Downbeat | Electronica | Leftfield Vinyl 9190 Items

2LP | 2002 | US | Original (Schematic)

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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Ekkehard Ehlers' seminal plays series was originally released on three 12inches (Staubgold) and two 7inches (Bottrop-Boy) in very limited runs. The entire series was previously only available as a CD compilation or digitally. Keplar finally presents it on double vinyl for the first time, featuring a new cover artwork. Domestic ethnology: Ekkehard Ehlers plays. ‘Play’ is a word in English with many meanings attached. Each one sends you down a different cognitive pathway. When I think of ‘playing’, in the sense of a game, I think of an activity involving more than one person. When Ekkehard Ehlers plays, he is very much on his own. Or, at least, alone but at the same time keeping intimate company with the artistic innovators named in his titles. Robert Johnson. John Cassavetes. Albert Ayler. Cornelius Cardew. Hubert Fichte. Is he playing with them, against them, about them, for them, to them? This can never be known. It is certainly a mistake to try to hear the ‘work’ of these originals in the sounds played by Ekkehard. They’re not cover versions. They’re hardly tributes in the conventional sense. Cassavetes and Fichte are not even musicians, although music played an important part in both their careers. Sure, there are little nods and flashes of recognition – tiny guitar licks among the minimal beats of ‘Robert Johnson 2’; rich bowed instruments in ‘Albert Ayler’, recalling the violin, cello and double bass arrangements on Ayler’s 1967 Live in Greenwich Village LP; the elongated organ lines of ‘Cornelius Cardew 1’ gesturing towards passages in Paragraph 1 of the British composer’s 1971 Marxist monolith, The Great Learning. Ekkehard is not so much playing these figures as allowing himself to be played by them. Playing as an activity also suggests freedom. Maybe the only thing all five named persons have in common is that they were all quiet radicals. In music, literature and cinema, they all stepped, without self-promotion or fanfare, into unmapped territories. Once there they found it necessary to invent new languages in order to survive. Necessity was the mother of their inventiveness. They were also uncomfortable avant gardists. Lonely types, fighting their corners out on the margins, with little reward, often misunderstood, ridiculed or ignored. All died unfairly young. Fichte a victim of Hiv/aids, Cassavetes of cirrhosis of the liver. (‘Cassavetes 2’ sounds like a tender farewell played across the 59 year old alcoholic director’s death bed.) The deaths of Johnson, Ayler and Cardew have never been satisfactorily explained, and remain shrouded in myths and conspiracy theories. The pioneering expeditions of all five began in that spirit of playful freedom, but inexorably drew them towards the heart of darkness. So these ‘plays’ are micro-dramas, sonic soliloquies, monolog-ins to the private accounts of various geniuses in Ekkehard’s ‘follow’ list. Hacked sensibilities. Artistic manifestos boiled down and distilled, skinned and dried in the digital smokehouse. (Ekkehard Ehlers Flays.) Each of these plays was originally floated out into the world alone on its own disc. The collected works play well as a team – a tranquil, introspective experience where each artist has his own identifiably unique sound character. As an album, Plays is a ‘Plattenragout’ – a ‘record stew’ – which was the title of Hubert Fichte’s LP review column in the leftist culture magazine konkret in the 1960s. The novelist’s work investigating the cultures of South America and the Caribbean islands has been called ‘domestic ethnology’. The writer himself referred to his ‘ethnopoesie’. Ekkehard Ehlers’s intuitive electronic portraits are a form of domestic ethnology in themselves. Invoking another of Ekkehard’s musical aliases, they are portraits of cultural ‘autopoiesies’ – creators whose works were strong enough to have their own self-regenerating life force. (by Rob Young)

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Dino Felipe

As Flim Toby

21,59 €* 23,99 € -10%

Release: 2002 / US – Original

Genre: Electronic & Dance

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Well-Suited For General-Purpose Audio Work

2LP | 2002 | US | Original (Schematic)

21,59 €* 23,99 € -10%

Release: 2002 / US – Original

Genre: Electronic & Dance

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LP | 2002 | US | Original (Schematic)

Dino Felipe

Xanaconversex

17,09 €* 18,99 € -10%

Release: 2002 / US – Original

Genre: Electronic & Dance

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You Can Feel Me 20th Anniversary Black Vinyl Edition

Har Mar Superstar

LP | 2002 | EU | Reissue (Love Online)

26,99 €*

Merzbeat Pink / White Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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This is the 2nd album by Har Mar Superstar. It was originally released on Record Collection/Warner Bros in 2002. The album features collaborations with Beth Ditto, Eric Olsen, Howard Hamilton III, Dave Gatchell, Dirty Preston, Clark Baechle, Jacob Thiele, Tiny E, and many more. The lead-off single Power Lunch became something of an international indie hit, and Har Mar Superstar performed at festivals all over the world culminating in a four month residency at the legendary club Manumission in Ibiza. This was the last album where Sean Tillmann would pretend he was his own brother, Harold Martin Tillmann.

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Merzbow

LP | 2002 | MX | Reissue (Aurora Central)

59,99 €*

Chris Coco Feat. Peter Green

Release: 2002 / MX – Reissue

Genre: Electronic & Dance

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A beautiful and distorted dream of drum samples, jazz, swing, noise and bliss by Harsh Noise giant, Masami Akita (Merzbow), remastered for the first time since its original release in 2002. To celebrate the 20th anniversary of this incredible albu we are doing a limited second edition, gatefold, vinyl pressing on white/ pink colored vinyl limited to 300 copies worldwide. It includes updated artwork by the artist. Consider by many a landmark album and a turning point in Merzbow’s discography, Merzbeat serves as a powerful introduction to the world of experimental music.

