Downbeat | Electronica | Leftfield 2234 Items

Release: EU – Reissue

Genre: Electronic & Dance

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2LP | US | Reissue (ORG Music)

Head Automatica

Popaganda

70,99 €*

Release: US – Reissue

Genre: Electronic & Dance

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LP | EU | Original (År Og Dag)

Anden Enhed

Første Halvår

18,99 €*

Release: EU – Original

Genre: Electronic & Dance

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LP | EU | Original (Kommun2)

Good Morning

Sister Rain

Release: EU – Original

Genre: Electronic & Dance

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LP | EU | Original (Kommun2)

Polyfeen

Silhouetter

Release: EU – Original

Genre: Electronic & Dance

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2LP | WW (Glossy Mistakes)

Sofa Elsewhere

Fake Yourself

43,99 €*

Release: WW

Genre: Electronic & Dance

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Andrew Cs

Caught In Pointers

Release: US – Original

Genre: Electronic & Dance

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Altered Scenes And Slight Variations

N Kramer

Release: US – Original

Genre: Electronic & Dance

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Music For Saxofone & Bass Guitar

Sam Gendel & Sam Wilkes

Release: US – Original

Genre: Electronic & Dance

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Xyla

Ways

Release: US – Original

Genre: Electronic & Dance

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Intergalactic Warp Terminal 222

Lionmilk

Release: US – Original

Genre: Electronic & Dance

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Lionmilk & Club Diego

In Float

Release: US – Original

Genre: Electronic & Dance

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M.A. Tiesenga

Heavy Earth

Release: US – Original

Genre: Electronic & Dance

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Matt Baldwin & Tp Dutchkiss

Show Invisibles

Release: US – Original

Genre: Electronic & Dance

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William Tyler / Luke Schneider

Understand

Release: US – Original

Genre: Electronic & Dance

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AshTreJinkins

Its Trash Now

Release: US – Original

Genre: Electronic & Dance

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Brin & Dustin Wong

Texture Ii

21,99 €*

Release: US – Original

Genre: Electronic & Dance

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Galdre Visions

19,99 €*

Release: US – Original

Genre: Electronic & Dance

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A Host For All Kinds Of Life

Green-House

Release: US – Original

Genre: Electronic & Dance

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Jahsh Banks

Dude<3

Release: US – Original

Genre: Electronic & Dance

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Qoa

Sauco

Release: US – Original

Genre: Electronic & Dance

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Qoa

Sauco

21,99 €*

Release: US – Original

Genre: Electronic & Dance

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Surya Botofasina, Nate Mercereau, Carlos Niño

Subtle Movements

Release: US – Original

Genre: Electronic & Dance

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Swan's Chamber

18,99 €*

Release: US – Original

Genre: Electronic & Dance

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Yuk

Anak

18,99 €*

Release: US – Original

Genre: Electronic & Dance

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Zeroh

Sumlyte

Release: US – Original

Genre: Electronic & Dance

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Ash Ra Tempel Remastered By Manuel Göttsching

CD | 1971 | EU | Reissue (MG.Art)

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Schwingungen (Remastered By Manuel Göttsching)

CD | 1972 | EU | Reissue (MG.Art)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Starring Rosi(Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.

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Join Inn (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

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Seven Up (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

2LP | 1974 | EU | Reissue (Week-End)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Fred Frith

Guitar Solos / Fifty

42,99 €*

7" | 1974 | US | Reissue (Motown)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.

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Al Green

Take Me To The River

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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To Anyone Who's Ever Laughed...

Randy Rice

2LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

48,99 €*

LP | 1974 | US | Reissue (Fat Possum)

Release: 1974 / Reissue

Genre: Electronic & Dance

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I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.

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Ann Peebles

I Can't Stand The Rain

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1974 | US | Reissue (Superior Viaduct)

La Monte Young

Dream House 78'17"

29,99 €*

LP | 1975 | EU | Reissue (Holy Basil)

Release: 1974 / US – Reissue

Genre: Electronic & Dance, Classical Music

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Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela's voices against a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. This work is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young's group The Theatre of Eternal Music). The piece evolves with the oscillator changing pitch and dictating an ornate pattern over the course of the performance.

