Downbeat | Electronica | Leftfield 3848 Items

LP | 1979 | EU | Reissue (Libreville)

Release: 2024 / US – Original

Genre: Electronic & Dance

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In The Red Records is proud to announce a previously unreleased new album by Brooklyn-born master of minimalism Alan Vega, Insurrection. The eleven songs here showcase the unparalleled vision and uncompromising force from one of the most influential artists of all time.

Alan Vega was born in Brooklyn in 1938. He co-founded the legendary New York City punk band Suicide with Martin Rev in 1970. Suicide’s groundbreaking 1977 debut is considered one of the most influential albums of all time. Vega considered his solo records the audio counterpoint to his visual art that reflected the world around him while simultaneously exploring universal themes. It makes his work as relevant today as it was when he created them. It was during his highly experimental period beginning in the late ’80s that he began working with Liz Lamere, who became the most crucial collaborator of his solo career until his death in 2016.

Lamere, along with Jared Artaud, resurrected these newly unearthed collection of lost recordings, which they co-produced and mixed. Lamere and Artaud spearhead the Vega Vault project, which aims to bring rare, unreleased and back catalog work spanning Alan Vega and Suicide’s career to the public for the first time.

On Insurrection, Lamere says: “Insurrection was created in the time period around 1997/98, after Mutator and prior to Vega’s 1999 release of 2007 and captures the intense energy of NYC in the ’90s rife with crime, killing, hate, fascism, racism, and moral bankruptcy. You can hear the tortured souls floating through this album. Post-Gulf War angst still enveloped Alan. He was having premonitions about a major terror attack in the US, well before 9/11. The upcoming birth of his son raised further awareness of the state of our world. All these emotions are mirrored in the sounds he magnetized. And true to Vega form, there remains hope and empowerment coursing through the tracks. In the almost three decades of going into the studio with Vega, we recorded significantly more material than the seven albums released. Vega’s intention was to experiment with sound which would become the canvas for the poetry that reflected his vision of the universe. Because the goal wasn’t to make albums, he had no timeline or constraints and would freely follow new paths uncovered along the way.”

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Albert Alan Owen

Keyboards & Strings

24,64 €* 28,99 € -15%

LP | 2024 | EU | Original (Krakenduft)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.

In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition. These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside. In 1979, 29-year-old Albert Alan Owen released “Keyboards & Strings”, a light magical chamber music masterpiece. Transcending the formal conventions of its era, “Keyboard & Strings” is an acoustic and electric piano piece, where the violin is met by synths and electronics.

As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light. Quiet, profound, and immersive, “Keyboard & Strings” stands out as an electronic-age tone poem, a rare gem that transcends time and place.

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Albinobrothers

Goliath Awakes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (WRWTFWW)

Albinos

Bamboo Night

12" | 1999 | UK | Original (Skam)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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WRWTFWW Records is hot and sweaty as it announces the release of Bamboo Night, the steamy new album from French producer, Astral Soda Records owner, and illustrator, Albinos. The 8-song ambient house/cool jazz/deep chill electronic intimate marvel is available as a limited edition LP housed in a heavy 350gsm sleeve.

Originally self-released on cassette (25 copies only!), Bamboo Night, now polished and refreshed, is fully out and about on collector’s vinyl, offering a large display of chillout options for a sexy late summer and private moments of pure unadulterated bliss.

The sun-soaked album freely spreads its wings and glides from bedroom deep house to ambient groove and every beautiful thing in between, including but not limited to cool jazz to restore the soul, long-slow-deep breath downtempo, sweet eye gazing lofi pop, and an unexpected but mandatory ode to the Honda Civic. Albinos’ second album, following Santa Barbara (2016), is a welcome detour on stress-free seashores, a heartwarming reminder that small pleasures and cozy moments mean everything. Enjoy music, cherish life.

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Alder And Elius

Parental Advisory

7,99 €*

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2023 | EU | Original (Alga Marghen)

Aldo Clementi

Collage

31,99 €*

LP | 2023 | EU | Original (Signature Dark)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Two previously unreleased collages for magnetic tape, both realized at the Studio di Fonologia Muisicale RAI in Milan. These pieces are precious testimonials to Aldo Clementi's intense and ongoing interest in electronic music in the 1960s. The electronic composition »Collage 2« from 1960 was his first experiment with electronic music. »Collage 3« dates back to 1966. It's an electronic collage on »Michelle« by The Beatles.

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Aleksi Myllykoski

St. Virus

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Artistic Image Is Always A Miracle

Alessandra Novaga

LP | 2024 | EU | Original (Die Schachtel)

LP | 2021 | US | Original (Mute)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Furthering the passionate exploration of cinema that has guided her two previous LPs the Milanese guitarist/composer, Alessandra Novaga, returns with two sides off shimmering, tense compositions – culminating as one of her most creatively ambitious and conceptually rich outings to date – freely inspired by the life and work of Andrej Tarkovsky and Johann Sebastian Bach. Over the last decade Alessandra Novaga has emerged as one of the leading figures within northern Italy’s thriving new, experimental, and improvised music scene

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Alessandro Cortini

Scuro Chiaro

21,99 €*

LP | 2019 | EU | Original (Mute)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl edition. Still in shrink but opened. Tiny corner wear. Original inner sleeve.

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Alessandro Cortini

Volume Massimo

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2019 | UK | Original (Mute)

Alessandro Cortini

Volume Massimo

24,99 €*

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2024 | EU | Original (Analogue Attic)

Alex Albrecht

Allambie

Tape | 2022 | US | Original (Constellation Tatsu)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Alex Albrecht returns to Analogue Attic Recordings for the label's inaugural release of 2024.
An immersive exploration spanning house, downtempo, and ambient genres, Albrecht guides listeners through a ephemeral sonic journey. Up there with the best on the label, this is another sonic celebration with that inspired, immaculate AAR sound.

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Alex Albrecht

Resolve

8,99 €*

Release: 2022 / US – Original

Genre: Electronic & Dance

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Beyond The Black Rainbow EP

Alex.Do

12" | 2016 | DE | Original (Dystopian)

6,99 €*

LP | 2024 | Original (Neue Meister)

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Alex Stolze

Raash Ve Ruach

Release: 2024 / Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Young Gods Run Free Clear Orange Edition

Alex Zhang Hungtai

12" | 2024 | UK | Original (Modern Love)

Young Gods Run Free Clear Orange Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Orange Transparent Vinyl.
Still shrink wrapped but opened.
Record is close to NM.