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Albatross

12" | 2002 | UK | Original (Distinct'ive)

3,79 €* 3,99 € -5%

Every Day 20th Anniversary Colored Vinyl Edition

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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The Cinematic Orchestra

3LP | 2002 | UK | Reissue (Ninja Tune)

41,99 €*

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2002 | EU | Reissue (Keplar)

Arovane

Icol Diston

LP | 2002 | EU | Reissue (Roadburn)

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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The »Icol Diston« compilation, released in 2002 on DIN, comprised the three first EPs released by Uwe Zahn under his Arovane moniker. Following up on vinyl reissues of his path-breaking debut album »Atol Scrap« as well as 2000’s »Tides,« the German Keplar label finally makes »Icol Diston« available in its entirety on vinyl for the first time in a remastered version with new artwork. This expansive reissue sheds a new light on Zahn’s first two outings as a producer on the »I.O.« and »Icol Diston« EPs on Torsten ›t++‹ Pröfrock’s legendary label as well as highlighting his radical inventiveness as a remixer with the two renditions of Pröfrock-produced material offered on »AMX.« Taken together, these musically complex and emotionally rich electronic compositions form the prologue to an artistic story like none other while also documenting a very specific era in cultural history. The energy running through Berlin and its boundaryless electronic music scene at the end of the 1990s is reflected by and refined through these eleven tracks. »There was an overwhelming dynamic of liberation reverberating through the city—through the clubs, the arts, the people,« says Zahn today. At this early stage in his career, he had a head full of ideas and slowly started filling up his studio with samplers, synthesizers, and sequencers to put them into practice. »I would compose percussive structures in my mind during long metro rides and record them once I was back at the studio as well as composing melodies spontaneously on my sequencer.« The Yamaha Qy700 would become his sketchbook that allowed him to experiment with different patterns, creating polymetric figures out of discrete musical elements. Zahn’s sessions, recorded live in stereo and straight to DAT, resulted in two very different EPs of original material. His debut »I.O.« showcases a playful and gentle, albeit dubby and at times moody aesthetic. The four tracks are exercises in sonic worldbuilding, creating vast spaces and filling them with a plethora of intertwining melodies and rhythms. Its successor »Icol Diston« drew on similar parameters, but painted a very different picture in terms of atmosphere and mood. »Berlin’s history felt still so tangible and yet somewhat ghostly during the 1990s, and it is a reflection of all that,« explains Zahn. »The weight of its past, starting with World War II up to the end of the GDR, clashed with an atmosphere of departure, a new zest for life among the people in the city.« It is perhaps no surprise then that the five tracks put a firmer focus on beats, at times even approximating techno or electro grooves despite never eschewing the complexity that is so central to Zahn’s work. The »amx« EP features two remixes of tracks originally produced by Pröfrock under two different guises. »Außen vor« had been released under his Dynamo moniker and was reworked by Zahn after having been introduced to his label owner’s Studio 440 sampler, sequencer and drum machine. By leaving the groove at the core of the original track mostly intact but infusing it with more dub as well as anthemic synth drones, Zahn gave it more depth both sonically and emotionally. With his remix of »No. 8,« released under Pröfrock’s tongue-in-cheek pseudonym Various Artists, Zahn followed a more radical approach which led him even deeper into dub territory. »I used a relatively short sample as the tonal foundation and then added an incredibly deep bass and percussive elements,« he explains. Widely different from the original version, it perfectly translated the spirit of this singular masterpiece into another stylistic idiom. The »Icol Diston« compilation is imbued with a forward-thinking spirit that remains exhilarating until today. It captures the sound of one unique artist, but also electronic music during that time more broadly. This is the sound of opening a new chapter, the willingness to venture into the unknown.

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Yen Pox & Troum

Mnemonic Induction

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2002 | EU | Reissue (Keplar)

Ekkehard Ehlers

Plays

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2002 | EU | Original (3B)

Granlab

Fear

2LP | 2002 | UK | Original (Mute)

Release: 2002 / EU – Original

Genre: Electronic & Dance

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slamming raw Techno cuts

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Moby

166,99 €*

Moon's Milk (In Four Phases) Black Vinyl Edition

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM.
Includes original inner sleeves.

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Coil

3LP | 2002 | US | Reissue (Dais)

74,99 €*

2LP | 2002 | Reissue (Real Gone Music)

Release: 2002 / US – Reissue

Genre: Electronic & Dance

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First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-Super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness. Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)"). Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future." The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shivering rhythm into an imploding burial hymn. "North" oscillates bleakly, a ghost in the machine murmuring opaque prophecy ("This black dog has no owner / This black dog has no odour"), while "Magnetic North" is its inverse, a guided meditation of gently flickering software and surreal chakra poetics ("Red rose filling the skull / Yellow cube in the lower pelvis / Silver moon crescent below the navel"). The suite fades to grey with a traditional English carol ("Christmas Is Now Drawing Near"), rendered like an executioner's song by Rose McDowall's doomed, beautiful voice. The Dais box set includes the entirety of the rare Moon's Milk Bonus Disc Cd-r / 2019 Threshold Archives Copal CD, which includes three collaborations with Thighpaulsandra. This material is as rich and intoxicating as the previous four phases, ranging from electro-acoustic singing bowl rituals ("Copal") to dissonant electronic recitations of visionary Angus MacLise poetry ("The Coppice Meat") to ominous classical melancholia ("Bankside"). Once again, Coil confirm the vastness of their confounding, infinite alchemy, explored and refined across decades of experimentation - both sonic and bodily. From postindustrial to post-everything, theirs is an art untethered, in the wilds of its own design.

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Southern Hummingbird

70,99 €*

Release: 2002 / Reissue

Genre: Electronic & Dance

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12" | 2002 | US | Reissue (Merck)

Machine Drum

Half The Battle

15,99 €*

Release: 2002 / US – Reissue

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Marbled vinyl. Limited edition. 2003 reissue.

