Downbeat | Electronica | Leftfield 3398 Items

Small Craft On A Milk Sea

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Anybody who has witnessed a live performance of Anna von Hausswolff and band can attest to the extraordinary and commanding nature of the experience. The distinctive music, as captured across five full-length albums, comes to life, shifting from hypnotic and mantra-like moods to thunderous drama, dissonance and cacophony. The musicians master playful dynamics and wield immense power.

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Brian Eno

2LP | 2011 | UK | Reissue (Warp)

30,99 €*

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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LP | 2011 | EU | Original (Rotorelief)

Sand

Desert Navigation

Tape | 2024 | US | Original (Not Not Fun)

Release: 2011 / EU – Original

Genre: Electronic & Dance

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limited to 500 copies

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Tegu

Ol Island

13,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-25

The second outing by Hunter Thompson’s tribalist dub alias Tegu skews more spectral and simmering, a canopy of cascading keys, hand percussion, and swells of everglades bass: Owl Island. Recorded in early 2024 on the banks of a Floridian canal, the album’s 11 tracks roll in like shifting fog over an ancient marsh, swaying with low end and loops of humid synths.

Across 53 minutes, the music moves between séance and visitation, alternately transient and expectant, bathed in a sheen of starlight and streetlights. Fellow voyagers Wave Temples and X.Y.R. join for a pair of smoky, cosmic cameos, but otherwise this is a solitary affair – locked in, looking up, mapping new constellations in the expanding void.

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12" | 2024 | EU | Original (Neptune Discs)

Neptune Discs Volume 9

13,99 €*

Demdike Stare X Dolo Percussion

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We're excited to unveil our inaugural vinyl release, introducing the first Neptune ‘Disc’ to the world. Trance-inducing progressive genres, which dive into the magnetic allure of '90s progressive sounds with a distinct tilt towards the club scene. Four tracks resonating through the depths of a festival ambiance, enveloped in an enigmatic mist and bathed under shimmering purple strobes.

A1 introduces Cybernet, an emerging force hailing from the vibrant scene of Aus. Delving beyond the sounds of the '90s Cybernet brings forth a distinctive sonic narrative, intertwining intricate vocal hooks before unleashing the pulsating acid-line. An instant classic unfolds, resonating with the essence of the dance-floor.

Glen S swiftly becomes a Neptune Disc regular with "Uh!" on A2. Tailored for the club, he infuses his signature alien scattered pulses and a rolling bassline. With a deft touch, he creates a surge of energy by cutting off all elements on the drop, leaving only the bass and kicks. Expertly crafted.
Aiden's "Fanks" on the B-side boasts a mesmerising appeal, again reminiscent of the 90s-2000s era, with its pulsating bassline and entrancing soundscape. It delves into the realm of trance, offering a hypnotic journey that echoes the allure of that bygone era. With its captivating blend of trippy elements, the track creates a nostalgic yet timeless vortex of sound, drawing listeners into an otherworldly experience that resonates with the spirit of classic electronic music.

B2 showcases Tourman's prowess as a versatile producer, seamlessly delving into different genres. Overflowing with progressive energy and adorned with scattered UFO sounds, this track stands as a testament to Tourman's evolving artistry—a dynamic force ready to command diverse sonic landscapes. An ideal opener for peak-time set.

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Dolo Ds

12" | 2024 | UK | Original (DDS)

12" | 2024 | EU | Original (Gost Zvuk)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Since 2019 Demdike Stare had been playing edits of Dolo Percussion’s bare-boned breaks in their DJ sets, eventually sharing them with Dolo’s Andrew Field-Pickering (Beautiful Swimmers, boss of Future Times) and fomenting a creative fusion that hits at the square root of their shared tastes for unruly, deadly rhythms. In a transatlantic back ’n forth - or what Kodwo Eshun termed a double refraction - they juggle the rudest aspects of UK hardcore, as derived from electro, breaks and garage-house - that would feed into Dolo’s pool of sound, and return to the UK via the likes of breakbeat wizard Karizma, who was a key touchstone for the whole late ‘90s broken beat movement key to Demdike’s tastes. Still following the thread? It’s not that tricky - both US and UK operators favour breakbeat music more than anywhere else, and this devilish hook-up is the epitome of a conversation ongoing for generations now. At each parry, the three cuts here are exemplary of the way DJs, producers and dancers on both sides of the pond have pushed each other to new heights in a feedback loop designed to make the dance throw the maddest shapes. ‘dolo DS 1’ racks up a full clip of flintiest breakbeat hardcore, pivoting gasping samples inna dervish of ruffneck syncopation, ruggedly distinguished from the pitching, gritty drum machine chicanery of ‘DS Dolo Edit 1’, and their super crafty sidestep into the offbeats, hingeing around ghost snares and practically spectral levels of percussive suss in ’Dolo DS 2’ which basically sounds like a prime Autechre tumbling thru dub.

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Dx2ov

Interzona

16,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Nadah El Shazly & Elvin Brandhi

Pollution Opera Neon Green Vinyl Edition

LP | 2024 | UK | Original (Danse Noire)

12" | 2024 | EU | Original (BPitch)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The buckshot marriage of UK avant shapeshifter Elvin Brandhi (Yeah You) and Cairean Nadah El Shazly - regarded, among many other things, for incendiary solo sides and jams with Sir Richard Bishop - was some four years in the making and forms an uncompromising purview on the dystopian state of it all. Seeded in a 2020 motorbike ride thru Cairo’s humid soot, then cultivated at Nyege Nyege’s Kampala studio, the 9-part album convulses a convincing “world-spew” take on their shared experiences that’s as ruggedly vital as it is riddled by moments of poignant pathos and idiosyncrasy. It recalls the wildest dreams of their Danse Noire label founder Aïsha Devi as it does the fractal discombobulations of 1127 and his smashed-prism take on Egyptian classical, achieving a psychedelically-charged, heightened state of worldly proprioception that plunges listeners deep into their shared imaginary space. Consider them psychopomps for the eschaton, as they draw on a plethora of disciplines to limn in oblique but certain terms a palpable terror, unsettled by romance and love, between their clash of classical harmony and internal catastrophe on ‘Pollute Bold’, and the gnawing strings of Rian Treanor collaborator Ocen James pulled into a polyrhythmic prayer on ‘Crisp Heart’. They use the sounds of a motorbike - endemic to both Cairo and Kampala - as a metaphor for a kinetic stage, connecting their journey from atonal avant-classical gore that recalls Diamanda Galas on ‘Attention!’, to a standout example of El Shazly channelling her Egyptian classical training in the polymetric tumult of ‘crî Me a River’. In sequence with the Arca-esque microtonal synth plumes of ‘Bite’, and dense, unrelenting evocation of terror to ‘Danse le Flou’, they convey a wild ride in the relatively safety and sanctuary of our own listening space, but in context of a thrilling postmodern opera. Heavy energies on this one, but not without some levity too. A bit of a contemporary classic in the making in this arena; a strong example of how the deconstructed club/experimental era has coagulated from its fully dissolved phase.

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Ellen Allien

Rave Luv

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Recollection GRM)

Horacio Vaggione

Schall / Rechant

LP | 2024 | EU | Original (Nowadays)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A discreet but essential figure in the field of musical creation, Horacio Vaggione has been crafting an ambitious, precise and highly significant body of work for over the last fifty years, coupled with a demanding research activity. This disc offers four purely electroacoustic pieces which illustrate, each in their own way, this singular and fascinating grammar developed by Horacio Vaggione, a complex but fertile grammar which establishes a very special relationship between structure and texture, between matter and formula, to create a fascinating musical space, made up of polyphonies and metamorphoses. (François Bonnet, Paris, 2022)

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Fakear

Hypertalisman

33,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU (Survival Research)

Clara Mondshine

Visions Of Audio

16,99 €*

LP | 2024 | EU | Original (Selvamancer)

Release: 2022 / EU

Genre: Rock & Indie, Electronic & Dance

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The final instalment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the obtuse loops of ‘The Final Ritual,’ the work inspiring future hitmaker Pilooski. Mondshine fans, Berlin School freaks and abstract electronica lovers should bag it.

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Ekoplekz

Dirtbokz

16,99 €*

LP | 2022 | EU | Original (Obliques / Transversales Disques)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ekoplekz is Nick Edwards from Bristol, UK. He made waves in the 2010s with his distinctive brand of lo-fi analogue electronica for labels such as Planet Mu, Mordant Music, Punch Drunk, Wncl and Perc Trax, while also playing live around Europe. In recent times, Nick has preferred to remain a low-key presence, but Selvamancer are excited to have coaxed him back with his first vinyl release in 5 years! Dirtbokz is an 8 track mini-album that showcases the Ekoplekz sound of now. Recorded as always on four track cassette using hardware analogue synths and drum machines with minimal post-production, the tracks retain a raw immediacy and the dirty, dub-infused sound that he was always known for. For the Dirtbokz LP, Ekoplekz reaches back to the early acid, electro and primitive rave of his youth, all mixed in a hazy reverb-soaked echo chamber inspired by his love of '70s Jamaican dub reggae. 'Frampton Kotteral' takes a gentle detour into more melodic, sentimental territory and the set closes with the forlorn acid comedown of 'Phader'.

