Downbeat | Electronica | Leftfield Vinyl 7725 Items

7" | 2010 | UK | Original (One-Handed Music)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Paul White

My Guitar Whales

Can't See Higher / Missed Me

Release: 2010 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Lorca

12" | 2012 | UK | Original (Dummy)

12" | 2010 | NL | Original (Rush Hour Direct Current)

Release: 2012 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Generic label cover

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Falty DL

All In The Place

Release: 2010 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

4x12" | 2016 | US | Original (Infrastructure New York)

Infrastructure Facticity

26,99 €*

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. With insert. Limited edition

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2x12" | 2015 | FR | Original (Faces)

Le Sampler Des Copains

12" | 2010 | US | Original (Thrill Jockey)

Release: 2015 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Future Islands

Undressed

59,99 €*

LP | 2017 | UK | Original (XL)

Release: 2010 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

No. 245/1000

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Arca

2LP | 2012 | US | Original (Brainfeeder)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs. Still in shrink, but opened. Cover with slightly bumped corner. With poster.

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The Gaslamp Killer

Breakthrough

82,99 €*

2x12" | 2015 | SE | Original (Northern Electronics)

Release: 2012 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Abdulla Rashim

A Shell Of Speed

Release: 2015 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

3x12" | 2011 | UK | Original (Hotflush)

Back And 4th

17,99 €*

12" | 2021 | CA | Original (Not On Label (Priori Self-released))

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Priori

Little Flower EP

12" | 2013 | UK | Original (Fourth Wave)

Release: 2021 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Gerry Read

Crave

12" | 2010 | UK | Original (Ramp)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

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Maxmillion Dunbar

Girls Dream

12" | 2014 | UK | Original (R & S)

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Blue Translucent vinyl

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Paul White

Where You Gonna Go?

12" | 2016 | Original (Folktales)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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Folklore

Folktales 001

12" | 2020 | US | Original (Maddjazz)

Release: 2016 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Pharma

Grand St. EP

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2010 | US | Original (LoDubs)

Clubroot

Solar Flares EP

Release: 2010 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

You've Come A Long Way, Baby

Fatboy Slim

2LP | 2010 | EU | Reissue (Music On Vinyl)

59,99 €*

2LP | 2015 | EU (Parlophone)

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has a small cut on the front-upper left corner, otherwise NM.

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Gorillaz

Demon Days

69,99 €*

12" | 2010 | UK | Original (Tri Angle)

Release: 2015 / EU

Genre: Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Near Mint

Peach & Blue VInyl

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Balam Acab

See Birds

26,99 €*

2LP | 2017 | US | Original (Chronicle)

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Ben Gibson

Episode Zero

21,99 €*

Extended Communication Techniques

Release: 2017 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink but opened. Cover is close to NM.

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Champagne Mirrors

12" | 2016 | UK | Original (Jealous God)

12" | 2013 | NL | Original (Delsin)

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. With insert

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vV.A.

100DSR/VAR2

Release: 2013 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2011 | DE | Original (Shaddock)

Hitsafe

Acid Dreams E.P.

8,99 €*

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2012 | DE | Original (Smallville)

STL

Flying Saucer Attack

8,99 €*

Release: 2012 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2024 | UK | Original (Touch)

Jacaszek

Gardenia

LP | 2024 | UK | Original (Weltschmerzen)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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NOW ON Vinyl***

Gardenia is an existing land located at the Limpopo province of South Africa, right at the border with Botswana. The place's real name is Mmabolela and it's a private nature reserve covering 6500ha of subtropical savanna and part of Limpopo River.

In November 2019 I had a chance to visit the location and participate in an annual residency for composers and sound artists called 'Sonic Mmabolela', initiated and curated by Francisco López.

We lived in an isolated property in the middle of savanna having a unique opportunity to exist in undisturbed touch with the African wilderness.

For the past decade or so, Polish musician Michal Jacaszek has been exploring a new, resolutely modern chapter in Eastern Europe's long, storied love affair with classical music. His creations are painstakingly crafted collages of electronic textures and baroque instrumentation.
All the natural sounds later used to create Gardenia were captured there — during longtime recording sessions over the virgin interior of Mmabolela Reserve.

The album's field recording content was selected from several hours of birdsong, calls of frogs, insect noises, sounds of trees, bushes, grass as well as non-living natural elements like stones or shells.

These field recordings were later digitally processed and used as part of 9 musical arrangements.

However the recording sources and the location of Gardenia is defined, it was not my intention to document a South African natural soundscape nor create any other kind of strict concept album.

All I do in my work is an affirmation of beauty hidden in various aspects of the Creation. MJ

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Daniel Kordik

Satis

20,99 €*

Balance Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Satis was composed as a soundtrack to 2023 video documents of the Prize of the Slovak Chamber of Architects for Architecture CE ZA AR.

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Pepe.

LP | 2024 | UK | Original (U Jazz Me)

LP | 2024 | UK | Original (-ous)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Two versions available - limited hand numbered (100 copies) of red vinyl and normal black vinyl version.

"Balance", the artist's third album, is a return to the roots, i.e. towards club sounds - on the album you can hear several amazing guests - Dominik Płonek, Yana, Dizkret, Runforrest, Einar Indra from Iceland and DJ Eprom. A unique mix of artpop with sophisticated electronics, which Envee brought together with its amazing mixing and mastering. For dessert, Barrakuz, which took the title "Balance" from Wojtek Koziar's photo to a new dimension with its collage. Everything is perfect on this album.

