Downbeat | Electronica | Leftfield 6006 Items

Our Recently Acquired Knowledge

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Andrea’s second album “Due In Color“ was primarily created in 2020 and 2021. During these crazy and decelerated times he explored more hazy and experimental Jazz, which inspired him to use more acoustic sounds in his productions. Dark loud clubs are in a far away distance, while Andrea takes us to wonderful blooming fields.

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Observatories

LP | 2023 | EU | Original (IIKKI)

2LP | 2022 | EU | Original (Ilian Tape)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Observatories is the collaborative music project by Ian Hawgood and Craig Tattersall. This is their second album together. Ian Hawgood is known with his work of his Home Normal label. He makes music using an array of reel-to-reel and tape machines. These days his focus of music is on decayed ambient works using old synths and reels mostly, alongside his childhood piano. Craig Tattersall is a former member of The Remote Viewer. Tattersall's music can be found often under his alias The Humble Bee.

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Katatonic Silentio

Les Chemins De L'inconnu

LP | 2022 | EU | Original (Ilian Tape)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Mariachiara Troianiello, the Milan-based sound artist behind the moniker Katatonic Silentio, works at the crossroads of electronic music, performing arts and sound studies. Acting as a live performer and an independent researcher, she seeks to bridge different spheres and approaches to sonic production. Now, the ever reliable Ilian Tapes have gave her free reign to use her 15 years in the game to create some exquisite, atmospheric sonic shapes that melt the barriers between genres. Across four sides of vinyl she brings us everything from totally wigged out ambient sounds to lively, bubbling electronica and sub bass-enhanced rhythmic assaults. Her world is a bewildering, sometimes disorientating one at times, downright beautiful at others, but one in which you'll want to hang around in for more than a little while.

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Escapist Eschaton

Prime Vertical

Nathaniel Merriweather Presents Lovage Avec Mike Patton & Jennifer Charles

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Escapist Eschaton may be used as background music for the following:

Building a refuge for exiled planets. Conscious absorption of rare elements. Cloudlike observations of evaporated landmasses. A wistful emulation of escape. Preparing food for the moon. Strange situation test for non-terrestrial officers. Counterfeiting consumer electronics. Retuning GABAergic interneurons. Accompaniment for affective picture systems. Rituals of self-decompression. Inquiries into trace minerals.

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Music To Make Love To Your Old Lady By

2LP | 2022 | US | Reissue (Bulk)

44,99 €*

Monsters Clear / Purple Splatter Vinyl Edition

Release: 2022 / US – Reissue

Genre: Hip Hop, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

US reissue from 2022 on turquoise wax! Still in shrink, but opened, with hype sticker

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The Midnight

2LP | 2022 | Original (Counter)

31,99 €*

12" | 2022 | EU | Original (Ilian Skee Series)

Release: 2022 / Original

Genre: Electronic & Dance

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Das Duo Tyler Lyle und Tim McEwan besser bekannt als The Midnight hat sich in den letzten Jahren von einem Online-Phänomen zur Nummer 1 der Billboard Electronic Albumcharts entwickelt. Mit ihrem mitreißenden Sound, der Americana-Archetypen mit einer aufrüttelnden Palette elektronischer Sounds verbindet referenziert er Synth-geschwängerte Filmmusik, Deep House, Pop und Rock. Das neue Album „monsters“ ist eine Fortsetzung des allumfassenden Plans von The Midnight, der eine glühende Fangemeinde generiert hat - eine große Gemeinschaft von Internetkultur-Besessenen, Schlafzimmerproduzenten, Tumblr-Goths, Cosplayern, Teenagern, ihren Eltern und allen dazwischen - die seit fast zwei Jahren nach einem neuen Album schmachten. „‚monsters‘ ist die Geschichte eines Teenagers.“, sagt die Band. „Die Pubertät ist chaotisch, tragisch, brutal, wehmütig und schön. ‚monsters‘ ist all das.“ Vom Artwork des Albums von Aaron Campbell bis hin zu den Songtiteln gräbt die Platte Teenagergefühle durch nostalgische Prüfsteine, wie das frühe Internet, VHS-Kassetten, Playstations oder Filmplakate aus, um die aufregenden und vernichtenden Erlebnisse jener turbulenten Jahre wiederzugeben. The Midnight sind Tyler Lyle und Tim McEwan, die ursprünglich erst aufgrund eines gemeinsamen Musikerkollegen zusammengebracht wurden. Der Instrumentalist und Produzent Tim stammt aus dem Vereinigten Königreich und Dänemark und begann mit der Produktion von Hiphop- und Pop-Acts, während Sänger, Texter und Gitarrist Tyler im ländlichen Georgia aufwuchs und als Singer-Songwriter auch schon mit Folk- und Country-Stars arbeitete.

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Skee Mask

ISS007

15,99 €*

Volume 2 Acoustic & Ambient Spheres

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Extended Juicy Mindfulness Exercise

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Popol Vuh

4LP | 2021 | EU | Original (BMG)

71,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Row)

Bhed

Somni EP

Piano Versions Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With this new release Row Records goes deep and dubby with Bhed for a trippy summer. Including a stunning remix by Melbourne's bass-pioneer Pugilist!

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Jon Hopkins

12" | 2021 | UK | Original (Domino)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Turnland)

Messer & Toto Belmont

No Future Dubs

12" | 2020 | EU | Original (Ilian Skee Series)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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There’s something new under the sun. If you look at it closely, something new is only (and always) created at crossroads – when different and significant traditions are connected and combined. On their own, these traditions have often existed for a while. However, in this new form they have never appeared together. The latest manifestation of something new can now be found on the album “No Future Dubs”, the interpretations of “No Future Days” – the most recent album by German band Messer – by Finnish producer and old friend of the group Kimmo Saastamoinen aka Toto Belmont. The intentional traditions that merge on this grand and dignified album are post-punk, dub and techno. A new chapter in the culturally constant narrative of dub is written here. Through their past and parallel activities in hardcore and post-punk bands, Messer drummer Philipp Wulf met and befriended Kimmo, originally a drummer too. In their continuous dialogue discussing their musical journey, Philipp and Kimmo over the years more and more immersed themselves in the aesthetic possibilities of dub and reggae. Indeed, lots of musicians do not listen to the type of music at home that they write and play in their respective projects (Take me as an example: House is the music that I produce and put on as a DJ. On my own, I listen to various stuff, music by Monk and Messer for example). The same applies to the protagonists involved here. By discussing dub und through Toto Belmont’s steadily increasing producing expertise, the idea of creating dub versions of selected Messer tracks was born. The Messer album “No Future Days”, released in 2020, proved to contain the perfect raw material as the songs on this album are already produced in a much more transparent way than on previous LPs – and are hence more suitable for dub.

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Skee Mask

ISS006

11,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Diasporas Clear Red Vinyl Edition

Ghédalia Tazartès

LP | 2020 | US | Original (Dais)

LP | 2018 | NL | Original (Music From Memory)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Originally recorded in 1977, following a limited release in 1979, Ghedalia Tazartes debut album, Diasporas, introduced listeners to the surreal, mysterious and truly unclassifiable statement of Tazartes and his out-of-time place in the French avant-garde canon. Born in Paris in 1947 to Judaeo-Spanish parents of Greek descent, Tazartes spent his early career as an autodidact utilizing his knowledge of repetition and collage, coupled with his Ladino linguistic heritage, to create some of the most unique recordings of the late 20th century. Interest in the works of Tazartes truly sparked when artist Steve Stapleton included his follow up album, Tazartes' Transports, in his famed "Nurse With Wound List," thus adding endless curiosity to the folklore behind Tazartes and his mystical entree. From the onset of Diasporas, looping incantations seemingly pile up at the behest of Tazartes. In almost a prayer-like decree, Tazartes chants to the gods in an undefined whail that is both haunting and spiritually divine. Tazartes unique use of tape loops to capture the disappearing traditions of his family's past creates an atmospheric texture that unexpectedly complements his cut-up, manipulated vocal experiments. While contemporaries within the French avant-garde maneuvered academic theory and rigid tradition, Diasporas strays away from these boundaries, working in Tazartes' invented practice of 'impromuz', a method in which he endlessly records for hours and edits only the moments that display any sense of spontaneous enlightenment. Further emboldening the obtuse nature of Diasporas are the seemingly random recitation of poet Stephane Mallarme and the traditional 'Parisian-style' piano accompaniment of experimental composer Michel Chion. Since its initial release over 40 years ago, both Dais Records and Alga Marghen have released reissues of Diasporas in various formats, all of which quickly fell out of print. Dais Records presents an official reissue, newly remastered by Josh Bonati, utilizing the original artwork of Diasporas in its sole album form, for the first time in over four decades.

