Downbeat | Electronica | Leftfield 6323 Items

LP | 2023 | EU | Original (Laut & Luise)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Edition of 400 copies. 3 introspective instrumental (English horn, flute, percussion, double bass, Hammond organ) compositions performed, recorded and mixed by Timo van Luijk during 2010 - 2012 at Kulta Saha. In memory of Hugo Billens, Anja Hiilesmaa, Dirk de Hollander, Ger Boeske, Ourgon and Tosca.

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AFAR

The Refuge

A Trip To Bolgatanga Limited Pink Vinyl Edition Poster

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Afar is a Berlin based music duo consisting of Elena on vocals and guitar, and Joseph on synthesizers and live hardware. Their forthcoming album stems from the misty heights of the pyrenees, hidden and sheltered within thick, old walls. The whole album was written and recorded in four winter weeks. An intense and demanding period, yet liberating and empowering. »The Refuge« is the collection of stories, the process of it is a story on its own. All tracks are touching, drifting, driving. Soft and raw voices meet between rough synthesizer lines. The result ranges from powerful breakouts to fragile moments. Honest and vulnerable, bold and brave: A true journey, a real refuge.

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African Head Charge

LP | 2024 | UK | Original (On-U Sound)

29,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Feel The Night / Foxy Lady Record Store Day 2021 Edition

Afrika

7" | 2021 | JP | Reissue

Afrosideral & Kumar Sublevao-Beat

Release: 2021 / JP – Reissue

Genre: Electronic & Dance

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Record Store Day Japan 2021 release. The world’s first 7-inch reissue from the only LP by the funk band AFRIKA formed in Osaka in 1981!

The album “FUNK CITY” released in 1985, which is popular among domestic and foreign funk-boogie enthusiasts, is a unique work that Japanese people are closest to US funk music at that time.

Under the supervision of the project Tokyo Condition by DJ Notoya, two songs, “Feel The Night”, a boogie track with undulating bass and cutting, and “Foxy Lady”, an electro-funk with a cool development in the second half, are selected from the album and are 7 inches. ·release. 8ronix remastering.

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El Olimpo De Los Orishas

LP | 2019 | UK | Original (Wonderwheel)

Falling Free / Four Four Four

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Wonderwheel is proud to present a brand new project called Afrosideral from Cuban producer, vocalist and multi instrumentalist Kumar Sublevao-Beat. The result of what he's called the Afrocuban Electronic Ensemble - Afrosideral mixes modern electronic production with dub sensibilities with rhythms and melodies inspired and in tribute to the legacy of the Yoruban people.

The "El Olimpo de los Orishas" album is a chant to the universe from the ancestor's voice. The rhythms of the drum, trance & meditation converge into a record that samples & modulates the musical DNA of Kumar's heritage.

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AFX / Autechre

12" | 2014 | US | Original (Unknow label / Slow To Speak)

12,99 €*

LP | 2023 | Original (Progress Productions)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Two classic cuts from these essential UK Techno artists!

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Agent Side Grinder

Jack Vegas

Release: 2023 / Original

Genre: Electronic & Dance

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CD | 2022 | EU | Original (Kompakt)

Agents Of Time

Universo

14,99 €*

2LP | 2022 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Das italienische Duo Agents Of Time war in den letzten Jahren unglaublich fleißig, von der Veröffentlichung einer Reihe klassischer Singles - darunter ihre jüngster Beitrag für Afterlife, "The Mirage", der mehr als fünf Millionen Aufrufe auf Instagram erhielt - bis hin zum Remix von The Weeknds "Take My Breath", der auf dessen aktuellen Album “Dawn FM (Alternative World)” erschien. Aber die bahnbrechendeste Neuigkeit ist erst jetzt endlich da - ihr zweites Album "Universo" ist fertig! “Universo" verbindet ihr Markenzeichen, melodischen Techno, mit einer besonderen Pop-Haltung und findet nach der EP "Music Made Paradise 2020" sein ideales Zuhause bei Kompakt. Eine Seelenverwandtschaft, die absolut Sinn macht.

Andrea Di Ceglie und Luigi Tutolo, die beiden Mitglieder von Agents Of Time, nutzten die Zeit während der Pandemie, um an "Universo" zu arbeiten, einem Album, das lose um ihr "persönliches Universum" herum konzipiert ist, eine Manifestation der Welt, die Di Ceglie und Tutolo in und um ihr Studio herum aufgebaut haben. Das macht den besonderen Glanz und die strahlende Helligkeit von "Universo" aus - es strotzt nur so von Persönlichkeit, Elan und Kraft, das Duo experimentiert mit Musik und erkundet auch noch deren entfernteste Ecken. Wer bei "Universo" nur ein weiteres Album mit melodischem Techno erwartet, wird angenehm überrascht sein - hier ist viel mehr los, und alles ist gleichermaßen spannend.

Nach einer poetischen Eröffnungsgeste - dem wirbelnden, synästhetischen, selbstbetitelten Intro-Track - werden mit dem 2-Step-Pop von “Fallin” alle Erwartungen sofort über den Haufen geworfen. Mit sanfter Klarheit von Gastsängerin Audrey Janssens gesungen, ist “Fallin” ein Traum von einem Song, der an die großen Zeiten von UK-Garage in den frühen 00er Jahre erinnert. "Interstellar Cowboy" ist ein selbstbewusstes, geschmeidig über den Laufsteg stolzierender Disco-Track; das sanfte Moll-Klavier von "Liquid Fantasy" entwickelt sich zu einem wunderbar melancholischen Techno-Pop-Epos, mit Vicky Who?’s Stimme voller Sehnsucht . Danach taucht auch Janssens Gesang auf dem Elektro-Wirbel von "Poison" wieder auf; "Dream Vision" greift die Single "The Mirage" auf, sanft und mit schwungvollen Streichern, voller Dramatik; "Part Of Life" dagegen ist ein echter Schaffel-Stomp.

All der Abwechslungsreichtum lässt eher tanzflächenorientierte Tracks wie "Ciao" noch deutlicher hervortreten - sie wirken noch entschlossener, stromlinienförmiger und dennoch reich an Details, pluckernde, Moroder-eske Bässe treffen auf stroboskopisch blitzende Synths, von denen aus die Melodien ins Firmament schießen. “Universo” fühlt sich textlich dicht an, aber es atmet trotzdem, seine Klänge sind so greifbar, dass man sie anfassen möchte, seine Melodien so verführerisch, dass man sie nicht mehr aus dem Kopf bekommt. “Universo” ist ein wunderschönes, mutiges Album, ein perfekter Treffpunkt von Pop-Melodien und stilvollem Techno: Agents Of Time in excelsis.

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Agents Of Time

Universo

LP | 2023 | EU | Original (Vaagner)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Aging

Reworks (Rewoven)

Stretch Your Eyes Quiet Village Remix

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Whisky soaked, nocturnal, brooding. Aging’s album »Troubles? I Got A Bartender« was a noteworthy, film-noir infused suite that quietly slipped out on cassette in 2015 by a then budding Manchester avant-jazz ensemble, led by David McLean. In 2020, amidst the pandemic’s tempest and winter's gloom, the idea manifested of showcasing McLean’s slow burning, wistful soirée in a new light via a curated effort by Berlin’s Vaagner label, which invited a series of hand-picked artist to rework selected compositions from the album, rendering its mournful, smoke-tinged resonances into new shapes. Its result is »Reworks (Rewoven)«, and it presents 6 new interpretations by 5 artists. These range from ruminating, tape smudged ambient works interlaced with sublime acoustic strums by fellow Manchester musicians The Humble Bee and Tape Loop Orchestra, to poignant steel guitar renditions by Nashville based Kelby Clark. Furthermore, Barcelona based Dania and London based Laila Sakini, each present pieces that draw the listener into opaque realms harbored by swooning reverie and eerie, glistening prophecy. Carefully assembled across two sides of vinyl, McLean’s penchant for hard-boiled detective novels, vintage Japanese crime flicks and film noir iconography have a continued lurking presence in the reworks, yet the new pieces each add a modern facet to the original’s cinematic narrative, its morose and sulky mood now opening into new avenues of interpretation. And whilst some artists have chosen to dive further into the themes of contentious ambivalence and pensive solitude, others have sought to slightly lift the haze, stirring up melodies tinged with a sense of hope, hinting at times, towards instants of poise and vivacity. In the end this leaves us with a new body of work that manages to feel poignant in its complexity whilst remaining dissonant and elusive in its renditions, hinting at a modern day existence even more opaque, intricate and convoluted than the film noir classics of old might have pictured the world.

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Agnes Obel

12" | 2017 | EU | Original (Phonica)

11,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Sapiens)

Agoria

.dev

28,99 €*

LP | 2022 | EU | Original (Space Echo)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Agoria’s ‘.dev’ album saw the French polymath known for his forays into visual arts and tech, as well as electronic music production and DJing, deliver a project that dropped on vinyl, digital formats, and an AI player created by Arca and Jai Paul collaborators Bronze.

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Agosta

LP | 2024 | EU | Original (Space Echo)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Roberto Agosta, or just Agosta as he likes to be called, is a Sicilian DJ and producer from Catania active all along the eastern coast of Sicily, a place that proved to be a soulful place and a training ground for a long career, making him an excellent music selector and a reference point in the spread of alternative music. A soundtrack music enthusiast since he was a child, now a vinyl "serial gathere", Agosta has always put his vast knowledge at the service of a very personal sound that sums many different music styles and contaminations, simple and profound but straightforward and direct at the same time. Agosta’s eponymous album, released on LP, CD and digital formats, was conceived during the Covid-19 lockdown, thanks to the precious collaboration of friend DJ and producer Massimo Napoli aka Galathea, with whom Roberto has already started another project called An-an that will produce a new record for Space Echo at the end of 2022. This record highlights a typical chill-out aesthetic, thanks to its trip-hop and ambient rhythms and atmospheres, while a deeper exploration reveals the psychedelic essence of the entire work, a daring and exciting journey in the most primitive Sicily, and the energy that sustains all of its ten tracks. Much of their author and his lifestyle - mainly based on meditation, the search for spiritual elevation, the relationship with nature and the regaining of contact with those particular places and with the people who live there - is revealed by those tracks that constitute a soundtrack for this spiritual but also extremely physical journey. The song titles are, in fact, intrinsically linked to Roberto’s real life: the Gorna and Ilice mountains at the foot of Etna, the Carricante vineyard and its excellent wine, Unna, Three Chestnuts, Varanni, Don Alfio, Lady G. Each of them represents a pleasant and dreamlike narration and the escape from the complex dynamics of a city like Catania, among echoes of the most dreamy Pink Floyd, the softer side of ’70s krautrock, but also the Massive Attack and Tricky’s Bristol scene. There’s also an excellent choice of synthesizers and overdubbed guitars, thanks to the talent of the multifaceted musician and producer Salvo Bruno Dub, and of Manuela Amalfitano, Loredana Poidomani and Deran Obika’s voices. Agosta is an introspective, deep work with a cinematic vocation, perfectly rooted in the territory where it took shape, among sunny landscapes, lush with vegetation but also deserted and arid lands. From Sicily to the cosmos... enjoy!

