Downbeat | Electronica | Leftfield 3848 Items

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Elect The Dead Opaque Gray - Etched D Side

Serj Tankian

2LP | 2024 | CZ | Original (Round Hill)

Release: 2024 / CZ – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Recital)

Asha Sheshadri

Whiplash

Dimension Intrusion Remastered Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The first LP by sound artist Asha Sheshadri. Whiplash combines elements of sound poetry, diary-like narrations, and delicate incidental music. Sheshadri has crafted a unique and marvelous album. Asha Sheshadri is a visual artist and musician, who »meditates on meaning, context, and impermanence« (Joshua Kim). Moves freely between video, writing, sound, and photography. Her forms flow together to create unpredictable observations of the overlooked, while documenting personal and political networks within our collective, imperfect memory.

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F.U.S.E.

2LP | 1993 | UK | Reissue (Warp)

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Axis)

Blake Reyes

Vernacular

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Late Music)

Sarah Davachi

Long Gradus

Release: 2023 / EU – Original

Genre: Electronic & Dance, Classical Music

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LP | 2023 | Original (Dunkelheit Production)

Nortfalke

Seefonktjuenderee

Release: 2023 / Original

Genre: Electronic & Dance

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Maxinquaye Black Remastered Edition

Tricky

LP | 1995 | EU | Reissue (Island)

2LP | 2023 | UK | Original (Pace Yourself)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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UK Import.
‘Maxinquaye’ remains one of the most groundbreaking records in British music history. Upon its released in 1995, it was met with resounding critical acclaim receiving near perfect scores from music critics across the board – Melody Maker deemed it “gripping, original, sublime”, NMEsaid the record was “… unprecedented, spellbinding and revealed something new with every listen”, Q Magazine“… Tricky proves himself to be more challenging and eclectic than his peers”, Pitchfork “An unrepeatable record so unbelievably wrong it could only be right”… even David Bowie took it upon himself to write a letter to Tricky in the August of 1995 proclaiming “I’ve loved Maxinquaye for some time”. In more recent times The New York Times and Guardian have respectively said of it “… [an] album-length masterpiece” and “Time has not dimmed the impact of this extraordinary record”.

In its year of release, NME, Melody Maker and The Wire all named it their album of the year and it was nominated for a Mercury Prize(losing out to Portishead’s ‘Dummy’). It continues to be sited for its impact on music being a mainstay of “Greatest Albums Of All Time” lists such as NME’s 2013 list of the 500 greatest albums, Uncut Magazine’s 2016 200 Greatest Albums, Q Magazine’s 100 Greatest British albums, Mojo’s 100 Modern Classics, Rolling Stone’s ‘Essential Recordings of the 90s’ to name but a few. Celebrating Maxinquaye as it approaches its 30th Anniversary (2024) the Reincarnated 1LP package is a welcome reappraisal of this seminal album containing the original album remastered at Abbey Road Studios.

The album has brand new artwork featuring the only known photograph of Tricky with his late mother, of whom this album is named after. The image was recently discovered by his cousin.

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Brutal Flowers

Tales Of The Forgotten Melodies - 20 Years Collector Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Putting a pigeon amongst the cats we are back with that good shit. An out of step, incidental artifact of peaceful sophistry: YS - Brutal Flower (2 x “12 LP). A no airs and graces piece of cool future-proof ambience. A modern ballad for brave young clubbers, local pubbers, slipstream warriors, and emotional doggers. The distinctive aesthetic hallmarks of YS are all here: slabs of urban flavor from emotional interior; raw data straight from the interface. ‘Untethered’ and ‘Down’ are chopped-up cuts of searching R’n’B - jaded jams of lustful erasure. On the flipside, blunted desire lingers in ‘Fading Memory’. Both hopeful and mourning: this is the lay of the land in Brutal Flowers sharing that rare strain of underground synesthesia best located in dark undercurrents of early Mo Wax. The orchestral ambience of ‘Autumn Ost’ is a potent stupor of end credit cinematics. Coming up for air. It feels young in an ancient sort of way: pure as first snow. And from here in the album unfolds with the patience, tranquility and the expansive poise of a work that is for now and always. Pulsating gently to assured ending with ‘Be Together’ - a flickering skyline, swarming with warm memories. In between there’s flashes of heartbreak reminiscent of Beltran's Ten Days of Blue and Blunt’s Stone Island (‘Look Up’ feels like a sort of spiritual successor to ‘Wake up’), that being said, when push comes to shove it only it ever flirts with its own reality. An aesthetic reflection of a creative process that is delicate and restless. Created in the edges, where long distances, fast cities and global melancholia are wrought large. Burning the midnight oil Berlin-Singapore style: from real to reel. A sentimental exercise of modern faith by old friends. With a nudge and a wink, Brutal Flowers is a (de)coded map of memories wavering with familiar intrigue. Patient listeners and the already initiated will be rewarded on re-visits - as playful & profound as you please, as deep as the heart. The scathe that cuts is clean and deep. There are no sleight of hands to be found in this opus, only hearts are worn on the sleeve here. A hill we’d gladly die on. Pace & luv,

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Wax Tailor

2LP+7" | 2004 | EU | Reissue (Lab'Oratoire)

LP | 2024 | BE | Original (Phantom Lure)

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-10-25

Marbled (white & black) vinyls + 7"

20 years after its release, Wax Tailor's cult album, which made him a household name the world over, is back in a marbled 2LP collector's edition with the bonus single ‘Seize the Day’ (previously unreleased on vinyl). Long unavailable due to its success, this eagerly-awaited repress offers the chance to discover once again this essential work of the trip-hop scene.

This exceptional box set includes two marbled vinyl records along with an exclusive 7-inch single of Seize The Day.

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Purzum

Filosofeline

Release: 2024 / BE – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

LP | 2024 | JP | Original (Insense Music Works)

Sunset Chillout Breeze

LP | 2024 | JP | Original (Think!)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

The LP for "Sunset Chillout Breeze," a compilation featuring a selection of relaxing and comfortable music perfect for chilling out during sunset and feeling the pleasant breeze, will be released on October 30, 2024.

Toru Hashimoto (suburbia) has been a guiding force for music listeners since the 1990s, curating over 350 compilations including "Free Soul," "Cafe Apres-midi," "Mellow Beats," "Good Mellows," "Jazz Supreme," "The Soundscape of Music," and "Incense Music" series. Celebrating 30 years as a compiler, he launched a new compilation series, "Chillout Breeze," in July 2024.

Joining him is graphic designer Jiro Fujita, known as FJD, who has created artwork for various music projects, from jazzy and mellow beats like Nujabes to works by artists like Calm, Sakura Fujiwara, and Keisuke Kuwata. His design work can be seen all over Tokyo, from architecture to hotel lobbies, and shop logos.

This new compilation series "Chillout Breeze," curated by Toru Hashimoto with artwork by Jiro Fujita and mastering by Calm, a top Japanese artist in jazz, chillout, and Balearic music, will release its second volume, "Sunset Chillout Breeze," on September 25, 2024. The vinyl LP, featuring 10 carefully selected tracks from the 17-track CD, will follow on October 30, 2024, and also showcases captivating artwork.

The compilation features a range of tracks from cool and mellow grooves, chillout Balearica, surf×bossa×folky, lovers' rock & dub, to jazzy and mellow beats, creating an ideal collection for an enjoyable lifestyle.

Included are fantastic new covers: "Quiet Moments," a mellow breeze masterpiece by Lonnie Liston Smith, newly recorded by DJ Mitsu the Beats, and "Sunset Red," a twilight breeze gem by Lucinda Sieger, reimagined by NOA NOA.

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Ken-Ichiro Isoda

Majel's Slumber

3x12" | 2021 | UK | Original (Leaf)

Release: 2024 / JP – Original

Genre: Electronic & Dance, Classical Music

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Preorder shipping from 2024-11-11

Kenichiro Isoda, known for his work on "Oscilation Circuit - Serie Reflexion 1", has selected some of his best tracks from the Apollon label's 90's masterpieces and re-recorded them with a modern approach to create a superb Japanese ambient/new age album! In addition to his own performance, he added the performance of saxophone master Masashi Oshiro, as well as his own field recordings of natural sounds. The result is a collection of four supreme compositions, each with a texture that melts gently into the ears of all who hear it. Newly remastered for vinyl by Yoshiharu Takeda.