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Terekke

Improvisational Loops

21,99 €*

LP | 2020 | EU | Original (Yotanka)

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a long hairlines on Side A, otherwise NM.

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Kid Francescoli

Lovers

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Safe In The Hands Of Love

Yves Tumor

2LP | 2018 | UK | Original (Warp)

2LP | 2013 | EU | Original (Domino)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Yves Tumor shows the world that it's Safe In The Hands Of Love with his debut album for Warp.

Released into the wild with no fanfare or prior warning, Yves Tumor makes good on the audience following astonishing singles 'Noid', 'Licking An Orchid (feat. James K)' and 'Lifetime'. Whereas each of these showed a different side to his sound, one that arguably wasn't afraid to immerse itself in the close running interests of skinny-jeans 'n' all indie, heartfelt romantic ballads and soulful RNB bangers, Yves Tumor's seeming refusal to be creatively pigeonholed is the most vital and compelling cog within his musical identity. Walking a tightrope between being on the one hand, one of the most seductive, soulful musicians of modern times, while also being a serious aficionado of harsh n0!se, as made evident with his recent years' live sets which have become something of a legendary experience/assault for each audience that has entered into the high-intensity sound-field that his on-stage presence creates.

Safe In The Hands Of Love captures each and every side of Yves Tumor's musicianship with an elegant mix of pop numbers and more "experimental" de-constructions. With the spirit of Danish noise/synth/punk/tekno institution Posh Isolation running through the lifeblood of the music, so much so that in a perfect bonding two of the Posh Isolation crew's finest Loke Rahbek and Frederikke Hoffmeier both appear on the album in solidarity with Yves' vision. The recordings are uncharacterizable as anything other than Yves Tumor music. From the gothic cloak 'n' dagger cyberpunk punishment of 'Hope In Suffering (Escaping Oblivion & Overcoming Powerlessness)' featuring Oxhy & Puce Mary, through to the 'Economy of Freedom' produced with Croation Amor and moving along with all the sludgy heaviness of a thousand broken hearts, the feelings explored upon offer a kaleidoscopic union of classic songwriting and lobotomized sound experiments. Chapters like 'Recognizing The Enemy' and 'Licking An Orchid' capture a sense of near blissful introspective blues, sounding like Yves is rushing into the deepest moments of winter while his words that are seemingly spun out of tears, begin to freeze in the cold night air. Before 'Let The Lioness In You Flow Freely' could be the Whitehouse and Steve Albini post-rock record that never materialized back in the 1990's, while 'Recognizing The Enemy' further explores the gothic soundscape rock 'n' roll (original and authentic shades, slick back and leather jacket) of 'Noid', ensuring that his stadium-sized approach to crafting earworms is well and truly represented.

Repeatedly carving out a new path within the diamond cut musical trajectory of Klein, Dean Blunt, Radiohead, Coil and Kevin Shields, Yves Tumor's Safe In The Hands Of Love builds upon his recordings for PAN while setting the stage and informing anyone still unsure that Yves Tumor is truly one of the most visionary and singular artists of his generation.

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Jon Hopkins

Immunity

12" | 2020 | DE | Original (Uncanny Valley)

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Strong 4th album by always busy Jon Hopkins.

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Chino

Autostrada

8,99 €*

LP | 2020 | EU | Reissue (Kling Klang)

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Slightly warped vinyl, but still enjoyable Cover with beginning of seam split on top spine

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Kraftwerk

Autobahn

Laurie Anderson & Kronos Quartet

Release: 2020 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Blue Translucent vinyl closer to NM. With inserts. Cover with bumped corner.

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Landfall

2LP | 2018 | EU | Original (Nonesuch)

44,99 €*

2x12" | 2022 | MT | Original (Wave Function)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker. With original inner sleeve

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Zobol

Waveform Trajectory

2LP | 2021 | US | Original (Montserrat House)

Release: 2022 / MT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink, but opened. Vinyl close to NM

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Eric Hilton

Ceremony

2x12" | 2021 | DE | Reissue (Midgar)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of small marks on Side D, otherwise NM.

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Susumu Yokota

Acid Mt. Fuji = 赤富士

39,99 €*

LP | 2020 | EU | Original (False Idols)

Release: 2021 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Orange vinyl. Cover with beginning of seam split on top spine and bent corner

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Tricky

Fall To Pieces

30,99 €*

7" | 2012 | US | Reissue (Medical)

Release: 2020 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl Limited edition. close to NM. Original inner sleeve

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Disco Volante

No Motion

10,99 €*

12" | 2023 | EU | Original (Ilian Tape)

Release: 2012 / US – Reissue

Genre: Electronic & Dance

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For the first 7" record released by Medical Records, we are proud to reissue the long lost and out of print 7" by Disco Volante. Disco Volante was essentially Terry Clarke (aka Terry Tanx) formed in London in 1982. Inspired by the early Bond films and their soundtracks (Disco Volante was a yacht in Thunderball), Tanx played live in a number or small clubs between 1982-1986. Using a small number of Roland instruments (TB 303, TR 606, MC-202, and SH-09), Disco Volante self released a cassette entitled "Traction in Rehash" now which is sadly lost. In 1984, the 7" single "No Motion" with the same title as A side and "Click" and "Punishment Tank (Live)" as the B side on Catalyst Box Records. Terry recollects that the recording only took 2 days, and the engineer had no experience with this style of music. The end result has a very DIY aesthetic despite the use of a professional studio. Unfortunately, the single was not commercially popular and received no publicity due to music press strike at the time. The single began to gain cult underground popularity in the 90s and 00s with the resurgence of new wave which resulted in a spike in prices for the long lost single. The track "No Motion" is a very catchy layered synthpop hit that is quite unique yet capturing the essence of the early 80s new wave sound very nicely. "Click" on the b-side is a march-like track with propulsive synthetic bass textures and monotonous analog drum beats. The final track "Punishment Tank Live!" is a track recorded live at the Red Box, London with a punk feel with intense delayed vocals, guitar and overlayed synth hooks. Beyond out of print and sure to appeal to lovers of the DIY coldwave and synth 7" revival and resurrection. Presented on high-quality thick transparent green 7" vinyl in a limited edition of 500 hand-numbered copies.

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Full Bloom

Time Zones

LP | 2021 | US | Original (Gold Robot)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Full Bloom is an experimental sound collective traveling through polyrhythmic timezones and psychedelic soundscapes deeply rooted in the aesthetics of Jazz, Hip Hop, Afrobeat and Dub. Whatever happens, we try to convey a feeling that sits deep in your stomach and makes your body move!

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Monster Rally

Mystery Cove

39,99 €*

12" | 2023 | EU | Original (Thisbe)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Purple Orchid vinyl close to NM.

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Oblako Maranta

Trance Beckenbauer EP

Changing Channels: Part 1

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Oblako Maranta is the collaboration between Radial Gaze and A-Tweed. The duo has already released several tracks in different compilations by Samo Records, Electric Shapes, Playground Records, as well as their debut EP “Maranta Kicks” on Duro.

In their new EP “Trance Beckenbauer”, the St-Petersburg-based Radial Gaze and Rome-based A-Tweed produced 4 original tracks that finely blend the sound of each artist, where slow tribal techno meets acid weird disco.

