Downbeat | Electronica | Leftfield 2396 Items

Two Sisters Dark Green Vinyl Edition

Release: 2022 / KR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Sealed copy with slightly dented cover corners.

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Sarah Davachi

2LP | 2022 | EU | Original (Late Music)

36,99 €*

LP | 2022 | EU | Original (Warp)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. Green vinyl Limited edition.

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Plaid

Feorm Falorx

12" | 2020 | EU | Original (Natural Sciences)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

PVC sleeve. Original inner sleeve

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Mars89

2020

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2022 | UK | Original (LuckyMe)

Cameron Morse

The Truth Is

Release: 2022 / UK – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Hammock Music)

Slow Meadow

Singles Volume 1

LP | 2022 | UK | Original (Persistence Of Sound)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Slow Meadow is ambient compositions from multi-instrumentalist Matt Kidd. After working as a touring / session musician since the early 2000s, Matt took a serious interest in creating music focused less on performance and more on inner experience. Slow Meadow began when Kidd befriended Marc Byrd of Hammock, who signed Slow Meadow to his label, Hammock Music, and released his debut in 2015. Available for the first time on vinyl, Singles Vol. 1 features a collection of nine Slow Meadow singles recorded between 2016-2018, containing some of the Houston multi-instrumentalist's most popular pieces. To connect these compositions, new segues/crossfades were written from song to song in both the vinyl and digital versions, allowing the pieces to be experienced in one cohesive and harmonious flow.

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Natasha Barrett

Heterotopia

Fabric Presents: Leon Vynehall

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Persistence of Sound presents a new solo LP from one of the world’s leading voices in electroacoustic music. Natasha Barrett is known internationally for her intense explorations of the movement of sounds through space. Whilst studying with Jonty Harrison at the University of Birmingham, Barrett worked with Beast (Birmingham ElectroAcoustic Sound Theatre), which led to a doctoral composition degree supervised by composer Denis Smalley.

Barrett has since established an international reputation as a composer of 3D audio and ambisonics. She treats spatialisation as a musical parameter, and told the New York Times, “I’m really concerned with the idea of tangibility. Sound is invisible, but we can do things that make you want to reach out and touch it.”

Barrett describes her inspiration as coming from the immediate sounding matter of the world around us, as well as the way it behaves. Barrett's works are performed and commissioned throughout the world, and have received a long list of prizes, including the Giga-Hertz Award and the Bourges International Electroacoustic Music Awards.

Persistence of Sound was founded by composer Iain Chambers, of the musique concrète ensemble Langham Research Centre. Its releases span electroacoustic music, field recordings, and the unclassifiable music between these genres.

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Leon Vynehall

2LP | 2022 | UK | Original (Fabric)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Siluh)

Wolf Lehmann

Lucid Living

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Glands Of External Secretion

7" | 2017 | EU | Original (I Dischi Del Barone)

8,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Karma & Desire Black Vinyl Edition

Actress

2LP | 2020 | UK | Original (Ninja Tune)

LP | 2020 | US | Original (Sub Pop)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Ever since Actress hinted at a new album back in May 2019, we have been waiting with open ears and arms, for Karma & Desire to arrive. With a single 49-minute track '88' uploaded on Bandcamp earlier this year, it was a palette cleanser for what is to come. For this new record, we see Darren Cunningham returning in true Actress form, alongside the now revealed list of mystery collaborators - Mercury Prize winner Sampha, singer and songwriter Zsela, Aura T-09, pianist and conductor Vanessa Benelli Mosell and vocalist Rebekah Christel.

Several of the tracks on Karma & Desire find Darren Cunningham leaning into the sort of hazy, slightly hypnagogic synthscapes which have cropped up repeatedly throughout his output as Actress. Cuts such as ‘Gliding Squares’ have a quality about them which is pitched between dreamy reverie and something more unsettling. It is a sound which means that Karma & Desire can count both Dean Blunt and David Lynch as points of reference. When house and techno beats enter the fray they almost emerge out of these synthetic fogs - even the more lively joints still crackle and hiss with an alluring softness. In this manner, Karma & Desire harks back to previous Actress LPs such as AZD, though there is often a wintry quality to the more beat-driven tracks here which mark them out as unique to this LP.

There are several moments on Karma & Desire where Actress follows his nose to end up in electronic terrain that is difficult to name. The rhythms on ‘Loose’, for instance, draw from juke and ‘Pulse X’-era Eskibeat, but the way in which strange clouds of sound are created from keyboards and Rebekah Cristel’s faraway vocals means that the track is only really comparable to the experiments of Inga Copeland. Furthermore, the points where the piano is played, frequently deliver some of the most beautiful moments here, be they the sparse ‘Public Life (feat. Vanessa Benelli Mosell)’ or the soulful lilt of ‘Walking Flames (feat. Sampha)’.

Karma & Desire brings a surreal beauty to Actress’ typically innovative brand of electronic composition.

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Washed Out

Purple Noon

23,99 €*

LP | 2020 | US | Original (Temporary Residence)

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

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Washed Out is Atlanta-based producer/songwriter/multi-instrumentalist Ernest Greene. Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his fourth album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date. Life of Leisure, Washed Out's 2009 debut EP, set the bar for the Chillwave era, shimmering in a warm haze of off-the-cuff Polaroids and pre-IG filters. Within and Without, his 2011 full-length debut on Sub Pop, morphed into nocturnal, icy synth-pop and embraced provocative imagery. 2013's Paracosm was Greene's take on psychedelia, with a full live band and kaleidoscopic light show, and saw him playing to the largest audiences of his career. The sample-heavy Mister Mellow (2017, Stone's Throw) delivered a 360 audio/visual experience, with cut-n-paste and hand-drawn animation to match the hip-hop influences throughout the album. With each release, Greene has approached his evolving project with meticulous detail and a steadfast vision. For Purple Noon, Greene again wrote, recorded, and produced the entirety of the album, with mixing handled by frequent collaborator Ben H. Allen (Paracosm, Within and Without). Production of the album followed a brief stint of writing for other artists (most notably Sudan Archives) which enabled Greene to explore genres like R&B and modern pop. These brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there's a more comprehensive depth of dynamics. One can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the great Balearic beat classics. Mediterranean coastlines inspired Purple Noon, and Greene pays tribute to the region's distinct island culture - all rugged elegance and old-world charm - and uses it as a backdrop to tell stories of passion, love, and loss (Purple Noon's title comes from the 1960 film directed by Rene Clement and based on the novel The Talented Mister Ripley by Patricia Highsmith). Much like romantic Hollywood epics, the melodrama throughout is strong: a serendipitous first meeting in "Too Late"; a passionate love affair in "Paralyzed"; disintegration of a relationship in "Time to Walk Away"; a reunion with a lost love in "Game of Chance." Purple Noon adds a layer of emotional intensity to the escapism of Washed Out's oeuvre, taking the music to dazzling new heights.

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Inventions

Contionous Portrait

2LP | 2020 | UK | Original (Ninja Tune)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Beginning with a trace of uncontrollable laughter that shifts into the driving atmosphere and unfolding elation of opening track "Hint and Omens," Continuous Portrait is an album of strange hypnosis, punctuated by songs that venture quite far from the respective oeuvres of Cooper and Smith. The spry, playful layers of "Calico" bounce against a steady thrum of rhythms and samples from everyday noises, while the dancing lightness of "Outlook for the Future" is met with a storm of emotional resonance. Both tracks emerge as distinctively different directions for Inventions, and it is that very sense of exploration, pleasure, and ceremonial melancholia which informs the entire album from front to back. Inventions has always been the product of two friends who find comfort and inspiration in the genuine surprise of creating and combining sounds. Continuous Portrait whirls and hums like Cooper and Smith want us to invoke our inner playfulness and welcome a greater joy into our lives, if only for a moment. The result is a portrait that continuously embraces the completely foreign and familiar, and evolves with each successive listen.