Side two is an example of one of the sets of frequencies sustained in the Dream House, the composite sound environments conceived by Young and Zazeela. The composer suggests listening while seated – to experience how the sound interacts with the room and other perceptions of its arrangement – as well as while walking. As Young states, "The frequency ratios are monitored continuously as lissajous patterns on the oscilloscopes and, in spite of the great stability of the oscillators, the phase relationships of the sine waves gradually drift which causes their amplitudes to add and subtract algebraically. Not only does the sound become a bit louder and softer, but at very loud levels, one actually begins to have a sensation that parts of the body are somehow locked in sync with the sine waves and slowly drifting with them in space and time."

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Mario Molino

Antico E Moderno

LP | 1975 | EU | Original (Universal)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Following our reissue of Silvano Chimenti's classic "Disco Music", we're happy to delve back into the Usignolo catalog with the reissue of C 364, one of the most iconic releases of the series, the incredible "Antico E Moderno" by Mario Molino. Bringing some of the most eccentric, chaotic and spaced out vibes you could hear in the mid 70's, Molino's mind bending arrangements are timeless classics, still standing the test of time and showing how he was way ahead of his time. Literally translating to "Ancient and Modern", showcases Molino's unique blend of traditional and contemporary musical styles, creating a captivating auditory experience for listeners.

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Tangerine Dream

Rubycon

Release: 1975 / EU – Original

Genre: Electronic & Dance

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Action Speaks Louder Than Words

Chocolate Milk

LP | 1975 | EU | Reissue (Music On Vinyl)

48,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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LP | 1975 | EU | Reissue (Music On Vinyl)

Modulations

It's Rough Out Here

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Chocolate Milk Colored Vinyl Edition

Chocolate Milk

LP | 1976 | EU | Reissue (Music On Vinyl)

31,99 €*

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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A Real Mother For Ya White Vinyl Edition

Johnny Guitar Watson

LP | 1977 | EU | Reissue (Music On Vinyl)

LP | 1978 | EU | Reissue (Tokuma)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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180 GRAM AUDIOPHILE VINYL
FEATURES THE INTERNATIONAL ORIGINAL HIT VERSION OF “A REAL MOTHER FOR YA”,
“NOTHING LEFT TO BE DESIRED”, AND “TARZAN” A.O.

INCLUDES THE BONUS TRACK “A REAL MOTHER FOR YA (BEN LIEBRAND OLDSKOOL MIX)”,
NOT AVAILABLE ON THE ORIGINAL ALBUM

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON WHITE COLOURED VINYL

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Akio Niitsu

I/O(I･O)

LP | 1978 | JP | Reissue (Warner Music Japan)

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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(Japanese pressing, Official reissue) Brilliant synth prog weirdness from the late 1970s Tokyo. Recorded by the guitarist Akio Niitsu who was compared, not without reason, to Manuel Göttsching. Niitsu has a fairly small discography of only three full-length albums, but his second one - “Pet Step” - was on Tomita’s label and supposedly with the involvement of Haruomi Hosono (this is according to Chee Shimizu who lists it in his “Obscure Music”).

Akio Niitsu's first album, "i/o(i･o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. 's first analog re-release has been decided.As a guitar multi-recording album, the idea was realized six years earlier than the album "e2-e4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", but it was too early. A hidden experimental/ambient gem!The paradoxical sound that makes you feel as if you are lost deep in a labyrinthine forest, combined with Tadanori Yokoo's artwork, is a piece that allows you to enjoy Akio Niitsu's worldview with your ears and eyes.

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Osamu Shoji

Jataka

34,19 €* 35,99 € -5%

Dream In The Street Pink Vinyl Edition

Release: 1978 / JP – Reissue

Genre: Electronic & Dance

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"jataka" is an ambient to experimental synthesizer masterpiece album released in 1978 by Osamu Shoji, known as a composer, arranger, and synthesizer player. Contains a total of 8 songs, including "pyramid Ion" where cosmic synth shines. I think many people have been looking for this title, as the used market price has soared and there are many WANTs from overseas!

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Noriyo Ikeda

LP | 1979 | US | Reissue (Tokuma)

69,99 €*

LP | 1979 | EU | Reissue (Libreville)

Release: 1979 / US – Reissue

Genre: Electronic & Dance

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This album, released quietly in 1979, is Noriyo Ikeda’s first and only album. The title track, “Dream in the Streets,” was written and arranged by Tatsuro Yamashita; he also plays guitar and sings on the chorus. A great CITY POP record with a strong following!