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Murcof

The Alias Sessions

LP | 2024 | JP (Universal Music Japan)

Release: 2021 / UK – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened

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Izumi Kobayashi

Coconuts High

LP | 2024 | US | Original (Feeding Tube)

Release: 2024 / JP

Genre: Electronic & Dance

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Preorder shipping from 2024-10-11

Izumi Kobayashi, began to standout in her keyboard performances with the Masayoshi Takanaka Band and her contributions to the "Urusei Yatsura" anime soundtrack, is reissuing her funky and tropical solo debut album from 1981 on LP!

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Wednesday Knudsen

Soft Focus Volume Two

Release: 2024 / US – Original

Genre: Electronic & Dance

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Kurtis Blow

Collected

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Jansen)

Casiokids

Tid For Hjem

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-11

LP | 2024 | Original (Other People)

Patrick Higgins

Versus

Release: 2024 / Original

Genre: Electronic & Dance

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PATRICK HIGGINS is an American composer, guitarist, and producer from New York City, known for his work in experimental and contemporary classical music. Higgins plays guitar and composes in the band Zs, described by The New York Times as "one of the strongest avant-garde bands in New York." Heralded as a "formidable concert music composer" (Boston Globe) and "one of the most gifted guitarists working today" (The Quietus), Higgins has received attention for bridging traditions including baroque chamber music, contemporary noise, electronics and 20th century minimalism. His work has been performed in over 25 countries internationally, and he has composed works for some of the world's leading ensembles, ranging from chamber orchestra works, percussion cycles, and string quartets to smaller ensembles and soloists. He has scored works for television, museum exhibitions, and films both short-form and feature-length. Since 2013, he has operated Future-Past Studios, a recording studio in upstate NY.
He recently had a solo exhibition of artworks and sheet music, as well as two world premiers, at The Clark Museum in MA, USA. In 2019, he was a curator and headliner of the Le Guess Who festival in Holland. Higgins has performed and presented works at many of the world's largest festivals and venues across the past 12 years, including The Broad Museum (LA), The Warhol Museum, SF MOMA, Unsound Festival (Poland), Pioneer Works (NYC), Monom Berlin, Sony Ginza Park (Tokyo), ReWire (Holland), Cleveland MOCA, ICA Boston, Teatro Carignano (Torino IT), Sacrum Profanum (Kracow), Merriweather Post Pavillion, Donau Festival (Austria), Paula Cooper Gallery (NYC), Club Unit (Tokyo), Shakespeare Theater (Gdansk), The Netherlands Philharmonic Orchestra and many more.

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Ladies Of The 80s Collected

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Powders Black Vinyl Edition

Eartheater

LP | 2024 | US | Original (Mad Decent / Chemical X)

Engaged Touches (Expanded And Remastered)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Shapeshifting between electronic experimentation and acoustic texture, Eartheater has long delved into themes of erosion and lithification, along with the infinite possibilities of metamorphosis. On her new album Powders, alchemical forces connect ideas from every stage of her career just as they dissolve her practice into atomized particles ripe for reconstitution. The results find Eartheater at a fertile crossroads, honing her pop songwriting and lyrics to their most vivid state to date—all without losing the thread of experimentation that has always enlivened her work.

Powders took its initial shape and vision within the hallowed walls of Sunset Sound in Hollywood. Showcasing production that shifts on a dime between mutated dance music, unadorned folk balladry, trip-hop, and torch song pop songcraft, if her compositions seem to inhabit a shell of one style for the span of a verse or so, tendrils of another soon slide into view. Powders draws varied energies from Eartheater’s own omnivorous tastes as a songwriter and from her stable of co-producers and players, including Yves Rothman, Sega Bodega, Lecx Stacy, Casey MQ, Elliott Kozel, Tony Seltzer, Luis Aponte, Isaiah Barr, Sammy, and Kiri. While previous albums found Eartheater’s vocals typically warped by effects or piled thick with multi-tracked layering, Powders presents her signature transfixing multi-octave melodic runs resolutely up front in the mix, highlighting her performances with new purity and detail.

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Celer

3LP | 2024 | UK | Original (Two Acorns)

2LP | 2024 | Original (Other People)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Originally released on CD in 2009, Engaged Touches has been expanded from the original recordings for a 3LP edition, spanning 5 sides of vinyl, and a 3CD edition of the same expanded version, as well as the original single disc version. All have been remastered by Stephan Mathieu for this special limited edition.

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Hexorcismos

Mutualismx

Init Ding + _snd Colored Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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For the last seven years, sound artist, technologist, and electronic musician Moisés Horta Valenzuela (aka Hexorcismos) has been studying artificial intelligence and generative art, wondering how these new technologies might be augmented into his musical process. Born in Tijuana and currently based in Berlin, Hexorcismos has long attempted to break down the permeable borders between musical styles and expressions, using the spaces in between to reinforce his politics and worldview. And on 'MUTALISMX - becoming sonic network', he expands his vision, inviting artists from across the globe to collaborate on work that questions the biases inherent in AI models, offering a collective alternative that could serve as a blueprint for further research.

The majority of AI art at this stage works with "big data", taking ideas from the cultural canon and muddying them with our contemporary reality. But if we accept that mass culture is always politically biased, always swaying towards historical prejudices, then there must be a counter-narrative. Hexorcismos began to develop a bottom-up approach, using "small data" to interrogate his idiosyncratic approach to art; he built a tool called SEMILLA.AI based on neural audio synthesis that could not only mimic his sonic fingerprint but transform it into another. So when he offered the synth to his network of collaborators, he gave them the option of either using only their data or sharing the signatures of each other artist involved in the project, blurring their identities into a mutual voice.

The result is a compilation that unspools with the coherence and fluidity of a single-artist album or adventurous DJ mix, genreless and boundless but unified by a singular message. Hunanese-American artist Kloxii Li for example takes rugged percussion and tense, industrial ambience, smudging her soundscape into a swirling gust of ghostly dissonance. Hexorcismos himself contributes two compositions: the lengthy, hypnotic 'Acaso de veras se vive con raíz en la Tierra', an AI-powered scramble of his pointed tribal guarachero experiments; and 'Interferencias', a collaboration with Mexican club veteran Bryan Dálvez, aka El Irreal Veintiuno that drives intense dancefloor rhythms into a dense haze of frozen drones and radio static. Elsewhere, Berlin-based Lebanese artist and writer Jessika Khazrik dissolves her voice into a mesh of obscured rhythms and dissociated whirrs, blending the organic with the artificial but retaining an overpowering sense of humanity.

Some artists were drawn to the nebulous aspects of the technology, searching for truth in a soup of different sounds, while others, such as KMRU, used Hexorcismos's synthesizer the examine their output. On 'hidden options', the Kenyan sound artist fed his immense catalog into the neural net, bringing out his mannerisms and tendencies in the process. Each track is singular but myriad, prompting both mutual respect and a sonic becoming, a feedback process between the artist and the tool, the individual and the collective. Data sets are made by people, and by engaging directly with musicians, Hexorcismos suggests a new way of utilizing a technology demonized and glorified without careful examination. Each artist owns their AI model, and alongside the album Hexorcismos will release SEMILLA.AI to the public (with custom-made models to start the process), allowing anyone to access this revolutionary technology.

Even the album's artwork reflects the political message, conceptualized by Chilean duo hypereikon, who used AI processes to develop a visual reflection of the technology and its possibilities. Operating outside of academia and capitalist enterprises, MUTUALISMX proposes an alternative future - one without borders that's not beholden to the Western canon, where independent labor can be prioritized and celebrated, and where creativity can truly flourish.