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Romare

Home Grey Vinyl Edition

Glass Prism Mint Marbled Vinyl Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Romare—real name Archie Fairhurst—returns with his new album “Home”, marking his 3rd on Ninja Tune and first full length album since 2016’s critically acclaimed “Love Songs: Part Two”. It follows the recently released ‘Gone / Danger’ 12”, his most direct dancefloor record to date, which Resident Advisor described as “An engrossing eight minutes of cinematic house music”.

Romare’s music has always sat comfortably in both the dancefloor world and a more relaxed environment, “Home” being no exception. With euphoric, uplifting moments on ‘Sunshine’ and ‘Heaven’ through to more meditative and melancholy moments on ‘Deliverance’. “For me, the sweet point in music is when happy and sad come together” comments Fairhurst, “when they meet in the middle, that’s what I try to create”.

The release of “Home” comes after a lifetime of being on the move for Fairhurst, he spent his childhood travelling constantly with his family as his parents moved around the world for work, before finally settling in the UK. This nomadic lifestyle would continue with his burgeoning career as a musician taking him off touring the world (playing over 150 shows in the last 2 years alone). Which brings us to “Home”, The new album marks a new chapter in Fairhust’s life with a move out of London to the countryside and starting a family, a move which has “given me peace and quiet” he comments. The new addition of his own home-built studio adds to this feeling of being content and settled, having worked from various bedroom studios in the past.

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Windows 96

LP | 2020 | US | Reissue (100% Electronica)

26,99 €* 29,99 € -10%

Release: 2020 / US – Reissue

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Ilian Tape Beat Series)

Kid Sundance

Tien Seconden

16,99 €*

LP | 2020 | EU | Original (Ilian Tape Beat Series)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Dutch Sp1200 wizard Kid Sundance delivers pure heat to the Ilian Beat Series.

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Packed Rich

Ilian Beat Tape

16,19 €* 17,99 € -10%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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George Clanton & Nick Hexum

George Clanton & Nick Hexum Black & Blue Colored Vinyl Edition

LP | 2020 | EU | Original (100% Electronica)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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7" | 2022 | EU | Original (Plant Age Digital Sound)

Terekke

2 The World / Fandn

Release: 2022 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | 2022 | EU | Original (Other People)

Saint Abdullah & Eomac

Patience Of A Traitor

LP | 2022 | US | Original (The Bunker New York)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tehran-born, NY based brothers Mohammad and Mehdi collaborate with Ian McDonnell, a.k.a. Eomac on a new record entitled "Patience of a Traitor". Inspired by the traditional bath houses in their native Tehran, the brothers say: "This record speaks to preserving the things that are timeless, through revisiting the past. The traditional Persian bath house - its architecture, the role it played in keeping, building community, the bathing rituals - served as our ultimate symbol. Now we drink from one cup, and fill the jar with the other."

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Zemi17

Gamelatron Bidadari

22,99 €*

No Moon At All, What A Night

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The Gamelatron is many things; one could call it a sculpture, a multimodal installation, an instrument, a robot, a feat of engineering, a vision—and it is all of these things. More importantly, though, it is a concept sustained by Aaron Taylor Kuffner, aka Zemi17, whose Gamelatrons are “sound producing kinetic sculptures” designed to create an immersive, visceral experience for the listener. Not a small feat, and yet the ambitions of Zemi17 are absolutely realized in this long-standing project, culminating now in his third release for The Bunker NY: Gamelatron Bidadari.

The Gamelatron Bidadari is not just a name—it is one of seventy-plus musical sculptures that Zemi17 has conceptualized, designed, and fabricated. Therefore, it would be inaccurate to think of this release as simply a series of arrangements composed in a finite period of time. Rather, it’s a window into a project and a process that is much larger than any single album can encapsulate. Gamelatron Bidardi is the culmination of more than a decade of work, and is central to Zemi17’s evolution, not only as a musician but as an artist.

Having studied gamelan for many years in Indonesian villages and at the Institut Seni Indonesia in Yogyakarta, Kuffner is a musician, an artist, technologist, and craftsman. The gongs in his sculptures are co-created with master Indonesian artisans. Each Gamelatron composition is site-responsive, meaning its sounds are composed for the acoustics and intentions of the space it inhabits, whether it’s an art gallery, a wooded landscape, or the inner temple of Burning Man. The Gamelatron does not stand alone: it is in constant co-creation with its physical environment, and in dialogue with gamelan’s long-standing history.

Originally exhibited at the Smithsonian Renwick as part of a show entitled, No Spectators: The Art of Burning Man, the Gamelatron Bidadari produces sounds that are delicate yet strong, and deeply hypnotic. Textured chiming creates intricate polyrhythmic patterns that are both complex and simple, or in a word, elegant. On Gamelan Bidadari, Zemi17 refrains from adhering to the strict musical structures; his approach to composition is free flowing.

He says, “I want to evoke what the music tells me it has to offer. It is like following water to its conclusion (or non-conclusion).” The arrangements on this album, written by Zemi17 and performed by the robotic arms of the Gamelatron, leaves the listener feeling enchanted, nourished and enriched.

A sense of the mystical comes through in the tonal quality of the instrument, and is conceptually felt in the sculpture’s name: the Bidadari, which loosely translates to “forest nymph.” The music conjures up natural wonder, and the four sculptures that make up the Gamelatron Bidadari, in fact, resemble trees. They are four independent yet connected entities, each with a large gong situated at their structural base—the sonic “roots” of the sculpture—while smaller gongs branch off of a golden, trunk-like spine. The Gamelatron Bidadari is as physically stunning as it is mesmerizing to the ear. A kind of divinity is invoked through its sound, or a sacred cohesion between past and present, tradition and new form. Meant to be viscerally experienced, the sounds of the Gamelatron call for sublime togetherness. Gamelatron Bidadari is not just an album but the crystallization of Kuffner’s work; it is a condensed yet spacious glimpse into the sonic power of Zemi17’s Gamelatrons, which have already been heard and experienced live by over a million people.

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Shcaa

LP | 2020 | Original (Apollo)

Release: 2020 / Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Offen Music)

Smagghe & Cross

1819

2LP | 2020 | EU | Original (Left Ear)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Ivan Smagghe & Rupert Cross collaborate again.. and it's another beauty! TIP!
"This second LP on Offen is an ajar window overlooking the phantasmagoric world of Smagghe & Cross, a remembrance of days that never were. The music is sparse, the past is forever : ghosts of industries are conjured through the English countryside, fading memories play static with an idea of romance, the sun breaks through the iron clouds. A record free of uncouth nostalgia but laced with ethereal melancholia. "

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I.A.O.

Phase 3

12" | 2020 | EU | Original (Wake Dream)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Left Ear have put together a collection of recordings taken from the elusive Berlin band I.A.O., spanning their third phase from 1988 to 1995. Phase III commemorates the bands final line-up of three members; Achim Kohlberger, Ralf Östereich and Carsten Zielske. The sounds on this retrospective vary widely, however, link with threads of melancholic sequences, angular jamming and a focus on electronic soundscapes.
The tracks are pinned against a backdrop of political and social unrest in Berlin at the time. Two different cities had become one with the fall of the wall, driving a bubbling subculture attempting to reunite the capital. Seemingly irrelevant to what I.A.O. was producing, these territories dance parallel to one another. In the late 1980’s, Achim Kohlberger of the band and partner Dimitri Hegemann, were orchestrating ‘Atonal Festival’, these days known as Berlin Atonal. Soon after, they set-up of one of the first techno clubs in the world - UFO, today known as Tresor.
I.A.O. cites the cast of personalities they would come across in the clubs and pubs as influential in their songwriting, artists, outsiders or the ‘general dropouts.’ However, the works of IAO far resemble techno music. Phase III’s opening track Gospel IV introduces the band with their patience and restraint, synthesizers work to reveal folding melodies. The downtempo voyage continues with Marshmallow Girls, an insight into the band’s sensitive observations and hazy imagery. All Is Bliss presents a vocal mantra cooperating with nagging bass lines and euphonic percussion. Meanwhile, two instrumentals Love and Twinkle Twinkle Twinkle Little Star both typify and defy timeless dancefloor paradigms. The compilation signs off with Ferns, binding the icy yet bright tones found throughout.

