Downbeat | Electronica | Leftfield Vinyl 3691 Items

2LP | 2023 | EU | Original (Ilian Tape)

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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Damaged cover!

Douglas Appling (born 1987), better known by his stage name Emancipator, is an American electronic music producer based in Portland, Oregon. He launched his music career by self-releasing his debut album “Soon It Will Be Cold Enough” in 2006 while he was still a college student. He has subsequently released six albums, founded his own record label, and formed a live band, the Emancipator Ensemble, whose sold-out shows have been called by one critic "an unforgettable experience".

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Andrea

Due In Color

LP | 2023 | EU | Original (City Slang)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Andrea’s second album “Due In Color“ was primarily created in 2020 and 2021. During these crazy and decelerated times he explored more hazy and experimental Jazz, which inspired him to use more acoustic sounds in his productions. Dark loud clubs are in a far away distance, while Andrea takes us to wonderful blooming fields.

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Grandbrothers

Late Reflections

2xLP | 2023 | EU (Avenue 66)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Im Zentrum von Grandbrothers Musik stand schon immer die Verbindung von Altem und Neuem. Auf ihrem vierten Album "Late Reflections", welches am 14. April auf City Slang erscheint, stellen sie nun ihr Schaffen in Verbindung zu einer Institution, die ihrer eigenen Musik sieben Jahrhunderte vorausgeht: der Kölner Dom.

Das ikonische Monument gotischer Architektur, UNESCO-Weltkulturerbe und Deutschlands meistbesuchte Sehenswürdigkeit, diente als Aufnahmestudio für das neue Album des deutsch-schweizerischen Duos. Das Ergebnis ist ein Album mit einem präzisen Sinn für Geschichte und Architektur, ein Album, das die räumlichen Eigenschaften dieses prachtvollen Baus zum Teil seiner hypnotischen Komposition selbst werden lässt und in Klang überführt. Für ein Konzeptalbum ist "Late Reflections" eindringlich und immersiv, und es stellt ebenso viele Fragen, wie es Antworten gibt: Was bedeutet es für Musik, mit Architektur und Raum zu interagieren? Wie klingt eigentlich eine Kirche, die seit Jahrhunderten wegen ihrer Opulenz verehrt wird? Was kann zeitgenössische Kunst aus 700 Jahren Geschichte ziehen? Und wie können Musiker ihren eigenen kompositorischen Ansatz nach mehr als einem Jahrzehnt frisch und unverbraucht halten? Von Beginn an haben Grandbrothers Musiktraditionen in Frage gestellt. So gelang es dem vor mehr als einem Jahrzehnt in Düsseldorf gegründeten Klavierduo mit seiner vielschichtigen Musik immer wieder, die Grenzen zwischen Ambient, Minimal und Electronica zu verschieben. Das Ergebnis klingt immer anders, doch immer geprägt durch die außergewöhnliche Zusammenarbeit zwischen dem deutsch-türkischen Pianisten Erol Sarp und dem Schweizer Elektroniker und Software-Entwickler Lukas Vogel. Auf bisher drei Alben – Dilation (2015), Open (2017) und All The Unknown (2021) – zog das Duo seine besondere Inspiration aus einer konzeptuellen Beschränkung: Jeder Klang, jede Note stammt von nur einem einzigen Instrument – dem Konzertflügel.

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John Frusciante

. I :

LP | 2023 | EU | Original (Quindi)

Release: 2023 / EU

Genre: Electronic & Dance

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After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.

While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.

Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.

I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.

I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.

This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.

There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.

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Bondo

Print Selections

2LP | 2019 | UK | Reissue (Two Acorns)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Bondo is four Los Angeles musicians collaging displaced tempos and fractured melodies. Their sparsely vocalised music conspires to bring into view a practical enlightenment, evoking the sandy contentment of an exhausted marine sunset. The organically mechanical compositions wander with the intention not to be aimless, but to be consumed in Process.
Bondo comes to Quindi Records to release its first full-length album, Print Selections, and it is saturated in the communal consciousness of the band. The songs call for the individuals to dissolve to make way for the music.
The lyrical content of the record tells of a mind made anew, cleared of its data & ego to witness nothing in particular. Bringing the past with them, the band makes clear allusions to their influences - their tones reminiscent of outfits like Duster, Unwound, Acetone & Fugazi, but also has heavy nods to more formless genres like the dub melodies of King Tubby and the jazz of Archie Shepp.
The music feels like the dusty bed of a scanner, plays like the light leaking from underneath its lid.

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Celer

Xiexie

32,99 €*

2LP | 2016 | UK | Reissue (The state51 Conspiracy)

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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A week before leaving, I bought a dictionary and phrasebook.

Covered in rain, during the days and even the nights, Shanghai was lit in a glow, a mist turning to a constant grey fog. Buildings lined with neon and lcd screens flashed, and from around corners and behind buildings, the night was illuminated much the same as the day. Cars separated the classes, their horns voices punctuating the streets, as pedestrians in groups loosely scattered the streets, talking and walking on speakerphone.

Standing by the metro escalators, there in the square with the overhanging trees of a park, there is construction all around. The buildings seem to be climbing into the darkness at this very moment. Leaving behind and moving forward. We seem to know everything already, our illusion of experience. I imagine taking your hand, I imagined taking your hand, and the lights in the subway flicker as we go deeper. Transit bookmarks each experience, every daydream, and in the end they're interchangeable and indistinguishable between reality and imagination. Try to remember which is real.

To Hangzhou the maglev reached 303 km/h, the towering apartment buildings hunch under construction, passing by in blurs on the flat farmland landscape. I fell asleep, as you were dancing but to no music. The lilies on the lake nodded in the rain, dipping into the water. There was a Wal-Mart near the hotel where I won a pink bunny from a claw machine. I remember the beauty of the architecture of Hangzhou station, birds swirling around the pillars near the top, the echoes of the deep station interior, and the laughing at being lost. There at least we have each other, that memory, or that daydream.

Everything moves faster than we can control. Days are just flashes, moments are mixed up but burned on film, and all of the places and times are out of order. If it could only be us, only ours. If it was ours, if it was us. Sometimes everything goes faster than you can control and you can't stop, much less understand where you are. I bought a dictionary and phrasebook, but "xièxie" was the only word I ever got to use. - Will Long, January 2019

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Steve Jansen

Tender Extinction

39,99 €*

LP | 2017 | EU | Original (Repertoire)

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Heavyweight double gatefold vinyl with remastered audio and new and updated artwork reworked by the designer of the original sleeves

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Andromeda

26,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2016 | EU | Reissue (Suction)

RX-101

EP2

13,99 €*

12" | 2021 | EU | Original (Hyperjazz)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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First released in 2016, »EP 2« was the 2nd volume in Suction Records’ 4-part »EP series« by Rx-101, serving as an introduction to this elusive producer’s vast, mind-blowing archive of unreleased late ‘90s braindance, melodic techno, and IDM tracks. Rx-101 is a previously unknown producer from the Netherlands, Erik Jong, who recorded hundreds of tracks, live to cassette, in a feverish burst of creativity from 1997-1999. Riyl Bochum Welt or Aphex Twin’s »Selected Ambient Works Volume 1.«

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Khalab

The Great Oxidation EP

13,99 €*

LP | 2021 | EU | Original (Ilian Tape)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With the locution “Great Oxidation Event” we usually refer to the first major mass extinction that has been known on Earth. Occurred around 2,5 billion years ago, it consisted in a huge rise in oxygen in the atmosphere and shallow oceans that radically changed the conditions for the life on our planet, enabling the subsequent development of multicellular life forms. As debut on his own label Hyperjazz Records, with ’The Great Oxidation EP’, electro-shaman Khalab comes back to his natural habitat: the dance floor. With these three instrumental tracks, the visionary artist aims to drive the listener on a backward journey, down to rediscover the most ancestral human rite: to dance. A return to the origin in a radical way to reach a brighter future, but also a bridge for another world - a new space where meet new life forms and uncover new feelings and new consciousness. To embellish this EP, the presence of two very special collaborations. The acclaimed Detroit-based drummer and producer Shigeto joined Khalab in the track ‘Anaerobe’. Also, the Mexican visual artist Carlito Dalceggio contributed with his amazing art by creating the video clip for the track Neba’: a full hand-drawn short movie with no digital manipulations or special effects. His work reflects the seamless ease in which he moves between genres and cultures all in the service of creating the mythology of now.