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Model Alpha

Perceptions

LP | 2022 | EU | Original (Alga Marghen)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Eliane Radigue

In Memoriam-Ostinato

32,99 €*

12" | 2022 | EU | Original (Die Orakel)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Alga Marghen presents the last chapter from the »Feedback Works« documentation series, a brand-new LP including »In Memoriam-Ostinato« and »Danse des Dakinis«, two previous unreleased tracks by Eliane Radigue. Among the works of fixed duration from the feedback period, »In Memoriam-Ostinato« is the link between »Jouet Electronique« and »Opus 17«, and allows you to understand the evolution of her approach. »In Memoriam-Ostinato« is a game of mirroring symbols which glide into a non-measured, bent and elastic, temporality.

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O-Wells (Orson Wells)

Moldoom

12,99 €*

LP | 2022 | EU | Original (Southern Lord)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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O-Wells is back on Die Orakel with his fourth transmission, called "Moldoom". This 4-track séance is mainly made of uplifiting, spaced out electro tracks, some rolling along with subtle or acid basslines, lush pads and gently subdued detroitish chords. Die Orakel leave it at your sonic discretion, whether the catalogue number references the year 1996.

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Thurston Moore

Screen Time

12" | 2014 | DE | Original (Ilian Tape)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Screen Time is a series of instrumental guitar pieces recorded during the summer of 2020 as the world confronted the pandemic shutdown and as the people of good conscious stood up against the oppression of racist police oppression and murder. How much screen time does a parent allow a child? How much screen time does a child need to realise a world which has the means to coexist as a community in shared exchange? The cover image of Screen Time is of a youngster curled into a book, the pages vibratory with text radiating through the skin, blood and bone – an aspect entirely missing from digital media, though the actuality of transparency in our daily lives through streaming etc we can only hope leads to the awareness of fairness. Screen Time is in reflection to dream time, a state of meditation, hypnagogia and pillow talk.

Thurston Moore born 1958, moved to NYC 1976, started Sonic Youth 1980, edited the fanzines Killer, Sonic Death, and Ecstatic Peace Poetry Journal, started Ecstatic Peace records + tapes label, senior editor of Ecstatic Peace Library, and Flowers & Cream, edited books at Rizzoli and Abrams, on faculty at the Naropa University summer writing program since 2011, published through various imprints, worked collaboratively with Yoko Ono, Merce Cunningham, Cecil Taylor, Rhys Chatham, Lydia Lunch, John Zorn, Takehisa Kosugi and Glenn Branca, composed music for films by Olivier Assayas, Gus Van Sant, and Allison Anders, records and tours both solo, with various ensembles and with his own band, resides everywhere. Mastered by Lasse Marhaug for Southern Lord.

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Marco Zenker

2626

6,99 €*

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

2LP | 2017 | UK | Original (Ninja Tune)

Actress

AZD

19,99 €*

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

2x12" | 2011 | UK | Original (Hotflush)

Sepalcure

LP | 2014 | LB | Original (Ruptured)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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RadioKVM

Issrar

Release: 2014 / LB – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2017 | EU | Original (Ninja Tune)

Forest Swords

Compassion

David Borden, James Ferraro, Sam Godin, Laurel Halo, Daniel Lopatin

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with beginning of seam split on top spine and creasing on corner, close to VG+

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FRKWYS 7

LP | 2011 | US | Original (Rvng Intl.)

Salt And Sugar Look The Same

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Tim Koh & Sun An

LP | 2024 | NL | Original (Music From Memory)

LP | 2022 | US | Reissue (Unseen)

Release: 2024 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Helios

Caesura

Tape | 2024 | US | Original (Not Not Fun)

Release: 2022 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs, close to NM

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Severed+Said

End Time Loop

13,99 €*

12" | 2014 | ES | Original (Downbeat)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Floridian synthesist John Touchton aka Severed+Said returns with his most cinematic suite yet of witching hour electronics, spidery rhythm, and macabre clockwork: End Time Loop. A 10-track panorama of “paradise and devastation,” the music moves between sinkholes of low-end, darkened room drones, and strobing percussion, tracing shadows of swamps and derelict blocks. Inspired by the possibilities of a newly acquired hardware sequencer, and composing on headphones, Touchton atomized and re-assembled each song until an “absolute form” revealed itself.

His tunnel focus recording method gives the pieces a hermetic precision, mutating and rippling across grid-mapped webs of smoke, mirror, and mirage. Touchton’s youth in a Pentecostal church informs the album’s conflicted themes, a crossroads of “atrocities and kindness,” reckonings and rapture, vestigial dread born of crosses covered in dust. What lurks is what lasts, looping beneath the surface, as unseen as an ill wind. All End Times have their beginning.

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Marcellus Pittman

Do You Like Music E.P

6,99 €*

Release: 2014 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

CD | 2024 | EU | Original (Ideal)

James K

Elektra

15,99 €*

Kiasmos (Olafur Arnalds & Janus Rasmussen)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Elektra (Scream Through the Eyes of a Statue), is a multimedia performance broadly conceptualizing the female voice as an “X-ray to the bones of sound.” It was commissioned by Issue Project Room and performed April 26th, 2018 in Brooklyn, New York. Taking poet, essayist, and Classics professor Anne Carson’s translation of Sophocles’ tragic play Elektra as a point of departure, James K monstrously externalizes the inner sonic world of female vocalization through a scored collaborative framework interpreting each of Elektra’s “screams” in the Greek tragedy.

The piece develops unique methods of screaming through musical and non-musical objects -- performed through manipulated text, videos, and live contributions from James K (voice, electronics, violin, video) Brooklyn-based musician Eve Essex (alto saxophone, various winds and electronics), electronic producer and performer Dylan Shir (electronics), composer and cellist Leila Bordreuil (cello), and poet/artist Eli V Manuscript (textual alchemy, projections).

Within this collaborative framework, James K scores “the scream” to express the various relations between hysteria and the “gender of sound” -- a blurred and overlapping feminine sound defined by its fragmentation and resistance to scripted narrative. Elektra’s presence is emblematic of a radical alienation that occurs as a standing discrepancy to tragic convention. Amongst society, she is the anti-dialogue, a symbol of protest.

‘my cries are wings, they pierce the cage’

Elektra’s vocalizations pierce through language, revealing a shattered interior of multifaceted reflections constructed against habitual linguistic or vocal expression. In tragic convention, such habitual vocalization takes the shape of the often terse, patriarchal voice of the Greek philosopher -- a didactic, conceptual container in opposition to the expressive “becoming” of Elektra’s cries that riot against fixity. As a tragic character, Elektra is radical and alien for Sophocles and his audience -- an ever-present conviction that demonstrates how female shame has constructed a life-size funeral urn around her.

Through translating a text within layers of translations, a fragmentation of the firsthand into traces, James K mirrors Elektra’s deconstruction of reality into siren shards, offering an experiencing of female sign language as a means of sabotage to the world of normal utterances. By sliding on the edge of convention to sharply abandoning rational speech and sonic construction, K’s piece aims to embody Elektra’s strained and stretching screams, as cuts against the glass; her sabotage bound within the blanket loop. In response to rigid vocalization and fixed sonic understandings, Elektra (Scream Through the Eyes of a Statue) takes the scream as an unruly, emotive sonic experience projecting outwards into objects and audience: to the very bones of sound.

This is a live recording of its single performance. Recorded by Bob Bellerue at Issue Project Room in Brooklyn, NY. Mixed by James K. Mastered by Jack Callahan. Performed by James K, Eve Essex, Via App, and Leila Bordreuil. Conceived and scored by James K for four players, and written in collaborative improvisation with the performers. Textual alchemy by Eli V Manuscript. Design and layout by Nicola Tirabasso and James K. Label management by Joachim Nordwall.

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II Bio Vinyl Edition

2LP | 2024 | EU | Original (Erased Tapes)

12" | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Kiasmos - Icelandic composer Ólafur Arnalds and Faroese musician Janus Rasmussen – are returning, renewed and restored, with II. The triumphant follow-up to their universally acclaimed self-titled debut in 2014, which re-envisioned minimal techno with orchestral flourishes and weightless production. They’d made most of that album in just two weeks; this time it’s been 10 years. The making of II was a test of their friendship, but also testament to how great musical chemistry can always go the distance and be just the same as it ever was.