Starting off with the title track “Trance Beckenbauer”, Oblako Maranta brings us through a cinematic voyage, paced by percussive wonders and catchy bass lines, hypnotizing the listener from the first kick on. The atmosphere is dark, trippy, beautifully loved in an analog synth “duvet”. With that feeling of timelessness, “Trance Beckenbauer” sounds like the perfect fit for the next Blade Runner´ s soundtrack.

Next on the tracklisting is “Putos Mosquitos”, a tune that gives a feel of crossing a jungle full of wild life, with weird acid patterns on repeat, groovy percussions, and that sense of limitless adventure as the track plays on.

“Congarella di Luna” is a bewitching tune blending a mesmerizing melody with dreamy pads, finely arranged as the drop brings the energy down before reaching its paroxysm: an irresistible melodic pattern that will leave no one still on the dancefloor.

The fourth track “Analog Garbage” ´should bring any human being on the planet to an ecstatic state as it infuses that energy that makes you move fast and forward, without looking back. Indeed, “Analog Garbage” is driven by a fat bass riff and a kick-drum that tirelessly hammers the pace, while acid melodies are raining as the track unfolds. And there is that drop…

The EP is completed with first-in-class remixes by Inigo Vontier and Zillas on Acid, who reworked “Putos Mosquitos” and “Congarella di Luna”, respectively.

Artwork by Danish artist Christoffer Budtz.

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Pangaea

12" | 2023 | UK | Original (Hessle Audio)

15,99 €*

12" | 2020 | EU | Original (Polydor)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Changing Channels is the new album from Pangaea, AKA Kevin McAuley, his first since 2016's acclaimed debut LP In Drum Play and a jolting reminder that functional doesn't mean complacent. The seven tracks here are galloping, infectious and hypnotic, capturing Pangaea's skill at constructing bangers that reflect an innate experimental tilt without sacrificing impact. Tested across his international DJ sets, and developed during a healing period of introspection, these cohesive tracks attack and retreat with an urgent and emphatic focus on the dancefloor, and a precision so undeniable as to seem predestined.

Set for release October 6th, Changing Channels is the culmination of several years of exploration and refinement and has a natural home on Hessle Audio, the label McAuley co-founded in 2007. The album has formidable, unstoppable grooves – a key part of Pangaea's intentions as DJ and producer – and gleam like marble set against concrete: sleek yet rough, attractive yet abrasive. His music has always felt more twilight than dead-of-night, where mysterious elements can emerge without feeling like a threat, and that holds here, with a warmth permeating the darkness.

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James Blake

Before

11,99 €*

Czamanski - Recreational Kraut

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Moufang

2LP | 2023 | EU | Original (Source)

12" | 2023 | EU | Original (Radiant)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Welcome to Recreational Kraut, the latest release on the recently relaunched Source Records label.

This collaboration between Jordan Czamanski (aka Jordan Gcz) and David Moufang (aka Move D) links back to the ambient experimental beginnings of Source Records in the early 90s, as well as to Conjoint, a project exploring the borders of improvised music based on ambient, experimental electronics and jazz featuring Karl Berger, Jamie Hodge, Gunter “ruit” Kraus and David Moufang.

Recreational Kraut was recorded live in in three sessions in Jordan’s Amsterdam studio in 2018 and 2019. As the title suggests, the album flirts with the term and the “genre” krautrock and it’s prolonged, often improvised instrumental passages. The equipment used in the late 60s and early 70s was often rather conventional like electric piano, old synthesizers and electric bass guitar - all present on the album’s opener “recreation parts 1-3”. The two instruments shaping the album and giving it a coherence, despite the varied styles and tempos are Czamanski’s Fender Rhodes and Moufang’s lyra-8, an 8 oscillator drone synthesizer which is played manually via touch sensors, giving it a very expressive sometimes violin-like other times outer-worldly, atonal character.

Recreational Kraut’s 11 tracks span beat-less ambient soundscapes to jazzy psychedelia, as well as hints of house, techno, broken beat and funk.

Let yourself submerge in the gravitational fields of Recreational Kraut.

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Kasra V

Hyperdelic EP

15,99 €*

Nurture Random Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Kasra V’s Hyperdelic EP, his first release on Radiant Records, showcases the producer’s attentive ear for textural and rhythmic play. His last EP from 2018, Akasa, was a collection of dreamy, break-driven pieces, and a more ambient collaboration with Dopplereffekt; timbre and meticulously tuned sonics were also in focus then, but we now hear a reduction of form, and with it, a saturation of style. “Voice note to self” kicks off the EP with a boom-bap drum loop. The rhythm continues as percussive elements are added and removed, adhering to the groove and its growing complexity. A warm bassline chugs along, pitched vocals mumble into the static, and an ascendant pad begins to give the track a gorgeous depth: a horizon. Following is a remix of the same track by Byron B. Yeates and Roza Terenzi, adapting certain samples from Kasra V’s production and looping them up to a brisk 142 BPM. As can be expected from these two, the kick’s punchy 4/4 structure is buttressed by crisp percussion and clever, unexpected rhythms. On the B-side, “Vesper” takes us back to downtempo. Bumping on at around 80 BPM, Kasra V builds upon a drum-machine loop with processed percussion samples: a snare-roll one could hear in a jungle track, chopped claps panning across the break, and so on. And the slow, warm gurgle of an 808 comes in just at the point of fracture, holding it all together. “Night Prime” extends the EP’s principle of a drum loop serving as the skeleton – with greater drama, somehow. Like in “Voice note to self”, we hear vocal samples, but here they swerve in and out of clarity; we break into unexpected moments of silence, and the loop restarts; 3 minutes in, a huge, minor piano chord breaks upon the track like dusk. “Warm up great” closes the EP with the blend of left-field groove and dissonance one might associate with Future Sound of London or early work of The Chemical Brothers. The textures and tunings of each sample are so dense, so delicious, Kasra V lets us savour them for the last 20 seconds of the EP, lost in the reverb of a singly struck piano key

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Marine Eyes / Iksre

LP | 2023 | US | Original (Past Inside The Present)

31,99 €*

LP | 2022 | UK | Original (-ous)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Los Angeles-based marine eyes (aka Cynthia Bernard) and Melbourne-based Iksre (aka Phoebe Dubar) come together for this new album on Past Inside The Present and it is one that draws on their respective backgrounds as musicians, multi-instrumentalists and sound healers, as well as their shared love of field recordings. The album came about when each heard the other's music and decided to share sounds through an email pen-pal format. The mail chain included notes and pictures and became a geographical lesson and exploration of emotional landscapes. It blends ambient drone with neo-classical, sound healing, dream-pop and gentle lullabies onto something warm, comforting and introspective.

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Noémi Büchi

Matter

Excerpts From 1993 - 1995 Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"Music gives us the illusion that time is not time, but space. It is then that the music transforms from process to object, which I find a very interesting thought; a materialisation of the sound process. Sound is matter." - Noémi Büchi
Noémi Büchi's debut album 'Matter' captures the tension between growth and decay, consonance and dissonance, mirroring Büchi's own catharsis through music. Her most personal material to date, 'Matter' is an opus of refined, sculpted beauty, one that aims to blur the distinction between ephemerality and physicality. Inspired by late romantic classical music and early 20th century contemporary music, 'Matter' is driven by the compositional methodologies of Igor Stravinsky, Alexander Skrjabin, Gustav Mahler and György Ligeti to modern sound forms, adapting and expanding upon their ideas in an awe-inspiring exploration of cutting-edge potency and tactility.
Büchi structures the electronic works that constitute 'Matter' in movements, stratifying myriad instrumental parts like the constituent sections of an orchestra. During her work on the album, Büchi engaged in extensive research, obsessively studying specific chords and progressions, and searching for transcendent intonations with resonant properties; complexions of sound with the ability to connect with the listener's body. Transforming our inner worlds into zones of suspension and levitation, Büchi exposes the listener to intoxicating slipstreams of sound. Prominent voices ascend, tectonic disturbances threaten the foundations, perception and sensation becomes subject to elemental countercurrents and inversions. 'Matter' illustrates the fraught pursuit of momentary equilibrium, and makes the fragility of euphoria tangible.
Composer & sound artist Noémi Büchi creates electronic, symphonic maximalism. Her music is defined by delicate electronic-orchestral forms and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Büchi has appeared on the Light of Other Days and Visible Dinner labels, and is now an affiliate of -ous, releasing 'Hyle' her debut EP on the label in spring 2022. As well as her solo output, Noémi Büchi is currently working with Feldermelder on their collaborative project Musique Infinie. Their debut album will also be released via -ous in the near future.