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Alex Zhang Hungtai

LP | 2024 | UK | Original (Modern Love)

22,39 €* 27,99 € -20%

Robotus Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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For 46 minutes Alex Zhang Hungtai punctures our perception of linearity, working like a conductor, encouraging percussive flurries to trip and fall over each other, sometimes tempered by contact mic feedback to help skewer the chronology. He’s assisted by three additional percussionists - Wet Hair’s Ryan Garbes and Shawn Reed, and Leonard King - while Signal Decay’s Nick Yeck-Stauffer plays trumpet, with each extra voice blurred into the middle distance, curling like pipe smoke into convulsive whorls. The piece is frankly astonishing in its grasp of the maelstrom. Initially tentative, searching, with higher register hits like moths butting lone lightbulbs in an abandoned apartment block, the distant, plangent peal of twin brass wafts between rooms to impart a distinctly floating, Oobe- like feel for space. The brass recedes while the drums’ low end thickens and roils like a gamelan tempest, blurring impressions of knackered buildings or the temple rituals of ancient epochs, with sounds wafting in from other rooms to mess with the stereo field like ghosts of worshippers doing their thing. Remarkably, it conjures a fever dream miasma of ricocheting, thunderous polymetric clatter and proprioceptive fuckry without ever losing its head. Hungtai’s canny use of contact mic feedback drone and cymbal saw gives the whole thing a sense of gauzy delirium that unites the grouches like mildewed grout and cobwebs, coarsely gelling the elements in a way that resonates with Pauline Oliveros and co’s Deep Listening band acousmagique as much as Basil Kirchin’s keeling ‘World Within World’ classic, the ghosts of Sun Ra’s ‘Nuclear War’, the possessed atmosphere of the cabin where Harley Gaber recorded ‘Wind Rises in the North’, and no doubt Harry Bertoia’s massive metallic sculptures, agitated at midnight. Humid, menacing, and wraithlike, the album’s’ sense of keening chronics belies a visionary hand at the tiller, here tightened by Rashad Becker’s mastering, which faithfully brings to light, and shadow, the depth of perception and wild but concentrated energies at play, sealing in place a truly staggering session for adventurous ears, cineastes and Lynchian acolytes alike.

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Alexander Marcus

LP | 2023 | EU | Original (Kontor)

24,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Light Sounds Dark)

Alexander Melzak

Substrates

This Thing Called Love - The Greatest Hits Of Alexander O'Neal

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The new Alexander Melzak Album has arrived. In 'Substrates', Melzak delves further into otherworldly electronic textures, revealing breath-taking soundscapes and sonic imagery. His unique sound brilliantly frames his deft and idiosyncratic compositional style. The result is boldly escapist, often surprising and vividly imaginative.

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Alexander O'Neal

LP | 1992 | Original (Epic)

Release: 1992 / Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

LP | 2023 | EU | Original (Raster)

Alexander Tillegreen

In Words

Tape | 2024 | US | Original (Important)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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»In Words« is the first solo album by the Danish musician, composer, and visual artist Alexander Tillegreen. The album represents a series of varied electronic music pieces while also carrying examples of ongoing work with psychoacoustic phenomena. Composed partly of material taken from his artistic practice as an installation artist and his ongoing interdisciplinary artistic research into psychoacoustic phenomena, Tillegreen investigates subjective sonic perception and the negotiation of language. Particularly, these investigations are done through the use of the phantom word illusion, originally discovered by music psychologist Diana Deutsch. Parts of the album were conceived when Tillegreen was the first artist ever in resident at the Max Planck Institute for Empirical Aesthetics. Triggering the brain’s tendency to interpret language-based auditory illusions as meaningful information and as words within the mind of the listener, Tillegreen’s unique sound works unfold like a kaleidoscope of phonetic mirrors which render possibilities to reflect upon the listener’s own psychological and culturally situated linguistic embeddedness. Gender-distorted voice perception, speech and language borders are all challenged and thematized throughout Tillegreen’s work. The listener’s head and bodily movement drastically affect the listening and the word interpretation. Their psychological subconsciousness, recent events, memories, and expectations as well as the listener’s motion in space all become co-creative and co- composing factors in a reactive and choreographic process of listening. The polyrhythmic seriality of spatialized syllabic structures is accompanied by elements of heavy bass drops, high-frequency tensions, undulating synth lines, and hypnotic effects. Some of the many compositional potentials of the phantom word illusions are exercised and unfolded in selected tracks throughout the album. The notion of language borders is approached from an entirely different and even more “anti-logocentric” perspective on the “eponymous” closing track »Assimilate (in Words)«, where the listener experiences the struggle and collapse of interpersonal communication through conversation. Other parts of the album represent more diverse approaches to abstract electronic music. »In Words« morphs soundscapes into glacial, spherical passages of ambient backdrops, while at other times emphasizes raw tectonic blocks of hyper-panning drones that erupt into high-velocity outlets of energetic, granular fields. Tillegreen is alternating between cyclical, minimalist, hypnotic approaches and complex, glitchy polyrhythmic melodic structures that shift and melt into evocative ambiences. The phantom words and the nature of Tillegreen’s musical visions progressively demand more of the listener’s attention and represent the artist’s ongoing artistic work and scientific research into psychoacoustics and language. While »In Words« is a highly conceptual album, the musical bandwidth is extensive.

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Alexandre Bazin

Therapy

LP | 2024 | EU | Original (Discrepant)

Release: 2024 / US – Original

Genre: Electronic & Dance

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»Therapy« is a new experimental electronic music album by Alexandre Bazin that explores musical reasearch on the edge of ambient music, with a reminder of classical music. His instrumental music revolves around sonic textures, saturations, feedback, allowing new fragments to emerge to create melodies, timbres and tone colors. The saturated sounds recall the presence of the electric guitar, encompassing orchestral materials and acoustic instruments which are the basis of this album, with the exception of the first two tracks, which are solo synthesizer pieces, the first one that opens the album is a solo by Synthi A, and the second by Buchla Music easel.

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Alexandre Centeio

Panorama

20,99 €*

12" | 2012 | RU | Original (Ketama)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of 'Panorama'. A multi-instrumentalist and sound artist based in Porto, Centeio - who is also part of Stellarays and The Murmurous Playground - delivers his second album under his own name after 2022's 'Movanta'.

