Downbeat | Electronica | Leftfield 9209 Items

Tobacco of Black Moth Super Rainbow

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Don’t shoot me, I’m only the piano player. The Scene: The Welsh mountains, remote and harsh, a special place. A good place to produce a special album. The characters: Volker Bertelmann in his friend Adam Fuests’ studio, equipped with only a piano and a laptop.

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Ripe & Majestic

2LP | 2017 | US | Original (Rad Cult)

34,99 €*

Release: 2017 / US – Original

Genre: Hip Hop, Electronic & Dance

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LP | 2017 | US | Reissue (Thrill Jockey)

Golden Retriever

Rotations

31,99 €*

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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LP | 2017 | US | Reissue (Thrill Jockey)

Oval

Dok

28,99 €*

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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10" | 2017 | EU | Original (Animist)

Apichat Pakwan

E-Ong Muan San

13,99 €*

One Offs … Remixes & B-Sides

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Only one copy per customer!

Martinique is an island in the Lesser Antilles, a group of islands in the Caribbean Sea found between the Greater Antilles (Jamaica, Cuba, and Puerto Rica) to the north-west and the continent of South America to the south. Martinique is one of the eighteen regions of France (there are five overseas regions) and an integral part of the French Republic. As part of France, Martinique is also part of the European Union, and its currency is the Euro. The official language is French, and virtually the entire population speaks Antillean Creole. It was first claimed by France in 1635 under the reign of King Louis XIII.

Located geographically closer to the United States than to Europe, the Antilles absorbed jazz and mixed it with the traditional rhythms of their islands: the Biguine, Gwo Ka, Tumbélé. Many artists over the years have explored this uniquely affecting mix: D’Alexandre Stellio, Jean-Claude Montredon, Al Lirvat, Acques Coursil and Mario Caning. But one of the best exemplars of this fusing of American jazz and the Antillean musical tradition was pianist and composer Marius Cultier.
Marius Cultier was born in 1942 in Fort-de-France, Martinique. A precocious talent for an early age, at nine he conducted with the L'Office de Radiodiffusion-Télévision Fançaise, the French national public broadcasting organisation.

As a young man, Cultier hosted a radio show, ‘Punch en Musique,’ which proved a hit with the public and his name and reputation slowly built. Tragedy struck him at 14 when he was orphaned and he was looked after by this elder sister.

As tragic as 1956 proved for Cultier, it was to be a watershed year for another reason - it was the year he discovered jazz. It wasn’t long before he was fusing the musical styles and language of the West Indies with jazz and he began live performances at the Hôtel l’Impératrice.

Very quickly Cultier became an in-demand concert attraction in Martinique and venue owners soon began to book him across the island. His reputation grew and before long he was also performing across the Caribbean.

As his stature grew, he began to receive accolades and prizes, including the International Piano Conquest prize in Puerto Rico for his performance of "Round Midnight”.
He went to Canada in 1966 - initially for a few weeks - where he stayed for several years. Whilst there he met and played with established jazz artists before continuing his journey in the United States, and then Europe, where he played in Paris at the Palais des Congrès at the invitation of the then President, Valérie Giscard D’Estaing, before returning to Martinique in 1973.

This release is pressed on heavyweight vinyl. The cover is presented on original glued prints on thick cardboard in a PVC outer sleeve.

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Bonobo

2LP | 2002 | UK | Reissue (Tru Thoughts)

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

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Providence Reworks: Part I

Nathan Fake

12" | 2017 | UK | Original (Ninja Tune)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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12" | 2017 | UK | Original (Ninja Tune)

The Invisible

Patience Remixes

12,99 €*

Release: 2017 / UK – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Putojefe)

Internazionale

Wreaths Of Life

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | US | Original (Styles Upon Styles)

Bergsonist

Mutation

12,99 €* 19,99 € -35%

Release: 2017 / US – Original

Genre: Electronic & Dance

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Selwa Abd (originally from Morocco, currently residing in Brooklyn) uses the fictional character Bergsonist, from Brooklyn, Slovakia, as her musical guise. Derived from Deleuze's Bergsonism, Bergsonist uses intuition as a method to deliver her/his instinctive psychoanalytic theories. A blend of different audio sources and samples are used as a way to capture the essence of the 'present' moment, manipulating found sounds along with self-concocted digital fragments to combine in in the span of a set, given time. Bergsonist allows inspiration to come from anywhere, yet she/he limits themselves by the gear/tools that are used. The approach consists of inhaling all the energy of the city - influenced by trips to museums, galleries, shows, talking to people. and sensing nature - and exhaling it sonically. Bergsonist reacts to this energy and inspiration without any specific rules, styles, or genres - extending the array of possibilities by always pushing preconceived uses of the tools. Following a slew of cassette-only releases from labels across the global map and a split 12" with Isabella on Borft Records last year, Selwa shares her most twisted and considered compositions to date with Mutation. Four fire-stoking tracks of electro convulsions sparked from indecipherable depths inflame new terrains for an artist whose output is inextinguishable - prolific barely covers the rapidity with which Bergsonist shares new jams to a lucky few - proffering Mutation as an indelible moment in Selwa's blossoming career. Mutation features a ripped / thrashed remix from in-the-cut edit wizard, Murray CY. Mutation will be available in a limited vinyl edition of 200 with artwork designed and conceived by Selwa and Benoit Canaud Studio.

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Digging Beyond The Crates

2LP | 2017 | EU | Original (BBE Music)

22,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (FHUO)

Tochigi Canopy

Collecting Things

13,99 €*

LP | 2017 | EU | Original (Noiztank)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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For his debut album, Tochigi Canopy has been building the melancholic, spleen-full life's perfect soundtrack. At first listen, we already feel his obsession for details and his love for deep atmospheres, he fills our mind with images, moments, slices of nostalgia where summers last only for seconds. An absolut must-have.

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Restive Plaggona

Leaving The Body

LP | 2017 | EU | Original (Sex Tags Amfibia)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Restive Plaggona is the music project of the Corfu-based artist Dimitris Doukas –also producing under Matriarchy Roots, Leftina Osha and Plaggona-. After releasing a series of cassettes in different labels along 2016 and 2017 –including his own Several Minor Promises- “Leaving The Body” arrives as an electronic composition of beats and synthesizer bodies disguised as a sense of provocation and mystery. Each of the seven pieces offers more than a smattering of interesting textures separated by spans of great decline, but a master class of permutations in-between accompanying sounds, stretching rhythms and viscera-and- violence noises. Driven by a deeply expressive narrative, Restive Plaggona makes a strong statement about his post-industrial vision adding technoid inclinations in a delightful dystopian world.

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Vera Dvale & Psykovarius

Udu

14,99 €*

2LP | 2017 | EU | Original (Northern Electronics)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Spaceous and oblivious FM-synthesizer based New-Age & Dark-Ambient LP collaboration by Vera Dvale & Psykovarius. Dusty cosmic sonics interfere with slow growing pads, one-hit-percussions, metalic clanks, synth-flutes, psychedelic-SPA-melodies, dark long driven drones with monophonic bass drops, deep church organs and arpeggios. Execute time to listen to fog and space.

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Anthony Linell

Emerald Fluorescents

LP | 1984 | EU | Reissue (Mannequin)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Following on from this year's brooding debut, Anthony Linell gathers a storming double 12" of material to depth charge vacant participants and lilting movers. Leaving aside his well established Abdulla Rashim moniker, Emerald Fluorescents feels like an agile side-step into heavier terrain with a renewed sense of purpose. Scattered fractal stabs revolve around quietly furious low-end fit outs with enough sharp edges to let you know it's someone else's space.