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2x12" | 2002 | FR | Original (Telegraph)

Post Office

Release: 2002 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Do Not Expect Consistency

2LP | 2002 | UK | Original (Koept)

10,99 €*

12" | 2002 | JP | Original (Progressive Form)

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition close to NM

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Eater

T.O.E. / Flower Of Life

Release: 2002 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2002 | UK | Original (Glasgow Underground)

Rose Smith

Life Changes (Remixes)

Moon's Milk (In Four Phases) Red In Clear Vinyl Edition

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

stickered white label copy promo

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Coil

3LP | 2002 | US | Reissue (Dais)

62,99 €*

12" | 2002 | FR | Original (Consortium)

Release: 2002 / US – Reissue

Genre: Electronic & Dance

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Red in Clear Vinyl.First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness.Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)").Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future."The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shiv...

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Sixtyniners

Smoken Machine

13,99 €*

Release: 2002 / FR – Original

Genre: Electronic & Dance

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2LP | 2002 | UK | Reissue (Late Night Tales)

Zero 7

Another Late Night Vinyl

32,99 €*

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

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12" | 2002 | AT | Original (Intonation)

Megablast

Tribute E.P.

Release: 2002 / AT – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2002 | US | Original (Live Wire)

Untitled

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2002 | UK | Original (Catskills)

Hardkandy

See The Light EP

Most Eye, The Rastabomba Remixes

Release: 2002 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sticker mark on front cover.

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Timeblind

12" | 2002 | US | Original (Orthlorng Musork)

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Here To Go (Days Are Gone)

Metamatics

7" | 2002 | UK | Original (Hydrogen Dukebox)

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2002 | US | Original (Natural Resource)

Kuniyuki Takahashi

Precious Hall

49,99 €*

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Only few superficial scuffs, playsa and sounds fine.

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12" | 2002 | NL | Original (Eat This)

Jip

Release: 2002 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag. close to NM

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World Is Waiting For Us Volume 3

12" | 2002 | JP | Original (Readymade International)

Release: 2002 / JP – Original

Genre: Electronic & Dance

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EP- Warehouse find /Original Year 2002 Pressing Mint and NOS Copies
by this label ditsributed by teh Long goen Japanese Companies Cisco and DMR (Dance Music Records)

WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!

Tracklist:

A1Konishi Yasuharu*–The Spellbinder
A2Konishi Yasuharu*–Floral Street Scene
BSunaga T Experience–Istonichcoff-Variation

KONISHI yasuharu
Band leader, songwriter, arranger and producer of the now disbanded Pizzicato Five (1985-
2001). Although having 2 successful world tours and 5 international albums under his belt,
with fans ranging from London’s Karminsky Experience to Karl Lagerfeld, many of his
fans know him as a DJ, spinning in Tokyo’s hotspots such as Shibuya’s ‘Organ Bar’. He tours
regularly throughout Japan and abroad. In the Jackson 5 Remix Album, his remix ‘I want
you back (readymade 524 mix)’ received an extraordinary amount of national radio play.
The remix album itself has scored healthy rankings in major record stores. In 1998, his own
project ‘Punch the Monkey!’ (in which he remixes the theme tune of a popular Japanese
cartoon series ‘Lupin the Third’) sold over 700,000 records, and this, some say, began
Japan’s remix rush. His achievements truly invaded the mainstream when in 2000, he
produced the No.1 single ‘Oha-Rock’ which became a social phenomenon in itself. Most
recently, he set up his own record label, ‘readymade international inc.’ from he which
he plans to release new exciting solo works.
His talents also embrace film and photography and he is well known as a director in
promotional videos, shows and advertisements. T-shirts and original goods which Konishi
personally designed are sold in select shops such as BEAMS of Shibuya.
He is also a writer having regular columns in various magazines, and has also written several
books. A collection of his essays have been published under the title ‘Kore wa koi de wa
nai’ (’This is not love’)

SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.

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World Is Waiting For Us Volume 2

12" | 2002 | JP | Original (Readymade International)

12" | 2003 | UK | Original (Skint)

Release: 2002 / JP – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-01-10

EP- Warehouse find /Original Pressing Mint and NOS Copies by this label ditsributed by teh Long goen Japanese Companies Cisco and DMR (Dance Music Records)

WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!

SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.

IKEDA masanori (Mansfield)
Began his DJ career in London, 1991, while working in Soho’s Soul Jazz Records. After
becoming resident DJ at ‘Blow-Up’ in London’s Wag Club, he has toured the country and
the rest of Europe. With his friends Karminsky Experience and Gentle People, he has
also organised numerous club events, compiled CDs and produced radio programs. Returning
to Japan in 1997, as the DJ with the rarest records in the East, he immediately made his
name Djing at many popular events up and down the country. He is recognised for rocking
dancefloors on a global scale having completed a very well-received European tour in 2000.
Apart from his DJ work, he has contributed remixes for Konishi Yasuharu’s ‘Punch the
Monkey!’. His solo releases include his mix CD series ‘Spin Out’ , ‘Spin Out 2’ (V2 Records
Japan). His albums ‘6 Complexions of Mansfield’ and ‘It’s a mans’s man’s field’ (readymade
records) released under his alias Mansfield have established his name as a sound creator.
He is expecting to release a new album from readymade international early 2002. This
is the DJ/composer that everyone’s talking about.

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International Pony

Leaving Home

10,99 €*

12" | 2003 | US | Original (Botanica Del Jibaro)

Release: 2003 / UK – Original

Genre: Electronic & Dance, Pop

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Radio Slave remix / Product.01 remix

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Antennae

Silent

3LP | 2003 | EU | Original (Virgin)

Release: 2003 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. Tiny corner wear

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Massive Attack

100th Window

64,99 €*

10" | 2003 | US | Original (Eighteenth Street Lounge Music)

Release: 2003 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Rare multi-gatefold pressing! Great condition!

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Thunderball Vs. Liftoff

Welcome Back Cooper

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

3LP | 2003 | US | Original (Mush)

Omid

Monolith

28,99 €*

12" | 2003 | DE | Original (WMFRec)

Release: 2003 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Still in shrink but opened with hype sticker.

