Downbeat | Electronica | Leftfield 8984 Items

The Lund - St. Petri Symphony

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Minimal Wave presents a reissue of Sympathy Nervous’ pioneering debut album originally released in 1980 on Vanity Records out of Japan. Sympathy Nervous was Yosihumi Niinuma’s lifelong project which he started in his Tokyo living room in 1979. Through Sympathy Nervous, Niinuma was able to channel his energy into what he loved – building his own synthesizers and speakers from scratch.

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Lubomyr Melnyk

2LP | 1980 | EU | Reissue (Sounds Of Subterrania)

52,99 €*

LP | 1980 | EU | Reissue (Bureau B)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Silk-Screen cover. In 1978 I arrived for my first time to Sweden, to the town of Lund .. and there I met a remarkable man named Jean Sellem who ran a tiny gallery in the middle of the town, "The Galleri St.Petri: Dedicated To Modern Art and Thought "... and he was one of the few and first people who saw the greatness and beauty of Continuous Music .. and since I was a complete "unknown" at that time, I really needed his moral support ! --- and he created with me, the idea of a huge work for multiple pianos ... three pianos .. in stages ... and it became as he had envisioned ! and was first performed on a small upright piano in 1978 in his gallery, and the piece was called THE LUND.St.PETRI SYPMPHONY .. because it was so symphonic in grandeur (once the three pianos came together ...) The Lund - St. Petri Symphony, from 1979, is the second album from Lubomyr Melnyk and the first composition for double piano which he released. In this work, the early minimalist tendencies which played such a major part in the emergence of Continuous music, are very significant and clearly evident. This Double LP set sold out within 1 year of production, Only 1000 copies were made. Original Release: 1980 Limited All Analog Remastering Recording

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Richard Pinhas

East West

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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LP+CD | 1980 | EU | Reissue (Spittle)

Magazzini Criminali

Crollo Nervoso

12,99 €*

LP | 1980 | EU | Reissue (Wah Wah)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Magazzini Criminali can be considered one of the most important experiences in Italian Post-Avant-garde theatre of the '70s and the '80s. Back in 1980 the group gave birth to one their widely acclaimed and most representative works. Crollo Nervoso was a real Post Modern Opera, a complex and multi layered work based on the transfer between different Art languages and aesthetics. A deep mixture of Avant Rock, Burroughs's Cut Up, science fiction, body art, glamour and a hint of porno. On stage actors move obsessively and creating some highly repetitive sequences that show a clear "Rock" approach. Musically we are in front of a great hybrid where electronics, tribal funk, ambient and Blues interact with actors excited voices and "stolen" fragments from the musical works of Eno, Fripp, Jon Hassell, Miles Davis and others. More than a Pre-Plunderphonics kind of work, Crollo Nervoso is a definitive re-invention of the soundtrack concept in relation with text and drama. Originally released in 1980 (on black or white vinyl) by Italian Records, Crollo Nervoso stands as a unique sound-art object that finally sees the light again in all its multi-sensory eclecticism.

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Cultural Noise

Aphorisms Insane

2LP | 1980 | EU | Reissue (Cortizona)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two pieces of this record, one per side, being compared by reviewers to works by Zanov or Anna Själv Tredge. Mentions of Tangerine Dream are also present on reviews, although Cultural Noise have a pretty unique personality on their own and besides sharing the use of Mellotron, sequencers and analog synths we have a totally personal concept here which sets them aside from all TD impersonators of the era.

The album was originally released in 1980 on CBS and later repressed in 1981 which came in a B&W version of the sleeve that some sources list as a self release private pressing done by the band themselves - this has been denied by members of Cultural Noise.

We are proud to offer a 500 copies only reissue, housed in its original full colour version artwork.

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Bernard Szajner

Some Deaths Take Forever

LP | 1980 | EU | Reissue (Glossy Mistakes)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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First time vinyl reissue since the original 1980 version. Original remastered album plus second LP with unreleased extra tracks from 'Some Deaths Take Forever' recording sessions.

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Stu Cisco

Amanita

LP | 1980 | EU | Reissue (Our Swimmer)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1980, ‘Amanita’ is an early approach of Canadian artist Sherine Cisco, formerly known as Stu Cisco, to the limitless world of synthesizers in music, through ambient, progressive rock and drone noise. A unique combination of ambient, progressive rock and even drone noises and space-age that converged in ‘Amanita’, her first full album and a piece of music history. This LP marks a milestone in the investigation, experimentation and evolution of musical instruments, where the Mini Moog demonstrated its versatility and creative potential, opening Sherine a path of limitless possibilities.

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Alvin Curran

The Works

29,99 €*

Slow (Motion And Movement)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.

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V.A.

LP | 1980 | Reissue (Be With)

LP | 1980 | EU | Reissue (Dead Mind)

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Plus Instruments

79/80

LP | 1980 | EU | Reissue (Editions Mego)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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While she was still a member of Nasmak, one of the leading bands of the Dutch ultra-movement, Truus de Groot started Plus Instruments in 1978 with herself as the sole member. When the project evolved, she found a wide range of rotating collaborators like Michel Waisvisz, Lee Ranaldo and James Sclavunos. Plus Instruments was about freedom and the live performances were largely improvised. The sound minimal but captivating. The music always came from within, but De Groot was also triggered by bands like Red Crayola, Suicide, DAF, Wire, Per Ubu, Devo and the No Wave scene in NY. She was always experimenting with primitive multi-track recording and whatever crappy gadgets she could find. Always looking for a gritty, dirty sound and bizarre overtones.

At a young age she travelled to New York and began to immerse herself in the nightlife of the city that never sleeps. Here she found true creativity, passion and expression. The club scene was alive but highly competitive, so this fearless Dutch girl would just knock on promoter’s doors to get gigs booked at places like CBGB’s, Peppermint Lounge, Underground and the Pyramid. De Groot eventually settled in the United States and never stopped experimenting with sound. In recent years she reinvented Plus Instruments and led the group into new territory.

The recordings for this LP were made by De Groot at home and the music is experimental, minimal, industrial but also playful, sounding nothing like most of the later material. 14 tracks in total of which 7 are taken from the elusive and impossible to find self-released debut cassette as ‘Truss Plus Instruments’ which was sparingly distributed by Nigel Jacklin and his legendary Alien Brains fanzine in 1980. The remaining 7 tracks are from the same period (1979-1980) and were carefully selected from the vast archive of De Groot. We are glad to present this anthology that serves as a long overdue testimony to the formative phase of a unique female pioneer of electronic music.

200 copies on black vinyl with insert.

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Dome

LP | 1980 | EU | Reissue (Editions Mego)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of »using the studio as a compositional tool« and recorded and released three Dome albums on their own label in the space of 12 months: »Dome« (July 1980), »Dome 2« (October 1980) and »Dome 3« (October 1981). A final fourth album, »Will You Speak this World: Dome 3« was released on the Norwegian Uniton label in May 1983.

These albums represent some of the most beautifuly stark and above all timeless exercises in studio experimentation from early 1980s alternative music scene.

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Dome

LP | 1980 | US | Reissue (Mesh-Key)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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R.N.A. Organism

R.N.A.O Meets P.O.P.O

34,99 €*

LP | 1980 | JP | Original (Polydor)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.

Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.

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Sweet People

3,99 €*

My Life In The Bush Of Ghosts

Release: 1980 / JP – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG, Cover: VG+

Includes OBI and insert.