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Atelier Du Mal

Noblesse Oblige

19,99 €*

2LP | 2017 | EU | Original (Hyperdub)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Brilliant comet of the Italian New Wave scene. Real deal. TIP!

Atelier du Mal were formed in Florence in 1983 by Lapo Pistelli (synths, electronic drums), Iacopo Ficai Veltroni (bass, synth) and Ignazio Matteini
(drum programming, percussions). Recorded in 1984, 'Noblesse Oblige' was the first and subsequently the only demo tape by the group, self-released using classic gear like Korg Ms-20, Roland Tr-606, Roland Tr-808, Roland Juno 60, Roland TB-303.

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Ikonika

Distractions

Ruinism Colored Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ikonika’s third album ‘Distractions’ builds on 2013’s ‘Aerotropolis’, and the title answers the question “Why has the album taken so long?” In the last few years she’s been building up a strong CV of remixes, from Chvurches to Dawn Richard, Austra and Junior Boys, as well as DJing and working on ‘Distractions’. ‘Distractions’ distils the character of Ikonika’s music productions across a wider set of styles than previous albums, and she subtly fuses and switches elements from contrasting genres, giving the whole set a uniqueness and consistency that puts it in its own lane. Furthermore what sits at the centre of ‘Distractions’ more than ever is her love of R&B and hip hop, in all its forms, which has opened the door to bring in a selection of guests in a way she’s not fully explored before. From the full throttle blend of grime and 80s synth soul ‘Noblest’ with Andrea Galaxy, to the reflective ‘Sacrifice’ with up and coming MC Jammz, a slowjam that merges dubstep with hip house drums. The final vocal track is the languid ‘Hazefield’ co-produced with Sweyn J and featuring Jessy Lanza on vocals. Its mix of mechanic clunk and minimalist, lulling funk could only happen in 2017. The LP artwork takes its inspiration from West London’s Golden Mile, a stretch of the Great West Road where the A4 meets the M4, and the road takes on the character of the arcade game Poll Position, with art deco factories and illuminated, hi-tech signage selling lifestyle products. It’s this kind of mix of futuristic and industrious with a touch of gentle glamour that the album exudes.

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Lapalux

2LP | 2017 | UK | Original (Brainfeeder)

31,99 €*

Ruinism Black Vinyl Edition

Release: 2017 / UK – Original

Genre: Electronic & Dance

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2LP 180g heavyweight solid blue vinyl in printed inner sleeves housed in a 5mm spined sleeve with emboss and spot gloss detailing. Artwork by Marielle Tepper. MP3 download code included.

Lapalux releases his third album, “Ruinism”, on Flying Lotus’ Brainfeeder imprint. His previous LP, “Lustmore” was partially inspired by the concept of hypnagogia, a suspension of consciousness occurring between wakefulness and sleep. Throughout “Ruinism” the British producer takes this exploration further, journeying onward to the more ominous limbo space between life and death. In this liminal space where the finite and infinite intermingle, Lapalux sounds more at home than ever.

Limited edition on blue vinyl.

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Lapalux

2LP | 2017 | UK | Original (Brainfeeder)

27,99 €*

Ben Lukas Boysen /Sebastian Plano

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Lapalux releases his third album, “Ruinism”, on Flying Lotus’ Brainfeeder imprint. His previous LP, “Lustmore” was partially inspired by the concept of hypnagogia, a suspension of consciousness occurring between wakefulness and sleep. Throughout “Ruinism” the British producer takes this exploration further, journeying onward to the more ominous limbo space between life and death. In this liminal space where the finite and infinite intermingle, Lapalux sounds more at home than ever.

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Everything Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 1965 | US | Reissue (Modern Harmonic)

John Cage

Variations IV Volume II

29,99 €*

LP | 2017 | EU | Original (Affine)

Release: 1965 / US – Reissue

Genre: Electronic & Dance

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A 1965 journey into found sound, courtesy of John Cage, assisted by David Tudor. Another seminal volume of indeterminate music from an icon of experimental sounds gets reissued for the first time, thematically on gorgeous clear vinyl!

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Wandl

It's All Good Tho

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Bronson)

Confrontational

Kingdom Of Night

12" | 1981 | US | Reissue (Dark Entries)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The tracks on 'Kingdom Of Night' (the second entry in a trilogy that started with 'A Dance With Shadows') sound darker, deeper and heavier than ever before. There was a deliberate focus on trying to create some classic anthems in the songwriting process - tracks with relentless beats, an emphasis on melody and a really driving chorus.

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Codek

Tam Tam / Closer

LP | 2017 | EU | Original (Nowadays)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude’s single on Celluloid “Kwai Systeme / Betty Boop.” Robin Scott (M “Pop Music”) had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote “Me Me Me”, intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The “Me Me Me” single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single “Closer / “Tam Tam”

“Closer” started its life as an electric baseline played by Jean-Marie. Claude Arto sequenced the floating synthesizers. Laurent Grangier and Frédéric Lapierre of reggae band Immigration Act played the horns. The lyrics “Hard to say. Easy to do. We don’t need to say what we do” were a statement on creation as narration expressed Jean-Marie’s ennui, “I’m tired with it.” “Tam Tam” was inspired by Burundi drummers playing on the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. JM was part of the the African night scene in Paris, remixing Xalam’s “Kanu” and Touré Kunda’s “Salaly Muhamed.” Claude achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of “Tam Tam” and “Closer” spanned over two years. They started on 16-track in Studio d’Auteuil, where JM blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder. Jean-Marie was producing other bands, and a lot of this was recorded on “borrowed” studio time. The single was released in 1981 on West African Music, a tiny label from the Ivory Coast, and was re-released a year later by Island Records in the UK (where the B-side was re-named “Tim Toum”). Both tracks were staples in the DJ sets of Beppe Loda and Daniele Baldelli, finding a spiritual home in the Cosmic scene of Italy.

Both songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1981 edition with artwork by Angela Boy, inspired by primitive electronics and African paintings. Each copy includes an doubles-sided insert with photos and liner notes by Jean-Marie Salaun.

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Hugo LX

Akegata

12" | 2017 | UK | Original (The Trilogy Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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After several years of hip hop productions, prestigious collaborations and a handful Deep House releases on the best labels of the gender, Hugo LX comes back with Akegata, new LP embodying five years of travelling.

In Akegata (sunrise in Japanese), Hugo tells us the birth and the evolution of that universe during the past five years he spent exploring the planet. Concept album around an experimental tale, the opus relates the encounters, the ordeals but also the mutation of music during this period.

As a vision that would requires some time to be seen clearly, Akegata unleashes itself from musical codes and genders to became a better reflection of its era while being out of time.

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Bullion

Blue Pedro

14,99 €*

2LP | 2017 | EU | Original (Raster)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Bullion delivers buoyant boogie with an unforgettable lead melody.

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Island People

19,19 €* 23,99 € -20%

12" | 2017 | UK | Original (The Trilogy Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Island People« is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, and musician and DJ Graeme Reedie. on their first self- titled record, they present their collaborative work that evolved over the past three years. Being based in different cities, namely Berlin and Glasgow, files had to be exchanged back and forth between the three band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. Layer after layer, the tracks came into being quiet naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds.

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EMG

The Mother Funk

14,99 €*

12" | 2017 | AE | Original (Bedouin)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Massive bounce to the ounce on the A-side, guaranteed to boing a dancefloor into a vibrational mess.
Four honed earhole sluicers, on the flip.