Signalling a departure from the intimate synth driven beautifully soothing landscapes of 'Movanta' while still working within a realm where space and memory play a significant part of both escapism and connection, 'Panorama' opens itself up to a "surrealistic soundscape filled with real and dreamt sound", perfectly illustrated by Ruca Bourbon’s artwork. A sonic fiction conjured from a variety of sources - hand drums, disembodied voices, scraps of unknown realities, skewed loops, oneiric collages, flutes, spectral synths - that float freely between disruption and continuity but within their own internal logic. A very particular and hallucinatory one at that, mind ya. Collapsing notions of time and geography in an aural canvas totally aligned with Discrepant's ethos. 'Panorama' indeed.

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Alexey Arkhipovskiy

Doroga Domoi

12"+CD | 2015 | EU | Original (Jealous God)

Release: 2012 / RU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Blue transparent vinyl. Generic label cover. Copy n° 108 / 300

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Alexey Volkov

Jealous God 07

LP | 2014 | EU | Original (Domino)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

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Alexis Taylor

Await Barbarians

12" | 2024 | EU | Original (Creaked)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

with booklet

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Algebra

Aphantasia

2LP | 2023 | EU | Original (Matador)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Over his very active release and project history, Lausanne’s Gregory Poncet has torn at the connective tissue of genres such as electronic, minimal house and indie pop, defying categorisation. Since debuting his Algebra project in 2020, Gregory Poncet has fine-tuned a dream-like style of music, intensely personal, that straddles multiple songwriting worlds. Now, Algebra reveals his first collection of material under his new moniker and unveils another side of his musical background.
This new record marks a step into simplicity with complexity merging both contemporary and vintage references, electronic and acoustic instruments, songwriting and loopy song format into all sounds coherent. On Aphantasia songs drift at leisure, environments and voices pass by, revealing an artist unafraid to change shapes and maintain fragility and creativity. It is better considered as a series of cross-pollinations, where spontaneity and naivety navigate to an ongoing journey through the possibilities of intimate pop.

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Algiers

Shook

LP | 2023 | Original (Other People)

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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Ali Sethi & Nicolas Jaar

Intiha

Release: 2023 / Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Aird Tapes)

Alicia

Aird Tapes 1.1

13,99 €*

LP | 2023 | CA | Original (Constellation)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Alicia is a DJ, producer and musician making deeply rhythmic, off-kilter dance music inspired by a love of club culture and the avant-garde. This mixtape delves into deeper worlds of spaced out hazy trips through dubwise ambient & downtempo niceness.

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ALL HANDS_MAKE LIGHT

Darling The Dawn

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | US | Original (Recital)

Allan Gilbert Balon

The Magnesia Suite

34,99 €*

12" | 2020 | EU | Original (2DIY4)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-25

Recital publishes composer Allan Gilbert Balon’s first full-length LP. Born 1986 in Les Abymes on the island of Guadeloupe, Balon is an artist (exhibiting at MoMA PS1 in 2022) who publishes beautiful handmade books and audio on XYÄ Edition run with Uta Guan Hyë in Créteil, France where he now resides.

The Magnesia Suite harbors an unhurried, coastal tranquility that flows lucidly as an album. Though prominently a pianist, a breadth of Balon’s musical spheres are visited on this record. Disparate elements of percussion, reeds, organ, voice, and tape recordings are all cast together. Each slowly excavated, surveyed and then set away.

“Stella Maris” opens with an organ and voice procession in the vein of a Charlemagne Palestine singing piece. “Lustras” is a patchwork of various tape captures (a la Alvin Curran, Rip Hayman, or André Thomkins); piano clusters dredge into xylophone by night with cicadas swimming in radio transmissions. First hearing the track “Pleuro Delez Waltz” is what made me approach Allan about making an album for Recital. The proximity of the voices against the small percussions, all laced with Balon’s piano stylings. I’ve not really heard anything like it before. The album ends with “Ogadia,” a gentle piano march with soprano saxophone and electronics. Feels to me like a Dave Burrell-infused rag played slowly, beautifully resolving the outsider-jazz-sound-art-poetry-collages of The Magnesia Suite.

The LP includes a booklet of quiet texts and beautiful graphic scores.

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Allan Shotter

Das Gift

10,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Alliyah Enyo X Angel R (Florian T M Zeisig)

Selkie Reflections

LP | 2024 | UK | Original (Somewhere Press)

27,99 €*

LP | 2021 | EU | Original (Dauw)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Alliyah Enyo’s genius 2022 ‘Echo's Disintegration’ album infused William Basinski's "Disintegration Loops" with choral smoke, and she now returns with an even more immersive followup alongside ambient enigma and Kelela producer Florian T M Zeisig, making heady and translucent loop-finding vocal soundscapes tipped if you’re into Grouper, Cucina Povera, Seefeel, Julianna Barwick, or Selected Ambient Works II’s frozen dream-weaving.

In 2022, Enyo worked with the Edinburgh Sculpture Workshop on an epic two-hour composition made from tape loops inspired by selkies, mythical creatures in Celtic folklore. Contemplating memory, grief and time itself, Enyo devised a "sonorous myth" installation and performance that drowned her voice in the deep sea, using echo to help parallel the communication of humpback whales. It was powerful enough for her to net the award for Sonic Arts at the Scottish Awards for New Music last year, and it's this material that she revisits here, entering into a dialog with Berlin-based producer Florian T M Zeisig, here adopting a new avatar - Angel R.

On the A-side, Enyo distills two hours of the original composition into 11 haunted fragments that ooze in and out of each other like a dream. Reworked at Glasgow's Green Door studio, she sculpts her voice into weightless Radigue-style incantations, leaning into the tape loops' corroded inconsistencies. Enyo's voice becomes the selkie's song: wordless echoes that sound as if they're being dragged slowly towards the sea bed. There are remnants of folk forms in there; we hear traces of church music and Celtic ballads - but she obscures her influences with dubbed reverb, distortion and repetition. Phrases disappear and re-appear, time becomes a loop, best absorbed in a single sitting to properly perceive its graceful, sinking bliss. By the end of the side, Enyo’s vocals are completely waterlogged, dimmed against Robin Guthrie-like shimmers, all brassy, blurred incantations emanating from the depths of a floatation tank.