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Ruutu Poiss

Untitled

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Merci Pierre Feat. Mathieu Deranlot

Boa

12" | 2020 | EU | Original (FireScope)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

10" | 2017 | EU | Original (Silver Lake)

Luna Monk

Sun Kiss

12" | 2022 | EU | Reissue (Transmigration)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

London’s Luna Monk steps up to bat for Silver Lake and delivers two cuts of beatless, otherworldly ambience spanning a total of just over 26 irresistible minutes. An EP of two sides; of sunshine and rain, this is an exploration of light and dark, and all the areas in between. On the A side ‘Sun Kiss’ breathes and pulsates like a sunrise in slow motion; solar flares slowing burning away the morning mist of a melancholy dawn. A product of London, over its evolving duration it nonetheless bares more than a passing nod to the land of the rising sun. Over on the B, ‘Sun Setting Blues’ changes tact and provides the perfect juxtaposition. This is submersive and aquatic, fractured static noise broadcast to the never ending universe whilst rain streaks down the outside of the window. Eventually celestial voices break through the abyss and drag us back from the void. Truly immersive work; without doubt salvaged from the bottom of a distant alien ocean.

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OBI

Dreamtech

Hexagon Seam (Planet 43 & Freind)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The perfect chill out record from a once off collaboration between Drum Club’s Charlie Hall and Subsurfing’s Obi. It threads a fine line between balearic and drum n’ bass creating something remarkably unique. Originally released as an extremely limited run on Japanese label Paratone.

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Foray

12" | 2022 | EU | Original (Altered Sense)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Excerpts From 1995 - 2000 Black Vinyl Edition

Ambient7

LP | 2022 | EU | Original (Re:Discovery)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | EU | Original (EE Tapes)

Jan Van Den Broeke

Time And Desire

25,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2017 | NL | Original (Baltermore)

Antenna / Mark Du Mosch

Nokia / Heights Machine

Release: 2017 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | 2017 | US | Original (Good Timin')

Jex Opolis

Ravines

2LP | 2020 | SE | Original (iDEAL Recordings)

Release: 2017 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

tiny wear. Vinyl is close to NM

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Isabella

Melody Depleted

23,99 €*

LP | 2017 | DE | Original (Ti-Records)

Release: 2020 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened. tiny wear

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Pablo Giw

Never Is Always

LP | 2020 | FR | Original (In Paradisum)

Release: 2017 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened. tiny wear

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Somaticae

Amesys

LP | 2020 | FR | Original (Laaps)

Release: 2020 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. With insert. Vinyl is close to NM.

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Joni Void + N NAO

Nature Morte

Tape | 2022 | UK | Original (Possible Motive)

Release: 2020 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gold vinyl. Limited edition. Cover is very close to NM.

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Accou

Rhyme Nor Reason

Tape | 2022 | UK | Original (The Tapeworm)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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There was a time when a person would pick up an instrument to compose yet another song for a loved one. A sad figure humming into a microphone, pronouncing the most basic words and forms to convey quantity, quality, fact, statistics and similar sounds describing pain, loss and sorrow. The human brain would perceive the melody sad and perhaps within herself feel a sense of melancholia.

In another parallel world a new composition would then appear. But not one composed on a wooden built instrument, no, sounds made into structures and tables that would assists the listener into providing an additional context and meaning through digital synthesis and quantised harmonies. But who could really tell if these sounds were real? Or where they just sounds impersonating an idea of something?

Rhyme nor reason is as abstract in its shapes and ideas as it is concrete and elegant in its narratives. A carefully crafted wooden cabinet with an over-whelming amount of different drawers and hidden compartments. Each box storing blissful arrangement; a fluorescent stone, a paper note saying something about lunch, some collectible objects, a forgotten token or perhaps an autograph, all so very vibrant and joyful for its possessor.

Deleted files stored on rapidly rotating platters coated with magnetic material. Small, easy to loose SSD memory cards of recorded corrupt files and digital artefacts. Software engineered compositions trying to grasp the shared belief of an upcoming future, vivid and uncertain; birds, waters and long lost recollections. A release unconcerned with the literal depiction of things from the visible world. At least not for now.

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Marsha Fisher

Psychic Architecture

Tape | 2022 | UK | Original (Death Is Not The End)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Marsha Fisher is a Minneapolis based composer and sound artist. Originally from Nebraska, they participated heavily in the Lincoln DIY scene. They bring the DIY ethos into their experimental music practice by using consumer tape players and cassettes to replicate musique concrète techniques in a context more similar to harsh noise. Fisher also runs the tape labels Gay Hippie Vampire and Activated Skeleton and has recent releases on Orb Tapes, Falt, and Full Spectrum Records.

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V.A.

Come, Let Us Sing

Can I Hear The Sound Of A Falling Branch

Release: 2022 / UK – Original

Genre: Electronic & Dance

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What shall we sing? Folklorist Derek Piotr presents the third and final installation in the Bare family trilogy, this time highlighting lesser-known and garbled versions of local folk tunes, and again braiding the past with the present by incorporating his own contemporary fieldwork of the Bare's living descendants.

Track 1 recorded by Herbert Halpert in Maryville, TN, April 23, 1939.
Tracks 2, 3, 4, 8, 9, 11, and 12 recorded by Herbert Halpert in Elk Park, NC, April 12, 1939.
Tracks 5 and 13 recorded by Herbert Halpert near Morganton, NC, April 19, 1939.
Track 6 recorded by Derek Piotr in Morganton, NC, April 11, 2022.
Tracks 7 and 10 recorded by Derek Piotr in Vilas, NC, April 18, 2022.

Cover image of Mrs. Sabra Bare Hampton courtesy of Della Ruth Harshbarger.

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Alex The Fairy

Tape | 2022 | UK | Original (The Tapeworm)

Tape | 2022 | UK | Original (The Tapeworm)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Alex the Fairy is an artist based in Berlin producing music with an emphasis on electronic and concrete methods. Alex the Fairy is also part of the 3Ddancer trio, a live act focusing on improvisation and expression using electronics.

Alex The Fairy writes: "I had sent The Tapeworm tracks before, but I was being difficult so was asked to send a new bunch, with a deadline. I sent the new bunch, a fairly odd collection expecting perhaps some of them to be combined with the older stuff but not seeing any coherence in them. I figured The Tapeworm would find at least something. To my surprise the suggestion that came back was exclusively the tracks I had sent the second time, and, re-listening through the tracks in this new order after returning from a Christmas dinner lying on the floor of my nephews bedroom gave them a completely new context. Despite them being quite varied in terms of age (one had been flung together a few days earlier on the train while another was approaching Schulreife) they seemed to meld together in such a way that I hardly recognised them…

Last year my grandmother died. My last grandparent. I had put off seeing her during corona, as I thought it best not to put her at risk and had almost left to visit her days before her death but had delayed my departure because of a medical appointment. My failure to her weighs heavy on my mind - fates grimacing grin: too little, too late. The approaching march of death, one generation closer was a confrontation I wasn't prepared for.

While clearing out her flat in the following weeks I had kept some of my grandfathers cassettes, live recordings of jazz greats, Pink Floyd, Sade and some classical among them, none originals, several presumably from the radio e.g. a church organ rendition of Bach. At the time I wasn't sure why I was hanging on to them, other than the urge to hoard, and that it felt wrong not at least to keep some. Half a year later, half way through mixing this cassette, suffering from my first bout of Covid, I had the insatiable urge to hook up the cassette player I had received from my grandfather after his death around nineteen years earlier and had been dragging along with me since. I stuck a cassette in only to immediately return to the safety of my covers. I began to work my way into what I had saved, hearing the fruits of my grandfathers labour decades before. It felt like quite an intimate interaction with someone I had long lost contact to/was long gone. Quite a wonderful thing, these time traveling cassettes.