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Albert Alan Owen

Keyboards & Strings

21,74 €* 28,99 € -25%

LP | 1980 | EU | Reissue (Editions Mego)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.

In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition. These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside. In 1979, 29-year-old Albert Alan Owen released “Keyboards & Strings”, a light magical chamber music masterpiece. Transcending the formal conventions of its era, “Keyboard & Strings” is an acoustic and electric piano piece, where the violin is met by synths and electronics.

As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light. Quiet, profound, and immersive, “Keyboard & Strings” stands out as an electronic-age tone poem, a rare gem that transcends time and place.

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Dome

LP | 1980 | EU | Reissue (Editions Mego)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of »using the studio as a compositional tool« and recorded and released three Dome albums on their own label in the space of 12 months: »Dome« (July 1980), »Dome 2« (October 1980) and »Dome 3« (October 1981). A final fourth album, »Will You Speak this World: Dome 3« was released on the Norwegian Uniton label in May 1983.

These albums represent some of the most beautifuly stark and above all timeless exercises in studio experimentation from early 1980s alternative music scene.

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Dome

LP | 1980 | EU | Reissue (La Scie Doree)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Mark Glynne & Bart Zwier

Home Comfort

23,39 €* 25,99 € -10%

LP | 1980 | US | Reissue (Mesh-Key)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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First time reissue by Mark Glynne and Bart Zwier, originally self-released in 1980.

Maybe a bit of an unexpected title to appear in the LSD catalog but my love for this album goes back to my late teenage years and has had an addictive effect since, like a spleen infused magnet. With this album Glynne and Zwier (†), based in the Netherlands and connected to the Ultra scene, drew an insular blend of intimate post-punk and chamber (bedroom) songs with surreal scenic reflections.

Probably its naked singularity defying categorization has left it so unnoticed, even 43 years after the making. It also features a reciting Marlène Dumas still quite unknown at the time. With biggest gratitude to Mark Glynne who instantly felt confident with my proposal to reissue this silent witness of lasting beauty. My long-time Japanese friend You Ishihara (White Heaven, The Stars) who bought the LP when it came out in 1980 still considers it as one of his all-time favourites. This is what he writes about ‘Home Comfort’: “Resignation and fear in a desolate mental landscape. This album, which exists like a shelter for those who have quietly escaped through the backdoor of the world, vividly reflects the inner depths of the devastated Amsterdam of the early 80's. A beautiful and sad, unmistakable masterpiece.”

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R.N.A. Organism

R.N.A.O Meets P.O.P.O

34,99 €*

LP | 1981 | US | Reissue (1972)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.

Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.

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Second Layer

World Of Rubber

22,99 €*

LP | 1981 | EU | Reissue (Editions Mego)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Following the release of Courts Or Wars, combining their early material, 1972 reissues their only full length album, »World Of Rubber«.

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Dome

22,79 €* 23,99 € -5%

LP | 1981 | EU | Reissue (Holidays)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Henry Krutzen

Silances

17,84 €* 20,99 € -15%

LP | 1981 | WW | Reissue (Infinite Fog)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Edition of 500 copies, screen printed cover. Includes two inserts: a replica of the original insert and the english translation.

Henry Krutzen is a relatively shadowy figure in the history of experimental sound. Between the early 80s and the 2010s, there are only a handful of albums that bear his name, and very little information about them. A multi-instrumentalist and composer who studied percussion, saxophone, and harmony in various schools and jazz clinics across Belgium, over the years he played in a diverse range of musical projects across the idioms of jazz, new wave, heavy metal, experimental, chanson française, world music and progressive rock, before relocating to Brazil during the early 2000s.

“Silances”, originally released by Igloo Records - the Belgian imprint founded in 1978 by Daniel Sotiaux - sitting alongside astounding and remarkably unique albums by Leo Küpper, Jacques Bekaert, Henri Chopin, Arthur Pétronio, André Stordeur, and numerous others, is an entirely singular gesture at the borders of sound poetry, musique concrète, and radical electroacoustic practice that draws upon disparate elements of drone, jazz, minimalism, ecstatic tribalism, and various traditions of music from across the globe. Decades on from its original release it remains as striking, unique, and compelling as it did upon its release.