They worked on a lot of II during the lost year of 2020-2021, including a trip to Ólafur’s studio in Bali. “We spent a month there and wrote a few songs that ended up on the record,” says Janus. The pair sampled traditional Balinese percussion like the gamelan and incorporated Janus’s field recordings of their natural surroundings – the sound of birds, crickets and, on standout track ‘Dazed’, echoing the sunrise over the lush landscape.

Kiasmos have an enviable knack for conveying complex emotions and evocative visuals with instrumental music. But this time they’ve got more experience as producers to draw on. The album’s expansiveness can be linked to Ólafur’s intervening years as a Grammy-nominated composer and prominent soundtracker in film and TV. And they’ve subtly shifted from four-to-the-floor to the frenetic broken beats of UK dance music, experimenting more with BPMs, echoing Janus’s time spent DJing in major venues worldwide. There are still those aching melodies that fans know and love but they’re catchier too: tracks like ‘Laced’ and ‘Bound’ have an irresistible, elastic bounce beneath the ethereal palette.

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Afro Medusa

Pasilda

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Hands In The Dark)

Melos Kalpa

22,99 €*

Ecdysis Blue & White Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Melos Kalpa formed in 2019 around the vision of Tom Relleen; a quintet of musicians employing unconventional instruments and strategies to make music that exists somewhere at the intersection of improvisation, minimalism and sublimated reverie.

Musicians Agathe Max (Abstract Concrete, Papivores, These Towns), Jem Doulton (Thurston Moore Group, Too Many Things), David John Morris (Red River Dialect) and Tom Relleen (Tomaga) perform via the conduit of producer Marta Salogni’s intricate tape preparations, which create rich textures, delays and distortions of their unique instrumental palette (marimba, vibraphone, violin, guitar, mandolin, Buchla Music Easel and more). Using techniques of chance and (non)intention to determine the direction of composition, the group felt their way into new terrains in the autumn and winter of 2019/20; sauntering days of immersive play recorded at Studio Zona, London.

From this undulating territory five distinct zones - with their own peculiar landmarks, weather and dialects – are now opening via the portal of this, the band’s first record. These realms have been awaiting visitors since taking form four years ago. Uninhabited and uninterpreted. Thriving, grieving and interrelating. The band now make them available for the listener’s own exploration, passing on the possibility of a not-knowing experience; where next, why not, so what, let’s go? The gift they all experienced in the joyful journey-without-goal from which these artifacts came.

They will be performing resemblances of these recordings in live settings in the coming year, giving new life to the final project of their dear friend Tom Relleen; much missed but still somehow smiling in the midst of these memories forgetting themselves for a fresh moment.

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Zanias

LP | 2024 | EU | Original (Fleisch)

2LP | 2014 | EU | Reissue (Atomnation)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In the follow-up to 2023’s ‘Chrysalis’, Zanias returns with ‘Ecdysis’, which travels even further into alternate dimensions, casting off all language and song structures in favour of something far more alien and sensual. Named after the final stage of emergence from a former self, ‘Ecdysis’ lays claim to an entirely new electronic soundscape influenced by the ethereal pioneering of Dead Can Dance, Enya and Fever Ray. Zanias’s voice morphs deftly between species and gender, exemplifying the oneness of conscious experience evoked by the more extreme psychedelic states, while the atmosphere is headily influenced by the Queensland rainforest where much of the recording took place, conjuring an environment rich with biodiversity. The creation of the album itself became a deeply healing process for its producer, and it is designed to function the same way for its listeners. Best enjoyed on headphones in total darkness. 140g white and transparent blue A-side / B-side marbled vinyl housed in a matte 3mm cardboard sleeve with insert featuring photography and artwork by Hidrico Rubens and Nat Soba. Limited to 300 copies.

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Gidge

Autumn Bells

7" | 2024 | EU | Original (Pingipung)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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One of the most beautiful albums of this decade gets a re-issue on 2-vinyl – in 2014 the Swedish duo Gidge released their debut: Autumn Bells. “The very beginning of I Fell in Love are the most passionate and emotional couple of notes i have heard.” “An incredibly organic listen from start to finish, ‘Autumn Bells’ is the season’s distilled feeling put in song. Gidge successfully captures microscopic moments of decay and beauty within the framework of pop and ambient-inflected techno.“ “An utterly captivating piece of work. Each new listen only enriches the songs.” “One of the finest, most enjoyable electronic albums I have heard in recent times. Every sound is so well thought out and sculpted, some seriously head-tingling music.“

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Marewrew

Ukouk Remixes Part 1

11,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The hypnotic folk music of the Ainu a cappella group Marewrew has received the first of two remix treatments by Pingipung artists. Part 01 is by Andi Otto and M.RUX.

Andi Otto was the curator of the Marewrew album for Pingipung, released earlier in 2024. He selected gems from their archive for the "Ukouk" LP. His remix pays homage to the frenetic vocal dynamics of the round canon Sikata Kuykuy. Beginning with a stubborn piano beat, it's the bass clarinets that sit in sync with the vocals that make this dance track so charming. Bonus fact: they're played by Pingipung co-founder Heiko Gogolin - his first outing on the instrument for his own label.

M.RUX's take on Etukuma Kara is playful and groovy. Many will remember his legendary 2018 remix of Umeko Ando (Iuta Upopo), which marked Pingipung's first involvement with Ainu traditional music from northern Japan. His reworking of Marewrew's vocal music blends elements of various tracks with his own percussion, and the result is nothing short of spectacular.

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DJ Andy Smith Presents Reach Up - Disco Wonderland

3LP | 2024 | EU | Original (BBE Music)

48,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A Thread, Silvered And Trembling Clear Red Vinyl Edition

Drew McDowall

LP | 2024 | US | Original (Dais)

Aurora 10th Anniversary Edition Limited Red Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Scottish experimental/electronic musician Drew McDowall's lifelong interestin an elegiac solo bagpipe style called pibroch (ceòl mòr in Gaelic) has beenan inspiration for much of his previous work (including Coil's legendary TimeMachines). This form, often traditionally used for laments and for tributes tothe dead, fuses modal drones with flickering dissonance and plaintive melodyevoking an ancient, solemn mood.His latest work, A Thread, Silvered and Trembling, both incorporates andtransforms these elements via exploratory electronic processing, weaving anelectro-acoustic tapestry of strings, shudders, voids, and voices, alternatelydisembodied and displaced. Co-produced with engineer Randall Dunn atCircular Ruin Studios in Brooklyn, the collection's four pieces captureMcDowall at his most elevated and elusive, in thrall to "the ineffable - thatwhich refuses to be spoken."McDowall's palette here is unusually eclectic, sourced from a dynamicorchestral ensemble arranged by Brent Arnold and comprised of cello, viola,violin, harp (Marilu Donovan of LEYA), and french horn. Ebbing betweenshrouded electronics and enigmatic, sometimes spectralist orchestration, thealbum moves with a seething, simmering energy, surging into elegant, uneasycrescendos. The first two pieces are inspired by a liberatory hijacking andinversion of a grim biblical story (and by a cryptic and strange UK simplesyrup branding). Opener "Out of Strength Comes Sweetness" shivers withshort echo and resonant pads, before shifting into the album's centerpiece:the 14-minute saga "And Lions Will Sing with Joy." A murmuring electricalstorm of keening strings and disorienting drones gradually grows darker anddenser, until suddenly there's a crack in the clouds, revealing mutated choralvoices and sparkling harp. McDowall describes the track as "an incantation tohelp usher in a break, and a new beginning."The record's latter half evokes a deep untamed animism shot through withspiraling radiance. "In Wou...

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Ben Frost

LP | 2024 | Original (Mute)

Release: 2024 / Original

Genre: Electronic & Dance

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Athos: Echoes From The Holy Mountain

2LP+Book | 2024 | EU | Original (FLEE)

63,99 €*

12" | 2024 | EU | Original (0000)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.

After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.

Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.

A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).

A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.

The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.

Tracklist

A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)

B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)

C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)

D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir)

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nthng

I'd Love To Fly

18,99 €*

2LP | 2022 | EU | Original (!K7)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Track order on pressing (side A) swapped

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Cinthie

DJ-Kicks

2LP | 2014 | EU | Original (!K7)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following her debut album on Aus in 2020, Berlin's Cinthie marks another milestone in her career delivering the latest installment of the esteemed DJ-Kicks compilation series for !K7 Records. Berlin-based producer, DJ, record store owner and head honcho of numerous labels, Cinthie, has long been a key figure in the House scene. Her career in the industry dates back decades, working behind the desk of a record store in Saarbrücken near Frankfurt and as a resident DJ at several clubs in the city. Now in 2022 the highly acclaimed artist has well and truly cemented herself as a driving force for the contemporary house scene, releasing material on the likes of her own 803 Crystal Grooves, Aus, Shall Not Fade, Key Vinyl and taking crates from Tokyo to Paris, London, Amsterdam and beyond with her DJ sets as well as regular appearances on her home turf and clubbing mecca, Berlin.