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Agosta

Reworks And Remixes

25,64 €* 26,99 € -5%

Tape | 2024 | UK | Original (Le Chatroom)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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One year after his surprising debut, Agosta, the Catania musician-non-musician and Space Echo Records return to the point with “Reworks and Remixes”. Which from the very title disengages itself from the industrial 'album+remix album' chain and on listening reveals itself to be a record capable of moving, in total autonomy from its antecedent, on three different levels of reading. For, at its base, we would say, there is a much more stimulating idea than the simple compulsion from alternative versions, b-sides and so on. Point 1, transfiguration. Because, contrary to the genre stereotype, the remix mode allows songs to express themselves in creative and experimental ways. Point 2, the Rorschach Test. Because, on those songs, there is the personality, that is, the result of the cross-vision with experience, of the individual producers being measured against itself. Point 3, the stage backdrop. That is, its ability to show a cross-section of the current electronic scene in Etna. Agosta wanted some of the pillars of Catania's black-minded electronic scene with him and, together with them, reinterpreted songs from his first album. The result is a work that is as multifaceted, in terms of the specific weight of the artistic individualities involved, as it is homogeneous, in their idea of a sound that is as physical as it is mental and, above all, in terms of a totally Mediterranean underlying taste with which every single track is imbued. Whether it is the pensive house of “Apple 65” or “Lady G” (Butterfly Agosta's Rework) as much as AN-AN's dub on “Varanni”, between Grace Jones and Adrian Sherwood, or Galathea's more psychedelic and twilight Trip-Hop on “Three Chestnuts”. The Shaft-esque swagger of Salvo Borrelli and Reverend James, the donwnbeat pop of “Cellars” by Go.Soul.Map. and the caress of “Hearing The Call” (Lady G In A Rainy Day Version) by The Invisible Session, in which spoken and what they once called nu jazz flirt. Don’t Miss It!!!!

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Agostino

Zona Sisri

10,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2015 | EU | Original (Denovali)

Ah! Kosmos

Bastards

LP | 2018 | EU | Reissue (Compost)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Ah! Kosmos is the moniker of Istanbul-based producer and instrumentalist Basak Günak. Bastards digs deeply into the surface and soon turns that hole into a living space, a home for all. Supporting the likes of Darkside, James Holden, Kiasmos, Two Door Cinema Club, Emika, Daddy G (Massive Attack) in her hometown Istanbul, Ah! Kosmos performed at remarkable festivals as Rock’n Coke, Babylon Soundgarden, Venice Electro Festival, Budapest Punkurica Festival, Piknik Elektronik in Brussels, Tokyo Electronic Music of Arts Festival and CitySonic Festival in Mons.

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Ah! Kosmos

Beautiful Swamp

21,99 €*

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Thunder And Rain Colored Vinyl Edition

Ahero

LP | 2023 | US | Original (Stratford Ct.)

LP | 2017 | US | Original (NNA Tapes)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Special thanks to my good friends Vincent & Josh who are always inspiring me to reach greater heights.

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Ahnnu

Special Forces

15,74 €* 20,99 € -25%

2LP | 2022 | EU | Original (PME)

Release: 2017 / US – Original

Genre: Electronic & Dance

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We're delighted to welcome Los Angeles-based producer Ahnnu, aka Leland Jackson, back to NNA Tapes to share his brilliant new full-length album 'Special Forces.' Over the years, Jackson has made his mark on the world of electronic music production not only with his innovative works as Ahnnu, but with his footwork/dance alias Cakedog as well. Following up the 2013 NNA release 'Battered Sphinx,' and more recently 2015's 'Perception' on Leaving Records, Ahnnu returns to push his sound collage expeditions further into the deep beyond by excavating fragments and ethos from music history's past and infusing them with the electronic frequencies of a future landscape.

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AHO

Odyssey

3x12" | 2021 | EU | Original (Abrx)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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AHO, the brainchild of Helsinki producer Matti Ahopelto is a talented composer and producer who makes a unique blend of classical and electronica. Naming the likes of Four Tet and Caribou among his fanbase and having landed huge syncs across advertising and film music including Calvin Klein and Netflix, AHO’s blend of ambient electronic textures with vivid classical instrumentation has seen him make a name for himself as one of the most exciting new artists in the contemporary classical sphere. Creating beautiful and at times experimental soundscapes across his new album ‘Odyssey’, AHO showcases some of his most stunning cinematic and expansive work to date. Combining electronic beauty with open-minded contemporary classical music akin to the likes of Ólafur Arnolds and Jon Hopkins, the new album is a perfect representation of the desire for adventure that AHO pursued while making the album – it’s an odyssey: a journey to where unexpected things happen. Featuring guest artists Karina and Spencer Krug (known from the band Wolf Parade), the album is a shamelessly beautiful and emotional collection of tracks.

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Ahraam

Human, All To Human

23,99 €*

It Could Have Been A Beautiful

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hailing from Seoul, South Korea, Ahraam of Abrx releases first debut studio LP of its kind: >Human, All Too Human<. Totaling 65 minutes of pure and depthful dramatic musical experience, Ahraams first studio LP includes 10 original tracks that binds his distinctive dramatism and sound-design knowledge.

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Aiko Takahashi

LP | 2023 | EU | Original (IIKKI)

2LP | 2023 | EU | Original (Jansen)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Aiko T. is a concept, an entity, a ghost that appears only through her own music. Aiko has been publishing in other forms since 2020, but always within the sphere of ambient music. This album was born as a long-lasting sound continuum. It was then cut, stitched together and reassembled to give shape and restore unity from the fragments, in order to have an album that shows its completeness halfway between the titles and the compositions themselves. The music was crafted with laptop and various music devices, analogue and otherwise.

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Aiming For Enrike

Empty Airports

53,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Airglow | Memory Bank (Remixed & Remastered) Splatter Vinyl Edition

Airglow

LP | 2018 | US | Reissue (Stratford Ct.)

29,99 €*

12" | 2021 | EU | Original (Studio 33)

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Stratford Ct. proudly presents our debut vinyl release: Airglow’s “Memory Bank” (remixed and remastered)! This album is our most widely celebrated release to date, reaching critical acclaim here at Stratford Ct. headquarters. You will be able to order this sensational album from the anniversary date of “Memory Bank’s” original release Oct 28th through Nov 30th! This limited edition vinyl will be pressed on a clear purple disc and features re-imagined cover art; a must have release for your vinyl collection! We will only be pressing 100 copies, so get your hands on this timeless record before it's too late!

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Aisie

Halcyon Gang Poet

LP | 2023 | EU | Original (Ajasphère)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Debut EP from enigmatic newcomer(?) aisie on the newly established studio 33 label. Featuring a lush set of genreless aetheric applications that transmute the ineffable to pure sound through a series of immaculately designed, free-flowing haptic assaults on the auditory perception system.

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Aja

Ajasphere Volume 1

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Porridge Bullet)

Ajukaja & Ats

Maha

13,99 €*

12" | 2023 | UK | Original (Keroxen / Discrepant)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ajukaja and Ats got together in a worn-out smoke sauna, behind their rusty synthesizers, squeaking whistlelators and clattering drum-machines and came up with this tape’s worth of loosely funked up improv-not-improv steam-house catching all the night-creatures. Wet monster-toads, eerie moths, springy worms — all gliding in and out on foamy harmonies and rattling beats.

No gimmicks, only drunk alien-bees in the jar. Let's ball.

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Akane

Nigh-Time Birds

CD | 2024 | UK | Original (Stone)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Debut album by Akane, a new bedroom solo project by Tenerife's Carolina Machado - best known for her role as drum-mer and singer in space rock psychedelic outfit Gaf y La Estrella de la Muerte.

Cooked and slowly matured over the last couple of years, Carolina opens up her heart to present an intimate collection of dreamy avant pop songs under the banner title Night-Time Birds.

With various nods to David Lynch’s dreamlike imagery and weird americana landscapes, Carolina gracefully merges her own local sensibilities to re-imagine a panoramic, fictional soundtrack to an unmade road movie, creating a personal mu-sical language made up of vintage pop songs, lush ambient soundscapes and West Coast lo-fi electronica. Her pursue of sonic exploration through modular synthesis techniques pushes her sound further out into a wider realm as she blends exotic alien-like melodies with her trademark soothing, shoe-gaze style voice. An album that seems to be floating grace-fully and frozen in time…

The album’s seven tracks were recorded live during her performance in a disused gas tank at the Keroxen festival in 2022 and counts with the special collaboration of her bandmate in Gaf César Chinarro on guitar. No doubt, Night-Time Birds is not the last we’ll hear from Carol demonstrating once again the varied and eclectic creative energy currently flow-ing from the Canary archipelago shows no sign of slowing down.

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Akio Suzuki

Stone

15,99 €*

What's Going On / Sadly Normal Record Store Day 2021 Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Recorded in 1994 in Berlin, 'Stone' has been remastered by Lawrence English and sounds better than ever. The perfect introduction to veteran Japanese sound artist's raft of material, it's an exploration of sound, space and time using found objects and flute.