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Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

45,99 €*

LP | 1981 | EU | Reissue (Bureau B)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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Roedelius

Wenn Der Südwind Weht

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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7" | 1981 | US | Reissue (Superior Viaduct)

B.C. Gilbert / G. Lewis

Ends With The Sea

13,99 €*

LP | 1981 | US | Reissue (Celluloid)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Bruce Gilbert and Graham Lewis have always juggled darkness and light in their various collaborations (Dome, Cupol, etc.); Gilbert’s pointillist melodicism counterbalanced by Lewis’s menacing bass and sardonic lyrics. While the duo explores cinematic soundscapes on their album 3R4, here they return to more song-based territory with icy vocals, detached guitar lines and even a faint industrial vibe. Ends With the Sea provides a vital glimpse into the creative forces that even a band as daring and inventive as Wire could not contain. This first-time vinyl reissue is recommended for fans of SPK, Chris Carter, and Einstürzende Neubauten.

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Irmin Schmidt of Can

Toy Planet

19,99 €*

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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LP | 1981 | EU | Reissue (Sony)

Jean-Michel Jarre

Magnetic Fields

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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LP | 1981 | US | Reissue (Superior Viaduct)

John Bender

Plaster Falling

12" | 1981 | US | Reissue (Dark Entries)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Plaster Falling was recorded at the same time as John Bender’s first album, I Don’t Remember Now / I Don’t Want To Talk About It. Released in 1981 on the artist’s own Record Sluts label, copies of Plaster Falling’s initial pressing came hermetically sealed in plaster (and later latex). Thus, listeners had to literally break open the record to find what’s hidden inside. Produced in relative isolation, Plaster Falling is a beacon of brilliance in the nascent minimal-wave sphere. Veering towards skeletal urgency, these recordings set bright analogue melodies against half-whispered vocals and expand Bender’s electronic cryptography thru a series of lone signifiers: “Station,” “Plaster,” “Women,” etc. As Bender explains in the liner notes, “I began to distance myself from the present and describe scenes as if in a movie – seeking concrete, terse, juxtaposed imagery.” This first-time standalone reissue is recommended for fans of Gareth Williams & Mary Currie’s Flaming Tunes, Minimal Man and Grouper. Pressed on translucent blue vinyl in a limited / numbered edition of 1,000 copies.

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Codek

Tam Tam / Closer

15,99 €*

Computer World Remastered Black Vinyl Edition

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude’s single on Celluloid “Kwai Systeme / Betty Boop.” Robin Scott (M “Pop Music”) had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote “Me Me Me”, intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The “Me Me Me” single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single “Closer / “Tam Tam”

“Closer” started its life as an electric baseline played by Jean-Marie. Claude Arto sequenced the floating synthesizers. Laurent Grangier and Frédéric Lapierre of reggae band Immigration Act played the horns. The lyrics “Hard to say. Easy to do. We don’t need to say what we do” were a statement on creation as narration expressed Jean-Marie’s ennui, “I’m tired with it.” “Tam Tam” was inspired by Burundi drummers playing on the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. JM was part of the the African night scene in Paris, remixing Xalam’s “Kanu” and Touré Kunda’s “Salaly Muhamed.” Claude achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of “Tam Tam” and “Closer” spanned over two years. They started on 16-track in Studio d’Auteuil, where JM blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder. Jean-Marie was producing other bands, and a lot of this was recorded on “borrowed” studio time. The single was released in 1981 on West African Music, a tiny label from the Ivory Coast, and was re-released a year later by Island Records in the UK (where the B-side was re-named “Tim Toum”). Both tracks were staples in the DJ sets of Beppe Loda and Daniele Baldelli, finding a spiritual home in the Cosmic scene of Italy.

Both songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1981 edition with artwork by Angela Boy, inspired by primitive electronics and African paintings. Each copy includes an doubles-sided insert with photos and liner notes by Jean-Marie Salaun.

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Kraftwerk

LP | 1981 | EU | Reissue (Parlophone)

49,99 €*

12" | 1981 | EU | Reissue (TAL)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Computer World (German: Computerwelt) is the eighth studio album by German electronic music band Kraftwerk, originally released on 10 May 1981. The album deals with the themes of the rise of computers within society. In keeping with the album's concept, Kraftwerk showcased their music on an ambitious world tour and issued several different versions of the single "Pocket Calculator" in different languages: namely, German ("Taschenrechner"), French ("Mini Calculateur") and Japanese ("Dentaku", or 電卓). A fifth version, in Italian ("Mini Calcolatore"), was lip-synched to on Italian television in 1981. The compositions are credited to Ralf Hütter, Florian Schneider, and Karl Bartos. As was the case with the two previous albums, Computer World was released in both German- and English-language editions. The title of the final track, "It's More Fun to Compute", is in English in all releases, as it is based on the slogan "It's more fun to compete!", which could be seen on old pinball machines.

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Roter Stern Belgrad

Massa EP

13,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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LP | 1981 | EU | Reissue (Optimo Music Selva Discos)

Fernando Falcao

Memoria Das Aguas

LP | 1981 | EU | Reissue (Bureau B)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Selva Discos returns to the LP reissue game with a bang – by giving a new life to the stunning and very sought-after Memória das Águas album by Fernando Falcão. Originally recorded in 1979 in Paris but only released independently in Brazil in 1981, the album comes complete with genre-hopping explorations that swirl around ambient soundscapes, lively jazz, experimental-leanings, Afro-rhythms and a unique blend of Latin grooves and French pop with a Brazilian accent, but it also comes with a story as deeply unique as the music. Remastered from the original master tapes, not only the sound but the artwork of Memória das Águas was completely and faithfully restored. Also, the reissue comes with unprecedented liner notes featuring rare photos of the musician and his sound sculptures plus articles that help to explain who Fernando Falcão was and where Memória das Águas sits among other staples of Brazilian music, including one from DJ and selector John Gómez – who helped to connect Selva Discos' Augusto Olivani with Diana Lion, Fernando Falcão's daughter (since the musician died in 2002), for this project. After Memória das Águas, Selva Discos will also reissue another long lost Fernando Falcão LP album – Barracas Barrocas.

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Serge Blenner

Magazin Frivole

2LP | 1981 | EU | Reissue (Mecanica)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Bureau B present a reissue of Serge Blenner's Magazin Frivole, originally released in 1981. Cold, concise analog synthesizer instrumentals -- on his second album Serge Blenner remained true to his style, albeit shifting course slightly towards pop territory. The juxtaposition of dark harmonies and pop structures is what makes this album so appealing. In places, it feels like a blueprint for early Depeche Mode. Having seen his first album La Vogue (BB 324CD/LP) snapped up by the Sky Records and fast-tracked for release in 1980, Blenner delivered his second LP, Magazin Frivole, the following year. Mindful of the success of its predecessor, Blenner added the name of his debut in big letters to the front cover of the new sleeve. Blenner remained faithful to his musical style, albeit adding more of a pop flavor. Magazin Frivole would not look out of place filed alongside Depeche Mode on the record shelf, as a certain resemblance is undeniable. Moreover, Blenner was one of the few proponents of electronic music who preferred to keep his songs concise, in contrast to the meandering odysseys of many of his electronic contemporaries. The far better-known French artist Jean-Michel Jarre adhered to similar principles, yet although Blenner was often compared to his compatriot, he claims only to have heard his music long after La Vogue had appeared. Minor chords dominate his harmonies, the bass performs octave leaps which mirror the zeitgeist. Unexpected key changes abound, adding a restless, almost disquieting quality. Overall, Magazin Frivole is less dark than the preceding album, but a picture of cheerfulness it is not. Nevertheless, a poppy drum computer introduces a lighter note. From the very first track, chord changes pop up at unexpected junctures -- they seem to come in prematurely, before harmonic sequences have run their course. Blenner doesn't have any explanation for this curiosity, other than to note that "most of the music was played by hand, so of course it wasn't all perfect." "I did all I could to avoid being successful -- on a subconscious level, at least. Unpredictable metrics and irregular beats were definitely part of the process," Blenner admits with an enigmatic smile. Juxtaposed with Blenner's more recent works, one can see what he means. His latest album Musique de Chambre (2008) comprises modern classical chamber music, built on digitally sampled real instruments. Besides, Blenner points out, handling all of those analog devices was a convoluted and complex undertaking.