Florian T M Zeisig responds on the B-side with three flooded, longer-form pieces that will appeal to anyone who devoured his album of corroded Enya loops a couple of years ago. Enyo's voice is now reduced to a whisper, blistered and gauzy expressions that float over dense pads on 'Untitled I' before getting lost in the weeds completely on the muggy 'Untitled II'. On the closing 'Gates of Heaven', he sculpts Enyo's voice until it's just an illusory, hypnotic reflection, slow-fading into the aether.

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Allred & Broderick

What The Fog

7" | 2018 | UK | Original (Polytechnic Youth)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.
Record is close to VG+.

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Alpar

Wakayama / Mejiro

2LP | 2024 | EU | Original (Mole Listening Pearls)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited to 250 copies.

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Alphawezen

Source

28,04 €* 32,99 € -15%

CD | 2010 | US | Original (Type)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In den letzten zwanzig Jahren haben der Produzent Ernst Wawra und die Sängerin Asu Yalcindag, nun bekannt als Asu Jung, verschiedene musikalische Wege beschritten. Ernst versuchte sich am Punkrock mit der Band Elektro Willi und Sohn, während Asu in verschiedenen Genres aktiv war. Gleichwohl ist Alphawezen nach wie vor das Hauptprojekt beider Künstler geblieben. Der Sound von Alphawezen reicht von intimer Melancholie bis zu Nachbeben globaler Katastrophen. Das neue Album von Alphawezen “Source” zeigt, dass Ernst Wawra und Asu Jung es immer wieder schaffen, ihren einzigartigen Sound immer noch weiter zu entwickeln. Ein großartiges Album!

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Altar Eagle

Mechanical Gardens

4,99 €*

Release: 2010 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2023 | DE | Original (Noton)

Hybr:Id II

Release: 2023 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Near Mint

Limited Edition.
Includes booklet.
Small light scuff on sides A & C.

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2LP | 2023 | Original (Noton)

Hybr:Id II

Release: 2023 / Original

Genre: Electronic & Dance

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HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

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2LP | 2024 | EU | Original (Noton)

Hybr:Id III

Release: 2024 / EU – Original

Genre: Electronic & Dance

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For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.

The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB

more info to: Shuudan koudou

'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022

Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking

On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.

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CD | 2024 | EU | Original (Noton)

Hybr:Id III

Alva Noto & Ryuichi Sakamoto

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Summvs

2LP | 2022 | EU | Original (Noton)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side C.
Records are close to VG+
Minor sticker stain on back cover.

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2LP | 2024 | EU | Original (Noton)

Xerrox Volume 5

Release: 2024 / EU – Original

Genre: Electronic & Dance

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NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.

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CD | 2024 | EU | Original (Noton)

Xerrox Volume 5

12" | 2015 | US | Original (White Material)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Alvin Aronson

City EP

11,99 €*

Release: 2015 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Works For The Ever Present Orchestra Vol. II

Alvin Lucier

12" | 2023 | EU | Original (Black Truffle)

2LP | 2024 | EU | Original (Apollon)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Works for the Ever Present Orchestra Vol. II continues Black Truffle’s documentation of the late work of legendary American experimental composer Alvin Lucier, who sadly passed away in 2021 at the age of 90. Like the first volume of the series, the two works recorded here were written for The Ever Present Orchestra, an ensemble founded in Zürich in 2016 to perform Lucier’s work exclusively. At the core of the music Lucier wrote for the ensemble is the electric guitar, an instrument he began to explore in 2013. Played with e-bows, in these works electric lap steel guitars take on roles akin to the slow sweep pure wave oscillators heard in many of Lucier’s works since the early 1980s. This strikingly elegant pair of compositions would serve as an ideal introduction to Lucier’s late music for a listener as yet unfamiliar with its graceful exploration of beating patterns and other acoustic phenomenon.

The two pieces have quite different characters, exemplifying Lucier’s ability to harvest a remarkable range of musical results from closely related compositional procedures and concerns. In Arrigoni Bridge (2019), Lucier uses a technique familiar from earlier works such as Still Lives (1995), where sine waves traced the shapes of household objects. Here, three lap steel electric guitars (played by Oren Ambarchi, Bernhard Rietbrock, and Jan Thoben) follow the form of the Arrigoni Bridge that connects Middletown and Portland, Connecticut. The bridge’s two enormous steel arcs become slowly sweeping pitches, alongside which alto saxophone (Joan Jordi Oliver Arcos), violin (Rebecca Thies) and cello (Lucy Railton) sustain long tones, creating a variety of audible beating patterns depending on their distance from or proximity to the guitars. With its stately pacing, warm middle register tones, and rich timbral variety in the sustaining instruments, Arrigoni Bridge is a beautiful example of compositional reduction producing immersive results. Flips (2020), on the other hand, is more austere. Scored for two lap steel electric guitars (Rietbock and Thoben), double bass (Ross Wightman) and glockenspiel (Trevor Saint), the two acoustic instruments played with bows, the piece zooms in on the range of a major second (two semitones). The two guitars sweep in opposite directions within the range, crossing every four minutes; the double bass and glockenspiel sustain long tones, producing beats of different speeds determined by their distance from the guitar tones. This limitation of the tonal range means the music is often dissonant and forces the phenomenon of audible beating to the surface, resulting in a paradoxical music composed entirely of long tones yet alive with pulsating rhythm. Exemplifying Lucier’s ability to uncover near-infinite complexity within seemingly simple materials, Works for the Ever Present Orchestra Vol. II is a fitting tribute to one of the major figures of the experimental music tradition and a testament to the continuing power of his work.

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Alwanzatar

Ensyre

44,99 €*

12" | 1989 | UK | Original (Def Jam)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Alwanzatar is a one-man musical project (Krizla from Norwegian cult heroes Tusmørke) creating extraterrestrial world music, with flute, incantations, synthesizers and electronics. This is Alwanzatar’s sixth album, performed on synthesizers and flute. Engsyre is dance music for the faery folk feasting in the woods, where the murmur of the city falls silent, and the booming bass of dreams takes over. It is the slow pulse of the blood in the ground, life sliding through roots of hungry trees, the scurrying movements of living creatures that do no wish to be seen. Hidden, until they show themselves in awesome splendour and sound reverberates in the hills.

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Alyson Williams

I Need Your Lovin'

5,99 €*

Release: 1989 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP+10" | 2014 | DE | Original (ava.)