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Ludwig Berger

Garden Of Ediacara

LP | 2024 | UK | Original (-ous)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"Music is a form of world building. I love to develop sonic characters and set them into fictional ecosystems with unique textures, acoustics and atmospheres. Each song forms a different landscape, through which a vocal character guides us and tries to tell us its stories." — Ludwig Berger
Ludwig Berger's 'fictional' debut album "Garden Ediacara" unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fantasy, the album intertwines melodic songwriting with electroacoustic sound design. Inspired by hydrofeminism and eco-fiction novels, such as "A Door Into Ocean" by Joan Slonczewski, the album delves into the geological period of Ediacara around 600 million years ago — an era so remote it resonates as a glimpse into a possible future. The Ediacaran period was characterised by a peaceful and thriving ecosystem inhabited by soft-bodied creatures without eyes and bones, which were completely wiped out through the appearance of a new species. "Garden of Ediacara" alludes to this period, celebrating both the pleasures of biodiversity as well as mourning its inevitable loss. The narrative unfolds as an exploration of growth and interconnection in the shadow of a coming extinction. The track titles, written by Daisy Lafarge, reveal themselves as a cohesive poem and contribute to the album's narrative.
Informed by his practice of field recording that focusses on intimate encounters with plants, animals and geological phenomena, as well as his studies in electroacoustic composition, Berger expands his palette for his debut in 'fictional' music. The album prominently features a post-human, non-binary death metal voice synthesizer, physical modeling instruments, and microscopic field recordings of plants, insects, as well as aquatic and geological life. With impressionistic strokes, Ludwig Berger crafts vibrant worlds using glassy timbres and more-than-human voices, guiding listeners through emotionally ambiguous terrain, seamlessly oscillating between moments of intimacy and irritation, melancholy and playfulness.
Ludwig Berger is a landscape sound artist, educator and musician. In his compositions, installations and performances, he enables intimate and playful sonic encounters with plants, animals, buildings and geological entities. He is founder and curator of the label Vertical Music, which releases field recordings and experimental music. Berger holds degrees in electroacoustic composition, as well as musicology, art history and literature. As a sound researcher and teacher at the Institute for Landscape Architecture at ETH Zurich from 2015-2022, he studied the sonic dimension of Japanese gardens, alpine glaciers and urban landscapes, which among other things led to the release of the acclaimed album trilogy 'Melting Landscapes', 'Dammed Landscapes' and 'Buried Landscapes'.

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Noémi Büchi

Does It Still Matter

18,99 €*

12" | 2017 | DE | Original (AMOTIK)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"The new avant-garde isn't about creating something that doesn't yet exist, it's about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past." — Noémi Büchi
Noémi Büchi's album 'Does It Still Matter' completes a series of releases whose titles - 'Matière', 'Matter', and 'Does It Still Matter' - place the physicality of music in the center of attention. Büchi's specific sound structures and aesthetic choices question the state of materiality in a world that is becoming more and more fluid and intangible.
From 'Matière' to 'Matter', Büchi subtly transferred from a focus on substance to questioning the enigmatic core of
being, passing from a noun to a verb, and from a single word to an inquiry. 'Does It Still Matter' weighs in on the importance of questioning. Her pieces juxtapose multi-layered analog synthesizer textures, crystal clear sounds and almost brutalistic noises, while they unfold in compositional structures akin to pop songs. Driven by an orchestra of myriad parts, her music creates transcendent intonations that resonate deeply with the listeners' bodies. A daring blend of complexity and accessibility are molded into captivating sound sculptures that challenge and intrigue listeners alike.
Deviating from conventional time divisions, 'Does It Still Matter' immerses listeners in a discordant succession of elements, and guides them towards an eternal present that erases the past with each new revelation, while maintaining it through recurring themes that serve as intimate memories. Büchi's electronic maximalism questions our linear perception of time, offering a glimpse into a world where the past, present, and future converge into a singular moment. Her avant-garde approach rejects predictability, inviting listeners to immerse themselves fully in the present. Everything starts anew at any given instant. Each musical idea exists for one precise moment, rendering the future unpredictable.
'Does It Still Matter' unfolds against a backdrop of collective disaster and biocidal urgency, challenging the very essence of time. Büchi explains: "The world appears to have gone mad. It's all but impossible to reflect on the meaning of avant-garde in music, considering the future in this sepulchral kind of stability of the human condition." Her compositions resonate like an infernal machine, questioning the instantaneous dissipation of everything. Finally, echoes and fragments of sounds remain, haunting memories like ghostly companions.
'Does It Still Matter' is an immersive experience that invites listeners to contemplate the impermanence of our world and the enduring power of sound.

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Amotik

Amotik 006

| 2022 | ES | Original (Adepta Editions)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Hanut Munson

AE-02

8" | 2023 | ES | Original (Adepta Editions)

Release: 2022 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear 8" vinyl. Limited edition.

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Roger Van Lunteren

AE–O6

12,99 €*

7" | 2020 | TW | Original (R=A)

Release: 2023 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition 8" vinyl.

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TBZ

Clocked / Rude Beat

7,99 €*

Release: 2020 / TW – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Live at Berlin Atonal 2015

Peder Mannerfelt

LP | 2016 | DE | Original (Berlin Atonal)

LP | 2024 | EU | Original (Staalplaat)

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Few paper scuffs. Original inner sleeve. Tiny corner wear.

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Muslimgauze

Maroon

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations - space, colour, depth, illusion - to the listening experience. The music on »Maroon« is dub-like inspired techno music, laid back with voices appearing randomly in the mix. The thick drums and rich found sounds that densely populate the soundscapes on »Maroon« give materiality to the warm presence of the synth washes. The music is so layered and textured that it ceases to be aural and exists almost solely in the realm of sight and touch. Devoid of reference to any external reality, Muslimgauze's Ambience gets remoulded by subjective experience and moved around in the memory. By shifting the quality of perception with the producer's sleight of hand, Bryn Jones (the Mancunian behind Muslimgauze) makes explicit the interiority of the senses. Thus, the fact that our inner life determines our relationship to the world outside becomes the music's unspoken subject.