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Tosca

Outta Here

Release: 2014 / EU – Original

Genre: Electronic & Dance

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A Story Of Anger Stronger Colored Vinyl Edition

Sierra

2LP | 2024 | Original (Vmg)

38,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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In Electric Time Black Vinyl Ediiton

Jeremiah Chiu

LP | 2024 | US | Original (International Anthem)

2LP | 2024 | EU | Original (Spotlight)

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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On June 29th 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (vsm) in Highland Park, Los Angeles, with no plan more specific than "let"s fire this stuff up and see what happens." Exploring the VSM"s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder/curator Lance Hill. The resulting album - In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to pain a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott"s electronic studio recordings - with sharp cuts and room chatter - and, in others, it conjures the in-the moment- magic of Harmonia.

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Hannah Holland

OST The Visitor

41,99 €*

LP | 2024 | EU | Original (Four Flies)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Spotlight Records is proud to announce the release of the original soundtrack for Bruce LaBruce’s new film, The Visitor. Composed by the acclaimed UK-based DJ and producer Hannah Holland, the soundtrack presents an eclectic mix of cerebral soundscapes and pulsating dance floor anthems, a defiantly bold score for a truly provocative narrative. The deluxe limited edition double vinyl package comes with a guerilla sticker sheet.

The Visitor sees the legendary filmmaker and photographer continue his decades-long creative journey with a transgressive reimagining of Pier Paolo Pasolini’s 1968 classic Teorema, set against the dystopian backdrop of a paranoid, xenophobic post-Brexit London. Washed ashore from the sea in a suitcase, a mysterious refugee disrupts the lives of a privileged white family, leading them through a series of explicit and transformative encounters. The film, which features performance artist Bishop Black amid a series of explicit, hardcore sex scenes, premiered at the 2024 Berlinale Film Festival.

With reverence and reference to Ennio Morricone’s iconic score for Teorema, Hannah Holland has crafted a soundtrack that both honors the original and brings a contemporary twist. The album features collaborations with a stellar lineup of artists from both the queer and electronic music underground, including Ghost Culture, Jonjo Jury, Josh Caffé, Joy Joseph, ROY INC, and Ziah Ziah.

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Battaglia

Season Two

12" | 2022 | EU | Original (Offen Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A sonic portal to a parallel universe where neon-soaked dreamscapes transform the stark realities of a post-pandemic world. Music for a forgotten future, where echoes of the 80s cast long, enigmatic shadows through a rich tapestry of emotion that charts a journey from isolation and fear towards healing and hope. This is the journey of Season One and Season Two, the debut companion albums for the solo project of Italian composer Battaglia, both out this fall on Four Flies Records.

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Ex Ponto

In A Quarry...

15,99 €*

The Golden Age Of Apocalypse Black Friday Record Store Day 2021 Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Australian musician, composer and producer Ex Ponto aka Ivan Mašić has self-released dozens of albums with improvisation collective, Council of Elders, and experimental no-wave band, Wunderlust.

For his Offen Music debut Ex Ponto is constructing an alternative civilization of grace, post-sarcasm and intuitive response.

„In A Quarry...Far, Far Away“ is a 15 minutes long wandering with Joseph and August Norster around The Quarry, Beech Forest, Victoria, Australia, January 27, 2020. Life affirming „Golden Hours“ is an alternative to the general wait for extinction and completition of a suicide program out there. An ode to the moments when sunlight turns magical. „Shed 14“ is a personal reminiscence of the legendary club in Melbourne.

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Thundercat

LP | 2011 | UK | Reissue (Brainfeeder)

31,99 €*

2LP | 2017 | EU | Original (Raster)

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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Limited edition for Black Friday Record Store Day 2021!

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Belief Defect

Decadent Yet Depraved

2LP | 2017 | EU | Original (Caroline)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Decadent Yet Depraved, the debut album by Belief Defect, finds shelter and complicity in Raster as home and label. Familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, Belief Defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. At the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. The result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future, underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. Yet, more than a political statement Decadent Yet Depraved is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

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Carpenter Brut

Live

A Winged Victory For The Sullen

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Carpenter Brut is a French electronic music artist whose real name is Franck Hueso. Little personal information is known about him aside from his French nationality. His anonymity is a deliberate artistic choice in order to place more importance on the music itself rather than the identity of the musician behind it. To date he has released three EPs, which were collected together and released together under the title "Trilogy" in 2015. He has also contributed original music to a variety of soundtracks. He started writing music as Carpenter Brut with the intention of mixing sounds from horror films, metal, rock, and electronic music. He has toured the United States and Europe, and in 2016 he toured the US with the Swedish heavy metal band Ghost. He performs live with a guitarist and drummer.

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LP | 2011 | EU | Original (Erased Tapes)

Release: 2011 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | UK | Original (Anjunabeats)

Above & Beyond

Sirens Of The Sea

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Black Truffle)

Olivia Block

The Mountains Pass

What Tomorrow Brings Belfast Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce The Mountains Pass, a major new work from Olivia Block. A key player in Chicago’s vibrant experimental music scene since the late 1990s, Block has developed an extensive body of work grounded in a personalised, at times emotive approach to the studio-based practices of the musique concrète tradition, while also encompassing improvisation, orchestral pieces, sound installations, and a sustained engagement with the piano. On The Mountains Pass, recorded by Greg Norman at Steve Albini’s Electrical Audio and meticulously edited and constructed over the course of three years, Block pushes into new terrain, introducing her singing voice and drums played by Jon Mueller into flowing assemblages that move seamlessly from ruminative organ tones and fragmented piano airs to explosions of sizzling synths and thundering percussion. Like many of Block’s past works, which include, for example, a sculptural installation using the sound of oyster beds, The Mountains Pass draws inspiration from nature and the animal world. Time spent in a particular mountain range in Northern New Mexico informs this suite of pieces, whose lyrics and titles refer particularly to animal life in the area. Beginning with bursts of white noise and delicate synthetic pops and squeaks, opener ‘Northward’ very soon reveals the special direction the album will take, as lyrical piano lines are joined by Block’s fragile voice, singing words written from the perspective of f2754, an endangered Mexican gray wolf who wandered more than five hundred miles from Arizona to New Mexico in 2022. The fragment of song quickly breaks off, leaving us with a ghostly electronic hum. ‘The Hermit’s Peak’ follows, one of two epic pieces at the album’s core. Beginning with chiming, almost harpsichord-like tones, it moves through episodes of spacious, ruminative piano, Jon Mueller’s sparkling cymbals, stuttering cut-up piano sounds, and a climax of keening organ and trumpet tones (performed by Thomas Madeja). Continuing the exploration of vintage keyboard and synth tones heard on Block’s Innocent Passage in the Territorial Sea (Room 40, 2021), the music sometimes suggests the great outer-limits works of 70s Italian prog figures like Franco Battiato or Arturo Stalteri in the languorous drift of synthesizer, organ, and piano tones and the meticulous yet organic flow of its construction. ‘Violet-Green’ opens the second side with another epic journey, its lyrical content concerning ‘a mysterious bird die-off and a forest fire’. Block’s crystalline voice and rich piano chords at times call up the restrained chamber songs of Janet Sherbourne, but fragmented and threaded through passages of woozy pitch-bent keyboards, hypnotic distant thuds, tinkling bells, and searing distorted synth tones. On ‘f2754’, the freedom of the roaming wolf surges through dense layers of rapid keyboard attacks and long organ tones over a propulsive drum performance straight out of Animal Magnetism-era Arnold Dreyblatt. This distinctive sound world is then reencountered in a darkened mirror image in the uneasy, metallic shimmer of the closing ‘Ungulates’, named in reference to a heard of elk roaming through the mountains. Like Battiato’s Clic or Gastr del Sol’s Upgrade & Afterlife, The Mountains Pass inhabits the underexplored terrain where the beauty of song coexists with a radical formal openness, illuminating the deep musicality and warmth that have been present in Block’s work all along.