Am Kinem

"Mavi Soul" Part 1

16,99 €*

LP | 1999 | US | Reissue (Tommy Boy)

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Amber

31,99 €*

Release: 1999 / US – Reissue

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Here & Now)

Ambient Jazz Ensemble

London Fields

Excerpts From 1995 - 2000 Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Presenting the genre defining and much hip hop sampled Ambient Jazz Ensemble. AJE’s Colin Baldry has a highly accomplished career in music writing and producing for iconic labels Motown, RCA, Geffen, Virgin and Capitol Records

London Fields describes London energy, vibe, anticipation; ‘fields' of electricity. The phrase conjours some-thing of my own relationship with London. Having moved away after living & working there for 20 years I’ve recently fallen in love with the city again. I've been walking the streets, rediscovering it’s parks, canals, the architecture, the river; … & experiencing new music in London is always a joy. The 'London Fields’ have re-captured my imagination

Ensoul delivers sparse felt piano before Lynsey Ward releases her inner Kate Bush. Locked inspired initially by Tony Robert-Fleury’s 1891 painting ‘Alix Appearing in Mask’. And then the collaboration with singer song-writer Lynsey Ward an inspiration and a joy which comes across in the music

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Ambient7

LP | 2022 | EU | Original (Re:Discovery)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 2023 | EU | Original (99Chants)

Ambienti Coassiali

Dream Rooms

Amelia Cuni, Werner Durand & Uli Hohmann

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Dream Rooms is the shadowy Italian project Ambienti Coassiali, an organic development rising out of the ashes of the surreal synthesised tone poems they released in thelate 1980s, developing into cult favorites, spoken of with quiet reverence.

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Clearing

LP | 2023 | EU | Original (Aguirre)

22,99 €*

Uncle Reed In The Purple Mine

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In addition to the unique musical proposals and the large body of work that they have developed separately, Amelia Cuni and Werner Durand have been performing together as a duo as well as in collaborations (Tonaliens, Born of Six) for more than 20 years. Fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach, they have expanded the reach of their soundworlds as well as proposed new paths for contemporary music.In this occasion, Uli Hohmann joins them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar. Durand's various self-made wind instruments, soprano sax, and blown kalimba shine along with Cuni's astounding vocals, which are sometimes sung through a mirliton (a medieval type of kazoo). Clearing is the trio's first published recording.

Seconds of Thirst, recorded in one session at Uli´s studio in Bavaria in early 2014, is truly a conjuring where distinctive balances come to gather. A deep drone unfolds patiently in a hypnotic manner, comprised by Werner's characteristic PVC clarinets, a hammered guitar played by Hohmann, and subtle electronic tones. Above all, Amelia's singing voice, filtered through the mirliton, drifts buzzing along the gradually shifting harmonic waves, meandering through serpentine melodic lines and microtonality.

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Amkarahoi

LP | 2024 | EU | Original (Impatience)

19,49 €* 29,99 € -35%

2LP | 2023 | UK | Original (Nashazphone)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The debut record by a new duo, Amkarahoi.

Uncle Reed In The Purple Mine conjures ghosts of 90s chill out tents, aqueous ambient, exploratory turn of the century IDM and echoes of jammy dub. Amkarahoi is named for a remote region of Eastern Siberia an intimidating car and boat journey from the nearest city - several songs are named after rivers - and the record was borne from a largely improvised show in Saint Petersburg, later overdubbed and mixed down in the studio. The combination of heady, melancholic synthscapes, unexpected samples and the loose, spontaneous nature of it’s genesis make for a unique, compelling proposition.

Kirenga alternately swells and submerges ravey pads and shifting kicks, coming up midway for air before plunging again, and Cutima peppers the stereo field with foreboding stabs, collapsing drums and faintly nightmarish ambience before emerging from the darkness with gently plucked erhu. Handa’s simple four note piano loop and cuckoo vocal sample lament blooms into an engulfing E rush, before Mogoul threatens serotonin syndrome with it’s loved up lead and stuttering morning after nostalgia. Chininga ekes out a gentle groove over which is laid a hazy, head nodding shimmer, and on Djegda they finally submit and throw down a speedy breakbeat for some more classically vintage fire twirling shapes.

Amkarahoi is Nikita Chepurnoi and Sergey Dmitriev. Chepurnoi has released records as Minereed on his own Echotourist imprint, and as part of The Patience and Copacabana on Hair Del. Dmitriev has made music as Purple Uncle for Echotourist, Hair Del and Nazlo

Uncle Reed In The Purple Mine was written, produced and mixed by Nikita Chepurnoy & Sergey Dmitriev. Mastered by Rashad Becker. Art by Susumu Mukai.

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Amon

Akh

42,99 €*

12" | 2017 | DE | Original (AMOTIK)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Amon is the alias of Andrea Marutti, practitioner of elemental ambient and tape music since the early
1990s. Among his decades of work, his self-titled 1996 album, here retitled as ‘Akh’, stands out for his
almost mystical grasp of reverberant acoustics that hark back to prehistoric caves and spaces. Amon really
gets inside his thing with literal, non musical inspiration from the mysteries and rites of ancient Egypt,
factored by the esoteric writings of Peter Kolosimo and a movement of so-called “pseudo-archaeology” that
guides and elevates his work in the imagination. It’s frankly terrifying gear, tempered by a slow-burning,
introspective quality that invites the listener to succumb to its meditative formations.
Best consumed in the depths of night, the album takes on a vividly transportive nature. Over 90 minutes, it
arcs from the Thomas Köner-esque tonalities of Regula #1’, to the subharmonic shadows of ‘Hiram Roi’, via the
glowering ‘Darkside Return’ and into the chasmic phasing of ‘Wasted’. There’s little in the way of light creeping
through, but Marutti’s occasional use of harmony is startling ‘Uhura Photons’ dense and suffocating noise
eventually splits into a near choral synthscape, and on ‘Mopula’ you can just about pick up on the irregular
harmony of each central note. On ‘She Touched The Stone’, we end with beautiful, chiming pads and bells
echoing from deep below, an experience not unlike hearing Bohren and Der Club of Gore’s billowing melodies
seep through a dense cloud of smoke.

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Amotik

Amotik 006

14,99 €*

LP | 2018 | EU | Original (Three Four)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Amuleto

Miszteriumok

LP | 2024 | EU | Original (Kolokpo)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Sealed copy.
Cover corners slightly dented.

