Downbeat | Electronica | Leftfield Vinyl 5662 Items

Kali Malone with Stephen O'Malley & Lucy Railton

Release: 2023

Genre: Electronic & Dance

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Leaving the digital-only realm and materialising as a physical release, space•lab 006 sees Reflex Blue’s sought-after Digital Dreams EP finally out on vinyl. Remastered and complete with a previously unreleased bonus track, as well as a sizzling remix from space•lab favourite, Lisene.

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Does Spring Hide Its Joy

3LP | 2023 | EU | Original (Ideologic Organ)

47,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Does Spring Hide Its Joy is an immersive piece by composer Kali Malone featuring Stephen O'Malley on electric guitar, Lucy Railton on cello, and Malone herself on tuned sine wave oscillators. The music is a study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns. Malone's experience with pipe organ tuning, harmonic theory, and long durational composition provide prominent points of departure for this work. Her nuanced minimalism unfolds an astonishing depth of focus and opens up contemplative spaces in the listener's attention.

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The World I Want Would Be Celestial, Wet

2LP | 2022 | EU | Original (Absorb)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A glass half-full. The World I Want Would Be Celestial, Wet is the first full-length release from record label, Absorb. The eagerly awaited compilation features acclaimed and lesser-known artists, presenting thirteen works made between 2020 and 2021. Classical re-presentations, squealing electronics and other "wait-for-it" moments are pieced together by label head, Kavil and the ethereal work of painter, Matthew Asling. The result is something windy and heady. A feeling that is drifting. Crucially, the double LP serves as a timestamp of a very special chapter of contemporary experimental music being made in Naarm (Melbourne) and its surrounds. Taken in, soaked up, gleaming.

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Valley Of The Sun: Field Guide To Inner Hand Black Vinyl Edition

2LP | 2022 | US | Original (Numero Group)

LP | 2022 | EU | Original (White Skull)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Both a marketing firm and metaphysical mission, Valley of the Sun synthesized style and spirituality to produce an extensive catalog that at once defines and defies new age music. Founder Dick Sutphen worked with tireless devotion to spread a message he believed could change the world for the better. This 18-track overview of Vots' fertile 1977-1990 period includes music from Upper Astral, Robert Slap & Steve Powell, David Naegele, David Storrs, Steven Cooper, and Gloria Thomas, a 24-page booklet with extensive liner notes, J-card scans, and a hint of Sedona sand. Subliminal hypnosis likely.

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Zero Netcost

Remixes

LP | 2022 | EU | Original (Smalltown Supersound)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It's been a long journey for Romain Bezzina aka Zero Netcost ever since 2002 when he discovered the band that would become his favorite of all time: The British duo Bent through the amazing track "Always" remixed by Ashley Beedle. Twenty years later, the circle is complete with this compilation of remixes from all his idols including, of course, a beautiful atmospheric/downtempo remix from Bent, a cheeky mega drive mix from Simon Mills (one half of Bent), a chunky sunny remix from the legendary Ashley Beedle, and to complete this nice bunch of guys, a very nice sharp balearic remix from the amazing I:Cube. Enjoy!

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Kelly Lee Owens

LP.8 White Vinyl Edition

12" | 2022 | EU | Original (Malka Tuti)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After releasing her sophomore album Inner Song in the midst of the pandemic, Kelly Lee Owens was faced with the sudden realisation that her world tour could no longer go ahead. Keen to make use of this untapped creative energy, she made the spontaneous decision to go to Oslo instead. There was no overarching plan, it was simply a change of scenery and a chance for some undisturbed studio time. It just so happened that her flight from London was the last before borders were closed once again. The blank page project was underway. Arriving to snowglobe conditions and sub-zero temperatures, she began spending time in the studio with Lasse Marhaug. An esteemed avant-noise artist, Marhaug envisioned making music that would fall loosely in line with Throbbing Gristle. Kelly, on the other hand, had planned to create something inspired by Enya, an artist who has had an enduring impact on her creative being. They met each other halfway, pairing tough, industrial sounds with ethereal celtic mysticism, and creating music that ebbs and flows between tension and release. One month later, Kelly called her label to tell them she had created something of an outlier, her `eighth album'.

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Black Merlin

Surface Air

13,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Surface Air is the lovechild of a long relationship between Malka Tuti & Black Merlin. After remixing Tapan and Shari Vari for the label, as well as being part of Spectral Empire who released Iron Muscle with us on 2018, George has always been an inspiration for us, both sonically and spiritually. His new record, Surface Air, in which the A-side is accompanied with vocals from Dallas artist Aura Nox, is a slow burning deep record for the late emo hours of the night, for you trippy after hour or your late night drive. On the B-side you can also find a Remix from an artist we’ve been following for years here in MT, and that when his name came up in a conversation with George (bm) as a possible remixer, excitement levels went through the roof. The Remix Wata Igarashi delivered is a stripped down epic ambient track, ala late 90’s Pete Namlook endeavours with some 2022’s Wata Igarashi unique sonic aesthetics.

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2LP | 2022 | EU | Original (Kalahari Oyster Cult)

Elsewhere XX

2LP | 2021 | EU | Original (Re:Discovery)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Exploring hybrid music styles and outernational, borderless musical influences, DJ soFa’s Elsewhere compilation series continues with a sixth instalment, and the second to appear on Kalahari Oyster Cult. Always ahead of the tide, the Kalahari Oyster is a fine specimen when it comes to the discipline of next-level sound-snooping. Meticulously curated by Belgian sonic globetrotter soFa, Elsewhere XX showcases a dozen outstanding tunes, each dwelling in their own personal space between the imaginary worlds of post-kraut, DIY synth-punk and odd-pop ballads. Melting these genres with contemporary club music is the mission here. Doused in a thick fog of arcane machine talk, tribal rhythms and cosmic synths, Elsewhere XX is an invitation to escape the hall of LED-backlit mirrors that we’ve so mistakenly come to call our “reality”. Gathering artists from all corners of the globe – including Radio Hito, Anatolian Weapons, Eylul Deniz, Dame Area and Electronic Body Girl – soFa’s curation lays the groundwork for a unique and thoroughly immersive listening and dancing experience. Through a carefully selected suite of like-minded, yet diverse joints, we run the gamut from distorted funk (“Anita”, “Confiture") and cross-pollinated electroid blueprints (“Walk Away”, “An Abhainn Mhor") to oddball synthpop (“Credo” & Twin Peaks cover "She Can't Die"), reverb-soaked audio safaris (“Fifty Fifty (Anatolian Weapons Dub)") and static-filled postpunk (“Umani”). soFa's Elsewhere series started in 2017 and this is the sixth compilation to date. Shifting focus with every new instalment, the compilations have previously appeared on labels likes Music For Dreams, Emotional Response and Crevette Records.

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A Positive Life

Synaesthetic

LP | 2021 | EU | Original (Oxmose)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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re:discovery records is proud to announce the reissue of 1993's 'Synaesthetic' by A Positive Life. This seminal release is revered and beloved by fans and followers of early 90's electronic, IDM, techno, dub and chill out music. Key tracks include the Orb-esque 'The Calling', the magnificent 'Pleidean Communication' and the chill out dub classic 'Aquasonic' among others. This new reissue also adds the track 'Warehouse 5am' which was orginally only releases on the American cd version and not the original vinyl. Spread across 2 vinyl with new updated artwork by Grid Pattern and insert input from the label and the artist themselves, this will surely be the reissue highlight of 2021.

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Roberto Musci

Melanesia

21,99 €*

12" | 2019 | EU | Original (Numbers)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A journey back in time, maybe thousands of years ago, somewhere in the isolated islands of Melanesia. Here, just like a sound alchemist, Roberto Musci transforms organic nature elements into a unique sound performance of self-estrangement. Roberto Musci composed “Melanesia” based on the Plunderphonics technique mixing traditional ethnic music with contemporary chamber music and concrete music. Mastered by Kassian Troyer at Dubplates & Mastering, “Melanesia” is released in a limited edition 12", 180g vinyl, with a cover artwork created by Giuseppe Lo Schiavo.

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Lanark Artefax

Corra Linn

12,99 €*

Sounds Between Colours EP

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Lanark Artefax releases a new EP titled ‘Corra Linn’ on 24th October via Numbers, l-a-n-a-r-k.net.
It is the Scottish producer’s first solo output since his breakout record on Whities in 2017, which included the ethereal ‘Touch Absence’. The three-track EP arrives after last year’s remix of Björk and an extensive period touring his internationally acclaimed live A/V show.
Recorded sometime in the last year and a half, the three tracks across ‘Corra Linn’ materialise like a cascading data flow; combining lazer sharp digital synths and hyperspatial sound design with scaled up, spine-tingling choral melodies, time-refracted field recordings and ethereal childlike vocal arrangements.
The EP’s title track, ‘Corra Linn’, takes its name from a waterfall in the Lanark area of Scotland, the water of which flows into one of the oldest hydro-electric power stations in the UK. The artwork accompanying the EP is a photomicrographic image of Lanarkite; a rare and precious mineral form. Almost all significant occurrences of Lanarkite were discovered deep within the Leadhills in South Lanarkshire, but it is said that an unknown, but large, quantity of it was once unearthed at the base of Corra Linn waterfall.
Visit the Lanark Artefax web portal l-a-n-a-r-k.net to explore the digital archive accompanying the release.

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Toto Chiavetta

12" | 2019 | EU | Original (Innervisions)

11,99 €*

12" | 2019 | EU | Original (Kame House)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After almost a year Innervisions is blessed to have Toto back with a package of four tracks showing why they are in love with his productions.

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Conny Frischauf

Affekt & Tradition

9,99 €*

LP | 2019 | EU | Original (Zaun)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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There is a rumble in the Alps. The animals are nervous and on the high plateaus, where the meadows are lush and green, some people might feel a cold shiver down their spines. The chamois know: With her second EP Viennese artist Conny Frischauf will deliver a masterpiece. On her 2018 debut »Effekt & Emotion« (International Major Label) she delved deep into a well-curated atlas. Whether in the desert or in the vast world of cosmic music and its companions – all is well wherever Frischauf goes. But now, on her sophomore EP – wittily named »Affekt & Tradition« – she will not only make her first appearance on Kame House, but also create an entirely new genre: Welcome to the »Alpen-Avantgarde«.

