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All Items / HHV Records / Vinyl, CD & Tape / Electronic & Dance / Downbeat | Electronica | Leftfield

Downbeat | Electronica | Leftfield Vinyl 9192 Items

Hip Hop 8996 Organic Grooves 28028 Rock & Indie 52251 Electronic & Dance 46117 Drum & Bass | Jungle 2437 Electro 4769 Techno | Minimal | Tech-House 14628 House | Deep House 13834 Nu Disco | Disco Edits | Cosmic 2897 Downbeat | Electronica | Leftfield 9195 Nu-Jazz | Broken Beat 506 Dubstep 595 Grime 73 Garage | 2Step | UK Funky | Bassline 840 Breaks | Breakbeat 685 Bmore | Baile Funk 20 Mash-Ups 25 Trance 1269 Reggae & Dancehall 5185 Pop 13016 Classical Music 1362 Soundtracks 3153 Childrens 88 Christmas 329 Halloween 26
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Enrico Serotti - Homemade Music
Enrico Serotti
Homemade Music
LP | 1982 | EU | Reissue (Orbeatize)
17,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Originally distributed by Demo City (a division of Oderso Rubini's Italian Records) in 1981 only on tape cassette format; the Confusional Quartet's guitarist here cooking a weird cover of Kraftwerk's "The Model", the cosmic "Lo Sport" and 26 more homemade delicacies.
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Thomas Leer - Contradictions
Thomas Leer
Contradictions
2LP | 1982 | EU | Reissue (Spittle)
18,99 €*
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Release: 1982 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.
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Jimmy Smack - Death Is Certain
Jimmy Smack
Death Is Certain
LP | 1982 | EU | Reissue (Knekelhuis)
25,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)
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Interior - Interior
Interior
Interior
LP | 1982 | EU | Reissue (WRWTFWW)
24,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Wrwtfww Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary label Yen Records. The LP comes in a heavy 350gsm sleeve. Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra's Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing. Interior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories. The unique sound of Interior caught the attention of William Ackerman and Anne Robinson who re-released the album in 1985 on their famed label Windham Hill Records (with a slightly different tracklisting) and then proceeded to put out their follow-up, Design, in 1987. After that, members of the group continued their careers separately, Daisuke Hinata notably recording an overlooked but absolutely amazing solo album, Tarzanland, in 1988.
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Deux Filles - Silence & Wisdom
Deux Filles
Silence & Wisdom
LP | 1982 | EU | Reissue (Our Swimmer)
24,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The.

Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out.

Silence & Wisdom – the duo’s 1982 debut – is a series of musical vignettes, like the score of an unrealized arthouse film. Blending processed guitars, sheets of synthesizers, echoey pianos, and washed-out vocal snippets to surprisingly varied effect, the album is recommended for fans of Durutti Column and Virginia Astley’s From Gardens Where We Feel Secure.
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Donna Summer - Donna Summer
Donna Summer
Donna Summer
2LP | 1982 | EU | Reissue (Driven By The Music)
44,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Klaus Wiese - Maraccaba
Klaus Wiese
Maraccaba
LP | 1982 | EU | Reissue (Eargong)
25,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Look no further for some classic contemporary ambient music ! Originally released on tape in 1982 Maraccaba is the second solo album from deutsch electronic wizard Klaus Wiese, a Popol Vuh member during the recordings of iconic masterpiece as ‘Hosianna Mantra’ and ‘Seligpreisung’. Ltd edition of 500 copies.

Member of the krautrock band Popol Vuh in the early 1970s – Voice, Zither, Tambura, Harmonium, Singing Bowls – Klaus Wiese (1942 – 2009) was a veteran musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists alongside Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman. Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005.
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Factrix / Cazazza - California Babylon
Factrix / Cazazza
California Babylon
LP | 1982 | EU | Reissue (Superior Viaduct)
16,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
US reissue.
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Enno Velthuys - Ontmoeting
Enno Velthuys
Ontmoeting
LP | 1982 | EU | Reissue (Dead Mind)
27,54 €* 28,99 € -5%
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Ontmoeting (Encounter) from 1982 marks the beginning of the published audio works of Enno Velthuys. When Rob Smit of Kubus Kassettes first visited Enno to discuss the possibilities of releasing a cassette, he was open to the idea and gave Smit access to his tape archive of recorded tracks to cherry pick his favorite pieces. Initially Enno felt the selection didn’t do justice to his broader musical spectrum, that also included more rhythm orientated guitar pieces, but in hindsight it probably gave him a new sense of direction. On this album, a mixture of spacious ambient and synth-leaden music, we hear Enno in transition. Experimenting, searching for his own voice. Some pieces are reminiscent of a classic dungeon explorer game while others have a more surreal, cinematic feel. Although 40 years old, Ontmoeting still sounds incredibly fresh today and stands as a pivotal ambient release from the early 80’s. 400 copies on black vinyl. Comes with a download card.
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Jah Wobble and Ben Mandelson - Body Music Mokili
Jah Wobble and Ben Mandelson
Body Music Mokili
12" | 1982 | UK | Original (Island)
12,99 €*
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Release: 1982 / UK – Original
Genre: Electronic & Dance, Reggae & Dancehall
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM
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Laura Branigan - Branigan
Laura Branigan
Branigan
LP | 1982 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Brian Eno - Ambient 4 (On Land)
Brian Eno
Ambient 4 (On Land)
2LP | 1982 | EU | Reissue (Virgin EMI)
40,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. 2018 reissue Limited edition.
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Terry Riley - Descending Moonsine Dervishes
Terry Riley
Descending Moonsine Dervishes
LP | 1982 | US | Reissue (Beacon Sound)
28,99 €*
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Release: 1982 / US – Reissue
Genre: Electronic & Dance
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Accurately described by Thurston Moore as "great for meditating to the cosmos," Terry Riley's classic Descending Moonshine Dervishes is available again in a limited edition repress manufactured by Optimal in Germany. Originally recorded live in Berlin in 1975 and released by Kuckuck in 1982, Beacon Sound reissued the album in 2016 to widespread acclaim. Using just intonation and a modified organ, Riley conjures forth a rich and layered sound that challenges the Western ear, reflecting his associations with Indian classical singer Pandit Pran Nath and La Monte Young , whose Well Tuned Piano was well underway. Descending Moonshine Dervishes is a virtuosic and kaleidoscopic performance, standing as one of the finest works of a revolutionary composer and musician at the height of his powers. Recorded in concert November 29, 1975 at Metamusik Festival in Berlin.
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Don Blackman - Don Blackman
Don Blackman
Don Blackman
LP | 1982 | EU | Reissue (Music On Vinyl)
30,99 €*
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Release: 1982 / EU – Reissue
Genre: Electronic & Dance
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Moebius, Plank & Neumeier - Zero Set
Moebius, Plank & Neumeier
Zero Set
LP | 1983 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1983 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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on 180g vinyl!
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Moebius - Tonspuren
Moebius
Tonspuren
LP | 1983 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1983 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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You - Time Code
You
Time Code
LP | 1983 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Asmus Tietchens - Litia
Asmus Tietchens
Litia
LP | 1983 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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180g vinyl!
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Rüdiger Lorenz - Invisible Voices
Rüdiger Lorenz
Invisible Voices
LP | 1983 | US | Reissue (Anthology)
21,99 €*
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Release: 1983 / US – Reissue
Genre: Electronic & Dance
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Remembrance is the Software Recording Co. debut from Baton Rouge's Suicideyears (borN James Prudhomme). Prudhomme wrote Remembrance while reflecting on themes of love and loss against the backdrop of the deep American south he calls home. His experiences of reflection and resolution led to the vivid, emotionally charged production that makes up Remembrance. Alive with an idiosyncratic sense of melodic space, his repertoire eschews a topical palette for a personal aesthetic that offers a visceral love letter to abstraction. Prudhomme references both forms we know to exist ("Caroline," "U S" and "When You Sleep") and speculates on how they can be newly realized ("I Don't Care About Death Because I Smoke" and "Hope Building A").
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Le Syndicat - Audiostatik Repress Black Vinyl Edition
Le Syndicat
Audiostatik Repress Black Vinyl Edition
LP | 1983 | EU | Reissue (Rotorelief)
17,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Le Syndicat with this reissue of Audiostatik Repress from 1983, certified to be a head-cleaner of brutalist, bruitist, rhythmicist, industrial noise. The rhythm and noise for Le Syndicat evolved through process mingling tape-loops, overblown drum machine programming, shortwave radio experiments, short-circuited consumer electronics, and eventually rudimentary sampler technolog. Audiostatik Repress is a visionnary project in 1983 of what's happened late in the 90's sounds. The rhythm and noise for Le Syndicat evolved through process mingling tape-loops, overblown drum machine programming, shortwave radio experiments, short-circuited consumer electronics, and eventually rudimentary sampler technolog. Audiostatik Repress is a visionnary project in 1983 of what's happened late in the 90's sounds.
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Midori Takada - Through The Looking Glass
Midori Takada
Through The Looking Glass
LP | 1983 | EU | Reissue (WRWTFWW)
20,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Standard 33rpm edition without gatefold cover.

WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album “Through The Looking Glass", originally released in 1983 by RCA Japan. Considered a Holy Grail of Japanese music by many, “Through The Looking Glass” is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience. The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes. Bio Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year. Midori released two solo albums: “Through The Looking Glass” and “Tree Of Life” and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body.
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Alesia Cosmos - Exclusivo!
Alesia Cosmos
Exclusivo!
LP | 1983 | US | Reissue (Dark Entries)
21,99 €*
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Release: 1983 / US – Reissue
Genre: Electronic & Dance
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Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France Culture. Under the influences of William Burroughs, John Cage, Pierre Henry and others, he developed tape music studio work. By 1982 he appeared for the first time under the name Alésia Cosmos Furi Show. It was a solo performance on guitar, voice, analog synth and tapes. This experimental show lead to a music project based on Bruno and Pascal's compositions to be performed and recorded with other musicians in the beginning of 1983.


Exclusivo! was the group’s debut album recorded and self-released in 1983 on Planetarium. Pascal and Bruno would compose tunes in their personal home studios. Then they would bring the tapes, electronics, guitar lines and lyrics to experiment and rehearse with the other members of the group. Improvisations and adaptations brought more ideas and the album was recorded in a few days. The result was a musical mixing of electronic music, field recordings, North African and Asian percussion, electric guitars and voices, compositions and free improvisations. All four musicians take turns singing onomatopoeic phrases and backing vocals, even sometimes in an unknown language, a sort of mixed bag between Breton and Japanese. All songs have been remastered cut by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a replica of the 1983 cover and includes a 6-page insert with photos, lyrics, reviews and liner notes by Bruno de Chénerilles.
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Zanov - In Course Of Time
Zanov
In Course Of Time
LP | 1983 | EU | Original (Ondes)
20,99 €*
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Release: 1983 / EU – Original
Genre: Electronic & Dance
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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself a VCS3 and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released his first two LPs Green Ray in 1976 and Moebius 256 301 in 1977. In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this time he gave more use to the RMI Harmonic Synthesizer.

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

Zanov's third LP was released in 1982 in Canada on Les disques Solaris and in 1983 in France on Ondes.

This is not a reissue, it is the original 1983 French edition on Ondes. Please note that these are mint unplayed vinyl copies, but they have been laying around in warehouses for long time so sleeves show the pass of time (some yellowing mainly, not bigger problems).
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Los Inicados - Todo Ubu
Los Inicados
Todo Ubu
LP | 1983 | EU | Reissue (Mental Experience)
21,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Dark minimal synth electronics & experimental sounds by LOS INICIADOS, a mysterious project - highly influenced by The Residents - related to legendary Spanish synth-pop band AVIADOR DRO.
This is their rare and sought-after second album, originally released in 1983 on the DRO label as the soundtrack to a puppet stage play, based on ALFRED JARRY’S “UBU ROI”.
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Stano - Content To Write In I Dine Weathercraft
Stano
Content To Write In I Dine Weathercraft
LP | 1983 | EU | Reissue (Allchival)
30,99 €*
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Release: 1983 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk
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Lubomyr Melnyk - The Song Of Galadriel
Lubomyr Melnyk
The Song Of Galadriel
LP | 1983 | EU | Reissue (Sounds Of Subterrania)
40,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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"Reading Tolkein´s LORD OF THE RINGS saga was one of the greatest experiences of my life ... his amazing talent for words was mindboggling ... and the great topics he touched upon remain forever as the most important topics of life ... they are still most valid today .. and will be for all eternity. Everything he described through his magical words came to life before my eyes ! So it was most natural that he would inspire music within me ... music that I can not describe in words how it relates to the Saga .. but deep inside me, it all shines clear as a lamp-post on a dark street ... and it shines into my soul in many, many dimensions....." .... and on a technical note, this piece marked the first time I created Arpegge Melodies within Continuous Music !" In the ”Song of Galadriel” Lubomyr Melnyk has created one of the great epics of piano music in our century, a work of visionary character, filled with haunting and delicate melodies that evoke the mystical world of Tolkein's ”Lord Of The Rings”. Arthur Rankin Original Release: 1983 Limited All Analog Remastering Recording 29 min, per side
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Care Of The Cow - Dogs' Ears Are Stupid
Care Of The Cow
Dogs' Ears Are Stupid
LP | 1983 | EU | Reissue (Mental Experience)
21,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Originally released only on cassette in 1983, “Dogs’ Ears Are Stupid” by Chicago trio Care of the Cow is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, analogue synths…
One of Chicago’s best kept secrets, Care of the Cow’s history goes back to 1974. A trio formed by Victor Sanders, X Baczewska and Sher Doruff, they had a very unique and eclectic sound, experimental yet very melodic, mixing psychedelic folk-rock with art-rock and DIY / post-punk. Their influences were very diverse: Beatles, Fripp, Eno, Joni Mitchell, Carla Bley, Pauline Oliveros, Eric Dolphy…
Care of the Cow debuted in 1975 with a 10” followed by their first LP album in 1981. By 1983, the band was adding drum machines and synths to their sound, highlighted by Victor’s amazing guitar playing and X & Sher’s perfectly blended vocal harmonies, resulting in “Dogs’ Ears Are Stupid”, the second Care of the Cow album, released only as a tiny cassette edition in 1983.
For us, this is a lost gem from the ‘80s underground which really deserved a LP/CD reissue. Here it is, done in collaboration with Steve Krakow of Plastic Crimewave / Galactic Zoo fame.
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Nocturnal Emissions - Viral Shedding Record Store Day 2019 Edition
Nocturnal Emissions
Viral Shedding Record Store Day 2019 Edition
LP | 1983 | EU | Reissue (Mannequin)
22,99 €*
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Release: 1983 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music.
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Francesco Messina - Medio Occidente
Francesco Messina
Medio Occidente
LP | 1983 | EU | Reissue (Best Record Italy)
17,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Remastered reissue of Francesco Messina's seminal LP from 1983 produced by electronic Italian pioneer Franco Battiato.
Messina and Battiato are considered central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it's rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space. This album was recorded at the legendary Polygram Studios in Milan and using the most powerful electronic music synthesizers for that times like the CMI Fairlight and the EMU Emulator.
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Inoyamaland - Danzindan-Pojidon
Inoyamaland
Danzindan-Pojidon
LP | 1983 | EU | Reissue (WRWTFWW)
23,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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WRWTFWW Records is too happy to announce the much anticipated official reissue of Japanese duo Inoyamaland’s quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue. With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as “a special place where the kingdom of summer vacation never ended". Playful and magical, it’s a sonic landscape defined by tinkling synths, floating minimalist melodies, pastoral excursions, and mythical overtones.
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Reinhard Lakomy - Der Traum Von Asgard
Reinhard Lakomy
Der Traum Von Asgard
LP | 1983 | GDR | Original (AMIGA)
8,99 €*
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Release: 1983 / GDR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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P.R. Computer - P.R. Computer
P.R. Computer
P.R. Computer
LP | 1983 | HU | Original (Start)
9,99 €*
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Release: 1983 / HU – Original
Genre: Electronic & Dance, Pop, Classical Music
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Used Vinyl
Medium: VG+, Cover: Generic
Cover is missing.
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Mariah - Utakata No Hibi Black Vinyl Edition
Mariah
Utakata No Hibi Black Vinyl Edition
2LP | 1983 | EU | Reissue (Everland)
32,99 €*
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Release: 1983 / EU – Reissue
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!
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Ricky Starbuster - Protosyn
Ricky Starbuster
Protosyn
2LP | 1983 | EU | Reissue (Orbeatize)
19,79 €* 21,99 € -10%
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Like his previous "Starburst" release, "Protosyn" was privately released in 1983 only on tape cassette format. Restored and remastered from the original tapes by Davide Bassi (Press Rewind Studios, Milan); Mr. Ricky having fun with Prophet 5, Pro 1, Korg Vc-10 Vocoder and Roland Tr-606 Drumatix.
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Rada - Upadesa
Rada
Upadesa
LP | 1983 | EU | Reissue (Wah Wah)
21,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Ángel Rada is one of the most interesting music experimantalists of Venezuela. He started his career in the late 1960s as a member of The Gas Light, one of the big names on Venezuela's live circuit in the era, sharing the stages with other artists such as Apocalipsis, Un Dos Tres y Fuera, Vytas Brenner, Daniel Grau, Pablo Schneider, Miguel Ángel Fuster... Rada is one of the three basic artists who set an electronic music scene in Venezuela, along with Miguel Ángel Noya and Vinicio Adames.