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Microstoria

2LP | 2024 | US | Original (Thrill Jockey)

Leather Blvd. Black Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Few records have weathered the fast-moving, fickle trends in electronic music like those of Microstoria. The duo brings together two of the most prescient, playful minds in the German electronic underground - Jan St. Werner (Mouse on Mars) and Markus Popp (Oval). Their albums as Microstoria are considered foundational texts in ambient music while equally sounding just as cutting-edge now as on their initial release. Continually cropping up in "best of" lists from the likes of Pitchfork and Fact while finding new fans through remixes by Jim O"Rouke and Stereolab. After being long out of print and coveted by collectors, the duo"s cult classic albums init ding and _snd now receive the expanded reissue treatment as a double LP, featuring remixed sleeve artwork based on the original designs and a full remaster of each by engineer Rashad Becker. Microstoria"s creative process was as much about careful listening as composing, the duo working in a dialogue with their machines. Their first outing init ding (1995) captures the thrilling, anarchic energy of Germany"s experimental underground in the 90s, rendered in beautifully understated atmospheres. In those early studio sessions, Popp and Werner would cycle through synthesizer patches and effects settings while playing, sounds glitching and taking on new shapes with each turn to create moments of genuine surprise. Throughout the album the duo wrest paradoxically organic sounds from digital instruments, with everything from bird-like calls to aqueous washes of bass or fizzing strings that crest like rolling waves of warm analog thrum. The duo"s sophomore album _snd (1996) provided a subtle refinement of those earlier recordings, stripping back the dense layers of texture to play with space and tension, with an even greater contrast between light and dark. The album finds comfort in colder, deliberately digital soundscapes - the sound of neon lights illuminating the empty concrete of the city at night, or dial-up router glitch bathed in the warming glow of monitor screens. This is no mere wallpaper music, but living, breathing ecosystems of sound teeming with detail and tangible feeling. Nearly 30 years on from their original release, both init ding and _snd still offer thrilling new revelations with every listen. Much like the nature of their creation, these are records that reward deep listening. The expanded reissue of these two classic albums highlights their enduring influence and uncanny genius, standing essential titles from two artists still shaping the landscape of contemporary music today.

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B. Cool-Aid

2LP | 2023 | EU | Original (Lex)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Surgeon Of The Nightsky Restores Dead Things Byteh Power Of Sound

Jon Hassell

LP | 1987 | EU | Reissue (Intuition)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Farra, Maryann & Satin Soul

Never Gonna Leave You

LP | 2024 | EU | Original (Real Gone Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Because Music)

Logic1000

Mother

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Mother", Logic1000's debut album. "I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful," explains Samantha Poulter, the Berlin-based DJ and producer , who grewed up in the Sydney suburbs of Yarrawarrah and Botany Bay and better known to fans as Logic1000. "And with a lot less free time, you really make sure you make the most of any moment you get." That vitality and renewed sense of purpose is captured on Mother.Preceded by the single 'Grown On Me', the 12-track set is a laser-focused "love letter to house music", written in collaboration with her husband and long-time creative partner Thom McAlister (Cop Envy, Big Ever). Finding Poulter further fine-tuning her inventive, multi-genre approach, it's a crucial contribution not just to the world of dance but to the canon of art inspired by parenthood. As Poulter herself puts it, a little awed, "I never thought I would be capable of something so powerful."

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Hip Hop Collected The Next Chapter Green Vinyl Edition

2LP | 2023 | EU | Original (Music On Vinyl)

Meduza Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Hip Hop Collected - The Next Chapter continues to honour the pioneers of the genre, which officially celebrates its 50th birthday in 2023. Featuring ground-breaking artists and more pioneers of hip-hop including De La Soul, Cypress Hill, gangsta-rap by N.W.A, Dr. Dre ft. Snoop Dogg, party-tracks by Digital Underground, Heavy D & The Boyz, female rappers and groups Da Brat, Monie Love, Salt-N-Pepa and many more covering the broad spectrum of Hip Hop. Hip Hop Collected - The Next Chapter is available as a limited edition on light green (LP1) and white (LP2) coloured vinyl. The album includes an insert with liner notes, photos, and credits. Also available on 180 gm vinyl: Hip Hop Collected / Soul Collected / New Wave Of The 80’s Collected / Girlz ‘n Boyz Collected. T

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Meduza

LP | 2023 | EU | Original (Virgin)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Ustad Zia Mohiuddin Dagar

Vrindavan 1982

12" | 2023 | EU | Original (Black Truffle)

LP | 2023 | JP | Original (EM)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Black Truffle is thrilled to present a previously unheard performance by rudra veena master Ustad Zia Mohiuddin Dagar, recorded in the North Indian city of Vrindavan at the Druhpad Samaroh festival in 1982. Z.M. Dagar was a nineteenth-generation descendant of the Dagar family of musicians, famed for their profoundly meditative approach to the tradition of Hindustani court music. Perhaps the most revered members of the family were the brothers Mohinuddin and Aminuddin Dagar, who played a key role in reawakening interest in dhrupad in the mid-20th century. The great exponents of the tradition from whom Z.M. Dagar descended were all singers, and dhrupad is essentially vocal music. However, as Z.M. Dagar explained, the veena family of instruments plays an important role in the education and practice of dhrupad singers, especially as an aid to mastering the fine microtonal nuances of pitch essential to the genre. Introduced as a child by his father to the rudra veena, a large and low-pitched veena amplified by two enormous gourds, Z.M. Dagar became the first modern dhrupad musician to perform with it as an instrumental soloist, giving his first recital at the age of 16. Devoted to the instrument throughout his life, he made innovations to its design and materials, as well as introducing novel techniques (such as playing without the use of the traditional wire plectrum, resulting in the remarkable warmth of his tone). In the great Dagar family tradition, his approach to the various ragas that make up the dhrupad repertoire was stately, slow, and considered, with a great emphasis on the alap, the heavily improvised exposition section. True to form, in this recording of Dagar performing the night raga Yaman Kalyan, the alap section stretches out to more than forty minutes of slow-motion bliss, a frozen tanpura drone hovering above Dagar’s gracefully bent notes and elegantly twisting phrases. In the alap’s first half, Dagar’s figures are so intently focused on the lower reaches of the rudra veena’s range that they register more as shudders and moans than melodic patterns. As the performance continues, he slowly climbs in pitch, though continuing with the same intent focus on the articulation of single notes and subtle microtonal variations. This leads to the jod section of the performance, which, though still accompanied only by the tanpura, gradually takes on a more rhythmic character. Developing almost imperceptibly over the course of nearly thirty minutes, the jod moves from the stillness of the opening alap to a rapid pulse that announces the closing section of the piece, where Dagar is joined by Shrikant Mishra on the pakhawaj (a double headed hand drum). Where many performers use the final section of the raga as an exercise in unrestrained virtuosity, Dagar and Mishra subtly weave a web of finely shifting accents and hypnotic melodic variations, bringing the recording to a fitting conclusion while remaining within the meditative space occupied by the performance as a whole. Adorned with beautiful archival photographs of Dagar taken by Swedish percussion legend Bengt Berger and accompanied by detailed notes from Bradford Bailey, Vrindavan 1982 is a stunning document of music unmatched in its patient focus and mysterious emotional depth. .

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Ntski

Calla

Local Visions & Yuka Nagase

Release: 2023 / JP – Original

Genre: Electronic & Dance

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NTsKi. Nom de musique of Japan-based vocalist/songwriter/producer; pronounced n-t-s-k-i. "Calla" is her 2nd album, a unified statement of her musical vision at this point in her development, with all-new songs melding her breathy and intimate voice, singing in Japanese and English, with organic acoustic sounds and distinctive electronic colors. NTsKi possesses a charming melodic gift as well as a distinctive production style, giving "Calla" a cohesion and subtle momentum, with relaxed tempos, interesting arrangements and intriguing melodies fusing into a focused musical statement that is refreshing, charming and forward-looking, underpinned by a sense of wistfulness, nostalgia and melancholy. As with her 2021 "Orca" release, co-released on EM Records and Orange Milk, NTsKi is joined by engineer Illicit Tsuboi and British musician/producer Dan Shutt. The songs here are lovely, concise gems, warmly glowing, gently sparkling, evocative and moving. Comes with a Japanese and English lyric sheet. Cover art drawing: Ellen Thomas. *Disc is made of environmentally friendly new material "BioVinyl".