In a note that Krutzen penned in 2022 when he was contacted for the reissue of “Silances”, Krutzen recalls: “Since I was 16, I had been experimenting with concrete music with a technician friend and we used all a teenager’s room could offer to make sounds into music: faucets, glasses of water, metal springs on ladders, objects of any kind… I had hours of recordings I pitched to Daniel [Sotiaux], to see if he was interested in making an album. I also had other ideas I wanted to be able to develop. What a joy when he accepted to work on the project! So I got to work. First, I set up a vocal improvisation quartet, and we spent long afternoons rehearsing using input I provided… We went into the studio and recorded almost two hours of improvisation, from which I then chose the best moments for the final product”.

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Peter Davison

Glide

31,99 €*

Release: 1981 / WW – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Dead Mind)

Enno Velthuys

Ontmoeting

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Ontmoeting (Encounter) from 1982 marks the beginning of the published audio works of Enno Velthuys. When Rob Smit of Kubus Kassettes first visited Enno to discuss the possibilities of releasing a cassette, he was open to the idea and gave Smit access to his tape archive of recorded tracks to cherry pick his favorite pieces. Initially Enno felt the selection didn’t do justice to his broader musical spectrum, that also included more rhythm orientated guitar pieces, but in hindsight it probably gave him a new sense of direction. On this album, a mixture of spacious ambient and synth-leaden music, we hear Enno in transition. Experimenting, searching for his own voice. Some pieces are reminiscent of a classic dungeon explorer game while others have a more surreal, cinematic feel. Although 40 years old, Ontmoeting still sounds incredibly fresh today and stands as a pivotal ambient release from the early 80’s. 400 copies on black vinyl. Comes with a download card.

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Laura Branigan

Branigan

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Descending Moonsine Dervishes

Terry Riley

LP | 1982 | US | Reissue (Beacon Sound)

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Accurately described by Thurston Moore as "great for meditating to the cosmos," Terry Riley's classic Descending Moonshine Dervishes is available again in a limited edition repress manufactured by Optimal in Germany. Originally recorded live in Berlin in 1975 and released by Kuckuck in 1982, Beacon Sound reissued the album in 2016 to widespread acclaim. Using just intonation and a modified organ, Riley conjures forth a rich and layered sound that challenges the Western ear, reflecting his associations with Indian classical singer Pandit Pran Nath and La Monte Young , whose Well Tuned Piano was well underway. Descending Moonshine Dervishes is a virtuosic and kaleidoscopic performance, standing as one of the finest works of a revolutionary composer and musician at the height of his powers. Recorded in concert November 29, 1975 at Metamusik Festival in Berlin.

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Don Blackman

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Tonspuren 40th Anniversary Edition

Moebius

LP | 1983 | EU | Reissue (Bureau B)

29,99 €*

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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7" | 1983 | EU | Reissue (Staalplaat)

Muslimgauze

Hammer & Sickle

16,19 €* 17,99 € -10%

12" | 1983 | DE | Reissue (ZYX Music)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1983 on Hessian.

Bryn Jones’ work was justly known for its excess—of tracks created, of rhetoric, of volume levels, of repetition, of length—and the sometimes indiscriminate way he produced material as Muslimgauze carried over into his approach to the part of the business that involved getting people to actually hear his music. Known for the deluge of DATs he’d share with the labels he worked with, Jones also didn’t necessarily restrict himself to just one outlet.

Very early in his career, in the same year the first two Muslimgauze LPs came out (1983), Jones released an obscure 7” single with completely blank black sleeve art on a label called Hessian. »Hammer & Sickle« is to date the only release on Hessian (which may have just been Jones himself?). Those two LPs, Kabul and Opaques, are fascinating in the context of the full swath of Jones’ work. They’re much spacier, more drifting, and notably less interested in using the kind of Middle Eastern percussion and other instrumentation that’s such a distinct element on many Muslimgauze releases. »Hammer & Sickle« operates in a similar territory, but if anything a little further out from the main body of Jones’ work.

The side-long title track and the three b-sides here are all cut from the same cloth, spacious productions that mainly play rounded synth percussion against echoing, ›bag of wire‹-style dub hits. After the lengthy examination of »Hammer & Sickle« itself, the other three cuts experiment with altering pitch, duration, tempo, and other elements as if testing the ways Jones could vary the effects of the title track without ever ditching its component parts. His sound was already quickly evolving (even the next year’s Buddhist on Fire is closer to what fans likely picture when they think of the »Muslimgauze sound«), leaving »Hammer & Sickle« an intriguing and valuable portrait of one of Jones’ early side investigations.