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an-hoer

sepr.online.works

18,19 €* 27,99 € -35%

LP | 2019 | UK | Original (Leaving)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This ancient-soaked album consists of compositions from the experimental root of electronic music. Some tracks are instrumental improvisations exploring synthesizers and acoustic instruments, including piano, accordion, Ukrainian bandura or prepared mandolin. Other compositions incorporate vocals and interwoven recitations. All in pursuit of intense forms of storytelling. The music stands out with its narrativity, multilayered sound spectrum, diverse range of emotions, and adept maneuvering between ambient, noise and drone genres. It is a debut of an-hoer – the Eastern European band from Poland.

Music: an-hoer
Mastering: Michał Kupicz
Artwork: an-hoer
Fonts: tekio.work
Produced by: an-hoer
Recorded in the an-hoer studio in Gdańsk, Poland

Collaborators:
Paweł Szamburski – drum sample (a1)
Adam Wika - accordion, slide bass (a2)
Piotr Żakowiecki - vocals (a2)
Maria Bagińska - vocals (b1)

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Ana Roxanne

~ ~ ~

72,99 €*

LP | 2022 | EU | Original (Pingipung)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM.

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Anadol

Felicita

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2022 | EU | Original (Pingipung)

Anadol

Felicita

LP | 2024 | EU | Original (Pingipung)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Anadol & Marie Klock

La Grande Accumulation

LP | 2023 | EU | Original (Balmat)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Anadol and Marie Klock have teamed up for a joint album, La Grande Accumulation. They met two years ago at a festival in England crowded with violent seagulls and outsider musicians. Klock being prone to barking on stage and Anadol not laughing at jokes she doesn’t find funny, they straight away had the intuition that they would meet again. And so they did, a few months later, at Anadol’s studio in Istanbul.

Today, the two Pingipung artists present the fruit of this musical friendship. La Grande Accumulation was born out of the peculiar atmosphere of the studio neighbourhood in Büyükada, an island where thousands of cats run free and humans randomly destroy things during apocalyptic times when parts of Turkey had just been turned into dust by terrible earthquakes. The French lyrics are inspired by hours of conversations, the music is consequently drenched in absurdity, overflowing with a strong urge to live and enjoy. According to the LP sticker, this album has been certified “Best handshake of 2024”, and stickers never lie.

La Grande Accumulation brings together Marie Klock's mysterious metaphors and Anadol's intriguing radiophonic psych-pop. Stretching forms beyond common sense to see how long they can resist is probably their favourite game. The result are six highly imaginative tracks that challenge the sub-3-minutes standards of Spotify pop.

Gözen Atila aka Anadol is well known to the Pingipung audience, with three solo LPs on the label. Her music follows a kind of collage logic, she interweaves countless styles, combining field and studio recordings with obscure quotation marks here and there. "I hope no one will come and explain this music to me, because it's the most beautiful music there is", says Kristoffer Cornils about her solo album Felicita.

Marie Klock is a French writer and musician who produces songs oscillating between synthpop and neo-folk, full of anarchic humour and existential dread. Her recent solo LP on Pingipung was a captivating tribute to the recently deceased poet Damien Schultz entitled Damien est vivant.

Marie Klock delivers her lyrics in song or spoken word, stream-of-consciousness musings on strange human adventures, and her rich keyboard melodies culminate in a nonchalant dialogue with the bass trombone (La Reine des Bordels). In the opulent opening piece (La Grande Accumulation), a woman is cursed to take home everything she kicks in the street; a bit later, we stumble upon a ghoul hiding in the gutter (Sirop amer), Mona Lisa loses her teeth (Sonate au Jambon) and a warthog struggles to climb the stairs of a silver tower (Sabots triviaux).

La Grande Accumulation was mixed and mastered by Jonas Romann at Chaos Compressor Club in Hamburg and cut to vinyl by Kassian Troyer at D&M in Berlin. It's an audiophile LP that invites to focus on every detail in this heap of musical ideas.

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Anagrams

Blue Voices

Ananda Shankar And His Music

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Balmat co-founders Philip Sherburne and Albert Salinas have been fans of Shy Layers' lilting, Balearic pop for years, so when Shy Layers' JD Walsh asked us to listen to a set of demos he was working up with fellow Atlanta multi-instrumentalist Jeff Crompton, we jumped at the chance. And once we heard their work in progress, the decision was almost immediate: We have to release this. Together, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat's habitually electronic terrain. It's not ambient music, but it's also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. "I like it because it's not jazz," jokes Crompton, a veteran and credentialed jazz player. "And JD likes it because it's jazz." Crompton is a musician (and former high-school band teacher) with deep roots in Georgia's improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel's 12-hour drone performance at Knoxville's Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany's Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney's Beats in Space label put out Shy Layers' sophomore album, Midnight Marker. Where those records channeled Walsh's playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color. Across the album's 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois' pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio-jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue.

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Ananda Shankar

LP | 1975 | Reissue (Mr Bongo)

Release: 1975 / Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-29

12" | 2024 | EU | Original (Subject To Restrictions Discs)

Anatolian Weapons

Beyond EP

21,99 €*

12" | 2024 | EU | Original (Third World)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Anatolian Weapons, the alias of Aggelos Baltas, stands at the forefront of Greek electronic music. The release ‘Beyond’ is intentionally crafted for the dancefloor, featuring a collection of obscure techno tracks with a few unexpected twists.

Following the release of Aggelos Baltas’ long-awaited second album under the alias Anatolian Weapons last autumn, he is now back with a collection of obscure dancefloor cuts. In his characteristic manner, Baltas weaves hypnotic melodies with driving beats, transporting dancers beyond thought and rationality into a liminal space outside themselves.

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Anatolian Weapons

Desert Sun EP

13,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Anatolian Weapons on Third World Records.

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Ancestral Voices

Forces Of Consciousness

2LP | 2024 | EU (Horo)

37,99 €*

Release: 2024 / EU

Genre: Electronic & Dance

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LP | EU | Original (År Og Dag)

Anden Enhed

Første Halvår

Release: EU – Original

Genre: Electronic & Dance

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12" | 2017 | DE | Original (Wex)

Anderson

Continuum

LP | 2024 | UK | Original (Wandering Eye)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Limited edition 180gr vinyl.