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Prototype 909 & Facil

12" | 2022 | EU | Original (Re:Discovery)

14,99 €*

LP | 2022 | UK | Original (Downwards)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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On behalf of re:discovery records, it is with great excitement that we announce the joint compilation from Facil and Prototype 909 called 'Excerpts from 1993-1995.

As most know, Prototype 909 was a legendary acid techno act from New York that toured the circuit as one of the premier rave acts from America during the 1990s.

Facil was a side small duo project that only made one album and a few appearances on a handful of compilations. The A-side features two Facil tracks. 'Tree Frog' has an amazingly robotic ambient dub electro sound. A killer track that will have dancefloor patrons staring at each other with blank wtf faces. '700x7' completes the A-side with ambient dub gem. Floaty and airy melodics balance out a devastating 808 drum beat.

This is ambient dub in the truest example. The b-side then offers two spacey trance beauties with 'Transit' & 'Planet S' from Prototype 909. The EP finishes with more space junk ambient dub with 'Same Place' by Facil.

Overall, a great look into the window of early to mid-1990s New York ambient dub.

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Eros

A Southern Code

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Einstürzende Neubauten producer Boris Wilsdorf, Karl O’Connor aka Regis and MY DISCO’s Liam Andrews assemble as Eros, bottling no-wave/industrial lightning with a tight set of pulverized, widescreen torched-songs that rasp, grate and throb somewhere between This Heat, The Cure, Cabaret Voltaire, Alva Noto x Pan Sonic. An industrial fantasy of flesh and steel, ‘A Southern Code’ is the stunning continuation of the trio’s work at Wilsdorf’s pivotal Anderesbaustelle studio on Regis’ watershed album, ‘Hidden In This Is The Light That You Miss’. Rejoined by another key muse, Anni Hogan, and Einstürzende Neubauten’s Jochen Arbeit, they effectively galvanised a new band, Eros, during long days and nights in the studio across 2020 and into 2021. The sound they make is fiercely lean, shaped by Wilsdorf’s manacled mixing and anchored in the frankly sexy as f#ck swerve of Regis vocals and his snake- hipped rhythm section. The first songs issued from those sessions form a lustrous new high point of contemporary industrial and dance music, one porous to Kurdish dabke as much as archetypal goth, pulsing with a metallic bloodlust and spatialized by Wilsdorf’s genre-forming tekkerz in a way that seriously rewards with proper amplification. Judged on its immediate merits, it’s the sort of record that could have feasibly come out at any point between the ‘80s and now, but closer inspection reveals a discreet framework of sculpted subbass and sleekly rolling traction that betrays the modernity of minimalist D&B physics and up-to-the-second sound design that places ‘A Southern Code’ in a timeless echelon. Registering the venomous drums and over-the-shoulder whispers of its title track, plus the incendiary middle eastern horns of ‘The Crawling Man’ - a real parallel dimension take on The Cure’s ‘The Top’ - to the post-apocalyptic lounge lizard styles of ‘In This Place’, and the unheimlich creep to ‘Nature Unborn (From Sun to Sun)’, the band’s first album plants a vital stake in the ground for industrial musick at the crest of a new decade.

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Aquapelago: An Oceans Anthology

LP | 2022 | EU | Original (Discrepant)

12" | 2022 | EU | Original (Kynant)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Anthology introducing the first of a series of albums based on the concept of Aquapelago.

‘’ Since the earliest days of the planet there has been a rhythm of tides that creates coastal interzones where humans have foraged and pursued various livelihoods. Developing boats to fish from and technologies that enabled them to immerse themselves deep underwater, the aquatic realm has been one explored, experienced and imagined in various ways. In an effort to express the vitality and richness of this environment I coined the term aquapelago in 2012. The wordplay was deliberate. The neologism was designed to distinguish the liquid inbetweenness of this space from the dry, scattered, lands of archipelagos.

The concept of the aquapelago coalesced around themes taken from various places. Epeli Hau’ofa’s idea of an Oceanic “sea of islands’” was formative but a number of songs were also inspirational. Torres Strait islander Seaman Dan captivated me with his experiences of pearl diving in the Darnley Deeps in his song ‘Forty Fathoms’ and Norfolk Islander singer Kath King imaged how sea-turtles might have experienced ecological change in her song ‘Tech me how fer lew’. Other reflections on watery realms also appealed. Debussy’s solo piano piece ‘La cathédrale engloutie’ soundtracked me as I researched myths of lost Lyonesse while Mike Cooper’s Kiribati, an ambient exoticist album about the imperilled archipelago (recently re-released on Discrepant), caused me to reflect on the social and cultural impact of sea level rise before that topic became a high-profile concern.

This compilation album takes the concept of the aquapelago into new depths and breaches it on fresh shores. The tracks are soaked with the aquatic. Bassy sonorities boom as if heard deep underwater. Bubbly textures breach the surface, water drips and seabirds soar high above waves. Sugai Kei samples fragments of text concerning the Ningen, a fantastic humanoid/whale that reflects the ‘aquapelagic imaginary’ of modern Japan and its preoccupation with industrial whaling. Andrew Pekler continues the orientation of his Phantom Islands project - a sonic atlas of imaginary places - with a soundscape as if heard by a swimmer just offshore, mixing sounds of the island and the sea together. Mike Cooper’s sonic reflection on Hong Kong’s Lamma Island is similar, combining the island’s ubiquitous barking dogs with the slurp of waves on rocky shores, conjuring a languorous time before Chinese crackdowns on the territory.

Taking another tack, the Dead Mauriacs gleefully water-ski through collage of tropical island exoticisms, replete with glitchy orientalism, while Babau combines skittering idiophone melodies with resonant glissandi. Vica Pacheco moves between dense and airy sounds, as if crossing between surf lines and the space above. Yannkick Dauby’s track is also imbued with in-betweenness, evoking ambient sounds heard through a ship’s hull. Sculpture’s ‘Froth Surfer’ realises its title, with bubbling sounds and rhythms that evoke Hawaiian surfing filtered through layers of time and distance. Reminding us of the shore necessary for aquapelagic spaces, Franceso Cavaliere and Tomoko Sauvage’s composition anchors the album, centred around shaken rhythms and resonant ringing tones and drones.

Taken together, the album sketches the contours of the aquapelago as it might be imagined and conjured in sound – an endless oceanic realm that laps on to beaches and crashes against cliffs. The performers navigate this space under alternately starry and cloudy skies, orientating themselves with sounds, textures and sonic samples of their terrestrial homes while we float with them. ‘’ Philip Hayward December 2021

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Cio D'Or

Polar Q

Soul Jazz Records presents

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Unmistakably Cio D’Or, Polar Q’s eight tracks explore ambient and cinematic techno, before dissolving into broken-beat, aquatic compositions from the outer reaches.

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Deutsche Elektronische Musik Volume 2 - Experimental German Rock And Electronic Music 1972-83 LP 2

2LP | 2013 | UK | Reissue (Soul Jazz)

Soul Jazz Records presents

Release: 2013 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

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Deutsche Elektronische Musik Volume 2 - Experimental German Rock And Electronic Music 1972-83 LP 1

2LP | 2013 | UK | Reissue (Soul Jazz)

Release: 2013 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Erased Tapes 20..---0 Clear Vinyl Edition

LP | 2022 | EU | Original (Erased Tapes)

Solitude Transit Bande Magnétiques Inédites 1989-1990

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following its limited vinyl release on Record Store Day, the results of our Erased Tapes 20･･－－－0 project are now widely available in physical form.