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Hubur

Music From The Archive

Pudel Produkte 10 feat. Benjamin Dibaba

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The music of Hubur is full of details and small elements that trigger the big picture profoundly. You can call his music electronic. You can say he writes tracks. But then there are some song-ish moments in them – even if there is no singing at all. Not at least because his melodies are tempting. You can also find traces of hip hop. Traces of leftfield electronics. Traces of jazz without jazz. A gentle ride with a story arc that absorbs profoundly and that does not require a commercial value to exist and be meaningful.

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Sebastian Dürre

7" | 2010 | DE | Original (Nobistor)

7,99 €*

Release: 2010 / DE – Original

Genre: Electronic & Dance

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Nightmare Logic Purple & Red Splatter Vinyl Edition

Power Trip

LP | 2016 | US | Reissue (Southern Lord)

LP | 2024 | EU | Original (IIKKI)

Release: 2016 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-07-26

The second crushing, soul mangling, neck bustin' album from Texas hardcore thrashers: Power Trip. Quite possibly the best thrash album you will have heard in the last decade. IMMENSE, MAMMOTH, MASSIVE. Recorded by Arthur Rizik (Inquisition) , mastered by Joel Grind (Poison Idea, Toxic Holocaust) and features cover art by Paolo Girard. POWER TRIP is a real band like no other. Their raw energy, musical proficiency, perfect song structure, rich tones, fierce riffs, persecution, and collective attitude have seeded them as one of the most prolific underground staples in the US metal, punk, and hardcore scenes. POWER TRIP has relentlessly toured the world for years with the likes of Anthrax, Lamb Of God, Cro-Mags, Negative Approach, Turnstile, Backtrack, Eyehategod, Bane, Off!, and more, and has performed with countless others, in addition to pummeling audiences at major festivals all over the US, Europe, and beyond. The band will be touring endlessly in support of this new album!

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Federico Durand

Te De Flores Silvestres

LP | 2024 | EU | Original (IIKKI)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Té De Flores Silvestres" is the result of the dialogue between the Belgium photographer Michael Roemers and the Argentinian musician Federico Durand initiated by Iikki, between February 2023 and May 2024.

Federico Durand’s music is a weave of sound searching introspection and delight through simple melodies, made in the heart of Argentina. Federico likes music, gardens, John Keats’ poetry, collecting stamps and Earl Grey tea. Since 2010 he has been released on some labels such as 12k, Home Normal, Iikki, Spekk, White Paddy Mountain, Laaps and more.

Michael Roemers, a child of the borders, was born in 1987 in the Belgian village of Plombières, studying sound at the Institute of Broadcasting Arts in 2008. He discovered the power of the image, and became passionate about photography. He began his photographic career following Belgian underground music bands as they toured Europe, capturing crazy moments on stage and backstage. Then, he decided to devote himself to a personal project, to capture his native Wallonie region, highlighting the richness and a part of these Belgian traditions region while exploring the themes of identity, memory and membership. Since 2021, Michael Roemers has added a new string to his bow by running the Vice Versa podcast with his partner Sébastien Van Malleghem. This podcast explores the themes of photography, art and culture by giving voice to renowned guests in these fields.

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Tomotsugu Nakamura

For A Fleeting Moment

LP | 2024 | EU | Original (Ideal)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"For A Fleeting Moment" is the result of the dialogue between the Swiss photographer Simone Kappeler and the Japanese musician Tomotsugu Nakamura initiated by Iikki, between March 2023 and May 2024.

Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. In Concert, he he has played with various genre of musicians and his works have been released by Kaico, Audiobulb Records, and more recently by the French label Laaps.

Born in 1952 in Frauenfeld (Switzerland) where she lives and works, Simone Kappeler started taking pictures at the age of 11. After studying German literature and art history, she studied photography at the Zurich University of the Arts. During a three-month trip to the United States in 1981, she took her first pictures using cheap cameras, especially the Diana camera. Hasselblad, Leica, Diana, Brownie, Polaroid, disposable camera, expired or infrared films, since 1970, Simone Kappeler has explored all types of photographic techniques. Her work, experimental and poetic, reveals to us the curiously foreign world that surrounds us. Since 1982, ongoing projects in southern France and the Grisons.1982/83, studio in New York, conceptual photography and Super 8 films. 1983/84, theater photographer, Schauspielhaus Zürich. 2009, six-week photographic study of Japan, 2015 studio in New York. Her work was the subject of a first monograph: "Seile. Fluss. Nacht. Fotografien 1964–2011", edited by Hatje Cantz and is regularly exhibited in Galleries and Museum in Europe and United States.

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The Idealist

Extended Player

12" | 2024 | EU | Original (Bite)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Inspired by a life long obsession of dub, synth, industrial and different kinds of minimalism, "Extended Player" 12"ep by The Idealist is a tribute to these inspirations aswell as an attempt to move forward or elsewhere. This is experimental techno and electronic music from an artist that is freely moving between drone and noise to this. Party music for professionals.

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GAEL

Frozen White Horse

LP | 2024 | EU | Original (Craigie Knowes)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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An exercise in control of auditory limitations and possibilities, GAEL redefines techno production with their comprehension of cold atmospherics and meticulous world building. Exemplified in their first solo EP ‘Frozen White Horse’ released on BITE Records, fervent, hurtling drums are underpinned by hopeful euphorics and circulating, breathy cybernetics. A culmination of sophisticated sonic dialects reared from the intersections of soundscaping and electronic music, the berlin-based DJ/Producer from Dagestan (by-way-of Kyiv and Odesa) commits their practice to the inclusivity of borderless, capricious and emotive dance- floor synergy. This energy was previously captured on BITE last year with their appearances on the Shedding Skin VA and The Soft Moon’s Exister Remixed. GAEL’s harmonic and organic approach to techno production echoes the heartbeat of dancefloor resistance,captivating audiences across venues from Berlin’s Berghain to Kyiv’s ∄ as a resident at the queer event series XITb. Delivering thunderous feeling through experimental sounds and masterful pacing, the 4-track-EP blurs the margins of moody techno exploration with remarkable attitude and a foreboding sense of uphill struggle. For the opening title track, a procession of stacked chords,synths and snares are met with a cyclone of galloping percussion building to maximum intensity until dispersing into echoey chimes. As the listener is able to catch their breath, the second track ‘prpttcxsstnc’ reignites - this time with trepidatious yet ethereal vibration, as the track continues to inject GAEL’s post-punk style of galvanised energy, rich layered drums maintain the undercurrent of resolute chaos into the following track ‘there is nothing left’. Sombre track titles are off-set by triumphant vigour for the third instalment, pushing through gale force drums and the clanging zaps and bleeps of electronic debris. Concluding with the final cacophony of collaged beats and drums, bellowing siren-like cold wails meld with GAEL’s calamity crescendo of crashing cymbals, the procession of rapturous drums slipping into a distant echo of warped hollow gleams.

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Stimulator Jones

Valley Center

12" | 2024 | EU | Original (Index:Records)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Virginia’s Stimulator Jones channels all things jungle on ‘Valley Center’ for his debut album on Craigie Knowes. Sam Lunsford is multi-talented genre-spanning artist; from song writing to singing, programming drum machines to drumming, performing live to DJing. ‘Valley Center’ showcases Lunsford’s seamless genre-hopping skills with the outcome an LP packed with tracks that wouldn’t sound out of place on LTJ Bukem’s ‘Logical Progressions’ series or in the Metalheadz archives.

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Downstairs People

DSP

LP | 2024 | EU | Original (Mondoj)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Pop

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“Featuring appearances from: Special Guest DJ, Ben Bondy, Hysterical Love Project and some other people we can't name for legal reasons"

The holographic swarm that is Downstairs People returns with their latest collection of subconscious songwriting. Simply titled ‘DSP’, Downstairs People’s sophomore album expands on their surreal horoscope of Top 40 musings, with nine works that explore the altered states of pop.

DSP reimagines the FM radio spectrum with distorted hooks, sour candy production and cascading vocal harmonies with no lyrics. Sung to us in an unknown language, it’s an archive of warped transmissions from beyond our solar system, conveniently recorded and presented as a flat, spinning monolith.

A brief history of having no time, and an ode to the subversive power of pop music.

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Antonina Nowacka

Sylphine Soporifera

29,99 €*

An Intro To Truffle101 EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Air is the central element in Antonina Nowacka's third solo album Sylphine Soporifera. The title names an imaginary species and the land they inhabit, inspired by the unreal desert landscape of Paracas and the undulating tree-less hills of the Outer Hebrides, and comes from the writings of Rudolf Steiner, who describes creatures called Sylphs as the spirits of the air, and the Latin word sopor which means deep sleep.

As with all her releases, Nowacka's other-worldly vocals coming as if from beyond the veil, at once haunting, alien and utterly entrancing. "The voice is the most beautiful and resonating instrument,” she says. “When I sing I feel I create a field in between myself and the air in front of me," she explains. "It is not just that I'm singing – something in the space in front of me is happening, and I merge with this sphere.”

She conjures and is inspired by open environments and infinite landscapes: places full of light and air, manifested here in the sound of ocarinas from Budrio in Italy, whistles from Mexico, simple bamboo flutes from Nepal, alongside tremulous zithers, synthetic Hawaiian sounds from a vintage organ and the uncanny wind instrument presets from a 90s synth.

Nowacka’s first album was informed by vocal sketches made in caves in Indonesia, later recorded at a fortress in Poland; she studied Hindustani music in India with vocalist Shashwati Mandal, fell in love with early Cumbia in Mexico and Peru, and has more recently found inspiration in the landscapes of Italy. Hers is a new New Age soundworld that finds its origins everywhere and nowhere. Sylphine Soporifera gathers these sounds, visions and experiences into an album permeated with a sense of hope and fulfilment, that feels like sitting in an enlivening white beam of afternoon sunlight, as dustmotes swirl in the stillness.

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Raynerfromfinance

12" | 2024 | WW | Original (Truffle101)

13,99 €*

Release: 2024 / WW – Original

Genre: Electronic & Dance

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Curated by Lazy Susan (2StepBec, oliver.r and Zeus) the Truffle101 project sees the light of day this Spring with their inaugural release from co-founder oliver.r under his Raynerfromfinance moniker. The first on the label explores a multitude of textures, gliding between sleek jazz, hazy dub, ethereal ambience and everything in between. Music from the soul, for the soul, as the man on the numbers, Raynerfromfinance shares his debut offering in the realms of downtempo productions.

A loungey quest paying testament to the versatile direction of the Truffle101 label, a project from three aficionados of the slower end of the spectrum, looking to share idyllic sounds from friends and artists they meet along the way, presenting them to a new and appreciative audience.