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Ando Laj

Sacred Record

12,79 €* 15,99 € -20%

Slay Tracks Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Sacred Record is a 9-track album of ethereal and introspective tracks, filled with almost pop-like hooks balanced out with all-in rhythms, heavenly pads & addicting diagonal melodies. Where media degrades and replaces positive imagination, and destroys the ability to think healing thoughts, Sacred Record encourages the opposite. Hijacking the dark nihilism of contemporary art & music, listeners are called to cease indulging in despair, and stop being tricked into seeking eternal fulfillment in worldly things which die. Screens foist convoluted worldviews upon us, depriving us of our natural agency by casting illusory perceptions of a net-negative reality over our actual, tangible lives. Ando Laj’s Sacred Record takes your hand and walks with you, side-by-side, gently, deeper in, but further u

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Andre Bratten

LP | 2024 | UK | Original (Smalltown Supersound)

Every Step Causes A Crack

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Smalltown Supersound’s fantastic Le Jazz Non Series returns with a collection of pure, emotional club bangers, on a tip somewhere between Aphex Twin’s first Analogue Bubblebath and Drexciya’s most direct The Other People Place romancers. ’Slay Tracks’ is Bratten’s 6th album and perhaps the closest to Smalltown’s heart, personally selected from his swelling hard drive by label bossman Joakim Haugland. You can see the tip he’s on too, opting for a sort of refracted view of ‘90s electronics, propulsive but always emotionally driven. ‘Res’ hits most closely to classic Richard D James with its doe-eyed, single note bassline, while screwed acid vignette ‘Tunnel’, reminds us of Sockethead and Michael J. Blood with its slow, square bass grind. ‘Repair’ gives it all gossebump-inducing melodies in a mode not far from classic Titonton Duvanté or even The Black Dog’s earliest, many-monikered excursions, while ‘A Fog’ craftily dices with a vibe redolent of Phoenicia or the Miami lot, and the closing couplet of ‘The Returner’ and ’Strayed’ smartly extend that analogue on a low- down, offbeat bent like some classic Push Button Objects. Effortlessly uplifting, highly enjoyable gear.

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Andre Uhl

LP | 2024 | EU (Natural Sciences)

Release: 2024 / EU

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Maple Death)

Andrea Belfi

Eternally Frozen

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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12" | 2023 | UK | Original (Baroque Sunburst)

Andrea Ottomani Nontet

From Theory To Practice

13,99 €*

LP | 2024 | EU | Original (Hands In The Dark)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Limited to 300 copies. Artwork by Luca Baioni & Paolo Bazzana. Design by Flavia Serrão & Otto Von Lumi.

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Andrea Taeggi

Nattdett

24,99 €*

Andreas Bülhoff & Marc Matter

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Berlin-based, Italian-born sound artist Andrea Taeggi introduces his debut release on Hands in the Dark records with 'Nattdett', an album showcasing six mesmerising and rhythmically intricate electronic compositions. Drawing inspiration from previous works such as 'Mama Matrix Most Mysterious' (2015), 'Batch 0006' (2017), and 'Zimní Král' (2018), Taeggi delves further into his exploration of cyclical patterns and tension-filled compositions within his creative process.

The album's tracks focus on unsettling atmospheres, unusual rhythms and percussive tones, using a vast array of rare equipment, including the analog computer from the Willem-Twee synthesis studio in the Netherlands, initially employed for flight simulation in the Cold War-era. 'Nattdett' eloquently showcases Taeggi's talent in transmuting the essence of vintage machinery into a compelling primal language, offering an immersive and mind-expanding listening journey.

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A Sound Writing Tool

LP | 2020 | EU | Original (Research And Waves)

16,99 €*

Andreas Gerth & Carl Oesterhelt

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Music For Unknown Rituals

2LP | 2023 | EU | Original (Umor-Rex)

34,99 €*

Truba Feat. Alex Kranabetter And Martin Eberle

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After two years, Carl and Andreas present their second album, and once again, it opens up a wide associative space for us. What strikes us initially is the uncommon instrumentation: a church organ, harpsichord, glass tubes, and more. Like their first album (The Aporias of Futurism), it is mysterious and dark. But it also carries a strong touch of rebellion and adrenaline, sometimes quite pointedly. The pieces are now shorter and feature intricate yet irresistible rhythms. The impact is immediate, yet it maintains a sense of solemnity and ceremony. The Apollonian complexity of the rhythms and subtle melodic interweavings is transformed into a Dionysian, ecstatic, hypnotic, and at times tribal context. "Music for Unknown Rituals" oscillates between primitive instincts and avant-garde intrigues. The process began in Döblitz, a small village on the Saale river in Germany, inside an old church that houses an organ built in 1886 by Johann Adolph Ibach. Carl and Andreas gained access and secluded themselves there for a few days, accompanied by the organ, an instrument made of glass tubes, and a set of modular synthesizers. After recording the basic tracks in Döblitz, the work continued in Munich and Berlin. Carl played electric guitars, harpsichord, bass, metallophone, xylophone, Indian harmonium, and various percussive instruments. Andreas added layers of electronic sounds, noises, and atmospheric drones. He also created percussive structures extracted and derived from recorded material of technical and industrial noises, which contrasted with the acoustic drums played by Carl. The antithetical approach continues with the dichotomous arrangement of the instruments, often panned hard left and right in the stereo field, creating an antiphonic communication. Some parts, especially the use of the electric guitar, evoke memories of the psychedelic sixties. However, this is anything but a nostalgic album—these musical references are merely remnants, set pieces, and fragments used from a contemporary, post-modern, post-youth-cultural, and post-romantic perspective. Although Andreas and Carl continue on their chosen path of composing music with an almost literary narrative structure, this album is conceptually and formally completely different from their first effort. If “The Aporias of Futurism” was a revolutionary manifesto (in a pataphysical sense), "Music for Unknown Rituals" is more like the implementation in action; it is the practical application of the previous statement. To put it another way, if "The Aporias of Futurism” was the conceptual manifesto of a dark utopia of modernity, "Music for Unknown Rituals" is the staging of free will surrendering to the myths and catharsis of a Greek tragedy. And in response to this, the artwork features a leitmotif of histrionics with hands, the hands being the first and intuitive part of the body to express something: a ritual, a prayer, a defeat... — Andreas Gerth is one half of Driftmachine, and Carl Osterhelt is part of F.S.K and collaborates with Hans-Joachim Irmler of Faust. Both became connected through their participation in the Tied & Tickled Trio.