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Oacl

LP | 2023 | JP | Original (Local Visions & Kigensho)

LP | 2024 | JP | Original (Jet Set)

Release: 2023 / JP – Original

Genre: Electronic & Dance

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"oacl" is a collaborative album by "Local Visions," which questions new pop music after Vaporwave, and Yuka Nagase, who is active in both the two-dimensional (digital) and three-dimensional (physical) fields. A limited edition vinyl record (lp) will finally be released!! Nine artists with proven ability, such as Tsudio Studio, Aotq, and upusen, who are closely associated with Local Visions label, have come together to create a new album of nostalgic and contemporary pop music, which combines a pleasant floating sound with a wistful sentiment. This is a highly anticipated collaboration between these two label / artists, who continue to radiate their one-of-a-kind worldview!!

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Harikuyamaku

Denshi Kacharsee

35,19 €* 43,99 € -20%

Release: 2024 / JP – Original

Genre: Electronic & Dance

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3LP | 2024 | UK | Original (Femacosmé)

Rue Des Garderies

35,09 €* 38,99 € -10%

LP | 2015 | DE | Original (Private)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Outsider ambient soundscape by two musicians from the Paris alternative : Désiré Bonaventure & Zach. An enchanted yet psychedelic dream-like ballad recorded in one take in an ephemeral delirium; borrowing from dub, drone, IDM & techno, reflecting singular inter-worlds and inviting us to join them.

Rue des Garderies is a distillate produced by the spontaneous collaboration of Désiré Bonaventure and Zach, two musicians evolving in the Parisian alternative scenes and so named in homage to a high-place of local other-music Rue des Gardes - now bygone - where this improvisation was conceived. Used to exorcising time and space with the multidisciplinary collective †een▲ge g☺d, Zach has also been evolving for over 15 years in various frequencies - beatmaking, mastering where Désiré Bonaventure is a member of the duo Euphonic Alliances Ltd. and R.A.F. Soundsystem.

Rue des Garderies was recorded in one take, using samplers and effects, in a hail of cables, eyes closed in a delirium that accompanied the dawn, in preparation for another present. Here Désiré and Zach explore the in-between worlds (musical, but not only), immersing themselves in their cracks, their folds and their emanations, and trying to recount us.

From this material they mould a new alchemy lasting over a hundred minutes like a long journey into psychedelia, borrowing from various currents (ambient, drone, IDM, dub techno, the English electronic scene of the 1990s), rich in organic and analogue textures that superimpose, stretch, fold and expand.

The result is a grand and ethereal fresco, with shifting colours and textures, invoking astral projections and sporadic rhythms; a whole other world, populated by shapes, hues and new lives, forming a complex but enchanting sound essay.

Rue des Garderies is an ephemeral harmony, born of a fragile chaos that accompanies moments of existence; a dance without tangible movement.

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Black Devil

Disco Club

LP | 2015 | DE | Original (Tartelet)

Release: 2015 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited pressing on blue vinyl. 250 copies. Download code, insert and stickers included. Bent corner and small price tag on cover.

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Glenn Astro

Throwback

Of Nature & Electricity Cenote Green Vinyl Edition

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Test pressing. Record has a few scuffs and hairlines, close to VG+. Comes in Test-pressing inner sleeves.

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Teleplasmist

LP | 2024 | UK | Original (The state51 Conspiracy)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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“Every time you do acid it’s different from the last, but it’s still got a unique signature to it,” says Michael J York. It’s roughly analogous to the way in which the music of Teleplasmiste – his duo with Mark O Pilkington – can be experienced. Their music is lush and layered like a rainforest floor, a complex lattice of sound that moves in several directions at once. Some of those movements are under the surface, buried purposefully low in the mix “so they can surprise you when you’re under different conditions,” as Pilkington puts it. “Like psychedelics, we like to think that people can return to the music in different moods and different frames of mind, and that different things will appear in their hearing.” It fits the cosmic experimentation that the duo have explored on previous albums such as To Kiss The Earth Goodbye and Frequency is The New Ecstasy, and acts as an adjunct to York’s previous work as part of Coil, and currently alongside Steve Davis and Kavus Torabi in The Utopia Strong.

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Sash!

The Best Of

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Spinnin' 25 Years...Chapter 1

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Omniverse)

Visioneers

Def Radio

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dance Classics...Vol. 1

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | JP | Original (Big Love)

Lolina

Live In Geneva

2LP | 2024 | Original (SPV)

Release: 2021 / JP – Original

Genre: Electronic & Dance

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Only a few of these - one for the hardcore. Lolina Live, and this time in Geneva (Performed at cave12, 26.09.2018). A special document beautifully presented on a single LP in gatefold sleeve by Big Love Records, Harajuku, Tokyo.

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Klaus Schulze

101 Milky Way

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Recital)

Allan Gilbert Balon

The Magnesia Suite

2x12" | 2024 | EU | Original (Felt)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Recital publishes composer Allan Gilbert Balon’s first full-length LP. Born 1986 in Les Abymes on the island of Guadeloupe, Balon is an artist (exhibiting at MoMA PS1 in 2022) who publishes beautiful handmade books and audio on XYÄ Edition run with Uta Guan Hyë in Créteil, France where he now resides.

The Magnesia Suite harbors an unhurried, coastal tranquility that flows lucidly as an album. Though prominently a pianist, a breadth of Balon’s musical spheres are visited on this record. Disparate elements of percussion, reeds, organ, voice, and tape recordings are all cast together. Each slowly excavated, surveyed and then set away.

“Stella Maris” opens with an organ and voice procession in the vein of a Charlemagne Palestine singing piece. “Lustras” is a patchwork of various tape captures (a la Alvin Curran, Rip Hayman, or André Thomkins); piano clusters dredge into xylophone by night with cicadas swimming in radio transmissions. First hearing the track “Pleuro Delez Waltz” is what made me approach Allan about making an album for Recital. The proximity of the voices against the small percussions, all laced with Balon’s piano stylings. I’ve not really heard anything like it before. The album ends with “Ogadia,” a gentle piano march with soprano saxophone and electronics. Feels to me like a Dave Burrell-infused rag played slowly, beautifully resolving the outsider-jazz-sound-art-poetry-collages of The Magnesia Suite.

The LP includes a booklet of quiet texts and beautiful graphic scores.

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Civilistjävel!

Brödföda

LP | 2021 | UK | Original (Gondwana)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Civilistjävel! returns with »Brödföda«, the successor to 2022’s »Järnnätter« and his fourth release for Felt. The record features collaborations with Laila Sakini, Mayssa Jallad, Thommy Wahlström, Eldon, and Withdrawn.

Tomas Bodén is a revered figure of the aural murk, known primarily for his work as Civilistjävel. It’s an alias that has spawned a catalogue of self-released peculiarities, featuring music that scorns traditional form, instead opting for unfussed symphonies of ice-hued minimalism; soft murmurs that emanate from his studio in the High Coast of Sweden.

On »Brödföda«, his latest album for Fergus Jones’s Felt imprint, subtle new developments in mood prevail. Across its 75 minutes, Civilistjävel! unveils a breadth of emotions that on previous releases seemed distant. He also invites collaborators on record for the first time: Beirut-based singer Mayssa Jallad mournfully croons on »iv«, »viii« hosts Coldlight’s Eldon & Withdrawn for an abstracted session of dub-hop murk, Laila Sakini offers a hallucinogenic monologue amidst melodica, sticks & bells playing on »ix« and Thommy Wahlström floats scant acid dub stylings on »vi«. These additions and developments bring a forlorn intimacy to the music, and suggest an ambition that few artists of his ilk strive for.

Felt’s (un)reliable cast of audio ghouls routinely summon the odd, with Civilistjävel! often its primary culprit; »Brödföda« gently modifies this path to pursue some of his and the label’s most quaintly beautiful music yet.

