Downbeat | Electronica | Leftfield Vinyl 1626 Items

5LP | 2015 | EU | Original (!K7)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-10-18

Limited 10 year anniversary repress with black/white artwork. In May 2014, Icelandic producer Yagya released his fifth album, Sleepygirls, across three slabs of vinyl on Dutch label Delsin. It's a deep, spacious and dubbed out affair that stays locked at a pleasingly sedentary tempo throughout. Since 2002 Yagya has been crafting lush electronic albums and always manages to find pure bliss and beauty and his simple, nature inspired soundscapes. "I wanted to create an album that's atmospheric, repetitive, and easy to listen to over and over again," says the man himself. "Something that works well in the background (e.g. when concentrating on work), as well as up close in a big sound system. I also wanted to learn how to make my music sound better than before, since I'm a huge sound-nerd, so that was a part of the goal for me personally." The album is a fine fusion of tropes from Yagya's earlier albums, features jazz instrumentalists that improvise beautiful melodies over monotonic, almost drone-like, techno beats and also uses live recordings of Japanese vocals, saxophone and guitar to counter the repetitiveness of the rhythms. Right from the rolling bliss of the opener, you're suspended in a womb like pillow of sound that is soft, warm and serenely beautiful. As tracks roll on, the pace stays the same but themes vary from upright and summery to more elongated and insular. This is natural, organic dub that is a delight and a pleasure to listen to. The vinyl versions of each track have been specially mixed with random LFOs, sonic quirks and unique fingerprints making them the subtly different to the CD version, but overall this is a brain soothing and mind melting album that can soundtrack lazy days, long summer afternoons and warm winter evenings in equal style.

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Kruder & Dorfmeister

K & D Sessions

61,99 €*

2x12" | 2018 | EU | Original (Ilian Tape)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Originally released on Studio !K7 Records in 1998, Peter Kruder and
Richard Dorfmeister's groundbreaking release, 'The K&D Sessions'
reset the bar for what could be achieved in a compilation. Across an
array of original tracks, dubs and infamous K&D Session remixes, the
DJ and producer duo took the listener on a smoke-filled blunted journey
that flowed flawlessly. Often compared to DJ Shadow's 'Endtroducing'
for it's similarly deft craft of rhythm and quoted by Allmusic as "the
most blissfully blunted music the world has ever heard", the album has
sold over 1,000,000 copies to date and was included in Spin s Top 20
albums of 1999 .
The album has long since been deleted on Vinyl
with original 4LP sets changing hands for 300+ on the collectors market
and even a bootleg vinyl copy will set a buyer back over 100. Sixteen
years later, this legendary album will be available as a long overdue
5LP reissue remastered by Bernie Grundman Mastering in Hollywood.
Finally back in print in 180g vinyl.

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Skee Mask

Compro

Kiasmos (Olafur Arnalds & Janus Rasmussen)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.

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Kiasmos

2LP | 2014 | EU | Original (Erased Tapes)

Space Teddy Collection 2024 Repress

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Piano meets minimal electronics.

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Ebi

2LP | 2021 | EU | Reissue (Transmigration)

2LP | 2010 | UK | Original (Ninja Tune)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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No introduction needed here, the collectors version of 2 previously re-issued LPs on Transmigration no available as one double LP. Now complete with Obi strip and insert.
Susumu Yokota's vision of techno - house, lovingly collected in collaboration with Space Teddy and the Yokota family. Presented through linear notes in English and Japanese with archival photos from Uwe Reineke and Mijk Van Dijk. All tracks have been remastered by Steffen Müller.
Very limited quantities!

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Bonobo

Black Sands

Olafur Arnalds & Nils Frahm

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Simon Green aka Bonobo returns with his fourth, most eagerly-anticipated and most accomplished album to date, the magnificent Black Sands on Ninjaaa Tune!

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Trance Frendz

LP | 2016 | EU | Original (Erased Tapes)

LP | 2014 | EU | Original (City Slang)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Since 2012 Erased Tapes peers Ólafur Arnalds and Nils Frahm have spent many hours together in their studios across Berlin and Reykjavik, freely improvising and occasionally capturing the music for their fans. The duo's sound is an astoundingly rich, tonally pure example of synth-driven experimentation, conceived and performed by two prolific collaborators.

During a session at Nils's Durton Studio in Berlin last summer the two specially invited photographer Alexander Schneider to capture one of their unique improvised sessions. Lasting long into the night, the pair gradually and organically formed several individual songs – each contributing to the narrative of a larger, transformative piece of music. Recorded in eight hours with no overdubs or edits, 'Trance Frendz' is a captivating journey through grand soundscapes and droning crescendos which crash and recede back, making way for delicate piano notes and swirling synthesizers.

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Caribou

Our Love

Voices From The Lake 2023 Edition

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Our Love is formed around a mixture of digital pop production, hip hop inspired beats, muted house basslines and a love of shuffling garage that can be traced all the way back to the time of Start Breaking My Heart which are, of course, all filtered through Dan's own unique perspective. The warm analogue sounds of classic soul should not be overlooked either, for they weave themselves most intensely into the records DNA. In fact, Our Love is probably Caribou's most soulful record to date, chock-full of heartfelt lyrics and organic nature which cuts through bubbling synths and blissful euphoria of their synthetic constructions. It's not all downbeat of course, whilst some thoughts linger on mortality, loss and letting go, there is always an element of celebration.

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Voices From The Lake

4LP | 2012 | EU | Reissue (Spazio Disponibile)

50,99 €*

No Mans Land HHV Exclusive Red Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.

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Tommy Guerrero

LP | 2014 | EU | Reissue (Too Good)

21,99 €*

2LP | 2018 | UK | Original (R&S)

Release: 2014 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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HHV and Too Good are happy to present this exclusive color run of 1000 red copies of Tommy Guerreros 2014 album "No Mans Land". Back in print for the first time. Only at HHV. As a special treat you can pick up the poster with the artwork of this album in our bonus section.

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Djrum

Portrait With Firewood

32,99 €*

Kiasmos (Olafur Arnalds & Janus Rasmussen)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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As 'Portrait With Firewood' is Felix’s most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point.
Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work.
Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album.

Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record.

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Swept

LP | 2015 | EU | Original (Erased Tapes)

20,99 €*

Release: 2015 / EU – Original

Genre: Electronic & Dance

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LP | 2015 | UK | Original (Counter)

Maribou State

Portraits

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Whiskey Light Green Vinyl Edition

Jay-Jay Johanson

LP | 2016 | EU | Reissue (Music On Vinyl)

44,99 €*

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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7" | 2016 | EU | Reissue (Pingipung)

Andi Otto

Bangalore Whispers

10,99 €*

Isles Black Vinyl Edition

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Last copies, re-imported from the US.

Otto’s Bangalore Whispers gets finally repressed. The psychedelic track which he recorded together with the Indian singer MD Pallavi in 2016 has become a hit in the downtempo scene around the globe (“Saaaa - resa nisa”). Pingipung press a new edition of the much sought after single on the occasion of their 20th label anniversary. In this 2022 edition the original track is paired with the Peter Power remix which has not seen the light of day on vinyl before.The Brazil-based producer slows the track down a notch and adds even more space. A perfect tune both for the dancefloor or meditation.

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Bicep

2LP | 2021 | UK | Original (Ninja Tune)

12" | 2018 | UK | Original (Ninja Tune)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Bicep have become synonymous with a particularly emotive brand of electronic dance music down the years, and on the Belfast-born, London-based duo’s new LP Isles we find that sound in good nick once more. The album’s shimmering synths and buoyant beats transport you to the last dance of the night, or perhaps to the sun setting over a festival skyline, even as you enjoy them through headphones or hi-fi speakers.

Isles finds Bicep incorporating influences which range from old-school rave tunes to the tender, R&B-indebted sounds of post-dubstep. A single like ‘Apricots’ is an expert demonstration of how Bicep’s style is in dialogue with so many important eras of dance music’s history yet also remains distinctly their own. ‘Apricots’ features shuffling broken-beat drums which push the tune forward, the gently insistent groove providing a base from which the synths and vocal loops can build. It makes for hugely stirring listening, particularly when the ever-climbing synths reach their apex at the track’s climax. Other entries here may deliver some harder timbres - there are electro and trance influences lurking towards the back-end of Isles - but Bicep still find the emotional sweet-spot time and again across the course of the album.