Khalab Electronic artist and producer Khalab has developed an international reputation for his original fusion of traditional African sounds, deepbass work, jazz, and heavilylayered & dense electronic textures. He has three albums on his credits: ‘Khalab & Baba’, a four-handed workwith the Malian griot Baba Sissoko, released for the Nickodemus’s Wonderwheel Records; the worldwide acclaimed ‘Black Noise 2084’, that draws on the field recordings archive of the Royal Museum in Brussels and result of the collaboration with some of the most innovative musicians of the current UK jazz scene; and ‘M’berra’, recorded in the Mauritanian desert together with the some Tuareg musicians from Mali (M’berra Ensemble), that earned him the collaboration with the Peter Gabriel’s Real World Records. His music evolution is a seamless journey – from the most ancestral tribes to the unexplored cosmos; from the black jungle to the skyscrapers; from the remotest subconscious to the furthest and real projection of future Africa. His wide-reaching musical tastes can be heard regularly on his monthly Worldwide FM show, Love from Rome. Already working on a new record ready in 2022, Khalab pulls out of his laboratory the first experiment with this EP.

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Jake Muir

Mana

17,99 €*

Tread Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Since he started producing music, Berlin-based American sound artist Jake Muir has been obsessed with sampling. His 2018 album "Lady's Mantle" was based on manipulated chunks of vintage Californian surf rock, and its follow-up, 2020's midnight symphony "The Hum Of Your Veiled Voice" was sourced from a wide variety of old records, and inspired by the work of experimental turntablists like Marina Rosenfeld, Janek Schaefer and Philip Jeck.

On "Mana", Muir looks back to a misunderstood musical movement. Around 1995, a group of New York producers and DJs - including DJ Olive, DJ Spooky and Spectre - pioneered a genre-dissolving sound by unifying hip-hop techniques with ideas pulled from dub, jungle, ambient music and industrial noise. Badged "illbient", it was a short-lived genre that felt like a high-minded psychedelic cousin of the UK's trip-hop.

Muir uses illbient as the springboard for "Mana", utilizing a selection of samples to inform his frothy drones and foreboding atmospheres. He ushers the material into 2021 by diverting it through his own contemporary worldview, attempting to recreate the hyperreal fantasy histories of Japanese RPGs (think "Dark Souls" and "Final Fantasy") and nod to sensual, tactile soundscapes of European industrial labels Staalplaat and Soleilmoon. The result is a magickal, sensory journey that's as physical as it is representational.

If the illbient producers were encouraging a burgeoning experimental music landscape to emphasize the tactile feeling of turntablism and sample manipulation, Muir is doing the same with "Mana". Each track heaves and breathes not just with his cultural reference points, but with layered, complicated emotions. We can hear joy, sadness, desire and anguish, obscured by disintegrating noise, hallucinogenic harmonies and sub-aquatic bass. It's electronic music that's rooted not in technology, but in touch.

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Ross From Friends

2LP | 2021 | UK | Original (Brainfeeder)

Let's Talk About The Weather

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Ross From Friends—AKA British producer Felix Clary Weatherall—returns with ‘Tread’, his keenly anticipated new album, due for release on 22nd October via Flying Lotus’ Brainfeeder imprint.

On ‘Tread’ Ross From Friends dials up the intricate and emotive qualities of his production style that have previously led Mixmag to praise his “idiosyncratic dexterity that not only makes your heart ache, but dance right out of your chest”. An artist who demonstrates an ever-increasing mastery of his craft, ‘Tread’ is a record that is at once sleek and melodic but also eminently danceable, nostalgic but brilliantly modern, with nods to sounds and styles that are not so much reflected but refracted and recontextualised through Clary Weatherall’s lens.

Lead single “The Daisy” exemplifies the spirit of the album. A bewitching club track that skips out of the speakers, the peppy 2-step drums cosying up to swollen pads that tug on your heart strings. Drawing its name from one of the opening steps in solving the classic Rubik’s Cube puzzle, the single also comes alongside a video which peers into the world of competitive speed-cubing. Directed by Rudá Santos and commissioned as part of Crack Magazine’s ‘Three Minutes’ program, the video also features a cameo from Felix as a speed-cubing competition judge.

It follows his highly acclaimed 2018 debut album ‘Family Portrait’—named one of the best of the year by Crack Magazine, Mixmag, NME and AV Club with further support from the likes of Rolling Stone, The Observer, The Wire, Resident Advisor and many more—and subsequent ‘Epiphany’ single on Brainfeeder, both of which were dedicated to and inspired in part by his parents and sister respectively.

Just as unique as the music on ‘Tread’ is the manner in which it came about. Frustrated by the friction to the creative process that arises when recording hardware and instruments through a computer—the constant need to start and stop recording, saving and cataloguing everything as you go—Felix decided to write and build his own piece of software. The resulting plugin—named “Thresho” and available via Ableton’s Max For Live platform—starts recording once the audio hits a user-defined threshold, then stops once it goes below that threshold, automatically saving and indexing the resulting clips alongside timestamps.

Leaving “Thresho” running in the background, Felix now found himself able to stay fully in the moment while jamming with his instruments, free to go with ideas as they happened, safe in the knowledge that nothing would be lost, or need replaying or recapturing. This revelation in how he approached the production and writing on ‘Tread’ meant he spent the first six months just experimenting with his hardware, not actually committing to any music, but with “Thresho” quietly recording everything he was doing, each session leaving its mark on an ever expanding library of his own samples. When he later came to composing the album, he was then able to draw on specific moments, either recalling the exact date or time he had made a recording, or simply browsing the now vast audio library of his own making. "Sometimes a whole tune could come from an idea within a recording or sometimes I’d just dump a random recording into an existing project and see what happens," he explains.

At the same time as writing ‘Tread’ there were also huge shifts taking place in the world outside of music. Finding himself confined over lockdown to a small stretch of the Old Kent Road in London—an area between his studio and his house that he would traverse each day—Felix discovered this was the same neighbourhood in which his Nan had worked in a sweet shop many years before, and where his Dad had attended various parties and squats in his heyday. As he wrote the record, he spent a lot of time reflecting on his own life around this area: the parties he’d go to, different friends, relationships, houses he's lived in and made tunes in. "In my mind it chronologically tied itself to the tunes I was listening to across that period too,” he explains. “How things have changed over the past 10 years in South London can be mapped with the type of music I was listening to throughout various stages of living here. I’ve basically honoured all of these musical touchstones across the album, thinking about how those memories and the tunes attached have been etched into a permanent chronology that’s completely personal to me."

This new way of working alongside Felix's inner reflections are inextricably intertwined. “I’ve amassed all of these memories from a time spent just messing around in South London, as with ‘Thresho’, I’ve amassed all of these recordings from sitting around and experimenting musically," he says. “'Tread’ refers to the marks that I’ve been permanently leaving, both in my memories and throughout the process using ‘Thresho’”.

With ‘Thresho’ being so integral to the album Felix has also made the decision to share this vast bank of recordings that were the foundations of ‘Tread’ and in doing so, offer up a peek behind the scenes at the creative process of one electronic music’s most individual and compelling voices. To be released soon, fans will be invited to explore this resource and share their interpretations, versions, iterations and interactions.