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Nene Hatun

Metacommunication

12,99 €*

2LP | 2017 | EU | Original (Dekmantel)

Release: 2017 / AE – Original

Genre: Electronic & Dance

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Bestie Aydin under the name Nene Hatun: a Turkish Berliner, crossing 'psychedelic-anatolian techno-pop' and 'dark drone wave music'.
Field recordings and samples — choral chants in church, du‘a’ from a mosque, small girls singing in the street — are layered with a piano prepared by placing various metals on the strings, and played by plucking or striking, often in the traditional rhythms of darbuka and davul.
"The A-Side is more classical in its form," says Bestie, "but the ideas are more unnoticeable. It's more technical, with a lot of small details and samples. The B-Side on the other hand is more obvious in ideas but the form is obscure, with my approach just to play on the gear and make something impulsive, and analyze after."

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Marcel Dettmann

Selectors 003

26,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Following celebrated compilations from Motor City Drum Ensemble and Young Marco – and with the second edition of its limited-capacity festival in Croatia right around the corner – Dekmantel’s Selectors series now continues with an edition curated by Marcel Dettmann
.
Although he’s now known as one of the world’s most celebrated techno artists, even Marcel Dettmann had to start somewhere. Long before he ever held court at Berghain (or its predecessor, Ostgut), he was just another young boy in Eastern Germany, one whose earliest encounters with capitalism involved spending every penny he could scrape together down at the local record shop. In those days, it wasn’t techno that got him excited, but new wave, post-punk, industrial and EBM acts like Front 242 and Depeche Mode

“It’s music from my childhood,” says Dettmann. “It’s still relevant and still inspires me.” That inspiration can be heard across this edition of the Selectors series, as Dettmann has put together what he describes as a “pre-techno compilation.” Much like the previous Selectors editions, the compilation is not a mix CD, but a collection of tracks hand picked by Dettmann from his own vinyl archives. Freshly remastered – and occasionally reworked or re-edited by Dettmann himself – the songs here are undoubtedly vintage gems, but they also represent a very personal journey into Dettmann’s past.

“It was a great opportunity to dig deeper into my own musical outlook,” he explains. “The tracks come from a time before Marcel Dettmann became a DJ.” Simply put, the songs here are some of the building blocks upon which he’s built an incredibly storied career, and now he’d like to entrust them to future generations.

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Ben Lukas Boysen

Golden Times 01

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (Kess Kill)

Grand Mal X

Kess05

12" | 2017 | EU | Original (Jezgro)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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After one year of high energy industrial and punk-leaning music, Kess Kill presents something slightly more contemplative: the vinyl debut of the Swedish act Grand Mal X. The Solna based duo started in 2010 and was first known from the cassette scene, which was also where we stumbled across their work.

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Merzbow

Torus

F.S.K. (Freiwillige Selbstkontrolle)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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“Merzbow is erotic like a car crash can be related to genital intercourse.” (from an interview with Masami Akita). Somewhere in between dadaism and surrealism, Merzbow’s work is a sum of all his influences and also a sublimation of his life experiences, all which pervade the different layers of his tracks. Improvisation and composition lose their meaning, as Masami’s work goes beyond and finds its meaning in accidents, disruptions and experimentation. His music gives freedom to the listener and to a certain extent, invites to meditation. Whenever I think of Merzbow’s catalogue, I see it as this complex collage of singular moments across time when he got influenced by a particular object or person or idea, and transposed those into noise. And Torus EP is that particular instance, the encounter between Japan and Serbia, between Masami Akita and Jezgro, with the result being 4 sinister and unsettling tracks, visceral and at the same time heart-rending.

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Ein Haufen Scheiss Und Ein Zertrümmertes Klavier

LP | 2017 | EU | Original (Martin Hossbach)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The record will be released in a limited edition of 500 numbered copies. For each 100 copies the silk-screen printed cover will change its colour. F.S.K. (Freiwillige Selbstkontrolle) is an art school band from Munich that formed in 1980 in the editorial office of the underground magazine Mode & Verzweiflung and issued disturbing slogans of a new dissidence like: Wir sagen Ja zur modernen Welt (we say yes to the modern world) and Heute Disco, morgen Umsturz, übermorgen Landpartie (disco today, coup tomorrow, a country outing the day after). The Italian Futurists’ idea to flood Venice was joyfully appealing to them so they made the serious demand to convert theaters into parking garages (Theater zu Parkhäusern). The futuristic development of so- called noisemakers (a productive modification of the sounds of industrialized cities as well as the completely new war machines of World War I) carried a key moment of deviant pop music into its emerging discourse: clipping, distortion, Bring the Noise.

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Revolutions Per Minute (The Art Record)

2LP | 2017 | EU | Original (Song Cycle)

31,49 €* 34,99 € -10%

2LP | 2010 | EU | Reissue (Parlophone)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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“Revolutions Per Minute” is a two-record album of twenty-one original sound works by artists represented at that time by the Ronald Feldman Fine Arts, Inc. (NY). Each gallery artist was asked to record or provide a 3-5 minute segment for Jeff Gordon’s Greene Street Recording Studio. No further directions were given, and the soundworks are an amazing mix.

List of artists:
Vincenzo Agnetti, Eleanor Antin, Ida Applebroog, Conrad Atkinson, Joseph Beuys, Chris Burden, Douglas Davis, Jud Fine, Terry Fox, R. Buckminster Fuller, Helen Mayer Harrison/Newton Harrison, Margaret Harrison, Piotr Kowalski/William Burroughs, Les Levine, Edwin Schlossberg, Thomas Shannon, Todd Siler, SITE, Komar & Melamid, David Smyth, Hannah Wilke

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LCD Soundsystem

This Is Happening

38,99 €*

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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LP | 2005 | EU | Reissue (Parlophone)

LCD Soundsystem

29,99 €*

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Sounds Of The City (Suoni Di Una Citta)

Maria Teresa Luciani

LP | 2017 | UK | Original (Finders Keepers)

LP | 1986 | EU | Reissue (Mental Experience)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Welcome to the parallel musical universe of Miss Maria Teresa Luciani, a landscape of sonic architecture and theoretical composition constructed by a family of engineers that reinvented the wheel before the vehicle even began the journey. Imagine, if you will, the musical equivalent of Peter Cook’s Archigram group or the soundtrack to Charles and Ray Eames’ private sketchbooks, hinting at a new municipal, utopian metropolis just hours before the blueprints are suspiciously misplaced by the courier and mainstream pop building regulations piss on our asbestos bonfire. These 1972 constructions of progressive, cyclic, proto-industrial colour music were never intended for public habitation. These are the Sounds Of The City in a galaxy far, far beneath our radar and above your expectations that was never built. Pseudo-futurist pop music? Cubic folk? Tape-op-art? Sì, grazie!

Before the needle hits the first groove, the story of Maria Teresa Luciani reads like an Alphaville caper full of foreign intrigue, low intensity identification fraud, secret codes, family bonds, mistrust and wanderlust... Naturally, you are holding a genuine
Finders Keepers article. To say this rare Italian concept album is “unbelievable” is justified on multiple levels. This multi-storey storage facility of found sounds, radiophonic samples, tape loops, early electronic music experiments, mechanical
folk, cinematic vision, sound design, educated music theory, political pop and high concept art-as-noise successfully layers more musical ideas within its unique structure than one would think possible for a solo artist within any musical genre.
This is why Sounds Of The City presents us with a brand new genre defying compositional framework, pre-dating sampling culture, cut ‘n’ paste plunderism and industrial music in the process. Pre-digital, indefinable and genuinely
unbelievable. But who is Maria Teresa Luciani? On hearing this record respected collectors and enthusiasts have suggested “the female answer to Basil Kirchin,” or “the Italian Daphne Oram”. Both with justified cause. Mystery, myth, legend,
teacher, artist, inventor, author, musician, psychologist, daughter, and (possibly most importantly) sister.