With the Isles LP, Bicep have delivered some of their most moving electronic dance music productions to date.

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Peggy Gou

Once

16,99 €*

3LP | 2014 | UK | Original (Warp)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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It's Gou's second Ninja Tune release, following 2016's Seek For Maktoop, which landed on their club-focused Technicolour sublabel. The Berlin-based artist also sings on the new EP, which includes three tracks that each cater to a specific context—open air, warm-up and "proper party," she says.

"I tried to draw on all my influences of the last few years," she explains, "from electro, African music, early '90s house music and also techno, especially Maurice Fulton and DMX Krew." She closed out her RA podcast this week with the EP cut "It Makes You Forget (Itgehane)."

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Aphex Twin

Syro

45,99 €*

2LP | 2013 | EU | Reissue (Erased Tapes)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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13 years after Drukqs, the new Aphex Twin album. It's a quickstrike, folks!

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Nils Frahm

Spaces

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2013 | US | Original (Mute)

Moby

Innocents

34,99 €*

Release: 2013 / US – Original

Genre: Electronic & Dance

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Awake Clear Vinyl Edition

Tycho

LP | 2014 | US | Reissue (Ghostly International)

Kingdoms In Colour Black Vinyl Edition

Release: 2014 / US – Reissue

Genre: Electronic & Dance

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For nearly a decade, Tycho has been known as the musical alias of Scott Hansen, but with the release of Awake - his second LP for Ghostly International - the solo project has evolved into a three-piece band. Relating closer to post-rock than ambient soundscapes, the record is situated in the present, sounding more like Hansen than drawing from his in?uences. "This is, in many ways, the first true Tycho record." Following 2011's "Dive" LP, the San Francisco-based designer toured extensively, and with a full band on stage, his sound coalesced into a percussive, organic whole. Zac Brown (guitars, bass) rejoined Scott on the road for this tour, but it was the particular addition of Rory O'Connor's live drumming that ultimately sent Hansen back to the studio with a more precise vision. "After the tour, I decided that I wanted to capture the more energetic, driven sound of the live show on the next album," Hansen recalls. Bringing musicians into Tycho's creative process was a step towards expanding his own songwriting and advancing the project beyond its current sound. In a cabin near Tahoe last winter, Zac and Scott began ?eshing out the structure of the new record, but it wasn't until they set up shop in the hills of Santa Cruz with Rory that it all fell into place. "It crystallized the vision of how the drums would come to the forefront on this record," says Hansen. The sound was much more stripped-down and concise with more organic instruments in the fold. Songs like "Montana" and "Awake" are a departure from Tycho's previous material - unique to the group e!ort poured into the songs on the new record - while "See" and "Dye" echo ideas from previous works, bridging a middle ground between the old and new. Working with Count Eldridge, who also engineered Dive, the team could ?xate on the pulses that Tycho might previously layer under synthesizers and exhume them with distinct bass and guitar patterns. Also known for his design work as Iso50, Hansen's visual and sonic e!orts have dovetailed throughout the course of his career. "This is the ?rst time in my life I've dropped everything to focus on one artistic pursuit," notes Hansen. Previous Tycho releases came to fruition when an amalgam of songs were nearing completion, but "Awake" is where music becomes the focus and true expression becomes the result.

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Maribou State

LP | 2018 | UK | Original (Counter)

Orphaned Deejay Selek (2006-2008)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Maribou State announce their new album “Kingdoms In Colour”, via Ninja Tune’s Counter Records imprint, their first full-length since 2015’s breakthrough debut album “Portraits”. The record features new single ‘Feel Good’ - a collaboration born of their friendship with Houston-based trio Khruangbin and a shared love of breakbeats, vintage surf riffs and a common desire to explore worldwide music cultures. "Sometimes a chance meeting plants the seed for something bigger,” say Khruangbin. “Such was the case when we met Maribou State at KOKO a couple of years ago. We are very happy to be involved in this project. And we ‘feel good’ already.”

The band continue their long standing relationship with Holly Walker who has previously vocalled fan favourites such as ‘Midas’, ‘Steal’ and ‘Tongue’. Also featured on the record is recent single ‘Turnmills’ - named after the legendary London club which closed its doors in 2008 - the release was accompanied by a sold-out ‘all-night’ DJ set at Corsica Studios raising money and awareness for the The Night Time Industries Association's #SaveNightlife campaign to protect the UK’s most vulnerable music venues from closure.

Today they also announce a new headline UK tour this Autumn. Returning with a 5-piece band, they play at London’s iconic Roundhouse on the 18th October. Ahead of this they will also embark on a string of European festival dates which include a headline show at Sonar By Day, Parklife Festival, Roskilde, Pukkelpop Festival, Nova Batida and recently DJ’d after Flying Lotus at All Points East festival in London.

Beginning life in 2011 as a project between Chris Davids and Liam Ivory, Maribou State had released a string of EP’s and singles before the arrival of debut album “Portraits” propelled them to the world stage. Spawning a live show that took them around the globe and included standout festival performances at Glastonbury, Bestival, a headline slot at Secret Garden party; a 32-date European tour with two sold-out London shows including the legendary KOKO; plus dates throughout Asia, Australia and America. They received radio support from the likes of Annie Mac, Zane Lowe and Gilles Peterson, addition to the BBC 6 Music A-list, a 5-show BBC Radio 1 Residency, a slot on the legendary BBC Radio 1 Essential Mix and performed a session Live from Maida Vale. Critical support came from the likes of The Guardian, I-D magazine and Vogue, with the album amassing over 80 million streams to date and drawing comparisons to acts such as The XX, James Blake & Mount Kimbie, as well earning them plaudits from the likes of DJ Koze and Bonobo.

This incredible success that followed the release of “Portraits” took Chris and Liam quite by surprise, “It was like Christmas every day” laughs Liam, “stuff like doing a show in Bangalore and having a crowd come and see us who knew the music and would sing all the words. It was an incredible experience”.

After more than a year of touring they returned to the UK to begin work on new material, but relocating their studio from The Shack - their home-built studio at the back of Liam’s garden in Hertfordshire - to a new base in London found them struggling to find their creative flow. The solution was to start looking outward and back over their journey of the past two years. They began making regular excursions out of the city, setting up a temporary studio space for weeks at a time, they started to piece together a “sonic collage” - drawing on ideas that were written while touring in places like India, and on field recordings from Asia, Australia, Morocco, America and beyond - the result of which is the stunning "Kingdoms In Colour”.

“The first album felt quite insular for us” says Chris, "not just in sound, but literally that it was all written in The Shack. We always had a bigger idea of what we wanted it to be, we wanted to create something that was palpable, that could in some way transport you to another country or another place entirely in your mind”. “The idea with Maribou State was always to draw on influences from different parts of the world” continues Liam "by traveling, sampling, recording, we wanted to create this all encompassing thing. Which is what this second record has ended up being for us”.

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Aphex Twin

LP | 2015 | UK | Original (Warp)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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LP | 2015 | EU | Original (Omena)

HNNY

Sunday

2LP | 2013 | UK | Original (Ninja Tune)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Swedish producer HNNY (real name Johan Cederberg) releases his debut album 'Sunday' on Omena Records, a label set up by Tobias 'Tooli' Lidstrom. The ten track debut album continues an ongoing partnership between HNNY and Omena Records that started in April 2014 when the 12" 'Always' was released which also marked the starting point of the label. Sunday is released as a 180 g vinyl edition in gatefold sleeve.