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Portico Quartet

Terrain

Release: 2021 / UK – Original

Genre: Organic Grooves, Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue Vinyl with a couple of light scuffs

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Too Slow to Disco NEO - The Sunset Manifesto

2LP | 2020 | DE | Original (How Do You Are?)

LP | 2020 | EU | Original (Heavenly)

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue & Yellow Translucent vinyl

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Working Men's Club

LP | 2019 | UK | Reissue (30th Century)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Neon Yellow vinyl.

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Karen O & Danger Mouse

Lux Prima

LP | 2016 | UK | Reissue (Heavenly)

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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First re-press since the initial 2019 release of critically acclaimed album featuring Yeah Yeah Yeahs' lead vocalist Karen O, and Danger Mouse, one of the most influential artist/producers of the 21st Century.

Debuting in March 2019, Lux Prima was hailed by Pitchfork as a “dreamy and poignant collaboration.” It featured the single “Woman,” which was accompanied by a memorable Spike Jonze-directed live performance on The Late Show with Stephen Colbert. The single was also nominated for the Best Rock Performance Grammy.

The new package includes the original artwork plus a 16 page booklet highlighting their interactive exhibition “An Encounter with Lux Prima”, held at Los Angeles’ Marciano Arts Foundation featuring a 360 degree soundscape of the album mixed at famed Skywalker Ranch.

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Saint Etienne

Foxbase Alpha

LP | 2024 | JP | Original (Vinyl Bug)

Release: 2016 / UK – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Marucoporoporo

Conceive The Sea

LP | 2024 | JP | Original (Toudai)

Release: 2024 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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The album's theme is "the cycle of life." It evokes the sensation of sinking deep into the ocean, yet being surrounded by gentle bubbles of kindness rising from the seabed. This grand epic of drone and ambient folk has been hailed as a masterpiece. Some magazines have even compared it to the great works of Brian Eno and Ryuichi Sakamoto. It appeals to fans of drone and ambient music, such as those by Grouper and Andrew Chalk, as well as acid and loner folk enthusiasts. This 2024 release is now set for an eagerly awaited vinyl record release. The vinyl version, like the CD and digital release, features original designs by Mugi Hashimoto, inspired by the theme of "the cycle of life." We hope listeners will discover new aspects of this work through the physical medium.

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Haruka Nakamura

Aoimori III

Release: 2024 / JP – Original

Genre: Electronic & Dance, Classical Music

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The Love It Took To Leave You

Colin Stetson

2LP | 2024 | UK | Original (Invada)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Echos From The Holy Mountain

Athos

2LP | 2024 | EU | Original (Maison Caviar)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events. After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere. Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject. A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (uk), Jay Glass Dubs (gr), Prins Emanuel & Inre Kresten Grupp (swe), Jimi Tenor (fi), Gilb’r (fr), Daniel Paleodimos (gr), Esma & Murat Ertel (tur) and Organza Ray (gr/us). A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni. The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.

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Sash!

The Best Of

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Warriors Of The Dystotheque

It's A Beautiful Thing

LP | 2024 | Original (Dsppr)

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Leiter)

Nonkeen

All Good?

LP | 2024 | JP | Original (P-Vine)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Nonkeen, the avant-garde musical collective comprising Nils Frahm, Frederic Gmeiner, and Sebastian Singwald, is gearing up for their long-awaited return with the upcoming album “All good?”. Renowned for their boundary-pushing soundscapes, Nonkeen captured global attention with their critically acclaimed 2016 albums, “The Gamble” and “Oddments of the Gamble”. The releases showcased their ability to seamlessly blend electronic, ambient, and experimental elements into a mesmerizing auditory experience. The trio has been celebrated for their intricate compositions, intense live shows and a sonic palette that defies conventional genres. “All good?” promises to build on their established legacy, offering listeners another immersive journey into the uncharted realms of musical expression.

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Yanaco

Leaving / Arriving

LP | 2021 | CA | Original (Return To Analog)

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Following his debut EP tttwoface from the Belgian label Urban Waves in 2022 and 1st full album from P-vine in 2023, Tokyo based electronic musician Yanaco has released his 2nd full album! He has defined their sound, focusing their wide range of influences into what is no doubt one of the finest ambient albums to come out of Japan in recent years.

Samples, programmed electronics, and synth pads are layered with care and precision to create an ineffable serenity that calls to mind the works of both Hiroshi Yoshimura and Aphex Twin, while still being distinctly Yanaco. The album vividly expresses the theme of life from 'Leaving' to 'Arriving' through expressive songs, and is a complete album in itself, not to mention the quality of each song.

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Men I Trust

Headroom

Two Sisters Dark Green Vinyl Edition

Release: 2021 / CA – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

yellow vinyl.

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Sarah Davachi

2LP | 2022 | EU | Original (Late Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Shabrang Grey Vinyl Edition

Sevdaliza

2LP | 2020 | EU | Original (Music On Vinyl)

LP | 1986 | JP | Reissue (Universal Music Japan)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Grey vinyl.

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Yukako Hayase

So Utsu

LP | 2024 | CH | Original (Etiquettae)

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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Dimitri Grimm

For Beauty's Source

Tape | 2024 | UK | Original (Deewee)

Release: 2024 / CH – Original

Genre: Electronic & Dance

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These musics originally came out as a series of 'musical posters' between April/August '23 and could be ordered through prints.dimgrimm.com - finally new music of DimGrimm available on vinyl. We couldn't be more psyched to be able to offer this. Jump on it, while you can, small stock available from the artist directly...

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Natasha Pirard

Dream Cycles

Brian Eno, Holger Czukay, J. Peter Schwalm

Release: 2024 / UK – Original

Genre: Electronic & Dance

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***4 x Cassette Box Set***

Speak to most musicians about their motivations, inspirations and processes and you will, generally, get variations on a similar, broadly consensual, theme. Natasha Pirard is genuinely different. Her interest in sound goes way beyond the superficial and the ephemeral. She is fascinated by how and why sound makes us feel, the political implications of sound, noise pollution and the everyday sounds embedded in our immediate environment.

Contextually, this makes a lot of sense when confronted with her debut release for Deewee, Dream Cycles. A 120-minute exploration of sounds, loops, frequencies and waves, it’s an eight- part musical cycle split into 15-minute sections across four cassettes, she believes, reflects on this notion of cyclical, rather than linear, time. The eight song cycles are repetitive. They start off basic and functional and build over time. They begin with one sound but soon you hear other sounds. From there you get taken to another point, where you hear something else and so on and so forth. The circle is never-ending.

Natasha Pirard is a musicologist and composer from Ghent. She will be releasing her album Dream Cycles on February 21st, as a limited edition four cassette box set (with download code), marking her debut on the Ghent-based label Deewee.

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Sushi. Roti. Reibekuchen

2LP | 2024 | EU | Original (Grönland)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 1980 | US | Reissue (Mesh-Key)

R.N.A. Organism

R.N.A.O Meets P.O.P.O

2LP | 2012 | EU | Reissue (Music On Vinyl)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.

Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.

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Blaqk Audio

Bright Black Heaven

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2024 | UK | Original (ESP Institute)

Bartellow

Noosphere

2LP | 2023 | UK | Original (Woe To The Septic Heart)

Release: 2024 / UK – Original

Genre: Electronic & Dance, Classical Music

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ESP Institute artist Bartellow, one third of the project Tambien and otherwise known in the Contemporary Classical sphere as Beni Brachtel, returns to the label with his second full-length release, Noosphere. While currently heading the SVS label and residency series out of Munich, Beni’s resume expands well beyond electronic music to include immersive sound installations such as The Adven- ture Of The Empty House (solo live performance across seven floors of Walter Henn’s Deckelbau building), a slew of compositions for the Bavarian State Opera (for which he doubled as conductor), and a prolific career of over twenty-five theater scores for institutions such as the Münchner Kammerspiele, Schauspiel Basel, Maxim Gorki Theater Berlin, Berliner Ensemble, Schauspiel Köln, Schaus- piel Graz and with directors Ersan Mondtag, Alexander Eisenach, Jessica Glause and Tobias Staab among others.

