Downbeat | Electronica | Leftfield 157 Items

Limited 10 year anniversary repress with black/white artwork. In May 2014, Icelandic producer Yagya released his fifth album, Sleepygirls, across three slabs of vinyl on Dutch label Delsin. It's a deep, spacious and dubbed out affair that stays locked at a pleasingly sedentary tempo throughout. Since 2002 Yagya has been crafting lush electronic albums and always manages to find pure bliss and beauty and his simple, nature inspired soundscapes. "I wanted to create an album that's atmospheric, repetitive, and easy to listen to over and over again," says the man himself. "Something that works well in the background (e.g. when concentrating on work), as well as up close in a big sound system. I also wanted to learn how to make my music sound better than before, since I'm a huge sound-nerd, so that was a part of the goal for me personally." The album is a fine fusion of tropes from Yagya's earlier albums, features jazz instrumentalists that improvise beautiful melodies over monotonic, almost drone-like, techno beats and also uses live recordings of Japanese vocals, saxophone and guitar to counter the repetitiveness of the rhythms. Right from the rolling bliss of the opener, you're suspended in a womb like pillow of sound that is soft, warm and serenely beautiful. As tracks roll on, the pace stays the same but themes vary from upright and summery to more elongated and insular. This is natural, organic dub that is a delight and a pleasure to listen to. The vinyl versions of each track have been specially mixed with random LFOs, sonic quirks and unique fingerprints making them the subtly different to the CD version, but overall this is a brain soothing and mind melting album that can soundtrack lazy days, long summer afternoons and warm winter evenings in equal style.

Ya Tosiba is a Berlin-based duo producing bass-heavy riddims with energetic female vocals. On the mic we have Zuzu Zakaria, the versatile singer who uses mainly found, historical lyrics in her mother tongue Azeri. On synths and drum machines we have Mesak.

Wendelbo's whispery vocals are sung in both French & English, calling to mind Jane Birkin & Francoise Hardy. The alluring, tropical warmth of Wendelbo's vocals is juxtaposed against the duo's signature icy cold, ultra-modern synth sounds.

- Limited Edition of 2,000 copies- First time ever on vinyl- Remastered from original recordingsOriginally released a year after the increasingly iconic The Disintegration Loops, a decade later Melancholia still stands as William Basinski's second most beloved album. To commemorate its 10-year anniversary, we are honored to present the first-ever vinyl edition of this otherworldly piece of music. Remastered from the original recordings and pressed onto audiophile-quality 100% pure virgin vinyl, this limited-edition vinyl reissue is packaged in a stunning gatefold jacket featuring all-new artwork. It is truly a sight and sound to behold. Like many of Basinski's most soul-stirring works, Melancholia began as a series of short tape loops captured in the early 1980s. Basinski then stored them away for decades, revisiting them at a different time in his life, at which point they took on a stunning new sound all their own - one that many consider to be among the finest of the past decade. "Melancholia is probably the best of Basinski's records until now, even if this is hard for me to say given my love for each one of his releases. This music is so beautifully delicate and sad in its auto-reflective moods, it stands right there with everything ranging from the usual suspects in the 'ambient' field, to a distorted damp ghost of Claude Debussy or Maurice Ravel put into a time machine." - Touching Extremes

Oh yeah, a new Wax Tailor is coming! Limited edition 10" containing a RJD2 remix and both instrumental versions.

Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.

Ten new tracks from Chino, CA’s favorite son Vex Ruffin, only on cassette!

VentureX is an American electronic music producer based out of Chicago, Illinois who creates music that can be described as french house & nudisco. Experimenting with Hip-hop and other genres as times.

VentureX is an American electronic music producer based out of Chicago, Illinois who creates music that can be described as french house & nudisco. Experimenting with Hip-hop and other genres as times.

A cult was built around this truly ominous original tape by Vatican Shadow. With slowed down mega-apocalyptic drone drum contemplations. Despite being created over a decade ago for limited double cassette and then compiled on ‘it stands to conceal’ this is long form esoteric cold industrial perfectly suitable for our accelerating global amnesia.