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Bonobo

The North Borders

2LP | 2010 | EU | Reissue (Music On Vinyl)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Oooohwee! New Bonobo for 2013!
incl. download code

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DJ Krush

Zen

Release: 2010 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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2LP | 2011 | US | Reissue (Kranky)

Tim Hecker

Ravedeath, 1972

41,99 €*

2LP | 2015 | EU | Reissue (!K7)

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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TIM HECKER’s classic Ravedeath 1972 approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wooden room, and also a pagan work of physical resonance within a space once reserved for the hallowed breath of the divine. While the title of the piece “Hatred of Music” might be a clue, the album is also partly an attempt to confront a pervasive negativity surrounding music. Historical rituals of destroying pianos, mountains of pirated CDRs pushed by bulldozers in Eastern Europe, or the melancholy of the digital music era began as sideline motifs which quickly informed the work on this record. They also really didn't at all. Despite that the context is wide open in such a form of musical abstraction, the substance of these immersive compositions showcases Hecker s continued mastery of organizing sound into a visceral near entity. It is an almost physical presence that the listener feels as much as hears. This work is a significant contribution to Hecker's oeuvre, one which spans over ten years of musical production. Ravedeath is an enigmatic document of beauty and force. The album was recorded mostly over the period of one day in July of 2010. Iceland-based musician BEN Frost assisted with the engineering and performs on this recording.

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DJ Koze

DJ-Kicks

Dive 10th Anniversary Orange & Red Marbled Vinyl Edition

Release: 2015 / EU – Reissue

Genre: Hip Hop, Rock & Indie, Electronic & Dance

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With his friendly and sometimes melancholic manner, DJ Koze is one of the most remarkable players in today's club landscape and one of the few internationally active DJs who are also relevant outside of dance music. For his 70-minute journey for the anniversary edition of the "DJ Kicks" series, "Kosi Kos" manages to give the mix its own timbre despite the various styles represented: be it the pared-down hip-hop of Madlib, brutal Berghain techno, timeless songwriting, flowing indie pop and tracks that oscillate between absurdity and melancholy. "I didn't want to shine with knowledge," Koze says, "but rather bring together some gems that make sense to people who aren't necessarily music nerds." It should fit together harmoniously: "The idea was to create the impression of a radio show, like John Peel used to do. A huge cosmos of music rushing through my filter." For fans of DJ Koze, Recondite, Mount Kimbie, Four Tet, Caribou, Matthew Dear, Simian Mobile Disco, Apparat, Efdemin.

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Tycho

2LP | 2011 | CZ | Reissue (Ghostly International)

35,99 €*

2LP | 2010 | EU | Reissue (Parlophone)

Release: 2011 / CZ – Reissue

Genre: Electronic & Dance

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10 year anniversary edition on orange & red marble vinyl. While his formative years were spent listening to everything from Yes to Photek, Scott Hansen didn't get his hands on an actual guitar or drum machine until he left his native Sacramento for San Francisco in 1995. "Encountering this whole new world at 20 years old was a profound experience," says Hansen, better known by his musical pseudonym Tycho and as the graphic artist Iso50. "At the time, I was just learning the processes of design and music; both felt very similar, and have flowed back and forth for me ever since."As seamless as his two creative outlets have been, nearly a decade passed before the release of Hansen's first proper Tycho LP, Sunrise Projector (later expanded and reissued under the title Past Is Prologue). And while three striking singles have emerged since then, the sum of all those sepia-toned parts is nowhere near the double-exposed soundscapes of Dive. The product of a prolonged break from IS050's design work and blog, it pays tribute to Tycho's prismatic past (the dense, guitar-guided turning points of "Daydream" and "Adrift") but spends most of its time pointing to the project's not-so-distant future.That can mean any number of things, really, from the halcyon hooks and hopeful horizons of "A Walk" to the expansive, wildly expressive tone poetry of the title track, an eight-minute epic that unfolds like a compressed concept album. Or at the very least, a restless vision of prog-rock - one that's been coated in neon colors and filtered through a thick piece of blotter paper. And then there's "Elegy," a spare curtain closer that pairs a vulnerable crescendo with a fitting bridge to future works.And with that, Dive establishes its position as the most diverse musical statement of Hansen's multi-medium career; the point where his skills as a performer finally catch up with his vaporized vision of a world that doesn't belong to any particular time or place."Nostalgia is a common thread in my work," says Hansen, "but this album wasn't driven by that idea. I see these songs as artifacts from a future which might have more in common with our past than our present."

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Gorillaz

Plastic Beach

Galactic Melt 10th Anniversary Black & Orange Swirl Vinyl Edition

Release: 2010 / EU – Reissue

Genre: Hip Hop, Electronic & Dance, Pop

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Gorillaz strike back, this time feat. Snoop Dogg, Kano, Mos Def, Lou Reed, De La Soul & Bobby Womack!

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Com Truise

2LP | 2011 | US | Reissue (Ghostly International)

No Mans Land Black Vinyl Edition

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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10th Anniversary Edition on black & orange swirl vinyl! A decade ago, the static signal of "Terminal" booting-up sounded and Galactic Melt launched into the atmosphere for the first time; Seth Haley's Com Truise project arrived in full. A graphic designer based in New Jersey at the time, Haley found a sound on his synthesizers that sparked an immediate nostalgia response, tapping into classic sci-fi and proto-electro in a way that felt early '80s in scope, but also remarkably weird - stutter-step proggy and intoxicatingly psychedelic. Unknowingly he had stepped into a genre prism; suppose we know it now as synth-wave though the tag never landed squarely. To Haley, this was a space to explore and a story to tell, which he'd do across a saga of releases that would resonate with a legion of fans and send the producer touring the world in perpetual orbit. His full-length debut on Ghostly International, Galactic Melt delivered on the promise of Haley's Cyanide Sisters EP as well as high-profile remixes for Twin Shadow, Neon Indian, and Daft Punk. Bold, imaginative, and unapologetically cosmic, the set occupies a beloved coordinate in the Com Truise catalog, considered the gateway for many. To celebrate its 10th anniversary, Haley and Ghostly have repressed the long-sold out 2xLP and added five unreleased tracks to the expanded digital edition, giving this classic its due treatment as it passes the milestone. From the keyed-up, skyscraping machine love of "vhs Sex" and "Cathode Girls" to pulsing cuts like "Air Cal" and "Ether Drift," the music on Galactic Melt is mathy, forlorn, funky, and mighty in technical ambition. That they're all noticeably cinematic is, of course, by design. Haley envisioned Galactic Melt as a "sort of film score...from the mind," chronicling the life and death of Com Truise, the world's first synthetic/robotic astronaut, from his creation and time on earth to his subsequent mission to a newly discovered galaxy called Wave 1 (released in 2014).

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Tommy Guerrero

LP | 2014 | EU | Reissue (Too Good)

26,59 €* 27,99 € -5%

Release: 2014 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Mesektet 10th Anniversary Edition

Flako

2LP | 2021 | EU | Original (Project: Mooncircle / HHV)

21,99 €*

Crooks & Lovers Special Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited edition of 300 copies on black vinyl in gatefold sleeve.

When being described as “Hardly a typical album, primarily a beat tape in the spirit of Dilla's Donuts. An intriguing album that is a testament to his talent.” by Resident Advisor shortly after its original release in 2011, Flako's release left a lasting impression on many and marked the beginning of an exciting career as a music writer and producer.

10 years later and with a vastly diverse and colorful catalogue of solo releases, as well as stunning productions for other artists across the world and all genres, this album hasn’t lost much of its original flavor.

Now considered a classic, “The Mesektet” is getting a complete revamp in form of a 2LP Gatefold Edition including three exclusive newly unearthed beats and retrospective collection of photos by Robert Winter.

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Mount Kimbie

3LP | 2021 | EU | Original (Hotflush)

30,99 €*

2LP | 2014 | EU | Reissue (Atomnation)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In 2010, Mount Kimbie released their debut album, Crooks & Lovers, to widespread acclaim. Perfectly capturing the heady atmosphere of the moment, the album melded the wide-eyed mentality of what had become known as ‘Post-Dubstep’ with an open-minded musical sensibility that produced an instant classic. Ten years later, the album is reissued on Hotflush with a bonus disc of the band’s first ever release.