"Especially in this time of isolation we need to remind ourselves of the importance of art, just how magical a medium sound is to express, to raise and answer question marks, to open and mend the soul... it’s the most universally speaking of all languages as it knows no borders."

At a time of global separation, Erased Tapes founder and sonic explorer Robert Raths stitched together a project putting what is most important at the forefront — connection. This collection of works by undisclosed artists from the roster gives space and time to appreciate art at its most honest. By shedding the information noise usually attached to release cycles and by bringing music back to the magic of sound, we're presented with an opportunity for exploration when we need it most.

Robert spoke to Mary Anne Hobbs of BBC 6 Music about how releasing music without revealing its origin through the Erased Tapes 20･･－－－0 morse code series enabled him to share what him and the artists have been working on in real-time as opposed to the usual delays that come with releasing music.

“All the information, all that noise... As much as it can help give context, it also takes something away. It tends to cloud your senses and take away from the magic of when you first hear something that’s completely unknown to your ears. How wonderful a sensation it is to just listen and let the music speak for itself without prejudice or the need for any references.”

— Robert Raths

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Luc Ferrari

LP | 2022 | EU | Original (Transversales Disques)

3LP | 2021 | UK | Reissue (Warp)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Transversales Disques is very glad to announce the release of Solitude Transit unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for contemporary dance, choregraphed by Anne-Marie Reynaud. Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) major figure of musique concrète and electroacoustic music broke away to pave his own path of individualistic expressions of minimalist music, musical theater, field recordings, orchestral music and soundtracks...

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Seefeel

Succour (Redux)

31,99 €*

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with light damage on one corner, closer to NM. Still in shrink, but opened, with hype sticker

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Silberland 01 - The Psychedelic Side Of Kosmische Musik

2LP | 2022 | EU | Original (Bureau B)

34,99 €*

3LP | 2022 | UK | Original (Sushitech)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The Psychedelic Side of Kosmische Musik Fellow humans, Bureau B invite you on an expedition to Silberland, a singular span of spacetime created by Germany's sonic futurists of the seventies and eighties. Embracing the early electronics and tape experiments of the sixties' avant-garde, these artists aimed to boldly go, eschewing small steps for giant leaps into a nebulous and novel sound.

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Sten Aka Lawrence

Earthshine

41,99 €*

2LP | 2022 | UK | Original (Pilot)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Dial's label boss Sten aka Lawrence presents his long awaited third album on the ever-classic Berlin based Sushitech Records. Earthshine is an extended journey of 12 tracks written and produced by Peter Kersten over the last 5 years. Atmospheric Ambient to deep Techno and everything in between put together by a true master of the craft.

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Kolter

Between Fragments

2x12" | 2018 | NL | Original (Heist)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Johannes Kolter is Kolter, an artist formerly known as Djoko, and now a hotly tipped breaks and garage head who has already got plenty of attention. Here though he makes a grand and widescreen statement with the first release on the all-new Pilot label. It is a stylish and adventurous record with plenty of killer cuts from the downbeat hip hop opener to the deep house delights of 'Journey' via the elastic and energetic future house kicks of 'Roboflow.' Showcasing both a knack for well craft synths and expert drum programming precisions, this record plays out like a mini DJ set with all the twists and turns you need to keep you on your toes and fully engaged.

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Detroit Swindle

High Life

32,99 €*

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Let's Talk About The Weather

Gudrun Gut + Mabe Fratti

LP | 2021 | EU | Original (Umor-Rex)

Since I Left You 20th Anniversary Deluxe Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Gudrun Gut and Mabe Fratti have worked together on a powerful hybrid album, where taut rhythms fuse with haunted vocal melodies and spoken word, and field recordings meld with extended ambient pieces. As part of Umor Rex’s 15th anniversary, we here present an album that builds a dialogue between two lands and two unique artists. Mexico is the origin and conceptual residence of our label, while Germany is where we produce and manufacture our records (Berlin functions as the center of distribution and logistics, thanks to our friends at Morr Music). The intertwining imaginations belong to German producer Gudrun Gut (Malaria!) —a notable figure of the subculture and the German music scene since the early 80s, and also a founder of Monika Enterprise and recipient of the ‘Listen to Berlin’ Award in 2019— and singer, multi-instrumentalist and composer Mabe Fratti (originally from Guatemala, now based in Mexico City). We knew about "Let's Talk About The Weather" from the beginning, and since the moment Gudrun and Mabe made us part of their project, our excitement could not be greater. The process started with Gudrun and Mabe having long distance conversations, asking about their whereabouts and discussing the weather. This might seem rather commonplace, but it works as a key thematic component for the entire album. The weather as the new great unknown, perceived through the optics of everyday life. Sound files were methodically exchanged, with Mabe exploring words and vocals, and Gudrun working with field recordings taken from each city. In the end, this joint musical venture would provide a healing effect for both artists during life in quarantine. "Aufregend", the opening track of the album, reflects upon a general lack of excitement in modern life. It wonders what the future might hold. Is it cold? Is it warm? Will it be the same? "Air Condition" is an eerie, dazzling collision of climates: the hazy warmth of Mexico City, the deep cold of Uckermark. The last track, which gives the album its name, is a long ambient piece composed of four parts: sound sculptures, field recordings of city life, news and weather forecasts, and private conversations about the climate. It's kind of a collaborative diary, obsessed with a single, all-encompassing subject. Produced and recorded by Gudrun Gut and Mabe Fratti between Berlin, Uckermark, Veracruz and Mexico City. Mixed by GGut at Stern Studio Mastered by John Tejada in Sherman Oaks, USA. Artwork & photos by Daniel Castrejón in Mexico City.

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The Avalanches

4LP | 2021 | UK | Original (XL)

58,99 €*

LP | 2021 | EU | Original (Discrepant)

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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One copy per customer.

The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

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Kink Gong

Zomia Volume 1

LP | 2020 | EU | Original (Musica Per Immagini)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Kink Gong is back with his unique take and re-interpretation of the music he’s been recording and documenting for years in the South East Asian highlands. Zomia Vol.1 takes the conceptual idea of Zomia, proposed by James C Scott in The Art of Not Being Governed, an Anarchist History of Upland South East Asia, to construct its very own mythological soundscape inspired by a semi-utopic region where state rules don’t apply. Zomia might be (almost) gone but Kink Gong is keen keep its spirit alive by releasing a series of albums celebrating the region’s quasi mythological features.

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Sandro Brugnolini

Abstract Forms

Surface Tension: II Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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“Abstract Forms” is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late Eighties and early Nineties. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experiments are not only characterized by their use of electronic instruments, as dictated with the requirements of the time, they also have a specific rhythmic inventiveness that gives them their identity. One more time the Italian brilliant composer follows his strong drive in drawing inspiration from what technology can offer him.

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Clubroot

12" | 2020 | EU | Original (LoDubs)

10,99 €*

Diasporas Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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As witnessed in the preceding decades of electronic music fragmentation, it is a bit of a phenomenon that entire threads of sound exist elusively between the tempos and syncopation of rhythm and percussion of each respective genre. just as dubstep was evolved into & somewhat stumbled upon it is somewhat certain that many more areas of illumination lurk in the echoes & shadows of sound. As has been hinted on sonically with Surface Tension I, Clubroot's previous release & first foray into the second decade of the new millennium, the elusive aforementioned producer from St. Albans has managed to alloy a new sound with the swing and BPM of uk garage, space, air and atmosphere of true dubstep, and with all the unparalleled virtuosity and unmistakable aural DNA of Clubroot, which we dare say is rarely equaled. in doing so, clubroot illuminates the realm of uk garage and electronic music in general towards a currently unforeseen future.