Rada had attended the Escuela Superior de Música José Ángel Lamas and then continued his studies in Germany, where he was impressed by krautrock music, especially by its more electronic side. He met Kraftwerk when they were recording at Kling Klang Studio, and also knew Klaus Schulze–who would become an example for him to to follow. This contact with the Kraut scene would be the biggest influence on his works from the 1970s, which would end synthesizing in Rada's first record: 1983's Upadesa, originally released on his own independent label Uranium Records. Since then he has released more than 20 albums up to date, making him one of the most prolific experimental musicians not only in his country but also in the whole world.

Rada's aproach to electronic music is based in what he calls ethnosonic music. He is interested in the mixture of various styles which he filters through the use of technology, so in his electronic compositions one can hear echoes of ethnic sounds from all over the globe as well as some jazz influenced improvisation, ambient and synthesized sounds.

The Wah Wah edition is the first ever vinyl reissue of this landmark LP and has been remastered for vinyl by Roger Prades @ Prades Mastering. Includes an insert with liner notes by Salvatore Maldera.

It is a strictly limited edition of 500 copies only.
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Cabaret Voltaire - The Crackdown Colored Vinyl Edition
Cabaret Voltaire
The Crackdown Colored Vinyl Edition
LP | 1983 | UK | Reissue (Mute)
27,99 €*
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Release: 1983 / UK – Reissue
Genre: Electronic & Dance
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Deux Filles - Double Happiness
Deux Filles
Double Happiness
LP | 1983 | EU | Reissue (Our Swimmer)
24,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The.

Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out.

Double Happiness is the duo’s second album, originally released in 1983 on their own imprint, Papier Maché. Full of meandering guitar and with a more ominous tone than the debut, the album is recommended for fans of Durutti Column and Thomas Leer & Robert Rental’s The Bridge.
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Ghjuvan Petru Graziani & Rinatu Coti - Corsica Ribella
Ghjuvan Petru Graziani & Rinatu Coti
Corsica Ribella
LP | 1983 | EU | Reissue (Aitone Library)
37,99 €*
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Release: 1983 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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This first reference (ate001) is a reissue of Corsica Ribella, which is the second album by Ghjuvan Petru Graziani (GP.G) in collaboration with the poet Rinatu Coti. Limited to 300 copies, the reissue includes the restoration of the cover as well as an 8-page booklet containing sketches, poems and exclusive interviews with the artists translated into three languages (French/English/Corsican). Below a bit more about the artist Ghjuvan Petru Graziani (GP.G) : Born in Corsica, with a childhood in Toulon, then planer and toolmaker at the Renault Billancourt factory, GP.G created the Groupe Culturel Renault which had an impact in the political strike of 1971. Multi-faceted artist, GP.G is known among other things for his activist music label Les Disques Vendémiaire with which he produced a few big names in free jazz such as JEF Gilson, François Tusques, Cossi Anatz and ByardLancaster. Corsica Ribella record is born in 1984 when G.P.G was back in Corsica. He was at this time highly committed to the Corsican National Liberation Front (flnc). Corsica Ribella is then the first Corsican electronic disc ; a clever mix of electronics, poetry and field recording. Jazz-funk influenced, the LP is a cosmic ballad oscillating between ambient and leftfield with large instrumental parts against backdrop of nationalist demands, an ode to freedom.
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Michiko Akao - Yokobue: The World Of Michiko Akao
Michiko Akao
Yokobue: The World Of Michiko Akao
LP | 1983 | JP | Reissue (Universal Music Japan)
60,99 €*
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Release: 1983 / JP – Reissue
Genre: Electronic & Dance
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Yokobue player Michiko Akao's 1983 publication 'Yokobue: Michiko Akao's World', which was also published in the 'New Age Music Disc Guide' (published by DU Books), is reproduced for the first time! A new age work that greatly transcends the realm of pure Japanese music, created with Shigeaki Saegusa as the composer and arranger. It's definitely recommended for listeners who are chasing the current new age/ambient.
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Hiroshi Ii Hiroshi - Hiroshi II Hiroshi Volume 1 Clear Blue Vinyl Edition
Hiroshi Ii Hiroshi
Hiroshi II Hiroshi Volume 1 Clear Blue Vinyl Edition
LP | 1983 | JP | Reissue (Lawson)
39,99 €*
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Release: 1983 / JP – Reissue
Genre: Electronic & Dance
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Andrzej Marko / Andre Mikola - Fly Me To The Sun (Coloursound)
Andrzej Marko / Andre Mikola
Fly Me To The Sun (Coloursound)
LP | 1983 | EU | Reissue (Be With)
27,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record.

Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop.

The wonderfully sleaze-adjacent opener "Dhamma" includes some grandiose piano chords amid floating ambient sounds a la Steve Hillage with slick drums entering the fray at a languid pace. "Circulation" sounds like Bowie ran into Chaz Jankel during an extended stay in Los Angeles, the Thin White Duke emerging out of a studio at 6am, bleary-eyed and clutching this filthy, bleepy instrumental of sonic smut. "Magic Scenery" is as delicate and astounding as the title suggests, a deep ambient movement conjuring halcyon images of rolling fields with abundant fauna and flora; acid-tinged visions of intense colour and natural beauty. Cool, slo-mo breaks adorn the strutting melancholy of “Longing for Tomorrow” and “Nocturnal Flowers” to close out Side A.