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Arms And Sleepers

2LP | 2024 | EU | Original (Pelagic)

38,99 €*

LP | 2024 | EU | Original (Knekelhuis)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Formed in 2006 in Boston, Massachusetts and now based in Berlin, Germany; Arms and Sleepers is the electronic trip hop project of producer Mirza Ramic (formerly a duo with Max Lewis), who has subsequently released 13 full albums and 20 EPs of glitched-out grooves that take as much inspiration from leftfield hip hop experimentalism as they do from the slowburn ambience and panoramic euphoria of contemporary post-rock. His forthcoming 14th full-length album, `What Tomorrow Brings' is a breathtaking aural account that charts the life-changing journey of being forced out of your home over four distinct, musical sections. Initially inspired by watching Kenneth Branagh's award-winning coming-of-age drama Belfast as the fighting in Ukraine broke out, MIrza found himself reflecting on his own experience as a child and how it has formed the man he is today. As such, the album's four sections, titled `Innocence', `Melancholy', `Rupture' and `Reflection', serve as the reification of the life and experience that Mirza lost as well as a representation of the identity he has since shaped for himself. Whereas more recent Arms and Sleepers releases, such as 2022's full-length `former kingdoms', are peppered with the sultry saxophone refrains, syncopated 16ths and smoky ambience of a New York jazz bar; `What Tomorrow Brings' is instead acute and driving, with complex drum breaks reminiscent of powerful post-rock acts such as Battles, Mogwai and Caspian brought insistently and urgently to the fore

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Helen Island

Last Liasse

12" | 2024 | EU | Original (Salgari)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ghastly and hallucinatory – 'last liasse' is a sign of the times, alternative pop record by helen island. Within this debut album, the artist captures the saccharine gaze of digital escapism through characteristic filtered high notes, cut-up genres, and processed vocals. Providing a comprehensive overview of helen island’s self-distributed initiatives, with the ethos of the Parisian Simple Music Experience collective, the twelve tracks set a solid musical score that resonates with the age to come.

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Procida Ritual Project

Misteri

Everything Is A Frequency

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Protecting the past by projecting it into the future, preserving identities, encouraging conversations across generations, and above all, safeguarding the island of Procida's vast intangible cultural heritage from extinction. Not the romantic and visionary notion of an island anchored to its roots, but a determined path aimed at revitalizing the ritual celebrations of the Procida community.

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Vinkepeezer

LP | 2024 | EU | Original (Kazemat)

18,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Novo Line Electronic Tapes Compact Discs Records and Minidiscs)

Novo Line

Artifact

Timebeing Black & Opaque Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Artifact” by Novo Line makes a departure from his Atari ST fueled FM synth journeys, here reimagining the soundtrack of our collective memory. Born from a live performance at a listening festival in Berlin by the Camp Cosmic crew, this LP transforms universally recognized pop anthems, beckoning listeners into a kaleidoscopic realm of sound, where familiar melodies fracture and our brains attempt to reconstitute them.

Using era-consistent equipment – turntable, 12″ maxi singles, classic samplers, and iconic drum machines – Novo Line deconstructs and reassembles songs etched into our cultural DNA. From the soaring emotions of “I’ve Had the Time of My Life” to the disco beat of “Heart of Glass,” these are melodies that have scored countless lives, now reborn in startling new forms.

Recorded live to tape, ‘Artifact’ doesn’t just play; it unfolds like an auditory hallucination. It taps into the deep emotional reservoirs these songs have built over decades, twisting familiar refrains into new shapes. One festival goer recollected that it uncovered “the dark inner universe of Kenny G, suddenly splayed out into a whole new cosmos.”

As the needle traces its path, ‘Artifact’ peels back layers of shared musical experience. It’s an aural alchemy that transmutes the known into the profoundly strange, yet achingly familiar. Listeners may find themselves adrift in a sea of frequencies, where every warped note triggers a cascade of personal and collective memories.

Rooted in the “copyriot” tradition of 1980s punk and industrial scenes, “Artifact” challenges notions of authorship while celebrating the universal language of pop. It doesn’t merely suggest a trip – it becomes a journey through the very fabric of our shared musical consciousness.

Mastered by Rude66, cut by Helmet Erler, and pressed at Objects Manufacturing.

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Uji

LP | 2022 | EU | Original (ZZK)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (SA)

Yair Elazar Glotman

Speculative Memories

30,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Four Flies)

Battaglia

Season One

LP | 2024 | EU | Original (Casa Del Arbol)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Natalia Doco

La Sagrada

LP | 2017 | EU | Original (Avian)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Living in Paris since 2012, Natalia Doco released her first album Mucho Chino in 2014 with Belleville Music and embarked on a tour of more than 80 concerts through France, Belgium, Germany, Sweden and Switzerland.In search of total creative freedom, she decided to create her own record label la Casa del Arbol. She contacts Axel Krygier, the Argentinian producer, to make her second album El Buen Gualicho. Inspired by her South American roots, the bewitching mermaid plunges her bare feet into the land of her ancestors, summons the moon and the spirits, and embodies the ancient feminine power of her multiple voices.Co-director alongside Thierry Decara for his album La Sagrada", she promises us the integration of all the feminine attributes invoked in her previous works, with an inspiring freedom and the exaltation of the sacred feminine, in all its most savage aspects, those who will always be impossible to tame."

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Litüus

2236 S Wenthworth Ave

12,99 €*

2LP | 2014 | EU | Reissue (Ghostly International)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM, but has a small inclusion on track 2 side B.

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Com Truise

In Decay

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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The Gaslamp Killer & Jason Wool

Ananda

LP | 2024 | CZ | Original (Cuss)

39,99 €*

LP | 2024 | EU | Original (Editions Mego)

Release: 2024 / CZ – Original

Genre: Organic Grooves, Electronic & Dance

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GLK: My brother Jason Wool and I have been working on this unique collaborative 33 minute, 9 track avant-garde experimental jazz, meets bass music, meets sound design madness, like nothing you’ve ever heard before! Featuring original artwork by Cryptik!

Bandcamp: "Wild, mind-bending meld of hip-hop, cinematic jazz fusion, and psychedelic fuzz. Celestial fragments of cosmic dust hang in the air over a barrage of irresistible bass lines and sculpted beats."

Almachrome: Kelly Hibbert of Almachrome mastering said this of the music: “Imagine something like Stanley Clark, David Axelrod, and Aphex Twin – if they were all 20 years old today and they got together to jam while on heroic doses. Absolute face-melting mayhem”

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Klara Lewis

Thankful

LP | 2024 | UK | Original (Co:Clear)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Klara Lewis’ latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg. A new work which inhabits the spirit for what this was written for and the general guise devised with the launch of the original Mega label many moons ago. »Thankful« also comes across as a farewell gesture to her deceased friend with its beautiful, almost funerale tone. A profoundly mature and emotional peak in Lewis’ career thus far.

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Box5ive

Grey Space

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Soda Gong)

Memotone

Fever of the World

Ecdysis Colour in Colour Blue White Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following releases on Sähkö Recordings and The Trilogy Tapes, "Fever of the World" is the Soda Gong debut by Memotone, the nom de plume of UK-based multi-instrumentalist Will Yates. As a collection, it is both intimate and expansive, like the feeling of gathering one's thoughts before setting off on a long journey or committing to an irrevocable course of action. Throughout, Yates' talents as both player and sound designer are on full display, as are the sonic signatures that have come to characterize the Memotone catalog: low-lit, ECM-inflected noir; evasive and evolving loop-based accretions; and mellifluous mosaics of keys, guitar, reeds, and percussion. It is patient and focused music, built around production techniques and compositional ideas that have been perfected both in studio and in live performance over a period of several years. "Catherine, On Fire" sets the scene, one of two languid, longform selections, and develops slowly from a spare, harmonic-laden guitar loop into a bed of rippling textural ambience and woozy clarinet filigree. Later, "The Bus" and "When the Bakery Has What You Want and It's Cheap" conjure images of rain-streaked windows, fanciful baked confections, and grey skies broken finally by sunlight. Warm, generous, and comfortable in its own skin, this is music that reminds us that when it feels easy to resign ourselves to world weariness, we should pause for a moment and listen to the rustle of the leaves. The wind knows not to linger.

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Zanias

LP | 2024 | EU | Original (Fleisch)

The Last Sunset of the Year

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In the follow-up to 2023’s ‘Chrysalis’, Zanias returns with ‘Ecdysis’, which travels even further into alternate dimensions, casting off all language and song structures in favour of something far more alien and sensual. Named after the final stage of emergence from a former self, ‘Ecdysis’ lays claim to an entirely new electronic soundscape influenced by the ethereal pioneering of Dead Can Dance, Enya and Fever Ray. Zanias’s voice morphs deftly between species and gender, exemplifying the oneness of conscious experience evoked by the more extreme psychedelic states, while the atmosphere is headily influenced by the Queensland rainforest where much of the recording took place, conjuring an environment rich with biodiversity. The creation of the album itself became a deeply healing process for its producer, and it is designed to function the same way for its listeners. Best enjoyed on headphones in total darkness. 140g white and transparent blue colour-in-Color Vinyl housed in a matte 3mm cardboard sleeve with insert featuring photography and artwork by Hidrico Rubens and Nat Soba. Limited to 300

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Marcus Fjellström

2LP | 2024 | UK | Original (Miasmah)

49,99 €*

If Music Presents: You Need This!