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Carlos Peron

Impersonator

29,99 €*

Suicide Commando Purple Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

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No More

7" | 1981 | EU | Reissue (El Caballo Semental)

13,99 €*

Open Space Motion (Underscores)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO More releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world. What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right. Now the year is 2021. Four decades have passed and NO More's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format. Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981. And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO More's „123456789 *baze.djunkiii & Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019. Initial pressing will be limited to 400 copies.

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Klaus Weiss

LP | 1981 | EU | Reissue (Be With)

Musiques Pour Garcons Et Filles + Inedits

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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They say: "Contemporary synthesizer sounds illustrating wide open space activities, environment and research." We say: Panoramic proto-techno underwater-electro library dynamite. One of the hardest pulls on the seminal Coloursound, Open Space Motion (Underscores) isn't just regarded as one of the best releases from library-funk overlord Klaus Weiss. It's one of the very best library records ever. As cult as it gets when it comes to library music, the Klaus Weiss sound was built on top of sometimes funky, sometimes frenetic, but always hard-hitting drums. AND YET! Open Space Motion departs from his drum-heavy approach by being completely...BEATLESS! That's right, the virtuoso beat smith, Mr "drumcrazy of Deutschland", a man known for snapping necks at will, crafted one of the most horizontally sumptuous, elegantly sweeping electronic masterpieces, sans-drums, a good decade before chill-out rooms became a thing. It features organic instruments married to pulsing synth bass atop brilliantly subdued yet irresistibly funky percussion. Possessing a very special vibe, that's at once futuristic yet cinematic, it overflows with atmosphere. The highlights - unsurprisingly - are many. The very first track - the unstoppable "Wide Open Space Motion" - is a sinister, string-fried electro bomb that rides an unrelenting bass loop. "Incessant Efforts" is more reflective, with pastoral yet probing flutes atop strutting synth chords and head-nod percussion that really swings. The heavenly, uber-kosmiche "Pink Sails" hovers over swirling neon-synthy-strings and yet more unobtrusive percussion. The beautiful "Transiency" is a dramatic piano-led underscore, its creeping unease created by patient strings, unhurried percussion and some wonderfully strident keys. "Driving Sequences" is perhaps the key tune here, and if the Detroit crew weren't listening to this staggering piece then, well, imagine if they *were*. The bubbling rhythms of "Southern Mentality", at first ominous, give way to a more optimistic vibe as the movement progresses. The lush, gorgeous "Bows" is deep-sea slow-motion magic whilst the bright-eyed "Outset" feels as fresh as the dawn, and no less beautiful. How these tracks haven't been gobbled up by sample-driven producers is beyond us. Equally calming is the sweeping majesty of "Constellation", again conjuring images of being at one with and fully beguiled by the wonders of nature, of space, of underwater worlds. "Changing Directions" is another fidgety, propulsive non-Detroit beatless bomb. As with all our library music re-issues, the audio for Open Space Motion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Video-Aventures

2LP | 1981 | EU | Reissue (Souffle Continu)

34,99 €*

From The Tea Rooms Of Mars... Record Store Day 2023 Edition

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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After the experience of Camizole, Dominique Grimaud began a new adventure in 1979 with Monique Alba. Alongside Gilbert Artman (Urban Sax), Guigou Chenevier (Etron Fou Leloublan), Jean-Pierre Grasset (Verto) and Cyril Lefebvre (Maajun), Vthis LP is composed of instrumentals capable of reconciliating Captain Beefheart, Henry Cow, Suicide and John Barry.

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Landscape

LP | 1981 | US | Reissue (Cooking Vinyl)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Nothing Here Now But The Recordings Black Vinyl Edition

William S. Burroughs

LP | 1981 | US | Reissue (Dais)

Nothing Here Now But The Recordings Clear Vinyl Edition

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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In 1980, Genesis P-Orridgeand Peter "Sleazy" Christopherson of(then-)Throbbing Gristle travelled to New York City to meet up at thefortified apartment, known as The Bunker, of famed beat writer andcultural pioneerWilliam S. Burroughsand his executor JamesGrauerholz. Genesisand Sleazy started the daunting task of compilingthe experimental sound works of Burroughs, which, up until that point,had never been widely heard.During those visits, Burroughs would play back his tape recorderexperiments featuring his spoken word "cut-ups", collaged fieldrecordings from his travels and his flirtations with EVP recordingtechniques, pioneered by Latvian intellectual Konstantins Raudive. Overthe following year, P-Orridge, Christopherson and Grauerholz spentcountless hours compilingvarious edits, each collection showcasingBurroughs sensitive ear and experimental prowess for audio anomalywithin technical limitations. In early 1981, Burroughs had relocated toLawrence, KS to escape the violence and manias of New York City life.There, P-Orridge and Christopherson put the finishing touches on therecord that would be known asNothing Here Now but the Recordings.Released in Spring 1981, the album would end up as the final release onIndustrial Records, brought about by the dissolution of Throbbing Gristle.It was quietly out of print until 1998, when John Giorno and the GiornoPoetry Systems included the album on a retrospective CD box set, whichcompiled the majority of Burroughs's seminal recordings. In 2015, DaisRecords worked closely with the Estate of William S. Burroughs to finallyre-release, for the first time in 36 years, a proper vinyl reissue of WilliamS. BurroughsNothing Here Now but the Recordingsto celebrate thecentennial anniversary of William S. Burroughs. For the2023 edition, Daishas remastered the audio with renowned engineer Josh Bonati, andrestored the original artwork with a new dedication to Genesis Breyer P-Orridge and Peter Christopherson.

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William S. Burroughs

LP | 1981 | US | Reissue (Dais)

...Behind The Gardens - Behind The Wall - Under The Tree...

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Andreas Vollenweider

LP | 1981 | DE | Original (CBS)

6,99 €*

Release: 1981 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | EU | Reissue (Editions Mego)

Dome

LP | 1981 | DE | Original (Sky)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Tyndall

Traumland

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

... Behind The Gardens - Behind The Wall - Under The Tree ...

Andreas Vollenweider

LP | 1981 | US | Original (CBS)

4,99 €*

Release: 1981 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | EU | Reissue (Optimo Music Selva Discos)

Fernando Falcao

Memoria Das Aguas

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1981 | EU | Reissue (Holidays)

Henry Krutzen

Silances

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Edition of 500 copies, screen printed cover. Includes two inserts: a replica of the original insert and the english translation.

Henry Krutzen is a relatively shadowy figure in the history of experimental sound. Between the early 80s and the 2010s, there are only a handful of albums that bear his name, and very little information about them. A multi-instrumentalist and composer who studied percussion, saxophone, and harmony in various schools and jazz clinics across Belgium, over the years he played in a diverse range of musical projects across the idioms of jazz, new wave, heavy metal, experimental, chanson française, world music and progressive rock, before relocating to Brazil during the early 2000s.

“Silances”, originally released by Igloo Records - the Belgian imprint founded in 1978 by Daniel Sotiaux - sitting alongside astounding and remarkably unique albums by Leo Küpper, Jacques Bekaert, Henri Chopin, Arthur Pétronio, André Stordeur, and numerous others, is an entirely singular gesture at the borders of sound poetry, musique concrète, and radical electroacoustic practice that draws upon disparate elements of drone, jazz, minimalism, ecstatic tribalism, and various traditions of music from across the globe. Decades on from its original release it remains as striking, unique, and compelling as it did upon its release.