Skip the title track, which opens up Side B, and head straight to “Birth of a Butterfly” for a slice of creeping digi-dub-soul niceness. This should've been front and centre of that Personal Space compilation a decade ago. Raising both the tempo and the temperature, “Riding on a Sunbeam” continues in the mesmerising cosmic funk style before "Osmosis", one of the clear stand-outs, presents a fine vintage synth solo over a mellow funky rubberband beat. The closing track, "Solar Heating", warms things up with slapped bass and bold drum machine beats and the synth lends Sci-Fi vibes to the dark dub-funk-reggae rhythm.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Fly Me To The Sun comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.
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Don Slepian - Sea Of Bliss
Don Slepian
Sea Of Bliss
LP | 1983 | US | Reissue (Numero Group)
22,99 €*
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Release: 1983 / US – Reissue
Genre: Electronic & Dance
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First ever vinyl edition of the landmark 1980 cassette by synth wizard Don Slepian. Utilizing the fabled and notoriously complex Alles digital synthesizer at the Bell Laboratories scientific research center, Sea Of Bliss features two transcendent cascading sidelong tracks, to easily qualify as one of the ultimate pinnacles of the new age genre. Cut with care using the Direct Metal Mastering process, and featuring cover artwork by visionary artist Jonathan Meader.
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Korpses Katatonik - Subklinikal Leukotomy Aphrenia Spasmophilik Lyssophobo Asphyxia Sinister Lethal Anorex Black Vinyl Edition
Korpses Katatonik
Subklinikal Leukotomy Aphrenia Spasmophilik Lyssophobo Asphyxia Sinister Lethal Anorex Black Vinyl Edition
LP | 1983 | EU | Reissue (Infinite Fog)
29,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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* First time on vinyl the classic industrial record from 1983 * 40th-anniversary edition * Available on Black Vinyl and CD / Korpses Katatonik was a musical solo project of Zoe DeWitt during the years 1982 and 1983. Unlike DeWitt's later project Zero Kama, the work of Korpses Katatonik remains entirely within the realm of electronic music and shows an uncompromising experimental style comparable to that of other industrial bands like Throbbing Gristle, SPK, or Cabaret Voltaire. Like many other exponents of industrial culture Korpses Katatonik was inspired by dark psychiatry, pathological abnormalism, necrophilia, and other types of paraphilic aberration. These served as a metaphor for the dark side of a dehumanized society that seeks to maintain control by the suppression of anything that could be regarded as dark, sinister, deviant, or unpleasant from the viewpoint of popular mass culture. As a means of escape from this totalita rian pressure - thus a statement by Korpses Katatonik - there remains only self-destruction, murder, or the withdrawal into catatonic schizophrenia. Korpses Katatonik's first release was a Nekrophile Rekords cassette entitled subklinikal leukotomy aphrenia spasmophiik lyssophobo asphyxia sinister lethal anorex. The titles on the album were: shatok, schmertzlabor, enzephallik mortuor, nekom, kcok transzlant, kaltfleisch corporor, skarzisko and okzipital slash. The terminology of psychopathological disorders was used by Korpses Katatonik in a subversive way for its own poetic value and many of the rare vocals and track titles (as for example shatok, enzephallik mortuor and kaltfleisch corporor) were taken from writings of patients of Viennas famous psychiatrist hospital in Ma ria Gugging (dissolved in 2007). The title skarzisko refers to a national socialist concentration camp in the polish town Skarżysko-Kamienna. The upcoming influence of occultism within the postindustrial underground of the 1980s is finally reflected in the last track of Korpses Katatonik, Choronzon, which was published on the Nekrophile cassette compilation The Beast 666. This track, which refers to a ritual performed by Aleister Crowley and Victor Neuburg in the desert Sahara in 1909, anticipates the strong occult implications of Zoe DeWitt's musical follow-up project Zero Kama. In 2012 all recorded tracks by Korpses Katatonik have been released under the title Oeuvres complètes by the Viennese label Klanggalerie. Currently, the remastered album is reissued on IFP on Vinyl, CD, Tape, and ultra-limited collectors box. Recorded in 1982 by Michael Zoe Dewitt (synth, guitar, voice, tape loops) and mixed at the Institute for Composition and Electroacoustics at the University for Music and Performing Arts Vienna (Wiener Konzerthaus studios). First published as audio cassette Nrc01 on Nekrophile Rekords in 1983. Remastered by Zoe Dewitt for Infinite Fog Records in 2022. Millions of dead humanoids walking your streets, remote-controlled Cadaver. The functions of the body, which are considered the highest definition of life, are nothing more than a sign that the totalitarian systems of political control are working as usual. In fact, Death, your own essence of the progress of civilization, came the moment you accepted your terms. Poison injections and 1800-volt circuit, as well as three isolation cell torture chambers are waiting for you if you don't want to. For the glory of Masz Murders and Terror Liaisonz, there can be nothing but bones and skulls. Burnt holes of the psyche and dezpar. In the same way that Corpus Sosial conceives Death, psychic and physical Disorder from the public consciousness, it itself is nothing but the unification of all this. And since the main characteristic of his propaganda bloc is to say the exact opposite of what he really represents, and to use Death, the last argument of all oppression, as an extensive lever, the most effective methods of the operation of expelling the stick will be equally with inverted strategies for choosing the current reality and gathering information to create artificial Malfunctions, as well as to use and fight off Death, multiplying its signs in order to increase the semantic value as an offensive counter-propaganda event. A reverse policy cannot and will not be a policy. Offensive subversion is not so much the destruction of the leading organizations as the actual ignoring of them by organizing one's own body. It's a reversal of your dictated reward/punishment law.
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Samoa Park - Tubular Affair
Samoa Park
Tubular Affair
12" | 1983 | EU | Reissue (ZYX Music)
16,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Yello - Lost Again
Yello
Lost Again
12" | 1983 | DE | Original (Vertigo)
12,99 €*
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Release: 1983 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Cover is missing.
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Material - Time Out
Material
Time Out
7" | 1983 | FR | Original (Celluloid)
3,99 €*
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Release: 1983 / FR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Moebius - Tonspuren 40th Anniversary Edition
Moebius
Tonspuren 40th Anniversary Edition
LP | 1983 | EU | Reissue (Bureau B)
29,99 €*
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Release: 1983 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Eitetsu Hayashi - Kaze No Shisha
Eitetsu Hayashi
Kaze No Shisha
LP | 1983 | EU | Reissue (Studio Mule)
26,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Near Mint
OBI is missing! Record has scuffs on both sides, no scratches!
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Muslimgauze - Hammer & Sickle
Muslimgauze
Hammer & Sickle
7" | 1983 | EU | Reissue (Staalplaat)
17,09 €* 17,99 € -5%
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Originally released in 1983 on Hessian.

Bryn Jones’ work was justly known for its excess—of tracks created, of rhetoric, of volume levels, of repetition, of length—and the sometimes indiscriminate way he produced material as Muslimgauze carried over into his approach to the part of the business that involved getting people to actually hear his music. Known for the deluge of DATs he’d share with the labels he worked with, Jones also didn’t necessarily restrict himself to just one outlet.

Very early in his career, in the same year the first two Muslimgauze LPs came out (1983), Jones released an obscure 7” single with completely blank black sleeve art on a label called Hessian. »Hammer & Sickle« is to date the only release on Hessian (which may have just been Jones himself?). Those two LPs, Kabul and Opaques, are fascinating in the context of the full swath of Jones’ work. They’re much spacier, more drifting, and notably less interested in using the kind of Middle Eastern percussion and other instrumentation that’s such a distinct element on many Muslimgauze releases. »Hammer & Sickle« operates in a similar territory, but if anything a little further out from the main body of Jones’ work.

The side-long title track and the three b-sides here are all cut from the same cloth, spacious productions that mainly play rounded synth percussion against echoing, ›bag of wire‹-style dub hits. After the lengthy examination of »Hammer & Sickle« itself, the other three cuts experiment with altering pitch, duration, tempo, and other elements as if testing the ways Jones could vary the effects of the title track without ever ditching its component parts. His sound was already quickly evolving (even the next year’s Buddhist on Fire is closer to what fans likely picture when they think of the »Muslimgauze sound«), leaving »Hammer & Sickle« an intriguing and valuable portrait of one of Jones’ early side investigations.
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Andreas Vollenweider - Caverna Magica (...Under The Tree - In The Cave...)
Andreas Vollenweider
Caverna Magica (...Under The Tree - In The Cave...)
LP | 1983 | DE | Original (CBS)
6,99 €*
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Release: 1983 / DE – Original
Genre: Electronic & Dance
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Medium: VG+, Cover: VG+
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D-Train - Something's On Your Mind
D-Train
Something's On Your Mind
12" | 1983 | NL | Original (Rams Horn)
6,99 €*
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Release: 1983 / NL – Original
Genre: Organic Grooves, Electronic & Dance
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Medium: VG+, Cover: VG
Cover is close to VG+!
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J.D. Jaber - Don't Stop Lovin'
J.D. Jaber
Don't Stop Lovin'
12" | 1983 | DE | Reissue (ZYX Music)
16,99 €*
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Release: 1983 / DE – Reissue
Genre: Electronic & Dance
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Ryuichi Sakamoto - Coda
Ryuichi Sakamoto
Coda
LP | 1983 | EU | Reissue (Wewantsounds)
30,99 €*
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Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Wewantsounds is delighted to announce the release of Ryuichi Sakamoto"s classic LP "Coda", issued in Japan in 1983 as a solo piano version of the "Merry Christmas Mr. Lawrence" soundtrack. The album, which was never been released outside of Japan until now, sees Sakamoto on acoustic piano reinterpreting fascinating versions of his famous soundtrack including the classic theme and "Germination," which was later used in the "Call Me By Your Name" soundtrack. This reissue has been remastered by Seigen Ono"s Saidera Mastering studio in Tokyo and boasts the original artwork plus a 4-page insert with new liner notes by Andy Beta.
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Rhys Chatham - Factor X
Rhys Chatham
Factor X
LP | 1983 | DE | Original (Moers Music)
23,99 €*
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Release: 1983 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Synergy - Semi-Conductor
Synergy
Semi-Conductor
2LP | 1984 | US | Original (Passport)
5,99 €*
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Release: 1984 / US – Original
Genre: Electronic & Dance
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Medium: VG+, Cover: VG
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Rüdiger Lorenz - Southland
Rüdiger Lorenz
Southland
LP | 1984 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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Manuel Göttsching - E2-E4 (2016 - 35th Anniversary Edition)
Manuel Göttsching
E2-E4 (2016 - 35th Anniversary Edition)
LP | 1984 | EU | Reissue (MG.Art)
23,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984!
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Roberto Musci - The Loa Of Music The Complete Sessions
Roberto Musci
The Loa Of Music The Complete Sessions
2LP | 1984 | EU | Reissue (Soave)
25,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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"The Loa of Music" is the debut recording project of Milanese composer and musician Roberto Musci inspired by Voodoo Religion; Vever (the magical voodoo paintings) and Loas, the dark and magic spirits. The deep charm of non-Western music has led him to travel for many years across Africa, India and Asia, studying rhythms, scales, performance and interpretation of the most varied traditional and indigenous music, as well he make many field recordings and collected ethnic instruments that would then be combined with synthesizers and electronics in The Loa of Music.