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Ghédalia Tazartès

LP | 2020 | US | Original (Dais)

23,99 €*

2LP | 2018 | EU | Reissue (Virgin EMI)

Release: 2020 / US – Original

Genre: Electronic & Dance

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David Sylvian

Dead Bees On A Cake

84,99 €*

Bunny Black Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Matthew Dear

2LP | 2018 | US | Original (Ghostly International)

21,99 €*

Release: 2018 / US – Original

Genre: Electronic & Dance

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LP | 2018 | EU | Original (ZZK)

King Coya

Tierra De King Coya

2LP | 2018 | UK | Original (Discrepant)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The latest sonic adventure by King Coya, danceable alter ego of Gaby Kerpel (De La Guarda, Fuerza Bruta) a pioneer of Latin American folklore fused with electronic music, is called “Tierra de King Coya” (Land of King Coya) where rhythms such as the wayno and instruments from the Andes like the ronroco and tarka, are digitally intertwined with the ritual of dance and celebration. Like a sorcerer from the future, King Coya creates a map of sound exploration navigating the continent through his digital point of view. For this project he incorporates his own voice and also plays a smattering of live instruments.
Since his debut as King Coya with “Cumbias de Villa Donde” (2009) Gaby has produced remixes for artists such as Amadou & Mariam, Brazilian Girls, Julieta Venegas, Luzmila Carpio, Chancha Via Circuito, Tom Tom Club, Petrona Martinez and Magin Díaz amongst others. As well as forming part of the band Terraplén (2010) produced by Santaolalla and the album “Tira Torito” along the coplera Balvina Ramos.
The journey through the “Land of King Coya” begins with “Te Digo Wayno” a powerful track that highlights the joy of dance, and makes a poetic introduction of the Queen Cholas, a dance trio that performs with him during live shows. A true ceremony of celebration that integrates the audience into a singular immersive experience.
The album features diverse guest singers such as: La Yegros - musical companion from his first shows at Zizek Club and for whom he has produced 3 albums. On the first single “Algo” (Something) a sort of kuduro mutates into and Andean dub. For the song “Tierra de King Coya” a combination of Colombian buyerengue and Argentine carnavalito we find La Walichera’s enchanting voice. Balvina Ramos collaborates on “Pa que yo Te Cure” a remix of the song “Linda Flor” (Tira Torito - 2012). Iara Nara - one of the Queen Cholas - jumps in on the track “Pachamá” with airs of a coplera singer over dancehall beats, reinforcing the main objective of bringing folklore to the dancefloor.
“Como Saber” (How to know) and “Dorremi” invoke his foundational album “Carnavalito”, (Nonesuch Records 2001) instilling a particular energy to this album that aims to represent the journey in which Gaby Kerpel ultimately becomes King Coya. The end of this road comes with “Icaro Llama Planta” alongside Isabel Pinedo Rengifo’s mystical voice, a healer from the Shipibo community (Peru), whos shamanic chants invite the listener to reconnect with the earth and give closure to this festive ceremony.

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Kink Gong

Dian Long

Release: 2018 / UK – Original

Genre: Electronic & Dance

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LP | 2016 | UK | Original (Discrepant)

Chupame El Dedo

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Of Palm Trees And Decomposition

Charbel Haber

LP | 2016 | UK | Original (Discrepant)

18,99 €*

LP | 2016 | EU | Original (Black Sweat)

Release: 2016 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Charbel Haber is a Lebanese musician, performer & composer from Beirut. Co-founder and member of longstanding Lebanese post-rock group, scrambled eggs Haber’s work encompasses a wide range of disciplines and styles such as film, video art and theatre, both as a solo artist and as a member of Scrambled Eggs, Malayeen and Johnny Kafta anti vegetarian orchestra.

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Ariel Kalma

Interfrequence

2x12" | 2013 | Original (Matador)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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After the exploit of Osmose in 1978, Kalma returns into the studio in 1980 with Interfrequence a library record on space ambients. A continuation of his personal research based on the combination of electronic machines with natural sounds and acoustic instrumentation. The french musician fully wears the robe of master of ceremonies of the synths. However, the path taken is not that symphonic of the minimalist and galactic suites composed by other standard bearers like Richard Pinas and Klaus Schulze. Here, we find 18 short pictures sound (few of them in collaboration of M. Saclays) that emanate a variety of ideas and ethno-cultural influences unparalleled. A distinctive compositional style always returns an crescendo of ecstatic emotions, a reflection on the hidden and secret aspects of the micro and macro cosmos. If in Osmose the sampling sound from the mother Gaia was more explicit, here the Nature is investigated not only in terms of pure tones, but especially in the dynamics of flows and movements dictated by the frequency of moogs and organs and embellished with hyper-space flutes trumpets and clarinets. Kalma so writes yet another chapter of his personal saga of a new world of sound imagery.

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Darkside

Psychic

2LP | 2014 | EU | Original (!K7)

Release: 2013 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Tosca

Outta Here

Release: 2014 / EU – Original

Genre: Electronic & Dance

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12" | 2018 | DE | Original (Not On Label (Kid Sublime Self-released))

Unknown Artist

Untitled

5,99 €*

LP | 2016 | UK | Reissue (Heavenly)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

stamped white label is close to NM

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Saint Etienne

Foxbase Alpha

34,99 €*

LP | 2021 | US | Original (Late Music)

Release: 2016 / UK – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Sarah Davachi

Antiphonals

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2022 | UK | Original (Astral Industries)

Son Of Chi & Clara Brea

The Wetland Remixes

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2023 | DE | Original (Shunsuke Oshio Self-released)

Shunsuke Oshio

Karmic Dream Sequences

17,99 €*

LP | 2020 | DE | Original (Shunsuke Oshio Self-released)

Release: 2023 / DE – Original

Genre: Electronic & Dance

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A dreamy sequence, the beauty of the void, attempts to melt and form itself while seeking internal and external karma.
Perspective from the tremendously minutest moment to the most hugest puls.
The illusion of listening to the whispering of a tiny fetus in the mother’s womb.
Auditory hallucinations as if hearing the roar of magma wriggling at the depths of the earth.
All musical components here are the sounds of electric guitar,bass,synthesizers,human/animal voices, bells, and rhythm machines, which would be lost from their original substance and context,while they try to be re-harmonized and redefined in an amorphic way.
Like an ancient memory that disappeared suddenly after waking up from his longtime sleep.
Like some sutra paragraphs, you draw to get your stolen sleep time back.
These might be very similar to the fragments of your reminiscences, which degraded after excessive tracing and editing.
But it`s all a dream.

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Shunsuke Oshio

Waterfall

17,99 €*

Nevermen & Boards Of Canada

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Waterfall is self released solo debut album of Shunsuke Oshio with 12inch analog record and digital format.

Album is composed by electronic and acoustic instruments that imitates the physical and metaphysical images of a waterfall.

Shunsuke Oshio is musician ,based on Düsseldorf Germany.

musical instruments used in this album are:
fender electric guitar,yamaha acoustic guitar,many guitar`s effects pedals,boss looper,akai sampler,acoustic kalimba,rhikiram sitar,tanbura app,moog synthesizer,moog multi pedal(mp-201) and analog rhythm machine.