Suzuki's work is fiendishly difficult to describe - it's far better to experience. He became interested in sound after studying architecture, and quickly developed a fascination with spaces - specifically the echoes that existed within them. 'Stone' was a further development of his "throwing and following" technique, where he would cast sounds and gestures into space and catch whatever returned.

So, stationed in Künstlerhaus Bethanien, he used the vast studio to create unique atmospheres, alternating between flute and clattering rhythms from found objects. It's beguiling stuff, that on the CD version thankfully comes with photo documentation and notes from David Toop that should make Suzuki's process a little clearer.

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Akira Emoto

7" | 2021 | JP

49,99 €*

2LP | 2023 | UK | Original (Lugar Alto)

Release: 2021 / JP

Genre: Electronic & Dance

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Record Store Day Japan 2021 Drop 2 release. From the original album “What’s happening!” Released by actor Akira Emoto in 1987, the highly acclaimed cover work “What’s Going On” (original: Marvin Gaye). Two single cuts of the original song “Sadly Ordinary”. A variety of arrangements by singer Akira Emoto and Makoto Saito are the best couplings to listen to.

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Akira Umeda

1988 2018

36,99 €*

Tape | 2022 | EU | Original (Kinetik)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"In this album, Akira Umeda mixes 42 recordings, dated between 1988 and 2018, which, in a sense, reflect the incredible range of his creative work: from songs, to ambient music; from field recordings to prank calls. The cassette tapes, whose contents make up this double-LP, had been stored in Umeda’s house in São José dos Campos, in São Paulo, Brazil.

Restless, and easily bored, Akira moved seamlessly from one activity to another – he was a little bit of everything (and nothing at all). Such people usually go unnoticed and unrecognized, something which Umeda found perfectly acceptable. Nevertheless, unlike most people, he had no right to see himself in this light – in the light of ephemerality and anonymity –, for in everything he tried his hand at, he inevitably left an impressive and distinctive mark.

The term cruising refers to the practice of seeking and obtaining instant, no-strings-attached sexual gratification with strangers. Akira Umeda was well-acquainted with this term, but his practice of it was not restricted to the aforementioned context. Rather it extended into all spheres of his life and work. A historian by training, he later became a ceramicist, a photographer, a visual artist, a draftsman, a graphic designer, a DJ, a musician, an audio technician, a writer, a researcher... He made forays into a myriad of artistic and academic fields – with a single intention: to achieve a specific objective and promptly exit stage left, as it were."

Music & mix by Akira Umeda. Mastering by Dubplates & Mastering (d&m). Artwork by Sometimes Always. Cover Photo from Arquivo Público do Município de São José dos Campos, 1997. Gatefold by Akira Umeda. Special thanks to Laura Deckers and Victor Meyer.

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Akoni/

Meeting Point Zero

10,39 €* 12,99 € -20%

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lines Clear Vinyl Edition

Akusmi

LP | 2023 | Original (Tonal Union)

Sounds From The Village Volume 2

Release: 2023 / Original

Genre: Electronic & Dance

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London based composer, multi-instrumentalist and producer Akusmi announces 'Lines', an exhilarating new collection of works born from the desire to take where the acclaimed debut album 'Fleeting Future' left off - in search of new forms.

" 'Secant', I must have listened to this tune 3 times in a row, this one soundtracked my night drive through the winding roads" - Benji B, BBC Radio 1

'Lines' is presented as a Limited edition clear vinyl (500 copies only worldwide), printed in heavy-weight reverse board sleeve with a hand-numbered edition sticker. The vinyl edition also features 'Oblique' (A2), an exclusive version for the vinyl format, plus the now revered 'Longing for Tomorrow' - (Brandt Brauer Frick Remix), previously unreleased physically and now pressed on vinyl format, ending side B. The cover artwork features another collaboration with Dutch visual artist Sigrid Calon and design by label founder Adam Heron.

Formed with a sense of urgency and a reductive approach 'Lines' is almost entirely comprised of alto saxophone, clarinet and piano with embellishments of ambience and minimal percussive elements. Recorded in full at his home studio in London, Pascal Bideau speaks about the process:

"I wanted to go a bit more a bit more horizontal and ambient, work with layers of lines, might they be dotted or straight, and leave them to unfold and see where they would take me."

Akusmi uniquely finds the spaces in between experimental jazz, crossover classical and ambient music.

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Al Dobson Jr.

LP | 2019 | EU | Original (Izwid / HHV)

18,99 €*

Al Karpenter & Cia Debutante

Release: 2019 / EU – Original

Genre: Hip Hop, Electronic & Dance

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We are super excited to present Al Dobson Jr.'s second "Sounds From The Village" issue on almighty Kutmah's Izwid imprint on vinyl. 23 tracks in total. Artwork by Kutmah. Sleeve design by Brandy Flower of the Hit+Run Crew.

Volume 2 in the series unearths more drum tracks and abstract musical curation from the Dobson Jr. archives. Fonk tales & movie scene interludes from a span of 2006-2016 compiled by Kutmah.

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LP | 2023 | EU | Original (Ever/Never)

39,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Al Lewis Music)

Al Lewis

Fifteen Years

22,49 €* 29,99 € -25%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | Original (We Are Busy Bodies)

Aladean Kheroufi

Studies In A Dying Love

31,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2022 | EU | Original (On The Corner)

Alai K

Kila Mira

2LP | 2024 | US | Original (In The Red)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Kenya born, Berlin based percussionist, vocalist, DJ, producerand "musical witchdoctor" Alai K releases his red hot debut album'Kila Mara', via On the Corner Records. Sonically speaking, this vivacious collection of frenetic, polyrhythmic and percussive workouts link the spirit of Jeff Mills, DJ Rush, DJ Bone and K Handwith beats from The Bajuni Islands, Mozambique, Malawi and the maritime Swahili coastline north of Mombasa. On moving to Berlin, Alai went raving regularly and became enamoured with underground dance music culture. "I love techno and believe that African drums influenced the percussion and programming: lt'scoming from the same place; with both you get extended periods with no chorus or verse, just occasional chanted or chopped vocals. In Africa people play drums and dance for hours, which is the same experience as western electronic music", says Alai.

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Alan Vega

Insurrection

41,99 €*

2LP | 2016 | EU | Original (Munster)

Release: 2024 / US – Original

Genre: Electronic & Dance

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In The Red Records is proud to announce a previously unreleased new album by Brooklyn-born master of minimalism Alan Vega, Insurrection. The eleven songs here showcase the unparalleled vision and uncompromising force from one of the most influential artists of all time.

Alan Vega was born in Brooklyn in 1938. He co-founded the legendary New York City punk band Suicide with Martin Rev in 1970. Suicide’s groundbreaking 1977 debut is considered one of the most influential albums of all time. Vega considered his solo records the audio counterpoint to his visual art that reflected the world around him while simultaneously exploring universal themes. It makes his work as relevant today as it was when he created them. It was during his highly experimental period beginning in the late ’80s that he began working with Liz Lamere, who became the most crucial collaborator of his solo career until his death in 2016.

Lamere, along with Jared Artaud, resurrected these newly unearthed collection of lost recordings, which they co-produced and mixed. Lamere and Artaud spearhead the Vega Vault project, which aims to bring rare, unreleased and back catalog work spanning Alan Vega and Suicide’s career to the public for the first time.

On Insurrection, Lamere says: “Insurrection was created in the time period around 1997/98, after Mutator and prior to Vega’s 1999 release of 2007 and captures the intense energy of NYC in the ’90s rife with crime, killing, hate, fascism, racism, and moral bankruptcy. You can hear the tortured souls floating through this album. Post-Gulf War angst still enveloped Alan. He was having premonitions about a major terror attack in the US, well before 9/11. The upcoming birth of his son raised further awareness of the state of our world. All these emotions are mirrored in the sounds he magnetized. And true to Vega form, there remains hope and empowerment coursing through the tracks. In the almost three decades of going into the studio with Vega, we recorded significantly more material than the seven albums released. Vega’s intention was to experiment with sound which would become the canvas for the poetry that reflected his vision of the universe. Because the goal wasn’t to make albums, he had no timeline or constraints and would freely follow new paths uncovered along the way.”

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Alan Vega & Marc Hurtado

Sniper

2LP | 2018 | Original (Digging Diamonds)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2016!

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Alan Vega of Suicide

Power On To Zero Hour

Albert Witchfinder & Laja Aijala

Release: 2018 / Original

Genre: Electronic & Dance

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Most of the lyrical themes on Power On were influenced by political unrest and the Persian Gulf War. The intention for being in the studio was to create sounds and then after a critical mass of tracks began evolving into songs, Alan and Liz would put them together to create a record.

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Centuries Of Youth

LP | 2021 | EU | Original (Svart)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Krakenduft)

Albinobrothers

Goliath Awakes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (WRWTFWW)

Albinos

Bamboo Night

LP | 2021 | EU | Original (Mylja)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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WRWTFWW Records is hot and sweaty as it announces the release of Bamboo Night, the steamy new album from French producer, Astral Soda Records owner, and illustrator, Albinos. The 8-song ambient house/cool jazz/deep chill electronic intimate marvel is available as a limited edition LP housed in a heavy 350gsm sleeve.

Originally self-released on cassette (25 copies only!), Bamboo Night, now polished and refreshed, is fully out and about on collector’s vinyl, offering a large display of chillout options for a sexy late summer and private moments of pure unadulterated bliss.

The sun-soaked album freely spreads its wings and glides from bedroom deep house to ambient groove and every beautiful thing in between, including but not limited to cool jazz to restore the soul, long-slow-deep breath downtempo, sweet eye gazing lofi pop, and an unexpected but mandatory ode to the Honda Civic. Albinos’ second album, following Santa Barbara (2016), is a welcome detour on stress-free seashores, a heartwarming reminder that small pleasures and cozy moments mean everything. Enjoy music, cherish life.