Recorded in 1983, the project originally had 80 minutes of music but only half was released on original LP. SOAVE has pressed for the first time the Complete Recording Session from original tapes of this phenomenally ambitious masterpiece that entirely refuses the well trod path - distilling a remarkable range of sonic reference and reality. A work of field recording, musique concrète, electronics, synthesis, and instrumentation, pulling from countless musics from across the globe, the result is nothing short of brilliant and stunningly beautiful. A near perfect work - an egoless gesture, which rather than attempting to find consensus, offers every voice equity and cohabitation - harnessing the history music, with all of its cultural diversity, as a vision for a more ideal future. Geographies and their sounds intertwine, while Musci’s interventions and instrumentation thread a path. Ambiences ripple, sounds and voices converse in a vision of unity that may only exist within sonic realms. Unquestionably seminal, and one of the most important works to emerge from Italy in the last 50 years. Never before issued on vinyl since it’s original release, and surely not to be around for long, this is one not to miss.
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Atelier Du Mal - Noblesse Oblige
Atelier Du Mal
Noblesse Oblige
LP | 1984 | EU | Reissue (Mannequin)
19,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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Brilliant comet of the Italian New Wave scene. Real deal. TIP!

Atelier du Mal were formed in Florence in 1983 by Lapo Pistelli (synths, electronic drums), Iacopo Ficai Veltroni (bass, synth) and Ignazio Matteini
(drum programming, percussions). Recorded in 1984, 'Noblesse Oblige' was the first and subsequently the only demo tape by the group, self-released using classic gear like Korg Ms-20, Roland Tr-606, Roland Tr-808, Roland Juno 60, Roland TB-303.
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Lubomyr Melnyk - Concert-Requiem
Lubomyr Melnyk
Concert-Requiem
LP | 1984 | EU | Reissue (Sounds Of Subterrania)
40,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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Limited All Analog Remastering Recording This is one my most beloved albums ... it always reminds me of the horror that occurred in my homeland, Ukraine, in 1933. And I am always thankful when I hear it. It is good to remember the suffering of other people ! Otherwise, life is not worth living..... This album came about in an interesting way .... there came to me a melody at some point that year ... I was not even at the piano .... a melody that I just began to sing ... When I played it on the piano for my friend, the artist Dmitri Farkavec, he right away loved it and suggested that it would be a great opening for a piece dedicated to the multi-millions of Ukrainians who suffered a terrible and deliberate extinction at the hands of the Russians who had invaded my country. As he said to me, "1983 is the 50 year commemoration of the Terror Famine --- it would be a good year to make this piece." And so it came to be ! "CONCERT-REQUIEM" is dedicated to the over seven million Ukrainians who were killed by the Forced Starvation of 1933 who watched in agony as Communist police destroyed grain as they and their children lay starving to death. This album also contains "ISLANDS" for solo piano --- a remarkable bass-oriented piece depicting enormous masses of mystical and murky islands moving through an imaginary sea.. It was inspired by and created for a dance performance by Windwitches of Stockholm. Original Release: 1984 Limited All Analog Remastering Recording
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V.A. - Kumo-Koku-Do
V.A.
Kumo-Koku-Do
7" | 1984 | EU | Original (Herberg Rustiek)
13,99 €*
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Release: 1984 / EU – Original
Genre: Electronic & Dance
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A compilation squeezed onto a 7” that brings together some of the finest artists active in the Japanese underground. Featuring the talents of Tenniscoats (featuring Undora), Tori Kudo, Yumbo, Kawate Naoto, & Otani Naoki. Each artist has personally chosen a song from the full length record Kumokokudo by LE TON Mité, and made it their own.
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Lisa Dal Bello - Whōmănfoursāys
Lisa Dal Bello
Whōmănfoursāys
LP | 1984 | EU | Original (Capitol)
4,99 €*
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Release: 1984 / EU – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
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Giovanotti Mondani Meccanici - Gmm Suite
Giovanotti Mondani Meccanici
Gmm Suite
LP | 1984 | EU | Reissue (Mannequin)
19,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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Mannequin Records is elated to present for the first time on vinyl the reissue of Giovanotti Mondani Meccanici’s first video soundtrack, originally released in 1984 as an audiotape in less than one hundred copies. Giovanotti Mondani Meccanici (literally Mundane Mechanical Youth) or GMM was one of the most unclassifiable audiovisual experiences to emerge from Italy in the 1980s. Maurizio Dami a.k.a. Alexander Robotnick, a pivotal member of GMM, was responsible for the group’s music output. Founded in 1984 by Antonio Glessi and Andrea Zingoni in Florence, GMM was an art collective whose production represents the quintessential expression of postmodern transmedia hybridity. GMM pioneered the genre of computer comics, created video installations, developed “multiple identity” performances, and was involved in fashion, media, and music productions, and later on produced cyberdelic environments, artificial reality projects, and proto-memes. Alexander Robotnick’s first contribution to GMM was this soundtrack for the group’s eponymous first video, the animated version of a computer comics they coincidentally published on legendary Frigidaire magazine. Restored by Dami and reissued here for the first time by Mannequin Records, the composition was also split into two “suites” and released as an audiotape distributed by Materiali Sonori, also responsible for other releases by both Robotnick and GMM. Determining in this work is Dami’s adoption of the alphaSyntauri, also known as the first affordable digital synth (priced less than $2000 when it was released in 1980), which was playable through its own software, “alphaPlus,” on the Apple II computer. The same computer was used by Glessi to “draw” the 3-bit strips scripted by Zingoni recounting the joyrides of the Giovanotti Mondani Meccanici, three merciless cyborgs in black suit and sunglasses dividing their time between nightclubs, rapes and murders. As Robotnick, Dami developed an innovative formula of Italo disco that was attractive to the dance floor yet at the same time highlighted the expressive properties of the instruments he used, notably Roland drum machines and Korg synthesizers. For the soundtrack of GMM’s videos and installations, he left aside the danceable synth rhythmics in favor of ambient sounds that produced rarefied atmospheres, psychological tensions, and enhanced states of consciousness. Dami’s scores for GMM’s artworks could be associated with Italian avant-garde music of the 1970s and 1980s, ranging from composers who adopted electronics flirting with pop and songwriting to minimalist musicians exploring seriality and drones, including Franco Battiato, Roberto Cacciapaglia, Francesco Messina, and Riccardo Sinigaglia. Analogies could also be traced with the playful and humanizing approach to personal computers that characterizes the music output of Marcello Giombini and Doris Norton. The futuristic escapism of minimal synth and ambient music’s psychological nature is infiltrated by drifting harmonics typical of new age, as if in search of a spiritual dimension of technology. Characteristic of the postmodern ethos of GMM Suite, in line with the humanizing approach to technology that is at the base of GMM’s computer comics, is the melancholic take at speculative dystopias in which human beings would find themselves increasingly trapped into identity crises: a true cyborg’s melodrama. Limited edition of 500 copies, (orange vinyl)
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Bizarre Ko Ko Ko - 00 Time
Bizarre Ko Ko Ko
00 Time
LP | 1984 | EU | Reissue (Wah Wah)
21,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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Released on Karl Kronfeld's Synoptik Records, it was the label's only release, thus becoming a rare, sought after, private pressing. Weird, intriguing atmospheres and a plethora of synthesized sounds, sequencers, cold sounding keyboards and even mellotron parts make this a darker offering than Aphorisms Insane. Venturing into stark, spooky post-industrial territories it manages to combine the primitive cosmicism of early Tangerine Dream with the dystopic sound-scapes of Asmus Tietchens, 80's Conrad Schnitzler or the synthetic gothicisms of Peter Frohmader. An album that should appeal not only to fans of cosmic synthetic music, but also those interested in the more experimental strains of cold wave & minimal synth (Robert Rental, Dome, a.o.) The Wah Wah edition is the first ever reissue of this rare sought after collector's item. 100% analogue lacquer cut direct from the original master tape by Moritz illner @ Duophonic Gmbh and reproducing the original Dalí-esque sleeve artwork in a strictly limited edition of 500 copies only.
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Pauline Oliveros - The Wanderer
Pauline Oliveros
The Wanderer
LP | 1984 | US | Reissue (Important)
31,99 €*
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Release: 1984 / US – Reissue
Genre: Electronic & Dance
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Pauline Oliveros' »The Wanderer« is available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity. An utterly essential document of early American minimalism, »The Wanderer« is the sister record to »Accordion & Voice«. This recording documents »The Wanderer«'s world premiere, as it was performed 27 January, 1983 at Marymount Manhattan Theatre. The orchestra consists of twenty accordions, two bass accordions, and five percussionists, with Pauline Oliveros as soloist, Sam Falcetti conducting.
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Karma Moffett - Chomolhari
Karma Moffett
Chomolhari
12" | 1984 | CA | Reissue (Morning Trip)
33,99 €*
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Release: 1984 / CA – Reissue
Genre: Organic Grooves, Electronic & Dance
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On 1984's Chomolhari, new age pioneer Karma Moffett eschews the arsenal of Tibetan bells and resonant singing bowls, which he usually uses to conjure his healing ambient works. Instead, he opts for the shimmering arpeggiation and gentle glissando of the Moog synthesizer. With this aural palette, he soundtracks a rich inner voyage of peace and reflection. Bookended by the calming drone of the Tibetan longhorn, the trip to Chomolhari and back is one worth taking again and again.