What the artist may consider the most formative years for the project and what clubbers may have heard in numerous live sets with the ‘encryption nets’ classic dub track. Despite being created over a decade ago for limited double cassette and then compiled on ‘it stands to conceal’ this is widescreen esoteric cold industrial perfectly suitable for our collapsing world.

Despite being created over a decade ago for a controversial limited double cassette and then compiled on ‘It stands to conceal’ this is patient, esoteric, cold, industrial perfectly suitable for our end times.

Stip plays a piano interpretation of his debut album Sigh released last February on Other People. One-sided 10"

Limited edition for Record Store Day 2014

The Roughness!

For nearly a decade, Tycho has been known as the musical alias of Scott Hansen, but with the release of Awake - his second LP for Ghostly International - the solo project has evolved into a three-piece band. Relating closer to post-rock than ambient soundscapes, the record is situated in the present, sounding more like Hansen than drawing from his in?uences. "This is, in many ways, the first true Tycho record." Following 2011's "Dive" LP, the San Francisco-based designer toured extensively, and with a full band on stage, his sound coalesced into a percussive, organic whole. Zac Brown (guitars, bass) rejoined Scott on the road for this tour, but it was the particular addition of Rory O'Connor's live drumming that ultimately sent Hansen back to the studio with a more precise vision. "After the tour, I decided that I wanted to capture the more energetic, driven sound of the live show on the next album," Hansen recalls. Bringing musicians into Tycho's creative process was a step towards expanding his own songwriting and advancing the project beyond its current sound. In a cabin near Tahoe last winter, Zac and Scott began ?eshing out the structure of the new record, but it wasn't until they set up shop in the hills of Santa Cruz with Rory that it all fell into place. "It crystallized the vision of how the drums would come to the forefront on this record," says Hansen. The sound was much more stripped-down and concise with more organic instruments in the fold. Songs like "Montana" and "Awake" are a departure from Tycho's previous material - unique to the group e!ort poured into the songs on the new record - while "See" and "Dye" echo ideas from previous works, bridging a middle ground between the old and new. Working with Count Eldridge, who also engineered Dive, the team could ?xate on the pulses that Tycho might previously layer under synthesizers and exhume them with distinct bass and guitar patterns. Also known for his design work as Iso50, Hansen's visual and sonic e!orts have dovetailed throughout the course of his career. "This is the ?rst time in my life I've dropped everything to focus on one artistic pursuit," notes Hansen. Previous Tycho releases came to fruition when an amalgam of songs were nearing completion, but "Awake" is where music becomes the focus and true expression becomes the result.

An essential collection of represses from Tricky"s catalogue available in colour. "Calling it Adrian Thaws is saying you don"t really know me," says Tricky, explaining the title of his 11th album. "So many times people have tried to put a finger on me and every album I go to a different place."

HHV and Too Good are happy to present this exclusive color run of 1000 red copies of Tommy Guerreros 2014 album "No Mans Land". Back in print for the first time. Only at HHV. As a special treat you can pick up the poster with the artwork of this album in our bonus section.

Established in 2013 by Valentina Magaletti and Tom Relleen, the duo operated until 2020 as a creative laboratory for the London-based musicians to explore beyond their traditional musical endeavours. They sought to deconstruct their usual sonic frameworks, venturing into a novel and unfamiliar auditory landscape. Their work seamlessly integrated various forms of multi-instrumentalism, traversing the realms of industrial, jazz, psychedelia and minimalism.

In celebration of the 10th anniversary of Tomaga's debut album, 'Futura Grotesk', Hands in the Dark are re-releasing the long sold out record in a limited edition of 500 copies. The reissue will be accompanied by the first-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and 300 units available.

A special 7" single done with Dubspot featuring the original "Culture Of Fear" with vocals from Mr. Lif on the A-side and on the B-side the Dubspot remix winner Kaliedoscope Jukebox, handpicked by Thievery's Eric Hilton & Rob Garza themselves.