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J.D. Jaber

Don't Stop Lovin'

Release: 1983 / DE – Reissue

Genre: Electronic & Dance

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LP | 1983 | EU | Reissue (Wewantsounds)

Ryuichi Sakamoto

Coda

12" | 1984 | DE | Reissue (ZYX Music)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Wewantsounds is delighted to announce the release of Ryuichi Sakamoto"s classic LP "Coda", issued in Japan in 1983 as a solo piano version of the "Merry Christmas Mr. Lawrence" soundtrack. The album, which was never been released outside of Japan until now, sees Sakamoto on acoustic piano reinterpreting fascinating versions of his famous soundtrack including the classic theme and "Germination," which was later used in the "Call Me By Your Name" soundtrack. This reissue has been remastered by Seigen Ono"s Saidera Mastering studio in Tokyo and boasts the original artwork plus a 4-page insert with new liner notes by Andy Beta.

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Scotch

Disco Band

Release: 1984 / DE – Reissue

Genre: Electronic & Dance

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Vision Songs Marbled Orange Vinyl Edition

Laraaji

LP | 1984 | US | Reissue (Numero Group)

27,99 €*

Soft Selection 84: A Nippon Diy Wave Compilation

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Vision Songs Vol. 1 (1984) is the LARAAJI album like noother, located at the intersection of new age and gospel. It isboth his outlier and magnum opus, the feel-good DIY tapeof the century.Discovered busking in Washington Square Park by Brian Eno inthe late 70s, engagement with the eternal flow has led Laraajito, seemingly by magic, emerge as the most beloved avatar of theunstoppable new age music revival of recent years.Now Vision Songs rewrites Laraaji's musical history. Unlikethe many instrumental, free form albums upon which hisreputation was built, this is an album of songs, with lyrics,verses, choruses. Vision Songs is literally a revelation-- of a master songwriter whose unbelievably catchy bestcompositions such as "We Shall Be Lifted", "All Of ASudden", and "Is This Clear?" belong in any great Americansongbook.Casio synth jams recorded at spiritual retreat guest roomsand a tiny bedroom on the Upper West Side, lysergicallyspectacular anthems for a continually arriving new moment,"channeled," as Laraaji states in the album's eloquent linernotes, "from the sky," previously available in an edition of100 cassettes sold at yoga retreats and on the streets of NewYork City, Vision Songs is humbly offered on vinyl, CD, andstreaming for the very first time.This is where this is going on, this is where this is takingplace, this is how this is going on. Is this very clear?

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V.A.

LP | 1984 | EU | Reissue (Glossy Mistakes)

12" | 1984 | DE | Reissue (ZYX Music)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.

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Jaco

Spanish Run

14,44 €* 16,99 € -15%

Release: 1984 / DE – Reissue

Genre: Electronic & Dance

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Nothing Is True; Everything Is Permitted

Carlos Peron

LP | 1984 | EU | Reissue (Mecanica)

Dogs Blood Rising Picture Disc Edition

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of this seminal work by the multi-talented musician and producer Carlos Perón. After the release of “Impersonator” and the score of the film “Die Schwarze Spinne”, “Nothing Is True; Everything Is Permitted” is his third album released in the beginning of 1984. While still being an active member of Yello, it was around the start of the recording of “You Gotta Say Yes To Another Excess” that Carlos met the American musician Chris Lunch in Hamburg. He invited Chris to Zurich and together played with projects such as Romantic Rubber, Heavymetallen and recorded some sessions that become the basis of “Nothing Is True; Everything Is Permitted”. After the release of “You Gotta Say Yes To Another Excess”, Carlos decided to leave Yello and focused to finish the recording and mixing of his new solo album.

“Nothing Is True; Everything Is Permitted” has gone down in music history as a dark soundtrack without a film, influenced many artists and helped to develop diverse genders of electronic experimental and dance music.

Limited edition of 300 copies including all original tracks and new artwork.