In a note that Krutzen penned in 2022 when he was contacted for the reissue of “Silances”, Krutzen recalls: “Since I was 16, I had been experimenting with concrete music with a technician friend and we used all a teenager’s room could offer to make sounds into music: faucets, glasses of water, metal springs on ladders, objects of any kind… I had hours of recordings I pitched to Daniel [Sotiaux], to see if he was interested in making an album. I also had other ideas I wanted to be able to develop. What a joy when he accepted to work on the project! So I got to work. First, I set up a vocal improvisation quartet, and we spent long afternoons rehearsing using input I provided… We went into the studio and recorded almost two hours of improvisation, from which I then chose the best moments for the final product”.

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Roedelius

Wasser Im Wind

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Another classic Roedelius Album, back on Bureau B!

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Thomas Dinger

Für Mich

Die Singende Sternlaterne / Folklore Des Weltalls

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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180g pressing!

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Die Welttraumforscher

LP | 1982 | EU | Reissue (Planam)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Planam very proudly presents you "Die singende Sternlaterne / Folklore des Weltalls 1982" by Die Welttraumforscher. This record includes the first time LP edition of the mysterious swiss electro-dada artist's second cassette as well as previously unreleased material. Issued in conjunction with Christian Pfluger first comprehensive retrospective "Ein Sommer in der Wirklichkeit" (i.e. "A Summer in Reality") at Kunsthaus Langenthal and the corresponding monograph "Songs, Signs, Explorations" presenting drawings, music, lyrics, films and other rare material. When Die Welttraumforscher set out on 14 July 1981 no one could have realized that their journey would not be over soon. For more than thirty years now, Swiss Christian Pfluger has been working on drawings, texts, films and songs for the fascinating universe of the imaginary trio, which is well populated with figures like Leguan Rätselmann or Kip Eulenmeister and his astronauts of the spirit. In the course of that journey, among other things, over 35 music cassettes, LPs and CDs have been released, presenting minimal songs that the Welttraumforscher themselves call "Bretzelberg Pop" and "Space Folklore". After the now sold out "Herzschlag Erde / Verdunkelt die Sinne" PLANAM and A Tree in a Field Records have now re-issued the Welttraumforschers' second cassette, including the previously unreleased album "Folklore des Weltalls 1982" (not to be confused with the 1989 "Folklore des Weltalls" which is a different story). Translator's note: The expression "Welttraum" in "Die Welttraumfroscher" is a play on the words "Weltraum" (Universe), "Welt" (world) and "Traum" (dream). "Die Welttraumforscher" can both be read as "The Explorers of the Universe" as well as "The Explorers of the Dream of the World". Edition limited to 350 copies.

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Rolf Trostel

Der Prophet

LP | 1982 | US | Reissue (Palace Of Lights)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A vinyl reissue of the third album (originally from 1982) by the kraut/electronic musician who was inspired by a.o. late '70s Tangerine Dream. This title is relevant for anyone into the sounds of the Berlin School.

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K. Leimer

Land Of Look Behind

LP | 1982 | EU | Reissue (Soave)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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The Land of Look Behind soundtrack returns to vinyl in a remastered and expanded edition that includes a download of three previously unheard and unreleased tracks from the original sessions. Alan Greenberg, who wrote and directed this film documenting the funeral of Bob Marley, provided K. Leimer with location tapes which were used to originate many of the rhythmic patterns for Land of Look Behind. Loops of the monologues and phrases that exhibited more distinctive cadences and pacing, the words, glottal stops, clicks and coughs of witnesses were used as cues for the percussion instruments. In effect, speech became the organizing principle of the musical score. By eliminating the accuracy of click tracks, musicians were prompted to rove through the inconsistent intervals of the voice-derived patterns. Also included is a four-page insert featuring an essay by Paul Dickow.

K. Leimer founded Palace of Lights in 1979. Leimer’s early work has recently been reissued by Autumn and RVNG, and his early cassette work is in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s — his current catalog includes seventeen albums plus two collaborative albums with Marc Barreca.

Leimer’s work is included in the collection of The British Library.

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Wolf Vostell

De-Coll/Age Musik

Music For Nine Postcards Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A seminal figure in the history of 20th century avant-garde, yet sinfully overlooked, Wolf Vostell unleashed ideas - those running wild through his debut LP "Dé-coll/age Musik", which remain a slap to the face, more than half a century after they were set into play. A founding member of Fluxus, an early instigator of Happenings, an innovator of video art, Vostell was equally one of the most radical and irreverent practitioners in sound that the world has ever known.

First released in 1982, "Dé-coll/age Musik" draws from material dating between the late 1950’s and early 80’s - the results of Vostell’s application of décollage, the near perfect inversion of collage. Rather than gathered and assembled sounds - as with Musique Concrète, these are the result of subtractions from a former whole - the death of one, giving life to the next.

Swelling from the past, Vostell’s efforts pull the rug from beneath the common history of structured sound. A singular body with no loyalty, producing shocking results. A grinding confrontation - an intoxicating immersion in sound - as brutal as it is ecstatic - an exercise in joy. "Dé-coll/age Musik" assembles the essence of a creative spirit which is rarely known. Each work as radical and fresh today as the moment it was made.

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Hiroshi Yoshimura

LP | 1982 | US | Reissue (Empire Of Signs)

LP | 1982 | EU | Reissue (Orbeatize)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Only one copy per customer!
The late Hiroshi Yoshimura, a pioneer of Japanese ambient music. Yoshimura was involved in a wide range of fields, such as sound design for public installations, graphic design, visual poetry, free improvised performance (using his own body) and inventing his own instruments, right up until he passed away in 2003.
The seven songson this album were created for a fashion exibition held at a warehouse in the Tokyo bay area. He released it on cassete tape on Japanese label ‘Fukusei Gijutsu Kohboh” ran by Yoshio Ojima who produced the album.
Referring to the Loft: "As the time goes by, the Loft that was swept away ( forgotten) from the City but it somewhat has a look of a " City of Ruins" that reminds you of something you have forgotten. Something nostalgic. Sounds from the City and the vast landscape gave me a great opportunity to take a fresh look at Tokyo." says Yoshimura.
Referring To the Pier: His look towards Tokyo bay takes on the shape of sonic particles....tickling down gently while tinged with change. A landscape of Seven Sounds.
This is the first-ever vinyl release, 34 years after it's recording. The sleeve image is the same as on the original cassette release.

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Chris Neal

Crosstalk

18,99 €*

2LP | 1982 | EU | Reissue (Orbeatize)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982, including tracks written for Crosstalk (a science fiction thriller film made in Australia) and other electronic themes, it was written, performed and recorded by Chris Neal in his home studio, using Roland System 700 and Roland MC8.
In 1982 there were only a few System 700s ever produced and Roland was more interested in promoting their more commercial System 100M (that's why it was credited on the 1982 original cover to give them a plug). The System 700 was developed by Taro Kakahashi and his team in Japan as a direct challenger to the Moog modular system.
The ORBEATIZE remastered reissue also includes a special bonus track remixed and produced in 2017 by Jolly Mare.