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Jahcoozi

Fish

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2003 | UK | Reissue (Ninja Tune)

Skalpel

26,99 €*

12" | 2003 | US | Original (Merck)

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

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Back in print after 10 years! Repressed on 180 gram vinyl incl. Download code!

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Deceptikon

Lost Subject

LP | 2003 | EU | Reissue (Dancing Bear)

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Limited Edition! Label cover.

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The Bambi Molesters

Dumb Loud Hollow Twang

23,99 €*

2LP | 2003 | US | Original (Mush)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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180 gram vinyl

Not many acts who continue for a few albums get a chance to go back and take care of what they might see in retrospect as mistakes or tentative starts — but there are always glorious exceptions. Thus the course of events that led to the Croatian surf-rock quartet The Bambi Molesters rerecording their 1997 debut Dumb Loud Hollow Twang in a ‘deluxe’ edition, with special guests, bonus tracks and more besides.

What might have seemed a quixotic exercise gets explained in the liner notes — the album’s original run, though popular in surf-rock obsessive circles, had not resulted in a reprint, while the group’s growing popularity resulted in further demand and attention for the start. The band themselves felt the debut was far too rushed — it was literally recorded in three hours as a one-take rip with instrument leakage and bad mixing ruining the impact — so with more time to spare and a chance to flesh out the sound, the result was 2003’s Deluxe.

The quartet’s command of the surf vernacular is unparalleled — guitarists Dalibor Pavicić and Dinko Tomljanović have the reverb down and rhythm section Lada and Hrvoje Zaborac shift between mania and moodout with ease. The guest musicians add just the right touches — keep an ear out for Neven Franges’s piano on the late-night menace of “Pearl Divin’”, as well as on the smoky Eurospy vibe of “Sun Stroke” and a trumpet/sax duo on a variety of songs adding some further sting.

If the overall effect is pleasantly reverential rather than a striking new reworking of surf and garage roots, it’s still a solid result that works beyond mere genre exercise. The bonus tracks are all covers, and winners they are — the Molesters collaborator in the Strange project, Chris Eckman, adds whispering menace to “Restless”, the album’s sole vocal track. Best song title of the bunch — “Beach Murder Mystery.” (Ned Ragget, All Music Guide, 2005)

Nothin’ dumb about this one! The Bambi Molesters hail from Sisak, Croatia, and they play a slightly dark brand of traditional instrumental surf music. They’re all about subtlety. Lead guitarist Dalibor Pavicić lays back in the mix, painting the sound with dreamy apparitions of melody and tone. How much of this was always part of their formula, and how much producer Phil Dirt created at the console, I don’t know, but either way they’re onto something good here.

All fifteen tunes were written by Pavicić and guitarist Dinko Tomljanović, and that’s surprising enough for such a young band, but on top of that, all fifteen are exquisitely crafted and fully realized. “Sun Stroke” is one of the most beautiful surf tunes of the year, filled with passion and power and delivered with a delicate touch. If you fancy a twist of spy in your surf, “Beach Murder Mystery” is the bomb. By the way, if you’re voting for great titles of the year, you may want to consider “Standing on the Nose in a Stylish Manner”, which also happens to be a killer surf tune. So add Croatia to your surf scene map and keep an eye on The Bambi Molesters, because they’ve officially taken their place in the book of who’s who. (DJ Johnson, Cosmik Debris, 1998)

A stunningly good set of tracks from the only surf band in Croatia. Their writing is melodic, pristine, well structured, and unique. I find their slower material to be the best, with its stellar beauty and delicate balance between lead and rhythm. I’ve been communicating with the band for about a year, and earlier this year, they asked me to produce their album. I was honored. They laid down 16 track ADAT in Croatia, and mailed them to me in the US. I mixed them here, and mastered them as well. Based on the DAT I’d received late last year, I was expecting good tracks. I was not prepared for just how good they’d turn out to be. This will be a classic of the future. (Phil Dirt, DJ KFJC)

Dancing Bear Band Information (from 2005)

Formed in 1995 under the influence of 60’s garage and surf classics, the Croatia based band The Bambi Molesters won sympathies of rock critics and underground rock audience with their first album “Dumb Loud Hollow Twang” which was released in 1997. Since then they have been playing regularly in Croatia and all over Europe and their fiery and energetic live performances have helped to build their reputation as one of the finest and most original contemporary instrumental bands.

In 1999 the band signed the record deal with Dancing Bear. They released their second album called “Intensity”. The same LP was also released in Germany on Kamikaze Records. Both “Intensity” and “Dumb Loud Hollow Twang” gained positive reviews in the music press and were nominated in various categories of the Croatian music award.

In December 2001 The Bambi Molesters released their 3rd CD “Sonic Bullets: 13 from the Hip” (the LP version is from 2003) with the following guests: Peter Buck (REM), Scott McCaughey (Minus Five, REM touring band), Chris Eckman (The Walkabouts), Terry Lee Hale and Eduardo “Speedo” Martinez (The Flaming Sideburns). Just like the previous one, the new The Bambi Molesters album was published by the Croatian record label Dancing Bear. The CD got excellent reviews in various magazines (Mojo, Uncut, Pitchfork, ...) and received the Croatian journalist award for the best album of the year 2001.

In June 2002 “Sonic Bullets: 13 from the Hip” was licensed by ACE Records and was released on their Big Beat label.

The Bambi Molesters’ songs are regularly played on American (KFJC, KFAI, KXLU, WREK, WHUS) and British (BBC RADIO 1 in London) radio stations. The song “C Alpha E” was included in the movie called “The Treat” by Jonathan Gems (screenwriter for “Mars Attacks” and “1984”). Their music can also be heard in videos (“Cross Cuts” for Tonix Pictures and Dragonfly BMX video). Three songs from the first LP are included in the movie “Barabe” (Viba film, Slovenia). During the last couple of years the band has played more than 100 gigs and supported well known acts including The Cramps, REM, Chrome Cranks, Man or Astroman,...

