D&B physics and up-to-the-second sound design that places ‘A Southern Code’ in a timeless echelon. Registering the venomous drums and over-the-shoulder whispers of its title track, plus the incendiary middle eastern horns of ‘The Crawling Man’ - a real parallel dimension take on The Cure’s ‘The Top’ - to the post-apocalyptic lounge lizard styles of ‘In This Place’, and the unheimlich creep to ‘Nature Unborn (From Sun to Sun)’, the band’s first album plants a vital stake in the ground for industrial musick at the crest of a new decade.

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Laila Sakini & Lucy Van

LP | 2022 | UK | Original (Boomkat Editions)