Divorcing Muslimgauze's music from its image is like listening to Take That without seeing Robbie's pelvis or Mark's pouting. This is precisely why the music is so effective. Relocating music's power within the listener instead of as an external force acting upon the listener forces reappraisal and reinterpretation. The muezzin's wailing call to prayer and the shrieks of women mourning the dead conjure up images of a fierce 'death-to-the-infidels' fervour in the Western imagination, and are recast as holy prayers for the ultimate, womb-like peace that most Ambient music aims to express. The usually easy exoticism of sampled tablas and ouds instead hint at the dread on the road to the water coloured bliss of run-of-the-mill Ambient and force the listener to internalise difference and confront the received images of Islam that Muslimgauze detour by such strong powers of suggestion.

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12" | 2010 | DE | Original (Workshop)

Workshop 11

Release: 2010 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

...Plays Science-Fiction Movie Themes

Koto

LP | 2024 | EU | Original (ZYX Music)

17,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Fu.Me)

Unpronounceable

Cerrano EP

Gravity Loss Ep Clear Vinyl Edtion

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-02

The most experimental work of Mauro Rizla for his “Unpronounceable” project using circuit bend machines, sounds recorded with a microphone and playing with a “speak & spell” toy in the track “Extra Dollars”.

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Dsum

12" | 2024 | EU | Original (Back Door)

12" | 2024 | EU | Original (Back Door)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Gravity Loss will be the first EP released as part of Dsum's eagerly anticipated album, 'Water In The Moon.' Since his last album in 2022, he is pleased to announce a 12-track project focused purely on electro sounds, aiming between experimental ambient and Detroit techno, and which might be his most musical album to date. To be released on his label Back Door, Dsum's fourth album has been years in the making and sees him go back to the sound of his electronic music roots. The album's inception traces back to the lockdown period of 2020, serving as a tribute to his introspective musical exploration and honoring the genesis of electronic music. Featuring an analog sound loaded with lush pads, spatial synths, and solid raw 808 electro rhythms, tracks are brought together with a succession of short variations and instrumental snippets, contributing to a vision of what sound in outer space should be. 'Gravity Loss' alongside 'Double Distance' will be the two EPs bringing "Water In The Moon" to life, both to be released on vinyl as well as digital. This project's wax version sees ten tracks spread across 2x12" records releases in June and July, followed by the full album release in a digital format with extra exclusive tracks featuring all twelve songs in their original intended order.

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Dsum

Double Distance

You Just Give In, Giving It All To The Wind

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Completing Dsum's latest album, 'Double Distance' emerges as the final quintet of tracks, igniting a celestial voyage for listeners. Opening with the pulsating energy of 'Protons,' the EP traverses the electro/techno spectrum, paying homage to electronic music's nascent era. From introspective ambient tones to pristine explorations of electro soundscapes, each track encapsulates a sonic odyssey of depth and innovation. Scheduled for release on vinyl and digital platforms in July, 'Double Distance' forms an integral component of the forthcoming album 'Water In The Moon.'

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FKA Boursin

12" | 2024 | UK | Original (Accidental Meetings)

13,99 €*

12" | 2024 | UK | Original (Pace Yourself)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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As deep as it comes, two unwinding cuts of beautiful deep house.. Hand scrubbed textured record sleeve, with custom stamp by Ciaran Birch. “Escape” from abusive family ties is almost a cliche in modern media. In practice, the threshold for self-informed decoupling from said abuse is often socially out of reach for those that have in fact been abused, both physically and/or psychologically. We feel shame for even entertaining the idea of getting rid of people in our lives that are joined to us by blood. Instead of genuine mutually-assured connection, we feel duty-bound to them - no better than a minimum wage retail job without which we would become homeless. Had these people been anything other than family, we would have ditched them long ago. I encourage a decoupling from the family unit and giving up on any hope you had for improved relations. This record has been mastered without compression in an attempt to counter the over saturation of three minute, brick-walled, max-energy production trends in contemporary dance music.

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Jesse Rae

Almost Ma Sel Again

20,99 €*

LP | 2016 | UK | Reissue (Finders Keepers)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Vast imbecile mentality of those Who cannane tell a thistle from a rose This is for the others...

Jesse Rae: anachronist Celtic funk warrior, renegade pioneer of funk, soul & dub (collaborating with Parliament, Funkadelic, Adrian Sherwood, Roger Troutman & the Sugarhill Gang); mad pedestrian-punk-poet, steeped so much in his own mythology he exists not only outside of time but in a universe of his own making; three time runner as an independent electoral candidate for Scottish Parliament, kitted-out as ever in ever in his Scots regal (kilt, helmet and claymore); the original trailblazer of the MTV Age (see 1985 music video ‘Over the Sea’, shot on top of the Brooklyn Bridge - aye, you read that correctly). And that’s just the tip of the iceberg folks. The Real McCoy. Prince of Scotland, king of hearts.

Appearing on wax for the first time, three cuts from the world's first Isdn virtual album, Jesse Rae’s seminal ‘Compression’ (cd) - which first dropped on Echo Beach in 1995. ‘Almost Ma Sel Again’ - a Scottish Burns-Funk classic intercut with a reading of Nigel Tranter’s The Wallace, a breathtaking (de)construction of emotional-electronic-free-funk; as deep as the heart that reaps it. ‘Virtual U’ - a mad cut of downtempo Scot/US G-Funk cum hip-hop interposed with answering machine messages from New Jersey’s own Bernie Worrell. ‘Switch Tae U’ - an orchestral and sublime bit of downtown house music. And of course, joining these three is a re-mastered cut of Jesse Rae’s 1982 cult classic ‘Rusha’ - a tripped out slab of linguistic psychedelia.