“Please make yourself comfortable, sit back and relax, whilst we take you on this journey of the sounds of Truffle101”

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Zyx Italo Disco: Flemming Dalum Remixes Vol. 3

LP | 2024 | DE | Original (ZYX Music)

Release: 2024 / DE – Original

Genre: Electronic & Dance

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Basso Presents: Sitting In Trees

LP | 2024 | EU | Original (International Feel)

Rice Field Silently Riping In The Night

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.

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Reiko Kudo

LP | 2019 | EU | Reissue (TAL)

20,99 €*

Marcus Schmickler & Jaki Liebezeit & Hayden Chisholm

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Reiko Kudo first debuted on the Tokyo underground music scene in 1980 with Noise, a duo which apart from herself under her then maiden name Reiko Omura on voice, guitar and trumpet featured Tori Kudo on organ. Their only album Tenno (1980 on Engel) is probably one of the most outstanding and uncompromising records of all time.

Like other pioneering female producers from Japan such as NON (of NON Band), Phew and Haco, who had all begun their startling careers in the early days of the japanese Punk era, Reiko Kudo can surely be regarded as one of the most unique, uncategorisable and daring voices in the entire field of electronic and experimental music ever.

Rice Field Slowly Riping IN THE Night was Reiko Kudo's second album under her own name. It features Tori Kudo (maher Shalal Hash Baz) and Saya and Takashi Ueno (tenniscoats) on various instruments. The recordings took place in 2000 at Reiko' s and Tori's house in the rural surroundings of Shikoku island.

All recorded music on this album sounds like it originates in a parallel dimension where time and key signatures simply don't exist, Some might describe this as outsider music, but this doesn't really begin to do justice to the quality of the tracks, there is nothing accidental or forced here, this is simply music created in a very different way. Yet again Reiko Kudo had conceived of something utterly beautiful.

"After producing the album "Souvenir de mauve" with Maher Shalal Hash Baz which we released on our label Majikick, the idea came to us, to release Reiko Kudo's work. For Reiko's work, we brought our recording equipment from Tokyo to Shikoku and recorded the entire album at her house.

The piano was positioned in a room with a high ceiling. We would set up our small recording equipment in the room and started to record. The basic tracks were recorded without any rehearsal and just a few overdubs were added on top of it. To have a distant sound on the recording, Tori played trumpet in the next room. The choir was standing outside the house, singing "Enya-totto, enya-totto" through the open window. It was early spring, I remember that it was still a bit cold and the members of the choir were freezing outside.

Reiko plays only at certain times of the day, so that we were able to complete only two or three recordings a day. Therefore we had plenty of free time. We went to a hot spring, to a cafe, or we tried pottery on a spinning wheel at Tori's workshop. It was a very rewarding time.

When this album was finished, we brought it to her to listen to. She said happily "I think this is the best work I have ever done." We felt that all our efforts were richly rewarded. Secretly, we thought the same, so we are delighted that this album will be re-issued." - Saya and Ueno (Tenniscoats), Tokyo 2018

Originally released on Majikick Records, Japan, 2000 Restauration and mastering by Detlef Funder at Paraschall Mastering, Düsseldorf. Vinylcut at Calyx, Berlin Translation by Miki Yui and Claus Laufenburg. Many thanks to Reiko Kudo, Tori Kudo, Saya and Takashi Ueno, Satoru Higashiseto.

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Timekeepers Ii

LP | 2023 | EU | Original (A-Musik)

Kara-Lis Coverdale And Lxv

Release: 2023 / EU – Original

Genre: Electronic & Dance

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»Timekeepers II«, a split LP featuring recordings of two duo: On Side A, Marcus Schmickler teams up with Jaki Liebezeit, whose rhythmic flow fuses with Schmickler's digital Shepard Tone interpretation. On Side B it's Schmickler electronics with Hayden Chisholm's bagpipe drone.

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Sirens

LP | 2015 | EU | Reissue (Umor-Rex)

2x12" | 2023 | EU | Original (Re:Discovery)

Release: 2015 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Eight years after its original release in 2015, and sold out upon release, Umor Rex finally presents a vinyl repress of Sirens, by Kara-Lis Coverdale and LXV. This new edition is limited to 500 copies and comes with revised artwork.

Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform instrumental writing and performance in feedback until intertwined, flickering between states of conflict and consonance. Apparitions of the schizophrenic voice are at one moment fractured and cold and at the next full of warmth and vivaciousness, embodying velvet rituals of romanticism in the digital age.

Ultimately, Sirens is music for ambitious dreamers: surreal sound portraits sound like the warmth of the world laid over an ice cold virtual altar. LXV’s vocal truncations and fleshy sound palettes depict the archivation of the breath and aural fantasies of the flesh which Coverdale sets amongst a vast and unconfined landscape of deeper and unknown force. Harmonically active and dynamic orchestrations underpin post-sacred tonalities while brooding pipe organs, sphinx flutes, and hailstorms of metallic percussion characterize uniquely disjointed discussions between disparate compositional ontologies. At times violent and at others serenely peaceful and seductive, these pieces, at their most powerful moments illuminate a felt space between cybernetic energy and the body.

Composed and recorded by Kara-Lis Coverdale and David Sutton. Mastered by John Tejada. Cover photograph by Cody Cobb. Layout by Daniel Castrejón.

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Grain

Two Zeros

Release: 2023 / EU – Original

Genre: Electronic & Dance

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re:discovery records is proud to release for the first time, a vinyl edition of 'Two Zeroes' by Grain for it's 25th anniversary.

Grain was a west coast project that emerged out of the psychedelic music and art scenes in Los Angeles in the early 1990s. After a few of their tracks were featured on the key chill out compilations United State of Ambience 1&2 and Excursions in Ambience and many local live performances, they released two ep's on local labels. Shortly after in 1998, 'Two Zeroes' the full length project appeared. A west coast chill out classic that unfortunately did not get much disribution outside the west coast let alone to the world.

To classify this album is very hard. Think early Jammin Unit with a touch of the Orb and dash of west coast breakbeat and chill out styles and you still can't fully pin it down. A unique album that sonically, was leaps and bounds ahead of most albums in this style thanks to sound designer, audio instalation architect, scientist and artist Jimmy Johnson along with illustrator and fellow sonic artist Peter Ehrlich. Featured on double vinyl with updated artwork by the original designer, Kevin Hanley and presented on beautiful gatefold with a shimmering silver vinyl to match. This could be one of the discoveries of the year for those that have never heard this album. Dare to Dream with us.

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Ladies Of The 80s Collected

2LP | 2024 | EU | Original (Music On Vinyl)

35,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (ZYX Music)

Martinelli

Cenerentola Cinderella

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Odda)

Flaer

Preludes

21,99 €*

2LP | 2023 | US | Original (Astral Travels)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Artist and multi-instrumentalist Flaer looks to the landscape to explore pastoral melancholy on debut release, Preludes. Ensconced in his family home in rural Leicestershire in the early months of 2020, painter and musician Realf Heygate (b. 1994) picked up his childhood cello for the first time in several years and began to play. Setting himself parameters to only record onto 4-track tape with acoustic instruments – cello, piano and acoustic guitar – he assembled a suite of instrumental compositions that form the basis of Preludes, his debut album as Flaer and the inaugural release on Odda Recordings. Channelling the tension and unease between the pastoral idyll of the English countryside and the darkness which lurks beneath the surface, the mini-album draws inspiration from the analogue aesthetic of 1970s folk horror films, weaving field recordings of birdsong, church bells and the natural environment into chimerical melodies that reflect on Heygate’s childhood experiences of rural England. “It was really important not to isolate the sound from its environment,” he explains, describing the compositional and recording process as “site-specific”. Developed over a series of intuitive musical enquiries, the mini-album’s uncanny quality emerges from combining raw demo takes with overdubs of almost orchestral grandeur. Heygate points to the final track as indicative of the work as a whole: “‘Follow’ really is the mantra for the release and embodies the practical approach I was taking to music making: not to force the music but see where it takes you.” As a painter, Heygate’s practice takes artefacts through sequences of reproduction that embrace the fluctuating materiality of the copy. Since obtaining a degree in Fine Art from Central Saint Martins in 2017, he has exhibited solo at Peter von Kant and Springseason galleries in London, and has participated in group shows at Saatchi Gallery, Cob Gallery and Senesi Contemporanea. Describing his artistic practice as one of self-erasure, music instead provides Heygate with a more personal and autobiographical outlet. Where the two worlds combine is on Preludes’ striking artwork, which features paintings of 13th century stone carvings from the font of the church in the town where he grew up. Speaking to a time where people were connected to the land in a more profound way, each symbol is assigned to a track on the album, which Heygate likens to giving them a title. “To add that one juxtaposition might open a whole new interpretation or language that might be hard to find otherwise,” he explains.“Over time it might reveal itself to you, which is why I'm excited about it being released. To throw them out there and see what comes of it.”

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Free The Robots

Kaduwa

32,99 €*

LP | 2023 | EU | Original (Fasaan)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Free The Robots intentionally marries various electronica genres into a joyous, machine-like syrup that swims between the currents of deep introspection and the depths of the dance floor. 'Kaduwa' is his most recent manifestation, born out of his travels around the world. Especially inspired by his time between Los Angeles, Barcelona, and the island Siargao in the Philippines, Free The Robots translates his experiences into electronic, jazz-centric and sample based beats with sublime tinges of psych, rock, house, and hip-hop. For the most part, these compositions are blunted, funky, and psychedelic. There are tracks for club nights, tunes for early morning comedowns, and songs that are suitable for both. Once more adding new ripples to his sound, Free The Robots continues to explore new frontiers while keeping the torch burning for the L.A. beat freaks.

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Cysp

21,99 €*

LP | 2022 | UK | Original (Nashazphone)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A mysterious musical outfit said to be consisting of two Swedes with affinity for frogesque sounds and post-trance aesthetics makes out what is Cysp. Cysp is also an acronym of CYbernetic SPatiodynamic, aka the first spatio-dynamic sculpture, having total autonomy of movement as well as axial and eccentric rotation. The sculpture is celebrated as an early work of cybernetic character that made it into the world of art. Now how do these two phenomena relate to each other? I have no clue.. This sounds like it could have been crafted in an eerie barn in the remote countryside, serving as a never-released soundtrack to an occult underground 90's film about urban trolls - it also sounds like it could be glued-together cassette scraps laying around Richard H Kirk's studio. Laden with an almost grotesque amount of soundscaping, synthesized quirks and sonic riddles that would positively provoke any attentive listener (dancer?), it’s still weirdly danceable in the most head banging sense of the word. While pulling from the past - and meta-versically - the past’s image of the future, this is highly contemporary music - smart and stupid, deep and shallow - physical and cybernetic.