The Quasi Dub Development (QDD) has been founded as a collective four years ago by Luca Fadda and F.S. Blumm. After “Limousine To The Guillotine” (2011) comes now their new album. The QDD love Dub, obviously, but they play it by hand with their many instruments and effects, instead of working in the studio along the classic post production methods of the genre. Their friendly, handmade „Quasi Dub“ is at the same time experimental and accessible. This sound has convinced nobody else than of the pioneers of the Dub genre, Lee Perry, to make an appearance in “Let's Communicate”.

The Exaltics make their debut on Clone Westcoast Series. This the first volume in a triptych of their stark, futuristic sound yet showing a more melancholic and introspective side this time. You can almost hear the longing for other places.

Ltd edition 300, vinyl only release.

The Duke of Juke returns with a smashing 10", his first release on dutch imprint ANUS Records. Here he shows his variety of musical knowledge fitting our philosophy - be odd, be future, be not too serious. Get to know!

Concept: On this new album for Ghost Box Records, The Advisory Circle (aka Jon Brooks) explores darker territory than on 2012’s more pastoral As The Crow Flies. This time Brooks hints at a Wyndham-esque science fiction story, where bucolic English scenery is being manipulated and maybe even artificially generated by bizarre multi-dimensional computer technology.

Sound: Brooks’ strong sense of melody and composition is still evident as are his renowned sound design and production skills. Consequently the album is a rich and rewarding experience that subtly showcases a wealth of musical experience. The usual analogue synth sound palette is augmented with found-sound from antique tape reels and Brooks’ ever growing tangle of home built electronics.

"We are what we pretend to be, so we must be careful what we pretend to be." A modern-day revenge tragedy in four parts. Symmetrical, finespun, almost courtly; but quick-tempered with it, and far from blood-shy. A picture emerges: domestic disturbance, pissing on the compost heap, noise complaints from hateful neighbours. Sulking, pouting, goading. Cold leaves and Christmas. Body-clocks betrayed, seasonal adjustment disorders. Collecting bottles to smash in the carpark across the road. Marijuana and make-believe. A flaming bower of unbliss.

Classic Szare release.. Last copies...

Six artists remix the rich sound material from Sven Ka- cirek's LP “Scarlet Pitch Dreams” (Pingipung 32, April 2012). Sven's original percussion recordings and his densely layered melodies invite for a rework which fo- cuses on the single elements. Robert Lippok (To Rococo Rot, Raster Noton) turns the title track into a balearic sunshine dance until the voice and synthlines evoke a deep and driving witchhouse at- mosphere. Absolutely awesome remix! Opiate aka Thomas Knak from Denmark (Morr Music) is one of Pingipung's favourite artists in the world and we're very happy to have his remix included here. His highly individual syncopating beat works dive into the pool of Sven's percussions, with the snare and marimba always in the foreground. Stefan Schneider (Mapstation, To Rococo Rot) delivers a delicious dub version of “About Me And You”. In fact, Stefan Schneider and Sven Kacirek are in the beginnings of their musical collaboration, releasing one album on Honest Jon's later in the year and playing gigs together. RSS Disco & Sugarwater (Mireia Rec) transform snip- pets of the voice and marimba patterns of the title track into a disco track. RSS Disco have been responsible as DJs for some of the most outstanding parties in Pin- gipung's hometown Hamburg lately. We're very happy to include these talented producers in this release. F.S. Blumm (Morr Music) adds nothing but his charac- teristic guitar to the “Scarlet Pitch dreams” vocals of Jana Plewa. No question it's a perfect match: the two make the duo “Old Splendifolia” and have released one beautiful album on the Plop Imprint. Peter Presto finally remixes “About Me And You” in the best of his humours. The guy who made the first Pin- gipung record ten years ago (yes, it's our anniversary!) always has one other melody to add. Happy go lucky style, we like!