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Gudrun Gut + Mabe Fratti

LP | 2021 | EU | Original (Umor-Rex)

Cybernetic Defiance And Orgasm: The Essential Henry Kawahara

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Gudrun Gut and Mabe Fratti have worked together on a powerful hybrid album, where taut rhythms fuse with haunted vocal melodies and spoken word, and field recordings meld with extended ambient pieces. As part of Umor Rex’s 15th anniversary, we here present an album that builds a dialogue between two lands and two unique artists. Mexico is the origin and conceptual residence of our label, while Germany is where we produce and manufacture our records (Berlin functions as the center of distribution and logistics, thanks to our friends at Morr Music). The intertwining imaginations belong to German producer Gudrun Gut (Malaria!) —a notable figure of the subculture and the German music scene since the early 80s, and also a founder of Monika Enterprise and recipient of the ‘Listen to Berlin’ Award in 2019— and singer, multi-instrumentalist and composer Mabe Fratti (originally from Guatemala, now based in Mexico City). We knew about "Let's Talk About The Weather" from the beginning, and since the moment Gudrun and Mabe made us part of their project, our excitement could not be greater. The process started with Gudrun and Mabe having long distance conversations, asking about their whereabouts and discussing the weather. This might seem rather commonplace, but it works as a key thematic component for the entire album. The weather as the new great unknown, perceived through the optics of everyday life. Sound files were methodically exchanged, with Mabe exploring words and vocals, and Gudrun working with field recordings taken from each city. In the end, this joint musical venture would provide a healing effect for both artists during life in quarantine. "Aufregend", the opening track of the album, reflects upon a general lack of excitement in modern life. It wonders what the future might hold. Is it cold? Is it warm? Will it be the same? "Air Condition" is an eerie, dazzling collision of climates: the hazy warmth of Mexico City, the deep cold of Uckermark. The last track, which gives the album its name, is a long ambient piece composed of four parts: sound sculptures, field recordings of city life, news and weather forecasts, and private conversations about the climate. It's kind of a collaborative diary, obsessed with a single, all-encompassing subject. Produced and recorded by Gudrun Gut and Mabe Fratti between Berlin, Uckermark, Veracruz and Mexico City. Mixed by GGut at Stern Studio Mastered by John Tejada in Sherman Oaks, USA. Artwork & photos by Daniel Castrejón in Mexico City.

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Henry Kawahara

2LP | 2021 | EU | Original (EM)

12" | 2021 | EU | Original (Ilian Tape ITX Series)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Here is a portal to a vast and relatively unknown world, the Japanese cyber-occult underground media scene of the early 1990s; our guide is the late Henry Kawahara, a media artist and electronic music producer whose expansive and visionary conception of digital technology merged with a desire to break free of the constraints of mere rationality.

This collection, the first-ever archival release of his work, is drawn from recordings released during the period 1991-1996, an exceptionally fertile time for Kawahara. Originally released on CD by a few Japanese independent labels including Hachiman Publishing, a cyber-occult / new-age / old shinto book specialist, the releases were available mainly in book stores, so this sumptuous and prescient music has remained relatively unknown. The original titles and tag lines of the CDs give clues about Kawahara’s interests and the music itself: Digital Mushroom, Subtropical Illusion, Never-ending Asia, and so on. This 15-track gateway compilation is available on double 12” vinyl and CD; the CD version has two extra discs featuring sound from two art installations entitled Dysteleology - α and Dysteleolog - β from the 1990s. All formats feature extensive English liner notes. Cover art by 2yang, with liner notes by Keisuke Oki and Koki Emura, with an interview of Sūgen Takeda (Hachiman Publishings)

"Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quaint in comparison. Kawahara's omnidirectional sound “illusions” were constructed not as albums but psychological experiences, billowing with a then-nascent notion of early 90s cybernetic spirituality that was proliferating on both sides of the Pacific as the hyperlinked state of global connectivity we know today was just beginning to crystalize. Through digital representations of folk instruments, shifting Midi sequencing and custom binaural recording technology he aimed for psychoacoustic effect as much as artistic, all via a countercultural form of distribution untethered from the commercial expectations of post-bubble modes of artistic production. This EM collection draws out the best of his fruitful early-mid 90s period into a revelatory sequence, generously opening Kawahara's world to all." — Spencer Doran (Visible Cloaks)

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Konrad Wehrmeister

Untitled

11,99 €*

Rainer Trueby & Corrado Bucci Present Truccy

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hallucinating Gnarly Spring Breakers

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Kenyatta

12" | 2021 | EU | Original (Compost)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Ways Of Seeing Gold Vinyl Edition

The Advisory Circle

LP | 2018 | UK | Reissue (Ghost Box)

A Winged Victory For The Sullen

Release: 2018 / UK – Reissue

Genre: Electronic & Dance

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Jon Brook's fifth album as The Advisory Circle is a beautiful and uplifting selection of electronic pieces, inspired by late 70s and early 80s library music. Never descending into parody or obvious re-enactment Brooks is the absolute master in this field.

The LP packaging is designed by Julian House. The elegantly simple artwork and typography, reminiscent of 80s photographic manuals and magazines, is rendered on metallic gold foil packaging. This edition, repressed by state51, is specially cut on gold Colored Vinyl to match the packaging.

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The Undivided Five Black Vinyl Edition

LP | 2019 | Original (Ninja Tune)

Release: 2019 / Original

Genre: Electronic & Dance

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Kyögokuryü-Sökyoku Shinshunfu

Köhei Amada & Sugai Ken

10" | 2019 | EU | Original (EM)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Info coming soon.

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Munk Presents Teutonik Disaster

2x12" | 2019 | EU | Original (Toy Tonics)

19,99 €*

2x12" | 2018 | EU | Original (Ilian Tape)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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German New Wave Funk 1979 - 1983 Compilation originally released 2003 on Gomma records. A very special compilation. 8 edits and reworks of rare German New Wave Funk and Disco Punk.

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Skee Mask

Compro

Presents Sorrow - A Reimagining Of Gorecki's 3rd Symphony

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.

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Colin Stetson

2LP | 2016 | EU | Original (52Hz)

22,99 €*

Release: 2016 / EU – Original

Genre: Electronic & Dance, Classical Music

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12" | 2023 | EU | Original (Slow Life)

Saphileaum

Banana Leaf Paradise

16,99 €*

LP | 2023 | UK | Original (Ghost Box)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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New signing on the label, the Georgian artist Saphileaum, who delivers a home-warming album filled with organic percussions, lush pads and calming ambiences.

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Belbury Poly

The Path

Healing Sword / Snake (Live)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The Path is the latest album from Belbury Poly (aka Ghost Box records founder Jim Jupp). This time round Jupp has recruited a full band roster to expand his own unique electronica. He is joined by occasional Belbury Poly collaborator Christopher Budd on Bass and Guitar, Jesse Chandler (of Midlake, Mercury Rev & Pneumatic Tubes) on flute, clarinet and keyboards, Max Saidi on drums plus narration from author and poet, Justin Hopper.

Musically it takes as its starting point a particular moment of early 1970s British film soundtracks by the likes of Roy Budd and Roger Webb; a soundworld of easy-going jazz and funky rhythms gently coloured with pastoral strings and flutes. The Path, however, is unmoored from time or place thanks to Hopper’s narrative style, Chandler’s rustic flutes and keys, Budd’s soulful psychedelic guitars and Jupp’s production and electronics. The co-writers were all chosen for their unique abilities and an intuitive understanding of the ongoing Belbury Poly project. The spoken word elements form a loose, open-ended narrative; very much an album with spoken word rather than a spoken word album.