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Sam Shalabi

Shirk

31,99 €*

Fabric Presents: Nicola Cruz

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Sam Shalabi - best known for playing in Land of Kush and Praed Orchestra!, and collaborating with Oren Ambarchi, Mark Fell and Alan Bishop - fuses synthpop and sound poetry on this utterly crackpot set featuring Eric Chenaux and Nadah El-Shazly.

Sam Shalabi has been active for decades now, working first in the late 1970s in punk bands before recording with Montréal's Swamp Circuit in the 1990s. He's performed extensively with Constellation's network of artists (from Fly Pan Am to A Silver Mt. Zion) and formed a litany of his own outfits, including Shalabi Effect and Land of Kush, but here his scope is markedly slimmed down, giving him the opportunity to once again work on an exploratory, instinctive agenda.

His sounds here are freeform and unpredictable, swerving from Daniel Johnston-esque pop to processed electronics and spooky elevator music. Nadah El-Shazly deadpans over plastique synth strings on the opening side of "Shirk". Her commentary is firmly tongue in cheek ("I'll finally be able to walk like an Egyptian") and adds a lightheartedness to Shalabi's surrealist pop experiments. On the flipside, surreal vocals are played against laptop and foley sounds, while chipmunked poetry is layered over synapse-swallowing sine wave wails. The entire composition builds towards an explosion of ring modulated pop that sounds as if the 1980s pop scene crashed into a hallucinatory wall.

There's not much out there as oddly particular, studied and uncompromisingly absurd as this - which is in itself high praise.

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Nicola Cruz

2LP | 2022 | EU | Original (Fabric)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moritz Von Oswald Trio & Heinrich Köbberling

Dissent Remixes Feat. Halo, Laurel

6LP | 2022 | EU | Original (Modern)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Private Stress)

Tav Exotic

The Substance

15,99 €*

2LP | 2022 | UK | Original (Pilot)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Weird Dust launches his own label Private Stress, kicking it off with 4 rabbitholes as deep as they go. Home made music, home made artwork.

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Kolter

Between Fragments

LP | 2021 | EU | Original (Knekelhuis)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Johannes Kolter is Kolter, an artist formerly known as Djoko, and now a hotly tipped breaks and garage head who has already got plenty of attention. Here though he makes a grand and widescreen statement with the first release on the all-new Pilot label. It is a stylish and adventurous record with plenty of killer cuts from the downbeat hip hop opener to the deep house delights of 'Journey' via the elastic and energetic future house kicks of 'Roboflow.' Showcasing both a knack for well craft synths and expert drum programming precisions, this record plays out like a mini DJ set with all the twists and turns you need to keep you on your toes and fully engaged.

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Troth

Oak Corridor

3LP | 2021 | EU | Original (RecordJet)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Oak Corridor is the second full-length album from Newcastle, Australian duo Troth (Amelia Besseny & Cooper Bowman). It follows 2020’s warmly received album, Flaws In The Glass (Altered States Tapes) and 2021’s Small Movements In Radiance mini-album (Not Not Fun). While the same themes and intentions remain, this time Troth channel their ambient experiments into an environ located somewhere closer to minimal-wave and synth-pop.

While Oak Corridor is their most ‘song-based’ album to date, it continues the respectful treatment of natural themes found in their previous releases, further tying in elements of balance, truth, justice, humility, strains of mysticism from varied origins and an opposition to the encroachment of ill-advised development surrounding them in Newcastle (and Australia more broadly). The album is a truly collaborative affair and offers something of a sound-diary of the two’s relationship.

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Oskar Schuster

Vinyl Collection

119,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Chancha Via Circuto & Luvi Torres

Ceremonia

2x7" | 2021 | UK | Original (Wonderwheel)

20,99 €*

2LP | 2021 | EU | Original (Music From Memory)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Ceremonia ("Ceremony") is the first collaborative release between singer songwriter Luvi Torres, and producer Chancha VÃa Circuito. Combining exceptional voicework with powerful creative rhythms typical of Chancha, the lyrics include mantras Luvi uses in their therapeutic exercises, thereby immersing us in a healing musical world.

Taken as a whole, the album's four tracks, Abro ("I Open"), Creo ("I Believe" or "I Create"), Sano ("I Heal"), Amo ("I Love") encourage sensitive receptivity. Luvi's vocals are enveloped by lush ambient dub. Chancha's rhythms and vibrations create a comforting and calming soundscape that invites a sense of timelessness and expansion.

At times Ceremonia spirals hypnotically, blurring the distinction between inner and outer worlds. This music calls for attentive listening and encourages active individual and collective reinvention.

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MLO

Oumuamua

2LP | 2021 | EU | Original (Modern)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music From Memory are excited to present the first compilation of works by British electronic pioneers MLO aka Peter Smith and Jon Tye. Titled ‘Oumuamua’ and second up in the Virtual Dreams series, the compilation is an in-depth artist focused release containing twelve thoughtfully selected tracks that touch on highlights from the duo’s discography as well as newly (re)discovered music drawn from a vast archive of unreleased pieces, sketches and extended jams recorded between 1993-1995.

MLO’s ambient explorations began when Pete and Jon, having first met in rival punk bands during the late ‘70s, found themselves with unlimited access to an incredibly well-equipped studio, having been hired to produce an Icelandic pop star’s record in the early ‘90s. Particularly charmed by the Korg PS 3300 and an Emulator 2, Smith and Tye were also deeply fascinated by outer space and set about developing a musical landscape informed by both this new state of the art musical equipment and what lay beyond the Earth’s limits. Painting with a palette informed by classical minimalism, new age and the works of Cluster & Eno; the duos primary colours were drones, sustained tones, washes, calming tides, gentle temple bells and soft angelic voices with flickering glimpses of percussion and drums that hinted at the possibilities of a dance floor.

‘Oumuamua’ is a collection of music to get lost-in, a wander down the mazed, mirrored corridors of the subconscious. Peaceful, flowing, fresh-water patterns, drawing the listener toward a mediative, inner space. Not strictly ambient, rather the music rests temporarily within the boundaries between drum ‘n’ bass, library music, soundtracks and Techno. Or how Jon Tye himself puts it: “It really feels like music from a different place, a different time, made by different people.”

Artwork by Vica Pacheco, design by Steele Bonus, liner notes by Dr. Rob

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Moritz Von Oswald Trio

Dissent

Monocoastal 10th Anniversary Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Moritz von Oswald Trio returns with »Dissent«, a striking new album that explores the scope of jazz and dance music within abstracted electronic music. It follows the Sounding Lines LP from 2015 with a further explorative and daring sound, which dives through broad ambiences, uptempo dance and jazz sensibilities.

As ever with albums from the Moritz von Oswald Trio, this new album, recorded during November and December 2020 in Berlin, emerged from a series of long extended jams then edited down.

For Dissent, the trio takes on a new formation, with American artist Laurel Halo and jazz drummer Heinrich Köbberling joining Moritz von Oswald. Through the album, they expose an experimental sound world, improvising over grooves and embedded effects. These performances intimate trust and understanding between the musicians, as each pushes and pulls the others, resulting in fantastically compelling compositions. Crashes of free drums reverberate into peripheral trenches as solemn organ licks smear the distorted vision forwards. This peculiarity takes shape in its extraterrestrial production, carving out its unique structural form with warped frequencies and abrupt switches.

As the middle of the album draws in, the trio’s elongated scene-setting motions further into dense environments and gently deepening drums. With the trio shifting towards stable foundations in noise and groove, the dance beckons, recalling some of techno’s jazzier inclinations while veering untethered towards into unfamiliar territory. As ever with Moritz von Oswald’s productions and sonic expressions, traditionally non-percussive sounds, effects and noises accentuate an inherent groove. This lack of reliance on conventional devices for embellishing rhythm provokes such sonic freedoms, with Halo, Köbberling and von Oswald discovering thrilling new terrains. Constantly moving and genuinely immersive, Dissent marks the result of three musicians playing together at the top of their game.

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Marcus Fischer

LP | 2010 | US | Reissue (12k)

Beliefsystems Transparent Yellow Vinyl Edition

Release: 2010 / US – Reissue

Genre: Electronic & Dance

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Marcus Fischer's Monocoastal is one of the most defining moments in the arc of 12k's evolution. Released over 10 years ago (CD, 12k1063) and long-since out of print, Monocoastal shaped the sound to come for the label for a decade and beyond. It was also Marcus Fischer's debut release and he would go on to become one of the staple roster members of 12k as a tour partner and collaborator.

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Zake / Isaac Helsen

LP | 2021 | US | Original (Past Inside The Present)

12" | 2021 | EU | Original (FKJ)

Release: 2021 / US – Original

Genre: Electronic & Dance

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A joint effort long past due, Pitp founders zake and Isaac Helsen team up to bring forth three arrangements that encompass textured ambient washes and drone-laden guitar work titled 'Beliefsystems'.

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FKJ & Tom Misch

Losing My Way

17,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Jezgro)

KK Null & Dot Product

404 Not Found EP

11,99 €*

Musiikkia UFO-Dokumenttiohjelmille 2

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited edition of 12′ vinyl release. Presents its sixth vinyl release with an interesting collaboration between a contemporary project such as Dot Product, the tandem formed by Adam Winchester and Christopher Jarman, and the Japanese legend of experimental rock and noise Kazuyuki Kishino. Known as KK Null, this artist had a first stage as a guitarist in several bands, it is worth remembering that at that time he collaborated with Merzbow in several albums and that years later he changed the guitar for electronic devices. 404 Not Found opens side A with a first cut by the English duo. Error Message combines grainy, strummed textures with a humanized sonic profile in which a beautiful melody makes its way in the face of bleak adversity. The second cut of this side is by KK Null, in this track the Japanese artist shows a high dose of metallic sounds that travel at the free will of the author to end up yielding in front of a complex and disorderly structured rhythm. Unlike side A, side B of this EP shows a work created jointly by Dot Product and KK Null. Pause Frames is an industrial cut, with hard percussion and numerous sound patterns such as pads, strong resonances and highly saturated components. 10-4-10-409-Conflict is the fourth and final track on the release, again employing a hard-hitting rhythm with a series of crunchy textures and a harmonic conjugation of dissonant chords. Picture: Stefan Alt / Salt (Ant-Zen) Mastered: Daniele Antezza / Dadub Written: Kazuyuki Kishino, Adam Winchester and Chris Jarman

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Albert Kuningas

12" | 2021 | EU | Original (Escape From Synthesis)

12,99 €*

Frits Wentink & Erik Madigan Heck

Release: 2021 / EU – Original

Genre: Electronic & Dance

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70s/80s influenced ambient mixed up with a healthy dose of UFO's, abduction, occultism, paranoia, astral flow, new age and long lost Atlantis. 2020 was the year when Albert Kuningas debut vinyl on Escape From Synthesis was released and now the second part of this ambient/ dark ambient masterpiece is available! Finally it's time to get physical vinyl copies of legendary Bandcamp-only release "Music for UFO document programs 2" with a never before heard bonus track called 'Sateenkaarisilta 2'! Don't sleep on this one as it's limited release of 200pcs only.