Noosphere is a compendium excerpting from theatrical scores WUT (Elfriede Jelinek, at Schauspielhaus Köln, directed by Ersan Mondtag, 2020), Ödipus and Antigone (Maxim Gorki Theatre Berlin, directed by Ersan Mondtag, 2017), Der Zauberberg (Thomas Mann, Schauspiel Graz, directed by Alexander Eisenach, 2017), Hass Tryptichon (Sybille Berg, Wiener Festwochen / Maxim Gorki Theatre, directed by Ersan Mondtag, 2019), Wonderland Ave. (Sibylle Berg, Schauspielhaus Köln, directed by Ersan Mondtag, 2018), Die Verdammten (after Visconti ́s film, Schauspielhaus Köln, directed by Ersan Mondtag, 2019) and Roi Ubu (Alfred Jarry, Theater Neumarkt, Zurich, directed by Alexander Eisenach, 2018).

The work traverses homages, infusing everything from Baroque to Impressionism, and while these types of references are certainly built into the canon of Theatre as a discipline, here we gather histor- ic layers in an even wider net. Under the self-referential thumb of Contemporary Classical music, this sort of "hindsight" approach has been largely avoided, however, in today’s all-access arena, the constant stream of historic causal-chained events has opened a delta where anything is possible. This defines Bartellow’s stance among his colleagues as well as his cultural position as a composer.

Beni considers beauty a fleeting objective in the arts, that expression is often expected to follow notions of Destructivism or the unfulfilled. Art will pore over wounds, collective angst, mourn- ing a loss of natural habitat or a fear of technological invasion, yet there is a bitter irreverence for the friction or salvation in beauty itself. Acknowledging this subjectivity — what one audience considers superficial pleasure may be deeply profound to another — he leans into musical instinct as if composing via divine conduit.

Noosphere conjures a array of suspense, ecstasy, melancholy, and dread, but in isolating the work from its theatrical component, Brachtel directs our focus toward formal qualities, clearing unim- peded space to conceive fresh narratives and examine dynamism and interconnectivity. In sympathy with often difficult theatre pieces, the passages can be dark and transgressive, but more importantly they remain relative to Brachtel’s circumstances at their time of creation. The title Noosphere speaks to the evolution of human thought and knowledge, opening a door to subjective points-of-view. For example, Nexus II On The Beach refers to both Roberto Musci’s Water Messages On Desert Sand as well as the film Bladerunner, invoking the image of an android enjoying the sunset, but whether or not this abstraction may be considered beautiful depends the listener’s cumulative life experience and perspective.

This is hybrid chamber music, augmented by electro-acoustic layers, juxtaposing various periods and successively processing their residual themes into a trans-generational rendering of “now.”

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Shackleton

The Scandal Of Time

Dreams Are Our World Of Experience

Release: 2023 / UK – Original

Genre: Electronic & Dance

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‘The Scandal of Time’ bookends a prolific period of experimentation for Sam Shackleton and follows a raft of
collaborations (with Wacław Zimpel, Heather Leigh and Scotch Rolex this year alone) with what amounts to
his first new solo album since 2021.
Shackleton’s been edging away from the dancefloor for about a decade now, exploring alternative tuning
systems, modern classical sounds and non-Western rhythms. ‘The Scandal of Time’ works not just as a précis
but a daring leap forward, mixing ghosted, traditional; German folk songs with heart-piercing basslines,
xenharmonic percussion and open-ended drones, on what promises to be his last solo release for a while.
Anna Gerth recites a familiar 16th Century German folk song on ‘Eine Dunkle Wolke’, singing distinctly over
lathery, lysergic electronics and skittering drums. When sub tones cut through the mix, they’re not there for
heft, but to enhance the meditative richness of the composition. It’s almost trip-hop in an oblique way, not
the kind of raked-over fluff that’s hovering into view again - but authentically psychedelic gear spiked with
cracked mirror oddness of the earliest Mo’Wax deployments.
Shackleton freezes and granulates that momentum even during the album’s most vaporous moments; ‘There is
a Seed’ and ‘The Dying Regime’ are knotty propositions, using vocals as uncanny whispers rather than hooks.
On the former, disembodied words curl around rubbery hand drums and gummy electronic stings, and on
the latter, Shackleton stretches words into choral chants, letting levitational South Asian rhythms cook slowly
with thick bass and spine tingling folk hums.
When Gerth returns on ‘Es Fiel ein Reif’, she’s transported into the world of the romantic poets, reciting a 19th
Century song-poem from German writer and folk song researcher Anton Wilhelm von Zuccalmaglio, who
claimed that the lyrics were taken from early history. Here, Shackleton and Gerth dip in and out of sinuous
surrealism with thumb piano, metallophone vortexes, ghost choirs and stirring claps. ‘Faraway Flowers’
follows, obscuring voices beneath echoed piano rolls and digitised rainfall, drawing us closer and closer to
the album’s entrancing conclusion. ‘Abend Wird Es Wieder’ is a perfectly bizarre finale, an alluring haze of
stoic vocals and fictile instrumentation that sounds cinematic without adhering to any rules.
The eerie, hauntological world Shackleton has created here is a testament to his years of work on
experimental bass music’s fringes. He’s managed to shepherd us through so many disparate musical styles
that have here been finally sutured into a single, startling vessel

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Shibalba

LP | 2023 | UK | Original (Cyclic Law)

Je Prie Pour Que La Goutte Ne Tombe Pas

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The flesh withers to the pulses of thunderous cave reverberations, while the spirit is united with the psalms of the Glorious Dead, the Ancient Entities that have conquered Death and become Life, dominant, absolute and victorious. This Work consists of a ritual deriving from the darkest corners of the Mind, the deathlike spheres of the Netherworld and the truest essence of the Afterlife, to become a homage to the Force of Life Eternal.

Guided by Her Luminous rays, it is dictated to be experienced solely in chamber-like conditions, below the waxing Moon, accompanied with Myrrh and lunarian incenses and agharbattis, to be properly roamed within its uncharted corridors. Listen, experience and conquer, setting aside the mundane aspects of realities, explore the unmapped pathways, with every preconception burnt to the altars of this Magnum Opus.

SHIBALBA's music is saturated with the mysticism of the East. It's richly detailed and multidimensional, while layered with chanting and broadly defined elements of traditional ritual and shamanic music. Apart from contemporary synths and guitar drones, the band makes use of bones and skulls as percussion instruments, Tibetan Horns, Tibetan Singing Bowls, bone & horne trumpets, Darbuka's (goblet drums) as well as ceremonial bells and gongs, to name a few. The Spirits behind the Shamanic Halls of Shibalba are V.P. Adept & Aldra-Al-Melekh

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Chi To Shizuku

LP | 2023 | UK | Original (An'archives)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Morikawa Seiichirou, vocals, bass Yamagiwa Hideki, electric & classical guitar Takahashi Ikuro, drums & percussion

je prie pour que la goutte ne tombe pas (I pray that the drop does not fall) is the first international release by Japanese trio Chi To Shizuku. While they have released five albums and a 7” in Japan, their spectral, haunted rock songs haven’t yet reached a much wider audience overseas. With this album, then, a live recording taken at Koenji High, Suginami, Tokyo on 23rd November 2021, the unique, quartz-like character of Chi To Shizuku’s music is writ large, the bleak bliss of their songs carved onto twelve-inch vinyl. Perhaps the best-known member of Chi To Shizuku, at least for audiences with an ear turned to Japanese psychedelia, is drummer Takahashi Ikuro, known for his membership of almost every group worth a damn from that scene – Fushitsusha, Nagisa Ni Te, Ché-SHIZU, Kousokuya, High Rise, Maher Shalal Hash Baz, LSD March, the list goes on. But the core of Chi To Shizuku’s music is the collaboration between vocalist, bassist and lyricist Morikawa Seiichirou, and guitarist and arranger Yamagiwa Hideki. Morikawa is a member of long-running punk/goth group Z.O.A., and has also played with YBO , Zzzoo, and as collaborator with Takeshi and Atsuo of Boris in A/N; he’s also recently been performing with Mitsuru Tabata. Yamagiwa’s history takes in stints with Katsurei and Cock C’ Nell, and he also recently guested with la scene 裸身.