There we have it then: real shit indeed! Jesse Rae on Pace Yourself folks. For the already initiated and first timers, welcome to the Caledonian wormhole.

Sure to be an outsider anthem for Scotland @ the Euros this summer. Pace & Luv xo

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Suzanne Ciani

Buchhla Concerts 1975

Buchla Concert At Galeria Bonino New York 1974

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Finders Keepers invite you to witness these incredible earl Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking. This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance. In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith. These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then. The importance of these genuinely lost pieces of electronic musics puzzle almost eclipses the glaring detail of Suzanne’s gender as a distinct minority in an almost exclusively male dominated, faceless, coldly scientific landscape. Those familiar with Suzanne’s work, a vast vault of previously unpublished “nonrecords”, will already know how the creative politics in her art of “being” simultaneously reshaped the worlds of synth design, advertising and film composition before anyone had even dropped a stylus in her groove. Needless to say this record, finally commanding the archival format of choice, courtesy of the Ciani and Finders Keepers longstanding unison, was not the last “first” with which this hugely important composer would gift society, and the future of a wide range of exciting evolving creative disciplines. You have found a holy grail of electronic music and a female musical pioneer who was too proactive to take the trophies. With the light of Buchla and Ciani’s initial flame Finders Keepers continues to take a torch through the vaults of this lesser-celebrated music legacy shining a beam on these “non-records” that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again. You, are invited!

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Suzanne Ciani

LP | 2024 | UK | Original (Finders Keepers)

12" | 2015 | CA | Original (Mood Hut)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The very first Buchla synthesiser performance by revolutionary composer Suzanne Ciani finally makes its fifty year journey from its switch-on New York art gallery to its long deserved and discerning global phonographic audience. With this previously unheard vinyl pressing, Finders Keepers Records are proud to present an archival project of ‘art music’ that not only redefines musical history but lays genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we have come to understand it. To describe Italian-American composer Suzanne Ciani’s resurrected Buchla concert records as genuine gamechangers would be a gross understatement. These records represent a musical revolution, an artistic revelation, a scientific benchmark and a trophy in the cabinet of counterculture creativity. This sonic installation album, alongside her recently liberated WBAI/Phill Niblock 1975 sessions (fkr082), are triumphant yardsticks in the synthesiser space race and the untold story of the first woman on the proverbial musical moon. While pondering the early accolades attached to these golden era New York recordings it’s daunting to learn that these records were in fact not even records at all. What exists on this disc now was a manifesto and a one-time gateway to a new world, which somehow was only partially pushed ajar. Captured here is a genuine live act exploring new territories with a fully performable music instrument. If the unfamiliar, modernistic, melodic pulses, tones and harmonics found on these 1970’s artistic gallery collaborations/ live presentations (then soon to be followed by academic grant applications and educational demonstrations) had been placed in a phonographic context alongside the widely marketed work of Morton Subotnick, Walter Carlos or Tomita, then the name Suzanne Ciani and her infectious influence would have already radically changed the shape, sound and gender of our record. With the light of Buchla and Ciani’s initial flame Finders Keepers continues the journey through the vaults of this increasingly celebrated music legacy, illuminating these ‘non-records’ that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again.

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Slow Riffs

Gong Bath

12" | 2011 | DE | Original (!K7)

Release: 2015 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Close to VG+

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Gold Panda

DJ-Kicks

12" | 2017 | UK | Original (Toss Portal)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Joy Orbison

Toss Portal

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2018 | EU | Original (Early Sounds)

Pellegrino presents

Zodyaco

22,99 €*

12" | 2010 | DE | Original (LiveJam Limited)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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John Swing / EMG

LiveJam Limited 001

12" | 2022 | US | Original (Bastard Jazz)

Release: 2010 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag. close to NM. Limited edition

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Robohands

Giallo

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Le Commandant Couche-Tôt Et Son Magnifique Orchestre De Claviers

Le Commandant Couche-Tot

12" | 2020 | FR | Original (BMM Records)

10,99 €*

Release: 2020 / FR – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | EU | Original (Kitchen Label)

Tobias Wilden

A Path to Open Air II

32,99 €*

LP | 2020 | EU | Reissue (Kitchen Label)

Release: 2024 / EU – Original

Genre: Hip Hop, Electronic & Dance

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2024 Repress!

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Meitei

Kofu

32,99 €*

The Light was Sharp, Our Eyes Were Open

Release: 2020 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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2024 Repress!

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Pablo's Eye

LP | 2024 | EU | Original (Stroom)

LP | 2024 | UK | Original (Motion Ward)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A group of friends go sailing and one disappears. The others start
searching for her. But it gradually becomes apparent that she won’t
be found. So the friends return home one by one. Only the missing
girl’s lover and her best friend remain.They have begun an affair.
As the lovers come together the girl’s disappearance is all but
forgotten.

From Michelangelo Antonioni — “Auteur of eerie angst”
(L’Avventura) by Richard Skinner from Vade Mecum Essays,
Reviews & Interviews (Zero books, 2015).