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Safe Passage

12" | 2021 | EU | Original (Dekmantel)

LP | 2019 | US | Original (Detroit Underground)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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It is often said that the best art comes out of adversity, and so it is that producer Frits Wentink, photographer Erik Madigan Heck and actress Tilda Swinton have collaborated on Safe Passage, a fascinating audio-visual project born out of loss. Consisting of classical, choral, and electronic music in three movements, the gatefold album will be presented by Dekmantel with a 40 page booklet of additional photographs and paintings, as well as digital only remixes from Matthew Herbert, The Soft Pink Truth, BvDub, and East of Oceans. Dutch producer and renowned innovator Frits Wentink helms the Will & Ink and Bobby Donny labels, builds synthesizers and beautiful controllers, and puts out always experimental, left of centre house music that pushes at the boundaries. This project initially started out as him attempting to musically illustrate the photography of American visual artist Erik Madigan Heck. The internationally renowned Heck is known for a lavish and experimental use of colour that has won him the prestigious International Center of Photography’s Infinity Award as well as make him a regular contributor to high profile media such as The New York Times Magazine, Vanity Fair, and Harper’s Bazaar. Midway through the project, Eriks mother was hospitalised due to breast cancer complications before also contracting Covid-19. By her bedsides and as a means to ease her passage, he repetitively played the first portion of the score, and then, once she passed, he decided to commemorate the music's function as a soundtrack for her transition to afterlife by naming it Safe Passage. The involvement of Academy Award–winning Scottish actress Tilda Swinton has lent the music an extra dimension of spirituality: throughout the album, she interjects whispered fragments of Heck’s poetry, blurring the lines between one phase of music and the next. The music has three movements across two sides: Side A, Safe, has a sense of hope and reflection as it undulates from minimalist string and brass arrangements to ambient and dissonant classical piano. Side B, Passage, then depicts the start of the transition into the afterlife as the voices of a choral madrigal ensemble gradually diverge, then break down entirely before a grand tonal expansion leads into a frenzied crescendo of choral vocals, hardened dub techno and anxious rhythms that convey the violence of the soul’s exit from this world. Finally, a cathartic Epilogue resets and bids farewell with the gentle sounds of a piano. Because of the global on-going loss of life as a result of Covid-19, Safe Passage has become a soundtrack in which many people will find solace as they remember the sad transitions made from this life to the next during this unprecedented time in history.

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Vladislav Delay

Lp-Untitled Circa 2014

Samuel Kerridge & Taylor Burch

Release: 2019 / US – Original

Genre: Electronic & Dance

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"Master of ambient spaces and far out places, long-time Finnish producer Sasu Ripatti (aka Vladislav Delay) blesses us once again with another release, this from his 'Visa' period of unreleased tracks.
The first track out of the gate is a recognizable Vladislav Delay piece, but instead of gently flowing rivers of sound, instead we have a series of stiff, machine-like rhythms applied to his classic infinitely deep pads and ambient environmental sounds. It just continues to pile in more elements until becoming almost indistinguishable from his natural, organic flow. From there we move into somewhat more familiar territory but still unusually stripped down and mechanical for a Vladislav Delay joint. It’s fascinating to see such an intricate songwriting process laid bare in such a way, often exposing each individual, nearly bottomless sound in isolation.
Deeper into the album, things veer into decidedly more abrasive and synthetic territory, at times becoming an almost unrecognizable artist for a moment, only to be eventually subsumed under layers of shifting ambience that could only be Sasu.

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The Other

2LP | 2019 | EU | Original (Downwards)

22,99 €*

Four Organs / Phase Patterns

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Sam Kerridge teams up with DVA Damas’ Taylor Burch in ‘The Other’, a narrative-structured collaboration set to an absorbing contrast of seething electronics and technoid impulses riddled by droll vocals in billowing negative space. Opening his sound up to mutual spirits, and allowing more space and time for his sounds to take hold, ‘The Other’ locates a newfound sense of maturity and sensuality in Kerridge’s music. His arrangements here feel more layered and ductile, finely consolidating the gloomy slow pressure of his earliest work for Horizontal Ground with the uptick in pace and rabid energy found on 2017/2018’s ‘The Silence Between Us’ and ‘The I Is Nothing’. The adaptation is necessary as the music now accounts for half of an AV live project with Daisy Dickinson and also needs to accommodate Taylor Burch’s low key vocal delivery. In the process Kerridge is pushed to rethink and more subtly reframe his sound after seven years squashing and pummelling listeners into submission.

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Steve Reich

LP | 2016 | US | Original (Superior Viaduct)

LP | 2015 | US | Original (Ghostly International)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Steve Reich remains one of the most important figures in 20th century music. Though he studied at the prestigious arts institutions Julliard and Mills College, by the mid-1960s Reich set about dismantling the very orthodoxy that he had been trained in. Forming a new musical language based on repetitive processes, Reich became established as part of the so-called “Big Four” of New York minimalists (along with La Monte Young, Terry Riley and Philip Glass). Reich’s influence can easily be seen today in both the classical world and contemporary pop music. “Four Organs” is the ultimate minimalist composition. Performed by Reich, Glass, Art Murphy and Steve Chambers, four identical Farfisa organs strike a single chord and gradually lengthen each note to produce polyrhythms between the players. Anchored by Jon Gibson’s stoically-steady pulse on maracas, the piece deconstructs its opening burst to a sustained mass of sound – stretching the tones to create (in Reich’s words) “slow-motion music.” Inspired by Reich’s early training on drums, “Phase Patterns” treats the keyboards like tuned percussion instruments: a basic rhythm pattern is played in unison and almost imperceptibly increases tempo to move out-of-sync. Each progressive cycle emphasizes unique figures that are not generated by an individual alone, but rather emerge from the communal expression of the group. Originally released on Shandar in 1971, Four Organs / Phase Patterns is one of the most highly regarded avant-garde recordings of the past 50 years. This first-time vinyl reissue features cover photography by artist Michael Snow and is recommended for fans of Neu!, Glenn Branca and Tim Hecker.

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HTRK

Marry Me Tonight

2LP | 2014 | EU | Original (Late Night Tales)

Release: 2015 / US – Original

Genre: Rock & Indie, Electronic & Dance

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On vinyl for the first time.

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Trentemøller

Late Night Tales

7" | 2012 | US | Original (ESL)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Originally released in 2010 this mix has gone on to become a classic, it was never released on vinyl at the time, so due to public demand each track got carefully mastered and cut at half speed for optimum sonic reproduction.

For the first time on vinyl, includes cover art, excl. Chris Isaak cover version, download code for original "LateNighTales" mix as well as unmixed track version in both WAV & MP3 formats!

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Thievery Corporation

Culture Of Fear Remix

12,99 €*

Behold A Marvel In The Darkness

Release: 2012 / US – Original

Genre: Electronic & Dance

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A special 7" single done with Dubspot featuring the original "Culture Of Fear" with vocals from Mr. Lif on the A-side and on the B-side the Dubspot remix winner Kaliedoscope Jukebox, handpicked by Thievery's Eric Hilton & Rob Garza themselves.

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Deerhoof

7" | 2011 | UK | Original (ATP)

6,74 €* 8,99 € -25%

2LP | 2010 | UK | Original (Warp)

Release: 2011 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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7” vinyl picture disc limited to 500 copies. Features two live tracks from the album ‘Milk Man’ performed
in New York in 2009.

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Flying Lotus

Cosmogramma

29,99 €*

Tape | 2024 | EU | Original (Horror Vector)

Release: 2010 / UK – Original

Genre: Hip Hop, Electronic & Dance

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The most anticipated … what more can we say? Double gatefold vinyl with printed innersleeves!

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Uliel

Boca Muralha

17,99 €*

12" | 2024 | UK | Original (DDS)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Originally written to accompany Catarina Miranda’s ambitious Boca Muralha dance piece, a duet inspired
by ancient Greek deities of vengeance the Furies, this tightly-coiled experiment comes off like Steve Reich
in a k-hole. Saldanha makes use of a delay to manipulate and control the two voices, freezing fragments
and curving them into slippery vortexes. Raw syllables are repeated, intersected and phased from staccato
passages into operatic, rhythmic choruses, time-stretching snowballed clusters of ululations.
Theatrical but never overblown, the music is boldly unadorned, preferring to highlight the idiosyncrasies
of the methodology than resort to extraneous processing. There’s little if any reverb: Miranda and Saraiva’s
voices sound almost obnoxiously dry, which only serves to further harden their impact. Glassy and cloying,
the repetition is taken to extreme levels; Saldanha’s usual noisy maximalism is nowhere to be found, but his
mischievous streak is omnipresent.
The vocals bounce left and right like a Reichian call and response, and while complex rhythms do eventually
form as he futzes with the loop points, the music starts to dissolve into a spellbinding purr. At times almost
alarmingly unadorned, it’s a brave and supremely mind-altering release from a promising new label

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NZO

Concentrate

19,99 €*

12" | 2024 | UK | Original (Comatonse)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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The 4th in the DDS 12” series, NZO helps stake the label’s 15th year of operations with a typically Janus-faced
approach to classic >< contemporary club ruffage. Tune to tune, she decimates and distills familiar tropes in
singular, whirring syncopations designed to prompt bodies to move in fresh new ways. It’s all primed for
proper animist magick, bound to snag rhythm fiends with its shape-cutting manoeuvres.
Working deep in the hardcore ’nuum’s 30 odd year tradition of concrète sampler chicanery, the four tracks
find fractured vocals and echoes of club classics revitalised and reset with advanced drum ingenuity.
160BPM opener ‘Concentrate’ appears like Hessle Audio’s Joe stripped for parts, whilst ‘Mallet’ swivels like SND
remodelling Afrobeats’ palette of tuned percussions, next to what could almost be a lost Various Production
edit in the sublime tension of syrupy R&B and frothing drums on ‘Come Alive’.
The EP ends with its standout, ‘Body & Soul’, an undulating ama simmer punctuated by dub chords like some
lost Basic Channel production re-cast for the lovers.