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7fo

7" | 2023 | JP | Original (EM)

14,99 €*

LP | 2016 | EU | Original (Other People)

Release: 2023 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Electronic musician 7FO's first release on EM Records in a long time is a new tune and single that will change the image of 7FO. The new song, "Healing Sword," which the artist says they approached with the "feeling of being mysterious DIY musicians" (not a feeling, they actually are), was the first single song in 7FO history to be produced as a tribute to the 7" pop era and Joe Meek. "Surf synth acid dancehall rock!!" - Jackson Bailey (Tapes/Rezette)

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Ot To, Not To

Goshe

19,99 €*

Reptilicus & The Hafler Trio

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Beautiful Deluxe Artwork, Limited ot to not to is an experimental RnB project by VA native Ian Mugerwa that combines low fidelity electronic recording techniques with unconventional song structures to produce music that serves as homage to dusty old blues recordings. At 19, Ian left his hometown of Fairfax for Richmond, where he slept on friends’ floors for several months while recording Goshen. During the day he would “hunt dussy” and during the night he would haul borrowed equipment over to the VCU music facilities and record until the morning. He was moderately successful on both fronts. The resultant recordings form a coming of age album, a snapshot of Ian from the ages of nineteen to twenty. Ian’s goal was to explore new aesthetics in black music through use of nontraditional methods, creating less polished, less sterile RnB in the process. Such methods included layering 40+ cello tracks to create the illusion of an orchestra, or collaging four, separate, 4-minute tracks of improvised percussion into one. Most drums were recorded last. Despite the focus on experimentation, it was important to Ian that he be crafting pop music. It is his belief that an impactful artist has, at least to some degree, a moral responsibility to deliver their art to the maximum amount of people (to efficiently help art as a whole progress). In other words, if restraint can be exercised, it ought to be. Similar artists include James Blake, Phil Elvrum, Mark Hollis, and D’Angelo.

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Designer Tme

LP | 2021 | CA | Original (Artoffact)

Smellls Like Blakk Page Orange Vinyl Edition

Release: 2021 / CA – Original

Genre: Electronic & Dance

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The First-Ever Vinyl Reissue Of This Epic Collaboration Between Icelanders Reptilicus And The Hafler Triothe First-Ever Vinyl Reissue Of This Epic Collaboration Between Industrial Experimentalists From Iceland, Reptilicus, And The Hafler Trio. Designer Time Was Originally Released 1994 On Staalplaat As A Cd Release. This New Version Is Remastered And Pressed On White Vinyl.

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Drone Operatør

7" | 2021 | EU | Original (Drone Operatør)

2LP | 2021 | EU | Original (Music From Memory)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New Dresden based label. Experimental, eclectric electronics, free jazz and neo-classic inspired by famous songs.

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MLO

Oumuamua

Neotantrik (Andy Votel, Suzanne Ciani, Sean Canty)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music From Memory are excited to present the first compilation of works by British electronic pioneers MLO aka Peter Smith and Jon Tye. Titled ‘Oumuamua’ and second up in the Virtual Dreams series, the compilation is an in-depth artist focused release containing twelve thoughtfully selected tracks that touch on highlights from the duo’s discography as well as newly (re)discovered music drawn from a vast archive of unreleased pieces, sketches and extended jams recorded between 1993-1995.

MLO’s ambient explorations began when Pete and Jon, having first met in rival punk bands during the late ‘70s, found themselves with unlimited access to an incredibly well-equipped studio, having been hired to produce an Icelandic pop star’s record in the early ‘90s. Particularly charmed by the Korg PS 3300 and an Emulator 2, Smith and Tye were also deeply fascinated by outer space and set about developing a musical landscape informed by both this new state of the art musical equipment and what lay beyond the Earth’s limits. Painting with a palette informed by classical minimalism, new age and the works of Cluster & Eno; the duos primary colours were drones, sustained tones, washes, calming tides, gentle temple bells and soft angelic voices with flickering glimpses of percussion and drums that hinted at the possibilities of a dance floor.

‘Oumuamua’ is a collection of music to get lost-in, a wander down the mazed, mirrored corridors of the subconscious. Peaceful, flowing, fresh-water patterns, drawing the listener toward a mediative, inner space. Not strictly ambient, rather the music rests temporarily within the boundaries between drum ‘n’ bass, library music, soundtracks and Techno. Or how Jon Tye himself puts it: “It really feels like music from a different place, a different time, made by different people.”

Artwork by Vica Pacheco, design by Steele Bonus, liner notes by Dr. Rob

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241014 Clear Vinyl Edition

2LP | 2021 | EU | Original (Pre-Cert Home Entertainment)

5 S-Bahn Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Synth legend Suzanne Ciani, Demdike Stare’s Sean Canty & Finders Keepers’ Andy Votel come together on this killer hour-long 2014 synapse popper of a collaboration pooling the occasional group’s esoteric collage-based approach into a remarkably foreboding session pregnant with a dread that’s never quite resolved. Think Vladimir Ussachevsky, Todd Dockstader, Spectre and Company Flow melted thru the Deutsch-Italo industrial DIY tape era and funneled thru an almost impenetrable fog of Ann Arbor basement noizze. Hustling some of Neotantrik’s most amorphous gestures, ’241014’ is a four-segment movement of reduced Buchla treatments, destroyed vinyl loops and scraping foley suspense; like a cosmic dream diary layered into a collage of drones and clatters. Little in Ciani’s extensive catalogue has hinted at what’s on display here; the joyful lullaby-pop of “Seven Waves” or metallic alien soundscraping of “Flowers of Evil” are only hinted at. She instead paints new sonic vistas, allowing space for her collaborators to make themselves known; Votel’s chiming toy autoharp and Bubul Tarang (a Punjab string instrument) add a distinctive flavor, while Canty’s grimy drones and noise-soaked textures drizzle pitch-black molasses into the cracks and crevices. Together, the effect is a bit like hearing Philip Jeck improvising over Popol Vuh’s peerless Moog-led debut “Affenstunde” or Demdike Stare knocking out impromptu reworks of Tangerine Dream’s abstrakt early run. Perhaps unusually, the trio have still never set foot in a studio together, exclusively maintaining their practice in-the-moment and on stage when schedules intersect. So it’s all the more remarkable that their improvisations naturally find a democracy of role and such a heightened level of intuition, beautifully converging their thoughts to mutual, open-ended conclusions that leaves billowing room for interpretation. In a most classic sense, it’s like the sensation of sleep paralysis or dream/nightmare ambiguity, with a level of suggestiveness that’s disorienting from end to end. For the first time the recordings are now available in high fidelity (there was a tape version a couple of years back) - now remastered by Rashad Becker to better represent the otherworldly scope of their actions on stage, from the NWW-like queues and drone of ‘Scanned Accents’ and keening silhouette of ‘Second Action,’ to new sections of subaquatic Porter Ricks-like murk in ‘Anti-Contraction’ and the levitating webs of synth and tactile, sampled textures in ‘Last Canción.’ Tape music and synth music have long shared a passionate embrace, and here turntablism coolly slides in on the action. Canty and Votel’s background in beat tape assembly and crate digging pays off: they’re keenly experimental creators but bring an unfussy sense of rhythm and performance that’s miles beyond any facile repetition of a nostalgia for vintage glory. Combined with Ciani’s delicate Buchla work - it’s a unique proposition.