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Hysterical Love Project

Lashes

26,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Bright Bars From The Stars

Pieter Kock

LP+CD | 2024 | EU | Original (Meakusma)

Warrington-Runcorn New Town Development Plan'

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Producer Pieter Kock, active also as a DJ under his DJ Peacock guise, is known for being one of the people behind the legendary O Tannenbaum bar and club, a haven of sorts in Berlin nightlife for years, and the newly opened second O Tannenbaum called Schankwirtschafft O Tannenbaum. He has released some of his own music on labels such as Musikii, RIO, Full Body Massage, Fantasy Fiction Records, Moonwalk X, and Invisible Inc, and has extensively collaborated with people and projects such as Meeuw and De Fabriek.

His new Bright Bars From The Stars album on Meakusma is a dizzying amalgam of moods and influences. From ghostly and contemplative tracks to spaced-out and dubbed-out dark dancefloor psychedelia infused with melodics, phrasing, and percussive patterns reminiscent of pop and avant-garde alike, Bright Bars From The Stars features a full album on vinyl, with an extra CD included. Kock is a versatile chronicler of the night, capturing the beauty, loneliness, and endless possibilities of wide avenues pining for neon lights, futuristic descents into past moods and modes, and all.

14 tracks in total, Bright Bars From The Stars is a cosmic, at times gentle, at times confrontational affair that brims with ideas and influences. Combining sounds, rhythms, melodies, and textures from a wide variety of sources and meanings, Pieter Kock brings all of his influences together, intent on finding new paths of thinking and feeling. His pictures printed in the CD booklet give some kind of indication of his artistic process, without ever wanting to push things in any kind of direction. Cocktail bars of a dystopian future, unite! Bright Bars From The Stars is the soundtrack to a very encompassing and transformative night out.

All compositions by Pieter Kock except Bright Bars From The Stars by Pieter Kock and Dominik Peacho Noé Mastering & Cut by Rashad Becker Art by Pieter Kock and Meeuw

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A Shared Sense Of Purpose

12" | 2024 | UK | Original (Castles In Space)

Every Step Causes A Crack

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The first track on the album, A Shared Sense Of Purpose, reflects this optimism, and is the lead single from the album. This will be released in 7” and 12” vinyl versions. Both versions will be accompanied by an exclusive remix from the Godfather of New Town Synthology, Vince Clarke. To say that we’re excited about this, would be an understatement!

The 12" edition is out now, with the 7" following up in the next few weeks. The truth being that we overwhelmed the pressing plant ever so slightly. The 7" is the only place that you will find the radio edit.

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Andre Uhl

LP | 2024 | EU (Natural Sciences)

18,99 €*

Release: 2024 / EU

Genre: Electronic & Dance

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New Corroded Clear Vinyl Edtion

Pass Lightly

LP | 2024 | UK | Original (Vast Habitat)

22,99 €*

Neuro Grey Smoke Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Guy Brewer (shifted & Carrier) and Daniel Lea (cura Machines, Heliochrysum and L A N D) are NEW Corroded on debut collaborative LP Pass Lightly. Released via Lea’s Vast Habitat imprint, the record was composed remotely and documents an abstract, almost architectural process of sound collage that relies as much on system, balance and careful engineering as it does on chaos and chance. The result is a cohesive and detailed LP that delivers a modern take on the ideal of sound as a malleable force – of sonics as a vehicle for physicality, as much as aural pleasure. A mix of field recordings, rich melodic synth work amongst carefully articulated percussive elements and textures. Single 'Chromosphere' featured on Bbc6 Mary Anne Hobbs

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Cura Machines

LP | 2024 | UK | Original (Bedouin)

22,99 €*

Greatest Hits & Remixes Vol. 2

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"N E U R O is the debut album by Cura Machines, a new project by Daniel Lea (Heliochrysum | Bedroom Community) whose tracks are at once scientific in their capturing of the morphing of body cells as well as the larger expanses of a poetic filmscape of the contemporary metropolis." Mixed by Ben Frost and featuring Leo Abrahams and Yair Elazar Glotma.

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Miko Mission

LP | 2024 | DE | Original (ZYX Music)

17,99 €*

Release: 2024 / DE – Original

Genre: Electronic & Dance

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12" | 2024 | DE | Original (ZYX Music)

Picture
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Rednex

Wish You Were Here

Release: 2024 / DE – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-09-27

LP | 2015 | CA | Reissue (Tiger Blood Tapes)

Pom

Pomu

36,99 €*

Release: 2015 / CA – Reissue

Genre: Electronic & Dance

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Slice Of Life Ova Blue Vinyl Edition

System Fairy

LP | 2017 | CA | Reissue (Tiger Blood Tapes)

39,99 €*

Goodbye Future Funk White Vinyl Edition

Release: 2017 / CA – Reissue

Genre: Electronic & Dance

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2017 debut album from Manila, PH future funk producer システム Fairy previously released on cassette and long sold out until now! Enjoy this long sought after future funk fave with refreshed artwork and on wax for the first time!

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Chanece Delasoul

LP | 2020 | CA | Reissue (Tiger Blood Tapes)

39,99 €*

Broken Pieces / Skiffle It Up

Release: 2020 / CA – Reissue

Genre: Electronic & Dance

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Limited edition 12" vinyl LP on white wax in full colour jackets and shrink wrapped.

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Brandt Brauer Frick

12" | 2013 | DE | Original (!K7)

7,99 €*

2LP | 2013 | EU | Original (!K7)

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy with slight storage wear!

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Getting Closer

19,99 €*

12" | 2023 | EU | Original (R.i.O.)

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Kxb

Areas Of Uncertainty

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2022 | EU | Original (R.i.O.)

Benedikt Frey

1987

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2016 | DE | Original (Big Bait)

Gold

12" | 2013 | EU | Original (Happy Skull)

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

White vinyl!