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Current 93

LP | 1984 | US | Reissue (Cashens Gap)

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Nature Unveiled Picture Disc Edition

Current 93

LP | 1984 | US | Reissue (Cashens Gap)

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Musica Esporadica 2024 Repress

Musica Esporadica

LP | 1985 | EU | Reissue (Music From Memory)

CD | 1986 | US | Reissue (Temporal Drift)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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“The idea of getting together Orquesta De Las Nubes with Glen Velez, Layne Redmond and Miguel Herrero in a recording studio arose when Glen and Layne visited Spain to hold a seminar on frame drums techniques. We had met Glen some years before during an event that took place in the amazing “Aula de Música de la Universidad Complutense de Madrid”. Glen came to Madrid playing with Charlie Morrow as part of an event about Fluxus with Alison Knowles and Philip Corner. On that time Glen played in Steve Reich Ensemble and our mutual love for repetitive music and ethnic music allowed us to build a very good friendship. When Glen visited Madrid we always get together in our rehearsal space and we played, talked and drink for hours. In 1985, during one of those sessions, Miguel Herrero joined us. On that time Miguel and meI used to play together in a club each week, where we made a bizarre fusion between pop and repetitive music. The sessions sounded so good, our ideas flowed so easily that after one session, I called Track Studios to ask if they have free rooms to make a recording during next days and as they told yes, I booked it immediately. The recording was made with an incredible fluency and about 12 hours after, we had recorded Música Esporádica. Fluency, spontaneity, close friendship was the fuel that fed us. After 34 years everything remains the same. Some of them are not with us any more but Música Esporádica keeps the unselfish spirit that encourages to share without objectives. Música Esporádica never step on stage and the 6 never met again altogether.” - Suso Saiz

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Hiroshi Yoshimura

Soundscape 1: Surround

17,99 €*

Soundscape 1: Surround Blue Vinyl Edition

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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* First-ever official reissue of the pioneering 1986 ambient work * Produced in full cooperation with Hiroshi Yoshimura’s estate * New liner notes by original album producer Hiroyoshi Shiokawa * Includes Yoshimura’s original notes in Japanese & English * Remastering and lacquer cutting by John Baldwin * Vinyl pressed at Gotta Groove Records "If Surround can be listened to as music that’s asclose to air itself, allowing us to enter each listener’s sound scenery, or assomething that exists within a new perspective, expanding the middle groundbetween sound and music, and transforming it into a comfortable space, it wouldbe much appreciated.— Hiroshi YoshimuraTemporal Drift proudly presents the long-awaited, first-everreissue of Surround, Hiroshi Yoshimura’s sought-after ambient classic. Originally released as an album in January 1986, Surroundwas recorded by Yoshimura as a commission from home builder Misawa Homes,intended to function as an “amenity” designed to enhance the company’s newlybuilt living spaces. A pioneer in the field of environmental music, Yoshimura’sprevious works included Music For Nine Post Cards (1982), originally producedto be played back inside a museum space, and designing sound environments forpublic spaces and subway systems. Surround was recorded almost concurrentlywith the acclaimed and popular Green (1986); the two albums are described byHiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang. In his original notes for the album, Yoshimura recommendsthat Surround be placed in the same family of sounds “as the vibration offootsteps, the hum of an air conditioner, or the clanging of a spoon inside acoffee cup.” And, as he suggests, “with the addition of city noise from outsidethe window,” you may hear Surround in a completely new way."

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Hiroshi Yoshimura

LP | 1986 | US | Reissue (Temporal Drift)

51,99 €*

12" | 1986 | EU | Reissue (Forest Jams)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Osamu Kitajima

Beyond The Circle

26,99 €*

LP | 1986 | JP | Reissue (Universal Music Japan)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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An official re-issue of the 1996 album, Beyond the Circle, from Dr. Osamu Kitajima presented by Forest Jams on vinyl for the first time.

As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.

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Yukako Hayase

So Utsu

34,99 €*

12" | 1986 | DE | Reissue (ZYX Music)

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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Laserdance

Humanoid Invasion

Release: 1986 / DE – Reissue

Genre: Electronic & Dance

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12" | 1987 | EU | Reissue (ZYX Music)

Steve Barrow

Look Around Me

LP | 1987 | EU | Reissue (Music On Vinyl)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this italo disco rarity from 1987 with Flemming Dalum & Rey David Diaz remixes.