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Miasmah Recordings presents the posthumous release of this double album of the final work by experimental composer Marcus Fjellström, titled The Last Sunset of the Year. Collected by Marcus' friends and colleagues Erik K. Skodvin and Dave Kajganich, this release brings together music written and produced during Marcus' tenure as composer for the first season of the AMC anthology series The Terror, which told the story of the doomed 1845 Franklin Expedition to find the Northwest Passage.

That said, The Last Sunset of the Year is, by design, not a soundtrack to the show. Dave Kajganich writes in the album’s liner notes: “Some of the pieces will be familiar to those who know The Terror (though in some cases in different forms), but many other pieces are being made available here for the first time. The selected pieces have a unity unto themselves, and we feel strongly that this release should be taken not as a companion to the show, but as Marcus Fjellström's final album, on its own terms. We’ve presented these pieces without titles, except for titling the four movements of the journey they suggest. It is a journey that evokes the mystery, grandeur, and desolation of the Arctic, and articulates the spiritual and existential implications of traveling there. In many ways, The Last Sunset of the Year goes further, and deeper, than the show ever could, presenting a remarkable sonic line from contented exploration, to staggering decline, to death—and even to a final vista beyond death.”

Kajganich reached out to begin discussing the idea of this release with Skodvin, back in 2017, after Marcus’ death, but before the series had premiered. In the years since, Dave and Erik have Zoomed and emailed back and forth hundreds of times, studying all seventy-five of the pieces Marcus wrote for the show in all their forms (as many as six or seven versions to a piece), to winnow down a final list of pieces to include. The most difficult phase of the process, Kajganich reveals in the notes, was understanding the best way to sequence the tracks. It required listening to many different track orders and paying close attention to how each order created a slightly different identity for the album through their specific juxtapositions and dynamics. “In a way I can’t fully articulate, it was very much as though Erik and I were having a final, deeply felt and joyous conversation with Marcus himself about the interior lives of these pieces,” Kajganich says.

The album’s title comes from a moment in the show when a group of Victorian sailors who are trapped in winter pack ice, suffering dwindling psychological resources and supplies, stand on the deck of one of the doomed ships to watch the sun rise above the horizon for a moment, and then immediately set in the last sunset of the year before six weeks of darkness, an event which, even through the lens of their inevitable coming losses, could still be viewed as something astonishing and beautiful. None of those men could know, nor can we, what waits for us across the line of death, but in The Last Sunset of the Year, Marcus seems to have had a notion.

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Handson Family

2LP | 2024 | EU | Original (BBE Music)

38,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Impossible Objects of Desire)

Fujiya & Miyagi

Slight Variations

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Ice-Machine)

Kübler-Ross

19,99 €*

12" | 2022 | EU | Original (Persephonic Sirens)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Kübler-Ross is a minimal synth/wave/industrial three-piece from Glasgow, Scotland, featuring Craig Clark, Katie Shannon, and veteran electronic producer and remixer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio). First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020. Standout cut “Bridges”, first released in 2015, is synthpop perfection — sitting comfortably alongside classics from the first wave of UK electronic classics by Thomas Leer and Robert Rental, John Foxx, and even early Depeche Mode. It’s not the only synthpop track on the record, but the album is dominated by a more tough, raw, and punk spirit, featuring aggressive female vocals, live drums + bass guitar, and judicious use of crude analog synthesizers and tape delay fx. Think Liaisons Dangereuses meets Suicide, and you’re beginning to get close

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Die Ecke

Jukebox Politics

Monsters Clear / Purple Splatter Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A download code is included.

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The Midnight

2LP | 2022 | Original (Counter)

31,99 €*

LP | 2022 | EU | Original (Timedance)

Release: 2022 / Original

Genre: Electronic & Dance

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Das Duo Tyler Lyle und Tim McEwan besser bekannt als The Midnight hat sich in den letzten Jahren von einem Online-Phänomen zur Nummer 1 der Billboard Electronic Albumcharts entwickelt. Mit ihrem mitreißenden Sound, der Americana-Archetypen mit einer aufrüttelnden Palette elektronischer Sounds verbindet referenziert er Synth-geschwängerte Filmmusik, Deep House, Pop und Rock. Das neue Album „monsters“ ist eine Fortsetzung des allumfassenden Plans von The Midnight, der eine glühende Fangemeinde generiert hat - eine große Gemeinschaft von Internetkultur-Besessenen, Schlafzimmerproduzenten, Tumblr-Goths, Cosplayern, Teenagern, ihren Eltern und allen dazwischen - die seit fast zwei Jahren nach einem neuen Album schmachten. „‚monsters‘ ist die Geschichte eines Teenagers.“, sagt die Band. „Die Pubertät ist chaotisch, tragisch, brutal, wehmütig und schön. ‚monsters‘ ist all das.“ Vom Artwork des Albums von Aaron Campbell bis hin zu den Songtiteln gräbt die Platte Teenagergefühle durch nostalgische Prüfsteine, wie das frühe Internet, VHS-Kassetten, Playstations oder Filmplakate aus, um die aufregenden und vernichtenden Erlebnisse jener turbulenten Jahre wiederzugeben. The Midnight sind Tyler Lyle und Tim McEwan, die ursprünglich erst aufgrund eines gemeinsamen Musikerkollegen zusammengebracht wurden. Der Instrumentalist und Produzent Tim stammt aus dem Vereinigten Königreich und Dänemark und begann mit der Produktion von Hiphop- und Pop-Acts, während Sänger, Texter und Gitarrist Tyler im ländlichen Georgia aufwuchs und als Singer-Songwriter auch schon mit Folk- und Country-Stars arbeitete.

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Batu

Opal Black Vinyl Edition

2LP | 2022 | UK | Original (Foam On A Wave)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Building on the promise of nearly 10 years testing limits within club music, Batu presents his debut album Opal. Experimentation is a well-established facet of Omar McCutcheon’s identity within the leftfield techno zeitgeist, but more than ever on Opal he seizes the opportunity to incorporate ideas beyond dancefloor impetus into his animated, forward-leaning sound.

Through the course of 11 tracks, rhythmic forms are mutated and manipulated, sonic matter bends across the frequency range and narrative structures coalesce and dissolve according to Batu’s own internal logic. Unpredictability lies at the heart of all this music, bound together by a consistent modernist glint. It’s a sound intrinsically connected to the superlative string of club 12”s, EPs and collaborations Batu has spun behind him thus far, even as it moves into unfamiliar terrain, guided by abstract inspiration from coastal landscapes and the mineral matter all life on Earth is built on.

On Opal the visceral production isn’t necessarily geared towards shock tactics. Instead, emotional depths are explored through melodic and textural forms which take on an elemental quality. It’s a space which can accommodate the explicit heart and soul of the human voice, as recent collaborator serpentwithfeet demonstrates weaving a mesmerising vocal through ‘Solace’, but it can also take in broad sweeps of interpretive landscape. There’s also room for small fragments of instrumentation, recorded by Memotone, processed by Batu and subtly threaded throughout the album. Balancing micro and macro in specific sounds as much as moods, Batu’s finely-sculpted work calls to mind the immensity of passing time cast in cliff faces, and the intimate personal growth we experience in our own lifetimes.

Mimicking the iridescent stone it takes its name from, Opal refracts Batu’s distinctive artistic imprint, giving us a deeper, more revealing impression of the artist as he explores ideas bigger – and indeed smaller.

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David Toop

Pink Spirit, Noir World

12" | 2022 | UK | Original (Warp)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Key Sales Notes:

12-track compilation of two David Toop albums originally released via Virgin, Pink Noir (1996) and Spirit World (1997). The music is remastered and now released on vinyl for the first time.
Features many guest musicians: Max Eastley, Toshinori Kondo, Musa Kalamula, Jon Hassell and more.
Double LP housed in a gatefold sleeve, containing a reflective piece written by David Toop.

'My intention with this music was to create an alchemy of the studio, to bring together impossible sounds, global voices and stories, obscure ethnographic narratives, new and ancient technologies, human and non-human species...' - David Toop

We are proud to launch our new library series with an incredible 12-track selection of music from David Toop. By compiling our favourite pieces from the albums originally released on Virgin, Pink Noir (1996) and Spirit World (1997), we have distilled the essence of this fruitful period into a new form: Pink Spirit, Noir World.

Following the release of his debut solo album Screen Ceremonies (1995), David turned to a more expansive palate to record his next two LPs. Enlisting the help of a whole host of friends and collaborators who joined him in the Mark Angelo Studios, including the likes of Max Eastley, Toshinori Kondo, Musa Kalamula and Jon Hassell, the two albums share an unabashed openness to new sonic possibilities.