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Lucy Railton

LP | 2021 | EU | Original (Boomkat Editions)

LP | 2021 | EU | Original (South Of North)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Mastered by Rashad Becker for this vinyl edition, ‘5 S-Bahn’ finds Lucy Railton rendering a sublime, haunting impression of Berlin made in early Spring 2020 for our Documenting Sound series of sonic postcards from around the globe. It’s essentially a recording of a world-renowned cellist duetting with the S-Bahn outside her apartment in Prenzlauer Berg, playing with, thru, and against the atmosphere of Berlin in spring during lockdown, capturing a scene that feels timelessly nostalgic, pregnant with an unresolved and restless quietude. For a compelling 45 minutes Railton describes the slow daily arc of life under lockdown in a usually bustling Berlin slowed to stasis. Quite brilliantly, her voice and her musical gestures become fleeting ephemeral presences as much as the passing trains, planes overhead, birdsong, and the gorgeous church bells of P’Berg, which all unfold and recede in languorous turns. It reminds us of the exquisite, seemingly effortless location recordings used in Hitchcock’s ‘Rear Window’ - ambient sound in the truest sense of the word; suggestive of life just outside our field of view; close - and out of reach. Railton’s ear for ghostly haptics serves to search out an underlying poetry in the ubiquitous and everyday, highlighting the serene yet dread-filled uncanniness of a usually bustling Berlin awakening from winter into the torpor of lockdown. Railton sets the scene: “On the other side of our backyard wall is Berlin’s main railway line, the Ringbahn. A train passes the apartment block about twenty times an hour, drowning out our conversations and waking us up at night. It is a communal annoyance you learn to love. It structures the shape of this place and enforces a rhythm. I’ve always been glad of these interludes, they provide rich listening material that heightens an otherwise peaceful sonic space. ‘5 S-Bahn’ is my attempt to inscribe part of my sonic location and my own position within it. Over the wall, I learn the look of the garage, the church, the rows of Maple trees, the tracks, a playground and the graffiti. Up here, the traffic on Schoenhauser Allee is more pronounced and the deep hum of the city funnels in along the tracks. The machines and people who had been in our ears all this time are now visible. Pressing record I start the process of learning this space and its articulations, hearing it washed out over and over again by the train’s intense interruptions. I wash out with it too, listening from inside my apartment with my headphones on, playing along, singing along, in duet with the tones and frequencies of this space and the organic shapes of its drama. There is so much music already here, maybe this is a collaboration or a dedication of some sort. I find myself admiring its virtuosity and its personality: relentless, seductive, beautiful in all its variation. By taking part in collaboration, I learn and absorb the character of the other, and through the sitting process, I find new shapes and tonalities and temperaments.”

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Nicolini

Penni's Palace

LP | 2021 | EU | Original (Tax Free)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Welcome to Nicolini’s wonderful world of surprise - Penni’s Palace. Here you will find zebra-chairs and matchbox countachs, colourful tv-screens and Penni the cat presiding over proceedings. You will also find Nicolini, hunched over his MPC or Casio keyboards, sweeping the EQs to make the sounds move, jamming out his songs in heavy microdoses. They are the sounds of machines and the city - Amsterdam centre to be precise - brought to life with volts of electricity.

These songs started out as a live show on the terrace of Garage Noord nightclub, and over the following months Nicolini tweaked and re-recorded them into the collection of tracks you have before you. Bristling with energy, these live jams have a loose, almost mystical feeling - you never know quite what’s around the corner. Sounds jump out of the speakers at you, from car engines to reverb crashes. Opposites face off against each other - the mechanical meets the organic, and the cold emptiness of the city contrasts with the warm timbres of tropical climes.

Nicolini is quite used to combining disparate elements, particularly as a member of the re-configured Zamrock band Witch. As pioneers of some of the heaviest space fuzz back in the ‘70s, Witch combined garage-psych guitars with Zambian dialects and culture to create a wildly unique sound. Nicolini joined the band during their resurgence over the last few years, as they toured far-flung corners of the world. It’s an experience that undoubtedly helped Nicolini hone one skill set in particular - combining unexpected sounds together in unusual ways - and it’s on full display across these nine tracks.

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ccctyyy

Reappearance

13,99 €*

2LP | 2021 | EU | Original (Magnetism)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Digital renaissance & romantic ambient by ccctyyy with contributions by isangyi. Reoccurring payment reminder

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Digitalism

Jpeg

12" | 2012 | EU | Original (Horizontal Ground)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Jpeg is the 4th album from German legends Digitalism, released on their own label “Magnetism". The Hamburg-based electronic music duo formed in Hamburg in 2004, consisting of Jens “Jence” Moelle and ?smail “Isi” Tüfekçi. Digitalism has released records on labels such as Gerd Jansons Running Back Records, Kitsune, Virgin, Dynamic Records, Boys Noize Records, Astralwerks and Pias and has throughout the years played all over the world at famous venues, clubs and festivals. They are also highly regarded for their remixes for acts such as Daft Punk ,Depeche Mode, Superorganism, Mø and many more. Digitalism have became synonymous with unique electronic productions, a crossover sound with roots in both indie, techno and pop. Digitalisms music also appears in countless video games and syncs (Recent campaigns Nissan Leaf, past campaigns Vodafone, Fifa, Gran Turismo and many more).

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Szare

HG011

8,99 €*

12" | 2021 | UK | Reissue (Sähkö)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Classic Szare release.. Last copies...

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Ryoji Ikeda

Ryoji Ikeda EP

17,99 €*

LP | 2021 | EU | Original (Improved Sequence)

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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Ryoji Ikeda is one of the most influential minimal electronic musicians and sound artists of our time. He also works as a cutting edge visual atist. He creates poetic art reducing the elements to extremes.
Ryoji Ikeda was born in 1966 in Gifu, Japan. He lives and works in Paris, France and Kyoto, Japan. These two tracks are taken from his first and third album from early/mid 90's and are previously never released on vinyl. Space was newly mixed by Ryoji Ikeda for this EP.

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Flying Luttenbachers

Live At Wnur 2-6-92

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Originally released on cassette in 1992 and then CD in 1996 this is The Flying Luttenbachers' first transmission to Earth. A furious snapshot into the early days of the band and featuring the incredible line-up of head honcho Weasel Walter, Hal Russell and Chad Organ. First time on vinyl.

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1988 Cloudy Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

14,99 €*

2LP | 2021 | EU | Original (Erased Tapes)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of Ymo), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.

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Nils Frahm

Tripping With Nils Frahm

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Small Craft On A Milk Sea

Brian Eno

2LP | 2011 | UK | Reissue (Warp)

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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Persuasion System Sky Blue Vinyl Edition

Com Truise

LP | 2019 | US | Original (Ghostly International)

Release: 2019 / US – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Karl)

Saba Alizadeh

Scattered Memories

18,99 €*

12" | 2019 | EU | Original (Raster)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included.

The release comes on 180g vinyl. On his debut album “Scattered Memories”, the composer, musician and true master on the Iranian spike fiddle kamancheh Saba Alizadeh blends his instrumental virtuosity with spherical electronics, samples of Persian music instruments and field recordings from his hometown Tehran.

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Belief Defect

Remixed 01

16,99 €*

12" | 2019 | EU | Original

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After their highly acclaimed debut album »Decadent yet Depraved«, Berlin and LA-based producers Belief Defect invited a variety of artists to join their »Remixed« project. The following 12” EP is a first four-track release of this project. The original tracks of the album are only an approximate starting point for »Remixed«. In contrast to »Decadent yet Depraved«, largely conceived in song structures, this EP is about transferring the pieces back into abstract space, and each remixer does it in his very own way. Alessandro Cortini’s one-take live recording is a lesson in classical ambient music. Telefon Tel Aviv’s remix is timelessly modern and extremely delicate sound design. Rather opposite concepts are coming from Surachai’s brutal pattern design and Kangding Ray’s expressive and analogously saturated repetitions for the dance floor.

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DJ Nobu

On-Netoh EP

9,59 €* 11,99 € -20%

2LP | 2018 | EU | Original (New Dawn)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Chiming, bubbling and beautiful, 'Zzzz' is a 15 minute piece that was initially composed as healing music for a sick friend. After lengthy deliberation (and one particularly fun demo listening session in Amsterdam) the accompanying B side tracks were finally decided upon, making up a thrilling set. 'Wwww' goes straight into Nobu's menacing side with a looping, brooding piece of wired paranoia. He finishes off the triptych with 'Cccc' a psychedelic drive down the darkened roads master Nobu is often known to navigate through when in murder mode as a DJ. BIG TIP!
The artwork is from a painting by Syoujou Ooido (Nara, Japan) used with kind permission.