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Knut Skodvin

Kondens

25,99 €*

La Marca de Anubis + El Cantor de Jazz

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Double LP: first one includes tracks remastered from "Kondens" original master tapes (originally released in 1982); second one includes unreleased tracks taken and remastered from 1983-1984 original master tapes (produced and composed for Scandinavian "theatre" performances)

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Los Inicados

LP | 1982 | EU | Reissue (Mental Experience)

LP | 1982 | EU | Reissue (Allchival)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982 on the DRO label, "La Marca De Anubis" was the debut album by LOS INICIADOS, an obscure project related to legendary Spanish synth-pop band AVIADOR DRO. Always shrouded in mystery, Los Iniciados decided to hide their identities behind masks. The only visible and confirmed member was Arco Iris (aka Marta Cervera, also on Aviador Dro) and according to rumours, behind the other nicknames we find Biovac N (Servando Carballar, founder of Aviador Dro and the DRO label) plus members of Alphaville (the Spanish post-punk band).
On "La Marca De Anubis" we also find Jesús Arias (of punk band T.N.T.) on electric guitar. The album was produced by Servando Carballar (Aviador Dro). Dark & eerie MINIMAL SYNTH / DARK WAVE sounds with a POST-PUNK edge, highly influenced by THE RESIDENTS, Dadaism, performance art and ancient Egyptian cults. Including cult classics like “Peter Pan”, “Soy el vacío” and more!

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Michael O Shea

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Having sold his instruments to fund a nomadic 1970s lifestyle, eccentric Irish experimentalist Michael O’Shea was forced to create his own handmade answer to the sitars and zelochords he’d become accustomed to playing on his travels around the globe.
Using an old door, 17 strings, chopsticks and combining them with phasers, echo units and amplification, the new device was to become his signature sound, mixing Irish folk influences with Asian and North African sounds in a mesmerising and soulful new way that brought him to the attention of the leading improvisers of his day - Alice Coltrane, Ravi Shankar, Don Cherry and more.
A logical follow up to AllChival’s recent reissue of Stano's debut LP, Michael O’Shea’s self titled LP was originally released on Wire's Dome Imprint in 1982.
The background to the album is as interesting and inspiring as the artist who created it - born in Northern Ireland but raised in the Republic, O’Shea was keen to travel and escape the troubles of his home.
Wandering throughout Europe and the Middle East, O’Shea found himself living and working as a relief aid in Bangladesh in the mid Seventies where he learned to play sitar while recovering from a bout of hepatitis. A later period spent busking in France accompanied on zelochord by Algerian musician Kris Hosylan Harp led to O’Shea’s idea of combining both instruments as a homebuilt instrument - Mo Chara [Irish for "My Friend"].
He later described the process on the back of the LP himself saying:
"Having sold my sitar in Germany and being desperate for money to travel to Turkey, I conceived of the idea of combining both sitar and zelochord. The first Mo Cara was born, taken from the middle of a door, which was rescued from a skip in Munchen"
A combination of dulcimer, zelochord and sitar, O Shea would play it with a pair of chopsticks, striking the strings softly using Irish folk rhythms mixed with the rich, nostalgic sounds of of the many Asian artists he’d encountered on his travels.
It was a pan cultural sound standing at an unusual crossroads of folk, traditional, rock, progressive, jazz, electronic and post-punk worlds without hesitation.
Perfecting the instrument on the streets, there were further spells spent busking in the underground stations and cafes of London's West End and Covent Garden during the heady days of the 1970s when they were full of eccentric street entertainers, jazz improvisers and musical pioneers.
His work with Rick Wakeman never saw the light of day but O’Shea’s contact with the world of post-punk London ensured his name would live on.
Introduced to Wire's Bruce Gilbert and Graham Lewis via cartoonist Tom Johnston, O’Shea eventually acquiesced to an open invite to record at their studio. Turning up unannounced in the summer of 1981 the LP was recorded in a day in the legendary Blackwing Studios and released on Dome the year after.
The first side features the fifteen minute masterpiece "No Journeys End" with the B side featuring more input from Wire in processing the Mo Chara sound.
Lewis himself said years later of the forgotten masterpiece: “I always said it was the best job we ever did.”
After an aborted LP with The The's Matt Johnson the following year, O’Shea quietly disappeared from the formal recording world and his brief but unique contribution to the music world came to a sad end in 1991 when O’Shea was struck by a post van and died a few days later in hospital in London. This repress on All City’s AllChival imprint has been remastered and reissued with the approval of both Dome and his surviving siblings.

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Bernard Xolotl

Last Wave

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Libreville)

Albert Alan Owen

Following The Light

25,99 €*

LP | 1982 | EU | Reissue (Superior Viaduct)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Lovely crafted tip-on sleeve. Remastered from the master tapes. 600 copies.

Recorded in 1982, Following The Light is the third album british composer Albert Alan Owen recorded for the Apollo Sound Label.
Originally a Library oriented Music label, Apollo Sound by the mid 70s commissioned contemporary musical pieces from new composers, aiming presumably to provide atmospheric backgrounds for film, television and advertising, and to feed the burgeoning demand for ‘New Age’ music. Therefore comes Following The Light.
While certainly melodic, Owen’s music makes no concessions to mid-afternoon mindfulness or commercial use and reuse. Instead, Following The Light - whose title is taken from the Tao. Number 27 - is a deep and immersive listening experience, clearly the work of a singular musical imagination following its own rules in its own way.
With the help of Katherine Sweeney on violin and Milada Polasek on electric piano and organ, Albert Alan Owen recorded Following The Light in “live” conditions, taking profit of a strong use of the digital effects which were in its infancy at this time; the music was written to make the most of what technology was available, resulting a singular piece of music of sheer beauty
The record demands to be considered as a stand-alone unit, its three sections unfolding elegant and propulsive by turns, as reoccurring themes answer each other through the layers. There are echoes of Reich and Riley in the use of delay, that warm rolling repetition and those bass pulses. But this is not in the service of a system. There is something more lyrical, more humane at work in the music.
With Following the Light, Albert Alan Owen has given us a record that stands outside of time and place, it’s familiar elements made strange and new, all bathed in magic hour light.

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Ike Yard

LP | 1982 | EU | Reissue (Orbeatize)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Ike Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP. Originally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. While historical analogues would be Cabaret Voltaire's Red Mecca or Front 242's Geography, opening track "M. Kurtz" makes starkly clear that Ike Yard is a far heavier proposition. With a thick porridge of bass, ringing guitar and strangled/stunted layers of voice, these six pieces are densely packed and perversely danceable. "Loss" sounds like a minimal techno track that could have been made last week, while "Kino" combines Soviet-era imagery with sparse soundscapes à la African Head Charge's Environmental Studies. Ike Yard somehow pull off the toughest trick in modern music: making repetition hypnotically compelling through subtle variation. The effect of Ike Yard's first LP can be heard in many genres – from industrial dance labels like Wax Trax to electro-punk bands and innumerable European groups (Lucrate Milk, Red Lorry Yellow Lorry, etc.). The fact that the cover artwork does not include any photos of the band, but rather features the original catalogue number (fact A Second) only further illustrates the release's importance and Ike Yard's timeless mystique.

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Enrico Serotti

Homemade Music

17,99 €*

2LP | 1982 | EU | Reissue (Spittle)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally distributed by Demo City (a division of Oderso Rubini's Italian Records) in 1981 only on tape cassette format; the Confusional Quartet's guitarist here cooking a weird cover of Kraftwerk's "The Model", the cosmic "Lo Sport" and 26 more homemade delicacies.

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Thomas Leer

Contradictions

18,99 €*

LP | 1982 | EU | Reissue (Knekelhuis)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.

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Jimmy Smack

Death Is Certain

25,99 €*

LP | 1982 | EU | Reissue (WRWTFWW)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)

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Interior

2LP | 1982 | EU | Reissue (Driven By The Music)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Wrwtfww Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary label Yen Records. The LP comes in a heavy 350gsm sleeve. Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra's Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing. Interior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories. The unique sound of Interior caught the attention of William Ackerman and Anne Robinson who re-released the album in 1985 on their famed label Windham Hill Records (with a slightly different tracklisting) and then proceeded to put out their follow-up, Design, in 1987. After that, members of the group continued their careers separately, Daisuke Hinata notably recording an overlooked but absolutely amazing solo album, Tarzanland, in 1988.