Sven Kacirek, the much praised multi- instrumentalist from Hamburg, releases his third album with Pingipung. „Scarlet Pitch Dreams“ presents intimate solo works, following his debut „The Palmin Sessions“ (2007) and the interna- tional success „The Kenya Sessions“ (2011), which was honored with German Record Critic's Award for the second quarter 2011. Whilst „The Kenya Sessions“ revealed fruitful col- laborations with Kenyan musicians, almost every single instrument on „Scarlet Pitch Dreams“ has been played, recorded and produced by Sven Kaci- rek himself. Within these dreamy scéances of per- cussive virtuosity, Sven Kacirek has effortlessly found his original sound – from the first whirring of the prepared grand in the opener to the massively rolling drumset crescendo in the last track. Jazzbrush patterns define Sven Kacirek's sonic identity. They create beat structures on wood, glass, and paper which sound like digital sampler tweakings - but they are not. „For the previous records I had been led by the production process in the first place, cutting loops, use of FX and so on. But here, everything has been written down in notation first, and has then been properly recorded“, Sven Kacirek says. This handcraft - and the crafti- ness in Sven Kacirek's handling of his recording and production technology - are two bless- ings to this record. The eleven tracks burst with sonic details and never dwell on aimless repetition, they are tied together with wide melodic archings, and at times they sound like a classical jazz recording, at times they show their influences from dub techno and clicks & cuts. Featured guests on this record are a.o. Jana Plewa (Old Splendifolia, The Kat Cosm) on vocals, and Johannes Huth (Efim Jourist, Anthony Braxton) and John Eckhardt (Alvin Lucier, Evan Parker) on upright bass. Three music videos accompany the album. They are directed and produced by Sönke Held, Chichirik und Agnieszka Krzeminska. Chichirik's video can be found on Pingi- pung's video channels and the label site in February, the other two will follow in March and April.

Sven Kacirek has a background as virtuoso jazz drummer. He studied at the Drummer’s Collective in New York, played several solo shows at the World Drum Festival and has writ- ten two educational books on the experimental use of electronics on the drumset.

2020 repress.

Received a 7.3 rating from Pitchfork.

Software Recording Co, the label in part run by Daniel Lopatin aka Oneohtrix Point Never, present a solo release from American producer Suicideyear. The Remembrance EP follows on where the well-received Japan mixtape left off; constructing hard, trap-inspired percussion over gentle, minimalistic ambient soundscapes. The celestial ‘Hope Building A’ fits the EPs title with its nostalgia-tinged, awe-inspiring organ riff complimented by tinkering percussion, widescreen pads and sparse snare fills.

Slow Waves is a collection of multi-layered memories, stacked like grainy polaroids in an old box in the closet or under the bed while the colours fade. A young Rob at the beach or on his first day of grammar school. Images of travels across Europe and Japan, moments slipping in trains or planes while landscapes pass by. Memories so unique to his life, yet so similar to the fading memories of youth and adolescence we all have...

After a series of well acclaimed EP’s, each of them created at very specific moments in the artists life, submerse took the time and sat down to reflect and convert all these memories into his first full length album on Project: Mooncircle.

'Slow Waves' comes out worldwide on limited double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

"a mutating web of feedback, choral echoes and lo-fi loops of various
squeaking, rattling found sounds, settling gently into certain texture
combinations before teasing the stasis through jolts of pitch bend or slow
fades into somewhere else. It's a real nightmare collage: one minute it's a
blast of screaming electronics, like someone tampering with the cockpit
controls, and the next it's tornado of factory noise and alien sex. Musique
concrete for the mind's darker, more paranoid recesses, with a gorgeously
sparse latter half of noise squeals fed through some sort of astronaut
intercom." - Jack Chuter, ATTN magazine

The EP reimagines four songs from Lanterns, and includes a collaboration with Lorde. These exquisite reinventions traverse unfamiliar terrain within remembered landscapes. Their world is both alien and familiar.