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Jungle By Night

Livingstone

LP | 2018 | EU | Original (Mannequin)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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5th album by the nine-piece instrumental collective from Amsterdam, Jungle by Night. Incl. downloadcard. After almost a decade of heating up dancefloors across the globe, Jungle by Night have reached manhood. In the process of creating their 5th album, the nine-headed collective melted years of passion, friendship, and influences from krautrock, dance, jazz, afrobeat together into new instrumental prose, fluently speaking the language of their instruments.The band is an oddball ensemble within its own cosmos. A danceable and thundering live-act, connecting with crowds like no other, with beaming fun and energy along the way.

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Doris Norton

Artificial Intelligence

To Syria, With Love Remixes

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Mannequin Records is proud to present a trilogy of reissues from the avantgarde Italian-born producer Doris Norton, "Norton Computer For Peace" (1983), "Personal Computer" (1984), "Artificial Intellingence" (1985).
Apple's first music "endorsement" (later IBM consultant) and early Roland affiliate, Doris Norton is one of the most important women pioneer in the use of synths and in the early electro / computer music.
While the beat-oriented style of Norton’s music aligns her with such global fellow-travelers as Yellow Magic Orchestra and Kraftwerk, her championing of the personal computer as a tool for self-sufficient musical creativity also connects her to more artsy musicians such as Pietro Grossi, Laurie Spiegel, and the League of Automatic Music Composers. Norton’s predilection for the bright, glossy timbres of early digital instruments also recalls Hubert Bognermayr and Harald Zuschrader’s bizarre 1982 one-off Erdenklang.
1 year after "Personal Computer", Doris Norton released 'Artificial Intelligence' (previous title: 'From Art-Physiol to Artificial Intelligence', changed before publishing) in 1985, setting a step up in her deep electronic music research and innovation.
"The whole album was composed and programmed only with the alfanumerical keyboard of the computer. The total of the notes and coded events takes to the number 124.648: of these 123.827 were coded with 'step time' procedure and the rest with real time procedure.
Having done reduced the keyboard Doris Norton used only an hexaphonic JX.8P with memory processed by her and interfaced to the computer.
No drums were used, neither electronic nor much less acoustic. All the rhythmics were obtained by A.D.A. conversions and processing of wave ranges and with the use of expanders with a very special handling of envelopes, frequency, resonance, noise
Doris Norton fed the computer the parameters of vowels and consonants of her own voice, like A, O, U, E, D, N, through an A.D.A conversion card; by processing these values and assembling them in phoneme in hundreds of different combination, various compressed resolutions she was able to make the computer sing a complete song in a totally human way (with the voice of Doris).
Many other yxith sounds resulting from A.D.A. conversions are present in this new album 'Artificial Intelligence', amongst these: pipe organ, plate, electric discharge, iron beat, birds, dog, harp, woods ...... all sampled and handled by the computer.
'Artificial Intelligence' is a perfect example of how human intelligence can bend the coded 'artificial intelligence' to hits own will. ....."
(Source: ComputerMusik -1985)

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Omar Souleyman

LP | 2018 | US | Original (Mad Decent)

12" | 2018 | EU | Original (Mule Musiq)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2018!

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Glenn Astro

The Taurus EP

10,99 €*

LP | 2017 | EU | Original (Optimo Music)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Raw, soulful and agitating: Glenn Astro, the humble house sorcerer from Berlin, produced four tunes and a sweet interlude for Mule Musiq that point out: house music is still heading for the future.

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Penelope Trappes

Penelope One

15,99 €*

Kiasmos (Olafur Arnalds & Janus Rasmussen)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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We like to let our artists speak for themselves about their music whenever possible so asked Penelope to tell us about her album : “In 2016. I rented out a small piano studio in East London for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. Inspired by albums from This Mortal Coil and Scott Walker, who also sought freedom to work outside of the expectations of their previous work, I limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. Writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, I felt free enough to tell untold truths that I’ve never felt comfortable talking about within music. Free, liberated, empowered. naked.”

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Swept

LP | 2015 | EU | Original (Erased Tapes)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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LP | 2015 | EU | Original (Parlophone)

St. Germain

Release: 2015 / EU – Original

Genre: Electronic & Dance

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LP+CD | 2014 | UK | Original (Med School)

Bop

Punk's Not Dead

17,99 €*

Release: 2014 / UK – Original

Genre: Electronic & Dance

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LP | 2014 | UK | Original (XL)

FKA Twigs

LP 1

Nuthin' But Sum Duke Knwldg

Release: 2014 / UK – Original

Genre: Electronic & Dance, Pop

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Highly anticipated follow up LP to her two EPs! Janet Jackson meets The XX meets Massive Attack.

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The Duke Of Juke

10" | 2014 | NL | Original (Anus)

9,99 €*

Atoms For Peace (Thom Yorke)

Release: 2014 / NL – Original

Genre: Electronic & Dance

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Ltd edition 300, vinyl only release.

The Duke of Juke returns with a smashing 10", his first release on dutch imprint ANUS Records. Here he shows his variety of musical knowledge fitting our philosophy - be odd, be future, be not too serious. Get to know!

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Amok

2LP+CD | 2013 | UK | Original (XL)

Midnight On Rainbow Road 2024 Repress

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Nigel Goodrich, Flea (Red Hot Chili Peppers), Joey Waronker (Beck, R.E.M.), Mauro Refosco (David Byrnem Peppers) & Thom Yorke are Atoms For Peace!

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Leon Vynehall

12" | 2016 | EU | Original (Rush Hour)

8,99 €*

LP | 2023 | EU | Original (Music On Vinyl)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Leon Vynehall’s beautiful ambient, cinematic race car track now reconstructed for the dancefloor. Comes with an unreleased beat version on the A-side and the original version taken from Gerd Janson's "Music For Autobahns 2" on the flip. Tip!

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Full Crate

A Kid From Yerevan

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Oroom)

Gus Gus

Danceorama

Spazio Per Azioni Luminescenti

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The forever exploring electronical entity of a band, Gusgus, has opened yet a new era in their unique sonic multiverse. With their 12th album, the course is set to a strange mysterious place called DanceOrama. A Rave-Mall in a nostalgic future, DanceOrama is the place to be, where you can experience infinite freedom, genre and gender free. Moving from the pulsating new-wave influenced techno pop of the last album “Mobile Home” (2019), Gusgus emits the vibe of DanceOrama on their new album as an arousing, melody-rich hybrid of 80s/90s parties and raves. The 9- track album is slated for a November 10th release. The release is evenly split up in euphoric fusioned pop anthems and genre-free instrumental journeys.

Gusgus‘ last album “Mobile Home” was the later of twin albums that found the band exploring early 80’s new wave influences and reviving them in the iconic Gusgus soundscape. The highlight on the album was a pulsating techno reggae track called “Higher” that introduced a new member into the band, Margrét Rán, the lead singer of “vök”.

Whereas on “Mobile Home”, the concept was stationed in a rural environment of a dystopian side reality, Gusgus now moves to the city. In this city of strange discomforting future omens, DanceOrama stands out as the rave-mall of freedom. Leaving the new wave influences, this album is a strange hybrid of the 80’s and 90’s parties twisted into a genre-free blend of arousing experiences.

The album consists of 5 instrumental tracks and 4 vocal pop songs, ranging from 105-158 bpm and exploring various influences from the 80’s and 90’s and even the 70’s in a strange fusion of techno, trance, italo-disco, house and pop that emits the rawness and innocence of previous decades. The pop songs are quite strictly set as stories related to the mysteries and rumors of DanceOrama. One track in particular will be very exciting for our fans, as it has been a regular final track on our live show since the album “Arabian Horse” in 2011. This is the track “Breaking Down” that was recorded during the album “Mexico” in 2013 with “Earth” and “Högni” on vocals but, due to emotional turmoil, has never been released until now.