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Donna Summer

43,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Eargong)

Klaus Wiese

Maraccaba

22,09 €* 25,99 € -15%

LP | 1982 | GDR | Original (AMIGA)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Look no further for some classic contemporary ambient music ! Originally released on tape in 1982 Maraccaba is the second solo album from deutsch electronic wizard Klaus Wiese, a Popol Vuh member during the recordings of iconic masterpiece as ‘Hosianna Mantra’ and ‘Seligpreisung’. Ltd edition of 500 copies.

Member of the krautrock band Popol Vuh in the early 1970s – Voice, Zither, Tambura, Harmonium, Singing Bowls – Klaus Wiese (1942 – 2009) was a veteran musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists alongside Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman. Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005.

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Klaus Schulze

Elektronik-Impressionen

11,99 €*

Release: 1982 / GDR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | EU | Reissue (Superior Viaduct)

Factrix / Cazazza

California Babylon

16,99 €*

7" | 1982 | EU | Reissue (Dead Mind)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue.

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Aart Zwaans

Semi Hora

18,99 €*

LP | 1982 | EU | Reissue (Dead Mind)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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In the early eighties Exart label owner Hessel Veldman regularly went to the city of Rotterdam to visit the creative minds behind local act Rotterdans. Their base was a house that both served as a home studio to record sessions of improvised music and a dealing spot for marihuana, which means customers were ringing the doorbell all day and all night long. During a late-night session one of the Rotterdans members told Veldman about a certain coworker, a ship welder working in the harbor, who was in his mid-twenties, lived with his parents in a typical workers' home and was totally obsessed by analog synthesizers. Collecting all the different types and playing them every night.

A meeting was arranged and Veldman met Aart Zwaans for the first time. They went to his room upstairs where he spent his evenings experimenting and writing his own tracks, that turned out to be a mixture of melancholic ambient pieces in the vein of synth wizards like Enno Velthuys and the early electronic music of Klaus Schulze and the Berlin School. Zwaans was a real outsider, not interested in the underground tape trading scene and preferred to be left alone. He did however promise Veldman to record some tracks and draw a cover for a cassette on Exart which was releases in 1982. Although plans were made to release more of his music, the Sémi Hóra cassette turned out to be the only remaining proof of his mysterious existence.

Sémi Hóra stayed an obscure must-have for collectors of underground music only, until some of the tracks were uploaded to the internet, where it reached a modest new audience. Overlooked by the various reissue labels, some of these hidden gems from the golden age of home taping are now finally presented on vinyl for the first time. In association with Veldman and archivist Bence Meijer, we selected 4 tracks from the original tape to be remastered for a convincing sample of one man’s imperturbable vision. Hopefully it prevents this idiosyncratic and talented musician from fading into total oblivion.

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Enno Velthuys

Ontmoeting

27,54 €* 28,99 € -5%

LP | 1982 | DE | Original (Kuckuck)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Ontmoeting (Encounter) from 1982 marks the beginning of the published audio works of Enno Velthuys. When Rob Smit of Kubus Kassettes first visited Enno to discuss the possibilities of releasing a cassette, he was open to the idea and gave Smit access to his tape archive of recorded tracks to cherry pick his favorite pieces. Initially Enno felt the selection didn’t do justice to his broader musical spectrum, that also included more rhythm orientated guitar pieces, but in hindsight it probably gave him a new sense of direction. On this album, a mixture of spacious ambient and synth-leaden music, we hear Enno in transition. Experimenting, searching for his own voice. Some pieces are reminiscent of a classic dungeon explorer game while others have a more surreal, cinematic feel. Although 40 years old, Ontmoeting still sounds incredibly fresh today and stands as a pivotal ambient release from the early 80’s. 400 copies on black vinyl. Comes with a download card.

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Deuter

Cicada

5,99 €*

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Jah Wobble and Ben Mandelson

Body Music Mokili

12" | 1982 | UK | Original (Island)

12,99 €*

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1982 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Laura Branigan

Branigan

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Descending Moonsine Dervishes

Terry Riley

LP | 1982 | US | Reissue (Beacon Sound)

2LP | 1982 | EU | Reissue (Virgin EMI)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Accurately described by Thurston Moore as "great for meditating to the cosmos," Terry Riley's classic Descending Moonshine Dervishes is available again in a limited edition repress manufactured by Optimal in Germany. Originally recorded live in Berlin in 1975 and released by Kuckuck in 1982, Beacon Sound reissued the album in 2016 to widespread acclaim. Using just intonation and a modified organ, Riley conjures forth a rich and layered sound that challenges the Western ear, reflecting his associations with Indian classical singer Pandit Pran Nath and La Monte Young , whose Well Tuned Piano was well underway. Descending Moonshine Dervishes is a virtuosic and kaleidoscopic performance, standing as one of the finest works of a revolutionary composer and musician at the height of his powers. Recorded in concert November 29, 1975 at Metamusik Festival in Berlin.

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Brian Eno

Ambient 4 (On Land)

40,99 €*

Moebius, Plank & Neumeier

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue Limited edition.

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Zero Set

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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on 180g vinyl!

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Moebius

Tonspuren

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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You

Time Code

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Asmus Tietchens

Litia

LP | 1983 | US | Reissue (Anthology)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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180g vinyl!

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Rüdiger Lorenz

Invisible Voices

LP | 1983 | US | Reissue (Dark Entries)

Release: 1983 / US – Reissue

Genre: Electronic & Dance

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Remembrance is the Software Recording Co. debut from Baton Rouge's Suicideyears (borN James Prudhomme). Prudhomme wrote Remembrance while reflecting on themes of love and loss against the backdrop of the deep American south he calls home. His experiences of reflection and resolution led to the vivid, emotionally charged production that makes up Remembrance. Alive with an idiosyncratic sense of melodic space, his repertoire eschews a topical palette for a personal aesthetic that offers a visceral love letter to abstraction. Prudhomme references both forms we know to exist ("Caroline," "U S" and "When You Sleep") and speculates on how they can be newly realized ("I Don't Care About Death Because I Smoke" and "Hope Building A").

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Alesia Cosmos

Exclusivo!

LP | 1983 | EU | Original (Ondes)

Release: 1983 / US – Reissue

Genre: Electronic & Dance

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Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France Culture. Under the influences of William Burroughs, John Cage, Pierre Henry and others, he developed tape music studio work. By 1982 he appeared for the first time under the name Alésia Cosmos Furi Show. It was a solo performance on guitar, voice, analog synth and tapes. This experimental show lead to a music project based on Bruno and Pascal's compositions to be performed and recorded with other musicians in the beginning of 1983.

Exclusivo! was the group’s debut album recorded and self-released in 1983 on Planetarium. Pascal and Bruno would compose tunes in their personal home studios. Then they would bring the tapes, electronics, guitar lines and lyrics to experiment and rehearse with the other members of the group. Improvisations and adaptations brought more ideas and the album was recorded in a few days. The result was a musical mixing of electronic music, field recordings, North African and Asian percussion, electric guitars and voices, compositions and free improvisations. All four musicians take turns singing onomatopoeic phrases and backing vocals, even sometimes in an unknown language, a sort of mixed bag between Breton and Japanese. All songs have been remastered cut by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a replica of the 1983 cover and includes a 6-page insert with photos, lyrics, reviews and liner notes by Bruno de Chénerilles.

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Zanov

In Course Of Time

LP | 1983 | EU | Reissue (Mental Experience)

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself a VCS3 and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released his first two LPs Green Ray in 1976 and Moebius 256 301 in 1977. In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this time he gave more use to the RMI Harmonic Synthesizer.