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Kozmonaut

Flieg

Yair Elazar Glotman & Mats Erlandsson

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Ultra-rare D.I.Y minimal / synth-pop / industrial / darkwave album from 1986!

Kozmonaut was the personal project of a young & talented Canadian musician called Michael Gutierrez, who moved to San Francisco in the early 80s. Influenced by Kraftwerk and German culture / electronic music, Michael recorded the “Flieg” album all by himself at his garage studio, using the pseudonym of “Hans Schiller”.

1000 copies were pressed on his own label, Vier Productions Inc, but they were never distributed or sold at the time, with virtually the entire pressing being discarded, as Michael, a perfectionist, was not satisfied with the spelling mistakes on the cover, among other things. In 1989, Michael, along with Pieter Ziegelmeier, formed the famous industrial / electronic band Kode IV.

Sadly, Michael contracted AIDS and passed away in 1994. All the contents of his garage (tapes, albums, synths and recording equipment) were sold for cheap or ended up in the street.

Fast forward to 2010: An adventurous record hunter (Christian Peintner) finds a copy of the “Flieg” album at a thrift shop in San Francisco. At first, he thinks it’s a German album but after some investigation, he discovers the name of Michael Gutierrez which leads him to Kode IV and then to Peter Ziegelmeier. He visits Peter who tells him the real story of Michael Gutierrez aka Hans Schiller and Kozmonaut.

“Flieg” is an excellent album, a crossover of a wide range of styles from early Industrial (paving the way for Michael’s later sounds with Kode IV), to Synth-Pop, Experimental Electronics, ambient and Dark Wave. Michael uses the vocoder very effectively and in one of the songs, “Tidal Meditation”, he recorded the Golden Gate Bridge fog horn to use it as a sample.

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Negative Chambers

LP | 2017 | EU | Original (Miasmah)

LP | 2017 | EU | Original (Wah Wah)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This collaborative project between Mats Erlandsson and Yair Elazar Glotman draws on their respective musical backgrounds to create an imaginary, dislocated "folk" music for the current dark ages. The project brings together instruments out of their historical or national contexts and focuses on local sounds that have lost any connection to locality or folk and transforming them through current production techniques.

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Didier Bocquet

Voyage Cerebral

LP | 2017 | EU | Original (Wah Wah)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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"1979 follow-up to his Eclipse debut, Voyage Cerebral was the second effort by french synthetist Didier Bocquet. Like the first album, it was recorded on his own private studio and self-released, this time via legendary french custom label FVLM ("Faites Le Vous-Même", meaning "Do It Yourself"). Inspired by the first wave of german kosmische sound-travellers (Klaus Schulze and Tangerine Dream and the whole Berlin School spring inmediately to mind) but retaining that typical french urgency that places it close to Heldon / Pinhas, Lard Free or even Besombes / Rizet territory. In-your-face sequenced electronic music that sounds both spacy and violent at the same time whilst keeping a certain lo-fi, self produced vibe. Recommended to fans of all things “kosmische” and synth music in general."

Raül G. Pratginestós (Fauni Gena)

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J.B. Banfi

Galaxy My Dear

LP | 2017 | EU | Original (Optimo Music)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Synthesizer king J.B. Banfi, a.k.a. Giuseppe 'Baffo' Banfi, hit the record market with the great italian prog rock outfit Biglietto per l'Inferno who released a legendary LP in 1974 on Trident and have been reivindicated in several occasions since with the release of lost recordings from the era as well as unearthing an unreleased 1974 live album. The band existed between 1972 and 1975, and had both Pilly Cossa on Hammond doing the virtuoso work and Baffo's keyboard explorations adding sound texture and atmosphere. Their second LP was recorded and mixes were to be produced by Klaus Schulze, but it remained unissued due to the Trident label flop. The band split shortly after this, but Baffo continued his experiments with electronic keyboards.

In 1978 Baffo released his first solo LP 'Galaxy My Dear', credited to J.B.Banfi and echoing huge influences from his friend and master Klaus Schulze, who would also produce his two next releases. A total DIY domestic home recording, with all the limitations implied but also with all its warmness within, 'Galaxy My Dear' is entirely played by Banfi and shows an accurate taste in his use of the synths, plus of course a strong kraut / cosmiche appeal that links the album's sound to that of the early Tangerine Dream or Ash Ra Tempel, but also brings a hint of Jean-Michel Jarre or even a certain reminiscence of the early electronic experiments by Franco Battiato and is a good contender to be filed along other Wah Wah reissues like those of Roberto Cacciapaglia or Franco Leprino.

Comes in original artwork with notes written by Baffo Banfi himself in a limited edition of 500 copies only.

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Penelope Trappes

Penelope One

15,19 €* 15,99 € -5%

Progress Through Research

Release: 2017 / EU – Original

Genre: Electronic & Dance

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We like to let our artists speak for themselves about their music whenever possible so asked Penelope to tell us about her album : “In 2016. I rented out a small piano studio in East London for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. Inspired by albums from This Mortal Coil and Scott Walker, who also sought freedom to work outside of the expectations of their previous work, I limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. Writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, I felt free enough to tell untold truths that I’ve never felt comfortable talking about within music. Free, liberated, empowered. naked.”

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Occidental White

7" | 2017 | EU | Original (Onderstroom)

10" | 2017 | EU | Original (Shash)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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These two minimal synth-pop pearls were first released on the compilation “Walkin’ After Midnight” in 1982 and are in the same vein as early 80’s singles by Carol (Breakdown) and Rive Gauche (Friends Are Friends). Both tracks on the 7” are a delightful proof of the lively and creative music scene in Brussels during the early eighties, supported by labels such as Factory Benelux and Les Disques Crépuscule and the famous venue Plan K. Occidental White was founded at same time as Kaa Antilope, the extraordinary new wave band founded by Bernard Vranckx and Frédéric Walheer. Bernadette was the additional member and took care of the vocal part. The idea was to do 'pop' songs inspired by occidental white culture, which was the opposite to Kaa Antilope which was more focused on outside inspiration.

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Abby Lee Tee

Riverside Burrows

12" | 2017 | EU | Original (Offen Music)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Expect immersing yourself in various layers of field recordings, alienated acoustic instruments and floating arrangements!

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Beck / Nash / Reyenga

Metaclaw

LP | 2017 | EU | Original (The New Black)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Metaclaw is blazed studio session that time could have forgotten...but Offen Music didn't. A glorious downbeat synth plodder/head nodder from the minds of three very muscial friends.. features remixes from Gordon Pohl and Glib'r.. TIP!

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Roll The Dice

Born To Ruin

Walpern Redux Clear Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Peder Mannerfelt and soundtrack composer Malcolm Pardon reprise their acclaimed cinematic duo, Roll The Dice for a 4th album of moving, widescreen electro-acoustic sound design, ambient and rhythmic noise themes. Huge recommendation if you're into Peder's solo material or indeed Colin Stetson, The Haxan Cloak, John Carpenter, Deathprod, Willie Burns...

It's an intensely physical yet starkly spacious suite of stone cut electronics and frozen instrumental timbres that in the space of ten sensually riveting and often punishing tracks wrest a poignant, timely sense of emotion from oblique, shadowy structures and burning tonal textures.

Issued on the duo’s newly minted label, The New Black, and incorporating the vital input of Per ‘Ruskträsk’ Johansson’s beastly saxophone animations, the results pursue Roll The Dice’s two soundtrack contributions - for the Blanck Mass-curated score to Belgian horror movie The Strange Colour of Your Body’s Tears [2013], and their score/end credits for The Last Panthers - into more visceral psychoacoustic space where there’s scant chance of escaping their gloaming tonal apparitions and tensile, bony percussions.