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Whodini

Open Sesame

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Surgeon Of The Nightsky Restores Dead Things Byteh Power Of Sound

Jon Hassell

LP | 1987 | EU | Reissue (Intuition)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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LP | 1987 | EU | Reissue (Mannequin)

Caroline K

Now Wait For Last Year

LP | 1987 | JP | Reissue (Sony Music Japan)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Mannequin Records is proud to present the official reissue of Caroline K's outstanding 1985 album, "Now Wait For Last Year."

This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record, which has accrued a fervent cult following over the past 40 years, and copies of the original pressing are today extremely rare and sought-after. The music on "Now Wait For Last Year" seems to exist firmly outside of it. Tags like industrial, minimal synth or proto-techno can't really do justice to the richly cinematic sound-world that Caroline K describes: from the sustained ambient tension of sidelong opener "The Happening World" to the future-primitive rhythms and stately piano flourishes "Animal Lattice", and the melancholic, deep-frozen synth sequences of "Cheart".

For fans of Throbbing Gristle, Chris Carter, Nocturnal Emissions and even early Detroit techno lovers should pay special attention to it.

All selections composed, arranged and played by Caroline K Recorded and produced by Caroline K

Photograph by Jake Kirkwood Original design by Nigel Ayers

The first five tracks of Now Wait For Last Year were originally released as a vinyl LP by Earthly Delights in 1987.

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Ryuichi Sakamoto

Neo Geo

42,99 €*

LP | 1988 | US | Reissue (Tommy Boy)

Release: 1987 / JP – Reissue

Genre: Electronic & Dance, Classical Music

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Ryuichi Sakamoto's first world release, released in 1987 and reissued in analog format.

This solo album, Sakamoto's seventh in total, was co-produced with Bill Laswell for worldwide release and features top musicians from different genres, including Sly Dunbar and Bootsy Collins. Based on an electronic sound, but fusing organic and ethnic musical elements such as Okinawan and Balinese traditional music, the album was recorded in Tokyo and New York, and released in more than 20 countries around the world, making it a milestone in his solo career.

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Information Society

29,99 €*

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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Critical Beatdown Colored Vinyl Edition

Ultramagnetic MC's

2LP | 1988 | EU | Reissue (Music On Vinyl)

33,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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LP | 1988 | EU | Reissue (Dizonord)

Interim

A La Petite Cuiller

Swastikas For Noddy Picture Disc Editoin

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Dizonord is very happy to bring you the reissue of this French 1988 underground self released gem, re-mastered from master tapes!
Dubby, punky, politically engaged new wave with a sense of humour, we've always been touched by the voice of Agnès (bass) and the phlegmatic Michel (machines and graphics). We could have thought the language barrier would have stopped the pleasure of this record but obviously not, as Mobutu song is already an international digger classic!
We really hope you'll enjoy this collection of tracks and collages as we do so, once upon a time...

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Current 93

LP | 1988 | US | Reissue (Cashens Gap)

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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Flames Of Love Colored Vinyl Edition

Fancy

12" | 1988 | DE | Reissue (ZYX Music)

Release: 1988 / DE – Reissue

Genre: Electronic & Dance

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LP | 1989 | EU | Reissue (Driven By The Music)

Donna Summer

Another Place And Time

38,99 €*

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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LP | 1989 | EU | Reissue (Driven By The Music)

Donna Summer

Another Place And Time

34,99 €*

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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LP | 1990 | EU | Reissue (Music On Vinyl)

Deee-Lite

World Clique

Release: 1990 / EU – Reissue

Genre: Electronic & Dance

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Orbital (The Green Album)

Orbital

2CD | 1991 | Reissue (London)

LP | 1991 | EU | Reissue (Musique Pour La Danse)

Release: 1991 / Reissue

Genre: Electronic & Dance

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Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990

1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes

BIOG / SHORT PR INFOS

Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).

The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.

33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.

Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.

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Hypnotone

12" | 1992 | EU | Reissue (Sound Migration)

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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(limited edition white vinyl, printed innersleeve) Hypnotone's iconic self titled mini album reissued! Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl.

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Sisterlove

The Hypnotist

17,99 €*

Thunder Perfect Mind Black Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Cafe Del Mar chill out classic classic from 1992. Tap into your subconscious and conquer anything with these 4 different mixes featuring the voice samples of new age hypnotist Barry Konicov, known for an outstanding proclivity towards not paying Federal Tax in the US, but also for being the founder of Potentials Unlimited, a self-help hypnotism program that became especially popular in some circles during the 80s and 90s. From beat less ambient excursions to rhythmic drum samples these mixes explore modern Balearic themes in different ways - take a trip.