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Gidge

Autumn Bells

Singularity Black Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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One of the most beautiful albums of this decade gets a re-issue on 2-vinyl – in 2014 the Swedish duo Gidge released their debut: Autumn Bells. “The very beginning of I Fell in Love are the most passionate and emotional couple of notes i have heard.” “An incredibly organic listen from start to finish, ‘Autumn Bells’ is the season’s distilled feeling put in song. Gidge successfully captures microscopic moments of decay and beauty within the framework of pop and ambient-inflected techno.“ “An utterly captivating piece of work. Each new listen only enriches the songs.” “One of the finest, most enjoyable electronic albums I have heard in recent times. Every sound is so well thought out and sculpted, some seriously head-tingling music.“

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Jon Hopkins

2LP | 2018 | UK | Reissue (Domino)

LP | 2018 | EU | Original (Erased Tapes)

Release: 2018 / UK – Reissue

Genre: Electronic & Dance

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Singularity begins and ends on the same note: a universe beginning, expanding, and contracting towards the same infinitesimal point. Where Immunity – his hypnotic breakthrough LP – charted the dark alternative reality of an epic night out, Singularity explores the dissonance between dystopian urbanity and the green forest. It is a journey that returns to where it began – from the opening note of foreboding to the final sound of acceptance.

Shaped by his experiences with meditation and trance states, the album flows seamlessly from rugged techno to transcendent choral music, from solo acoustic piano to psychedelic ambient. Its epic musical palette is visceral and emotionally honest: with a destructive opener full of industrial electronics and sonic claustrophobia and a redemptive, pure end on solo piano.

Exploring the connectivity of the mind, sonics and the natural world, Singularity reflects the different psychological states Hopkins experienced while writing and recording. It is a transformative trip of defiance from his initial sense of frustration at the state of the contemporary world to the ultimate conclusion that a true sense of peace and belonging can only come from nature.

Singularity is intended to be listened to in one sitting, as a complete body of work.

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Rival Consoles

Persona

3LP | 2016 | EU | Original (Pampa)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The title ‘Persona’ was inspired by Ingmar Bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. This powerful image struck Ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between; between states, people, light and dark, the inner persona and the outer persona.

“My music is generally inward looking. I like finding something about the self within music, that doesn't have to be specific but maybe asks something or reveals something. This record is a continuation on the self through electronic sounds. Like Legowelt once said ‘a synthesiser is like a translator for unknown emotions’, which I think sums up what I am trying to do. I think all these emotions we have make up our persona. So in a way by finding new ones you alter or expand your persona. And that is what I want my music to try to do. I deliberately aimed to be more sonically diverse with this record. I wanted to experiment more. I wanted to create new sounds and new emotions.” — Rival Consoles

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DJ Koze presents

Pampa Volume 1

Release: 2016 / EU – Original

Genre: Electronic & Dance

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LP | 2014 | EU | Original (Schema)

Toco

Memoria

19,99 €*

Release: 2014 / EU – Original

Genre: Electronic & Dance

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2LP | 2013 | UK | Original (Late Night Tales)

Four Tet

Late Night Tales

LP | 2016 | UK | Reissue (Finders Keepers)

Release: 2013 / UK – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Another great comp on the Late Night Tales imprint feat. Rahsaan Roland Kirk, Koushik, Gravediggaz, Madvillain, Fairport Convention!

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Suzanne Ciani

Buchhla Concerts 1975

Tower Of Silence 2024 Repress

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Finders Keepers invite you to witness these incredible earl Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking. This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance. In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith. These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then. The importance of these genuinely lost pieces of electronic musics puzzle almost eclipses the glaring detail of Suzanne’s gender as a distinct minority in an almost exclusively male dominated, faceless, coldly scientific landscape. Those familiar with Suzanne’s work, a vast vault of previously unpublished “nonrecords”, will already know how the creative politics in her art of “being” simultaneously reshaped the worlds of synth design, advertising and film composition before anyone had even dropped a stylus in her groove. Needless to say this record, finally commanding the archival format of choice, courtesy of the Ciani and Finders Keepers longstanding unison, was not the last “first” with which this hugely important composer would gift society, and the future of a wide range of exciting evolving creative disciplines. You have found a holy grail of electronic music and a female musical pioneer who was too proactive to take the trophies. With the light of Buchla and Ciani’s initial flame Finders Keepers continues to take a torch through the vaults of this lesser-celebrated music legacy shining a beam on these “non-records” that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again. You, are invited!

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Roberto Musci

2LP | 2016 | EU | Reissue (Music From Memory)

Hinterland 10th Anniversary Edition

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Travelling extensively across Asia and Africa from 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy. TIP!

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Recondite

2LP | 2013 | US | Reissue (Ghostly International)

LP | 2018 | UK | Reissue (Diggers Factory)

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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Die limitierte Auflage kommt als "rauchig schwarzes" Vinyl mit Download-Karte, die digitale Bonustracks enthält. Nach Ausflügen in Deep House, Acid und Techno, die ihn laut Resident Advisor zu "einem der fesselndsten Künstler Berlins" gemacht hatten, brachte Lorenz Brunner 2013 sein Projekt Recondite mit dem Album „Hinterland“ bei Ghostly International unter.

Der Produzent schaute auf die Heimat seiner Kindheit, Niederbayern, und nutzte Field Recordings, um die Musik mit den Emotionen der Jahreszeiten in der Region zu verbinden. „Hinterland“ präsentierte eine besondere Atmosphäre - eisige, unheimliche, melancholische Musik, die intime Melodien mit knackigen Perkussion-Sounds kreuzte -, die zum Markenzeichen von Recondite werden sollte. "Das ist das Album, das irgendwann aus Recondite herauskommen musste", sagte er damals. "Es ist Recondite." Ein Jahrzehnt später ist der Sound immer noch ganz und gar sein eigener.

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Yung Bae

B4E

Release: 2018 / UK – Reissue

Genre: Electronic & Dance

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Epoch Clear Vinyl Edition

Tycho

LP | 2016 | US | Reissue (Ghostly International)

Release: 2016 / US – Reissue

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Sapiens)

Agoria

.dev

LP | 2018 | EU | Reissue (Erased Tapes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Agoria’s ‘.dev’ album saw the French polymath known for his forays into visual arts and tech, as well as electronic music production and DJing, deliver a project that dropped on vinyl, digital formats, and an AI player created by Arca and Jai Paul collaborators Bronze.

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Nils Frahm

All Melody

34,99 €*

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Live Hubris Colored Vinyl Edition

Oren Ambarchi

LP | 2021 | EU | Original (Black Truffle)

22,99 €*

Satta 20th Anniversary Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi’s 2016 LP Hubris by a fifteen-strong band at London’s Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavours, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout.

Operating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of ‘Hubris Part 1’, powered by the pulsating electronics of Konrad Sprenger (the ‘ringmaster’ at the ensemble’s core) and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik continuum becomes the backdrop for the haunting tones of Eiko Ishibashi’s processed flute and an extended feature from long-distance guest Jim O’Rourke on guitar synth.

After the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of ‘Hubris Part 3’. Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially stick to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi’s flute and some brooding, distorted dissonance from Julia Reidy’s guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi’s guitar, brought to an abrupt conclusion at the command of crys cole. Arriving on hot pink vinyl with artwork by Lasse Marhaug and an extensive selection of live photos by Ivan Weiss and Fabio Lugaro, Live Hubris brings this ambitious and outrageous evening of music to the safety of the home stereo.

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Boozoo Bajou

2LP | 2021 | EU | Original (Pilotton)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Shout Out! To Freedom Black Vinyl Edition

Nightmares On Wax

2LP | 2021 | Original (Warp)

36,99 €*

2LP | 2021 | US | Original (Dead Oceans)

Release: 2021 / Original

Genre: Electronic & Dance

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You know the story by now: a global pandemic hits, and your whole perspective shifts, particularly if your livelihood hangs in the balance. After a decade of non-stop gigging, Warp’s longest serving veteran George Evelyn, mastermind DJ and producer of the chameleonic Nightmares On Wax project, suddenly found himself at a standstill. Without the promise of packed venues, turntables on raised platforms and the atmosphere of magical evenings, what exactly was Nightmares On Wax?