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Terre Thaemlitz

Tranquilizer EP 2

LP | 2011 | US | Reissue (Kranky)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The second in a series of EP's from Terre Thaemlitz, 1994, with almost half an hour of gorgeous, bleary-eyed dreamweaving that slots in the all-time sublime alongside The Art Of Noise’s ‘Moments In Love’, here pressed up on vinyl for the very first time, in two extended versions.

EP2 in the ‘Tranquilizer’ reissue series gives new afterlife to the curtain closer of Terre’s debut album with a previously unheard extended mix, and that gorgeous Art of Noise style version that also recalls SAW II-era AFX x Bryn Jones on a deep one. Both sides scroll right back to a nascent Terre, sensitively feeling out a sound between the tumultuous summer of ’93 and spring of ’94, in the years after she’d carved a name for herself as an influential deep house DJ in Manhattan’s queer bars and clubs.

Terre’s debut album ‘Tranquilizer’ would emerge as a reflective antidote to club pressures with a lushly melancholic, deeply atmospheric suite intended to cushion bodies and minds in a vein spawned by the dreamy collages of The KLF’s ‘Chill Out’ album in 1990, and further developed by a rhizome of international artists including Terre’s Instinct labelmate Dave Moufang (Move D), and the likes of The Orb, AFX, and many others whose work endures to this day.

‘Fina-Departure (Original Long Version)’ extends the balmy, beat-less scene of woozy keyboards, cicadas and swooping crop-duster planes to twice as long, with what we detect as a personal frisson of melancholy/nostalgia for the Midwest planes of Missouri, Kansas, where Terre grew up. The flipside’s ‘Fina’ feels like a hidden level addendum to the album, where night settles on the plains as distant drumming mingles in the hot air to form an utterly timeless scenario reminding us of the stark drum passages of Aphex Twin’s ‘Selected Ambient Works’ or the kind of ritualistic ambient pursued in Stroom reissues of ‘90s Pablo’s Eye. Aye, it’s a special one.

Some words from Terre:

Up until 1984 or so, there used to be a Fina gas station on North Glenstone Avenue in Springfield, Missouri. Sitting on the floor inside was a cardboard box filled with records for $1.00. It was a way station for unwelcome electronic music in a town of bluegrass, gospel and rock'n'roll. Neuromantic by Yukihiro Takahashi, Vapor Drawings by Mark Isham, Vistamix by Bill Nelson.... Albums that had strayed outside their intended distribution systems, only to get lost on old Route 66.

I was a faggy, gender-bending teen similarly stranded in that town ironically nicknamed the "Queen City of the Ozarks." Daily life consisted of being ritually bashed in public, and defeated by psychotic family dynamics in private. With nowhere to go, I drove aimlessly in a 1960 Ford Falcon woven of rust, dents and torn upholstery. Baby blue, four door, three-on-the-tree manual transmission. A little-old-church-lady car with a color coordinated baby blue rosary hanging from the rear view mirror. On the back seat sat a boombox for playing home recorded cassettes. I checked in on the box at Fina whenever possible, offering records a chance to depart. Between the gas and music, the kindly staff at that fueling station variously offered me the same. At the end of the day, that was our unspoken agreement.

please remember that we support Terre and Comatonse Recordings' efforts to keep projects offline, minor, and acting queerly. When purchasing this item, we ask you to refrain from uploading and indiscriminate sharing in any form. <3

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Belong

Common Era

Sti.Ll Orange Vinyl Edtion

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-07-26

Itʼs been five years since the last Belong long player, as the duo works slowly to organize their sound works. Both the time invested, and the wait, have been well rewarded with this return. Common Era shows extraordinary progression from that first album of dense, scorched earth instrumentals, hints of a new direction having been revealed on the Colorless Record EP from 2008 which contained covers of four should-have-been classics from the original psychedelic era. The new material has such common pop elements as “songs”, vocals and drum machines, but the results could hardly be called conventional and are like little else happening on the current “scene”. The songs themselves are akin to radio transmissions received from another time and place, just as likely to be the future as the past, or even from a contemporary alternate universe. They are both passionate and dispassionate, grey yet technicolor, ghostly and palpable, distant yet immediate, grainy and focused. Upon listening these conceptual contradictions are dismissed with ease, as the recordings reveal that they fit all of these descriptors simultaneously, an extraordinary balancing act.

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Taylor Deupree

2LP | 2024 | US | Original (12k)

36,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tobira Colored Vinyl Edition

Illuha

LP | 2024 | US | Original (12k)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Modular Guitar Fields I-Vi Colored Vinyl Edition

Zimoun

LP | 2023 | US | Original (12k)

Release: 2023 / US – Original

Genre: Electronic & Dance

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40 Neon Green Vinyl Edition

Jawnino

LP | 2024 | UK | Original (Worldwide Unlimited / True Panther)

32,99 €*

LP | 2024 | UK | Original (Nashazphone)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Previously appearing on these pages as a guest (alongside Charlotte Church!) on Klein’s stunning ‘Harmattan’ album, Jawnino has been actively issuing prime zingers since 2019’s cult self-release ‘It’s Cold Out’, building a robust rep for his effortless and unique takes on grime, drill, jungle, and rap. Noted for his animated style of “melancholic chaos”, Jawnino flows ambidextrous on whatever’s in front of him, and ’40’ gives him a whole new playground in which to romp; spelling out his dare-to-differ slant on a colourful instrumental palette supplied by new hands - Woesum, Hnro, Brbko, 3o, and Cold - alongside more experienced guest features and remixers - James Massiah (aka Babyfather’s DJ Escrow), Bok Bok (remixing here as One Bok), Airhead, Evilgiane - with breezy fresh steez and classic storytelling that transcends eras. Blessed with a naturally uncompromising yet broad appeal, Jawnino’s music speaks to life in 2020’s London with an observantly perceptive quality, delivered behind a mask of anonymity. His music is also artfully aware, exhibiting an appetite for variation that sees him glyde equally well on ohrwurming choruses on ‘2trains’, as he does at soulful grime for the club in ‘Dance2’ - an update of his ‘Good Thing Bad Thing Who Knows’ EP nugget that we swear sounds like Junior Boys - while also finding a wry humour in broken Britain on the timelessly drizzly melancholy of ‘It’s Cold Out’, a new expansion of his debut cut produced by Poundshop, Oliver Twist and Cold - and that’s only the opening trio. Characteristic of his generation’s attraction to the most salient aspects of the preceding 20 odd years, Jawnino proves just as adept at jumping on tight D&B to tell tales of weekend excess (‘Lost My Brain’) as screwed boogie forging binds with US spar Mike (’Short Stories’), or shuffling in the twilight of ‘90s R&B (‘Wind’). A particular standout of drill drama ‘Westfield’ characterises his ability to boost the energy by factors, and likewise dial it right down and draw us closer in on his description of popping percocet, molly and shrooms in ‘sentfromheaven’, also here in Bok Bok’s finely retuned version, nagging ’til the end beside Airhead’s piquant retweak of ‘Cant Be’.

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1127.0

Midnight On Rainbow Road 2024 Repress

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Experimental enigma 1127 fuses grime and hard techno into early 20th Century Egyptian music on his outstanding second album for Cairo’s Nashazphone label, building a wall of floury, computerised noise that relentlessly pushes the dancefloor into the backroom, and the backroom towards the rally. Breathtaking, mind-altering gear, essential listening for fans of Mutamassik, Autechre, Kelman Duran, Nkisi, even James Ferraro.

The fifteenth letter of the Arabic alphabet, ض (ḍād) is one of only six letters that were added to the Phoenician alphabet to construct the language. It exists only in Arabic, and is notoriously difficult for non-native speakers to pronounce. As such, it's a fitting title for 1127's mystifying second album, a profound expression that challenges us to look beyond the aesthetic and unravel a knotty collage of influences and innovation.

On his acclaimed 2019 debut ’Tqaseem Mqamat El Haram’, 1127 delivered a shock to experimental electronic club musicks that snagged everyone from Rat Heart to Rabit and Elvin Brandhi with fractal decimations of Egyptian rave and street noise. On this new one, he simmers it down through reticulated junglist and trap modes, whilst crucially retaining a hallucinatory sense of chaos reflective of modern day Giza. With contributions from a whole bunch of collaborators including Minusdesire, Caironomixx, Emna Mâaref - plus many others, he deploys fractured melodies, voices and robust club structures at once distinctly recalling Mutamassik’s millennium-era fusions, with a crucial quota of controlled madness that 1127 can safely call his own.

There are traces of Autechre's latter-day autogenic reveries on 'hyperfals(E)xoteric@iro', sweeping up thunderous, asynchronous percussion in brisk sonic winds, folding in oud-like electronic plucks to illuminate unconventional commonalities and shared narratives between future / primitive practice. On '1446' he uses a heavy-footed drum battery, burying drill-warped subs and almost invisible vocals in a disheveled mix, shepherding us towards 'iii اعيش في جلباب ابي Lenn', a disco-baked headmelter that takes the language of French touch and uses it to carve new shapes into deconstructed Egyptian pop. On the Caretaker-referencing ‘complexity induced amnesia’, he creates a smoky aura, dissolving the rhythm and trace vocals into unstable FX-corroded loops, designed to melt the memory banks.

With thanks to Rashad Becker’s faithful vinyl master that presents the music with all its burred edges, pressure drops, and textures in tact, ‘ض’ is an absolute must check for anyone bitten by the unstoppable sprawl and refraction of traditional club and experimental musicks into new dimensions.

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Leon Vynehall

12" | 2016 | EU | Original (Rush Hour)

8,99 €*

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Leon Vynehall’s beautiful ambient, cinematic race car track now reconstructed for the dancefloor. Comes with an unreleased beat version on the A-side and the original version taken from Gerd Janson's "Music For Autobahns 2" on the flip. Tip!