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Alchi

Full Of It

18,89 €* 20,99 € -10%

LP | 2023 | EU | Original (Alga Marghen)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Krijn Moons aka Alchi emerges as a new voice in instrumental electronic music with his debut ‘Full of It’ released with Mylja. Inspired by artists such as Nicolás Jaar, Boards of Canada, Sigur Rós and James Holden, Alchi produces and performs music that is rooted in experiment rather than a single genre, flowing between and weaving through alternative dance, instrumental electronic postrock and neoclassical influences. Playing with imperfections and disarray, Alchi’s work honours emotional ambiguity, cultivating a sound that can be equally euphoric as it can be melancholic, a feeling that words cannot - and do not have to - articulate. This is also the approach to composition and production for ‘Full of It’, Alchi explains. “More than the sum of its parts, the sound of a song creates a space that it starts to exist in, an intangible context shaped by the details that come from zoomed-in sound design and production or even working with old or broken instruments. At a certain point, in this space that feels somewhat unknown and familiar at the same time, everything comes to life.” Within this ambiguity, Alchi finds a place to liberate himself from instrumental boundaries, creating landscapes that value coincidence, playful sound choices and a little bit of chaos. ‘Full of It’ portrays an uncommon kind of music that, in its abstraction, layers and linear structures, will balance both the familiar and the surreal.

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Aldo Clementi

Collage

31,99 €*

Why Is It They Say A City Like Any City

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Two previously unreleased collages for magnetic tape, both realized at the Studio di Fonologia Muisicale RAI in Milan. These pieces are precious testimonials to Aldo Clementi's intense and ongoing interest in electronic music in the 1960s. The electronic composition »Collage 2« from 1960 was his first experiment with electronic music. »Collage 3« dates back to 1966. It's an electronic collage on »Michelle« by The Beatles.

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Ale Hop

LP | 2022 | EU | Original (Karl)

LP | 2021 | JP | Original (Silent River Runs Deep)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A download code is included.

The new album by the Peruvian-born / Berlin-based experimental artist Ale Hop was conceived in a context of immobility and provides six sonic vignettes that wonder about location, circularity, rootedness and experience. In collaboration with Ana Quiroga, Concepcion Huerta, Daniela Huerta, Elsa M’balla, Felicity Magan, Fil Uno, Ignacio Briceño, KMRU, Manongo Mujica, Moises Horta, Nicole L’huillier, Raul Jardín, Sukitoa Onamau, Tomas Tello.

Following her explorations on music's inherent fixation to geographic space and time, be it through the longing of home ("Apophenia" 2019) or scientific magnification of invisible worlds ("The Life of Insects" 2020), Berlin-based Peruvian-born experimental composer Ale Hop's fourth album, "Why Is It They Say a City Like Any City?", was conceived in a context of immobility. During the lockdown months, she started a process of remote collaboration, by sending messages, posted from various cities along a South American trip, to thirteen musicians from around the world. She journaled her impressions upon these places to an intimate fictional character while reflecting on matters of time, sound, space, cosmology and colonial memory. The thirteen musicians dialogued with this voice by
taking upon the challenge of responding to the messages with sound collaborations.

Field recordings, mouth drumming, drone cellos, electronic loops, arrhythmic rhythms and voices came back from this experiment. Ale assembled them, by layering, twisting and turning, into sonic vignettes that wonder about location, circularity, rootedness and experience, making it the first time she's set her guitar aside. Expect no answers to the album's title question, but an innermost psychedelic rumination.

"Despite the technological resources that appear to dilute distances, the simulation of closeness mirrored on the digital space is an emptied body, a state of precarity, a flat surface; unable to withhold an experience of exchange," Ale states. "So, I began this project by asking myself, how can we escape from the reduced experience of the virtual? The idea behind this experiment was that my messages and the places they describe could drive the composition, be a catalyzer, a score. Thus, to use geography as a tool to remember and imagine, to allow new soundscapes to emerge."

"Memory, diffuse and divergent, sometimes reaches out to the future in its search for form, taking shape from the reflections and echoes that come back … like throwing a rock in a pond and having a rock thrown back at you." The release of "Why Is It They Say a City Like Any City?" is accompanied by a 50-min audiovisual installation that will premiere at CTM 2022 Exhibition in January, which was created in collaboration with the Mexican technologist and artist Moises Horta. For this piece, an Artificial Intelligence multi-modal neural network was fed with readings of the messages written by Ale, synthesizing them into free-flowing images. The visual imagery resembles the way memory works
when triggered by words, by traveling freely through mental images unfolding them into openended assemblages of spaces and temporalities.

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Alejandro Franov

Opsigno

Tape | 2022 | EU | Original (Umor-Rex)

Release: 2021 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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The legendary Argentinean composer and multi-instrumentalist Alejandro Franov's masterpiece from 2004 is going to be out on vinyl for the first time! Mastered by Kuniyuki Takahashi. Alejandro Franov has been surrounded by music since he was a child and became a multi-instrumentalist as he should have. In this work, he plays a wide variety of percussion, piano, synthesizer, and sitar. Guest performers include Marco Cabezaz on marimba, vibraphone and tabla, and Emiliano Rodrguez on guitar. His close friend Luis Alberto Spinetta, one of the biggest names in Argentine rock, joins him in the chorus on "Ayodhya". His colorful rhythms, lyrical and meditative melodies weave an orientalism of his own.

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Alejandro Morse

Stonewalling

13,99 €*

LP | 2023 | EU | Original (Signature Dark)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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»Stonewalling« offers a collection of electroacoustic pieces taking as input the Mexican vernacular music from the golden age of Mexican cinema of the first part of the 20th century. In those films, music was used as communication due their poor verbal communication-skills. This is an album about communication, about the impossibility to do so to resolve conflicts. In the technical side, some of the sources used as layering in the tracks come from radio frequencies taken from explorations into the software-defined radio universe, mixed with microphone feedbacks, oscillators, and random textures with field-recordings. In the melodic/harmonic structures of the tracks, the main instrument used is a classical guitar with hyper-processed chords using DSP tools.

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Aleksi Myllykoski

St. Virus

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Aleksi Myllykoski / Tapani Rinne

Signature Dark Remixes

2LP | 2023 | EU | Original (Signature Dark Grey)

23,24 €* 30,99 € -25%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Repetitive Rhythm Research)

Aleksi Perälä

Cycles

The Artistic Image Is Always A Miracle

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Inspired by The Twelve Ornaments, a group of ancient Chinese symbols and designs associated with auspicious qualities and virtues, Aleksi uses the colundi scales to heal and inspire with this specially blended collection of tracks. The power of repetition paired with the selected frequencies makes for a transcendent ambient experience.

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Alessandra Novaga

LP | 2024 | EU | Original (Die Schachtel)

29,99 €*

LP | 2016 | EU | Reissue (Mannequin)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-07-12

Furthering the passionate exploration of cinema that has guided her two previous LPs the Milanese guitarist/composer, Alessandra Novaga, returns with two sides off shimmering, tense compositions – culminating as one of her most creatively ambitious and conceptually rich outings to date – freely inspired by the life and work of Andrej Tarkovsky and Johann Sebastian Bach. Over the last decade Alessandra Novaga has emerged as one of the leading figures within northern Italy’s thriving new, experimental, and improvised music scene

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Alessandro Adriani

Montagne Trasparenti

21,99 €*

CD | 2022 | EU | Original (Stroboscopic Artefacts)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 2016, 'Montagne Trasparenti' is now repressed on Mannequin Records with a full new graphic design. The album was recorded between Adriani’s native Rome and adopted Berlin, “in various years of travelling, composing, fighting with cables and machines.” In the last years Alessandro contribute to shape the new EBM and Techno sound with productions for labels like Stroboscopic Artefacts, Jealous God, Pinkman and Mannequin. Curator and resident DJ at Berghain/Panorama Bar and guest curator at Berlin Atonal 2018, Alessandro presented many of the tracks included in this LP with an audio-visual interactive 3D premiere live show in collaboration with Nuova Astrazione.

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Alessandro Adriani

Morphic Dreams

12,99 €*

Sintesi Feat. Lee Ranaldo

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Hot on the heels of his preliminary EP on Stroboscopic Artefacts, Embryo, which paved the way to the present album, and two years after the landing of his 2016-released inaugural LP, Montagne Trasparenti, Mannequin helmsman Alessandro Adriani returns with his highly anticipated full-length debut for SA, Morphic Dreams. Throughout eleven cuts painstakingly executed but lacking not an iota of the fresh, spontaneous oomph that made his sound stand out of the crowd of techno producers to have emerged over the past decade, Adriani lays the foundations to a suspended sound imaginarium, governed by its own rules and principles of gravity. Revolving around the notions of sublimation and quest for inner balance, Morphic Dreams is comprised of four distinct sequences, conceived and designed as reflections of four mental states, each of them linked to the four alchemical elements i.e. Water, Earth, Air and Fire here represented by the A, B, C and D-sides. Fluid and enveloping, the A-side bathes the listener in some zero-G uterine vortex, pitching and rolling from the slo-burning exotic sensuality and tribal spell of The Tropical Year to the trunk-bending, arpeggiated fast-track pulse of Storm Trees, through Raindances feverish electro swing. Entering a further abrasive, minerally rich phase, the B-side unleashes Adrianis dark side with optimum conviction. Deeply anchored in earthly materiality, this new evolution stage starts off to the frantic Italo bass of Dissolving Images, rushing headlong into a kaleidoscopic maelstrom of fractured reflections and nasty Giallo-like ambience. The delirious body stretch sequence then rather abruptly swerves onto a calmer flux with Dust/Mist, a much enticingly hip-swaying collaboration with Simon Crab, ex-member of the seminal 80s UK industrial-experimental band Bourbonese Qualk, before Casting The Runes engulfs us into a tormented world of swollen eeriness and disquieting esoterism. Back to a widescreen showcase of droney distortions, nasty acid swashes and other quirky drum programming, Hors De Combat opens a new chapter, shortly followed by the playful bass intricacies and modular jeu-de-piste of Invisible Seekers, featuring Avian affiliate and longtime friend Shawn OSullivan. A further mind-expanding piece, C-side closer Crow deploys its blackened wings wide and high as a chaos of martial percussions and liquefying synths slivers crash past the red-hot skyline. A fluttering melodic interlude, Things About To Disappear blazes a clean trail for Make Words Split And Crack to flourish, slowly but surely blooming into a nonstop grandiose twelve minute-shy finale geared up with the stirring cacophonic force of a Ligetian symphony and something of an epic-scale Kubrickian soundtrack.