I returned to the tracks to mix them shortly before my corona/cassette experience, with a new mixing console at hand. I had been looking for one for several years, but nothing had ever clicked, until I found this old broadcast desk 30 minutes from my place (it also coincided with a payment from a job the sum of which matched the price identically… fates return). Installing became a massive hassle and I doubted my decision continuously, but the further it was implemented the more it made sense. The first track I recorded with the mixer is on this cassette. Shortly before the mixing I was introduced to an Effektgerät by a friend, Rapha. Another good friend Art lent me their one, and I ended up using copious amounts of it throughout mixing, alongside my usual space creators. All the tracks on this release were mixed again on this mixer and are in a sense all a bit of a dub of the originals. I wouldn't have worked this way without the mixer, and the effect gave me a dimension I hadn't had before, so, from a technical perspective, the mixer and this effect define this release, giving it a coherence, at least for me. Emotionally of course the chaos and turbulence of the preceding year and my newfound appreciation for the medium give it a meaning I will struggle to formulate." – Alex The Fairy, Berlin, 9 May 2022

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The Howling

All Hail Mega Force

Lamkin: Versions & Variants Across The Northern Hemisphere

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The Howling is a collaborative project started by writer Ken Hollings and sound artist Howlround devoted exclusively to their shared love of text, audiotape and trash aesthetics. An intense collision of spoken word and analogue tape effects, the Howling's first performance took place at the Iklectik in September 2019 as part of a special programme to celebrate The Tapeworm's 10th anniversary.
Despite the pandemic, they have managed to continue working and conferring together since then, sharing sound files, texts and mixes online, which has resulted in All Hail Mega Force, their first full-length release for The Tapeworm. The two extended tracks contained on this audiocassette reflect their shared interest in Fluxus and how informal rules and permutations can be set up to work themselves out through loops and repetitions. A straight line connects Terry Riley's tape experiments in Paris from the early 60s with their experimental recordings in the Wimpy Bar on Streatham High Road, one of their favourite meeting places. 'The idea of instant, disposable one-off creations appealed to us a lot at the time,' The Howling explain, 'particularly as both pieces were conceived and developed during different phases of Covid lockdown in the UK.'
The title and source material are derived from the kid's adventure movie MegaForce, starring Barry Bostwik and Michael Beck. Designed to sell a range of Mattel hi-tech action toys, MegaForce tanked at the box office but lives on in the collective consciousness of those who share with The Howling a special love for Trash and Trash Aesthetics.
The two tracks also share similarities in approach and realization.
'All Hail Mega Force' was created by reading combinations of the words 'All Hail Mega Force' into a voice memo recorder, transferring it to tape, cutting the whole thing as a single long loop and then stretching it across three reel-to-reel machines simultaneously, using two pencils and a pint glass full of loose change to try and maintain sufficient playback tension. Over time the loop started to degrade, which accounts for the increasingly slurry and unpredictable playback, plus frequent ruptures caused by the tape becoming jammed and having to be tugged through the machine workings by hand. Twenty-four minutes later and the result was a completed new work and a slight backache.
The text for 'Are You Man Enough For Mega Force?' was recorded live in the Wimpy Bar on Streatham High Road, 28 November 2021. It was cut to tape and looped on 3 December 2021 at Warrior Studios, Loughborough Junction. Dragged by motor and then by hand across two tape machines with copious amounts of closed input feedback provided by a third rushing in to fill the gaps. One take with no effects or overdubs, but one tiny edit in the middle when something fell over.

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V.A.

Tape | 2022 | UK | Original (Death Is Not The End)

Tape | 2022 | EU | Original (The Tapeworm)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Folklorist Derek Piotr teams with Death is Not the End for a third outing, this time plumbing the depths of every archive from West Virginia University to the British Library in search of versions of the ballad Lamkin. Following the template set by Charlie Seeger with his seminal Barbara Allen compilation, Piotr's collection outs versions of the bloody ballad from the last ninety years; most of these renditions haven't been heard by anyone but their original recordists for decades.

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Ken Hollings

Destroy All Monsters

10,39 €* 12,99 € -20%

12" | 2020 | US | Original (Maddjazz)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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These recordings, made in 2001 in the weeks before September 11, constitute a unique historical document. They are spoken-word adaptations of scenes taken from Destroy All Monsters, the first book by acclaimed writer and 'pop culture alchemist' Ken Hollings. A multistranded postmodern epic, Destroy All Monsters offers a radical retelling of Desert Storm, America's military operation targeting Iraq, using imagery derived from MTV videos, CNN news reports, Japanese kaiju movies and anime, Hong Kong action flicks and tales of alien abduction. The book's entire narrative nervously unfolds in an unstable of world of terror monsters, wrecked cities and dangerously tall buildings: where an event like 9/11 is inevitable. The book was officially launched on September 13, but distribution in the United States was delayed when ports on the Eastern Seaboard were closed to shipping post 9/11, leaving copies of the book stranded in the Atlantic. 'Published the very week of the "attacks on America",' Toby Litt wrote at the time, 'Destroy All Monsters is genuinely, spookily prescientâ€¦as a progress report on Planet Earth, it seems to have timeslipped onto the front pages.' Lydia Lunch praised it as 'a hallucinogenic spiral into future nightmare', while The Scotsman called it 'mind bending reading.'

In the summer of 2001, Ken Hollings was approached by sound designer and electronic music composer Simon James, who wanted to create an audio adaptation of scenes from the novel to share with subscribers to a spoken word channel launched by totallyradio. The idea was to record Ken reading his own words and then embed them in a soundscape that evoked the fragmented complexity of the original text. Ken concentrated on a small handful of threads from the overall narrative, while Simon directed and engineered the final recording. This resulted in the two sequences of words, sounds and electronic tonalities contained on this audiocassette: an unsettling portrait of people about to be overtaken by events.

In October 2001, having just got married in London, Ken and Rachel Hollings went to New York for their honeymoon, just as they had originally planned. They spent an unforgettable week in a city struggling to recover from the seismic changes that had just taken place while a sudden wave of anthrax attacks on government and media offices filled the news cycles. Rachel took a photograph of Ken at Ground Zero, where crowds of onlookers continued to gather, and the air still smelled of burning.

Ken Hollings is a writer and broadcaster whose main concern is the relationship between culture and technology. He has written and presented numerous critically acclaimed features for BBC Radio 3, BBC Radio 4 and Resonance 104.4 FM His other books include Welcome to Mars, The Bright Labyrinth, The Space Oracle and Inferno all available from Strange Attractor/MIT Press. His latest book, Purgatory, is due from Strange Attractor in Spring 2022.

Simon James is a producer, musician and sound designer based in Brighton, UK, whose work combines electronic sources with field recording techniques and sound treatments, using sound to transport the listener to fantastical audio worlds. Simon's latest release, Electro Smog, collects electromagnetic field recordings from Shenzhen's electronic markets, recorded while he was in China at the invitation of Musicity and The British Council.

The Destroy All Monsters audio adaptations marked the first occasion Ken and Simon worked together â€“ subsequently they collaborated on the 12-part series Welcome to Mars for Resonance 104.4 FM and Connecting, an audio portrait of the original 'phone phreaks', for BBC Radio 3. In 2021 they teamed up again to make Fast Forward, a six-part documentary series for Kasperksy Lab.