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Global Underground: Select #9

2LP | 2024 | EU | Original (Global Underground)

31,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Tumult (Neubau))

Meute

Empor

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | US | Original (W.25th)

Ellen Arkbro

Sounds While Waiting

22,99 €*

2LP | 2023 | EU | Reissue (Music On Vinyl)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Sounds While Waiting documents the latest organ works by composer and musician Ellen Arkbro – following her phenomenal debut, 2017's For Organ And Brass, and the more recent Chords for organ. Recorded at a centuries-old church in Unnaryd, Sweden in June 2020, these pieces reveal the enchanting qualities of sustained harmonic sound, how patterns of listening dissolve and emerge as textured space. On opening track "Changes," long radiant tones ebb and flow like divine breaths, while "Leaving Dreaming" builds with dynamic tension to unlock a subtle, otherworldly ambience. As the composer states in the sleeve notes, "These recordings are traces of something I have come to love to do in large resonant spaces, which is to set up sustained chords on multiple organs and then move slowly through the sound. The instruments are usually far apart, which makes for the emergence of large fields of continuous change, spaces of harmonicity that can be passed through layer by layer and which contain within them points of both clarity and overwhelming complexity. The organ pipes are tuned and retuned, though sometimes I leave them just as they are. What I'm searching for is the moment when a particular kind of sounding texturality is revealed – it is rough, focused and yet strangely transparent." Arkbro composes for acoustic instruments, for synthetic sound and for combinations of both, including music for orchestra and smaller chamber ensembles and large scale installation works. She currently performs in Catherine Christer Hennix's Kamigaku ensemble and has previously studied with La Monte Young and Marian Zazeela in New York. Recommended for fans of Sarah Davachi, Eliane Radigue and Charlemagne Palestine.

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Bomfunk MC's

In Stereo

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2021 | EU | Reissue (Music On Vinyl)

Moloko

I Am Not A Doctor

36,99 €*

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Olof Dreijer & Mount Sims

Souvenir Colored Vinyl Edition

LP | 2023 | UK | Original (Rabid)

36,99 €*

LP | 2023 | UK | Original (Nashazphone)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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When Dreijer and Sims were approached a decade ago by the Special Friends of the Earth
organisation to work on music with a steelpan from Trinidadian legend Ellie Mannette, they were
determined to approach the instrument with sensitivity in order to avoid awkward fetishisation,
highlighting the drum’s characteristic timbre rather than its expected application.
The duo spent years working with different techniques - playing the pan using droplets of water
and ball bearings, for example, until they’d developed a way of bringing its softer, more unfamiliar
textures to the surface. Just as Helge Sten created rare magic from an array of Harry Partch’s
custom-made instruments on last year’s ‘Sow Your Gold...’, Dreijer and Sims dissolve familiar
sounds into a bubbling pool of rich, queered harmonies and unstable rhythms.
Opening track ‘Liten Karin’ is probably the duo’s most radical statement, a reinterpretation of a
Medieval Swedish folk song that features Sims on vocals, singing over a patter of metal pans in
slightly broken Swedish. Working with a Trinidadian instrument but looking critically rather than
resting on romanticised aesthetics, they arrive on a sound that’s mournful but not self-indulgently
so, bringing out fragile beauty not restricted by Western temperament.
From here the music only gets more pointed and involving: the lengthy ‘Hybrid Fruit’ picks up on
the loose thread of 20th century minimalism (think Steve Reich or Midori Takada) using repetition
to accent the drum’s ornate mutability. When things appear to evolve into techno-warped
arpeggios, it takes a minute to realise it’s not synths we’re hearing but processed metallophone
scrapes, like some organic approximation of the Berlin school’s psychedelic cosmic electronics.
But it’s when Sims and Dreijer veer off course that things go fully transcendent; on ‘A Vessel of
Clay’, they reduce the sound of the steel drum to an icy crackle, letting bouncing ball bearings set a
loose pace. It’s not a million miles from Mark Fell’s collaboration with Portugal’s Drumming Grupo
de Percussão ‘Intra’, fracturing percussion into glittering mosaics that reflect technology without
being controlled by it.
The album peaks with ‘Across This Mud’, a noisy electro-acoustic workout that closes ‘Souvenir’ in
fittingly dissonant style. The first track Dreijer and Sims wrote for the album, it’s a fanged exercise
that satisfyingly explodes into ear-crippling distortion. One thing’s for certain - it ain’t calypso.

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Sister Iodine

Hollozone

Relentless Trills Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Paris Noise chiefs, SISTER IODINE, return with “Hollozone”. Their seventh album and second on
Nashazphone following the 2018’s Double Album, “Venom”.
Erik Minkkinen, Lionel Fernandez, and Nicolas Mazet have represented the cutting edge and
vanguard of French Noise since the nineties and yet remain as radical and uncompromising
as ever. With “Hollozone”, the group manages to confirm the sound and spirit intensity which
perfectly embodies their unique world of controlled chaos.
It is with the advent of the 21st century - more than ever - that the decisive path of SISTER IODINE
has taken a fascinating route. From their debut album, ADN115, released in 1994 which was strongly
influenced by the original New York No Wave scene (Mars, DNA, Red Transistor) to their more
recent works which have been augmented by “newer poisons” such as Black Metal, or the most
abrasive end of Industrial Music and Power Electronics, or Experimental Electronics (Editions
Mego has reissued an extended version of “Flame Desastre” on CD), the band has managed to
survive through the decades, from the inhospitable French squats of the nineties to nowadays’
established venues and proper tours. Today, the band’s music has changed recipients and has
attracted younger generations with their organized radioactive chaos while never conceding
anything from their initial intensity. Over the years, SISTER IODINE would have also created their
own idiosyncratic language, for which sound exploration matters and pure beauty seem to count
as much as pure explosive ferocity, while intense violence and energy gets deployed in live shows.
The last few years witnessed an increasing number of collaborations such as the recent sessions
with Meyhna’ch (Mütiilation) or the ones with Masaya Nakahara (Violent Onsen Geisha / Hair
Stylistics). “Hollozone” offers a track featuring the vocal contribution of Stephen Bessac, the
deviant front man of the cult French hardcore band Kickback.
SISTER IODINE produces today a music that is actually unique and unheard anywhere else. One of
eternal youth and audacity.

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DJ Plead

LP | 2021 | UK | Reissue (Documenting Sound)

Jon Collin & Demdike Stare

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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DJ Plead’s genre-defining album of slow and humid dance music, recorded almost entirely on a Yamaha ‘Oriental’ keyboard in the spring of 2020, finally lands back in print on this new vinyl edition made for anyone who missed it first time round, remastered by Rashad Becker.

Giving us full classic/futureshock from the moment we first heard it, it’s one of those albums that’s stitched itself to the very fabric of our being over the last couple of years, becoming a sort of reference against which we’ve measured all weapons made for the sweatiest end of the night. If you’ve ever heard it out, you’ll know what we’re saying - it’s just supremely provocative, unhurried body music.

Recorded at his home in Sydney during the height of that first lockdown with a wild creative energy only amplified by strict aesthetic control - almost all of the album was recorded on the one keyboard featured on the cover artwork - it’s ironic that at a time when we basically got several years worth of reflective home listening albums recorded in isolation, Plead made one of the definitive club albums of the 2020’s, even if it’s for the kinda club that keeps it on full slink.

Equally influenced by vintage dancehall riddims and the inspirational glow of CS + Kreme's psycho-ambient heartmelters, Plead here dissolves his much-loved hard drum style, dropping the tempo and conserving energy levels across a suite of smutty, tense works, matching his waviest microtonal vamps with the signature, rhythmelodic lilt of his drums in a properly hypnotic style. A hazy introductory piece of autotuned vocals and subs seduces from the front, with feelings spilling out into delirious dancehall pressure with drums on some mad Mahraganat x Timbaland tip, closing on a mesmerising beatless highlight.

Perfect music, made for slow dancing.

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Fragments Of Nothing White Vinyl Edition

LP | 2023 | UK | Original (DDS)

Sink-Along Orange Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Demdike Stare’s immersive set of windswept, strung out blues made in collab with Jon Collin finally makes it to vinyl after a small run of tapes back in 2020 that sold out in a hot minute. We reckon it’s some of Demdike’s most compelling work; a highly evocative suite of low-lit sonic tapestries like some Coil x Ry Cooder collab that never was.

Teasing out vintage, arcane threads of connection between deep-South porchside styles and their native industrial blooz, Demdike sound at their most red-eyed and pensive in this strung out, liminal mode, spinning Jon Collin’s expressive guitar licks into acres of cranky, ghostly space to offer a starker and more blunted perspective on his dusky panoramic scenery.

The duo draw on a deep well of inspiration from the rugged beauty of the Pennine landscape to invoke a steeply immersive style of folk-blues abstraction. Across two sides they rustle a ragged, whiskey soaked and blurred tapestry of ideas, variously recalling darker echoes Loren Mazzacane Connors and even Stephen O’Malley solo sides across the 45 minutes of their spirit-guiding trek.

Pick your poison - mushies, peyote, banana skins, whatever’s to hand - and saddle up.

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Echt!

LP | 2023 | EU | Original (Sdban Ultra)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Kaitlyn Aurelia Smith & Suzanne Ciani

Frkwys Vol. 13 - Sunergy Expanded Blue Vinyl Edition

LP | 2023 | US | Original (Rvng Intl.)

Shifted Phases-The Cosmic Memoirs

Release: 2023 / US – Original

Genre: Electronic & Dance

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Sunergy brings together synthesists Suzanne Ciani and Kaitlyn Aurelia Smith for the thirteenth installment of FRKWYS, RVNG Intl.'s intergenerational collaboration series. For this expanded edition, a panorama of the Pacific Coast provides the place and head space for exploratory Buchla synthesizer passages that meditate on a life-giving form vast and volatile with change. This Pacific Blue color edition includes bonus track "Retrograde" and a printed insert with photographs and artist essays.