Karma Moffett reminisces: “Chomolhari. Bhutan’s deeply venerated guardian peak. While living in San Francisco, I wandered into the first Tibet Shop in the city. I met Dorje Lama, the creator.He became my good friend and guide, and introduced me to His Holiness the Dalai Lama, the 16th Gyalwa Karmapa, the venerable Kalu Rinpoche, and Tai Situ Rinpoche. He opened the door to the path of an inspired and enlightened journey for me. After reading ‘Seven Years in Tibet’, I created ‘Chomolhari’ as a mystical journey to the higher planes of the majestic mountains. Dorje would say: ‘The wildest dreams of the Americas are the facts of Tibet.
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Masashi Kitamura & Phonogenix - Prologue For Post-Modern Music Pink Vinyl Edition
Masashi Kitamura & Phonogenix
Prologue For Post-Modern Music Pink Vinyl Edition
LP | 1984 | US | Reissue (Ship To Shore)
24,99 €*
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Release: 1984 / US – Reissue
Genre: Electronic & Dance
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Ship to Shore PhonoCo. is proud to present the experimental Japanese ambient classic Prologue For Post-Modern Music for the first time on vinyl since its original release in 1984!Unavailable since its debut 37 years ago, Masashi Kitamura + Phonogenix’s LP can almost be seen as the natural progression from the experimental recordings put out by Brian Eno in the 1970s to the releases The Orb and The Future Sound Of London were famous for in the 90s.

Prologue For Post Modern-Music is a mixture of ambient and electronic sounds that is beautifully both classical Japanese and New Age. An album to get lost in.
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Masahide Sakuma - Lisa
Masahide Sakuma
Lisa
LP | 1984 | JP | Reissue (Victor Entertainment Japan)
63,99 €*
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Release: 1984 / JP – Reissue
Genre: Electronic & Dance
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The reissue of Masahide Sakuma's 1st solo album 'lisa' released in 1984 has been decided!

LP reissue of Masahide Sakuma's 1st solo album 'lisa', which has been active as a member of Yonin Bayashi and Plastics and produced for many famous artists. A work released from the ambient music series 'Music Interior' by sound engineer Seihiko Ono. It is often called a Japanese ambient masterpiece, and it is soaring in the second-hand market, making it one of the coveted fans.
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Peter Mergener & Michael Weisser - Beam-Scape
Peter Mergener & Michael Weisser
Beam-Scape
LP | 1984 | US | Reissue (100% Electronica)
20,99 €* 29,99 € -30%
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Release: 1984 / US – Reissue
Genre: Electronic & Dance
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Chris & Cosey - Elemental Seven Green Vinyl Edition
Chris & Cosey
Elemental Seven Green Vinyl Edition
LP | 1984 | UK | Reissue (Conspiracy International)
24,99 €*
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Release: 1984 / UK – Reissue
Genre: Electronic & Dance
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“Elemental 7 has cast a looming shadow of influence over almost all electronic music since it was made” - Boomkat. Chris & Cosey’s Elemental 7 – available here for the first time in 40 years - is the soundtrack to the film of the same name (on Cabaret Voltaire’s Doublevision video imprint) that saw the duo working once more with John Lacey – Lacey had previously worked with Cosey in Coum Transmissions and introduced Chris Carter to the collective. The album’s highlight and one of their best loved songs, ‘Dancing Ghosts’, sounds as fresh and relevant today as it must have on its original release.
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Anna Domino - East & West + Singles
Anna Domino
East & West + Singles
LP | 1984 | UK | Reissue (Les Disques Du Crepuscule)
30,99 €*
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Release: 1984 / UK – Reissue
Genre: Electronic & Dance
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Les Disques du Crepuscule present a new, remastered vinyl edition of East & West, the bittersweet debut album by American singer-songwriter Anna Domino, originally released by the label in 1984.

East & West was recorded in Brussels in 1983 with guest contributions from Virginia Astley, Blaine L. Reininger (of Tuxedomoon) and alt-pop polymath Luc Van Acker. The five tracks on the original mini-album format include her first single Trust, In Love (an NME single of the week), and an exquisite cover of Land Of My Dreams, originally a hit for Aretha Franklin in 1965. Rare b-side track Repeating (from the same sessions) is also now added to the album.

Other bonus tracks include the popular singles Zanna, a 1984 collaboration with Luc Van Acker, and radio hit ‘Rythm’, produced a year later by legendary Telex founder and jazzmeister Marc Moulin. The expanded remaster closes with a previously unreleased demo song called Dream Back, recorded in New York City with her friend Stanton Miranda of Thick Pigeon in 1984.

The album retains the original cover art by Joel Van Audenhaege, and adds new liner notes written by Anna herself.
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Circus Underwater - Circus Underwater
Circus Underwater
Circus Underwater
2LP | 1984 | UK | Reissue (Soundway)
22,49 €* 24,99 € -10%
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Release: 1984 / UK – Reissue
Genre: Organic Grooves, Electronic & Dance
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Soundway presents Circus Underwater’s 1984 self-titled masterpiece. Remastered and extended to a double LP, this deluxe version includes six unreleased tracks unearthed from the original ¼” tapes, and presented with an insert, including never-before-seen photos and the fascinating story behind the music. Featuring artwork from Grateful Dead collaborator, David Lundquist, the album encapsulates a unique moment in time. Echoing the story of a generation that grew up in the 50s and 60s where music was everything, two friends embark on a journey of experimentation which begins in the beatnik suburbs of Washington DC and travels to the heart of hippie San Francisco. The result is an opus that fearlessly blurs the boundaries of genres and embraces diverse influences. Elements of prog, rock, ambient and wave music culminate in an odyssey that seamlessly bridges the gap between the spaced-out creativity of the 70s and electronic music of today.
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The Air Music International - Pass The Santa-Lucia Gate In Manila
The Air Music International
Pass The Santa-Lucia Gate In Manila
LP | 1984 | JP | Reissue (Music That Shapes)
43,99 €*
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Release: 1984 / JP – Reissue
Genre: Electronic & Dance, Reggae & Dancehall
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A very rare independent LP known among Japanese new wave maniacs is officially reissued on Music That Shapes! THE AIR Music International is an experimental band that brings a background of dub and roots reggae to avant-garde free jazz sessions with fuzzy psychedelic guitars. The album was self-produced in 1984 in collaboration with the indie label ICR. The album is dedicated to LEE Perry and quotes Holger Czukay and Upsetters. This album has an unparalleled vibe and is highly recommended for dub, free jazz, new wave, environmental music and ambient music lovers.
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V.A. - In Fractured Silence Smoke Vinyl Edition
V.A.
In Fractured Silence Smoke Vinyl Edition
LP | 1984 | EU | Reissue (Souffle Continu)
27,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you’ll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birgé and Gorgé, who were then playing with Bernard Vitet in ‘Un drame musical instantané’.

It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantané, could be heard Hélène Sage (whom Birgé introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.

The curtain is raised and it is Un drame musical instantané who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it’s a debacle, the Drame won, Hélène Sage can take over. Heading up a quintette including Gorgé and Vitet, she creates a cushioned chamber music with strings and many silences.

On the B side, it’s the other side of the channel. Sema’s piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides.
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V.A. - In Fractured Silence Black Vinyl Edition
V.A.
In Fractured Silence Black Vinyl Edition
LP | 1984 | EU | Reissue (Souffle Continu)
27,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you’ll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birgé and Gorgé, who were then playing with Bernard Vitet in ‘Un drame musical instantané’.

It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantané, could be heard Hélène Sage (whom Birgé introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.

The curtain is raised and it is Un drame musical instantané who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it’s a debacle, the Drame won, Hélène Sage can take over. Heading up a quintette including Gorgé and Vitet, she creates a cushioned chamber music with strings and many silences.