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

Zanov's third LP was released in 1982 in Canada on Les disques Solaris and in 1983 in France on Ondes.

This is not a reissue, it is the original 1983 French edition on Ondes. Please note that these are mint unplayed vinyl copies, but they have been laying around in warehouses for long time so sleeves show the pass of time (some yellowing mainly, not bigger problems).

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Los Inicados

Todo Ubu

Content To Write In I Dine Weathercraft

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Dark minimal synth electronics & experimental sounds by LOS INICIADOS, a mysterious project - highly influenced by The Residents - related to legendary Spanish synth-pop band AVIADOR DRO.
This is their rare and sought-after second album, originally released in 1983 on the DRO label as the soundtrack to a puppet stage play, based on ALFRED JARRY’S “UBU ROI”.

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Stano

LP | 1983 | EU | Reissue (Allchival)

30,99 €*

LP | 1983 | EU | Reissue (Sounds Of Subterrania)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk

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Lubomyr Melnyk

The Song Of Galadriel

40,99 €*

LP | 1983 | EU | Reissue (Mental Experience)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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"Reading Tolkein´s LORD OF THE RINGS saga was one of the greatest experiences of my life ... his amazing talent for words was mindboggling ... and the great topics he touched upon remain forever as the most important topics of life ... they are still most valid today .. and will be for all eternity. Everything he described through his magical words came to life before my eyes ! So it was most natural that he would inspire music within me ... music that I can not describe in words how it relates to the Saga .. but deep inside me, it all shines clear as a lamp-post on a dark street ... and it shines into my soul in many, many dimensions....." .... and on a technical note, this piece marked the first time I created Arpegge Melodies within Continuous Music !" In the ”Song of Galadriel” Lubomyr Melnyk has created one of the great epics of piano music in our century, a work of visionary character, filled with haunting and delicate melodies that evoke the mystical world of Tolkein's ”Lord Of The Rings”. Arthur Rankin Original Release: 1983 Limited All Analog Remastering Recording 29 min, per side

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Care Of The Cow

Dogs' Ears Are Stupid

Viral Shedding Record Store Day 2019 Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Originally released only on cassette in 1983, “Dogs’ Ears Are Stupid” by Chicago trio Care of the Cow is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, analogue synths…
One of Chicago’s best kept secrets, Care of the Cow’s history goes back to 1974. A trio formed by Victor Sanders, X Baczewska and Sher Doruff, they had a very unique and eclectic sound, experimental yet very melodic, mixing psychedelic folk-rock with art-rock and DIY / post-punk. Their influences were very diverse: Beatles, Fripp, Eno, Joni Mitchell, Carla Bley, Pauline Oliveros, Eric Dolphy…
Care of the Cow debuted in 1975 with a 10” followed by their first LP album in 1981. By 1983, the band was adding drum machines and synths to their sound, highlighted by Victor’s amazing guitar playing and X & Sher’s perfectly blended vocal harmonies, resulting in “Dogs’ Ears Are Stupid”, the second Care of the Cow album, released only as a tiny cassette edition in 1983.
For us, this is a lost gem from the ‘80s underground which really deserved a LP/CD reissue. Here it is, done in collaboration with Steve Krakow of Plastic Crimewave / Galactic Zoo fame.

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Nocturnal Emissions

LP | 1983 | EU | Reissue (Mannequin)

LP | 1983 | EU | Reissue (WRWTFWW)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music.

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Inoyamaland

Danzindan-Pojidon

Utakata No Hibi Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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WRWTFWW Records is too happy to announce the much anticipated official reissue of Japanese duo Inoyamaland’s quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue. With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as “a special place where the kingdom of summer vacation never ended". Playful and magical, it’s a sonic landscape defined by tinkling synths, floating minimalist melodies, pastoral excursions, and mythical overtones.

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Mariah

2LP | 1983 | EU | Reissue (Everland)

31,99 €*

LP | 1983 | EU | Reissue (Les Giants)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!

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Y Create

The Blue Tape

2LP | 1983 | EU | Reissue (Orbeatize)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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In the early 1980’s Hessel Veldman and Herman te Loo assembled at Hessel’s apartment, which served both as a living room and as a home studio, every Thursday night. After the necessary social exchange over coffee, the guys started improvising, sometimes with a small preconceived musical cell or idea to work from. With a skeleton crew of just two (give or take the occasional overdub) the music that came out was usually simple in its form, sometimes stark, but always adventurous in its scope. And most of all: they approached the music with a sense of wonderment. Hessel had a great preference for repetitive patterns, executed on guitar, bass guitar or the synths of the era: a Korg MS 20 and a Roland Juno. Herman provided melodic lines with his soprano sax and occasional vocals and lyrics. A Drumatix drum machine provided the rhythms. Given these premises the duo sometimes sounded like Tuxedomoon or Wire, bands they both admired. But they never had the intention to imitate or copy anyone. Hence the occasional outing on a corny sounding ancient electronic organ (Philicorda) with pre-programmed analog rhythm box (eko). It provided the necessary humour in the sometimes gloomy 80’s period sound. They recorded everything, and Hessel would work on the result during the week that followed. The twosome would then discuss the mix prior to a new Thursday session. After a while there was enough material to compile a tape for Hessel’s independent Exart cassette label. It became one the volumes of a trilogy, entitled Y Create, the Y referring to Ymuiden, Herman and Hessel’s home town. In contrast to the other volumes of the series, the grey and green tape, the blue cassette (which is the one remixed and reissued on vinyl here) contained relatively short pieces – songs almost. The rest of the series delved more into long, hypnotic soundscapes, which later became an important ingredient for the music of Gorgonzola Legs, the band which Hessel and Herman started in 1984 with drummer/electronics wizard Gert Jan Prins and guitarist Jos van Duijne.

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Ricky Starbuster

Protosyn

The Plain Truth Colored Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Like his previous "Starburst" release, "Protosyn" was privately released in 1983 only on tape cassette format. Restored and remastered from the original tapes by Davide Bassi (Press Rewind Studios, Milan); Mr. Ricky having fun with Prophet 5, Pro 1, Korg Vc-10 Vocoder and Roland Tr-606 Drumatix.

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Maurizio Bianchi

LP | 1983 | EU | Reissue (Verlag System)

31,99 €*

LP | 1983 | EU | Reissue (Wah Wah)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Postfaction OF THE Plain Truth When in the cold spring of 1983, I set about decomposing these elegiac synthetic - concrete suites, my decadent vision of life was taking a brighter turn, and in fact the atmospheres that pervade the whole work, enriched by the emotional notes of a keyboard of violins, reflect my thirst for visceral eternity. The title therefore, “The Plain Truth”, follows my research directed towards the infinity of the human soul, one step away from spiritual truth, for the benefit of the loyal supporters of the plain electro-neuronal sound. (M.B., August 2021)