All this contextual information does relatively little, though, to prepare you for the unique vibration of Chi To Shizuku’s lustrous songs. They shimmer in the same half-light, perhaps, as Shizuka and the quieter moments of LSD March, sharing a similar poise and classicism, and there’s a tenderness and wracked poetry to Morikawa’s voice that reminds of the emotional intensities both of traditional Japanese folk, and of British folk music: on “Musuu No Nemuri No Naka De Kumo Wo Tukamu”, the combination of his singing, backed with gorgeously plangent guitar, reminds of no-one so much as it does The Pentangle or Spriguns Of Tolgus. Chi To Shizuku’s love for the ballad as form gifts their music an archaic, sometimes arcane resonance, and from what you can hear on this album, it’s clear they’re in love with graceful melancholy.

But this is not a folk album, by any means; it just shivers with the same eternal spirit. There are also hints of prog rock, and you can catch some passages of scratchy, distended free rock, on the extended spirit invocation of “Nanhito Hanhito”. je prie pour que la goutte ne tombe pas is an extraordinary album, a melancholy surprise, that reminds dedicated listeners of the seemingly bottomless well of great music to be found via the Japanese underground in its many forms. Perhaps Michel Henritzi says it best, though, in his liner notes, when he writes, “Chi To Shizuku’s music reminds us that our life is a dream that lasts only a season, and that oblivion will follow.”

Recorded at Koenji High Suginami, Tokyo, 23 November 2021 Mix & Mastering: Taku Unami, photography : Noriko Akiyama Liner notes by Jon Dale Printed by Alan Sherry

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In Session: Great Rhythm & Blue Vinyl Editions Red Vinyl Edition

LP | 2023 | EU | Original (Golden Lane)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Andreas Gerth & Carl Oesterhelt

Music For Unknown Rituals

2LP | 2023 | EU | Original (Umor-Rex)

Hijokaidan / Ng / Jurajium

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After two years, Carl and Andreas present their second album, and once again, it opens up a wide associative space for us. What strikes us initially is the uncommon instrumentation: a church organ, harpsichord, glass tubes, and more. Like their first album (The Aporias of Futurism), it is mysterious and dark. But it also carries a strong touch of rebellion and adrenaline, sometimes quite pointedly. The pieces are now shorter and feature intricate yet irresistible rhythms. The impact is immediate, yet it maintains a sense of solemnity and ceremony. The Apollonian complexity of the rhythms and subtle melodic interweavings is transformed into a Dionysian, ecstatic, hypnotic, and at times tribal context. "Music for Unknown Rituals" oscillates between primitive instincts and avant-garde intrigues. The process began in Döblitz, a small village on the Saale river in Germany, inside an old church that houses an organ built in 1886 by Johann Adolph Ibach. Carl and Andreas gained access and secluded themselves there for a few days, accompanied by the organ, an instrument made of glass tubes, and a set of modular synthesizers. After recording the basic tracks in Döblitz, the work continued in Munich and Berlin. Carl played electric guitars, harpsichord, bass, metallophone, xylophone, Indian harmonium, and various percussive instruments. Andreas added layers of electronic sounds, noises, and atmospheric drones. He also created percussive structures extracted and derived from recorded material of technical and industrial noises, which contrasted with the acoustic drums played by Carl. The antithetical approach continues with the dichotomous arrangement of the instruments, often panned hard left and right in the stereo field, creating an antiphonic communication. Some parts, especially the use of the electric guitar, evoke memories of the psychedelic sixties. However, this is anything but a nostalgic album—these musical references are merely remnants, set pieces, and fragments used from a contemporary, post-modern, post-youth-cultural, and post-romantic perspective. Although Andreas and Carl continue on their chosen path of composing music with an almost literary narrative structure, this album is conceptually and formally completely different from their first effort. If “The Aporias of Futurism” was a revolutionary manifesto (in a pataphysical sense), "Music for Unknown Rituals" is more like the implementation in action; it is the practical application of the previous statement. To put it another way, if "The Aporias of Futurism” was the conceptual manifesto of a dark utopia of modernity, "Music for Unknown Rituals" is the staging of free will surrendering to the myths and catharsis of a Greek tragedy. And in response to this, the artwork features a leitmotif of histrionics with hands, the hands being the first and intuitive part of the body to express something: a ritual, a prayer, a defeat... — Andreas Gerth is one half of Driftmachine, and Carl Osterhelt is part of F.S.K and collaborates with Hans-Joachim Irmler of Faust. Both became connected through their participation in the Tied & Tickled Trio.

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Shumatsu Shorijo

LP | 2023 | JP | Original (Alchemy)

2LP | 2023 | EU | Original (Sonig)

Release: 2023 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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This is a compilation album by three bands in the Kansai underground scene in the late 70s, including Hijokaidan, which laid the foundation for noise and industrial music in Japan. Since it was released two years before the first album "Zouroku no Kibyou" (1982) , this is sometimes regarded as Hijokaidan making their debut with this compilation. Decades after the release of this album, Japanese noise music stretched out their arms to the world.

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Workshop

1987-2004

Forest Enter Exit & Mindmachine

Release: 2023 / EU – Original

Genre: Electronic & Dance

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God knows enough has been written about Workshop. Surely you haven't read it, but this group has been around since 1985, and what they did was this: musically quite limited, they made the music they wanted to hear, but in an ingenious way. Some played the instruments skillfully and others not so much. Something came out of it! One says: that's just the way I like it. The other one boasts: yes, I understood everything how you play here, sometimes you hit it, or sometimes you play so that the parents cry with joy. In fact, seven records were recorded, which, with the exception of the second LP, are still more than worth listening to today. Are they in danger of being forgotten?

Yes and no. What is worth listening to here has often been banned. One must bring it out again. Make attentive. Against the forgetting. These impetuous songs - just let them get close to you again and listen to them in a new context and forget all the smart-ass talk that was said about them. That means to put the self with all its reality entanglements in the pillory. This is of course not only pleasant. Bravo!

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Deine Lakaien

2LP | 2023 | EU | Original (Chrom)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Slow Tapes Colored Vinyl Edition

L Y N X

LP | 2023 | US | Original (Stratford Ct.)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Mademoiselle Anne Sanglante Ou Notre Nymphomanie Aureole

Masonna

LP | 2024 | JP | Original (Alchemy)

2LP | 2023 | UK | Original (Beyond The Groove)

Release: 2024 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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This is a masterpiece album released in 1993 on Alchemy Records by Masonna, a solo project of Mazo Yamazaki who is acclaimed as one of the leading artists of Japanoise along with Merzbow and Emergency Staircase. It is finally being revived on vinyl!

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Supershy

Happy Music

Release: 2023 / UK – Original

Genre: Electronic & Dance

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De Aeris In Sublunaria Influxu

Troum & Raison De'etre

2LP | 2023 | EU | Original (Cyclic Law)

LP | 1989 | EU | Reissue (Driven By The Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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First time on Vinyl, presented in Gatefold Sleeve on Double LP. Originally released in 2015 and carefully forged between 2011 and 2014, "De Aeris In Sublunaria Influxu" showcases a magically crafted alchemical wedding between these two titans of drone ambient. The 2LP features an exclusive bonus track. Troum navigates through cavernous, subterranean spaces where cyclical sounds reverberate towards impressive crescendos of icy noise, luminous drones and dramatic, guitar-driven ghostly melodies. Their truly unique soundscapes shine in a perfect symbiotic movement with the Swedish dark ambient maestro Peter Andersson. Engulfed in a hauntingly beautiful kaleidoscope of grey-ish melancholia, raison d’être comfortably walks deeply into Troum’s vast territory, delivering his very own trademark of eerie tones, ominous sacral ambience and crystal clear constructions. Airy lush enigmatic atmospheres live together with dark breathing, reverberant transformative drones. Rich and gorgeously layered. All sounds assembled and recorded by raison d'être (Peter Andersson) and Troum (Stefan Knappe, Martin Gitschel) between 2011-2014. All sounds processed, manipulated and structured by Peter Andersson 2011-2014. K-14 level mastering by Peter Andersson 2014. Artwork by Ritxi Ostáriz.