The set is less a mannered symphony, like Until Silence, and more an urgent, angry clash of duelling jazz noise cyborgs, rendering their sound in sharply angular, convulsive spasms of vacuum-packed wind, wood-on-skin, and black cloud palls whose semi-organic nature is belied by the dry punch of air-tight studio production. The results are more pummelling and angered than anyone has previously heard in their music, forging a much harder nosed, anxious aesthetic whose intent resonates with contemporary political pressures.

In between the muzzled grind and bark of album opener The Derailed and the depressive grip of it’s closing statement, Broken In Time, Mannerfelt and Pardon’s dissected instrumentation is tweaked to aching levels of tension, sometimes a sublime tension as with the wilting keys and weightless bass jabs that support Under The Arches and The Kronos Quartet-like pits of Coffin & Nails, or equally with a death-drive fury in the condensed Faust-meets-Tony Conrad impact of Cannonball, the nerve-biting burnout of Bright Lights, Dark Hearts, and yoked tight into Locked Hands’ breathless escalation of arid white noise and thorny pulse.

By straying from the lighter sensual relief conveyed in their earlier releases, Born To Ruin manifests Roll The Dice’s riskiest but arguably most successful move in ten years of producing together, one which pays off with deeply bittersweet appeal though intimate investment and focussed reception.

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The Devil & The Universe

12" | 2017 | EU | Original (Aufnahme + Wiedergabe)

LP | 2017 | EU | Original (Shitkatapult)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This is a limited edition of 500 copies on clear vinyl, with a download code.

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Si Begg

Blueprints

10" | 2017 | UK | Original (Hyperdub)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Pioneering music producer Si Begg is set to release his sixth studio album, Blueprints, on Berlin's legendary label Shitkatapult. His first LP in four years, BLUEPRINTS is a celebration of raw electronics welded to the 'romance of engineering'. The project was inspired by the discovery of an old diagrammatic notebook that belonged to Begg's grandfather, George, in his lifetime a cutting-edge engineer.

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Burial

Subtemple / Beachfires

12" | 2017 | EU | Original (Fent Plates)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Another boundary stretching two track release by mystery Burial.

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Aether

VON

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Aonox Clear Vinyl Edition

Joey Beltram

2LP | 2017 | EU | Original (Ownlife)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Denovali)

Notilus

29,99 €*

LP | 2017 | EU | Original (Bureau B)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Notilus is the new project of five established French musicians combining cinematic soundscapes, energetic jazz and atmospheric live electronics. The cleverly compiled repertoire varies from positively trombone and sax driven jazz parts with a deep sense for sophisticated melodies to calmer, melancholic soundscapes back to beat driven, dynamic, buzzy sound cascades. Sometimes the albums delivers a feeling of a soundtrack for a 70s crime movie - sometimes it sounds like an intergalactic, retro-futuristic trip.

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Cluster

Konzerte 1972/1977

27,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2LP | 2000 | EU | Reissue (!K7)

Tosca

Suzuki

30,99 €*

2LP | 2017 | EU | Original (Gost Zvuk)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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Tosca's second album 'Suzuki' (Studio K7) takes a lighter, airier approach to the trip-hop terrain that Opera explored. The spare, shimmering title track's delicate synth textures, minimal beats, mellow rhythms, and breathy vocal samples set the tone for more moody musical fairytales from Richard Dorfmeister, this time with Rupert Huber under the guise of Tosca. Suzuki is--like his releases with Kruder and Dorfmeister--a sublime work that manipulates emotions through sound. Soft and sweet, subtle and supple, Tosca's tracks drift, sifting from one dream to the next. Though they patch hip-hop, jazz, ambient, and techno together, you can't hear where one begins and the other ends. "Annanas" pairs sneaky, squeaky scratching with a lusty female vocal and bossa-nova-inspired hip-hop breaks, while "Orozco" loops a playful riff, running it through reverbs and filters, creating something like pure bliss for the ears.

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Kuzma Palkin

Audiosapr

LP | 2017 | EU | Original (Biophon)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Audiosapr is one of the most consistent albums you re likely to come across in Russia s GOST ZVUK entire back catalogue. Surprisingly, the full-length by Saint Petersburg s scene veteran Kuzma Palkin is a compilation of random jams and studio recordings he made in the period of 2014-2015, carefully pieced together by label s masterminds. SAPR stands for the System of Automatic Projection (a Russian term for Computer-Aided Design, CAD) which defines the album s experimental yet complex and interlocking heart. Based around a central theme of immediacy and spontaneity, Audiosapr builds upon the foundations of early, pre-Detroit era of electro and techno, and then progresses the wispy entrails of analogue gear in a contemporary dancefloor direction. It s clearly music that can be attributed as hybrid, however it s not you re going to think about while listening to Audiosapr , Palkin s definitely most inspiring work to date.

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Biosphere

The Petrified Forest

16,99 €*

LP | 2017 | AU | Original (Left Ear)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.

The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.

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Peter Westheimer

Cool Change

Courtesy, Professionalism, Respect

Release: 2017 / AU – Original

Genre: Electronic & Dance

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This is a comp of Peter's work from the 80s and 90s with some material never released on vinyl.. More info soooon!

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Eric Copeland

2LP | 2017 | EU | Original (L.I.E.S.)

26,99 €*

The Imperfect Sea Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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New 2xlp of grinding beat experiments from Black Dice's Eric Copeland. Controlled chaos, chopped sample mayhem, moments of beauty and destruction over four sides.

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Penguin Cafe

Release: 2017 / EU – Original

Genre: Electronic & Dance

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3LP Box | 2017 | DE | Original (Kompakt)

GAS

Narkopop

51,99 €*

Loop-Finding-Jazz-Records Black Vinyl Edition

Release: 2017 / DE – Original

Genre: Electronic & Dance

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3xLP vinyl version comes with a CD version of the full album and a vinyl-only bonus cut and it includes a 24 pages booklet. Nearly two decades after the last official GAS album release, Wolfgang Voigt returns to his iconic Ambient project with a brandnew full-length. Narkopop continues the classic GAS aesthetic of symphonic scope and subtle variation, taking the listener on an otherworldly journey to the depths of rapture and reverie.

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Jan Jelinek

2LP | 2001 | EU | Reissue (Faitiche)

LP | 2017 | UK | Original (Finders Keepers)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Faitiche presents a long-lost vinyl album: for the last 14 years, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the landmark album is available again on vinyl, as a double LP with two bonus tracks (B-sides from the Tendency EP, 2000).

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Gerardo Iacoucci

Le Avventure

LP | 2017 | US | Original (Kranky)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Combining all the traits of an international superhero or intrepid comic book adventurer, the true identity, whereabouts and history of the spectacular Italian composer known as Gerardo Iacoucci has been a mystery to record collectors for many years. As a result of the best efforts of secretive archivists and DJs as well as and the overprotective force field that surrounds the clandestine world of Italian library music, the commanding experimental psychedelic pop music made singlehandedly by this early pioneer of the anti-genre time after time rises to the top of collectors’ want lists, commands huge ransom notes, ignites dancefloors and decimates genre tags before returning to its mythical status as one of the kings of the underworld without removing his mask. Despite the fact that original Italian copies of records by Gerardo Iacoucci are amongst the rarest, enigmatic fixtures of European psychedelia, his music simply refuses to be ghettoised and as the name of this album suggests the history of this artist reads like the memoirs of a genuine musical adventurer as well as a well-travelled prophet of experimental music and unsung pillar of Italian jazz and sound design. Recorded in early 1970, Iacoucci's wide-eyed L'Avventura suite spanned 6 sides of loud, heavyweight monophonic vinyl for Romano Di Bari's Deneb label and created an epically detailed blueprint for independent mood music companies whilst sharing release schedules with likeminded workaholics Alessandro Alessandroni and A. R. Luciani. However, Gerardo's adventure didn't begin here…

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Justin Walter

Unseen Forces

Release: 2017 / US – Original

Genre: Electronic & Dance

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Michigan trumpeter Justin Walter’s solo work centers on evocative, intuitive explorations of the EVI (Electronic Valve Instrument), a rare wind-controlled analog synthesizer from the 1970s. Its unique, smeared tonality allows for an expressive range of glassy, jazz-like textures, which Walter loops and layers with hushed electronics and twilit trumpet, painting opaque landscapes of resonant beauty.