As it happens, Shout Out! To Freedom… is the finest example of the N.O.W. experience Evelyn has produced to date, created in isolation and yet bolstered by a deep sense of collaboration. Duly informed by their own creative upheavals, the extraordinary talents of the likes of saxophonist Shabaka Hutchings, vocalist Haile Supreme and poet Sabrina Mahfouz amplify the jazz feel of Evelyn’s sound. ‘Creator Sos’ is a prime example of perfect synchronicity, a striking amalgam of languid soul and psychedelic pop, played out over a hip-hop beat. Sensual sax licks fray at the turntablist textures of ‘3D Warrior’, while the likes of ‘Breathe In’ harken back to N.O.W.’s essential tenure as part of the early trip-hop movement.

Shout Out! To Freedom… encapsulates the endless potential that can come about from stasis. It's a record that as is celebratory of N.O.W.’s past as it is determined to break from it.

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Khruangbin

Mordechai Remixes

Honest Labour Black Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves, Electronic & Dance

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“The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named `Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing its first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Sott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' `Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled `White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out." - Bill Brewster

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Space Afrika

LP | 2021 | US | Original (Dais)

12" | 2021 | EU | Original (Wonder Music)

Release: 2021 / US – Original

Genre: Electronic & Dance, Pop

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Manchester UK's Space Afrika make music of what they term "overlapping moments" - oblique mosaics of dialogue, rhythm, texture, and shadow, half-heard through a bus window on a rainy night. Honest Labour, the group's first full-length since 2020's landmark hybtwibt? (have you been through what i've been through?) mixtape, expands the project's palette with classical strings, shimmering guitar, and visionary vocal cameos, leaning further into their enigmatic fusion of ambient unrest and cosmic downtempo. It's a sound both fogged and fragmented, at the axis of song craft and sound design, born from and for the yearning solitudes of life under lockdown. The album title is tiered, alluding to a legendary patriarch from co-founder Joshua Inyang's Nigerian family tree (who was lovingly called "Honest Labour" for his loyalty and resilience) as well as the nature of self-designated work, such as Space Afrika's music - a "labor of love" in its truest sense. With fellow co-founder Joshua Reid recently relocated to Berlin, the pair began sharing files last fall, piecing together poetic vignettes of looping haze and found sound, inspired by the notion of "records that leave an impression, and help the listener deal with their life." As the isolation of Covid compounded with the worsening winter, the songs skewed increasingly introspective and emotive, reflecting a mood of dissipating futures and the infinite nocturnal unknown. The artists cite two core motivations for Honest Labour: to transcend the sum of their influences, and "to show what we're capable of." Both ambitions are entirely realized. The collection's 19 tracks flow with a synergy and sophistication as rare as they are radical, untethered to the dusty dub-techno templates of Space Afrika's early years. These are interstitial anthems, expressionistic and open-ended, delirious but deliberate, attuned to the drift and dreamstate of the present moment: "Ultimately this is an homage to U.K. energy, and an album about love and loss."

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Romanski

Matter & Time

13,99 €*

LP | 2021 | EU | Original (Erased Tapes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Matter & Time is Romanski’s second EP on the Wonder Music label. It is a diverse journey of Iranian melody quotes, analog synthesizer arpeggios, tropical disco adventures and vocoder-based vocal interventions. Romanski does not adhere to a uniform scheme of tempo and rhythm. And so melodic slow techno (Mara Beboos), unusually edgy metre (Matter & Time), sprightly disco house (Hombre Sincero) and a laid-back afterhour vocal number (Ammaring) come together on this record. All of these facets are combined in a lively and spacey atmosphere with elaborate rhythm and sound textures that make Romanski’s recognizable sound.

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Nils Frahm

Graz

Rare Pleasure Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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Piano Day 2021 sees Nils Frahm surprise the world with his Erased Tapes debut. Wait, what? How? Anyone who has seen the trail blazing sonic pioneer live will know Nils likes to deadpan a joke. Graz is in fact the first studio album he recorded for the label back in 2009, that somehow remained a secret… until now. Nils Frahm has quietly changed the musical landscape, reincarnating the centuries old figure of a pianist-composer for a new generation of music fans. As Nils’ word-of-mouth popularity grew and grew, so did the pop-culture profile of his instrument. He founded Piano Day with a team of like-minded friends in 2015 to help that process, some years releasing an album of piano recordings to celebrate one of humankind’s greatest inventions. Graz is one such record; an unheard snapshot of a young Nils recorded at Mumuth, the University of Music and Performing Arts Graz, in 2009 as part of the thesis Conversations for Piano and Room produced by Thomas Geiger, which received an award in the Classical Surround Recording category at the 127th AES Convention in New York. Whilst at the time it was decided to keep the grand piano recordings from the Graz sessions locked away and instead focus on his close mic’ed, dampened piano explorations which would become his acclaimed studio album Felt in 2011, two of the pieces — most notably Hammers — lived on as part of his live set, and were expanded on and re-recorded as part of his breakthrough 2013 record Spaces (a collage of field recordings from concerts which broke the Fourth Wall and included audience coughs). Over his mercurial career, Nils has pushed and pulled at the boundaries and parameters of his prolific work like that. He’s physically changed his piano (the softened prepared strings of Felt) played with a modified body (Screws recorded with 9 fingers and a broken thumb) played with scale (Solo recorded on the 3.7 metre high Klavins M370) and with the different layers of formats (last year’s Tripping with Nils Frahm nested his studio setup inside a live performance, concert film and live album). Now with Graz he has found the final frontier for play: time itself and his own discography. Graz is a moment of time at the very beginning of Nils’ quiet revolution. The essential genius is already evident; the harmonic language of classical, and the immediacy of jazz. Nils seems to pull down each idea moment by moment, gently, to not scare away the muse. He describes: “sometimes when you hear a piano, you might think it’s a conversation between a woman and a man. At the same time, it can hint at shapes of the universe and describe how a black hole looks. You can make

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Mndsgn

LP | 2021 | US | Original (Stones Throw)

Release: 2021 / US – Original

Genre: Hip Hop, Electronic & Dance

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LP | 2021 | EU | Original (Music From Memory)

The Zenmenn

Enter The Zenmenn

Biokinetics 25th Anniversary Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Returning with another debut album for 2021, Music From Memory are delighted to introduce a new band, The Zenmenn, with their first ever release ‘Enter The Zenmenn’. Whilst little about the band is made known, their work is described by writer Winton Rousseauas an “experiment in harmonic convergence emerging from a deep respect for cosmic symmetry and a resistance to the prevailing Zeitgeist.” ‘Enter The Zenmenn’ sounds as old as it sounds new, as organic as it is electric, as harmonic as it is rhythmic, and the album’s fusion of different palettes, colours, tempos, instruments and sources offer a harmonious balance and unity that already feels like the perfect soundtrack to a better world. In a time of what they see as spiritual neglect, it offers a “human kind of stillness” through the “dualistic fusions of complexity and simplicity, mystery and clarity and East and West”. Mfm054 will be released in LP and digital format, comes with artwork by Bráulio Amado, and is expected to be out on April 12th 2021.

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Porter Ricks

2LP | 2021 | EU | Original (Mille Plateaux)

Rekonfiguration Lukas Endhardt Remix

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Techno isn’t a genre that has birthed many consistent albums, and the dub techno subgenre even less so, but one indisputable classic is Porter Ricks’ debut ‘Biokinetics’. Originally issued on the legendary Basic Channel sub-label Chain Reaction in 1996 following a trio of 12″s, ‘Biokinetics’ was the first of the label’s album releases, and still stands as its crowning achievement. Porter Ricks are Thomas Köner and Andy Mellwig, and between them they re-framed the techno sound, imbuing the spacious ambience pioneered by label bosses Mark Ernestus and Moritz Von Oswald with a frosty, isolated experimental bent, and combining it with the sort of haunted minimalism of early Plastikman. What separated ‘Biokinetics’ from other albums at the time was its unwavering narrative - the exact sound has been interpreted countless times since, but the immersive qualities of this singular record have rarely been touched. Maybe it is down to the silvery underwater concept that ties each track together - the bubbling pads, sub-aquatic basses and muffled kick drums. But as with any great album, it’s hard to exactly put your finger on what makes it a classic. Simply put ‘Biokinetics’ is one of the most important records in the genre and one of techno’s finest albums. It has been re-released ten years ago by Type Records, and now Mille Plateaux is celebrating Porter Ricks’ and Biokinetics’ 25th anniversary with this sumptuous double viny edition.