When I started my record label Broken Flag in 1982, one of the people I really wanted to work with was Maurizio Bianchi. His album “Symphony for a Genocide” was such a haunting, evocative record that I needed to get in contact with the man who made it. We made contact and remained regularly writing letters to each other, mine in my unintelligible scrawl, his in his red ink on photocopy paper. He was massively prolific and I soon became a distributor for his fantastic early albums like “Regel”, “Mectpyo Bacterium”, “Mörder Unter Uns/Neuro Habitat”, “Menses”, “Endometrio”, “Carcinosi”, “Das Testament” and “Armaghedon”, albums I still love to this day. He kindly contributed tracks to Broken Flag compilations as well. Releasing an album by him was always going to be high on my list of priorities and when he agreed I was overjoyed. He said he wanted a colour cover and I was running the label on a shoestring budget but I wanted him to be happy so I agreed. He sent me two polaroid photographs which we had blown up to cover size and are the pictures on the front and back cover that you see today. He wanted to release records as Maurizio Bianchi in the future rather than just as M.B and asked for the name on the cover to read “M.B. = Maurizio Bianchi”. Although the record has the catalogue number Bfv3, it was actually the second vinyl record I put out because once I heard it, I didn’t want to wait for the first Ramleh album (bfv2) to be ready. I had been slightly apprehensive about what the record would sound like because just before he sent it, he told me that he had become a Jehovah’s Witness and seemed to be going through a very happy life-changing experience. He was in a relationship with the “T.D.” of the second side track “T.D. 56”, so I thought maybe the music would be too light sounding or upbeat and when I heard it, it certainly wasn’t what I was expecting but it was stunningly beautiful but still with some of the sadder, ominous melodies I loved so much. My fears were unfounded. It was a classic. Still one of my favourites to this day. I’m very proud of it. I get a co-production and co-direction credit on the sleeve but in reality all I did was provide the money and arrange for the record to go into production. I had no influence on the music itself or the cover pictures. Maurizio has made so many records that it’s easy to get lost knowing where to start but I think this album is a good entry point and is one of his very best along with “Mörder Unter Uns”, “Regel”, “Menses” or “Symphony for a Genocide”, although you can’t go too far wrong with any of his wonderful music. As I sit here listening to it again it takes me back to 38 years ago when I first heard it and knew that I was going to be lucky enough to release a classic for the ages. Just 500 vinyl records exist from that original Broken Flag release. They are out there somewhere except for the one I have right here which will be with me until I die. It’s great that it’s coming out on vinyl again and I hope if you’re hearing it for the first time you adore it like I do. “To all the redeemed people”. (Gary Mundy, August 2021)

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Rada

Upadesa

The Crackdown Colored Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Ángel Rada is one of the most interesting music experimantalists of Venezuela. He started his career in the late 1960s as a member of The Gas Light, one of the big names on Venezuela's live circuit in the era, sharing the stages with other artists such as Apocalipsis, Un Dos Tres y Fuera, Vytas Brenner, Daniel Grau, Pablo Schneider, Miguel Ángel Fuster... Rada is one of the three basic artists who set an electronic music scene in Venezuela, along with Miguel Ángel Noya and Vinicio Adames.

Rada had attended the Escuela Superior de Música José Ángel Lamas and then continued his studies in Germany, where he was impressed by krautrock music, especially by its more electronic side. He met Kraftwerk when they were recording at Kling Klang Studio, and also knew Klaus Schulze–who would become an example for him to to follow. This contact with the Kraut scene would be the biggest influence on his works from the 1970s, which would end synthesizing in Rada's first record: 1983's Upadesa, originally released on his own independent label Uranium Records. Since then he has released more than 20 albums up to date, making him one of the most prolific experimental musicians not only in his country but also in the whole world.

Rada's aproach to electronic music is based in what he calls ethnosonic music. He is interested in the mixture of various styles which he filters through the use of technology, so in his electronic compositions one can hear echoes of ethnic sounds from all over the globe as well as some jazz influenced improvisation, ambient and synthesized sounds.

The Wah Wah edition is the first ever vinyl reissue of this landmark LP and has been remastered for vinyl by Roger Prades @ Prades Mastering. Includes an insert with liner notes by Salvatore Maldera.

It is a strictly limited edition of 500 copies only.

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Cabaret Voltaire

LP | 1983 | UK | Reissue (Mute)

Release: 1983 / UK – Reissue

Genre: Electronic & Dance

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LP | 1983 | EU | Reissue (Our Swimmer)

Deux Filles

Double Happiness

Ghjuvan Petru Graziani & Rinatu Coti

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The.

Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out.

Double Happiness is the duo’s second album, originally released in 1983 on their own imprint, Papier Maché. Full of meandering guitar and with a more ominous tone than the debut, the album is recommended for fans of Durutti Column and Thomas Leer & Robert Rental’s The Bridge.

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Corsica Ribella

LP | 1983 | EU | Reissue (Aitone Library)

37,99 €*

Yokobue: The World Of Michiko Akao

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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This first reference (ate001) is a reissue of Corsica Ribella, which is the second album by Ghjuvan Petru Graziani (GP.G) in collaboration with the poet Rinatu Coti. Limited to 300 copies, the reissue includes the restoration of the cover as well as an 8-page booklet containing sketches, poems and exclusive interviews with the artists translated into three languages (French/English/Corsican). Below a bit more about the artist Ghjuvan Petru Graziani (GP.G) : Born in Corsica, with a childhood in Toulon, then planer and toolmaker at the Renault Billancourt factory, GP.G created the Groupe Culturel Renault which had an impact in the political strike of 1971. Multi-faceted artist, GP.G is known among other things for his activist music label Les Disques Vendémiaire with which he produced a few big names in free jazz such as JEF Gilson, François Tusques, Cossi Anatz and ByardLancaster. Corsica Ribella record is born in 1984 when G.P.G was back in Corsica. He was at this time highly committed to the Corsican National Liberation Front (flnc). Corsica Ribella is then the first Corsican electronic disc ; a clever mix of electronics, poetry and field recording. Jazz-funk influenced, the LP is a cosmic ballad oscillating between ambient and leftfield with large instrumental parts against backdrop of nationalist demands, an ode to freedom.

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Michiko Akao

LP | 1983 | JP | Reissue (Universal Music Japan)

66,99 €*

Hiroshi II Hiroshi Volume 1 Clear Blue Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Electronic & Dance

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Yokobue player Michiko Akao's 1983 publication 'Yokobue: Michiko Akao's World', which was also published in the 'New Age Music Disc Guide' (published by DU Books), is reproduced for the first time! A new age work that greatly transcends the realm of pure Japanese music, created with Shigeaki Saegusa as the composer and arranger. It's definitely recommended for listeners who are chasing the current new age/ambient.

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Hiroshi Ii Hiroshi

LP | 1983 | JP | Reissue (Lawson)

39,99 €*

Release: 1983 / JP – Reissue

Genre: Electronic & Dance

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Andrzej Marko / Andre Mikola

Fly Me To The Sun (Coloursound)

LP | 1983 | EU | Reissue (Be With)

LP | 1983 | US | Reissue (Numero Group)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record.

Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop.

The wonderfully sleaze-adjacent opener "Dhamma" includes some grandiose piano chords amid floating ambient sounds a la Steve Hillage with slick drums entering the fray at a languid pace. "Circulation" sounds like Bowie ran into Chaz Jankel during an extended stay in Los Angeles, the Thin White Duke emerging out of a studio at 6am, bleary-eyed and clutching this filthy, bleepy instrumental of sonic smut. "Magic Scenery" is as delicate and astounding as the title suggests, a deep ambient movement conjuring halcyon images of rolling fields with abundant fauna and flora; acid-tinged visions of intense colour and natural beauty. Cool, slo-mo breaks adorn the strutting melancholy of “Longing for Tomorrow” and “Nocturnal Flowers” to close out Side A.

Skip the title track, which opens up Side B, and head straight to “Birth of a Butterfly” for a slice of creeping digi-dub-soul niceness. This should've been front and centre of that Personal Space compilation a decade ago. Raising both the tempo and the temperature, “Riding on a Sunbeam” continues in the mesmerising cosmic funk style before "Osmosis", one of the clear stand-outs, presents a fine vintage synth solo over a mellow funky rubberband beat. The closing track, "Solar Heating", warms things up with slapped bass and bold drum machine beats and the synth lends Sci-Fi vibes to the dark dub-funk-reggae rhythm.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Fly Me To The Sun comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Don Slepian

Sea Of Bliss