Limited to 750 copies.

Schlammpeitziger's album yields even more fruit. Six weeks after the release of his longplayer "What's Fruit" Pingipung releases this 12inch EP with remixes from Candie Hank (Patric Catani), Andreas Dorau, Springintgut, Mouse On Mars, Thomas Mahmoud Zahl and Dub-Master hey (one half of Hey-Ø-Hansen).

With his new album "What's Fruit", Schlammpeitziger touches the dancefloor more than ever before in his 22-year long career. Yet his dancefloor is a playful one. The Cologne based composer's sounds electrify with their multi-layered melodic structures. He weaves countless details in perfection, to a high density of musical activity, always focusing on the slow, driving beats which hold everything together. Each of the eight tracks represents shades of the unique humour we love about Schlammpeitziger.

‘Block Boundaries’ is the new album from minimalist composer Ryan Teague building on his previous releases for Type, Sonic Pieces and current label Village Green. Inspired by the theme of Psychogeography, the record fuses acoustic instrumentation with electronic and processed material, taking the listener on a hallucinogenic Ballardian journey through from the thrumming urban activity of New York, Amsterdam and London.

High energy instrumental showcase of Rustie's signature sound at new found heights.

The New York and Miami based duo ROM deliver this LP with twelve super energetic instrumental pieces. Pingipung very happily welcome Roberto Carlos Lange and Matt Crum to their artist family. ROM is the vibrant collaboration of two sound artists who have been on the radar for a long time, as members of beloved projects such as Savath&Savalas (Warp, with Prefuse 73's Guillermo Scott Herren), Comic Wow (Asthmatic Kitty, with Tortoise's John McEntire) or Roberto's solo project Helado Negro. ROM's first appearance marked their self-titled debut on the Japanese WIMM imprint in 2005. Raised in south Florida on tropical fruits and pan con lechón; surrounded by picturesque beaches and stifling humidity, ROM’s members Roberto Lange and Matt Crum create music so deeply imbued with the contrasting textures found in the world in which they were reared. Despite having been recorded over the span of three years, and in various locations in different cities, ROM’s sophomore “Foot Signal” effort is an entirely cohesive sonic outing. That they used mostly broken instruments throughout the process only reinforces that soundscape they sought to create. That they played them even with their feet as the title reveals gives us a slight visual hint at the anarchy of the sessions. Could they have used an organ that stayed in tune? Probably. But taping its keys down and pressing record in hopes to document something at all usable is part of the random fabric that makes ROM’s music so incredibly transcendent. Largely recorded with Will Loftin at Shangri-la Studios in Atlanta, Roberto Lange and Matt Crum captured scores of live improvised sessions onto two-inch tape. The two also set up shop in apartments, studios, and storage units in Miami, Savannah, New York - even Jeremy Lemos’s Chicago studio to try and document the inspiration they felt lurking. The sessions were then labored over at home studios, shared over the Internet, processed and reorganized until this collection of twelve wildly captivating instrumental pieces emerged. Foot Signal contains material that had been released on CD through WIMM in Japan in 2008. It has now been reworked by the band and cut onto vinyl at Dubplates & Mastering in Berlin. Standout track “Whale Vomit” does not sound like a regurgitated mess it purports itself to be. Instead, it is the perfect combination of unwavering percussion, vibraphone flourishes, and studio-manipulation wizardry. It’s the kind of stuff that makes ROM and Foot Signal so darn exciting.

Kraut & Electronica Pioneer from Romania!

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, recorded in a single inspired studio session & originally released in 2012 on Editions Mego.

From the original Editions Mego press release:

“For anyone who still associates Oren Ambarchi exclusively with the clipped, bass-heavy tones of solo electric guitar works such as Suspension, this rhythmically churning one-man-band monster of an album-length piece might seem to come out of nowhere. However, listeners who have followed the breadth of his work for the last few years (solo and in projects with collaborators from Jim O’Rourke to Stephen O’Malley and Keith Rowe to Keiji Haino) will have noted how Ambarchi has allowed increasingly clear traces of his enthusiasms as a music listener (for classic rock, minimal techno and 70’s fusion, among other areas) to surface in his performances and recordings, all the time filtering them through his signature long-form structures and psychoacoustic sonics.