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Geplantes Nichtstun

12" | 2018 | EU | Original (Amselcom)

11,99 €*

The Future Sound Of London

Release: 2018 / EU – Original

Genre: Electronic & Dance

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They say we are a product of our environment, you are what you eat and you reap what you sow. But what happens when you can no longer dig the earth and your food is toxic? Amselcom has forever been near the forefront of change, exposing new ideas and giving insight through music and creativity. Our goal was always to bring the world closer by removing barriers and letting sounds and rhythm demonstrate humanity’s true, loving nature. That is why a transformation has taken place and with this latest release we hope to give back and contribute without the shallow, meaningless compensation that feeds the music industry.

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Archived Volume 9

LP | 2018 | UK | Original (Jumpin & Pumpin)

21,99 €*

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Exit / Accidental (Abstract)

M. Finnkrieg

12" | 2018 | EU | Original (Ex Machina)

17,99 €*

2LP | 2016 | EU | Reissue (Beyond The Groove)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Vinyl 12'' EP. Edition of 400. Die-cut 300-gr Kraft board jacket. All the elements on the cover have been hand stamped. Includes download code. This is the first release on our new Ex Machina collection; “Exit/Accidental (Abstract)” is a carefully chosen selection from the first cassette-only album “Exit/Accidental” (1988) by prolific Berlin-based producer and music publisher Mickeyblitz Finnkrieg, very active in the late 80s who, besides self-producing and distributing his music, also single-handedly ran a thriving underground cassette label called Deaf Eye, releasing about ten different productions and several international compilations. M. Finnkrieg worked in parallel lines to any known music circuit. This might be the main reason why his music has remained highly confidential so far. Incidentally: a Mickey Finn – or simply a Mickey – is a drink laced with a psychoactive drug or incapacitating agent given to someone without their knowledge, intending to incapacitate them. Heavily indebted to bands like Severed Heads and British Industrials in the vein of Cabaret Voltaire, early Test Dept. or Sonic Youth, the tracks selected on this album present the outcome of many a late practice evening and live sessions well into the small hours, experimenting in a completely self-made music lab with tape loops, resistors, capacitors, transistors, 8-bit samplers, guitars and a nice array of synths (Korg MS-20, Roland SH-1, Roland TB 303, Korg Polysix…), drum machines (Roland TR 505, TR 707, CR-78…) and loads of effect gadgets producing a distinctive sound, not far from proto-techno/electro and industrial-disco with touches of ebm and out-there funk. An all-analogic production and loaded with pre-recorded reel-to-reel samples, this recording, salvaged after 30 years, is a perfect illustration of the DIY philosophy and independent spirits of the time, cutting through time barriers with a sound as valid today as when it was first made.

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Tom Misch

Beat Tape 2

Release: 2016 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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2LP | 2016 | UK | Original (Ninja Tune)

Bonobo

Migration

LP | 2013 | EU | Original (Wort)

Release: 2016 / UK – Original

Genre: Electronic & Dance

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New music from Simon Green aka Bonobo is always an event, but when it heralds the arrival of a whole new album (his first since 2013’s “The North Borders”), it’s really something to get excited about. The masterful, magisterial “Migration” is Green’s sixth album and it’s a record which cements his place in the very highest echelons of electronic music and beyond.
It might be difficult to imagine it, but “Migration” will take his beautiful, emotive, intricate music to an even bigger audience. “My own personal idea of identity has played into this record and the theme of migration,” Green explains. “Is home where you are or where you are from, when you move around?” The personal, it seems, can also be universal.

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Jay-Jay Johanson

Cockroach

Joaquin Joe Claussell Meets Manuel Göttsching

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Limited to 500 copies.

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Manuel Göttsching

LP | 2016 | EU | Original (MG.Art)

LP | 2015 | EU | Original (Parlophone)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Many of you will remember Manuel Göttsching by his Masterpiece “E2-E4? and know the fact it got sampled by far more than once. Think “Sueno Latino” to start with… and the plethora of further re-recordings by Derrick May, Joe Claussell, and a bootleg by Carl Craig that prove how “Now” and Iconic Manuel´s Work is. The 2006 edition “Joaquin Joe Claussell meets Manuel Göttsching” is the first attempt to bring these once illegal mixes finally to a broader and wider audience. It comes with 2 very rare and first time officially released tribute mixes of 1970´s Göttsching Classics, carefully remodeled by Joe Claussell (21.12 minute “Deeper Distance” plus 10.17 Minute “Ain´t No Time For Tears"). The last words, however, are left to MG himself, with “Shuttlecock", a final eighteen minute excursion, which has Manuel improvise over a soft carpet of delayed bell sounds, before the guitar fades away and the track deepens and thickens, like a dark river sweeping along ever more motives and harmonies.

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St. Germain

30,99 €*

Release: 2015 / EU – Original

Genre: Electronic & Dance

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2LP | 2014 | EU | Original (!K7)

Tosca

Outta Here

Release: 2014 / EU – Original

Genre: Electronic & Dance

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LP | 2014 | UK | Original (XL)

FKA Twigs

LP 1

Falling Free / Four Four Four

Release: 2014 / UK – Original

Genre: Electronic & Dance, Pop

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Highly anticipated follow up LP to her two EPs! Janet Jackson meets The XX meets Massive Attack.

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AFX / Autechre

12" | 2014 | US | Original (Unknow label / Slow To Speak)

12,99 €*

2LP | 2013 | UK | Original (Warp)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Two classic cuts from these essential UK Techno artists!

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Boards Of Canada

Tomorrow's Harvest

36,99 €*

Cold Spring Fault Less Youth

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Who thought this would ever happen? All new album from Michael Sandison & Marcus Eoin Sandison! Gatefold sleeve with printed inners.

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Mount Kimbie

2LP | 2013 | UK | Original (Warp)

38,99 €*

LP | 2010 | EU | Original (Invada)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Oh yes, finally the follow-up to Mount Kimbie's critically acclaimed debut "Crooks & Lovers", now on Warp Records!

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Anika

Heisei No Oto - Japanese Left-Field Pop From The CD Age 1989-1996 2024 Repress

Release: 2010 / EU – Original

Genre: Electronic & Dance

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Self-titled debut, Anika, produced by Geoff Barrow of Portishead.

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V.A.

2LP | 2021 | EU | Reissue (Music From Memory)

Emancipator & Asher Fulero

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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NO OBI VERSION

Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; Mfm053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history. The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan. Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres. Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs. The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world. This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment. Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored.

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Dab Records Volume One Colored Vinyl Edition

2LP | 2021 | US | Original (Loci)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Tango 3.0 Black Vinyl Edition

Gotan Project

2LP | 2010 | EU | Reissue (Believe Digital)

24,69 €* 25,99 € -5%

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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Hairless Toys Red Vinyl Edition

Roisin Murphy

LP | 2015 | UK | Reissue (Pias Catalogue)

Release: 2015 / UK – Reissue

Genre: Electronic & Dance

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Mad But Soft Green Vinyl Edition

Mecha Maiko

LP | 2018 | US | Reissue (Newretrowave)

26,39 €* 32,99 € -20%

Kwaidan 5th Anniversary Smoke Haze Colored Edition

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Presenting the multi-talented force that is Mecha Maiko, who is also known as Hayley Stewart, and previously one-half of Dead Astronauts. This debut span many sounds influenced by many cultures and synth implementation. The overall effect is killer sonics and a fresh sound we have been waiting for. Mad But Soft is a solid debut for Mecha Maiko, and all retro lovers and synth maniacs alike will enjoy this album.