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Alessandro Baris

LP | 2022 | EU | Original (Otono)

28,99 €*

2LP | 2022 | EU | Original (Holidays)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“Sintesi”, out on Mexican label Otono records, is the debut solo album of Alessandro Baris, Italian-American multi-instrumentalist, composer and electronic music producer based in Bologna, Italy. The release of the Ep has been anticipated by three singles: “Last Letter to Jayne” featuring Lee Ranaldo of Sonic Youth with a video by french visual artist Luigi Honorat, “Embers” with vocals by Emma Nolde and “Nival” with vocals by Lisa Papineau (eclectic american songwriter, collaborators of Jun Miyake, Air e M83 amongst others). Conceived between 2018 and 2020, the album is a new point of departure for Alessandro from his previous works with other projects and collaborations, in Italy and abroad, such as L’Altra, Collisions and Comfort. In “Sintesi” Alessandro has performed, recorded and produced every track, using an electronic gear with some acoustic elements such as a few drums (his main instrument), processed concrete sounds and his own voice on the song Lifetime, along with an accurate work of sound design and sound processing. The result is a melancholic and introspective album surrounded by a detailed and evocative scenario, with rhythms that sometimes flow free and sometimes stumble, as it happens in real life.

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Alessandro Bosetti

Plane/Talea 31-34

27,99 €*

4CD | 2021 | US | Original (Important)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Since a few years Alessandro Bosetti has been collecting voices that become part of the Plane/Talea archive. The creation of the archive stems from dozens of individual meetings and recording sessions, in which each voice is detached from its owner or originator and anonymized. With each new iteration and performance, Bosetti plays the archive as if it were an instrument. He searches for hidden details and correspondences through exploration, immersion and contemplation. Each re-activation of the archive results in a dense and swarming polyphony made up of thousands of short utterances - shorter than any word bearing a meaning - recombined and interwoven into complex textures. The particularity of the grain of Plane/Talea lies in the autonomous and darting life that each of these fragments lives in a teeming community of voices. Such polyphonies are rich in microtonal detail emerging from the incessant juxtaposition of vocal objets trouvés. Harmonic relationships are sometimes rough and chaotic, other times surprisingly just. The voices are never treated electronically but only recombined and musical tension is provided by the particular grain, inflection, energy of each one of them in counterpoint to the others and to a frugally used instrumentarium (Harpsichord, Ondes Martenot, Cristal Baschet, grand piano, analog synth, Hammond organ). Implicit reference goes to ancient, modern and postmodern forms of vocal polyphony. "Plane/Talea 31-34" - the continuation of the homonymous 2016 LP - is a work of sampling that projects an imaginary community and a disembodied choir. The four arching and extensive tracks were created between 2017 and 2018 and bear the trace of two specific moments: August nights in a country house in Vicobarone, in the hills of Piacenza (31-32) and a week-long residency at the "Studio Venezia", an environment created by French artist Xavier Veilhan in the French pavilion at the 2017 Venice Biennale (33-34). « Encounters of this sort did happen, with the voice still clinging onto its own origin, and then seen, as it were, coming out of the original mouth and caught saying other things, with a slightly different intonation, a slightly different timbre, maybe due to a little aging, an extra cigarette, a cold. At that point we would come out unsettled, or maybe convinced that it was not the same voice anymore, but another. »

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Alessandro Cortini

Forse

39,99 €*

Alessandro Cortini of Nine Inch Nails

Release: 2021 / US – Original

Genre: Electronic & Dance

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Alessandro Cortini's acclaimed 'Forse' series is available for the first time on CD including an exclusive disc of 'Forse' performed live. Packaged in matte coated digipacks housed in a heavy duty tip-on style outer box. 2021 digital master by Stephan Mathieu.

Composed using only an original Buchla Music Easel, an incredibly rare electronic music instrument designed by Don Buchla, the Forse series features long, romantic compositions full of voluminous, bombastic tones and dripping with thick timbre.

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Forse 1

2LP | 2013 | US | Reissue (Important)

41,99 €*

12" | 2022 | EU | Original (Mule Musiq)

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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Alessandro Cortini (Nine Inch Nails/How To Destroy Angels) composed the Forse series using a Buchla Music Easel. Forse, meaning "maybe" In Italian, is a series of 3 double LP releases Cortini recorded for Imprec to release in 2013.

"All pieces were written and performed live on a Buchla Music Easel, in the span of one month. I found that the limited array of modules that the instrument offers sparked my creativity. Most pieces consist of a repeating chord progression, where the real change happens at a spectral/dynamic level, as opposed to the harmonic/chordal one. I believe that the former are just as effective as the latter, in the sense that the sonic presentation (distortion , filtering, wave shaping, etc) are just as expressive as a chord change or chord type, and often reinforce said chord progressions.

Of all the years with Nine Inch Nails the period spent writing and recording the instrumental record Ghosts I-iv is probably the one which changed my approach to music making the most. After that record I started getting more into instrumental composition, although I tried to approach it in a different way. While we had a vast array of tools and instruments at our disposal then, I decided to approach my pieces limiting myself to one instrument only, as I found myself being more decisive when faced with a limited creative environment."

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Alex Albrecht

A Clearing

17,09 €* 17,99 € -5%

12" | 2024 | EU | Original (Analogue Attic)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Alex Albrecht is a new artist on Mule Musiq.

Melbourne based producer and Label owner of Analog Attic. half of Albrecht la’brooy, they have released two albums on the sub Label of R&S “Apollo”.

We liked his latest album “Campfire Stories” on his Label. It’a a beautiful mixture of New Age, Modern Classical and Electronic Music. It sounds like a Lawrence children.

This new release is a sequel of latest album. Home listening elegant slow House Music. If you like Lawrence or Larry Heard or that kind of style, You will like it.

Hope you enjoy.

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Alex Albrecht

Allambie

17,09 €* 17,99 € -5%

Alex Barbir / Pascal Comelade

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Alex Albrecht returns to Analogue Attic Recordings for the label's inaugural release of 2024.
An immersive exploration spanning house, downtempo, and ambient genres, Albrecht guides listeners through a ephemeral sonic journey. Up there with the best on the label, this is another sonic celebration with that inspired, immaculate AAR sound.

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Alex Barbier Chante...

10" | 2021 | EU | Original (La Belle Brute)

17,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2LP | 2017 | EU | Original (blundar)

Alex Cortex

Untitled

Can I Hear The Sound Of A Falling Branch

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Over two decades past his Source Records 'tubed' appearance, Alex cortex is back at it with a full length portraying electronica range as he knows how. This time trough Malmo based imprint blundar and it's #mutantexture arrays.

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Alex The Fairy

Tape | 2022 | UK | Original (The Tapeworm)

12,99 €*

Youth Orange Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Alex the Fairy is an artist based in Berlin producing music with an emphasis on electronic and concrete methods. Alex the Fairy is also part of the 3Ddancer trio, a live act focusing on improvisation and expression using electronics.

Alex The Fairy writes: "I had sent The Tapeworm tracks before, but I was being difficult so was asked to send a new bunch, with a deadline. I sent the new bunch, a fairly odd collection expecting perhaps some of them to be combined with the older stuff but not seeing any coherence in them. I figured The Tapeworm would find at least something. To my surprise the suggestion that came back was exclusively the tracks I had sent the second time, and, re-listening through the tracks in this new order after returning from a Christmas dinner lying on the floor of my nephews bedroom gave them a completely new context. Despite them being quite varied in terms of age (one had been flung together a few days earlier on the train while another was approaching Schulreife) they seemed to meld together in such a way that I hardly recognised them…

Last year my grandmother died. My last grandparent. I had put off seeing her during corona, as I thought it best not to put her at risk and had almost left to visit her days before her death but had delayed my departure because of a medical appointment. My failure to her weighs heavy on my mind - fates grimacing grin: too little, too late. The approaching march of death, one generation closer was a confrontation I wasn't prepared for.

While clearing out her flat in the following weeks I had kept some of my grandfathers cassettes, live recordings of jazz greats, Pink Floyd, Sade and some classical among them, none originals, several presumably from the radio e.g. a church organ rendition of Bach. At the time I wasn't sure why I was hanging on to them, other than the urge to hoard, and that it felt wrong not at least to keep some. Half a year later, half way through mixing this cassette, suffering from my first bout of Covid, I had the insatiable urge to hook up the cassette player I had received from my grandfather after his death around nineteen years earlier and had been dragging along with me since. I stuck a cassette in only to immediately return to the safety of my covers. I began to work my way into what I had saved, hearing the fruits of my grandfathers labour decades before. It felt like quite an intimate interaction with someone I had long lost contact to/was long gone. Quite a wonderful thing, these time traveling cassettes.

I returned to the tracks to mix them shortly before my corona/cassette experience, with a new mixing console at hand. I had been looking for one for several years, but nothing had ever clicked, until I found this old broadcast desk 30 minutes from my place (it also coincided with a payment from a job the sum of which matched the price identically… fates return). Installing became a massive hassle and I doubted my decision continuously, but the further it was implemented the more it made sense. The first track I recorded with the mixer is on this cassette. Shortly before the mixing I was introduced to an Effektgerät by a friend, Rapha. Another good friend Art lent me their one, and I ended up using copious amounts of it throughout mixing, alongside my usual space creators. All the tracks on this release were mixed again on this mixer and are in a sense all a bit of a dub of the originals. I wouldn't have worked this way without the mixer, and the effect gave me a dimension I hadn't had before, so, from a technical perspective, the mixer and this effect define this release, giving it a coherence, at least for me. Emotionally of course the chaos and turbulence of the preceding year and my newfound appreciation for the medium give it a meaning I will struggle to formulate." – Alex The Fairy, Berlin, 9 May 2022

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Alex

LP | 2022 | US | Original (New Retro Wave)

Alex Zhang Hungtai, Pedro Alves Sousa, Gabriel Ferrandini, David Maranha

Release: 2022 / US – Original

Genre: Electronic & Dance

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‣ It's Official....SEXY Neon Orange with sleek finishing in limited 200 copies (180g). ‣ Audio remastered for vinyl. ‣ High duty jacket with spine ‣ Vinyl will be shipped inside protective wrapping and padded with bubble wrap.