In July 2003 the band played as a support at the R.E.M. European tour. The Bambi Molesters played at three gigs in front of 50000 people altogether.

In June 2004, together with The Walkabouts singer Chris Eckman they formed The Strange. Their debut album “Nights of Forgotten Films” is out on Dancing Bear.

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Curse Ov Dialect

Lost In The Real Sky

Emotions Under Curfew E.P.

Release: 2003 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Still in shrink but opened with hype sticker. Vinyl is Close to VG+.

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Fym

12" | 2003 | DE | Original (Boogizm)

15,99 €*

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2003 | Reissue (Ninja Tune)

Bonobo

Dial M For Monkey

27,99 €*

Release: 2003 / Reissue

Genre: Electronic & Dance

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2LP | 2003 | DE | Original (Source)

Benjamin Wild

Wie Es Sein Wollte

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2003 | DE | Original (Ramadan)

Kareem

Neoclassical

6,95 €*

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

7" | 2003 | US | Original (Schematic)

Dino Felipe

Spreadder

Release: 2003 / US – Original

Genre: Electronic & Dance

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12" | 2003 | EU | Original (Monika)

Chica And The Folder

Schatulle

12,99 €*

Release: 2003 / EU – Original

Genre: Electronic & Dance

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12" | 2003 | NL | Original (Vynalogica)

Endorphins

Taming Textures

LP | 2003 | UK | Reissue (Ghost Box)

Release: 2003 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

close to NM

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Eric Zann

Ouroborindra

22,99 €*

12" | 2003 | UK | Original (Ai)

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

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We're absolutely delighted to announce the reissue of Ouroborindra on the Ghost Box Records label.

Ouroborindra was first released in 2005 on Cd-r, and now re-issued on CD and, for the first time, on Vinyl. Eric Zann was an alias for the more experimental work of Jim Jupp, aka Belbury Poly and Ghost Box co-founder.

Inspired by early 20th century cosmic horror fiction, Ouroborindra sets out to conjure up it's own awe inspiring and chilling imagery. It's drone music with melodic elements, stitched together with synthesizers, samples, found sound and effects.

Another exceptional reissue from the consistently excellent Ghost Box.

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Yellotone

Geen Mayo EP

Release: 2003 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2003 | EU | Reissue (Pingipung)

Umeko Ando

Upopo Sanke

30,99 €*

The Stix 20th Anniversary Orange / Red Vinyl Edition

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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“Upopo Sanke“ means “Let's sing a song" in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-response structure of many of the songs is performed with a mantric quality in a vocal style that is perhaps best described as elastic and breathing. There seems to be a gentle smile in every note and syllable. This music softly hits the heart.

Upopo Sanke was recorded on a farm in Tokachi in the summer of 2003. We hear dogs barking, a distant thunderstorm and voices imitating animals. The liner notes that accompany the 2LP release gather the anecdotal memories of Umeko Ando and Oki Kano about the stories of the 14 songs. Oki Kano is a musical ambassador of the Ainu culture who tours worldwide with his Oki Dub Ainu Band and also gives solo concerts, always playing the Tonkori, the five-stringed Ainu harp.

The Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation.

"Upopo Sanke" was mixed again in part by Oki Kano, before being mastered and cut to vinyl by Kassian Troyer. The 2LP plays on 45rpm and it sounds fantastic. This album was the second album by Umeko Ando, the follow-up to „Ihunke" and also re-released in 2018 by Pingipung together with Oki Kano.

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Jaga Jazzist

2LP | 2003 | UK | Reissue (Ninja Tune)

34,99 €*

Release: 2003 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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12" | 2003 | UK | Original (Mantis)

Brooks & Dani Siciliano

Wandering

Release: 2003 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Lambent Material Dark Red Vinyl Edition

Eluvium

LP | 2003 | US | Reissue (Temporary Residence)

30,99 €*

Release: 2003 / US – Reissue

Genre: Electronic & Dance

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LP | 2003 | EU | Reissue (Keplar)

Tujiko Noriko

From Tokyo To Naiagara

24,99 €*

12" | 2003 | EU | Reissue (Alien Transistor)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Keplar presents the first-ever vinyl edition of the 2003 album »From Tokyo to Naiagara« by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, »From Tokyo to Naiagara« followed up on her two seminal Mego albums and marked a turning point in both the artist’s career and personal life: While she was preparing to leave Japan behind, she succinctly connected the dots between her experiments in pop music and her interest for more abstract sounds. Tujiko worked primarily with a Yamaha synthesizer and an MPC sampler while also incorporating contributions by other musicians such as Onda, Riow Arai and Sakana Hosomi into the pieces. Sometimes approaching an IDM and clicks’n’cuts-style production or working with trip-hop and hip-hop beats while using conventional song structures in the most unconventional of ways, the album showcases her multifaceted influences and skills as a singer and musician to full effect. Tujiko fondly remembers the time when she made the album. »I had a lot of time for myself back then and I didn’t even feel like I was very busy,« she says today. She describes producing it in close collaboration with Onda, who would relocate to New York City shortly after, as »quite Tokyo and very local.« They explored parts of the city that they hadn’t yet been to for a photography project (finding, among other things, a coin laundry called Naiagara—a transliteration of Niagara). This left its mark on a record that mixes melancholia with joy. The driving opener »Narita Made,« named after one of Tokyo’s airports, already makes this clear: Tujiko’s wistful vocals and lyrics like »I miss you terribly« emphasises the sense of bittersweetness that forms the common thread for a sonically diverse and stylistically open-ended album—this music is looking back while moving forward. It is probably no surprise that its reissue too evokes tender memories of Onda and Steinle in Tujiko, while also reminding her of what lies ahead. »I have so much more to do and not enough time for that,« she muses, before quickly adding: »But I also feel less alone having that album again.« Influenced in equal parts by the experience of strolling through previously unknown Tokyoite back alleys and thinking about the paths not (yet) taken, »From Tokyo to Naiagara« is precisely that: the perfect travel companion for a journey that leads its listeners from past to future.