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Pharma

Grand St. EP

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Frank Bretschneider & Giogio Li Calzi

Tzero Mambo

LP | 2022 | EU | Original (Umo-Rex)

LP | 2020 | EU | Original (Field)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Aa collaboration between two great exponents of contemporary music who have been part of the electronic and experimental avant-garde for the last three decades. On the one hand, we have the Berlin-based musician, composer, and video artist Frank Bretschneider. On the other hand, Giorgio Li Calzi, the Italian trumpeter, composer, producer, and performing director based in Turin, whose work is known for electronic/effects improvisation combined with the trumpet. Together, they offer fascinating album between electronic and jazz: elegant, clean, and minimal, but »Zero Mambo« is also exuberant and cheerful.

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Sugai Ken

Tone River

12" | 2017 | DE | Original (AMOTIK)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Caught somewhere between environmental sound studies and surrealist sonic architecture, Sugai KEN helps mark the 30th release of Field Records with an ambitious new album. Commissioned by the Dutch Embassy in Tokyo, Tone River is the product of a year’s intensive work between artist and label, created in part to examine the relationship between Japan and the Netherlands with regard to water management.

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Amotik

Amotik 006

7" | 2020 | TW | Original (R=A)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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TBZ

Clocked / Rude Beat

7,99 €*

Release: 2020 / TW – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2020 | EU | Reissue (Kitchen Label)

Meitei

Kofu

26,39 €* 32,99 € -20%

12" | 2022 | EU | Original (Rotkat)

Release: 2020 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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2024 Repress!

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Vieze Meisje

Life Is A Vieze Cirkel

12" | 2022 | UK | Original (Blank Mind)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Vieze Meisje is the singing, performing and all-encompassing second self of the mere mortal Maya Mertens.

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Tammo Hesselink

Silicon

15,99 €*

Recordings 1987-1991 Volume 1

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Revealing a more expansive and reflective dimension to his sound, Tammo Hesselink produces a varied set of deep tools on Blank Mind’s eighteenth release. Tammo’s sound-design is crisp, unique and organic - built with an instinctive sense created from personally recorded percussive recordings.

'Silicon' is a lethal masterstroke in propulsive minimalism, bridging between broken styles and fluid minimalism, and has already featured across clubs and festivals this summer.

Whilst 'bbr', 'Lesssim' and 'First Supposed' are waking-dream like psychedelic trips. The experimentation concludes with blinding down-tempo roller 'There is One Thing'.

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Valentina Goncharova

Tape | 2022 | EU | Original (Shukai)

Tape | 2022 | EU | Original (Orange Milk)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Cass (90) Ukrainian/Estonian archival label Shukai extend unmissable introductions to Valentina Goncharova's incredibly free synthesis of electro-acoustic, noise and new age tropes in a frankly jaw-dropping first compendium of her work -highly recommended to disciples of Pauline Oliveros, Deathprod, Daphne Oram, Michael Ranta, Keiji Haino

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Seth Graham

Gasp

15,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Multiply Intentions Translucent White Vinyl Edition

Katya Yonder

LP | 2020 | EU | Original (Metron)

18,74 €* 24,99 € -25%

Puzzlewood Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Multiply Intentions is the fourth full length release from Russian multi-instrumentalist Katya Yonder and her first long player since 2017. Borne from a new found sense of confidence and self-awareness, the album is inspired by both local and neighbouring musical cultures and a wide range of social influences. Whilst her previous records were purely instrumental, for fear that she would be misunderstood or even ridiculed, Multiply Intentions sees Katya introduce her vocals for the first time. Singing in four different languages (her native Russian, English, Japanese and French) across 13 tracks, the album is an ode to her diverse musical upbringing and the wide range of influences on her as an artist. Multiply Intentions was built from initial sketches she developed for her 2018 Métron Mixtape (a mix that was highlighted in Pitchfork’s monthly mix roundups). Working with these building blocks, and blending in her love of the music of Madonna, Brian Eno and Cocteau Twins with references drawn from 80s pop, old video game soundtracks and soviet films, Katya moved these initial ideas into larger, richer songs that are layered by her ethereal vocals.

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Plone

LP | 2020 | UK | Original (Ghost Box)

12" | 2017 | EU | Original (Offen Music)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Black Vinyl ediiton limited to 500 copies.

The long awaited third album from much loved vintage synth maestros Billy Bainbridge and Mike Johnston, finally finds its home on Ghost Box Records. This is unironically joyful and melodic electronica; informed by library music, music for children’s TV and a deep passion for the history of music technology.

Plone are very much part of Ghost Box’s DNA. They were a central part of the 90s retro-futuristic scene in Birmingham that included Broadcast and Pram and to which the label has always had strong ties through graphic designer and co-manager, Julian House. They are also cited by the label’s other boss, Jim Jupp, as a major influence on his work as Belbury Poly.

The band was formed as a three-piece in the mid-90s and their debut single, Press a Key, was championed by John Peel. The first album, For Beginner Piano, was released on Warp Records in 1999. Their warm, witty and unfunky music stood out from the crowd, almost in defiance of the moody and masculine post-rave electronica of their contemporaries.

A selection of bootlegged demos from the early 00s was rumoured to be the follow up album, but it never materialised. After that Billy went on to tour with Broadcast and later formed Seeland with another former band member Tim Felton (also of Ghost Box’s Hintermass). Meanwhile Mike formed the ZX Spectrum Orchestra, released solo singles as Mike in Mono and was a member of The Modified Toy Orchestra.

Twenty years on and Plone have reconvened as a duo with a third album, Puzzlewood. It’s compiled from material recorded at various points since the “lost album”, right up to the present day.

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Beck / Nash / Reyenga

Metaclaw

Le Commandant Couche-Tôt Et Son Magnifique Orchestre De Claviers

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Metaclaw is blazed studio session that time could have forgotten...but Offen Music didn't. A glorious downbeat synth plodder/head nodder from the minds of three very muscial friends.. features remixes from Gordon Pohl and Glib'r.. TIP!

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Le Commandant Couche-Tot

12" | 2020 | FR | Original (BMM Records)

Release: 2020 / FR – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Space Time Continuumfluresence Ep 2022 Remaster

Space Time Continuum

LP | 2022 | UK | Original (Musique Pour La Danse)

20,99 €*

Slice Of Life Ova Blue Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021.

This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.

There is a good reason why this EP, actually Sharp's debut release, was so hard to find at reasonable prices and why it has appeared in countless compilations and top lists in the last 3 decades with no sign of slowing down.

Truly timeless, this masterclass in forward thinking electronic music focuses on deeply textured, masterfully arranged, and skillfully morphing tracks with a cosmic tinge that feels warm instead of cold, and rewards repeat listens.

Prepare to bend the very fabric of spacetime during the 28 minutes of heavenly chill out and celestial techno/trance contained in this 12" black hole, remastered and repackaged for the 21st century. Title track Flurescence is one of the very few that actually captures the ambience of those magical floating years and a trip to the edges of outer space that never ceases to amaze, while Transmitter is a deep dive to the bottom of an ethereal ocean of fur suspended in time, with mysterious samples from the producer's answering machine to boot. Drift is a bona fide gem of rhythmic psychedelic electronic music, breaking down and projecting early trance, IDM and electronica ideas like a prism turning revealing a colorful spectrum of colours after being hit by light. Finally, the fast-paced dancefloor weapon Drug#6 is up there with Choice's Acid Eiffel, Resistance D's Cosmic Love, and Red Planet's Cosmic Movement in the intergalactic pantheon of narcotic, acid techno cuts.

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System Fairy

LP | 2017 | CA | Reissue (Tiger Blood Tapes)

31,99 €* 39,99 € -20%

Goodbye Future Funk White Vinyl Edition

Release: 2017 / CA – Reissue

Genre: Electronic & Dance

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2017 debut album from Manila, PH future funk producer システム Fairy previously released on cassette and long sold out until now! Enjoy this long sought after future funk fave with refreshed artwork and on wax for the first time!

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Chanece Delasoul

LP | 2020 | CA | Reissue (Tiger Blood Tapes)

35,99 €* 39,99 € -10%

Slowed Midnight Blue Vinyl Edition

Release: 2020 / CA – Reissue

Genre: Electronic & Dance

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Limited edition 12" vinyl LP on white wax in full colour jackets and shrink wrapped.