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Meitei

LP | 2018 | SG | Reissue (Evening Chants / Kitchen. Label)

Lucid Dreams Purple Vinyl Edition

Release: 2018 / SG – Reissue

Genre: Hip Hop, Electronic & Dance

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In 2018, Meitei shook the ambient world with the release of his debut album “Kwaidan”, a transposition of Japanese folklore into intricate compositions, capturing what he would coin as the “lost Japanese mood”. The album almost instantly received critical acclaim from the likes of Pitchfork, where it was included in their Best Experimental Albums of 2018, Bandcamp, calling it “different than some of the ambient music that has been coming from Japan in recent years”, The Wire and more. Outside of press, he has also received nods from the likes of Rosalía and has collaborated with contemporaries Anthony Naples, DJ Python, Tourist, Chitose Hajime and more.

Cementing his name in the ambient and experimental world, Meitei has since continued to cultivate devoted fans globally, with monumental follow-up albums as part of his unique musical canon – Komachi, Kofu I and Kofu II, showcasing his immense musicianship in building a unique sonic world of his own.

5 years later and a collaboration between 2 Singaporean labels – Kitchen. Label (Kofu I & II) Evening Chants (Kwaidan), the anniversary sees the highly anticipated special 5th Anniversary Edition of Kwaidan with 2 unreleased bonus tracks. This will come in the long out-of-print vinyl format, with obi strip, 8-panel insert, new colour variant and the first ever CD version.

Mastered by Taylor Deupree, Kwaidan’s 5th Anniversary Edition will be released with 2 bonus tracks on a smoke haze variant LP, CD and digital formats, released via Kitchen. Label and Evening Chants.

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Yota

LP | 2021 | US | Reissue (New Retro Wave)

32,99 €*

Spring Break 2023 Repress

Release: 2021 / US – Reissue

Genre: Electronic & Dance

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Yota is back, with the continuation from Hazy Paradise! Lucid Dreams is an album packed full of luscious synth and ethereal sonics. A must listen for all Retrowave and Retro Electro lovers!!

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Pablo's Eye

LP | 2018 | EU | Reissue (Stroom)

22,99 €*

Wanderers Red, Blue w/ Purple Swirl Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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"Pablo’s Eye is the science of studio pressure, when engineer becomes artist. Appropriating left and right as well as front and back, Pablo’s Eye uses the mixing desk to examine and exhaust the possibilities of moments. Pablo’s Eye is a record of that examination and exhaustion, but it is also a record of its own inner space. By means of depth placement, psychoacoustics and spatial fug, Pablo’s Eye is experienced in the deeper reaches of the body, bypassing the conscious part of the mind entirely.
Pablo’s Eye is the turning of recorded music inside out to show its seams. It interrogates a song, stripping down the body of the song to reveal its bones. Pablo’s Eye is in the interstices of music, it plugs the gaps, fills the holes. Pablo’s Eye seeks out the concealed mechanisms, it is a song’s hidden agenda.
For this compilation, it was decided to present the softer air-beatings of Pablo’s Eye. More than anything, Pablo’s Eye is a temporary atmosphere, like a taste or a dream..."

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The G

LP | 2021 | US | Reissue (New Retro Wave)

LP | 2021 | EU | Reissue (Melodies Souterraines)

Release: 2021 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2025-03-07

‣ It's Official....SEXY Red, Blue w purple swirl in limited 100 copies.
‣ Printed on 1 180g RED, BLUE w PURPLE SWIRL vinyl with sleek finishing.
‣ Audio mastered for vinyl.

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V.A.

K/L

100% Electronica Green Slime Colored Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Limited edition repress without the insert!

After 2 quiet years, Mélodies Souterraines strikes hard! A very soft opus under the sign of Europa and its Japanese reflections. Influencing the direction of "k/l" - Miyako Koda's 'Sleep In Peace' (prod. Haruomi Hosono) defined the color of the following 40min. new wave comp. Incl. music by Electrodelia, Andy Rantzen, Jan Schulte, Zmatsutsi, Tolouse Low Trax or rare-as-teeth hit 'Analyze' by Tase... Probably the most sophisticated record of the series: In-motion, elegant, nocturnal.

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George Clanton

LP | 2015 | EU | Reissue (100% Electronica)

30,99 €*

False Idols White Vinyl Edition

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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The record that started it all is back for a 4th pressing! Available for the first time ever on Neon® Green vinyl. Made from the same master as the 2017 2xLP release with 200% Electronica, this version does not contain any of the digital-only Bonus Tracks listed below, and ends with "Kill You In Bed". Limited to 500 copies.

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Tricky

2LP | 2013 | UK | Reissue (False Idols)

LP | 2021 | EU | Reissue (Sdban Ultra)

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Tricky"s first album on his brand new False Idols imprint, launched almost a decade ago in 2013. "I was lost for ages" he says, after a 3 year hiatus since his previous album.

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Echt!

Inwane

Works For Abattoir Ferme 2007 - 2011

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Echt! - an instrumental, futuristic four-piece inspired by the concepts absorbed in electronic music and musical production. Taking inspiration from artists including Jonwayne, DJ Rashad, Deantoni Parks, J Dilla, Dorian Concept and Aphex Twin, Echt! combine electro, hip-hop, trap, funk and futuristic jazz, resulting in a distinct and unique sound.

On the 24th September, Echt! are set to release their highly anticipated debut album 'inwane' via the groove-obsessed, Gent-based label Sdban Ultra. Releasing their debut EP 'douf' in 2019, the Brussels quartet has not stopped working, recently releasing three sublime live studio sessions titled the BREWmixes which received support from tastemakers including Lefto, Worldwide FM and Belgian national radio station Studio Brussel (StuBru).

Echt means 'vrai de vrai' - 'true' or 'real' in brusseleir (Brabantian dialect of Brussels). The name is a direct reference to the fact that their sound transmission is 'real', performed with conventional musical instruments as oppose to computer music which the production might suggest. It also relates to the fact that none of the members of the band are originally from Brussels - bassist Federico Pecoraro is from Italy, keyboardist Dorian Dumont is from France and drummer Martin Méreau and guitarist Florent Jeunieaux are both from the Mons region on Belgium.

"For our first album, we wanted to go into deeper beats. We were listening a lot to trap, gritty hip-hop & bass music, and we tried to emulate those kinds of beats on our instruments. The darkish mood of those music genres was fitting for us with this strangest year of 2020. But we also wanted to give a contrast with some brighter parts, where the human feeling is more present. This duality continued in the mixing process by pushing or destroying some sounds, adding electronic textures & effects, but also keeping some sounds really acoustic & organic. The result is for us a mature album: the feeling of electronic music emulated on instruments is confirmed but the human vibe stays central."

From the abstract patterns of 'Permanent' and melodic atmospherics of 'Dunes' to the futuristic funk of 'Charlier', Echt! look to emulate the producer's off-beats, the compressor's swell, the repeating samples or the DJ's transitions. Elsewhere, the trap-heavy sounds of '500gr.' and subby bass stylings of 'Champi' push things forward, before the scatter rhythms of 'Kiekebiche' and weighty rumblings of 'Drache' integrate the inhuman heritage of electronic music and 're-humanise' it.

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Kreng

4LP | 2012 | UK | Reissue (Miasmah)

73,99 €*

Soul Jazz Records presents

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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10 year anniversary edition of Kreng's massive »Works for Abattoir Férme 2007 - 2011”« 4 LPs worth of slow, skin crawling cinematic ambience made for the Belgian theatre group Abattoir Fermé.

It could hardly be a better time to again dive deep into Kreng and Abattoir Fermé's disturbingly beautiful underground worlds. Through 8 full- length vinyl sides we are transported through the most terrifying, shadow- filled, down-right bizarre moments of the subconscious. What could be the sound of your darkest dreams or most surreal fantasies gradually unfolds throughout the three and a half hour duration. Exactly this is what Abattoir Fermé specialises in, and Pepijn Caudron's scores perfectly reflect and accompanies both this theatricality as well as our own fears and desires in a masterful way.