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Adjowa

8 Ball

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Tiffy L'Amour / Die Gesunden

Follow Me (Frey & Menqui Glockenspiel) / Film Musik (Frey & Otter Dive)

12" | 2022 | EU | Original (Serious Trouble)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2020 | EU | Original (2DIY4)

Allan Shotter

Das Gift

10,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2017 | EU | Original (2DIY4)

Vittoria Fleet

Entangled

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2024 | EU | Original (De Kabelmaatschappij)

Halfgeleider

Polyfields

19,99 €*

Tales From The Subterranean

Release: 2024 / EU – Original

Genre: Electronic & Dance

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7 track LP made with a eurorack modular system, This work is characterized by intricate compositions that transport listeners to otherworldly realms. Halfgeleider’s First LP combines modular synthesis with a touch of nostalgia, creating a captivating sonic experience.

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Julius Gabriel

LP | 2024 | EU | Original (Ana Ott)

LP | 2024 | EU | Original (Built In Parts)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Fifth solo album from saxophonist Julius Gabriel. Born out of new sounds and rhythms that the musician discovered during the pandemic, “Tales From The Subterranean” embodies a blend of primal energy and inventive exploration across twelve tracks. The opener “Time Riding” sets the mood, a tearing rhythm that sounds like a frenetic tap dance. It invites you to move and when you get to “Footworks” you are all set up, merging saxophone finger percussion with a continuous siren whisper emanating from the instrument, provoking euphoria, fear and satisfaction all at once. Moving on, you start to understand the sense of discovery behind the record and the needs Julius had, like to construct a saxophone with drone capabilities and closer to an idea of natural sound. “Hailing From The Mountains” has a meditative tone; “Westward At Sundown” feels like a ballad. Born from darkness yet radiating with newfound light, “Tales from the Subterranean“ stands as a testament to the resilience of artistic expression. It is primal music.

All music composed and performed by Julius Gabriel on electroacoustic tenor saxophone and twin soprano saxophone.

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Mculo

Bedroom Artist

12" | 2019 | DE | Original (Ilian Tape)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-07-26

I thought I would write this one myself. Over the last few years, I found myself making music for everyone else. What would other musicians think about this record? Would this track get me more gigs? The process of creating become secondary and I fell out of love with it entirely. This album is a journey to get back to the reason I started doing this in the first place, because I love making music. It is a return to embodying that most unfairly derided of phrases, the bedroom DJ, the bedroom artist. Where else is the love for this game stronger than in those early years, surrounded by your friends and the endless possibility of creation. Lots of love, Dan

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Galaxian

Coming Up For Air

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl is close to NM. Label cover.

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12" | 2016 | CZ | Original (Neo Violence)

Neo Violence Sampler 01

12" | 2018 | UK | Original (Livity Sound)

Release: 2016 / CZ – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Stickered cover. close to NM

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Via Maris

Glow Wall / CU2

10,99 €*

12" | 2022 | BE | Original (De:tuned)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

vinyl is close to NM. tiny wear

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Stasis

From A Failing Light

12" | 2021 | SG | Original (Midnight Shift)

Release: 2022 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Prequel Tapes & D-Bridge

Ionize

2LP+DVD | 2015 | UK | Original (Mango & Sweet Rice)

Release: 2021 / SG – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

small seam split. close to NM

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Coppe

20rpm

12"+10" | 2024 | EU | Original (JKR)

Release: 2015 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Red vinyl seems unplayed. PVC sleeve. Original inner sleeves. With DVD.

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Jim Ka Ray & I:Cube

Jim Ka Ray _ Jim Ka Ray

Frédéric D. Oberland / Grégory Dargent / Tony Elieh / Wassim Halal

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jay Ka presents his new project Jim ka Ray, a mix of breaks, deep house and hypnotic, soaring sounds. Includes remix from I:CUBE , Aardvarck , Stefan&chair.

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SIHR

LP | 2024 | EU | Original (Sub Rosa)

23,99 €*

LP | 2024 | EU | Original (Blickwinkel)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sihr: sonic manifesto by a post-anything quartet feat. multi-instrumentalists from the Mediterranean inland Sea. New folklore for a devastated planet, including Frédéric D. Oberland (Oiseaux-Tempête), Grégory Dargent (H), Tony Elieh (Karkhana) & Wassim Halal (Polyphème).

After a few concerts/screenings improvised as a duo in Cairo and Beirut, as well as for the Rencontres d’Arles, the Lille photography center and the Belgian magazine Halogénure, Dargent and Oberland have teamed up with mavericks Elieh and Halal for a puzzling cross-border manifesto. The first sonic moves of this eclectic quartet, made in a bunker studio somewhere between Paris and Berlin, urgently took the form of a quest, that of a neo-folklore for troubled times, a music seeping with many kinds of atavism and experimenting in all directions. A fertile no-man’s-land where trance and contem- plation, jazz and electronica, acoustics and electricity would merge in a stimulating mystical magma.

From the possible emergence of a Babelian language to the shared desire to rediscover music as a ceremonial act, this encounter took place over three days of improvised sound bacchanalia, the phases of which were all recorded by Benoit Bel (Zombie Zombie, Thurston Moore Group, Oi- seaux-Tempête). A hallucinated and generous testimony, Sihr is a synergy of many different worlds and many different possibilities, the sonic vision of a present conjugated in a hybrid tense and exalted by too many tangos danced on the glowing ashes of our days.

Multi-instrumentalist & photographer, Frédéric D. Oberland has been leading the Oiseaux-Tempête collective for over ten years, lying somewhere between avant-rock and free jazz, repetitive music and electronics. Founding member of the bands Foudre! and Le Réveil des Tropiques, he’s also perfor- ming solo and composing soundtracks for cinema and installation art. Since 2018, Oberland co-cu- rates the Nahal Recordings imprint alongside producer Mondkopf.