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Cape Coral

LP | 2022 | CA | Original (Tiger Blood Tapes)

39,99 €*

Release: 2022 / CA – Original

Genre: Electronic & Dance

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Karma Cleaning Red Vinyl Edition

Cape Coral

LP | 2020 | CA | Reissue (Tiger Blood Tapes)

39,99 €*

Tape | 2020 | CA | Original (Tiger Blood Tapes)

Release: 2020 / CA – Reissue

Genre: Electronic & Dance

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Limited edition run of 200. Comes with OBI and shirk wrapped.

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B O D Y L I N E

Freshroom '89

Release: 2020 / CA – Original

Genre: Electronic & Dance

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12" | 2020 | EU | Original (She Lost Kontrol)

NeuGrau

Beneath The Skin

Moves Vs Talking Squirrel Beattape

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The 12th instalments on the label is signed by NeuGrau a brand new project from Ingmar Pauli and Saša Rajković. Their sound brings to mind rough 80s/90s dark wave with a punk/rock tinge and bass guitar as the lead instrument. The duo is hard to pin down: synth mixture, prominent bass guitar, solid basslines and drums in tight lockstep, all with Saša Rajković’s fascinating vocal signature alongside. Beneath The Skin flexes the songwriting muscle and spirit of the duo’s aesthetic, inspired by an entirely set of circumstance and vocabulary. No matter what situation the duo finds themselves in, every song gets an individualized treatment while building a larger story. NeuGrau’s feel is a musical manifesto of the current society disease and socially regressive technology.

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DJ Moves

Tape | 2017 | CA | Original (Tiger Blood Tapes)

Tape | 2017 | CA | Original (Tiger Blood Tapes)

Release: 2017 / CA – Original

Genre: Electronic & Dance

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Pro dubbed on c60 cassette tape. Comes on Butterscotch Brick shells with double hit red ink pad printing in black back norelco cases and double-sided full colour printed J-cards. A limited ediition of 100.

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Toyohirakumin

Drive

16,99 €*

Tiffy L'Amour / Die Gesunden

Release: 2017 / CA – Original

Genre: Electronic & Dance

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Pro manufactured limited edition run / 100 with LED printed shells and full colour artwork in norelco cases.

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Follow Me (Frey & Menqui Glockenspiel) / Film Musik (Frey & Otter Dive)

12" | 2022 | EU | Original (Serious Trouble)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2020 | EU | Original (2DIY4)

Allan Shotter

Das Gift

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2017 | EU | Original (2DIY4)

Vittoria Fleet

Entangled

9,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

7" | 2022 | EU | Original (YNFND)

Tofu Resistance

Thurídur

Elephantine Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music

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Tofu Resistance returns with his new ep “Thorídur”, marking his 3rd release on Ynfnd after his full length debut “1//23“ in 2019.

This EP sits comfortably between both the world of beats and a more relaxed environment. Returning to his roots, Tofu Resistance aka Tobias Kleine remembers his early influences of sample based music and classy hip hop grooves.

The result is a sonorous sketch of deceleration, answering with bouncy rhythms to nod your head to. You can hear him playing the drums, guitars and various other instruments on this record. A beautiful blend of organic and electronic production, adding his unique Tofu flavor.

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Maurice Louca

LP | 2022 | EU | Original (Sub Rosa)

2LP | 2022 | EU | Original (Scissor And Thread)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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On »Elephantine«, Cairo-based Maurice Louca guides a 12-piece ensemble through a 38-minute work that might best be described as panoramic. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

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Francis Harris

Thresholds

21,24 €* 24,99 € -15%

12" | 2022 | BE | Original (De:tuned)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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While previous albums, most notably Leland and Minutes of Sleep (2014) as well as two albums released as one half of the duo Aris Kindt (most notably the stellar Swann and Odette from 2017) have relied on singular thematic and narrative drives that were often of a personal, collaborative, or hermetic in nature, Thresholds is an album that aspires to sonic universality and the presentation of a fully formed psychoacoustical world. That being said it is not an “album of ideas”. Inspired by the ecological and political upheavals of the present and the role of speculative thought as an avenue of global transformation Thresholds is the work of a mature artist fully in control of his powers. Both expansive and nuanced the album widens the aperture of the affective possibilities of the electronic assemblage; themes skip from one track to the next, elevating and informing each other in tangible fields of abstract figuration. The titles, while often heady, concisely allude to strategies implicit in the construction and arrangement of the works: Cut Up, within the context of the album, is exactly that. Luck Takes a Step juxtaposes stately synths with just the right touch of playful fluctuation and latent atonality. The title track itself is a knotted mass of uncertainty and propulsive beats the breakdown of which is a nervous series of fits and starts that resonate not just within the track but as the fulcrum of the entire album: the threshold of our Threshold.

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Stasis

From A Failing Light

Khan Younis Black Vinyl Edition

Release: 2022 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Muslimgauze

LP | 2020 | EU | Reissue (Kontakt Audio)

23,99 €*

LP | 2020 | UK | Original (All Saints)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Brilliantly remastered picture LP / LP / CD with new stunning artwork!

A1 taken from VA – 110 Below – No Sleeve Notes Required (110 Below, 1995) A2 taken from VA – Assemblage Volume Two (Extreme, 1996) A3 taken from Nonplace Urban Field – Golden Star (Incoming!, 1996) B1 taken from VA – Le Sacre Du Printemps (Gonzo Circus, 1994) B2 taken from VA – X-X Section (Extreme, 1991) B3 taken from VA – Directions 2 (Direction Music, 1989)

An Other Voices Records / Kontakt Audio Co-operation Release

Compiled by Terry Bennett and Oleg Galay Re-mastered by Višeslav Laboš Artwork by Oleg Galay

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Brian Eno & Jah Wobble

Spinner

31,99 €*

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Tapetopia 002: Ihre Grossen Erfolge 1983-85

Die Gehirne

LP | 2020 | EU (Play Loud!)

25,99 €*

2x12" | 2022 | EU | Original (Kashtan)

Release: 2020 / EU

Genre: Electronic & Dance

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To release a tape in East Germany in 1986 called “Ihre großen Erfolge” (‘Their Great Successes’) illustrates how every situation produces people unwilling to accept that situation. Claus Löser and Florian Merkel were two such people. Their band Die Gehirne and their many side-projects ensured that their hometown of Karl-Marx-Stadt, today’s Chemnitz, could assert its role in the independent art world of the GDR. Inspirations included Frank Bretschneider from the experimental electronic band AG Geige, the artist friend Klaus Hähner-Springmühl, the jazz guitarist Joe Sachse and the free jazz figures Conny Bauer and Luten Petrowsky.
A small batch totalling some 35 copies of "Their Greatest Hits" by Die Gehirne was gradually handed out around the scene to trade with other musicians. For tapetopia 002 we’ve put together a shortened vinyl version. (Robert Mießner)

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Sunchase

Timeline

12" | 2022 | EU | Original (1432 R)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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One of Europe's key figures in the drum and bass music scene of the 2000s - Sunchase - returns with his long-awaited album on Kashtan, a newly launched label from Ukraine, on 1st of December 2020. Sunchase had numerous singles on such cult labels like Moving Shadow, Metalheadz and Hospital Records and after 10 years he finally returns to the LP format. His second album 'Timeline', just like the concept of the label, blurs the boundaries between genres of electronic music, and cannot be assigned to any particular style. The melancholic and abstract sounds give off a sense of reclusiveness, with dubstep and drum and bass rhythms peeking and sometimes breaking through to the surface, yet more often they go deeper, creating room for bass music, dub and even a slight touch of IDM, thus creating a very special state. The album as a whole appears as a voluminous, complete, and aesthetically established piece of work. The releases of Kashtan will be executed in a rather unusual format: it will be a limited series of collectible packs, including a USB stick with music and additional multimedia content, as well as other materials. These packs can later be collected into a catalog. Also, the LP will be released digitally on Kashtan's Bandcamp page and all other known online stores. Kashtan Records (Kyiv, Ukraine) 2020 written and produced by Alexander Pavlenko mastering by Alexander Pavlenko at 22:22 studio design by Dmytro Goreniuk picture by massa+

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Soso Tharpa

Evolution

3LP | 2020 | US | Original (Needlejuice)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Fresh sounds from an authentic source. The Evolution EP is a focused and crisp techno thriller. Each track, all of them raw and direct, are certain to be effective. The growing mood builds with a contagious energy throughout the release, with each song as superb as the one before it. Uplifting, driving, floor friendly, and fun.