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Of The Late Great Rupert J.Rosinthrope

3LP | 2023 | EU | Original (Tresor)

42,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Throttle)

Clark

Sus Dog

37,99 €*

LP | 2023 | EU | Original (Sub Rosa)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Clark recruits none other than Thom Yorke as Exec Producer for his first album centred on his own singing. It combines his trademark searing synth melodies and beats with vocal hooks. Thom says "the way he approached it all wasn’t the usual singer songwriter guff thank god; it mirrored the way he approached all his composition and recording, but this time it had a human face. His face." Chris says "I kept on thinking what would it sound like if The Beach Boys took Mdma and made a rave record"

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Otto Sidharta

Kajang

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Real Gone Music)

South Side Movement

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Release Spirit Pink Vinyl Edition

Khotin

LP | 2023 | US | Original (Ghostly International)

LP | 2023 | EU | Original (Rykodisc)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Canadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014's Hello World immersed him in the heart of Vancouver's underground dance scene, and sometimes it follows, like 2018's Beautiful You, a downtempo salve for DJ fatigue His melodic sensibility and playful ear for atmosphere remain the rippling core of the project's fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Ed- monton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft _ the tone, pacing, and dynamism of new material _ arriving at a definitive full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin's dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he's never sounded better doing it. The album title borrows from the "release spirit" mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go- around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds _ including the classic Casio Sk-1 presets he's used since the start _ mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. "I think it's my best sounding record to date." We begin on "HV Road" or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia's Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin's most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of "Lovely," a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up. The bubbling atmosphere and absurdity of "3 pz" offer a cosmic/comic interlude and also speak to reflections on his family's move to Canada two generations ago, and the audio tutorials they used to learn English. "I can only imagine my grandpar- ents repeating some of the bizarre phrases." "Fountain, Growth" finds Khotin in collaboration with Montreal's Tess Roby (Dawn to Dawn) for the project's first-ever vocal track. Roby's soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of "Life Mask" and seamlessly reaching "Unlimited <3." The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop. Release Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of "Techno Creep," a hyperactive REM state before the digitized ambient sprawl of "My Same Size." In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded "Sound Gathering Trip" to soundtrack a genre of YouTube videos he's taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin's project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free.

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Elderbrook

Little Love

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Optimo Music)

De Ambassade

Young Birds

14,99 €*

Comradely Objects Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Netherland’s De Ambassade have dropped the ‘De’ and are now known as Ambassade. Optimo Music is extremely happy to be working with them and will be releasing their second album in 2023. Ahead of that is this glorious 2 track 12” featuring music that took our breath away when we first heard it. Both tracks are exclusive to this release. We asked Ambassade to tell us a bit about the tracks. “These 2 songs were born after a collaboration with Naama Freedman. She’s an artist from Amsterdam and former member of Ambassade. She brought a couple sketches to the studio and we came out with these 2 songs. The lyrics on ‘Young Birds’ come from an old traditional English folk song from around 1903. It has been re-arranged a couple times throughout the years by multiple artists. The song reflects our development in sound and arrangement with extended synthesiser parts, less conventional song-writing. Also, us singing in English is a new path. The pulsing song ‘Palette’ is a perfect combination of sequence and extended legato vocal parts. It creates a tense atmosphere which builds up to the very end.”

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Horse Lords

LP | 2022 | US | Original (Rvng Intl.)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Horse Lords return with Comradely Objects, an alloy of erudite influences and approaches given frenetic gravity in pursuit of a united musical and political vision. The band's fifth album doesn't document a new utopia, so much as limn a thrilling portrait of revolution underway. Comradely Objects adheres to the essential instrumental sound documented on the previous four albums and four mixtapes by the quartet of Andrew Bernstein (saxophone, percussion, electronics), Max Eilbacher (bass, electronics), Owen Gardner (guitar, electronics), and Sam Haberman (drums). But the album refocuses that sound, pulling the disparate strands of the band's restless musical purview tightly around propulsive, rhythmic grids. Comradely Objects ripples, drones, chugs, and soars with a new abandon and steely control. This transformation came, in part, due to circumstance. Sidelined from touring their early 2020 album The Common Task in a world turned upside down, Horse Lords promptly returned to their Baltimore practice space and began piecing together the music that became Comradely Objects (Bernstein, Eilbacher, and Gardner have since relocated to Germany). Removed from their tried and true method of refining new music on the road, the quartet invested less energy ensuring live playability and more rehearsing and recording. The deliberate writing and tracking process, a rarity since the band's earliest days, led to a collection of pieces that signal a new peak of creativity and musical heft without devolving into studio sprawl or frippery. Comradely Objects reflects familiar elements of Horse Lords' established palette_the mantra-like repetition of minimalism and global traditional musics, complex counterpoint, the subtleties of microtonality, a breadth of timbres and textures drawn from all across the avant-garde_with some standout stylistic innovations. At different moments, the album veers closer to free jazz than anything else in the band's catalog, channels spectral electroacoustic tones, and throbs with unexpected yet felicitous synth. While these new elements are evidence of additional studio time and care, Comradely Objects retains the dizzying obsessive rhythmic energy that galvanizes the best moments of the band. Music for people who like Mdou Moctar, This Heat!, Battles, Ndagga Rhythm Force, Can, Captain Beefheart, Art Ensemble of Chicago, LaMonte Young.

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LP | 2022 | EU | Original (Wagram)

Trip Hop Vibes 01

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Optimo Music)

INIT

NRGY

Microtronics Volumes 1 & 2 Remastered Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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INIT is Benedikt Frey & Nadia D`Alo. We are delighted to present their long delayed vinyl and digital album, NRGY.

Born out of various art performances and installations, INIT states a logical outcome of Berlin based duo Nadia D`Alo and Benedikt Frey. With heavy use of analogue synthesis and drum-machines, INIT rethinks its genre's sonic approach, unfolding a unique and organic, yet alienating sound, somewhere in the mysterious midst of Acid, Techno, Ambient and Kraut-Rock.

This is INIT's third album, following two releases on Hivern Discs, and performances at clubs such as Berghain, Robert Johnson and Pudel Club.

INIT say -

Module, NRGY, and Time were reverse extracted out of our live set and re-recorded and re-arranged after we realised how well they work in clubs. It is the first time we worked this way as we tend not to play our compositions live, like we produced them. Mostly we just extract loops out of our production to mess around with in a loose live project.

Snowglobe, Holes In My CV and N.O.D. were more built up from a studio jam plus a bulletproof-ish arrangement afterwards.

Tried and tested on dance floors this is a surefire hit album on the dancefloor, and at home. NRGY!

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Broadcast

LP | 2022 | UK | Original (Warp)

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Theme From The Gay Man's Guide To Safer Sex + 2 Black Edition

Coil

LP | 2019 | EU | Reissue (Musique Pour La Danse)

LP | 2022 | EU | Reissue (Black Truffle)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance, Soundtracks

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Musique Pour La Danse is proud to present Coil's unreleased soundtrack for the VHS only, pre-internet, sexual education documentary entitled "The Gay Man's Guide To Safer Sex" released in 1992. Members for this project are John Balance, Peter "Sleazy" Christopherson and Danny Hyde.

The OST, to quote John Balance's interview for Compulsion Online, "is [a] slightly new agey, progressive house type thing".

Another way to approach it is as a delightful collection of balearic beats, smoking jazz not far removed from Badalamenti's work with David Lynch, somewhat of an ambient house album for your home listening and early morning sunrise dances, Coil style.

Taken from the original masters provided by Danny Hyde, "The Gay Man's Guide To Safer Sex" features a new sexy edit of the main theme. Bonuses "Nasa-Arab" and "Omlagus Garfungiloops" are taken from the 1992 CD only "Stolen And Contaminated Songs", both being original versions of the radically reworked (for the Ost) "Nasa-Arab 2" and "Exploding Frogs" in order to balance the whole album and extend the listening pleasure.

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Eiko Ishibashi

For Mccoy

LP | 2021 | EU | Original (Atomnation)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Black Truffle is pleased to announce For McCoy, a new work by Eiko Ishibashi dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law & Order. Following on from Hyakki Yagyō (bt064), For McCoy finds Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures crafted in her home studio, aided by a group of close collaborators.

Beginning with overlapping layers of descending flute lines, the expansive ‘I Can Feel Guilty About Anything’ (whose two parts stretch out over more than thirty minutes) unfolds with a free-associative logic, embracing dreamlike transitions and unexpected cinematic cuts. As a hovering cloud of synthetic tones and multi-tracked voices fans out from the spare opening moments, Joe Talia’s skittering cymbals settle into a gently propulsive groove, soon joined by melodic fragments performed by Daisuke Fujiwara on multi-tracked saxophone. As the drums cede to field recordings and ominous synth figures, the uncommon meeting of saxophone and electroacoustic techniques call to mind the more spacious moments of Michel Redolfi and André Jaume’s Synclavier-propelled oddity Hardscore or the early work of Gilbert Artman’s Urban Sax. As the piece continues on the LP’s second side, distant dialogue rumbles beneath a surface of processed flutes, blurring into a cavernously reverberant backdrop for stark ascending lines performed by MIO.O on violin. Eventually, the piece settles into a gorgeous passage of abstracted dream pop, where Ishibashi’s multitracked vocal harmonies glide atop synth chords, errant pings and snatches of outdoor sound.

Fragments of melodic material reappear throughout the spacious opening piece, finally stepping to the forefront on the closing track, ‘Ask Me How I Sleep at Night’. Here, over a shuffling groove supplied by Jim O’Rourke on double bass and Tatsuhisa Yamamoto on drums, layers of flutes, saxophones and guitars sound out melodies whose combination of twisting irregularity and soulful immediacy calls up prime Keith Jarrett, while their closely voiced harmonies suggest Kenny Wheeler or even Wayne Shorter’s Atlantis. In a classical gesture of closure, the web of melodic lines eventually leads back to the descending flute figures with which the record began. Presented in an immersive, impeccably detailed mix by Jim O’Rourke and arriving in a sleeve featuring Ishibashi’s beautiful drawings of Jack McCoy, For McCoy is an essential release for anyone following the enchanted and unique path being forged by Eiko Ishibashi.

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Sam Goku

East Dimensional Riddims

2LP | 2021 | EU | Original (Kompakt)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sam Goku returns to Atomnation with a stunning debut album titled East Dimensional Riddims. The 11 tracks record is a journey into his hugely characterful club sound complete with ambient and subtle use of instruments from his Chinese heritage. Sam Goku - born Robin Wang - was born in Düsseldorf, yet his upbringing was Chinese for the most part. It is the contrasting influences of those two cultural backgrounds that play out in his music and lend it a truly unique character. The album is a fine fusion of East and West, house and techno, power and emotion that really showcases the unique production talents of Sam Goku. Following up on the EPs Tanggu, Every Step and Paradise Drum, this new album is the sound of an artist evolving, maturing and finding his own sound. It’s a cohesive work that is as emotional as it is physical and thought provoking.

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Raxon

Sound Of Mind