Walter’s 2013 debut, Lullabies & Nightmares, included a handful of collaborations with percussionist Quin Kirchner, but Unseen Forces finds him fully solo, refining the project to its essence: shape-shifting watercolors of pastel haze, lit by the soft synthetic glow of electric breath. It’s a sound both modern and timeless, fusing emotion and technology, gauze and melody, force and fragility.

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Tape | 2016 | CA | Original (Inner Ocean)

Futures Volume 3

25,99 €*

Release: 2016 / CA – Original

Genre: Hip Hop, Electronic & Dance

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We present the third instalment of our mega compilation album, FUTURES Vol. 3, containing 46 artists with 44 tracks running in at 82 minutes. Fam unite on this ultra chill release, featuring the quality grooves of some lo-fi community favourites and some fresh faces to the scene.

This is one for the people, all the studio dwellers lighting up their SP's providing the soundtrack to the forever chill life.

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Tape | 2016 | CA | Original (Inner Ocean)

Futures Volume 2

25,99 €*

12" | 2017 | EU | Original (Rave & Romance)

Release: 2016 / CA – Original

Genre: Hip Hop, Electronic & Dance

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Our most ambitious project to date, a massive compilation of talented young producers that are shaping the way forward. This release was conceptualized as a means to unite the music community together and be as inclusive as possible. An album by the people, for the people. With over an hour and a half worth of music you can sit back and vibe to this tape all day!

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Schlachthofbronx

Haul & Pull Up EP 3

8,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (Erased Tapes)

Penguin Cafe & Cornelius

Umbrella EP

12" | 2015 | EU | Reissue (Soma)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2017!

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B12

Bokide 325 EP

2LP | 2017 | EU | Original (Mule Musiq)

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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UK techno founders B12 return! The duo's history famously started in the early 90's with their music appearing under a plethora of monikers under the "B12 Records" umbrella - 12" vinyl with notorious cryptic messages engraved in the run-out grooves, before being collected into album form and release on Warp. After a hiatus in the late 90's, the pair resurfaced briefly for some live shows, a flurry of hugely sought-after 12"s and a 7-part CD anthology. They then abruptly disappeared again - this is their first appearance in 5 years, fittingly on Glaswegian imprint Soma. (Their seminal Warp Records album was named Electro Soma...is there a connection?) The Bokide 325 EP Is it a planet to be explored, or the journey through a personal hell? Only a few know for sure but at the end of this voyage expressed in the best way B12 know how, layers of sounds, beats, synths, lush pads, and seductive melodies the hope of a whole new reality is reached. It conjures up foreboding, planetary soundscapes - rooted in the more ambient, filmic side of their output, is it a reflection of recent turmoil within/ the artists personal lives? The EP opens with "Into the Void", whose simple but emotive synth line weaves its way across a variety of beats and sounds, and takes the listener into the depths where the true journey can commence. Onwards, darker and more mysterious notes loom up throughout "Descension" and "Unsound Mind", with pounding bass throbbing underneath, leading further into the world of shadows where the alarming awareness that something isn't quite right never truly leaves you. It concludes with Terra Incognita, the final track of the EP - an unknown place, left to be discovered and completed by the listener.

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Petre Inspirescu

Vintul Prin Salcii

22,99 €*

LP | 2017 | EU | Original (Avian)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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With his third album “vin ploile” the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe.

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Verge

Emblematic Ruin

2LP | 2017 | UK | Original (Warp)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Andre Gough debuts on Avian as Verge. The Irish producer joins Shifted’s label with an extended EP of exquisitely crafted, deeply emotive Noise trips. Echoes of bonafide Industrial, more experimental post-Punk and New Wave run deep through Gough’s warping eight track debut for Avian, and while listeners might find the principle emotion evoked by the heady, droning synthesis and warping guitar tones a palpable anxiety – at the base of each wide angle ‘scape there’s a glorious, overriding sense of melancholy.

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Clark

Death Peak

31,99 €*

Puente Roto (Quantic Remix)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Death Peak cements Clark as one of the most innovative and singular artists to ever release a record on Warp, much like those that lay the foundations before; Aphex, Plaid, Autechre & Nightmares On Wax through to the subsequent new wave of ahead of their time and all those around artists, Lorenzo Senni, Hudson Mohawke, Kelela & Evian Christ. Death Peak finds Clark in the middle, one foot in the label's historic glories and one foot in the rave. A true pioneer the hypnotic groove, and constantly yet carefully constructing sounds that will lay down the blueprint for the future.

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Nicola Cruz

12" | 2017 | EU | Original (ZZK)

19,99 €*

LP | 2017 | EU | Original (XL)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2017!
Following the release of Prender el Alma (2015) and Nicola Cruz’s quick rise to stardom, the young Ecuadorian called on a crop of producers for remix duty. Serendipitously, Quantic, one of Nicola’s inspirations, answered the call in his signature way with a bass-heavy, jazzy and psychedelic display of genius that will move any dance-floor that thrives on Global beats.
The release comes on limited edition 180g 12” vinyl - the b-side lovingly etched with original artwork.

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Arca

30,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Dekmantel 10 Years Part 1

12" | 2017 | EU | Original (Dekmantel)

13,99 €*

LP | 1977 | US | Reissue (Etats-Unis)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Limited Edition in fancy sleeves… More Info soon!

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Joe Jones

In Performance

36,99 €*

2LP | 2017 | US | Original (Kranky)

Release: 1977 / US – Reissue

Genre: Electronic & Dance

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After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” through an elaborate (yet decidedly lo-tech) system of rubber bands, balls and tin foil.

Christened the Tone Deaf Music Company, this battery of automated musical instruments generates the sounds on In Performance (originally released in 1977 on the Harlequin Art imprint). With exacting conceptual precision and varied subtleties of natural motion – not unlike Harry Bertoia’s sounding sculptures – Jones’ machines produce richly-textured strata of sound and serve as engines of paradox. While bringing the figure of the artist-composer to the foreground, the machines ultimately dispense with the need for the performer entirely – a cunning subversion of the fetish for virtuosity and individual genius.

Limited edition of 500 numbered copies on clear vinyl.

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Anjou

Epithymia

32,99 €*

Release: 2017 / US – Original

Genre: Electronic & Dance

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Ambient power duo Anjou’s sophomore statement continues in the vein of their 2014 debut, unfurling a full hour of mesmeric synthetic drift and veiled melodic undertow. Comprised of Mark Nelson (of pioneering post-rock experimentalists Labradford and Pan·American) and Robert Donne (of Labradford, Aix Em Klemm, Cristal), the group works largely in long-form suites of sound, alternately spacious and dense.

Epithymia’s six pieces embrace flux and ambiguity: drones swell and shudder, hushed currents of noise glitch and dissolve, atmospheres congeal and liquify. As with the participants’ prior projects, Anjou evokes a shadowed, mysterious mood, variously melancholy and transcendent. The album is an accumulation of craftsmanship and experience, blurred forms traced in light and fog.