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Mindspring Memories

The Binary Ocean

67,99 €*

12" | 2020 | EU | Original (Neighbour)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Angel Marcloid, the brains behind Fire-Toolz and the queen of slushwave, brings forth her most ambitious project under the MindSpring Memories name: The Binary Ocean. Take a trip and set out for a psychonaut voyage through the depths of the sea.

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Quantec

Moments EP

12,34 €* 12,99 € -5%

LP | 2022 | EU | Original (Bloomer)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Having launched Neighbour Recordings with the Life Is Rhythm EP from Base Pilot, the studio collaboration between label owners Birke TM and Quantec, the imprint now turns to the latter for a solo follow-up with the muchexperienced artist turning in the tasty Moments EP. A self-confessed lover of old-school synths and their lo-fi beauty and emotion, this child of the Eighties naturally gravitates towards deep, dubby, Detroit-esque vibes and much more besides.

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Johannes Klingebiel

For Now

18,74 €* 24,99 € -25%

CD | 2020 | EU | Original (Pschent)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The train hurtled forward, rocking side to side as field after field rushed by under an unmoving sky. Her gaze was transfixed on the blurred landscape that passed her by. Behind her, she had left a city with lifelong memories, and as her mind cast back to thoughts of home, a salty tear welled in her eye. It did not fall. She yearned to go back, but her heart knew that this would never again be possible. Inhaling, she held her breath for a moment, almost unexpectedly. A nostalgia was within her, but she knew she must continue, direct her own life and maintain this motion before it dwindled into inertia. She exhaled and the tear rolled down. Looking out toward the horizon she dabbed her cheek, then gently sat upright. Her journey was only just beginning.

Tübingen born, then Frankfurt raised Berlin artist - Johannes Klingebiel, unleashes a potent and untiringly emotive work for the fourth imprint on Amsterdam’s Bloomer Records. A man of many disciplines, he combines his background in jazz drumming with an insatiable appetite for all varieties of electronic music.

Beginning with fond nostalgia that is juxtaposed by the driving motion of organic breakbeats, one is immediately engulfed. Rich synth leads play on minor chord variations to begin and work towards complex and richly cinematic compositions. After the first four tracks, ‘Break Something’ stutters in with a club-ready feel. Capable of both at-home and party environments, this thought-provoking release cannot be boxed into clear-cut categories.

Johannes Klingebiel uses delicate percussion skills to speak to his electronic orchestra. His lust for crisp, clean breaks results in an often inexorable motion that punctuates pensive chords and crescendos. Beginning with breakbeat variations the release ebbs towards half-time drum structures, IDM and experimental expressions later on. Among these quirky and often nostalgic gems, one can find a few driving and noticeably danceable numbers, offering glimpse of familiarity amidst emotive and inquisitive soundscapes.

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Stéphane Pompougnac

Hotel Costes

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Ideal)

Tot Onyx

Senno I

Tape | 2022 | EU | Original (Sucata Tapes)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The debut album from group A's Tommi Tokyo is an illusory marvel made up of snatched half-heard voices, ritualistic rhythms, digi-fucked power electronics and emetic sci-fi drones. Impossible to classify, incredible to absorb - like Vainio, Stockhausen, Anima, Porter Ricks and Ramleh playing in a small room.

Since 2012, Tokyo-based duo group A have been toying with the concept of performance, attempting to melt various art styles - from body art and live painting to noise and performance - into their jaw-dropping live sets. Tommi Tokyo strikes out solo with "Senno I", her debut under the Tot Onyx moniker that appears a couple of years after an impressive collaboration with Hiro Kone emerged on "More Light", 2020's Berlin Atonal box set. Alone, Tommi is able to approach her art from a more personal, even biographical angle. She describes the record as a "study of her interior life", and played from beginning to end it feels like being plugged into someone's brain as it dumps its most polar content, "Johnny Mnemonic" style.

Each track appears to comb through a different cortex: opener 'Voice Calling' juxtaposes her voice with distant ritual drums, cyber-animal gurgles and plucked strings; 'A Leaf Laughs' is distorted close-mic'ed fauna crunches set against low-end rumbles; and the lengthy 'Inhabitants of Brain' is a dial-up powered flicker of faint floppy disk buzzes, indecipherable voices and nauseating electronic burbles. The album shifts into a different gear when it hits 'a-h5n1', referencing the flu subtype to help evoke a crushing mood punctuated by ketamized percussion, dissonant string scrapes and retching industrial noise.

It's a record that's honest enough to capture the ugliness and cavernous depth of the mind; all its beauty is inevitably snatched away to be buried by guttural screams or digitally rehashed machine belches. Any rhythm - which emerges frequently and pointedly - is disrupted by Isdn cable interference or ghostly muttering. At its best, the record tips fully into cyberpunk dystopia, coming across like a ghastly simulacrum of recent Porter Ricks transmissions and Slikback on the submerged 'Maggots' and pneumatic 'Plague'. The latter is a particular highlight, electro-plating acoustic drums and forming them into stuttering error-pools of post-Schematic grit and grind.

It's a harrowing journey, tipped to William Gibson fans or anyone who scoures the lower levels of Discogs for rare Japanese improv.

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Babau

Stock Fantasy Zone

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2LP | 2022 | EU | Original (Smalltown Supersound)

V.A.

Frijazz Mot Rasisme

29,99 €*

LP | 2022 | EU | Original (Students Of Decay)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The second release on Smalltown Supersound’s highly promising offside jazz label, ‘Le Jazz Non Series’ follows Bendik Giske and Buttechno’s mighty label opener with a killer compilation bursting with contemporary/outsider Norwegian free music as a show of solidarity against racism in the scene, with a title that translates to “Freejazz against racism“. Stitched and compiled by Anja Lauvdal and Tine Hvidsten, the set features 18 outsider Jazz burners centered around a varied and diverse cast of characters from the young Norwegian scene. While Norway has long had a positive relationship with free music, its players have invariably looked remarkably similar. “Frijazz mot rasisme” aims to address that by expressing the diversity of Oslo’s contemporary scene and show its commitment to anti-racism; of the players featured on the record, many are regulars at Norwegian demonstrations against local anti-Muslim organization Sian - with the compilation designed to collect funds for local anti-racist work. Musically, “Frijazz mot rasism” is a fractal head-fry of the highest order, dilating a fertile movement thru spiraling outsider-jazz. If musical nodes are needed for a point of reference, it flexes from Don Cherry-inspired communal psychedelia sprawlers to fiery shredders, modal percussive cyclones and lushly expressive instrumental virtuosity of a sort we can only imagine would short-circuit and frazzle a pack of bleating Viking gammons. With well over half the tracks originating from female artists, the set also represents a phase shift in perception, wickedly reprising the form’s historic function as fire music and a soundtrack to civil unrest, but with a decided female energy that’s more agitant than aggressive, in a way that might just calm and enlighten the xenophobes. There’s a tonne to get down with; Sanskriti Shrestha & Andreas Wildhagen’s modal tabla groover ‘Eight hands’ is a real standout, with subtle treats in the liminal thizz of ‘Up There’ by Propan, and a strikingly stark solo performance by Inga Aas, held in balance with tussling razz-outs like ‘One out of town’ feat. Brian Sandstrom, and scatting, Dadaist mischief by Agnes Hvizdalek that’s sure to pique interest along with the chaotic swarm of its shred-out finale ‘Primary Antibody’. Wall to wall enlightening, emotional bangers this one = highest Tip!