Recorded in a single inspired studio session, Sagittarian Domain displaces Ambarchi’s trademark guitar sound from the centre of the mix, its presence felt only as an occasional ghostly reverberated shimmer. Endlessly pulsating guitar and bass lines sit alongside electronic percussion and thundering motorik drumming (familiar from his work with Keiji Haino) at the core of the piece, locking into a voodoo groove like Faust covering a 70’s cop show theme. The work is founded on hypnotic almost-repetition, the accents of the drum hits and interlocking bass and guitar lines shifting almost imperceptibly back and forwards over the beat as they undergo gradual transformations of timbre. Cut-up and phase-shifted strings enter around the half-way mark like an abstracted memory of the eastern-tinged fusion of the Mahavishnu Orchestra’s classic Visions of the Emerald Beyond, before returning for an extended, stark yet affecting come-down coda, equal parts Gavin Bryars and Purple Rain.

While Sagittarian Domain contains traces of a diversity of influences, it mines all of them to uncover something that is clearly an extension of Ambarchi’s own investigations up to this point, exhibiting the same care for micro-detail and surrender to the physicality of sound that are present in all of his work, extending them in new ways to repetition, pulse and rhythm”.

Originally released as a limited 10" for Record Store Day 2012, this long-sold-out must-have for fans of these two artists is now reissued as a 12". Erased Tapes label-mates OLAFUR ARNALDS and NILS FRAHM recorded and mixed their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths. The ambient electronic work features long-time collaborator Anne Muller on cello. All graphics created by close friend of the label, designer Torsten Posselt of Feld.

Limited edition for Record Store Day 2012!

A kaleidoscope of rainbow textures and rhythms disperse into the exotic soundscape of ‘Tropical’. Electronics, real folk instruments and noise-making objects feature here generously on this six-track concept album, blending together a sonic palette influenced by a rich variety of music and people and places.

The material was initially written over the course of a few months during what Seneviratne called "a beautiful burst of inspiration". Working with veteran producer Asier Leatxe Ibanez d'Opakoa (Electric Lady Studios, NYC), Seneviratne then set about disassembling all the songs and re-working them meticulously, enriching the sounds by adding a huge range of live instrumentation, before processing the audio through vintage analogue studio gear.

Suren Seneviratne, born in Sri Lanka before settling in London in 1996, first caught the attention of the music world with a remix that featured on Pitchfork back in 2010. Since then he has released a plethora of diverse records, gaining support from the likes of Clash Magazine, The Fader, Mixmag and Dazed Digital, as well as regularly touring internationally. He has also remixed the likes of The Weeknd, Stay Positive & Little Boots as well as appearing at festivals like BBC Hackney Weekender, Outlook Croatia & Glade as well as performing at prestigious venues such as The Design Museum, Tate Modern & Barbican.

My Panda Shall Fly has gone through many an incarnation but it was around seven years ago that music from other continents first began piquing his interest, filling his head with new sounds that eventually seeded the ideas for this project. On ‘Rainfall’ he works with the sound of tongue mallets, cymbals and synthesized bass while on ‘'Yapeyú' he manipulates the sound of pan pipes with poly-rhythmic Rhumba percussion.

With the release of ‘Tropical’, My Panda Shall Fly has yet again set himself apart as one of the most unique contemporary electronic musicians around today.

This is the second volume of The Minimal Wave Tapes series, a collection of rare electronic music compiled from bands around the world, Most of the songs were recorded in the 1980s and originally released on limited edition cassettes or vinyl by the artists themselves, and only a handful of people knew about them. Now they've been remastered from their analog source tapes, brought to you by Veronica Vasicka and Peanut Butter Wolf.