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Chronomad

8,99 €*

LP | 2003 | DE | Original (Nonplace)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Saam Schlamminger, born 1966 in Istanbul. Until the age of 12 years, he lived in Iran, since then main residence is Munich. A couple of visits at different musicians and teachers in Uzbekistan, Pakistan, Iran, New York and Paris for studying eastern rhythmics. Specialized in the instruments Persic Zarb and Daf, which he alienates electricly. Worldwide performances with artists of different styles, e.g. Susan Deyhim and the Notwist. Consultant and director of several documentaries abroad (Iran, Benin, Kurdistan, France, central Asia).

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Freeform

Condensed

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

2LP | 2003 | UK | Reissue (Late Night Tales)

Nightmares On Wax

Late Night Tales

33,99 €*

2LP | 2003 | EU | Reissue (WeMe)

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

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The Late Night Tales compilation is a bit of a ‘stealth’ project for me personally. I’m very proud of it, but at the time, I probably didn’t appreciate it as much as I do now because there was so much going on. You do these things in-between touring and you don’t really have time to reflect on them because you’re immediately onto the next thing. It’s nice to know that it’s getting re-released.

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Ceephax Acid Crew

Exidy Tours

27,99 €*

12" | 2003 | US | Original (Troubleman Unlimited)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Originally released on Firstcask Records in 2003. A selection of my styles and ideas at the time, ranging from drum n bass, ambient, acid etc etc

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Tussle

Eye Contact

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2003 | BE | Original (Buffalo Jams)

Glimmer Twins

Volume V

Release: 2003 / BE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 2003 | UK | Reissue (Ghost Box)

Eric Zann

Ouroborindra

Amphibious Lemonade Strangling / Deceive The World To Rule The Planet

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Cover as new with a dented corner.
Includes original inner sleeve.

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Void Settler / Labyrinth

2x12" | 2003 | NL | Original (The Third Movement)

11,99 €*

LP | 2003 | Reissue (Real Gone Music)

Release: 2003 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Candido

Dancin' And Prancin'

Release: 2003 / Reissue

Genre: Electronic & Dance

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12" | 2003 | DE | Original (!K7)

Dani Siciliano

Walk The Line

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo copy

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2LP | 2003 | DE | Original (Sonig)

.Ilation

12" | 2003 | UK | Original (Tummy Touch)

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM. Tiny tear in back spine.

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Revolvo

Knocking Shop

Release: 2003 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Futuristic Experiments #006

2LP | 2003 | DE | Original (Background)

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2003 | US | Original (context)

Unravelled Vol. 1

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2003 | UK | Original (Vertical Form)

Sixtoo

Antagonist Survival Kit

15,99 €*

Release: 2003 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

When The Blood Turns Black

Kill Memory Crash

12" | 2003 | US | Original (Ghostly International)

12" | 2004 | EU | Original (City Centre Offices)

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Still in shrink but opened.

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Donato Wharton

Built To Fail EP

6,49 €* 12,99 € -50%

Release: 2004 / EU – Original

Genre: Electronic & Dance

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12" | 2004 | EU | Original (Shitkatapult)

Das Bierbeben

Reproduktion / Staub

Release: 2004 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Man With The Movie Camera / Flite

The Cinematic Orchestra

12" | 2004 | UK | Original (Ninja Tune)

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

3LP | 2004 | UK | Original (Ninja Tune)

Blockhead

Music By Cavelight

76,76 €* 95,95 € -20%

10" | 2004 | UK | Original (Ninja Tune)

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Includes bonus vinyl with the instrumentals!

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Sixtoo

Body Ache Summer EP

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2004 | NL | Original (Ann Aimee)

Dribs

The Open Log Book

Release: 2004 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2004 | UK | Reissue (Ninja Tune)

Skalpel

Konfusion

2x12" | 2004 | DE | Original (Gomma)

Release: 2004 / UK – Reissue

Genre: Electronic & Dance

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Amazing album by Poland's Skalpel, finally available again and not to be missed in any record collection!

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Munk

Aperitivo

10,99 €*

Release: 2004 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2004 | US | Reissue (Audika)

Arthur Russell

Calling Out Of Context

48,99 €*

10" | 2004 | FR | Original (Atavisme)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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When Arthur Russell died in 1992 he left an overwhelming archive of over a 1000 tapes that reveal the sublime genius of one of the most important musicians of the last 25 years. As a cellist, songwriter, composer, and disco visionary Arthur Russell consistently blurred the lines of our expectations of what pop music could be. Originally from Iowa, Arthur travelled west in 1970 to study Indian classical composition with Ali Akbar Khan, befriended Allen Ginsberg, performed with Alice Coltrane, and then moved to New York in 1973 to study at the Manhattan School of Music. Quickly gravitating to the then burgeoning downtown scene, Arthur wrote and performed his minimal compositions (captured on Instrumentals and Tower Of Meaning. Both to be re-issued by Audika) and collaborated with a who’s who of some of New York’s most influential artists including Rhy’s Chatham, Ernie Brooks, David Byrne, Phillip Glass, Laurie Anderson, Jon Gibson, Robert Wilson, Christian Wolff, John Cage, Arnold Dreyblatt, and Phill Niblock.