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Mr. Mistake

7" | 2023 | UK | Original (Lex)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Time's All Gone Cloudy Dark Burgundy Vinyl Edition

Nick Waterhouse

LP | 2012 | US | Reissue (Innovative Leisure)

21,99 €*

Release: 2012 / US – Reissue

Genre: Electronic & Dance

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12" | 2022 | UK | Reissue (Le Chatroom)

Pluralist

Console EP

Release: 2022 / UK – Reissue

Genre: Electronic & Dance

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Affable With Pointed Teeth

Yungmorpheus & Eyedress

LP | 2022 | Original (Lex)

Release: 2022 / Original

Genre: Electronic & Dance

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Charlie Lownoise & Mental Theo

Charlottenburg

LP | 2022 | EU | Original (Cloud 9)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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2LP | 2014 | EU | Reissue (Ghostly International)

Com Truise

In Decay

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | EU | Original (NNA Tapes)

TALsounds

Shift

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Agogo /)

Mo'horizons

Mango

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Ash Ra Tempel Transparent vinyl Edition

Ash Ra Tempel

LP | 2023 | Original (MG.Art)

39,99 €*

LP | 2023 | EU | Original (Wrong Speed)

Release: 2023 / Original

Genre: Electronic & Dance

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Transparent Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Jellyskin

In Brine

Normal Nada The Krakmaxter

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Limited Aquatic Blue Vinyl! Much anticipated debut album from this Leeds-based electronic duo, following high-profile UK festival slots, and shows alongside luminaries The Brian Jonestown Massacre, Warmduscher, Sea Power, Moonlandingz, The KVB, with multiple plays across BBC6/BBC Introducing and Amazing Radio, jellyskin are finally ready to unleash 'In Brine', their first full length release. The result of four years spent writing, recording, and refining the album between Leeds, Liverpool, Bristol, Palamos, and Berlin, 'In Brine' showcases the many talents of Will Ainsley and Zia Larty-Healy in a work straddling iridescent electronica, tungsten-tipped techno, art pop, and queasy, brown acid folk. The songs are pieced together with themes of longing, misadventure by the sea, desire and aquatic apparitions that showcase Larty-Healy's warm but urgent vocal range, as at home around the campfire as it is in the club. The pair's meticulous arrangement and rearrangement, sculpting, recording, and mixing was a glacially slow process of adaptation, mutation, cooperation, growth, and, yes, natural selection. First single 'Bringer of Brine' thumps from the speaker anthemically and forcefully, pitched somewhere beautiful and uncanny; Larty-Healy's vocals soar and skim off the production like a smooth stone across choppy waves. The radio-ready pop electronica of 'I Was The First Tetrapod' bursts into the world with an urgency in line with the lyrics. An aquatic tale of crawling onto land for the first time, desperate to make new life forms, it's also a positive, joyful rebuke to the despair of the world around us. "Growing my legs...". The fuzzed-out psychedelic keys and forward-moving, Knife-like structure echo throughout while beautiful lyrics detail visions of where this would all lead life as we know it-"I can run freely, white horse behind me. Flexing my bones and artery twine, find human tone and reach for the vine." 'Fox Again' opens with chopped alarm clocks segueing into a lurching rhythm, before exploding into skittering beats and a soaring chorus. The effect is like waking up drowsily, going over to the window in your room and yanking open the curtains to be blasted by searing sunshine. The pair brought in Berlin based co-producer, mixer and masterer Lewis D-t to help finesse the tracks into fat-free hunks of ecstasy and sonic exploration, their rich depths marking 'In Brine' as an album everyone should be talking about this summer and beyond-all nine tracks will have feet moving and hearts swelling in equal measure. RIYL: Jockstrap/Working Men's Club/Stealing Sheep/Broadcast etc.

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Tribal Progressive Heavy Metal

LP | 2023 | EU | Original (Nyege Nyege Tapes)

7" | 2023 | EU | Original (Moonshoe)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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One of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep "Transmutaçao Cerebral" he has finally assembled his long-awaited debut album. "TRIBAL PROGRESSIVE HEAVY METAL" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique. Listening to the album is like channel hopping through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4/4 beats and unsettled subs. Born and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts. The album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.

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Cousin

Rosie/On2

2LP | 2023 | EU | Original (R.i.O.)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Following up his recent record on Naff, Cousin returns to the Moonshoe home front for his latest offering. Introspective and unbound sounds etched into the latest mini disc - delicately staunch cuts that may both pluck at your heart strings and rattle your bones. Recommended connection to the call as it phones home.

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Tm Solver

Subtraktiv Additiv

Release: 2023 / EU – Original

Genre: Electronic & Dance

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I was dancing when I was out, I was dancing when I was in. Is it strange to dance so late? Is it strange to dance so soon? Cosmic dancers always ball. Dancing with themselves, dancing space away. Right into the smallest hole a human brain can create: the inner cosmos, a psychedelic region, where time gets space and space turns to haze.

Berlin based producer TM Solver is such a kind of cosmic dancer. He has danced late. And so soon. Since 2008 he released yearly one, sometimes two albums via the German Berlin School dedicated label Syngate and its experimental subdivision Luna. Intensely meandering synthesizer journey music, that is pirouetting on inner universes, genuinely crafted in the tradition of Berlin School and Krautrock. You can catch the unearthly nuances of Can and the spaciously swinging psychedelic corners of Amon Dül, Embryo, Tangerine Dream, or Klaus Schulze. As TM Solver has been a lover of analog synthesizers for almost 30 years, all pulsates on analogue sound orbs under the zigzagging guidance of machines like Moog Prodegy, Korg MS20 and GRP A4, as well as state-of-the-art systems as ASM Hydrasynth and Korg Wavestate. When he got in touch with the Berlin club scene and all its propelling grooves in 2006, a new rhythmic universe joined his vast musical space of sound latitudes. “Tinkering around with sound structures is my thing. Leading the listener into a combination of music and sound spaces.“ he reveals on his emotive musical art. How affecting it works, is now displayed with four epic compositions for R.i.O., Berlin Wedding’s label of novel ways for caved rhythmic patterns. Grooving between 90 to 240 BPM, they offer a vast variety of emotional landscapes, slowing down, rolling up, drifting into genuinely layered tonality magic. Headspace music for vigilant wanderers. Utterly psychedelic and yet so clear. His R.i.O. debut “Subtraktiv Additiv“ comes with five additional remixes, fashioned by R.i.O. conspirator Benedikt Frey, Amsterdam based DJ and producer Mayo, “Die Orakel” magician O-Wells from Frankfurt, Siamese Twin Records co-runner Sunju Hargun, and the versatile club and beyond production duo Red Axes. They all respect TM Solver’s analogue zones and pitch them into the 115 to 130 BPM districts, while transcending his absorbing synth compositions into the world of nervous acid-laden ambient, slow-mo techno, industrial bass, post-trance, and all that hallucinogenic echo house. Nine subtle energy vibrations, epic and full of countless facets, shaped to turn on, tune in, and drop out.

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All I Ever Wanted A Tribute To Depeche Mode Purple Vinyl Edition

LP | 2023 | EU | Original (Cleopatra)

2LP | 2023 | EU | Original (Mille Plateaux)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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More info on the color coming soon.

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Thomas Köner

Daikan

30,99 €*

LP | 2022 | US | Original (The Flenser)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Earth is burning, covering all environments in ashes. Smoke comes to us from computers-from social networks accelerating the spread of burnt affects, damaging our ability to feel and respond to what the planet strives to express. We need to cool down. Thomas Köner's music can help change the pace of our perceptions: 1) In DAIKAN (2002) - a Japanese term meaning "the coldest" or "the coldest part of the year"-the ear stretches until touching the depth of time that persists in the ice; a sonic drama offers the slowness thanks to which the skin of perceptions can reconstitute themselves; icequakes awaken listeners to the frozen life without scaring them. 2) Banlieue du Vide, considered by many to be Thomas Köner's most iconic audiovisual work and best kept secret, has not been released previously. It is in the collection of a couple of art museums, e.g. the Centre Pompidou in Paris, and has been awarded the Golden Nica at Prix Ars Electronica in 2004, in the category Digital Musics. Banlieue du Vide is the result of months of time-lapse observations of empty streets in the Finnish Arctic Circle, shown in glacially slow slow-motion. Phase cancellation, on which all noise cancelling technology is based, here affects the perception of time, the sense of the flow of time extinguishing itself. At this stage the void is not yet empty, traces of past noise fill the listeners mind with their haunting presence. A remastered stereo version of the soundtrack is released as a special premiere as Bonus Track of the DAIKAN album. Listening to this album, an excess of heat turns into an empowering coldness-like the transient feeling of our terrestrial embodiment in the midst of entropy.