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Ketu

LP | 2022 | EU | Original (Futuro Familiar)

Alex Zhang Hungtai, Pedro Alves Sousa, Gabriel Ferrandini, Júlia Reis, David Maranha

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A longform piece, performed by saxophonist Pedro Alves Sousa (who also runs the label Futuro Familiar) with Alex Zhang Hungtai (also known as Dirty Beaches) Gabriel Ferrandini, Júlia Reis & David Maranha, recorded at Galeria Zé dos Bois, Lisbon, 2017, by Cristiano Nunes. Mixed by Pedro Alves Sousa, Edited and co-edited by Pedro Alves Sousa and Gabriel Ferrandini, Mastered by James Plotkin.

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Rahu

LP | 2022 | EU | Original (Futuro Familiar)

Young Gods Run Free Clear Orange Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A longform piece, performed by saxophonist Pedro Alves Sousa (who also runs the label Futuro Familiar) with Alex Zhang Hungtai (also known as Dirty Beaches) Gabriel Ferrandini, Júlia Reis & David Maranha, recorded at Galeria Zé dos Bois, Lisbon, 2016, by Cristiano Nunes. Mixed by Pedro Alves Sousa, Edited and co-edited by Pedro Alves Sousa and Gabriel Ferrandini, Mastered by James Plotkin.

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Alex Zhang Hungtai

LP | 2024 | UK | Original (Modern Love)

26,59 €* 27,99 € -5%

Robotus Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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For 46 minutes Alex Zhang Hungtai punctures our perception of linearity, working like a conductor, encouraging percussive flurries to trip and fall over each other, sometimes tempered by contact mic feedback to help skewer the chronology. He’s assisted by three additional percussionists - Wet Hair’s Ryan Garbes and Shawn Reed, and Leonard King - while Signal Decay’s Nick Yeck-Stauffer plays trumpet, with each extra voice blurred into the middle distance, curling like pipe smoke into convulsive whorls. The piece is frankly astonishing in its grasp of the maelstrom. Initially tentative, searching, with higher register hits like moths butting lone lightbulbs in an abandoned apartment block, the distant, plangent peal of twin brass wafts between rooms to impart a distinctly floating, Oobe- like feel for space. The brass recedes while the drums’ low end thickens and roils like a gamelan tempest, blurring impressions of knackered buildings or the temple rituals of ancient epochs, with sounds wafting in from other rooms to mess with the stereo field like ghosts of worshippers doing their thing. Remarkably, it conjures a fever dream miasma of ricocheting, thunderous polymetric clatter and proprioceptive fuckry without ever losing its head. Hungtai’s canny use of contact mic feedback drone and cymbal saw gives the whole thing a sense of gauzy delirium that unites the grouches like mildewed grout and cobwebs, coarsely gelling the elements in a way that resonates with Pauline Oliveros and co’s Deep Listening band acousmagique as much as Basil Kirchin’s keeling ‘World Within World’ classic, the ghosts of Sun Ra’s ‘Nuclear War’, the possessed atmosphere of the cabin where Harley Gaber recorded ‘Wind Rises in the North’, and no doubt Harry Bertoia’s massive metallic sculptures, agitated at midnight. Humid, menacing, and wraithlike, the album’s’ sense of keening chronics belies a visionary hand at the tiller, here tightened by Rashad Becker’s mastering, which faithfully brings to light, and shadow, the depth of perception and wild but concentrated energies at play, sealing in place a truly staggering session for adventurous ears, cineastes and Lynchian acolytes alike.

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Alexander Marcus

LP | 2023 | EU | Original (Kontor)

21,24 €* 24,99 € -15%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Light Sounds Dark)

Alexander Melzak

23,99 €*

2LP | 2023 | EU | Original (Quirk)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New music on Light Sounds Dark from Alexander Melzak!

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Alexander Skancke

Kingdom Couch

26,59 €* 27,99 € -5%

LP | 2023 | EU | Original (Raster)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The eccentric beat ambassador Alexander Skancke showcases his sound once more on his Quirk label, diving into spring with his debut LP, â€œKingdom Couchâ€. The Norwegian has crafted a versatile yet cohesive body of work between 2020 and 2023, parallel to when he began attending sessions with a therapist. The 10 track double 12â€ traverses between meticulously arranged minimal moods, shuffling jazz rhythms and ethereal experimental textures. In its few years of existence Quirk has become a safe haven for a freedom of expression as Skancke and his affiliates share their wild side on the label, but the LP marks a milestone on the imprint and for Alexander himself whose lifelong dedication to sound has built towards this moment, utilising the vast influences has absorbed over the years. â€œTherapy Session Iâ€ teases you into the LP, shimmering blissfully as it grows, blossoming into a dream-like world, tuning your ears for the trip you are about to encounter. Constructed upon slick jazzy drums is â€œLost In Timeâ€ loosening your senses as the pulsating bass swallows up your train of thought. â€œDumbo Moveâ€ blurs the lines perfectly between the atmospheres the Berlin based producer has captured within the album. Dark, mysterious and mind bending material in â€œPurple Lucyâ€ a chugging sub heavy bass driving the track forward as precise beeps and bleeps whirr throughout. On a more playful note is the B2, â€œExtravaganceâ€ animated drum patterns converse with the elastic groove perfectly. Closing off the first vinyl is â€œTherapy Session IIâ€, another extended exploration of otherworldly ambience, drifting deeper in the world of Quirk. â€œThe Magnificent Tree Hutâ€ stirs consistently throughout, crisp percussion combined with the psychedelic vocal samples which continue to flash in and out. Transitioning now into â€œTherapy Session IIIâ€ sophisticated sounds, enticed further into the full bodied experience by the storytelling sounds of a female voice. Your eyes begin to close and you wake up in a hazy club setting, immersed in the after hours; thatâ€™s the immediate impact of â€œNew Dawnâ€, pensive and hypnotic as it rumbles quietly in the realms of the underground. At just over ten minutes long Alexander Skancke brings you down for landing with the final â€œTherapy Sessions IVâ€, transcending movements crammed full of raw emotion, floating you calmly out of the seventh outing on the label, and the thriving talents finest work to date. The â€œKingdom Couchâ€ is an amalgamation of Skanckeâ€™s undying passion and burning desire to create outside of the norm, this can be heard throughout this masterpiece and will undoubtedly inspire its listeners to search for the bigger picture. Artwork: Johann 3000 Mastering: Mike Grinser, Manmade Mastering

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Alexander Tillegreen

In Words

Alexander Tucker & Keith Collins

Release: 2023 / EU – Original

Genre: Electronic & Dance

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»In Words« is the first solo album by the Danish musician, composer, and visual artist Alexander Tillegreen. The album represents a series of varied electronic music pieces while also carrying examples of ongoing work with psychoacoustic phenomena. Composed partly of material taken from his artistic practice as an installation artist and his ongoing interdisciplinary artistic research into psychoacoustic phenomena, Tillegreen investigates subjective sonic perception and the negotiation of language. Particularly, these investigations are done through the use of the phantom word illusion, originally discovered by music psychologist Diana Deutsch. Parts of the album were conceived when Tillegreen was the first artist ever in resident at the Max Planck Institute for Empirical Aesthetics. Triggering the brain’s tendency to interpret language-based auditory illusions as meaningful information and as words within the mind of the listener, Tillegreen’s unique sound works unfold like a kaleidoscope of phonetic mirrors which render possibilities to reflect upon the listener’s own psychological and culturally situated linguistic embeddedness. Gender-distorted voice perception, speech and language borders are all challenged and thematized throughout Tillegreen’s work. The listener’s head and bodily movement drastically affect the listening and the word interpretation. Their psychological subconsciousness, recent events, memories, and expectations as well as the listener’s motion in space all become co-creative and co- composing factors in a reactive and choreographic process of listening. The polyrhythmic seriality of spatialized syllabic structures is accompanied by elements of heavy bass drops, high-frequency tensions, undulating synth lines, and hypnotic effects. Some of the many compositional potentials of the phantom word illusions are exercised and unfolded in selected tracks throughout the album. The notion of language borders is approached from an entirely different and even more “anti-logocentric” perspective on the “eponymous” closing track »Assimilate (in Words)«, where the listener experiences the struggle and collapse of interpersonal communication through conversation. Other parts of the album represent more diverse approaches to abstract electronic music. »In Words« morphs soundscapes into glacial, spherical passages of ambient backdrops, while at other times emphasizes raw tectonic blocks of hyper-panning drones that erupt into high-velocity outlets of energetic, granular fields. Tillegreen is alternating between cyclical, minimalist, hypnotic approaches and complex, glitchy polyrhythmic melodic structures that shift and melt into evocative ambiences. The phantom words and the nature of Tillegreen’s musical visions progressively demand more of the listener’s attention and represent the artist’s ongoing artistic work and scientific research into psychoacoustics and language. While »In Words« is a highly conceptual album, the musical bandwidth is extensive.

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Fifth Continent

LP | 2023 | UK | Original (Subtext)

Rhythmic Brutalism Volume 2

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Alexander Tucker has announced details of a new album, Fifth Continent, a posthumous collaboration with Keith Collins (1966-2018). The album, which pays homage to Keith Collins, his partner and collaborator Derek Jarman (1942-1994), and the Kentish headland, Dungeness – will be released on Subtext Recordings on February 24th, 2023.

An accompanying anthology, Fifth Quarter, will be published on the same day. The book will collate new and archive work by artists, photographers and writers reflecting on Collins, Jarman, one of England’s most unique landscapes, Dungeness and Prospect Cottage, their former home and sanctuary.

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Alexandra Atnif

LP | 2017 | UK | Original (EM)

20,99 €*

Alexandre Babel & Latifa Echakhch

Release: 2017 / UK – Original

Genre: Electronic & Dance

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"Rhythmic Brutalism" is the title of this release, available as two CD set or two separate 12 inch vinyl LPs; the title is also a very apt description of the music itself. Romania-born Alexandra Atnif is fascinated by the harsh, grey concrete beauty and minimally repetitive force of the brutalist post-war architecture of her homeland, and this fascination has given rise to the music here.