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Tutto Questo Sentire

LP | 2023 | EU | Original (Osàre! Editions)

12" | 2023 | EU | Original (The Very Polish Cut Outs)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In October 2021, Spazio Per Azioni Luminescenti culminated the Close Range music residency programme at Het HEM contemporary art centre in Zaandam, the Netherlands. A haunting audiovisual performance and site specific immersive installation, it evokes elements of sound, spoken word and articulated light design. The recording is a twenty minute sonic journey in four moments, each interlinked with one another. This format reflects the iterations of the work which was performed live twice a day over two days. The piece was presented by Tutto Questo Sentire, an artist collective consisting of experimental soprano Olivia Salvadori, composer and cellist Sandro Mussida and filmmaker and video artist Rebecca Salvadori. The group is accompanied by guests Osàre! founder Elena Colombi on synthesiser, vocalist and producer Coby Sey and light artist Charlie Hope.

Conjuring the afterglow of creative encounters; the dying embers that linger when the curtain has fallen, Spazio Per Azioni Luminescenti illuminates impressions embedded in architecture; the echoes of the past that emanate as sensations, affect and memory. Interweaving classical instruments and singing with synthetic production and field recordings, for each performance, Hope sampled the colours of the evening sky, projecting the fluctuating shades of orange like a slowly revolving lighthouse beacon. Emerging from the captured footage, sound and light design processes are concepts of fragmentary action, stillness and rotation, the passage of time and circular motion of circadian rhythms.

Located along the banks of the North Sea Canal, Het HEM is a former industrial munitions factory. Unfolding between the looming white metal girders that make up the building’s infrastructure, Spazio Per Azioni Luminescenti opens with a low hum from Colombi’s modular synth, the oscillations reverberating through the concrete and steel. Filmmaker Rebecca Salvadori plays out fragments of her videos, inviting the audience to listen and imagine the missing images, envisioning “what remains” absent, while Mussida draws a slow, incandescent chord on his cello strings. Voices echo, snippets of conversations between the artists involved, Het HEM's director and curators. Sey harmonises with Olivia Salvadori’s otherworldly soprano, their vocals amplified through a quadraphonic, site-adapted speakers. Slipping into the surreal and uncanny, Spazio Per Azioni Luminescenti plays deftly with spatially: utterances surface, then disappear into the shadows, as ephemeral as a sunset.

Words by Hannah Pezzack

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Pejzaz

List I

2LP | 2023 | EU | Original (Atlantic)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Pejzaz (aka Bartosz Kruczynski) returns with a captivating new collage album. Divided into two records List I (set out to be released end of september) & List II (scheduled for end of November), it delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.

List I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).

Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.

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Skrillex

Quest For Fire

47,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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An Object In Motion Green In Blue Vinyl Edition

Drab Majesty

LP | 2023 | EU | Original (Dais)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The latest EP from Drab Majesty marks the start of a stirring new chapter in the band's majestic legacy. Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo- psychedelic resonance of a uniquely bowl - shaped 12 -string Ovation acoustic/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into "flow states," letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell (Slowdive), Justin Meldal Johnson (Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motion is true to its title, capturing the chrysalis moment of an artist evolving, reborn and untet hered, silhouetted against an open horizon. "Cape Perpetua" kicks off the collection's divergent palette: sparkling acoustic fingerpicking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. "The Skin And The Glove" deploys jangle to different effect baggy, soaring, grey skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic freefall voice to The Cure - esque ballad, "Vanity," infusing poetic gravity to the doomed refrain: "If the valve breaks / then the earth quakes / and history finds a way / to put you in your place." "Yield To Force", the closing track of the EP, may be the most anomalous offering of the set. A 15 minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It's music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. Taken as a whole, An Object In Motion presents a showcase of potential futures from Drab's evolving domain, their sound poised to bloom at the precipice of transformation.

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Lounge Psychédélique (The Best Of Lounge & Exotica 1954-2022) Black Vinyl Edition

2LP | 2023 | EU | Original (Two Piers)

35,99 €*

LP | 2023 | EU | Original (Optimo Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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* Available on Black Double Vinyl and Mint Green Double Vinyl * Third installment in the Psychédélique Compilation series on Two-Piers * Featuring music by Martin Denny, Yma Sumac, Mel Tormé, and more! / ‘Lounge Psychédélique’ takes you on a journey into the world of Lounge, Exotica and Space Age Bachelor Pad Music, from its early days in the 1950s and 1960s to the current crop of artists championing the Lounge & Exotica sounds today. Compiled by Spencer Hickman & Mark McQuillan for Two-Piers ‘Lounge Psychédélique (The Best of Lounge & Exotica 1954-2022)’ is the third instalment in the Psychédélique Compilation series on Two-Piers, following the critically acclaimed ‘Pop Psychédélique (The Best of French Psychedelic Pop 1964-2019)’ and ‘Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019)’. ‘Lounge Psychédélique’ brings together the sounds of Easy Listening, Soundtrack Instrumentals, Exotica, Jazz, Psychedelic, and Space Age sounds all under the umbrella of Lounge Music. The compilation includes legends of the Lounge and Exotica scene, such as Martin Denny, Yma Sumac, Mel Tormé, Herb Alpert, and Les Baxter, alongside legendary composers Hugo Montenegro, Lalo Schifrin, Michael Giacchino. Add some Lounge Jazz from Cal Tjader and the Latin Bossa Nova of Quincy Jones. Then throw in some beautiful oddities from Leonard Nimoy, Pizzicato Five and Mort Garson. Next, mix in some Lounge-Mod moments from Dave Pike and Jack Trombey, KPM library classics from Alan Hawkshaw and Keith Mansfield, and finish with some brilliant modern-day exponents of the Exotica sound Los Bitchos, Ixtaheule and the Percussive Funk Moog party sounds of The Bongolian. The result is a fun and crazy ride through the world of Lounge Music which will bring a smile to your face and a spring to your step. So raise a cocktail glass to ‘Lounge Psychédélique (The Best of Lounge & Exotica 1954-2022) – a sheer joy from start to finish! ‘Lounge Psychédélique’ isn’t meant to be a ‘crate diggers’ album or a compilation of obscure, hard-to-find tracks to outdo your mates. Instead, it is intended to celebrate the Lounge scene and, hopefully, the perfect introduction to this fantastic and beautiful music for any newcomers out there. So let your journey into Lounge and Exotica begin here…

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Kaukolampi

Inside The Sphere

Eve Aboulkheir / Lasse Marhaug

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Timo Kaukolampi, frontman for Finnish electronic rock group K-x-p and tireless sonic wanderer, is releasing his second solo album, this time on Optimo Music. Exquisitely rendered, shadowy, curiously claustrophobic and even occasionally paranoid, Inside The Sphere is an album wholly deserving of its name.

A sense of paranoia is one of the threads through this glittering, winking electronic maze. Kaukolampi says “I came up with this metaphysical concept of the “sphere”. When you are manipulated you are ‘Inside The Sphere’. It’s like this dome of ‘undue influence’ that you don’t know exists around you. It’s a bit like the inside of a cult.”

Indeed, it’s amazing the effects achieved with a few sparse electronic textures, the odd smattering of studio trickery, and two or three well-placed synthesizer parts. Though the result might sound ostensibly simplistic, Inside The Sphere is an album of reduction rather than addition. The rhythmic and textural scaffolding is based around what’s not there, rather than what is. Take ‘vcs3’. At first listen, it seems forged from a few synth lines and a simple percussion part – so far, so simple. But listen closer, enter the sphere, look behind the mask – notice the slightly detuned drones, the chattering percussive textures, that distant swell of bass, the way the central fugue shifts and mutates somehow statically, like a barber’s pole.

Might we be listening to an album within an album, a more complex song cycle hiding within the folds of an ambient electronic album? This ties in with another of Kaukolampi’s thematic frameworks – that of the mask. He references Oscar Wilde’s quotation that “Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.”

Inside The Sphere is not a one-note album. For every moment where a clammy ambient space enters, a buttery analogue bassline is there to fill it. This clash seems to be the album’s engine room, its power supply.