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Olli Aarni

Koko Maailma

18,69 €* 21,99 € -15%

This Is Tomorrow Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Since the late aughts, Helsinki-based multi-instrumentalist, linguist, and skateboarder Olli Aarni has released a steady stream of diverse and remarkably consistent recordings via labels such as Mappa, Longform Editions, Cotton Goods, Laaps and Superpang. “Koko maailma” constitutes a major new work in his discography, finding a fertile middle ground between what might be understood as his two primary compositional modes: organic/chaotic/aleatoric music and rule-based, longform works of minimalism. The source material for these compositions was recorded exclusively using the Serge system at EMS Stockholm, but the timbres that Aarni arrives at do not recall archetypal Serge music as most know it. Meticulous editing and processing of the material with an array of digital tools has resulted in music that preserves the erratic and cybernetic character of the Serge system but sounds totally unique unto itself. The first piece, “Ylhäällä,” has the sonic character of fireflies at dusk or ants in the dirt — mercurial, hypnotic, flittering, and scattering tones presented in the spirit of the best environmental music. “Alhaalla” functions almost like a zoomed out impression of what precedes it, with just intonation tuning applied to sine wave generators to create grid-like, harmonically rich, and surprisingly emotive drone music. Micro and macro — two pieces of music, two perspectives of a world.

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Band Of Cloud

LP | 2022 | UK | Original (Castles In Space)

12" | 2020 | EU | Original (Suction)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"Band Of Cloud’s David Owen has previous. Hailing from Leeds, he knocked about with Soft Cell early doors, hoovered up 80s synthpop, got distracted by The Sisters Of Mercy, formed The Hollow Men, dropped out for a couple of decades and popped back up in 2011 with the utterly brilliant ‘We Know Where The Time Goes’ by The FLK – a folk version of The KLF’s ‘Chill Out’. Yes, it’s as great as that sounds.

Judging by all that, ‘This Is Tomorrow’ should be good. David reveals that the first album he bought, aged 16, was Tangerine Dream’s ‘Force Majeure’. On clear vinyl. With a sticker. It’s a record that has impact, this is his homage.

‘This Is Tomorrow’ is like a fever dream, all drifty and floaty and hypnotisey. It comes as four lengthy tracks that sound like they should build to some of release, but never quite do. It has a kind of ‘Twin Peaks’ what-the-f*ckery about it. Odd samples, noises here, strange sounds there. ‘The Hidden Memory’ is proper flickering light bulbs stuff." - Neil Mason, Moonbuilding, Summer 2022

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RX-101

Hearts Utd.

LP | 2022 | EU | Original (Pingipung)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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"Hearts Utd." (suction052) is an addendum to Rx-101’s recent 2LP “Serenity”, featuring 5 additional caustic braindance assaults from the archive, alongside a brand new remix of Serenity standout cut “Hearts Utd.” by the mysterious IDM producer Brainwaltzera. On “Hearts Utd.”, Rx-101 delivers more scorched, crunchy jackhammer beats, combined with emotional, plaintive pads, delivering a classic set of vintage-Rephlex-style bliss, à la AFX, Caustic Window, and Cylob. Comes housed in a reverse-board jacket with full-colour-picture inner-sleeve.

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Y Bülbül / Yumurta

Not One, Not Two

12" | 2022 | EU | Original (Doo)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Y Bülbül is back on the controls accompanied by Yumurta, a percussionist from Istanbul. Pingipung introduced the London based artist in 2020 with his psychedelic, synth-laden debut “Fever”.

“Not One, Not Two” is based on a one-way transmission of improvised drum recordings from an industrial estate in Maslak, Istanbul to another one in Tottenham, London, where Y Bülbül laid down fragmented layers of bass, synths, guitars and field recordings over Yumurta’s singular drum takes. The result is a free-form deep listening album for fans of dub, ambient and kosmische music, where the groove and harmonies are mystically interwoven, yet somehow manage to stay on the brink of collapse. Although the sessions were non concurrent and scattered over two continents, the collaboration evokes scenes of a telepathic communion where individual perspectives, circumstances and stories are exchanged between the two.

Resembling Moondog, Holy Tongue or Luis Paniagua in the sense that they favor the raw over the polished, holistic presence over conceptual perfection and questions over answers, the duo’s focus on bare sounds and repetition guides the listener throughout the album. The ride cymbal opening the minimalistic “I’m This”, for instance, briskly disarms the listener who might have been looking for more traditional songwriting or production clues. There are plenty of immediately rewarding moments too in “Not One, Not Two,” like the organic acid bassline in “Maurin Quina”, the euphoric drum fills of “Big K” and the intoxicating groove of the hypnotic vibe-setter “Jah Oto”.

Bülbül is Turkish for a singing bird while Yumurta simply means egg. Which one is first? Who is to follow? It’s this enigmatic entanglement between the two artists which creates the lurking tension, emphasized by the Zen Kōan-like title. The beauty in this album is a peculiar one, and it certainly is a rabbit hole too. Dissonance is fluid as everything moves, and whenever two sounds collide, a third one emerges.

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Snp 500

Honeydoo

8,24 €* 10,99 € -25%

LP | 2020 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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SomEThIng ElSe FrOm SoMEthIng,.. Things feel good when there’s trust. And then othertimes things just feel good, like something that feels like letting the dog off a leash. And this music is both of those things, and also something that doesn’t need much, something that can survive on its own.

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Lake Turner

Videosphere

20,99 €*

LP | 2020 | EU | Original (Phonica Records Special Editions)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

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Asyncronous

Pangaea Nova EP

12" | 2017 | EU | Original (Alpha Cutauri)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The next release in the Phonica Special Edition series comes from Ukrainian duo Asyncronous who first came to our attention after hearing their critically acclaimed debut on Berlin label Slow Life, 'The Art of Fighting In A Dream'. A Phonica favourite, it provided the soundtrack to many days in the shop throughout the year, culminating in its inclusion in our top ten Best Singles of 2019! The Phonica Special Edition series is focused on one-off projects, special remixes or collaborations, highlighting music that is slightly left of the dance floor and pairing it with unique artwork. This time featuring a beautiful piece by celebrated Ukrainian artist, Mykyta Storozhkov. The pair initially joined forces in an effort to explore human imagination and life experiences through music, focussing on creating feelings and atmosphere rather than be constrained by genre limitations. The result on this EP is a hazy cosmic trip through their universe of synth swells, deep sub bass and meticulous percussion.

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Hysee

Solstice Boundaries

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Slumberland & Sainkho Namtchylak

Lightkeeper

LP | 2022 | EU | Original (Morphine)

15,99 €*

LP | 2022 | EU | Original (Glossy Mistakes)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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- expect the rattling drones of motorized chanters grinding against the unearthly sounds of a Siren -

Morphine Recordswith a massive loader from Slumberland’s self-made instruments sounds, from the ''to sewing machines and self made organs - all combined with legendary Tuvan throat singer, Sainkho Namtchylak. Lightkeeper was recorded and mixed by Lebanese-Canadian artist ,Radwan Ghazi Moumneh (Jerusalem In My Heart, Constellation Records), adding his distinct touch to the production of this roller-coaster of sounds. Belgian musician, composer and instrument-maker, Jochem Baelus, has been unleashing his obscure, hypnotic krautrock embellished with distorted exotica upon us as Slumberland since 2013. After creating his signature battery of sewing machines, projectors and dismantled mechanical objects, Baelus immersed himself into the world of 64 year old voice-artist Sainkho Namtchylak and assembled a new sound sculpture inspired by her colour.

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Danny Scott Lane

Wave To Mikey