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The Concert

LP | 2023 | UK | Original (Shelter Press)

12" | 2022 | EU | Original (Umor-Rex)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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When Latifa Echakhch was tuning the concept for her presentation at the Swiss Pavilion during the 59th Venice Art Biennale, she wondered how it might be possible to alter her visitors’ perception of time. She invited Berlin-based drummer and composer Alexandre Babel to come up with a response to her silent exhibition, held inside a striking multi-room building designed by Bruno Giacometti and originally intended for the display of classical art. Babel assembled field recordings captured at the Pavilion alongside pre-recorded viola, contrabass, flute and percussion sounds contributed by Jon Heilbronn, Rebecca Lenton, Theo Nabicht and Nikolaus Schlierf, combined to construct an immersive slow-creep of detailed micro-sounds designed to gradually alter your temporal and spatial bearings. Opening with echoing footsteps over a discomposing whirr of modern machinery, our attention is drawn to the physical space and the natural rhythm of walking. Pinprick clicks add an extra layer of microscopic grist, as water droplets form an incoherent pulse that eventually turn to woodblock clacks and toms. Resembling the innards of a clockmaker’s workshop as though heard from the central hall of a vast gallery space; Babel’s rhythms are so finely drawn that they’re hard to grasp at first blush, demanding multiple listens in order to fully comprehend their abstruse latticing. Spray can blasts and white noise bursts dance in tandem, ushering in low-end rumbles that cautiously mutate into the album’s central segment, where a bass drum slowly ushers in a pressure shift. It’s at this point where the music begins to fully betray its influences, linking the freeform heartbeat-led expression of Milford Graves and his under-sung student Jake Meginsky with crys cole’s lower-case sonic journeying. When more traditional instrumentation rings out from the rafters, it’s to reinforce the piece’s rhythmic thrust, not drown it out with buttoned-up respectability. At its peak “The Concert” sounds lost between genre and temporality, both electronic and astonishingly biotic. It’s the rare site-specific installation piece that truly meets its brief, forcing listeners to consider not just the three-dimensional space it’s responding to, but also the constant rhythms that surround them in day to day life.

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Alexandre Bazin

Four Steps

Tape | 2024 | US | Original (Important)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Paris-based producer Alexandre Bazin returns to Umor Rex with another side to his music approach. If in »Full Moon« he explored the analog electronic music merged with classical minimalism, in this new work, Bazin dives into totally rhythmic terrains while maintaining his devotion to electronic exploration and acoustic drums. Four Steps even rubs shoulders without discretion with techno music and the dancefloor, and retains his refined obsession with melody and structure.

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Alexandre Bazin

Therapy

17,99 €*

LP | 2024 | EU | Original (Discrepant)

Release: 2024 / US – Original

Genre: Electronic & Dance

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»Therapy« is a new experimental electronic music album by Alexandre Bazin that explores musical reasearch on the edge of ambient music, with a reminder of classical music. His instrumental music revolves around sonic textures, saturations, feedback, allowing new fragments to emerge to create melodies, timbres and tone colors. The saturated sounds recall the presence of the electric guitar, encompassing orchestral materials and acoustic instruments which are the basis of this album, with the exception of the first two tracks, which are solo synthesizer pieces, the first one that opens the album is a solo by Synthi A, and the second by Buchla Music easel.

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Alexandre Centeio

Panorama

20,99 €*

Alexei Borisov / Sergey Kasich / Giovanni De / Donà / Gianluca Ghini

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of 'Panorama'. A multi-instrumentalist and sound artist based in Porto, Centeio - who is also part of Stellarays and The Murmurous Playground - delivers his second album under his own name after 2022's 'Movanta'.

Signalling a departure from the intimate synth driven beautifully soothing landscapes of 'Movanta' while still working within a realm where space and memory play a significant part of both escapism and connection, 'Panorama' opens itself up to a "surrealistic soundscape filled with real and dreamt sound", perfectly illustrated by Ruca Bourbon’s artwork. A sonic fiction conjured from a variety of sources - hand drums, disembodied voices, scraps of unknown realities, skewed loops, oneiric collages, flutes, spectral synths - that float freely between disruption and continuity but within their own internal logic. A very particular and hallucinatory one at that, mind ya. Collapsing notions of time and geography in an aural canvas totally aligned with Discrepant's ethos. 'Panorama' indeed.

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Moscou Aller-Retour

LP | 2023 | EU | Original (Koo Editions)

LP | 2022 | EU | Original (Soda Gong)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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An imaginary train journey between Bologna and Moscow. The original recording of the entire experimental electronic session performed at the audiovisual festival "Geometry of Now," Moscow (2017) curated by Mark Fell, reworked in Bologna (Italy) with custom analog equipment in 2022. Alexei Borisov, the Moscow underground legend who has spanned new wave, electronic noise and constructivist experimentation, measures up with artist and curator Sergey Kasich, a sound and media artist originally from Sevastopol, Crimea, founder and main curator of the Sa)) community for experimental sound artists from the post-Soviet regions (https://soundartist.ru), as well as the Sa))_gallery and Sa))_studio in Moscow. The deconstruction of that live performance is meant to underscore the evidence of the lie of the end of history and the inadequacy of theories produced by the relativist burden of postmodernity with its illusory recombinations, revivals and remixes, lead to the search for a misaligned and alt-modern subjectivity that concretely emerges from an imaginary journey into the era of the materialization of the unexpected, like the sudden concreteness of a window that no longer squeaks, but slams... The “Petroni apartment session” was recorded in Bologna, by also mixing concrete elements of environmental recording to emphasize the sudden impending immediacy of the real dimension.

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Alexi Baris

Support Surfaces

21,99 €*

Alexis Georgopoulos / Jefre Cantu Ledesma

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Soda Gong presents the new record by Alexi Baris, a musician hailing from Vancouver, British Columbia. Baris’ methods are patient and deceptively rigorous, trading in sonics that are at once organized and organic. Synthetic and acoustic elements are presented in sonorous states of perpetual flux, carefully amalgamated into structures of fertile ambiguity. His is a diligent and painterly approach to sound design and arrangement, in which tiny events are magnified and brought up close, and expansive gestures are repurposed and shifted in scale.

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Fragments Of A Season 2022 Repress

LP | 2017 | EU | Reissue (Emotional Response)

12" | 2024 | EU | Original (Creaked)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Emotional Response celebrates it's 10th Anniversary in repressing a label's long held favourite - Jefre Cantu-Ledesma and Alexis Georgopoulos wonderful Fragments Of A Season - coming together perfectly for an album of laconic story-telling and atmospherics.

Over the past decade, Cantu-Ledesma and Georgopoulos have been frequent collaborators. With one another - Jefre's recent ""On The Echoing Green' Mexican Summer), Arp's "The Soft Wave" Smalltown Supersound) and The Alps "Le Voyage" Type) - and with others. Jefre has worked with Grouper aka Liz Harris), filmmaker Paul Clipson and has released music by Harold Budd, Oneohtrix Point Never and Keith Fullerton Whitman on his Root Strata imprint, while Alexis has worked with visual artists Tauba Auerbach and Doug Aitken, scored dance for Merce Cunningham, choreographer Jonah Bokaer and made liminal classical music with Canterbury composer Anthony Moore Frkwys 3 / Rvng Intl.).(Emotional) Especial

In all of their projects, the two have always been masters of atmosphere. Veering between romantic abstraction, filmic ambiguity and suggested narrative, their music draws on personal and collective memory, letting things surface. Fragments Of A Season represents a new and distinct chapter in their ongoing work together, continuing this lineage of understated but resonant work.

Arising from conversations wherein each revealed that they'd been working on tracks with a similar feel in mind, the two quickly realized their songs fit together quite effortlessly. The goal was to do something immediate and spare - most songs simply use an old drum machine and a few chorused guitars, featuring live performances with minimal editing. The result, and indeed the goal of the project, was not to make an album that would simply sounds like what one would expect of the two - there are no modular synths or sequenced basslines, no motorik rhythms or overdriven distortions. Rather, to pursue a tangent of simplicity and clarity.

The result is an album of warmth and cool, sparse but evocative, earthy and luminous, narrative and abstract, taking influence from Les Disques Crepescule and early Cherry Red artists i the duo also cite Eric Rohmer's "A Summer's Tale" and the photography of Luigi Ghirri, whose image graces the cover.

Song titles provide narrative hints. As does New York-based writer Leigh Gallagher's short story enclosed within. Each song finds the story advancing - on the beach ""Marine""); at a discotheque ""Madagascar""); sleeping in the afternoon "Mirror The Sky"). Memory of cobblestone streets and a recent relationship ""Cleo"", "The Streets Are Filled With Rain"). A sense that this temporary idyll will end casts a shadow. Ultimately, for reasons unclear, it does ""Lost Summer"").

There is the sense that a distinct arc has taken place. On some faraway beach, the buildings are white, the skies and sea turquoise. Waves rise and crest. A shaft of light crosses an empty room. A discotheque can be heard in the distance. A mist burns off. Over the course of the ensuing astral summer weeks, an encounter sets the world known previously in relief. Days stretch out and the nights hum.

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Algebra

Aphantasia

12,59 €* 17,99 € -30%

LP | 2022 | EU | Original (Signature Sounds)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Over his very active release and project history, Lausanne’s Gregory Poncet has torn at the connective tissue of genres such as electronic, minimal house and indie pop, defying categorisation. Since debuting his Algebra project in 2020, Gregory Poncet has fine-tuned a dream-like style of music, intensely personal, that straddles multiple songwriting worlds. Now, Algebra reveals his first collection of material under his new moniker and unveils another side of his musical background.
This new record marks a step into simplicity with complexity merging both contemporary and vintage references, electronic and acoustic instruments, songwriting and loopy song format into all sounds coherent. On Aphantasia songs drift at leisure, environments and voices pass by, revealing an artist unafraid to change shapes and maintain fragility and creativity. It is better considered as a series of cross-pollinations, where spontaneity and naivety navigate to an ongoing journey through the possibilities of intimate pop.