Each extended side is crafted from an arsenal of samples, disintegrating vinyl and corroded tape, and Pepijn Caudron manipulates these sounds in a way that belies the sources. Rather than allow the sounds to emerge, they stay trapped beneath swathes of noise, tape delay and oppressive bass giving us a compositions that emerge like a cross between William Basinski, Jerry Goldsmith (circa Alien) and Henryk Górecki.’ »Works for Abattoir Fermé« is not for the faint of heart, but for the rest of us it might be just what the Doctor ordered...

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Deutsche Elektronische Musik Volume 2 - Experimental German Rock And Electronic Music 1972-83 LP 1

2LP | 2013 | UK | Reissue (Soul Jazz)

LP | 2012 | EU | Reissue (Black Truffle)

Release: 2013 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

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Oren Ambarchi

Sagittarian Domain

Phoenix: La Petite Mort Edition

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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10th anniversary reissue of this rhythmically churning one-man-band monster of an album, recorded in a single inspired studio session & originally released in 2012 on Editions Mego.

From the original Editions Mego press release:

“For anyone who still associates Oren Ambarchi exclusively with the clipped, bass-heavy tones of solo electric guitar works such as Suspension, this rhythmically churning one-man-band monster of an album-length piece might seem to come out of nowhere. However, listeners who have followed the breadth of his work for the last few years (solo and in projects with collaborators from Jim O’Rourke to Stephen O’Malley and Keith Rowe to Keiji Haino) will have noted how Ambarchi has allowed increasingly clear traces of his enthusiasms as a music listener (for classic rock, minimal techno and 70’s fusion, among other areas) to surface in his performances and recordings, all the time filtering them through his signature long-form structures and psychoacoustic sonics.

Recorded in a single inspired studio session, Sagittarian Domain displaces Ambarchi’s trademark guitar sound from the centre of the mix, its presence felt only as an occasional ghostly reverberated shimmer. Endlessly pulsating guitar and bass lines sit alongside electronic percussion and thundering motorik drumming (familiar from his work with Keiji Haino) at the core of the piece, locking into a voodoo groove like Faust covering a 70’s cop show theme. The work is founded on hypnotic almost-repetition, the accents of the drum hits and interlocking bass and guitar lines shifting almost imperceptibly back and forwards over the beat as they undergo gradual transformations of timbre. Cut-up and phase-shifted strings enter around the half-way mark like an abstracted memory of the eastern-tinged fusion of the Mahavishnu Orchestra’s classic Visions of the Emerald Beyond, before returning for an extended, stark yet affecting come-down coda, equal parts Gavin Bryars and Purple Rain.

While Sagittarian Domain contains traces of a diversity of influences, it mines all of them to uncover something that is clearly an extension of Ambarchi’s own investigations up to this point, exhibiting the same care for micro-detail and surrender to the physicality of sound that are present in all of his work, extending them in new ways to repetition, pulse and rhythm”.

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Eartheater

LP | 2021 | UK | Original (Pan)

LP | 2021 | EU | Original (Knekelhuis)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Last year, Eartheater released her latest album, Phoenix: Flames Are Dew Upon My Skin, via PAN.After sharing a fully reworked version of the album, Phoenix: La Petite Mort Edition, digitally out February 26, 2021, PAN is now releasing a special, color vinyl LP edition of it. Originally conceived as a "sleep" mix for CRACK Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit."This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Edition while asleep after climax. You are wet ash smudged across a pillow case." - Eartheater

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Michel Banabila

Echo Transformations

12" | 2021 | Original (Selva)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Michel Banabila is an indispensable part of the Dutch experimental music scene, where he has acquired a special place with many, in the 40 years that he has been releasing music. Michel is also just as active as a composer for the theater and ballet world, as well as for TV productions, to considerable fame. The threat of drowning in the sea of his oeuvre is real in view of the unprecedented amount of output, but once sailing unmissable monolithic rock formations loom up rapidly. 'Echo Transformations' is one of them. It's a magical album, where everything falls into place in a rich domain inspired by the Fourth World dimension. A world of sound arises from our imagination, stimulating the senses. A concept album where every sigh has its place and where no superfluous tone can be heard. What remains is to embrace the inevitable surrender that accompanies unstoppable change. This is Banabila at his best.

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Quantic

I Won't Fade Away

17,99 €*

Release: 2021 / Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Instruments Of Discipline)

Operant

Traumkörper

LP | 2021 | EU | Original (St. Vladimir)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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500 vinyl on Purple crystal transparent w/ insert, 100 CS and CD.As an outfit that has existed on the fringes of the club scene, Operant continues their willingness to break genre taboos and expectations with their debut LP, Traumkörper, exhibiting a hybrid vision of electronic and organic elements that gives rise to a sound self-described as somewhere between extra-terrestrial black-metal, singularity-sludge, proto-psy-trance, anime noise-core techno and auto-tuned trap-folk. These disparate methodologies are bound together by the conceptual elements that operate at the core of Operant’s thematic universe: the transcendence and destruction of the body, consciousness melding with machines and the manufacturing of new realities. As a blueprint to new forms, Traumkörper sets a path both disorienting and euphoric. Over the course of 11 tracks the Berlin based duo and operators of record label, Instruments Of Discipline, Luna Vassarotti (it) and August Skipper (aus) birth their dream-body, an unsettling soundtrack for the strangeness of our times. credits All songs written and mixed by Operant All songs mastered by Alain Paul Artwork Photography by Michael Italia Artwork by Operant

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Konstantin Schimanowski

Vague Pure Affection

19,99 €*

LP+CD | 2021 | EU | Original (Magazine)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Konstantin Schimanowskis debut E.P. Vague Pure Affection is a love letter to an island in the deep north of Europe. The little Shetland island of Vaila. It is a sprawling collection of lush and airy songs, showcasing the artist talent in both songwriting and production. The music seems to drift high above the ground and Schimanowski’s voice breaks out of every pattern introduced - liberating itself the most in the E.P’s forth track „Crossing the Bridge“, where it leaps with bold passion into another space. The artwork is created by renowned danish-ukranian artist Sergei Sviatchenko. Riyl: Burial, Dean Blunt, Sebastien Tellier, Serge Gainsbourg, John Maus, Conan Mockasin

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Curd Duca

Waves 2

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Golden Age Of Apocalypse Black Friday Record Store Day 2021 Edition

Thundercat

LP | 2011 | UK | Reissue (Brainfeeder)

LP | 2021 | EU | Original (Faitiche)

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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Limited edition for Black Friday Record Store Day 2021!

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Trip Shrubb

Trewwer, Leud Un Danz

19,99 €*

E. Vax White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Faitiche presents, for the first time on vinyl, a selection from the 84-track (!!) remix project originally released in 2013 as a three-tape set by Trip Shrubb aka kptmichigan aka Michael Beckett. Known to many from bands like Tuesday Weld or The Schneider TM Experience, Beckett remixed his way through Harry Smith’s famous Anthology of American Folk Music – a compilation of American folk, blues and country recordings released in 1952, soon to become key point of reference for the emerging folk revival movement. Having translated the title into the local dialect of the part of Germany where he lives, Beckett began reinterpreting all of its 84 tracks using sampler, effect pedals and loops – sometimes making several tracks in a single day. A colossal undertaking whose results are beyond accomplished and that is summed up in the selection of thirteen tracks on 'Trewwer, Leud un Danz'.

Murray Royston-Ward writes about 'Trewwer, Leud un Danz':

"Total sacrilege ... A collection of remixes of tracks from Harry Smith’s Anthology of American Folk Music which was originally released in its entirety. The album is titled Trewwer, Leud un Danz (sorrow, song and dance) which is drawn from an endangered ‘Low German’ dialect (lippisch Platt) and is poetically approximating Smith’s volumes Ballads, Social Music and Songs.

The hardware employed encompasses analogue, virtual analogue and digital. A primordial soup of electrical fields, striated granulation, micro-circuitry, molecular oscillations and mathematical manipulation; communicating directly with the guitars, zithers, mountain dulcimers, fiddles, jaw harps, banjos, harmonicas and human voices of 1930’s America: itself a reterritorialization of African and European folk traditions that reach back farther and farther into our collective pasts. (…)"

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E. Vax

LP | 2021 | EU | Original (Because Music)