On the B side, it’s the other side of the channel. Sema’s piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides.
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Otto Mix - Sahara Sand
Otto Mix
Sahara Sand
12" | 1984 | EU | Reissue (ZYX Music)
16,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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Scotch - Disco Band
Scotch
Disco Band
12" | 1984 | DE | Reissue (ZYX Music)
24,99 €*
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Release: 1984 / DE – Reissue
Genre: Electronic & Dance
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Laraaji - Vision Songs Marbled Orange Vinyl Edition
Laraaji
Vision Songs Marbled Orange Vinyl Edition
LP | 1984 | US | Reissue (Numero Group)
27,99 €*
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Release: 1984 / US – Reissue
Genre: Electronic & Dance
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Vision Songs Vol. 1 (1984) is the LARAAJI album like noother, located at the intersection of new age and gospel. It isboth his outlier and magnum opus, the feel-good DIY tapeof the century.Discovered busking in Washington Square Park by Brian Eno inthe late 70s, engagement with the eternal flow has led Laraajito, seemingly by magic, emerge as the most beloved avatar of theunstoppable new age music revival of recent years.Now Vision Songs rewrites Laraaji's musical history. Unlikethe many instrumental, free form albums upon which hisreputation was built, this is an album of songs, with lyrics,verses, choruses. Vision Songs is literally a revelation-- of a master songwriter whose unbelievably catchy bestcompositions such as "We Shall Be Lifted", "All Of ASudden", and "Is This Clear?" belong in any great Americansongbook.Casio synth jams recorded at spiritual retreat guest roomsand a tiny bedroom on the Upper West Side, lysergicallyspectacular anthems for a continually arriving new moment,"channeled," as Laraaji states in the album's eloquent linernotes, "from the sky," previously available in an edition of100 cassettes sold at yoga retreats and on the streets of NewYork City, Vision Songs is humbly offered on vinyl, CD, andstreaming for the very first time.This is where this is going on, this is where this is takingplace, this is how this is going on. Is this very clear?
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V.A. - Soft Selection 84: A Nippon Diy Wave Compilation
V.A.
Soft Selection 84: A Nippon Diy Wave Compilation
LP | 1984 | EU | Reissue (Glossy Mistakes)
24,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
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Jaco - Spanish Run
Jaco
Spanish Run
12" | 1984 | DE | Reissue (ZYX Music)
15,29 €* 16,99 € -10%
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Release: 1984 / DE – Reissue
Genre: Electronic & Dance
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Carlos Peron - Nothing Is True; Everything Is Permitted
Carlos Peron
Nothing Is True; Everything Is Permitted
LP | 1984 | EU | Reissue (Mecanica)
24,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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40th anniversary edition of this seminal work by the multi-talented musician and producer Carlos Perón. After the release of “Impersonator” and the score of the film “Die Schwarze Spinne”, “Nothing Is True; Everything Is Permitted” is his third album released in the beginning of 1984. While still being an active member of Yello, it was around the start of the recording of “You Gotta Say Yes To Another Excess” that Carlos met the American musician Chris Lunch in Hamburg. He invited Chris to Zurich and together played with projects such as Romantic Rubber, Heavymetallen and recorded some sessions that become the basis of “Nothing Is True; Everything Is Permitted”. After the release of “You Gotta Say Yes To Another Excess”, Carlos decided to leave Yello and focused to finish the recording and mixing of his new solo album.

“Nothing Is True; Everything Is Permitted” has gone down in music history as a dark soundtrack without a film, influenced many artists and helped to develop diverse genders of electronic experimental and dance music.

Limited edition of 300 copies including all original tracks and new artwork.
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Current 93 - Nature Unveiled Picture Disc Edition
Current 93
Nature Unveiled Picture Disc Edition
LP | 1984 | US | Reissue (Cashens Gap)
36,99 €*
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Release: 1984 / US – Reissue
Genre: Electronic & Dance
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Current 93 - Dogs Blood Rising Picture Disc Edition
Current 93
Dogs Blood Rising Picture Disc Edition
LP | 1984 | US | Reissue (Cashens Gap)
36,99 €*
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Release: 1984 / US – Reissue
Genre: Electronic & Dance
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Toru Yamanaka & Teiji Furuhashi / Dumb Type Theater - Plan For Sleep
Toru Yamanaka & Teiji Furuhashi / Dumb Type Theater
Plan For Sleep
LP | 1984 | JP | Reissue (Conatala)
28,99 €*
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Release: 1984 / JP – Reissue
Genre: Organic Grooves, Electronic & Dance
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In the performance of this work, "Plan for Sleep" (1986), created simultaneously with “Every Dog Has His Day” (1985), Yamanaka took on the role of sound operation. The performance begins with a minimal piece where the tones of the electronic organ and striking phrases from the piano and saxophone race forward in syncopation. Following this, various sound fragments drift over a deafening industrial beat reminiscent of machine noises. There are also pieces that transform the typing sounds of a typewriter into rhythm, showcasing a range of experiments inspired by the then-novel sampling technology, beautifully intertwining with the physicality of the performance.

Additionally, influenced significantly by film music, Yamanaka incorporates a rich tapestry of colors through melancholic melodies that evoke various scenes, from secular jazz to other influences. This work constructs a uniquely original and sophisticated worldview that stands out even when surveying the canon of avant-garde performance art from around the globe in the postmodern era.

Dumb Type is a multimedia performance art group based in Kyoto that was formed in 1984 and continues to be active at the forefront of the art scene. We are excited to announce the simultaneous release of two cassette book works produced by musician Toru Yamanaka and the late Teiji Furuhashi, a central figure of the group, for works from the early Dumb Type Theatre era: "Every Dog Has His Day (recorded in 1985)" and "Plan For Sleep (recorded in 1986)," now available for the first time on vinyl.

Since the founding of Dumb Type, Yamanaka has primarily been responsible for music production, while the late Furuhashi played a crucial role in translating Yamanaka’s compositions into stage direction. Their collaboration began with previous groups ORG and R-still, and was influenced by the NEW Wave and progressive rock trends they were pursuing at the time, as well as by artists like Laurie Anderson, Meredith Monk, and Robert Wilson, who fused minimal music and avant-garde performance. Moreover, their bold incorporation of cutting-edge sampling and house music during that era laid the foundation for Dumb Type's sound, marking an important intersection in the history of minimalism, ambient music and performance art in Japan.
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Toru Yamanaka & Teiji Furuhashi / Dumb Type Theater - Every Dog Has It's Day
Toru Yamanaka & Teiji Furuhashi / Dumb Type Theater
Every Dog Has It's Day
LP | 1984 | JP | Reissue (Conatala)
28,99 €*
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Release: 1984 / JP – Reissue
Genre: Organic Grooves, Electronic & Dance
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The two works which comprise this retrospective release project - "Plan for Sleep” (1984) and "Every Dog Has His Day” (1985) - are collaborations between Yamanaka and Furuhashi which were foundational to the music development of Dumb Type's aural legacy and intermedia innovations at large. Their early stage music possessed a unique charm and innovation, serving as an essential element at the core of their art. Through this project, the legacy of these works is to be re-evaluated, and the essence of the music contributing to the evolution of Dumb Type's sound through this day will be introduced to a new generation.

Dumb Type is a multimedia performance art group based in Kyoto that was formed in 1984 and continues to be active at the forefront of the art scene. We are excited to announce the simultaneous release of two cassette book works produced by musician Toru Yamanaka and the late Teiji Furuhashi, a central figure of the group, for works from the early Dumb Type Theatre era: "Every Dog Has His Day (recorded in 1985)" and "Plan For Sleep (recorded in 1986)," now available for the first time on vinyl.