Few recordings convey such a spirit of optimism; from a time when creation could be as free, unconstrained and ambitious. These albums are remarkable in both their harnessing of new recording technologies, and their weaving together a melting-pot of genres and influences that traverse the globe across centuries of musical tradition into something distinctly novel. They also document an almost visual memory, conjuring images both vivid and dream-like. Phantoms flit in and out of focus throughout their musical dialogues - perhaps the very same ones which were haunting Toop throughout the 'wildly contradictory mixture of emotional harshness and ecstatic inspiration' he found his life to be at the time.

It's the first time this music has been available on vinyl and to it's new lease of life, all the tracks on this compilation have been remastered by sound designer/engineer Dave Hunt. This stunning compilation is housed in a gatefold sleeve and contains an exclusive piece written by David, reflecting on how he came to record these incredible songs.

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Nightmares On Wax

Remixed! To Freedom

Threshold Houseboys Choir, The (Peter "Sleazy" Christopherson Of Coil)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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One of Warp’s tenured signees, Nightmares On Wax is back yet again, only this time it's some of his fellow travellers trying on the Nightmare blend of jazz, soul, dub, and electronic styles. Seeking some refuge after a decade out on the road, the pandemic lockdown proved a unique time for a passion project of George Evelyn’s: a remix record. Teaming up with talent both young and old(er), Remixed! To Freedom… sees some brilliant takes on two tracks from 2021’s Shout Out! To Freedom…

Osunlade takes Wonder's hypnotic chorus refrain and dips us deep beneath the surface of aquatic House depths with a duo of complementary Soul/Club retakes and Tucillo shakes up the same vocals and Shabaka Hutchings timeless sax leads into a Loft ready mover. Meanwhile Mala's call to arms remix molds 3D Warrior via the bass Don's unmistakable infrasound flex, doing deadly damage by reducing the track down to the sparsest of elements and flipping wigs with nothing more than a perfectly placed percussion element and twisting and distorting Hutchings reed work into a simmering, bristling loop. Paul Woolford (aka, rave assassin Special Request) moves us into 4x4 anthem territory, with the 7min Garage House mix that would make NYC legends Masters at Work proud. All of these sandwich an extended Nightmares On Wax cut of 3D Warrior in the middle, drawing the track out further into mesmerising full capacity.

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Form Grows Rampant

2LP | 2022 | EU | Original (Musique Pour La Danse)

You Are In The Embrace Of The History

Release: 2022 / EU – Original

Genre: Electronic & Dance

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(Heavy 180g black vinyl. First time on vinyl. 350gsm Gatefold, interior sleeve printed. Half Speed Mastering. 45 rpm) The Threshold HouseBoys Choir was a project by Peter "Sleazy" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end. File under Coil Forever, Erotic Trance, Religious IDM, Ecstatic Classical, Post Ethnic Industrial Exotica and best album ever heard.

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Rafet

12" | 2024 | UK | Original (Research)

19,99 €*

LP | 2024 | UK | Original (Balmat)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Composer and musician Daniel Rafet Grima, offers a thematic release via Research Records titled 'You Are In the Embrace of The History'.

The double A side nods to ambient music, jazz and devotional musics in its arrangement and lyricism; penned as an act of faith in something other.

Research Records' 12" vinyl release of 'You Are In the Embrace of The History' will feature B side reworks by Iti (uk) and Kuniyuki Takahashi (Japan).

Rafet studied music from a young age. Tertiary education brought about further teachings in jazz. Growing up in the family village of Miniara (North Lebanon) saw to an inquiry into maqamat and traditional arabic musics post study. After composing for multiple ensembles and performing in various projects over the years, Rafet settles into his own artistry with this debut.

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Panoram

Great Times

12" | 2024 | UK | Original (Natural Selections)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Panoram makes soundtracks for daydreams gone sideways. Picture the scene: an afternoon nap with the television on, quietly, in the corner; snatches of conversation drift in through the open window. Wandering, half-formed thoughts take unexpected detours; before you know it, there’s a movie playing out against closed lids, the colors bright, the characters unfamiliar. Accidental rhythms, incidental melodies, imitations of life, messages in code.

Across 17 fragmentary, sketch-like tracks, Panoram carves a labyrinthine path in which nothing is what it seems: a fantasy world of breathy vox pads, faux guitar, detuned synths, bursts of flute and orchestral percussion, and even the occasional cheeky cartoon sample. It’s chillout music with a chilly edge, ambient with a darkly ironic undertone. (The briefest glance at your news outlet of choice should be enough to confirm that the title—Great Times—ought to be taken with a healthy dose of skepticism.) Panoram has been making music under his principal alias for more than a decade now, releasing albums on labels like Firecracker, Running Back, and his own Wandering Eye. (He has also performed and recorded with Amen Dunes, and has co-production credits on Amen Dunes’ forthcoming Sub Pop album Death Jokes.) Panoram’s output has ranged widely, taking in abstract pop, classical composition, twisted takes on library music, and cyborg funk. One record of “bio-acoustic transmissions” came with a cannabis leaf pressed in clear wax; his 2021 album Pianosequenza Vol. 1 gathers his experiments on the Yamaha Disklavier. But Great Times offers the truest picture yet of a project that has never been easy to pin down. Loath to overshare details about his personal life, Panoram instead lets the music do the talking, using his cryptic tracks to express the slipperiest sorts of ideas—the thoughts that take root where anxiety, distraction, and the most fleeting traces of grace commingle. Panoram’s approach flies in the face of contemporary ambient orthodoxy, with its emphasis on immersion and uplift. Great Times expresses something thornier, more difficult to translate, yet also more tantalizing to contend with. Its 17 tracks offer a chance to get lost—and an invitation to remain in the maze as long as you like.

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Paul Mahoux

Lysergie Villageoise

LP | 2024 | EU | Original (Morr Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Natural Selections are proud to present Paul Mahoux’s EP, “Lysergie Villageoise” - the fourth release on Nummer’s oddballs imprint. Taking a step further into Fourth world music territories, “Lysergie Villageoise” is a meticulously crafted collection of four tracks imagined by Okinawa-based guitarist Paul Mahoux. These compositions sum up 30+ years of experience and experiments by the french-born producer, blending traditional music and modern techniques in a very singular way. All four tracks feature Paul Mahoux’s unique concoction of flavours, a signature soundscape which brings Jazz, Folk, Ambient and House together. Constantly blurring the lines between proto and advanced sounding, Paul Mahoux’s music recalls deep forgotten feelings and invites us to a psychedelic voyage through rural impressions and ancient times beyond the frontiers of folklore.

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Toechter

Epic Wonder

...Plays Science-Fiction Movie Themes

Release: 2024 / EU – Original

Genre: Electronic & Dance, Classical Music

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toechter is an all-female trio operating from Berlin. toechter’s 2nd full-length album »Epic Wonder« sees its classically trained members blend elaborate string arrangements with ethereal indie pop and delicate rhythms. Katrine Grarup Elbo, Lisa Marie Vogel and Marie-Claire Schlameus exclusively use analogue sound sources (such as violin, viola, cello, and their voices), which were then electronically processed.

Named after the Greek god of the wind, toechters 2022 album »Zephyr« exhaled deeply with concurrently invigorating and confusing sounds. »Epic Wonder«, their second album, was created in the spring and summer of 2023. Playing with forms and contours, the music sounds like the awakening of something new. One seems to be listening to an ongoing conversation, an exchange about what music could be, where it wants to go and how it contributes to our view of life. It all rests on a simple premise:

»Every sound you hear in our universe comes from us. The string trio is the core of toechter, the starting point of all our work.«

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Koto

LP | 2024 | EU | Original (ZYX Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Students Of Decay)

John Davis

Landlines

LP | 2024 | EU | Original (Mappa Editions)

Release: 2024 / US – Original

Genre: Electronic & Dance

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John Davis is a sound artist and filmmaker based in the Bay Area. Active since the mid-aughts, he has published recordings on labels such as Root Strata and Digitalis, as well as on his own Bimodal Press imprint. “Landlines” sees a return to the SOD catalog for Davis, following a full-length release in 2013, and may be seen as somewhat of a spiritual successor to that album. In all of Davis’ work, there is a specific pastoral sensibility that feels firmly rooted in the forests and coasts of Northern California, moving with the delicate and erratic cadence of dust motes rendered visible in bright sunlight. Opening track “Verichrome” articulates the soundscape wonderfully, stitching together Music Mouse-esque formant synthesis and meditative vocal sampling with an exquisite minimalist suite for prepared piano. Of these recordings, Davis himself writes, “In a general sense the conceit here is nostalgia, a desire to reflect on the importance of connection – to ourselves and to the world around us. The title is, of course, a euphemism for the telephone, but I am also considering landscape, horizons, and infrastructure, as well as the invisible lines that connect us, the threads that bind us, and the communities that form us.”