It then changed by a mere accident. Simply, he went to a disco. Inspired by the sonic repetition and sense of community, Arthur wrote and recorded some of the most important records of the disco era including ‘Kiss Me Again’, ‘Is It All Over My Face’, and co-founded Sleeping Bag Records with partner Will Socolov releasing ‘Go Bang’ and the album 24-24 Music. In 2002 Audika Records entered into an exclusive licensing agreement with the estate of Arthur Russell to issue previously unreleased and out of print material from Arthur’s vast archive. The first album Calling Out Of Context , features 12 previously unreleased tracks recorded during Arthur’s prime years 1985-90. The material is drawn from Corn, an album that was completed in 1985 but never released, and an abandoned album recorded for Rough Trade as Arthur had become ill. Many of these tracks show hidden sides of Arthur’s talent and underline the loss of his great potential. Contrary by nature, Arthur’s spontaneous reaction and altered perception to his environment produced music that remains challenging and contemporary. Arthur’s open hearted attitude to music was far ahead of it’s time, and now that time is ours.”

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Panash'

Unicorn / Cheval

Release: 2004 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 2004 | EU | Original (Source)

AIR

Talkie Walkie

49,99 €*

2LP | 2004 | EU | Reissue (Music On Vinyl)

Release: 2004 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines, closer to VG+. Still in shrink, but opened. Cover with slightly bumped corner

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DJ Krush

Jaku Black Vinyl Edition

33,99 €*

LP | 2004 | EU | Reissue (Karaoke Kalk)

Release: 2004 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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Born in 1962 in Tokyo, DJ Krush is the internationally acclaimed producer, remixer and a DJ, who's produced music in vast variety of fields such as films, TV dramas and commercials. As a solo artist, he is greatly revered in the international club scene. His 8th album Jaku was released in 2004, and topped the RPM chart of CMJ for 3 weeks in the US.

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Hauschka

Substantial

17,99 €*

LP | 2004 | US | Reissue (Thrill Jockey)

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Don’t shoot me, I’m only the piano player. The Scene: The Welsh mountains, remote and harsh, a special place. A good place to produce a special album. The characters: Volker Bertelmann in his friend Adam Fuests’ studio, equipped with only a piano and a laptop.

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Mouse On Mars

Radical Connector

28,99 €*

2LP | 2004 | EU | Reissue (Black Truffle)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Radical Connector was originally released in 2004 and is now fnally back on vinyl. This re-issue is pressed on mixed splatter color vinyl and presented in a high gloss jacket with free download card.

“Though reference points like Daft Punk and Prince have rightly been thrown around, Radical Connector is in fact a strange album that doesn’t sound like much else.” - Pitchfork

Mouse on Mars is recognised as one of Germany’s most defning and versatile electronic music projects. With their
anarchic mixture of sound that oscillates between uncontrollable chaos and meticulously arranged structures,
Jan St. Werner and Andi Toma have forged a unique musical language, which is readily decomposed by the
unpredictability of its myriad mutations. Free from schools of thought, genre conventions, and from the constraints
of the music establishment, they have worked under the Mouse on Mars alias for 24 years, mapping their own
idiosyncratic trajectory through a no man’s land between pop, art, club music, and the avant-garde. - Jan Rohlf

“Sexy robot vocals slip and slide all over juicy squeals, raindrop plops, and jungle-thick beats.”
- Entertainment Weekly
“Stirring songs drift out of its frantic aural mishmashes, fnding a controlled center amid all the dizzy spin.”
- AV Club
“Mouse on Mars have a gift for making electronic bleeps and buzzes sound like tangible objects that bounce,
bend and collide in physical space.” - Rolling Stone

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Oren Ambarchi

Grapes From The Estate

32,99 €*

Andy Page / Cristian Vogel

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Black Truffle is pleased to make Oren Ambarchi’s Grapes from The Estate available once more on vinyl. Originally released on CD on Touch in 2004 and reissued on Southern Lord as a limited double LP in 2006 during Ambarchi’s tenure as a member of Sunn O))), Grapes from the Estate was a landmark release for Ambarchi, seeing him expand his sonic palette beyond the clipped, bass-heavy electric guitar tones he was known for at that point. Incorporating subtle layers of strings, keyboards, percussion over a bedrock of his signature guitar tones, in retrospect this album can be seen as the beginning of a broadening and evolution in Ambarchi’s work that would lead to his acclaimed, densely layered epics for Editions Mego, Quixotism (2014) and Hubris (2016). Beginning with the shuddering pure tones of opener ‘Corkscrew’, which looks back to previous guitar-only releases such as Suspension (2001), the album’s next two pieces show a progressive broadening of the instrumental palette and a corresponding move away from textural abstraction and sustained tones towards more traditional notions of musicality. This reached its high point on the album’s third piece, the fifteen-minute long ‘Remedios The Beauty’, where guitars, both acoustic and electric, strings, piano, and bells build from a murmur to an interlockinging web of repeating melodic patterns over gently swinging brushed snare and cymbals. The epic closer, ‘Stars Aligned, Webs Spun’, returns us to a space populated only by the electric guitar, but unlike everything Ambarchi had produced up until this point in his career, the piece has a liquid, psychedelic edge that looks forward to the shimmering harmonics of his more recent work. As Brendan Walls wrote at the time of the original release, this is ‘another outpouring of personal, intimate and enduring music from Oren Ambarchi’. Presented in a stunning gatefold sleeve featuring the original artwork and design by Jon Wozencroft. Redesigned by Stephen O’Malley Remastered and cut by Rashad Becker at D&M, Berlin.

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The Second Paper

12" | 2004 | UK | Original (Noodles Institute of Technology)

12,99 €*

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Donald Byrd / Madlib / Rich Medina

Steppin' Again / Mindgames (Sneaky Pete Edit)

7" | 2004 | US | Original (Blue Note)

Release: 2004 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2004 | UK | Original (Arable)

Psapp

Buttons & War EP

2,74 €* 4,99 € -45%

12" | 2004 | FR | Original (Karat)

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Nôze

Albert EP

Release: 2004 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2004 | FR | Original (Night On Earth)

Night On Earth #04

5,90 €* 6,95 € -15%

LP | 2004 | UK | Reissue (Miasmah)

Release: 2004 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM!