Electric guitarist, oud player, composer and photographer, Grégory Dargent cultivates his musical schizophrenia and identity through improvised music, trance music, jazz, hijacked maqam, repeti- tive music, pop, electro-acoustic installations and French chanson. From L’Hijâz’Car to Babx, from Berber singer Houria Aïchi to Rachid Taha, from Trio H to Sirventés enragés, from music for images to contemporary choreography, from the most acoustic of ouds to the most nuclear of guitars, he conducts, accompanies, composes, deciphers, questions, delves, makes mistakes, bounces back, ar- ranges, orchestrates and tirelessly shares his creative passions.

Tony Elieh is one of the pioneers of experimental music in Lebanon. A founding member of the first post-rock group of post-war Lebanon, The Scrambled Eggs, he has since developed his unique elec- tric bass skills in various groups and styles of music including collaborating with in groups such as Karkhana, Calamita and Wormholes Electric. Relocated in Berlin in recent years, he has performed a solo set of heavily processed bass generated sounds.

Is Wassim Halal only a darbuka player? Maybe !? But what about his music, compositions, ideas. You can find him with Polyphème playing and co-composing popular-contemporary music with Gamelan Puspawarna, or next to the french bagpiper Erwan Keravec, with the Bey.Ler.Bey trio (w/ Laurent Clouet & Florian Demonsant) working on an improvised-balkan-already-improvised-music, with per- formers and drawers Benjamin Efrati and Diego Verastegui, with Gregory Dargent and Anil Eraslan in H, creating a new pedal generating »Random taksim«, composing his own »Poème Symphonique pour 100 youyou« or composing pieces for ensembles.

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Francis Plagne

Asleep In A Beached Boat

LP | 2024 | UK | Original (Central Processing Unit)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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blickwinkel welcomes composer and multi-instrumentalist Francis Plagne to the label with a reissue of Asleep in a beached boat, an album that was initially released on his own Mould/Mouse Museum label in 2021 on cassette. The album was mostly given away to friends but now gets a wider release through a limited vinyl and digital edition.

Gentle melodies set an airy atmosphere and are intertwined with tensive dialogs between rhythms and textures coming from a wide array of acoustic and electronic instruments. Stylistically somewhere in between his Rural Objects (Black Truffle) and Udge (Horn of Plenty), on the eleven tracks on this album we hear Plagne in his most playful way to date.

Francis Plagne is a musician from Melbourne, Australia whose work swings between songwriting and a variety of other approaches, including group improvisation, instrumental abstraction, and domestic musique concrète. He performed live regularly since 2005 and has released recordings on labels such as Black Truffle, Horn of Plenty, Kye Records, Penultimate Press and his own Mould/Mouse Museum micro-label. In addition to performing his own work either solo or with a band, he has performed and recorded in improvised and other arrangements with Tetuzi Akiyama, Oren Ambarchi, Andrew Chalk, Crys Cole, James Rushford, and Joe Talia, among others.

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Falty DL

In The Wake Of Wolves

CD | 2024 | EU | Original (Dust Science)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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If you can judge an artist's quality by the company they keep, then FaltyDL is up there with the best of them. The label history of the producer known to his friends as Drew Lustman reads like a "who's who" of 21st century electronic music imprints - Ninja Tune, Unknown to the Unknown, Planet Mu, Studio Barnhus, the list goes on.
WithIn the Wake of Wolves, we can now add Central Processing Unit to this illustrious roster. The Sheffield label joins the party at a notable juncture - while FaltyDL has kept up an impressive clip of releases throughout his career,In the Wake of Wolvesis both the NYC-based producer's first LP for two years and his first full-length release away from his own Blueberry Records for almost a decade.
In the Wake of Wolvesproves to be both a great match for CPU and also further evidence of the label's burgeoning sonic palette. While CPU has built its reputation on top quality electro joints, recent releases have delivered adventurous electronica experiments (Proswell'sPeople Are Giving And Receiving Thanks At Incredible Speeds), hard-wired breakbeat techno (Baby T'sI Against I) and golden-age synth explorations (twenty-fifth anniversary reissues of Bochum Welt'sDesktop RoboticsandFeelings on a Screen, both of which first emerged via the legendary Rephlex Records).In the Wake of Wolvestakes things further still - this is a brilliantly genre-voracious record, one which marries the rhythmic cut-and-thrust that we have long known FaltyDL for with all manner of adventurous stylistic choices.
Those familiar with the FaltyDL experience will recognise the trademark blend of synthetic grit and harmonious softness in album opener 'I Need You'. This could pass for Four Tet or even Hannah Diamond at points, the steady build of pulsing synths and looped vocals recalling a more mysterious version of the PC Music sound. 'I Need You' stands shoulder-to-shoulder with any of FaltyDL's other great atmospheric album openers - no small feat given the competition. 'Further', the following number, is yin to 'I Need You's yang. This is a pulsating track which gleefully skitters between machine-funk, tubing darkside bass and breakcore-adjacent drum programming, all of which is peppered with some genuinely beautiful work in the higher synths.
'Further' sets the scene for several of the more club-facing cuts here. 'Minds Protection' similarly features all manner of strange percussive sounds to surprise the ear, and it also boasts a thrilling mid-section in which the bottom falls out the track to incorporate a short snippet of blown-out junglism. With its tunnelling low-end and clattering drums, 'Full Spectrum' kicks off a delightful run of grime-influenced joints which take cues from Mr. Mitch, Logos and many of those other producers who took the Eski sound to exciting new places in the 2010s. 'Forget Me Not', the album's longest track which is placed three spots from the end, feels like the record's climactic point - a pitter-patter post-house joint that has a hint of Caribou in its DNA, it'll take the clubs by storm.
But as much as FaltyDL may consistently bring the heat in terms of the beat programming, the thing which has long marked Lustman out as a special talent is the musicality of his compositions. No matter how much drums clatter or bass bangs, FaltyDL always hooks the ear back in with a sonorous synth or pleasing nugget of melody. Nowhere is this more apparent than onIn the Wake of Wolves' more weightless numbers, each startling in their prettiness. 'Half Spectrum' is a new-era beat track packed full of ear candy; the keening keys of 'GasGas' are potent with feeling; and on the album's closer, the evocatively-titled 'Mila Stans In A Meadow For The First Time Eating Strawberries', we get a gorgeous synth vignette that joins the dots between the modern mastery of Yung Sherman and the most emotionally affecting moments of Aphex's Twin's catalogue.
At once wistful and hopeful, archival and futuristic, FaltyDL's brilliantly unpredictableIn the Wake of Wolvesis a feather in the cap for both this seasoned producer and the Central Processing Unit label.
Riyl: AFX, Bochum Welt, Mark Fell, Mrs Jynx, Boards of Canada