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Päfgens

Aspect Of What

LP | 2024 | EU | Original (Vaknar)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The learning process is just as much an act of healing as betterment. The enabling of solutions through sheer willpower and openness to discovery, or a noble mission, never completed. In that spirit, the latest album by Berlin-based Slovak duo Päfgens – comprising Jana Drábeková Kočišová and Filip Drábek – represents a pensive development for the project.

Drifting from their lo-fi shoegaze beginnings, Päfgens drone-infused soundscapes have become increasingly immersive and expressive “framed improvisations,” where spontaneous passages are captured, then revisited with fresh layers upon layers over the course of months, breathing and evolving naturally, mirroring the unpredictability of nature. Songforms have all but melted away, with ethereal guitars and bass nestling up against field-recorded sounds, synth beds, percussion, and singing bowl tones.

The framed improvisation on ‘Aspect of What’ explores love and loss, relishing both the joy and melancholy of paying tribute to Filip’s late ethnologist grandmother, Božena Filová (1926-2020). Her voice opens track 2, ‘Particles’, speaking of the humble desire to “help the people in the rural environment”, and the goal of “uplifting people to better living through education”. The album’s emotionally charged approach to improvisation is suitably uplifting and seemingly made without ego, the couple melting away into the flitting wall of rustling drones and heavenly fuzz. Even at their most serrated (the groaning guitar amp squall underpinning ‘Journey’) or when surrounded by chiming bells, clocks and bowls (‘Around the Clock’), Päfgens is ready to listen, rest, learn, and improve, extracting and nurturing hidden abstract emotion in every piece, plundering something universal and teachable from very personal depths.

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Daniel Majer

Time For No Memory

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In an age where the unyielding flow of time often overshadows the deeper resonances of our existence, Daniel Majer’s latest album, »Time for No Memory«, serves as an evocative meditation on the ephemeral nature of experience. Produced throughout 2023 and released in the latter half of 2024, this collection of tracks swerve through what seems like a cacophony of FM radio frequencies while oscillating between the familiar and the uncanny, leaving us with a sonic landscape that feels both timeless and retroactive yet palpably present. In 2019, Daniel Majer released a collaborative album with Jonathan Scherk on Jan Jelinek's Faitiche label.

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The Greatest Switch Vinyl 5

2LP | 2022 | EU | Original (541 Label)

2LP | 2022 | EU | Original (Uncanny Valley)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Including wanted vinyl tracks by New Order, Roni Size, Laurent Garnier, Buraka Som Sistema, Kid Cudi, Rudimental, Le Youth, Donna Summer and Major Lazer.

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Ätna

Remade By Desire

LP | 2024 | EU | Original (TAL)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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From "Made By Desire" to "Remade By Desire": The Uncanny Valley label from Dresden, Germany curates a remixed and reworked version of the debut album by local pop heroes Atna and takes us on a trip through various styles of Club Music, electronic Pop excursions and music college Rock'n'Roll. When Atna sent the German pop world and beyond into rapture with their debut album "Made By Desire" in 2020, the Uncanny Valley crew was also very excited by the duo's life-affirming pop concept. Soon, the idea of a cooperation came up. Since both the band and the label operate from their base in Dresden, contacts were quickly made and the first meeting was so productive that the plan for a collaborative remix and rework album was soon turned into action. Uncanny Valley put together a selection of stylistically diverse artists that took account for the various influences in Atna's music and reflect the multifaceted sounds of the Uncanny Valley label cosmos. After the initial idea two years ago, "Remade By Desire" is now an album that puts the Atna songs into new musical context, but sounds surprisingly coherent given the stylistic diversity of the artists involved. It's as if all the musicians had attended a studio retreat for a week and experimented with what is possible when you mix their respective skills. The result is a true crossover album that takes us from edgy techno over orchestral ambient to jazzy punk and challenges without overchallenging.

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Permanent Parts

The Way Back Forward Volume 2

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The second album released by visual artist Katharina Grosse (synthesizer) and musician Stefan Schneider (synthesizer; So Sner, To Rococo Rot). Grosse and Schneider were joined at Galerie Max Hetzler on 29 April 2023, performing as part of the Spectrum without Traces exhibition, by three artists who all generally work within improvised music – Carina Khorkhordina (trumpet), Tintin Patrone (trombone and electronics), and Billy Roisz (noise generator, piezo and mini cymbal). »Permanent Parts« is an extraordinary set of recordings that inhabits multiple zones at once: within its thirty-five minutes, we can hear the interactions of non-idiomatic collective music making, and the electronic glimmers of electro-acoustics, while, at the same time, the music remains untethered to genre.

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Caution!Horses

CD | 2024 | UK | Original (Byo-Jo)

12,99 €*

At The Drolma Wesel-Ling Monastery

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Record Sounds Like: "Detroit electronics via Shudehill" (quote from review of C!H track in Flux magazine)

Byo-Jo Recordings presents "The Way Back Forward (Volume 2)" the final record by Caution!Horses, slated for release on Monday, September 16, 2024. The brainchild of Andrew Odia, also known as Caution!Horses, this album marks a pivotal moment in the artist's eclectic journey through electronic music. It seamlessly blends Detroit electronic sounds with the unique cultural flair of Manchester’s Shudehill.

This release follows the critically acclaimed first volume and delves deeper into the intersection of classical music influences and modern electronic experimentation. With a track list that includes the juxta positioned Funk of "Angelfun(k)" and "Renewal", and the contradictory "Summer Holiday", each piece is a testament to Odia’s unique take on Detroit's synthetic roots.

Caution!Horses, raised on classical music and Radio 3, has honed a unique sound through years of diverse musical influences. Early indie favourites like New Order and The Fall, and electronic pioneers such as Propaganda and Cabaret Voltaire, have all played a part in shaping his musical ethos. Odia’s journey from Manchester to Sheffield and back, along with pivotal experiences in electronic hubs like Berlin, has deeply influenced his creative output.

"The Way Back Forward (Volume 2)" marks not only the final release from Caution!Horses but a great record of his dedication to his craft and his ability to adapt and evolve. Drawing on his formative years of DJing and party organizing, and his extensive experience in music production, Odia pushes at the boundaries of electronic music. Paying homage to his influences, including Robert Gordon of Warp and Richard H. Kirk of Cabaret Voltaire, but also carving out a unique space in the modern electronic music landscape.

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Howie Lee

12" | 2024 | UK | Original (Mais Um)

Kiasmos (Olafur Arnalds & Janus Rasmussen)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Beijing-based artist/producer Howie Lee interprets Tibetan Buddhist chants on his new album 'At The Drolma Wesel-Ling Monastery', the follow up to 2021's critically acclaimed 'Birdy Island'.
Recorded over two weeks at Drolma Wesel-Ling Monastery in the mountains of north-eastern Tibet, Beijing-based multi-disciplinary artist/producer, Howie Lee combines Tibetan Vajrayana Buddhist singing with Kode9-channeling bass/footwork science, glitched-out hyper-rhythms and sampled Chinese-Tibetan instrumentation for his latest album on Mais Um.
Invited to contribute and interpret chant recordings from the sound archive of monastery founder and master, Tuga Rinpoche's self-built recording studio, Howie Lee connects parallels in electronic music, deep meditation and devotional chanting to present eight reconstructed, IDM-warpedVajrayanamantras, journaling the beginnings of his journey into buddhism, and to continue Lee's career-long threading of ancient, cross-generational practice, modern Chinese history and experimental club-futurism.

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Kiasmos

2LP | 2014 | EU | Original (Erased Tapes)

Kiss & Forget Pink Vinyl Edition

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Piano meets minimal electronics.

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WhoMadeWho

2LP | 2024 | Original (The Moment)

36,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2014 | EU | Original (City Slang)

Caribou

Our Love

10" | 2024 | EU | Reissue (Music On Vinyl)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Our Love is formed around a mixture of digital pop production, hip hop inspired beats, muted house basslines and a love of shuffling garage that can be traced all the way back to the time of Start Breaking My Heart which are, of course, all filtered through Dan's own unique perspective. The warm analogue sounds of classic soul should not be overlooked either, for they weave themselves most intensely into the records DNA. In fact, Our Love is probably Caribou's most soulful record to date, chock-full of heartfelt lyrics and organic nature which cuts through bubbling synths and blissful euphoria of their synthetic constructions. It's not all downbeat of course, whilst some thoughts linger on mortality, loss and letting go, there is always an element of celebration.

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Armin van Buuren

Communication 1-3

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Embassy Of Music)

Björk

Utopia