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Nurse With Wound

3LP | 1992 | EU | Reissue (Infinite Fog)

94,99 €*

Digeridoo (Expanded Edition)

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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One of the most essential works from Nurse With Wound, coming in an extended luxury 3LP edition, as well as a 3LP picture disc release with many unreleased, alternative versions and songs. This album is the sister album to Current 93's same titled album and it's a crownjewel for collectors of avant-garde and experimental music.

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Aphex Twin

2x12" | 1992 | UK | Reissue (R&S)

27,99 €*

12" | 1992 | EU | Reissue (Glossy Mistakes)

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.”

‘Digeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire.

“I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.”

Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.”

‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

‘Didgeridoo’ (Expanded Edition) by Aphex Twin is available on R&S Records from 31st May 2024.

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FSOM

Melodia

16,19 €* 17,99 € -10%

Dimension Intrusion Remastered Edition

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Reissue of Future Sound of Melbourne's iconic "Melodia" EP. Originally released in 1992 as a maxi two song record, and now added two extra bonus tracks, this timeless collection of tracks, meticulously remastered by Damian Schwartz, promises to ignite dancefloors festivities with its infectious blend of techno, rave house, and breakbeat piano anthems. Bursting with retro-futuristic energy, each track transports listeners to the golden era of electronic music while retaining an undeniable contemporary allure.

Formed in 1990 by bass and drum producer Davide Carbone, bass guitarist and vocalist Josh Abrahams, and acid house DJ Steve Robbins, Future Sound of Melbourne crafted a sonic legacy that continues to resonate with audiences worldwide.

The EP kicks off with "Alien," a high-octane journey through techno's upbeat 90s soundscapes, setting the stage for an exhilarating sonic adventure. "Heaven" follows suit, delivering a euphoric rave house anthem guaranteed to lift spirits with its infectious energy. Next up is "Melodia," a breakbeat piano banger that harkens back to the glory days of underground raves, its infectious rhythms and haunting melodies captivating listeners from start to finish. Rounding out the EP is "Melodia 95," a reimagined version that offers a fresh perspective on the timeless classic, showcasing FSOM's versatility and innovative spirit.

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F.U.S.E.

2LP | 1993 | UK | Reissue (Warp)

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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12" | 1993 | EU | Reissue (Transmigration)

Skyark

When It Rains It Pours

Open Yellow Circle / O Yuki Conjugate

Release: 1993 / EU – Reissue

Genre: Electronic & Dance

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Beautiful ambient techno from multiple Grammy award winner James Sanger released via acid techno label "Triumph Records" in 1993. Clocking in at over 10 minutes it’s an elegant trip that demonstrates the production skills that would see James earn collaborations with everyone from Brian Eno to Madonna. Restored and remastered with a rolling dance floor dub from Sunju Hargun’s Eternal Injection alias on the B side.

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New Meridien

LP | 1994 | EU | Reissue (Optimo Music)

Maiden Voyage Record Store Day 2024 Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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In 1994, UK ambient pioneers O Yuki Conjugate recorded their landmark Equator album. To mark the 30th anniversary of this musical milestone, many of the same personnel – Roger Horberry (co-founder of O Yuki Conjugate), Dan Mudford (ex-Sons of Silence and co-creator of the Shaun of the Dead soundtrack), Joe Lamb (ex-Sons of Silence) and Malcolm McGeorge – came together to make New Meridian, reflecting the range of influences they’ve picked up over the intervening years.

Generously described as “almost like normal music”, the eight tracks of New Meridian feature instrumentation ranging from classic analogue to actual wooden logs. The result takes you on a rain-drenched, open-top ride from Electronica Avenue to the drone caverns of Uranus, with various Fourth World ambi-dub diversions along the way. File under: duress.

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Global Communication

12" | 1994 | EU | Reissue (Music On Vinyl)

27,54 €* 28,99 € -5%

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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76:14 Crystal Clear & Transparent Green Vinyl Edition

Global Communication

2LP | 1994 | EU | Reissue (Music On Vinyl)

38,99 €*

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Chasing Golden Planets EP

Harmon Eyes

12" | 1994 | EU | Reissue (Proxima)