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Donna Summer

Another Place And Time

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (An'archives)

Harutaka Mochizuki

Doppelgänger Ga Boku Wo

34,19 €* 37,99 € -10%

LP | 2024 | EU | Original (An'archives)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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An’archives presents the latest album by Japanese free saxophonist and vocalist Harutaka Mochizuki, Doppelgänger ga boku wo. Since the early 2000s, Harutaka has quietly, yet steadily, released a string of solo and collaborative releases that have allowed multiple perspectives on one of the most singular voices in modern music. In collaboration, he seems to prefer the duo format, and digging through his discography, you’ll find releases where he pairs with Tomoyuki Aoki (of Up-Tight), Michel Henritzi, and Hideaki Kondo. But Harutaka’s solo performances, with their lyricism and physicality, are where the magic truly happens.

If earlier albums, like Solo Document 2004 (Bishop, 2005) and Pas (no label, 2014), were raw documentations of solo alto saxophone performances, in recent years, Harutaka’s solo albums have become more complex, more mystifying. Most significantly, they’ve become more personal; there are few musicians extant whose albums feel quite so much like diaristic interventions, and Harutaka’s music now is deeply moving in its intimacy. Developing that thread of revelation, Doppelgänger ga boku wo offers a still richer exploration of many facets of Harutaka’s artistry.

The two double-tracked alto saxophone performances here feel consummate, with Harutaka shadowing himself, exploring the possibilities of the multiple self: Doppelgänger is me, indeed. The playing here is rich with affect, but still exploratory, voiced with rigour and intent. Two short pieces for keyboard and voice (about Giacometti and Genêt, respectively) are fragile miniatures, with clusters of chords, and passing phrases, wrapping around Harutaka’s untutored but lovely singing.

The ‘karaoke’ performance that closes the album, of “Woman ‘W no higeki’ yori”, speaks to the iterative aspects of Harutaka’s music. A cover of the Hiroki Yakushimaru song, the theme to Shinichirō Sawai’s 1984 film W’s Tragedy, he’s returned to this song several times, and here, his delivery perfectly captures the spirit of what Michel Henritzi, in his typically beautiful liner notes, evocatively details as “one of those sad love songs that accompany lonely sake drinkers in smoky night bars, sharing their spleen.”

Gorgeous, human, heartrending - Doppelgänger ga boku wo is Harutaka Mochizuki in element and in spirit.

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Banetoriko

Kata No Wadachi

34,19 €* 37,99 € -10%

LP | 1978 | JP | Reissue (Warner Music Japan)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Kata No Wadachi is the latest album by Banetoriko, the solo noise project of Tamaki Ueda. Her first release both on An’archives and on vinyl, it follows several albums for the Neurec imprint – 2017’s Beside the Sluice and 2022’s Yorioto Hogiokuri – and several other cassettes and CD-Rs. With Kata No Wadachi, the Banetoriko world, inspired by the Yokai (“strange apparitions” – supernatural figures, ghosts, spirits) of Japanese folklore, is at its most resonant yet.

Recorded across 2022 and 2023, the three tracks on Kata No Wadachi have Ueda performing in a particularly elevated manner. Her sound is highly tactile and grittily sensuous, the better to capture the ritualistic repetitions, and hypnotic methodologies, core to Banetoriko. The scrape and scratch of Ueda’s self-made metal instrument, the Banetek, gives these improvisations a unique throb, even as their mood, of introverted focus and elaboration of minutiae, gestures towards broader histories of noise and abstract art. Kata No Wadachi evokes, to some degree, the urban ritual noise of the likes of The New Blockaders, Organum, or Ferial Confine; elsewhere, the abraded, rough-housing textures bring to mind the eighties tape works of Hands To and John Hudak.

Ueda embraces the dream evocation that’s possible when loops of blurred texture collide with the gnaw and groan of energised metal, while mantric, dissociated vocals, and the oppressive weight of deep breath, gather around these compositions like a ghost’s shroud. While she’s been making noise for some time, since the nineties, Banetoriko was formalised as a project in 2011, while Ueda lived in Los Angeles. Relocating to Osaka in 2021, she’s carved out an utterly unique space for herself in Japanese noise, and her music contains an absolutely elemental vibration. Framed beautifully with poetic liner notes by Aurélien Rossanino, Kata No Wadachi is an oppressive, yet quixotically blissful trip.

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Osamu Shoji

Jataka

34,19 €* 35,99 € -5%

2LP | 2023 | UK | Original (The Trilogy Tapes)

Release: 1978 / JP – Reissue

Genre: Electronic & Dance

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"jataka" is an ambient to experimental synthesizer masterpiece album released in 1978 by Osamu Shoji, known as a composer, arranger, and synthesizer player. Contains a total of 8 songs, including "pyramid Ion" where cosmic synth shines. I think many people have been looking for this title, as the used market price has soared and there are many WANTs from overseas!

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Mm/Km

Ich Sehe Vasen

34,19 €* 35,99 € -5%

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Slice Of Life Ova Blue Vinyl Edition

System Fairy

LP | 2017 | CA | Reissue (Tiger Blood Tapes)

33,99 €* 39,99 € -15%

Release: 2017 / CA – Reissue

Genre: Electronic & Dance

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2017 debut album from Manila, PH future funk producer システム Fairy previously released on cassette and long sold out until now! Enjoy this long sought after future funk fave with refreshed artwork and on wax for the first time!

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2LP | 2014 | DE | Original (Staatsakt.)

Low Fidelity

Release: 2014 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2018 | EU | Original (Tiny Bay)

Cats & Breakkies

Spectral

Release: 2018 / EU – Original

Genre: Electronic & Dance

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LP | 2015 | EU | Original (Tiny Bay)

Cats & Breakkies

Organic Electro

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Part Time Chaos Part Time Calmness Black Vinyl Edition

Kito Jempere

2xLP | 2024 | EU | Original (Kito Jempere)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-25

Acid Mothers Temple & The Melting Paraiso UFO

Trust Masked Replicants

LP | 2024 | EU | Original (Important)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-11

Japan's long running masters of psych/kosmische jamming return to Important Records for a vinyl outing featuring beloved original member Cotton Casino.

Trust Masked Replicants finds AMT in fine form, creating experimental psych-rock improvised around skeletal compositions. The group's leader, Kawabata Makoto, holds the group together while they navigate chaos infused, drone based jamming at the outer edges of human consciousness.

Side B, featuring the 20 minute track Asoko Ananda, is a classic side-long fast paced AMT burner combining sped up kosmische rhythms, filter sweeps, free-jazz piano, tabla drumming and vocal experiments. Asoko Ananda utilizes many of the group's skills, ascending to the height of their collective, mountainous ability.

Channeling prog, krautrock, modern composition and noise, Kawabata Makoto formed the Acid Mothers Temple in the early 90's. The group has gone on to release countless albums while touring the globe.

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Third Place Limited Edition

Fritz Kalkbrenner

2LP | 2024 | Original (Virgin)

Release: 2024 / Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

LP | 2024 | EU | Original (Boxberg Studios)

Schwarz & Funk

Diamonds of Lounge

The Fifth Chakra (Ambient Space Tek)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-25

Diamonds Of Lounge- by Schwarz & Funk is a musical gem and offers a collection of their most popular relaxed lounge and chillout tracks. The perfect album to dive into stylish relaxation and the Balearic lifestyle to leave the stress of everyday life behind.

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Mr. G

2LP | 2024 | EU | Original (Phoenix G)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-25

2LP | 2024 | EU | Original (Ofnot)

KMRU

Temporary Stored II