Since the founding of Dumb Type, Yamanaka has primarily been responsible for music production, while the late Furuhashi played a crucial role in translating Yamanaka’s compositions into stage direction. Their collaboration began with previous groups ORG and R-still, and was influenced by the NEW Wave and progressive rock trends they were pursuing at the time, as well as by artists like Laurie Anderson, Meredith Monk, and Robert Wilson, who fused minimal music and avant-garde performance. Moreover, their bold incorporation of cutting-edge sampling and house music during that era laid the foundation for Dumb Type's sound, marking an important intersection in the history of minimalism, ambient music and performance art in Japan.
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Jean-Michel Jarre - Zoolook 40th Anniversary Edition
Jean-Michel Jarre
Zoolook 40th Anniversary Edition
LP | 1984 | EU | Reissue (Sony Music Catalog)
29,99 €*
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Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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40th Anniversary - new mastering + bonus track
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Art Of Noise - Lovebeat
Art Of Noise
Lovebeat
12" | 1985 | US (ZTT)
13,99 €*
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Release: 1985 / US
Genre: Electronic & Dance
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Minx / Zimmerman - Minx / Zimmerman
Minx / Zimmerman
Minx / Zimmerman
LP | 1985 | EU | Reissue (Espacial Discos)
21,99 €*
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Release: 1985 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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First ever reissue of this fabulous DUTCH MINIMAL SYNTH / WAVE album from 1985. Minx / Zimmerman were a duo comprised of Don Minx (Marq van Broekhoven, now a well known comics artist) and Aldomir Zimmerman (Tonnie Eiting), two friends from the city of Eindhoven, who were into comics, avant-garde music and homemade cassette recordings. Influenced by diverse bands / artists such as John Foxx, Brian Eno, Fad Gadget, Sparks or Devo, (among many others), they decided to release an album. “Minx / Zimermman” was the result, self-released on their Freudian Backroom label, now very sought-after by minimal wave collectors.
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Chris Carter - Mondo Beat Clear Vinyl Edition
Chris Carter
Mondo Beat Clear Vinyl Edition
LP | 1985 | UK | Reissue (Mute)
25,99 €*
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Release: 1985 / UK – Reissue
Genre: Electronic & Dance
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Includes downloadcode!
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Martin Rev - Clouds Of Glory
Martin Rev
Clouds Of Glory
LP | 1985 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1985 / EU – Reissue
Genre: Electronic & Dance
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Balázs Ferenc - Register
Balázs Ferenc
Register
LP | 1985 | HU | Original (Bravo)
5,99 €*
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Release: 1985 / HU – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Waterdamagestain and hype sticker.
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Takashi Kokubo - Digital Soundology #1 Volk Von Bauhaus
Takashi Kokubo
Digital Soundology #1 Volk Von Bauhaus
LP | 1985 | EU | Reissue (Glossy Mistakes)
23,74 €* 24,99 € -5%
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Release: 1985 / EU – Reissue
Genre: Electronic & Dance
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Ambient and environmental Japanese scene has flourished stronger than ever in the last years. The pioneers of this sound and the creators of an innovative way of making and understanding ambient music, such as Hiroshi Yoshimura, Yoshio Ojima, Toshifumi Hinata or Takashi Kokubo have been championed and their works have been successfully unearthed by reissue labels. Continuing in this endless path, Glossy Mistakes adds Takashi Kokubo’s brilliant “Volk Von Bauhaus” to its catalogue, with the Japanese masterpiece as the third official release of the Spanish label. As most of 80’s Japanese ambient and environmental music, “Volk Von Bauhaus” is an audio impression designed to give a multi-sensory experience to the listener. An effort to make things audible, an exercise of understanding and soundtracking objects or situations. The main objective of this sound is to create an iconic musical landscape to accompany a specific place. Though his name might be unfamiliar to many, Kokubo has crafted music that has impacted virtually all of Japan, from national mobile phone earthquake alerts to contactless card payment jingles. He was one of the first artists to create ambient music strictly through loops. As he mentioned when release this album, "this recording used no keyboard players, no multitrack tape recording techniques, no analog sounds”. A shift on the process of imagining sound. “Volk Von Haus” is and ode to this ambient, new age and environmental music created in Japan throughout the 80’s. Throughout 9 cuts, Kokubo handcrafts his own sound and immerses the listener in a peaceful yet challenging adventure. The record is the first piece of his Digital Soundology series, and arguably his most interesting work due to the groundbreaking techniques he used.
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Rap-Sody - On 45 (Dance Version)
Rap-Sody
On 45 (Dance Version)
7" | 1985 | DE | Original (baff)
8,99 €*
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Release: 1985 / DE – Original
Genre: Electronic & Dance, Comics
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Godley & Creme - Cry (Extended Remix)
Godley & Creme
Cry (Extended Remix)
12" | 1985 | DE | Original (Polydor)
6,99 €*
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Release: 1985 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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Vinicio Adames - Al Comienzo Del Camino
Vinicio Adames
Al Comienzo Del Camino
LP | 1985 | EU | Reissue (Trueclass)
28,99 €*
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Release: 1985 / EU – Reissue
Genre: Electronic & Dance
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Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1985. With 23 years of age Vinicio Adames self-produced and self-financed his 1st Album “Al comienzo del camino". Released in its time in Venezuela only, the album has been unavailable for decades. A complete restoration of the masters for this release, makes this album available now for the first time in fine audio quality.
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Pat Metheny Group - OST The Falcon And The Snowman
Pat Metheny Group
OST The Falcon And The Snowman
LP | 1985 | EU | Original (EMI America)
12,99 €*
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Release: 1985 / EU – Original
Genre: Organic Grooves, Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG
Small sticker rip off on front cover.
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Michael Masley - Cymbalom Solos
Michael Masley
Cymbalom Solos
LP | 1985 | EU | Reissue (Morning Trip)
27,99 €*
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Release: 1985 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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There are constellations within the grooves of Cymbalom Solos. Innumerable points of light, rendered audible in glowing, radiant sound. There are entire worlds too - undiscovered, yet familiar - both terrestrial and celestial. There are moments of quiet comfort and exultant discovery. And all of it conjured by one man with a handful of ancient and invented instruments, recorded mostly-live, with precious few overdubs. Michael Masley has been a fixture of Berkley, California, since he arrived from Michigan in 1982. Even today, he remains a common sight, working as a street performer - catching the attention of passers-by as he summons otherworldly overtones from a coterie of arcane instruments. This is how he met fellow east-coast transplant and musical voyager, Barry Cleveland, in 1983. Cleveland was enraptured by the sound of Masley’s wildly innovative bowhammer cymbalom. The cymbalom is an ancient instrument, similar to a zither or hammered-dulcimer - originating in Eastern Europe in 1874, but with primitive early examples dating back as early as 3500 BC. Yet Masley’s approach to the instrument was wholly original. Masley replaced the two traditional cymbalom hammers, with bowhammers - an invention wherein he fitted each of his fingers with it’s own combination hammer/bow device, which allowed him to both strike the strings, and bow them like a violin. Outfitted with his bowhammers, Masley was able to wrest startlingly new sounds from a centuries-old instrument. In 1985, after performing together for a couple years, Cleveland produced Masley’s first solo endeavour, Cymbalom Solos. With the help of Cleveland’s timely production, Masley’s technique reached its zenith. His complex and beautiful compositions combined elements of Eastern-European classical, new minimalism, and celtic/folk music, yet the end result falls squarely within the world of new age kosmiche. Music of the spheres, conjured by earthbound strings. Masley estimates that he sold tens-of-thousands of cassette copies of Cymbalom Solos over his years of performing. And now, Morning Trip is distinctly proud to offer it on vinyl for the first time ever - an album of startling, imaginative beauty, by a brilliant American folk artist.
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Sunstroke - Nothing's Wrong In Paradise
Sunstroke
Nothing's Wrong In Paradise
LP | 1985 | EU | Reissue (Libreville)
28,99 €*
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Release: 1985 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Sunstroke were Ben Bollaert and Etienne Delaruye, both were obsessed with the burgeoning possibilities of electronic music it made sense that they collaborate in the studio. The resulting experiments culminated in the 1985 release of Nothing's Wrong in Paradise. The record was conceived as a soundtrack to a film that doesn’t exist - a sophisticated meeting of post-Berlin-school dreaming, Yen-records hi-tech calm and Impressionist Café music ennui. What makes it most compelling though, is that even while it conjures a seemingly perfect world, something around the edges lets you know that all might not be as it seems. Maybe there is nothing wrong in paradise. Or maybe that’s just wallpapering over the cracks. The rough edges and regret of everyday life cannot help but intrude. Once you have spent some time with it, the whole record starts to seem bathed in a dim half-light, suggesting utopia glimpsed through a smudged lens. Just like the ethereal space in their music Sunstroke only existed for a moment, a second LP was planned but never materialised, briefly they created a paradise and pointed out its temporary nature, all at the same time. Remastered from the Master tapes. Tip-on sleeve. 600 copies.
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Monica Rypma - Classifieds
Monica Rypma
Classifieds
LP | 1985 | EU | Reissue (BBE Music)
28,89 €* 33,99 € -15%
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Release: 1985 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance, Pop
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Super rare album now reissued on BBE!
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Cabaret Voltaire - The Covenant, The Sword And The Arm Of The Lord
Cabaret Voltaire
The Covenant, The Sword And The Arm Of The Lord
LP | 1985 | UK | Reissue (Mute)
27,99 €*
Incl. VAT plus Shipping Costs
Release: 1985 / UK – Reissue
Genre: Electronic & Dance
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