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CD+Book | 2017 | EU | Original (Raster-Noton)

Source Book 1

82,99 €*

LP | 2017 | UK | Original (Discrepant)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The publication Source Book 1 represents the beginning of a and authorized review of the past 20 years of the label Raster-Noton. A short introductory preface by olaf bender is followed by a keynote interview conducted by berlin publicist Max Dax that provides an insight into the identity and philosophy of the label heads. The main part of this first Source Book comprises the extensive catalog of all releases and series published between 1996 and 2016. Tabular listings of various formats and products that were distributed or curated by Raster-Noton complete the catalog. A further exclusive part of the publication is the accompanying Archiv 4 CD, which is only available in connection with the book. Raster-Noton‘s Archiv series was first introduced in december 2003 as a supplement to The Wire magazine and has since been continued in loose sequence with different artists related to the label. Following the idea of the label which defines itself as a platform for its artists, the releases in the catalog part are not presented according to their format, invested effort or meaning, but sorted according to their catalog number and presented on exactly one double page, whereas some series were summarized. As a continuation of this archival revision, further »source books« are planned that will document artist profiles, installations, composition techniques and sources of inspiration. The Source Book 1« is limited to 1.000 copies. Its modular design allows to remove, exchange or add pages, which makes it possible to update the content in due time. A cardboard slipcase covers the 400-page, 3-kilo book and guarantees a safe stand in the bookshelf.

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People Like Us

Abridged Too Far

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Daniel Brandt of Brandt Brauer Frick

Eternal Something Clear Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Daniel Brandt of Brandt Brauer Frick

Eternal Something Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (City Slang)

Hauschka

What If

Through The Looking Glass

Release: 2017 / EU – Original

Genre: Electronic & Dance

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City Slang presents Hauschka's new album “What If”.

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Midori Takada

LP | 1983 | EU | Reissue (WRWTFWW)

Tempo Di Demoni, Papi, Angioli, Incen Si E Ciliici

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Standard 33rpm edition without gatefold cover.

WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album “Through The Looking Glass", originally released in 1983 by RCA Japan. Considered a Holy Grail of Japanese music by many, “Through The Looking Glass” is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience. The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes. Bio Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year. Midori released two solo albums: “Through The Looking Glass” and “Tree Of Life” and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body.

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Stefano Marcucci

10" | 2017 | UK | Original (Finders Keepers)

16,99 €*

M. Zalla (Piero Umiliani)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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The mythical, mysterious and misfiled transcription disc of a lost Italian demonic religious rock opera recorded at Pierre Umiliani’s Sound Workshop by Stefano Marcucci - beat group veteran, Fernando Arrabal collaborator and Libra affiliate.

Featuring members of the wider Casa/Ducros family and future Federico Fellini collaborators, this previously commercially unavailable mini-LP features embryonic Minimoog, ecclesiastical organs and chorus alongside a tight psych funk rhythm section from Italian library music’s golden era.

Imagine Jean Pierre Massiera’s Visitors restoring a scene from Juliette Of The Spirits, backed by a skeleton staff from Jean-Claude Vannier’s Chorale des Jeunesses Musicales de France on a foreign exchange program; on Halloween, in the Vatican…

Continuing our mission to shine light on the genuine anomalies of 70’s Italian production music, Finders Keepers Records resurrects another unlikely transcription disc from the vaults of one of Rome’s most esoteric library music archives. This bizarre one-off theatrical project, composed and recorded at Umiliani’s studio, was commissioned for a short-run demonic religious performance entitled Tempo Di Demoni, Papi, Angioli, Incensi E Cilici under the musical direction of former Italian psychedelic beat-group member Stefano Marcucci.

Instantly recognised by Flower Records founder Romano Di Bari as having commercial potential beyond its handful of church and small theatre performances in the early months of 1975, Marcucci agreed that they should commit these bizarre recordings to vinyl as a form of preservation with hope of attracting a wider commercial audience through Di Bari’s Television and Films synchronisation contacts. Sitting slightly ajar to the custom-made projects of its label bedfellows (swapping schedules with experimental theme-music by Alessandro Alessandroni, Gerardo Iacoucci and Anthonio Ricardo Luciani) and confusingly sharing an identical catalog number to another collectable Flower release called Ritimico by (close friend) Paolo Ferrara (LEW 0551) this album has slipped under the radar of many Library label completists over the years attracting confusion, scepticism, polarised opinion but nothing short of astonishment at the bizarre hidden synth-ridden psychedelic concept pop found behind some of the most striking duo-tone artwork to come out of Italy’s most experimental era.

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Produzione

12" | 2017 | EU | Original (Schema)

Kwiaty Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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“Produzione”, originally released in 1973 on Piero Umiliani’s LP “Problemi d’oggi”, is an amazing mix of acoustic percussion and electronic experimentation, considered by some as the first example of techno / trance music ever recorded. This song, along with “Attività”, another excerpt from “Problemi d’oggi”, has been ‘reworked’ by Gerardo Frisina, who cleverly extends the original content by mixing it with contemporary electronic sensations. The result, packaged in an artwork inspired by the original 1973 release, are two tracks in which the ’70s avant-garde and today’s music blend with surprising ease.

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Jacaszek

LP | 2017 | US | Original (Ghostly International)

Release: 2017 / US – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Raw Tapes)

Nitai Hershkovits

I Asked You A Question

27,99 €*

LP | 2017 | US | Original (Kranky)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Nitai Hershkovits is a pianist and composer based in NY. Mostly known from collaborating with renowned bassist Avishai Cohen in the studio and on tour. Combining the classical and Jazz worlds with singer-songwriting elements, Nita's compositions and playing are simple with a twist of complexity. Quickly gaining recognition from critics around the world, Nitai was hailed as 'a genuine prodigy' by The New York Times and 'a remarkable pianist ,reminiscent of a swinger such as the late Hank Jones" by The Guardian. Nitai's debut album I Asked You A Question (Raw Tapes) was released in February 2016. The album, co-produced by Rejoicer (loops and synths) featuring Nitai on vocals, Piano and synths. LA based singer and Stones Throw Records artist Georgia Anne Muldrow and acclaimed guitarist Kurt Rosenwinkel joins Nitai on two of the tracks. Exploring the realm of analog electronics, samples and beats, I Asked You A Question is an eclectic, empirical yet genuine attempt of blending improvised ideas and through-composed music. The album is played regularly on Radio Nova, TSF Jazz and on Los Angeles' KCRW radio as well as on many playlists in Germany, UK, Japan to name a few; French 'Jazz Magazine' refers to it as "Revelation", while UK Vibes describes it as "a wonderfully thoughtful collection of tunes that is refreshingly different to much else on offer". After a successful debut show in Jazz a Vienne 2016, I Asked You a Question will see Nitai and Rejoicer touring throughout 2017 in different venues across Europe, specifically Paris, Berlin, Zurich and London. The new album is available in HHV in Germany, Disk Union and Jet Records in Japan, AMEOBA in the US and Rough Trade in London.

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High Plains

Cinderland

The Cow Remixes Sin In Space Part 3

Release: 2017 / US – Original

Genre: Electronic & Dance

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High Plains is the duo of Scott Morgan and Mark Bridges. Morgan, based in the Canadian Pacific Northwest, is predominantly known for his drifting, textured soundscapes released under the pseudonym Loscil. Bridges is an accomplished, classically-trained cellist residing in Madison, Wisconsin. The two met in Banff, Alberta, while they were there on residencies at the Banff Centre for the Arts in 2014.