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Drowse

Wane Into It

12" | 2022 | UK | Original (Domestic Exile)

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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In 2019, Drowse’s Kyle Bates set out to produce a self-recorded new album. Marked by moving across state lines, long-distance relationships, and deaths in the family, the following years proved to be metamorphic. Now, three years later, he’s emerged with Wane Into It, continuing a distinctly Pacific Northwestern tradition of self-recording indie experimentalists (Grouper, The Microphones, Unwound’s Leaves Turn Inside You). One of the most impactful moments came during the looming passing of a family member. With death expected, the choice was made to conduct a bizarre “living-wake” gathering—with the soon-to-be-deceased in attendance. Shortly after, Bates found himself disturbed, preoccupied with the abstraction of memory. The experience led him to reassess the tool one uses to curate our selective memories: the internet. The internet, which creeped into even more aspects of life during the pandemic, serves as our self-made digital link to the past. Its uncaring presence layered over humbling thoughts of death and his own childhood memories of the Oregon Coast as he worked on Wane Into It; life’s hyperreal texture sank into the recordings as he felt his body age and wane. Big sounds were captured in bedrooms, hallways, practice spaces, forests, and on highways throughout West Coast—vibraphones chime over black metal guitars, a mellotron drones under degraded samples, violins splinter against granular field recordings. In the process of documenting these aural moments Bates completed an MFA at Mills College, coloring the album with shades of avant-electronic and minimalist composition (Pauline Oliveros, Terry Riley, Maryanne Amacher, Sarah Davachi etc…). To realize this scope Drowse collaborated with Madeline Johnston (Midwife), Alex Kent (Sprain), Lula Asplund, a chamber ensemble and more. Bates’s songwriting and production have never been more lucid; sounds flicker as he sings with fragile intensity. The record, Drowse’s third for The Flenser, impressionistically distills loss, distance, mystery, prescription drugs, the preservation of memory via recording, and ambient anxiety through its titular act: to Wane Into It, to disappear awaiting the next moon phase, water returning to sea before reemerging as a wave.

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Grim Lusk

Diving Pool

The Irresistible Force Vs Ramjac Corporation

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Domestic Exile warmly welcome the return of Grim Lusk, coming full circle to follow up 2018’s ‘sunp0101’ after releasing under their Dip Friso and Sunny Balm aliases in the interim. ‘Diving Pool’ is a hallucinogenic concoction of marshy, aquatic, oscillated dubs and skittering, microtonal beat experiments. Grim Lusk's signature production style is in full effect, often occupying some liminal space nearing offbeat discordancy, but beautifully pulling together on the brink. Gelatinous machine funk rhythms and sweet, syrupy dub bass ooozing with a vibrant convergence of bright psychedelic greens, yellows and oranges, akin to bubbling sulphur pools and lava lakes, are present throughout the 6 tracks; Nuovo takes late 80’s drum machine patterns and twists them up with rough-cut vocal chops and long-form sampling of a 60’s film on the first iteration of ‘Il Gruppo”. Striding into the turbulent sea, Partans is kept jovial by rim shots, cymbals and snares fed back over the forward bass buzz. Not Enough is a bizarre, primordial, stretched-out gloop sludge half-speed version of the B-side track Too Much, twisted into new rhythmic territory by an off-kilter breakbeat sample. Diving Pool takes crushed, bouncing drum machines and loop-focussed experimentation to find incidental interplay between the two, whilst somehow retaining ebullient make-you-movable gusto. Angular rhythm and zealous sample manipulation seep through in Too Much, live drums patched, extrapolated and pulled further out in the mix, where jump cuts between familiar vocal chops and distorted tape delay contort manically- a warped, swinging echo of Slum Village's ‘I Don’t Know’. Wazoo rounds things out with the most club-leaning moment of the record, a saturated, throbbing atmosphere hanging over a beat-up, lurching drum sample layered with malleable pitched percussion and fuzz guitar. Peculiar shapes, fragmented shards of rhythmic patterns, crushed, crystallised snares, and congealed, jelly-like dubs; the music embodies a sense of carefree fun and playfulness, where dissolving layers of organic echoes, warm, slippery reverbs, and expansive phaser EFX stretch out into nebulous space…

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Live At The Brain 1990

LP | 2022 | EU | Original (Musique Pour La Danse)

2LP | 2022 | UK | Original (Biophon)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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An historical live recording at The Brain Club that captures the unique vibe and flow of a brand new life-changing musical era in 1990 London Soho. Includes liner notes by The Brain club co-owner Sean McLusky, writer ("Bass, Mids, Tops") and DJ Joe Muggs and original sleeve art by the other The Brain club co-owner Mark Wigan, like you were back there. For fans of ambient, acid house, and fucking brilliant live music!!

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Biosphere

Shortwave Memories

LP | 2021 | EU | Original (Natural Sciences)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller.

"The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above."

Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and already feels like a timeless addition to the rest of the Biosphere catalogue.

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Alleged Witches

Work After Machinery

18,99 €*

Sheli & Her Ghost / Schlepp Geist / Kristina Sheli

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Alleged Witches debut album breaks down centuries of human labour into an eight-part instruction manual for company best practice, stock control and tips for the optimum commute. The final break from nature, it's Pagan funeral marches, insect rhythms and doomed ambience for one last trip up the river. Artwork from Bill Connors.

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Sunday Trap

12" | 2020 | EU | Original (Feines Tier)

11,99 €*

12" | 2018 | EU | Original (Dope Noir)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Feines Tier is proud to present the debut of Sheli & Her Ghost, the fresh electronic downbeat project by vocalist Kristina Sheli from Berlin and producer Schlepp Geist from Leipzig. Future beats, synthesizers and an exciting voices flow together like you haven’t heard before: The Sunday Trap EP contains four slow driving original tracks and an uplifting remix by Augsburg’s most track spitting Dominik Marz. Shakespeare Sadness is an ode to self-discovery. Also sadness and loneliness can cause something beautiful like an awareness of one's own strengths and weaknesses. „Body“ is about a guilty conscience and about betraying your principles. It's a self-loathing by your own actions that you can't undo. „Sunday Trap“ is about a toxic love relationship that's headed for a logical ending. „Dhabi“: The track was created while traveling and has a wanderlust spirit. It is a mental proximity through times, worlds and galaxies. A kind of modern cyber love story.

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Waldeck

Stay Put EP

2LP | 2015 | EU | Original (Erased Tapes)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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It is hard to believe, but Waldeck´s signature album “Ballroom Stories” is 10 years old. The people at Dope Noir Records feel that this marks the perfect occasion to celebrate its anniversary with the release of a legitimate successor going by the name of “Atlantic Ballroom” - due later in 2018.
For those curious what the new album might sound like the wait will be sweetened by this very “Stay Put” EP available on 150 gr vinyl & digital formats.
Four brilliant downtempo tracks, all of them featuring Waldeck´s new chief-chanteuse Patrizia Ferrara whose extraordinary vocal performance will give you goose bumps right from the beginning all the way through.
Ferrara, being half Sicilian & half Austrian spent the better part of her musical career in Brooklyn, NYC. Asked for a comment Waldeck simply smirks:
“She is a real million-dollar baby”
As with previous releases this one once again hits the spot and highlights Waldeck´s ability to create a whole new sound universe. “Electro-Blues” meets “James Bond- in Casablanca”.
The first track “Stay Put” is quite obviously inspired by the legendary blues & swing icon Fats Waller and captures the mood of the early days of swing, when Al Capone allegedly hi-jacked Waller for a couple of days to play exclusively on one of his private mob parties.
Followed by “So it shall be” – a real beast - that lures with a snake charming seductive Ethiopian groove.
With “Rough Landing” Waldeck then time travels to the 21st century. It could well serve as a title song to the yet to be finished Bond movie “James Bond in Casablanca” (2024).
The last song “Je t´aime beaucoup” is a super slow downtempo blues that haunts you with a longingly whisper for love. A late night in Paris…. no questions asked.
Waldeck dwells on smokey Jazz riffs & bluesy piano lines. He likes to keep the overall electronic feeling subtle, but yet present.

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Dawn Of Midi

Dysnomia

Release: 2015 / EU – Original

Genre: Electronic & Dance

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2LP | 2012 | UK | Original (Warp)

Flying Lotus

Until The Quiet Comes