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Ali Mcguirk

Til It's Gone

27,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Koo Editions)

Ali Phi

Elemaun

LP | 2023 | Original (Other People)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The electronic audiovisual project, inspired by ritual & regional music from the Iranian plateau The term "elemaun" (loanword from French) is equivalent to the English word element, commonly used in mathematical terms of the surface integral in Persian. The components and smaller surfaces that are selected to study the whole surface are called "elemaun." Such elements can contract in size to a considerable degree to estimate the limit value of the intended surface. The set consists of six compositions of digital and analog synthesizers, field recorded samples, ambient soundscapes, and synthesized drum machines referencing different cultures, music, and narratives and the same approach has been taken for computer-generated motion pictures and real-time edited video footage. The tunes are sampled as abstract, minimal, and repetitive motifs from different cultures of Baluch, Azeri, Southern Iranian Arabs, Khorasan, etc. After teh Linz Ars Electronica premiere of 2016 it was presented in Poland, Iran, United Arab Emirates, Qatar, Germany and finally in Canada in 2019, where the artist is based, and just perfomed at Mutek festival 2022.

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Ali Sethi & Nicolas Jaar

Intiha

Release: 2023 / Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Never Sleep)

Alia

Circa 90

14,99 €*

Tape | 2024 | UK | Original (Aird Tapes)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Never Sleep welcome Scottish duo 'Alia' into the fold with the Circa 90 EP. Liam Robertson (Clouds) and Andy Graham (Sei A) join forces for devastating effect and blowing the doors wide open on that beautiful middle ground between club and ambient. A mesmerising body of work that spans electronic genres effortlessly and compounds a cinematic quality to every avenue of sound design. 'SunLight' leads the effervescent charge with driving percussion and explosive dynamics whilst 'Circa90' breaks the deconstructed barrier with tones of rave, full bodied bass and pulsive symbiotic breakdowns. A hybrid sound from a contemporary duo that are continuously hitting the right notes. Neil Landstrumm and Stina Nordenstam field record outdoor Fairlight CMI in the Allean Forest.

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Alicia

Aird Tapes 1.1

13,99 €*

Sounds From The Book Of Bean

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Alicia is a DJ, producer and musician making deeply rhythmic, off-kilter dance music inspired by a love of club culture and the avant-garde. This mixtape delves into deeper worlds of spaced out hazy trips through dubwise ambient & downtempo niceness.

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Alison Knowles

LP | 2021 | EU | Original (Recital)

LP | 2021 | US | Original (Akp Recordings)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.

On the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.

Knowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”

Originally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.

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Alister Fawnwoda

Milan

LP | 2023 | CA | Original (Constellation)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Alister Fawnwoda melds an abundance of influences into a sound that is expansive, ambitious, and authentic to its core. With a creative practice that flows between painting, production, DJ’ing, and beyond, Alister is committed to exploring the boundaries of his talents and potential. Working with an impressive array of unexpected collaborators, including most recently the legendary Omar S., his upcoming collaboration with Suzanne Ciani and Greg Leisz to be released through AKP Recordings as an album, “Milan” furthers the very timely discussion of new ambient composers and how they are reflecting our presently tumultuous world through sound experimentation. Alister is persistently building his repertoire as he makes a name for himself as one of the most promising artists in the City of Detroit. For lovers of classic house, experimental ambient, and everything in between, Alister’s music presents the possibilities of creative exploration.

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ALL HANDS_MAKE LIGHT

Darling The Dawn

LP | 2022 | UK | Original (Miasmah)

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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All That We See Or Seem

28,99 €*

LP | 2021 | EU | Original (Natural Sciences)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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“Is all that we see or seem but a dream within a dream?” This quote from a poem by Edgar Allan Poe sums up the lamenting, primal work that is "All That We See or Seem"; a project conceived between Finland, England and Brazil. The self-titled album consists of two long-form pieces of droning mysticism hailing from the trio of Gruth (concept, production, electronics), Ellen Southern (vocals, field recordings, percussion) and Johanna Puuperä (violin, modular synthesizer, additional vocals). The album opens straight into a thousand yard stare with “Myrskymielellä", adapted from a 1891 poem by the Finnish national poet, Eino Leino, who wrote it at the tender age of 13. Here a blank distant droning of synths and the sounds of flowing water hover underneath like a dark river observed from the air. This is a sound and feeling that will stay constant for the entirety of the piece´s thirty minute duration. It is a trance-inducing composition that slowly unfolds elements of pagan ancestry into its own life. At first, faint female vocals are introduced as distant spatial elements, which gradually advance into waves of cries and anguish as the piece progresses and moves further into the storm. The tranquility of the first half is slowly morphed into a full blown ceremony as driving ritualistic percussion and a foreboding witch-like presence shifts the piece into a Dead Can Dance-like territory. Here a constant enveloping mixture of violins, modular synths, field recordings and vocal screams creates the feeling of a grande finale. It is an astounding piece of music that develops like a drone symphony for the beginning of time. With the second piece, “A Dream Within A Dream”, from Edgar Allan Poe´s 1849 poem, you are transported to the shores of an undisclosed island; a place where it´s only you, your thoughts and the endless emptiness. The continual sound of waves is soon brought together with a cloud of synths and mourning violins that will keep a steady dreamlike state during most of the piece´s duration. This time the wordless vocals feel almost angelic in their pageantry. The composition flows like a slow caress of the soul and feels like the spirit twin of Gavin Bryars' “The Sinking of the Titanic” with its lamenting slow movements towards the unknown. Truly a ghost of a record, “All That We See or Seem” is an experience hard to shake and feels like entering sacred ground. We are in a place surrounded by earth, both ancient and present. "Let loose, Vanha, the rage of an earthly storm! Detach the elements, completely open the sky! In the Earth, let an incessant storm prevail, so that in my chest I would not feel the miserable pain” - Eino Leino

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Alleged Witches

Work After Machinery

18,99 €*

Nautilus / Rue Du Poisson Noir

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Alleged Witches debut album breaks down centuries of human labour into an eight-part instruction manual for company best practice, stock control and tips for the optimum commute. The final break from nature, it's Pagan funeral marches, insect rhythms and doomed ambience for one last trip up the river. Artwork from Bill Connors.

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Allen Ravenstine

LP | 2021 | EU | Original (Waveshaper)

20,99 €*

Tape | 2022 | UK | Original (Paralaxe)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Composer, electronic music innovator, and Pere Ubu's original synthesist Allen Ravenstine returns to Waveshaper Media with the diptych LP (comprised of 1 EP per side) Nautilus / Rue De Poisson Noir, the final two parts in Raventine’s Tyranny of Fiction series. Waveshaper Media first came into contact with Ravenstine when we interviewed him in 2012 for our modular synthesizer documentary I Dream Of Wires.

Nautilus / Rue De Poisson Noir brings together 21 of the prodigious composer’s recent lyrical and abstract compositions collectively comprised of the sounds of analogue and digital synthesizers, alongside traditional acoustic instruments. The first 10 recordings, subtitled Nautilus, are found on Side A of this LP while the second 11, Rue Du Poisson Noir, comprise Side B.

Using a singular blend of acoustic and electronic instrumentation, each track on Nautilus, weaves its own wayward travelogue amidst stray bits of audio verité and wafting musical fragrances—by turns tropical and foreboding. Rue De Poisson Noir takes cues from its fragmentary companion both in palette and approach, slithering between cinematic intrigue, off-brand jazz, avant-garde mischief, and fried electro without ever batting an eye. Together they form a beguiling collection of hyperrealist miniatures that remains strange, restless, inquisitive and — most of all — evocative throughout.

For those in the know, Allen Ravenstine has been one of the most creative synthesizer players of the past forty-plus years. Ravenstine started out in the mid-1970s experimenting in his Cleveland apartment with an analogue EML 200 synthesizer, eventually creating a piece in 1975 that became known as Terminal Drive. While he had no intention of releasing his compositions, word got out about the kind of sounds he was experimenting with, which led to an invitation to join pioneering “avant garage” group Pere Ubu for the recording of the group’s first 45, “Thirty Seconds Over Tokyo.” He soon joined Pere Ubu full-time, bringing to the band’s sound unpredictable textures, effects, bleeps, squalls, pulsating washes of sound—whatever he felt could enhance the soundscape of the band’s performances and recordings.

By the early 1990s, Ravenstine had grown sick of the road, band infighting and the music industry in general. Deciding a change was needed, he opted to forego music altogether, making his living as an airplane pilot. His music career remained in limbo until 2012, when an interview for the I Dream Of Wires documentary, alongside Robert Wheeler who had succeeded him as Pere Ubu’s synthesist, turned into a recording session for the duo, leading to a series of collaborative releases. As well as having his 1975 Terminal Drive recordings released to great acclaim in 2017, Ravenstine has been prolific in recent years, with Nautilus / Rue De Poisson Noir now marking his 4th solo full-length.

The album contains 21 songs on vinyl LP - limited to 300 copies. The recordings are also available in a 2CD digipak, and digitally as two separate EPs: Nautilus (wsm07), and Rue Du Poisson Noir (wsm08).

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Alloy Sea (Mor Ellian)

Xoomin

15,99 €*

LP | 2021 | EU | Original (Dauw)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Full of dreamy textures and languid melodies, Xoomin is a soundtrack for drifting off into the abyss, but in the hands of Alloy Sea (a.k.a. Mor Elian), that journey feels downright playful. Although the Berlin-based producer is best known for her dancefloor-focused creations, 2020’s Petrichor (a 50-minute composition that officially debuted the Alloy Sea project) showcased an unexpected talent for abstract soundscapes and arrhythmic jitters, hinting at ambient techno but ultimately offering something much more adventurous.

Xoomin—an album that was specifically written for Paralaxe Editions after label founder Dania Shihab reached out to Elian about working together on a new Alloy Sea release—ventures into similarly ethereal waters as Petrichor, but it’s also brighter and more colorful than its predecessor, its gleaming FM synth improvisations flanked by scuttling rhythmic bursts and the occasional wonky bassline, not to mention celestial snippets of Elian’s own voice. It’s not pop, but it’s not quite ambient either, floating instead in a nebulous (and sneakily fun) zone that borrows from new age, IDM and the weirder corners of bass music.

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Allred & Broderick

What The Fog