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Andreas Trobollowitsch

LP | 2024 | EU | Original (Futura Resistenza)

18,89 €* 20,99 € -10%

... Behind The Gardens - Behind The Wall - Under The Tree ...

Release: 2024 / EU – Original

Genre: Electronic & Dance, Classical Music

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Explore the sonic landscapes of Trobollowitsch's latest vinyl release, where trumpet strains intertwine with resonant energies, able to fold, deform, and compress time and space so deftly that one has the impression of hearing echoes of distant worlds and times - 'everything everywhere all at once.'

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Andreas Vollenweider

LP | 1981 | US | Original (CBS)

4,99 €*

Release: 1981 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Caverna Magica (...Under The Tree - In The Cave...)

Andreas Vollenweider

LP | 1983 | DE | Original (CBS)

6,99 €*

Release: 1983 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1989 | US | Original (Columbia)

Andreas Vollenweider

Dancing With The Lion

12,99 €*

12" | 2024 | EU | Original (Malka Tuti)

Release: 1989 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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Andrei Rusu

I've Lost Control

15,99 €*

LP | 2023 | Original (Lex)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Malka Tuti is proud to present the solo debut EP by mister Andrei Rusu,
one half of Khidja.

After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.

Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.

On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.

The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family.

Remixing the title track, and off the success of his 2 incredible albums released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms. For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)

Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side.

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Andrew Broder

Show

Release: 2023 / Original

Genre: Electronic & Dance

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LP | US | Original (Leaving)

Andrew Cs

Caught In Pointers

Release: US – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Tape Loop Orchestra)

Andrew Hargreaves

Drones In The Air

23,19 €* 28,99 € -20%

The Maleficent Monster And Other Macabre Stories

Release: 2024 / UK – Original

Genre: Electronic & Dance

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‘Drones In The Air’ finds Hargreaves deep in a new phase of vibrational investigation where the sentimentality of prior eras gives way to more abstract conceptual processes. Utilising a bunch of oscillators and the Lyra-8, an “organismic analog synthesiser”, plus pedals, Hargreaves works within just intonation tuning systems - or more precisely “intuitive intonation” - to just-about harness a microtonal flux of clashing, beating frequencies, but the project is more about ceding a certain amount of freedom to the machines and allowing aural alchemy to occur, prompting a spectrum of harmonic colours and rich timbral overtones distinguished from previous tape loop-based works. Comparative to “Glenn Branca’s micro-tonal workouts if he had worked with oscillators instead of guitars”, the result also variously evoke mysteries of The Conet Project, the oceanic feel of Éliane Radigue compositions, and early ambient works by Terre Thaemlitz in their sound sensitivity and scope. In ‘The Sun is Afraid’ he mesmerises with glistening microtones that develop a coarser traction, interrupted by shortwave radio comms and resolving into phantasmic noise gauze that speaks to his long-standing fascinations with entropic decay and the sounds between sounds. ‘Your Hands Are Shaking’ follows with a stealthier approach to coaxing a hallucinatory drone mass inflated by ether voices and thickening up into a sinister gloam redolent of NWW’s ’Soliloquy for Lilith’.

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Andrew Liles

LP | 2014 | UK | Original (Blackest Rainbow)

10" | 2024 | EU | Original (Poly Dance Theatre)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Colored vinyl.

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Androo

Le Commerce

Ns Kroo Session Dubplates

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Poly Dance Theatre speeds up the tempo (perhaps in search of lost time) and so here already the first announcement for the next release: Pol008, called "Le Commerce" (The Business).

It's a very special record. Beyond the deep bass line, the efficient ryhtmics and the ghostly apparitions of dubbed-out commercial romantic melodies, this 10" is above all an object-question, a small political gesture of sabotage. Be careful. Be careful. Rare! Very very very rare! even unique! (…300 copies)

Prepare yourself "mentally", as the EP contains 4x the same track (and that's all). A track that spins. A track that does the trick. An eternal return. Difference and repetition? All this is a opportunity to question consumption, especially in the "world of music", the "world of records", the "world of DJs", the "world of nightlife"... and so on. Production, distribution, consumption. Objects. Things. A history from the 60s to today. Where are we now? Still here: Organizing lack in the abundance of production. Lack. Abundance. A history of desires. And music? What's its role? What do we want? What do you want?

On the cover, there are poems/collages about commerce, scarcity, abundance, commodity fetishism, an insulting letter and other little things. The album is due for release at the end of June.

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AndrooNs Kroo

12" | 2024 | EU | Original (Poly Dance Theatre)

Tape | 2023 | US | Original (Constellation Tatsu)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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This is it. Poly dance theatre 006 arrives. Fresh arrival. For the 6th Poly Dance Theatre release, androo has decided to release exclusive dubplates from NS Kroo sound system (androo & baba). Yes. 2 tracks from the smoky, always intense and sometimes very special sessions of the NS Kroo sound system over the last 10 years. Exxxperienceee. Wave Dub style is a blend of synth wave, dub stepper and club elements. A side: Fast Dub, tribute to Kitachi, (Iration steppas). Indeed, NS Kroo didn't wait for the recent re-issues to play Kitachi tracks, and has been inspired by this vibe from the outset. Club meets Dub! Fast Dub is trance, it's raw, it's sporty, it's for the legs, it's good support (aducteurs), it's for nimble feet, it's a book whose last sentence ends on the first, it's repetition, it's different style, it's dance, it's wild, it's club rhythm, it's baba operator, it's androo selector, it's sound system vibes, it's NS Kroo in 2019, it's a discreet, slightly punkish non-chalance, it's distortion, it's "we don't give a fuck about codes", it's that and lots of other things... B side: Wave Dub Style Is Back. It's all in the title. This track is probably from 2014? Wave dub... A mix of new wave/synth pop and dub, with a club mix feel. Again, trance music, the kind you play when the night never ends to end, an epic end-of-session odyssey. Soft and strange synth with strong 808 rhythm. 2 mixes. 1st mix: pop synth experience. 2nd mix: raw trance club mix. Wave Dub Style Is Back was remastered by androo in 2023 with the support of poly dance theatre compagnie.

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Andy Aquarius

La Force Aquarienne

8,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (Slush)

Andy Falconer

Transmissions

12,79 €* 15,99 € -20%