In early 2016, the duo embarked on a collaborative set of compositions in the oxygen thin air of Wyoming, spending two weeks holed up in a refurbished school house in the town of Saratoga, where this album was recorded. Inspired by Schubert’s Die Winterreise and the rolling landscapes of their surroundings, the recordings evoke a shadowy, introspective and dizzying winter journey. Cinderland takes cues from classical, electronic and cinematic musical traditions but is mostly a product of the rugged, mythic landscape: vast and sprawling with a wild, uncertain edge.

The recording was made with a portable studio and all sounds were sourced on site, most notably from Bridges’ cello, the resident Steinway D piano, and field recordings collected from the local soundscape.

The results are a site-specific, wide-scope view of the high valley terrain — a mix of analog and digital, neoclassical and modern electronic sounds, a complementary series of tracks to become absorbed in, a truly deep listening experience.

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The Orb

12" | 2017 | EU | Original (Kompakt)

LP | 2016 | EU | Original (Emika)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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We continue The Orb's Sin In Space remix EP series with a third volume focussing on the duo's latest full-length, the highly acclaimed COW / Chill Out, World! (KOMPAKT 354 CD 134). The spontaneous, organic vibe and sample artistry of the album is reflected in three distinct reworks from highly respected Kompakt mainstays The Field, Dave DK and Jörg Burger - all of them informed with surprising twists and displaying a clear lineage to the source material. The Field's remix of 9 Elms Over River Eno takes the original's percussive part and unfolds it to a swirling, tropical epic that alludes as much to The Orb's multifaceted sound collages as it does to the hypnotic, looping flow of The Field's own output. Meanwhile, DAVE DK turns in a club-friendly revamp of 4am Exhale with the fittingly titled Accellerator Mix, indulging in exquisitely lyrical glitches and the magic of the straight bassdrum. Jörg Burger takes a shot at the beatless 5th Dimensions with the excellent Dschungeloper Mix - its loose pop jam feeling and flirty shuffle rhythm recall Burger's lush lounge core efforts under his Triola monicker.

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Emika

Melanfonie

16,99 €*

2LP | 2017 | US | Original (Audika)

Release: 2016 / EU – Original

Genre: Electronic & Dance, Pop, Classical Music

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The crossover between electronic music and classical composition has never been in more vibrant and dynamic health. Multifarious musician Emika explores this fertile ground on her ambitious new opus 'Melanfonie': her first orchestral composition, some four years in the making.
Funded by a hugely successful Kickstarter campaign that exceeded its target by an impressive €25,000.
While many rebel from their classical training never to return to it explicitly, Emika has always been attracted to the potential and freedoms offered by the symphony form. As well as taking inspiration from her electronic music background in composing the music itself, Emika also applied some of production and playback principles from that realm to create a piece whose every element has been carefully considered.
Emika is on a quest to try and change what we mean when we talk about ‘classical music’. For her, the magic of the ‘genre’ is about the instruments themselves and more importantly the people who play them; not the restricting traditions and conventions of the classical world itself. I want to change the face of classical music and give it a more honest and real image. It is time we had something other than pomp and circumstance and avant-garde squeaks and pops.”

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Arthur Russell

Instrumentals

41,99 €*

10" | 2016 | EU | Original (Animist)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Before Disco, and before the transcendent echoes, Arthur wanted to be a composer.

His journey began in 1972, leaving home in Oskaloosa, Iowa. Heading west to Northern California, Arthur studied Indian classical composition at the Ali Akbar Khan College of Music followed by western orchestral music at the San Francisco Conservatory of Music, before ending two years later in New York at the Manhattan School of Music.

Traversing the popular and the serious, Arthur composed “Instrumentals” in 1974, inspired by the photography of his Buddhist teacher, Yuko Nonomura, as Arthur described, “I was awakened, or re-awakened to the bright-sound and magical qualities of the bubblegum and easy-listening currents in American popular music”.

Initially intended to be performed in one 48 hour cycle, “Instrumentals” was in fact only performed in excerpts a handful of times as a work in progress.

The legendary performances captured live in New York at The Kitchen (1975 and 1978) and Franklin St. Arts Center (1977) feature the cream of that eras downtown new music scene including Ernie Brooks, Rhys Chatham, Julius Eastman, Jon Gibson, Peter Gordon, Garrett List, Andy Paley, Bill Ruyle, Dave Van Tieghem, and Peter Zummo.

Pitchfork lauded “Instrumentals” Vol. 1 as a masterpiece and one of Arthur’s “greatest achievements”. Americana touching on Copeland, Ives, and maybe even Brian Wilson. “Instrumentals” Vol. 2 is a moving, deeply pastoral work performed by the CETA Orchestra and conducted by Julius Eastman.

Also included are two of Arthur’s most elusive compositions, Reach One, and Sketch For “Face Of Helen”. Recorded live in 1975 at Phill Niblock’s Experimental Intermedia Foundation, Reach One is a minimal, hypnotic ambient soundscape written and performed for two Fender Rhodes pianos. Sketch For “Face Of Helen” was inspired by Arthur’s work with friend and composer Arnold Dreyblatt, recorded with an electronic tone generator, keyboard and ambient recordings of a rumbling tugboat from the Hudson River.

For this remastered vinyl edition, a key part of Arthur’s musical life has been restored. The sparkling, multidimensional results take the listener closer to Arthur’s coast-to-coast journey: his iconoclastic determination to combine pop and art music; and his desire to make music that would resonate in the present and, ultimately, across time.

The remastered double LP comes with a 12-page booklet including liner notes by Tim Lawrence, Ernie Brooks and Arthur Russell.

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Apichat Pakwan

Angkanang

No Home Of The Mind Transparent Vinyl Edition

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Apichat Pakwan is a music collective put together by Olivier Schreuder, an Amsterdam-based musician, DJ & producer.

Together they produce “Isantronics” - a hybrid approach to blending Molam (folkmusic of the ethnic Lao, of whom the largest population is living in Isan, another name for Northeast-Thailand), electronic music, Dub & Hip Hop.

Apichat Pakwan consists of Olivier Schreuder (electronics, production, percussion), Pongsapon Upani (Kaen), Artit Krajangsree (Phin, bass), Robin Koek (drums), Angkanang Pimwankum (percussion) and is based in Amsterdam (the Netherlands) and Khon Kaen (Thailand). TIP!!!

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Bing & Ruth

2LP | 2017 | UK | Original (4AD)

30,99 €*

2LP | 1995 | US | Reissue (Astralwerks)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Established in 2006, Bing & Ruth is an ever-evolving collective steered by composer David Moore. A pianist from Kansas and graduate of New York’s school of Jazz and Contemporary Music at the New School, Moore’s work follows in the great tradition of fellow alumni John Cage and Steve Reich, albeit looking past the more studied repetition of the style’s forerunners toward a meditative form built on feeling.
With Moore at its nucleus, Bing & Ruth’s line-up has transmuted from the eleven-strong line-up that created debut album City Lake (“A stunning, humble record built on traditions we all understand, yet, somehow feels dizzyingly new.” – The Quietus) to a cast of seven for 2014’s Tomorrow Was The Golden Age (“One of the finest leftfield releases of the year.” – Pitchfork). With No Home of the Mind, the ensemble has been streamlined to a five-person unit, exploring the piano’s percussive qualities alongside running woodwinds, warbling tape delays and splattered upright bass lines that stare out with a wide-eyed transcendence, taking so-called “classical” music to new limits.

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Chemical Brothers

Exit Planet Dust

42,99 €*

Release: 1995 / US – Reissue

Genre: Electronic & Dance

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Vermont (Innervisions' Marcus Worgull & Danilo Plessow (Motor City Drum Ensemble))

LP | 2017 | DE | Original (Kompakt)