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The Black Dog

Other, Like Me

2LP | 2024 | EU | Original (Dust Science)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Experience the sonic journey that is The Black Dog's latest album, "Other, Like Me," as they delve into the intricacies of the artist's psyche, questioning the very essence of individuality and creative worth. The album invites listeners to confront darker thoughts about self-identity, imposter syndrome, and the relentless pursuit of creative value, all while celebrating the joy found in the act of artistic creation. In this introspective exploration, The Black Dog challenge both themselves and their audience, creating a musical experience that is profoundly personal and open to interpretation. The themes woven throughout the album are a poignant counterpoint between the shadows of self-doubt and the exuberance of creative expression. It's an inward exploration, offering a place of solace for listeners to find comfort amid the chaos of external influences. The album's title, "Other, Like Me", draws inspiration from an interview with Cosey Fanni Tutti in 1999, resonating deeply with The Black Dog's outsider perspective. The phrase encapsulates the essence of the album, reflecting the band's unique identity and shared experiences, while respecting each member's individual passions and interests. Navigating the waters of cognitive dissonance, The Black Dog bring an authenticity to their music that mirrors the internal and external conflicts of the contemporary music scene. With a commitment to stripping back layers and allowing the heart of each song to shine through, "Other, Like Me" offers a raw and unfiltered musical experience that speaks directly to the soul. It's an invitation to introspection, a celebration of independence, and a testament to the power of authentic artistic expression.

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The Black Dog

Other, Like Me

36,99 €*

Balance Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Pepe.

LP | 2024 | UK | Original (U Jazz Me)

36,99 €*

LP | 2024 | EU | Original (Black Truffle)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Léo Dupleix

Resonant Trees

29,99 €*

LP | 2024 | EU | Original (Kann)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce Resonant Trees, the first vinyl release from French composer-performer Léo Dupleix. An active member of the international community of younger musicians working with just intonation, Dupleix has composed works for solo instrumentalists and ensembles in Europe and Japan, as well as performing extensively on harpsichord, piano and electronics. His music is distinguished by a formal clarity and elegance of surface, gently shaping pure intervals into delicate melodic patterns and shimmering harmonic planes. Resonant Trees presents two side-long pieces for harpsichord and ensemble, both setting slowly repeating patterns played on harpsichord and guitar within an environment of sustained tones. Dupleix performs on a French double manual harpsichord (tuned to a just intonation scheme of his own devising) and Prophet synthesizer, joined by Juliette Adam (bass clarinet), Johanna Bartz (traverso flute), Cyprien Busolini (viola), Fredrik Rasten (6- and 12-string guitars), and Mara Winter (traverso flute). The harpsichord begins Resonant Tree I alone, slowly sounding out a series of arpeggiated chords that emphasise the unique (and for unaccustomed listeners, sometimes unsettling) harmonic and timbral qualities of justly tuned intervals. Long tones from synthesiser, bass clarinet, viola and Baroque traverso flutes slowly creep into the spaces between the arpeggiated chords, joined after several minutes by delicate patterns of harmonics played by Rasten on acoustic guitars. On Resonant Tree II, a similar structure and ensemble (without the flutes) are used with quite different results. We again hear only the harpsichord at first, but this time playing a series of flowing melodic lines, each of which is repeated several times. Joined again by long tones from the ensemble, here the viola is particularly prominent and its interplay with the harpsichord creates fascinating acoustic effects. In both pieces, repetition gives the music a static, stable quality while, at the same time, the exact shape of the repeating patterns remains difficult to grasp. As Dupleix writes, these pieces dream of music as ‘space and a sound that one could grasp in one’s hand.’ As the near-static quality of the repetitions and long tones with little incident make these two stretches of musical time feel like spaces for the listener to inhabit, the small variations on a narrow range of related material act like a three-dimensional object whose each facet is examined in turn. At once austere and seductive, Resonant Trees takes its place beside the work of contemporaries like Catherine Lamb, while also calling up the languorous melodic world of Mamoru Fujieda, the dignified melancholy of Satoshi Ashikawa’s classic Still Way and the espaliered chamber atmospherics of the Obscure catalogue.

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Panthera Krause

Aside The Aeons

21,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Softtribe)

Soft

Passing Tone

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Imerro Black Vinyl Edition

C. Diab

LP | 2024 | UK | Original (Tonal Union)