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Deaf Center

Neon City

21,99 €*

Contact Note Record Store Day 2022 Edition

Release: 2004 / UK – Reissue

Genre: Electronic & Dance

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Neon City is the debut release by Erik K Skodvin & Otto A Totland's Deaf Center project, finally re-issued 18 years since its first appearance.

Listening to Neon City in 2022 is like taking a melancholy journey down rainy city streets of the early naughts, made by the then two young Norwegians in their mid 20ies after spending time together in a basement full of vintage items. Armed with young optimism and a sense of musical experimentation, they started sampling everything around them, be it an old television broadcaster, tape recorders, a game of table tennis or conversations on film and merging it with pianos, plucked guitar, strings and anything in-between. The record turned out as something unique in the fields bordering post classical and ambient music, though without landing on any set genre. The record was filling a place in music that was barely touched upon and made them further experiment with samples and classical music which landed them on the 2005's classic Pale Ravine.

Although Erik and Otto both had been making music solo before, Neon City was the start of their more focused future paths as purveyors of both light and darkness in music that seeps through your soul to battle the anxieties of the world. We're glad to see this important start again be available to new ears. The record comes with a remix of the opener track “Dial” by Helios aka Keith Keniff, taken from the same original.

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Jon Hopkins

LP | 2004 | US | Reissue (Just Music)

38,99 €*

Radical Connector Pink Vinyl Edition

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Record Store Day 2022 Drop 1 Release.

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Mouse On Mars

LP | 2004 | US | Reissue (Thrill Jockey)

34,99 €*

LP | 2004 | US | Reissue (Kranky)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Available on limited edition pink vinyl packaged with download code. Radical Connector is classic Mouse on Mars! A super bouncy and bubbly pop delight! Our 30th-anniversary limited repress on a lovely deep pink. From the delicious squeeze beats of "Wipe That Sound" - to the irresistible classic "Send Me Shivers" and the highly addictive and imaginative "Evoke the Object". Radical Connector is an album that was years ahead of its time - Absolutely Essential.

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Dead Texan

30,99 €*

2LP | 2004 | EU | Reissue (Mecanica)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Another sweeping album from Stars OF THE LID and AIX EM Klemm member Adam Wiltzie, this time under his new Dead Texan moniker. Eleven mini-symphonies of nocturnal psychedelia and reverie-inducing soundcraft, propelled with piano, strings, and Wiltzie's surreal smear of guitars. Includes a DVD with music videos by Wiltzie and video artist Christina Vantzous.

“Stars Of The Lid’s Adam Wiltzie presents a collection of drone compositions that he considered too aggressive for his parent band—which means they range somewhere between a whisper and a shout. The sense of cathedral-like reverence is balanced with extreme intimacy.” —Pitchfork

“This is quite possibly the best music available for slowly drifting into dreamland. Equal parts intrigue and sedative, The Dead Texan is an elegantly hypnotic album that manages to freeze time in addition to passing it.” —Tinymixtapes

“The Dead Texan remains a remarkably subtle and tranquil work. Disarmingly lovely...” —Textura

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Dive

Behind The Sun

7" | 2004 | UK | Reissue (Ghost Box)

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Re-release for the first time on vinyl for this album originally from 2004 on Daft Records. “Behind The Sun” marked the return of Dirk Ivens after five years focused on other projects (The Klinik and Sonar). This time in collaboration with the Spanish musician Rafael M. Espinosa (Geistform) and with production skills of Eric van Wonterghem (Monolith, Insekt). All gained experience by Dirk shapes this album in a perfect way and the Dive-typical sobriety is not long in coming on every track with a sense of electronic menace, shown through a blaze of squeaks, hisses and subliminal aggressiveness. "Behind The Sun" is a first class work and Mr. Ivens once again confirms his exceptional position in the EBM-industrial scene.

Limited edition of 500 numbered copies on double orange vinyl record, gatefold and printed inner sleeves. Includes all original album tracks plus a bunch of extras taken from the “Frozen” EP recorded together with Diskonnekted, the complete “Lies In Your Eyes” EP and the rare song “Lost Horizon”.

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Belbury Poly

Farmer's Angle

2LP | 2004 | EU | Reissue (New State Music)

Release: 2004 / UK – Reissue

Genre: Electronic & Dance

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The first in a complete series of Ghost Box re-issues, starts with the 2004 EP Farmer’s Angle by Belbury Poly. The very first release for label co-founder Jim Jupp was joyfully naïve yet oddly sinister electronica. It very much set out Ghost Box’s stall with its strong roots in library music, TV soundtracks, folk and psychedelia.

Farmer’s Angle is issued on 7inch vinyl, CD and all digital channels. Packaged in the original sleeve art by Julian House that was to establish the label’s strong visual identity. Drawing influences from library music albums and Penguin books of the 60s and 70s with a classic British modernist aesthetic, House’s work for Ghost Box predated the eventually ubiquitous use of paperback book visuals in popular commercial graphic design. Farmer’s Angle was included in an Electronic Sound magazine feature, A History of Electronic Music in 75 Records.

Belbury Poly Jim Jupp has released EPs, singles and seven albums on Ghost Box under the name of Belbury Poly. He is also a member of The Belbury Circle along with Cate Brooks (of The Advisory Circle) and occasional collaborator, John Foxx. In 2019 he co-wrote and produced the music and spoken word album Chanctonbury Rings with Justin Hopper and Sharron Kraus. He has recorded library tracks for KPM, BMG and Lo-Editions. He has remixed tracks for several artists including John Foxx and Bill Ryder-Jones (The Coral) and co-written a song with Paul Weller for his 2020 album On Sunset.

Still rooted in these early influences and with a consistent and strong visual identity, the label has developed over the years and now has a more international roster with a broader range of musical styles. But each new release continues to be a unique fit into the label’s distinctive parallel universe.

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Zero 7

When It Falls

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Dommedagsnatt Grey Vinyl Edition

Thorr's Hammer

LP | 2004 | US | Reissue (Southern Lord)

35,99 €*