Timo references devotional and choir music as an influence on this album. The paranoia and foreboding is tempered by these headier aspects. Kaukolampi mentions “empty and hollow spaces” in relation to several of the songs. Perhaps this is the very space behind the mask, where outward disguise merges with inner reality. Perhaps inside the sphere is not always such a bad place to be.

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Guilin Synthetic Daydream / How to Avoid Ants

LP | 2023 | EU | Original (Portraits Grm)

25,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Eve Aboulkheir's »22/12/2017 Guilin Synthetic Daydream« is inspired by an experience of intense perceptive disorientation while crossing a market in China. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesques around us. »How To Avoid Ants«: Using concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material.

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12" | 2023 | EU | Original (Sure Thing)

Mist006

LP | 2014 | US | Reissue (Temporary Residence)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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My Own Mirror To Stay is a brand new and first-ever compilation from the Sure Thing label. It finds them carefully curating six new artists and welcome them to the family, each with their own personal reflections of the dance floor. Lukas Urban kicks off with supple, seductive and stripped back techno while Soreab layers up prickly percussive layers and Sanguine sinks you into a dream state with his lush ambient pads and skeletal rhythms. The flip side features three more elegantly designed and meticulous bits of techno sound sculpture. The always exceptional Neel has mastered this one too.

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William Basinski

Melancholia

33,99 €*

Unfinished Colored Vinyl Edition

Release: 2014 / US – Reissue

Genre: Electronic & Dance

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- Limited Edition of 2,000 copies- First time ever on vinyl- Remastered from original recordingsOriginally released a year after the increasingly iconic The Disintegration Loops, a decade later Melancholia still stands as William Basinski's second most beloved album. To commemorate its 10-year anniversary, we are honored to present the first-ever vinyl edition of this otherworldly piece of music. Remastered from the original recordings and pressed onto audiophile-quality 100% pure virgin vinyl, this limited-edition vinyl reissue is packaged in a stunning gatefold jacket featuring all-new artwork. It is truly a sight and sound to behold. Like many of Basinski's most soul-stirring works, Melancholia began as a series of short tape loops captured in the early 1980s. Basinski then stored them away for decades, revisiting them at a different time in his life, at which point they took on a stunning new sound all their own - one that many consider to be among the finest of the past decade. "Melancholia is probably the best of Basinski's records until now, even if this is hard for me to say given my love for each one of his releases. This music is so beautifully delicate and sad in its auto-reflective moods, it stands right there with everything ranging from the usual suspects in the 'ambient' field, to a distorted damp ghost of Claude Debussy or Maurice Ravel put into a time machine." - Touching Extremes

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nthng

2LP+7" | 2021 | EU | Reissue (Lobster Sleep Sequence)

35,99 €*

Timeproof Red Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Repress

Themed around events in nthng's life, Unfinished is a deeply personal journey, yet there's something very relatable to the world he has conjured. Lockdown has forced us to look inward, explore realities within ourselves and the fragility of our forgotten world. The album is a series of peaks and troughs - hopeful words, ominous tones and other-worldly soundscapes, giving way to a journey in no way linear - but a true reflection of our times.

The title track sets the scene perfectly, while Son features deep bass notes, dreamy keys and spoken word - creating a visceral and unsettling scene. Subnautica resides in the fringes of ambient and techno - as tribalistic drums are suspended in our new rendered reality.

The marching bass and howling synths of Wrath of the Demon lull conspicuously in a vacuum, while the hauntingly beautiful vocals featured on Disappeared But Not Forgotten evoke a poignant, powerful reaction across the record's B-side - "Everything stopped, you just disappeared..."

At its most tranquil Our Time offers a sense of rest - a space to appreciate, as we leave the window open, peer outside and feel the gentle breeze brush across our face. Saafe continues this theme, and feels like a warm embrace - "She saved my life in a matter of speaking, when she gave me back the power to believe."

Ending Theme is beautifully organic as you hear the sound of the piano pedal touch the floor, tones are introspective and vulnerable - while the looming presence of uncertainty subtly takes form in thinly layered pads.

The album also sees the release of a digi only bonus track Only a Flash of Light and invites you outside while the stars are at their brightest.

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Ital Tek

LP | 2023 | UK | Original (Planet Mu)

22,99 €*

12" | 2023 | UK | Original (Sähkö)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The title of Ital Tek's seventh album "Timeproof" reflects what Alan Myson has observed and learned whilst making the album. Firstly, how distorted the perception of time is in the creative headspace - being in the studio creates a timeless environment, one's mind starts wandering and the perception of time is altered. Secondly, the bizarre effect of the last few years of lockdown have somehow infected the title, temporarily contracting our collective notion of time. And thirdly, Alan has learnt how spending time away from the studio can be as effective as being there, giving one space to process. Appreciating the power of being out in nature, putting other things into perspective, refreshing one's ability to approach work with both patience and creativity. Overall "Timeproof" feels more introspective than Alan's last album "Outland". Perhaps because of the time in which it was created or this new relationship to the creative process. The sounds and textures of the record hint at brutality and menace whilst also pulsing and evolving softly with a more refined interior life. It's expansive and elegant, neatly balanced between light and dark, more mossy and dreamy than the extremes of "Outland".

When making the album, Alan spent about a year or so working quickly and intuitively, churning out ideas, sketches and sound experiments without any attempt to finish or perfect anything. "I let it settle until I was ready to return to this body of raw material with fresh ears some months later, sometimes barely remembering what or how I’d done much of it." Over the course of another year he dived into the details, rendering all of this rough material and sound into something with form. Alan also visited older material and ideas, trying out, reworking and sampling, building it into this new body. The finished album feels open, with a gentle intuition that feels as if it's guiding you through.

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Quiet Voices

Hantologies

LP | 2023 | UK | Original (Normoton)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Quiet Voices is a collaborative musical and sound art project, mixing ambient & electronic music, cinematic atmospheres & spoken word, founded by Jean-Yves Leloup, featuring musical pieces he composed with Hélène Vogelsinger, Villeneuve & Morando, Wild Anima, François-Eudes Chanfrault and Maxence Cyrin.

Most of the composers involved in this project are all working in the field of cinema, composing music using electronic and acoustic instruments. All these musicians are also working in the field of modern classical, ambient and electronic music.

Through the use of spoken voices (some of them coming from films), the Quiet Voices project can be heard as a tribute to the power and emotion of cinema. Each track can be heard as a short film, or a scene, fostering the listener's imagination.

All the pieces from the record are dealing with the themes of time, memory, death or loss, and often dealing with the idea of an imaginary intermediate dimension between life and death.

Jean-Yves Leloup is a Paris-based french sound artist/DJ, curator and music writer. He is the curator of various music exhibitions (Electro at Paris Philharmonie, London Design Museum and Düsseldorf Kunst Palast) and the author of various books such as " Digital Magma ", " Global Techno ", " Techno 100 ", " Music Non-Stop " and t " Ambient Music : avant-garde, new age, chill-out & cinema " (2021). He teaches sound in cinema at Paris Esra cinema School, and has released four albums with the RadioMentale duo.

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Denqq

We Could Be Dead Soon

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Deutsche Elektronische Musik Volume 2 Special Edition

4LP | 2021 | UK | Original (Soul Jazz)

89,99 €*

Chancha Via Circuto & Luvi Torres

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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This album is the rarest of Soul Jazz's Deutsche Elektronische Musik series! Out-of print since its initial release over 8 years ago and not reissued, it features a monster 2 and ahalf hours of music! Very Limited Edition Super Deluxe Heavyweight Box Collectors' Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive 'Krautrock' book) + lots of exclusive photos. This is a one-off pressing of 2,000 copies worldwide.

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Ceremonia

2x7" | 2021 | UK | Original (Wonderwheel)

LP | 2021 | EU | Original (Infine)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Ceremonia ("Ceremony") is the first collaborative release between singer songwriter Luvi Torres, and producer Chancha VÃa Circuito. Combining exceptional voicework with powerful creative rhythms typical of Chancha, the lyrics include mantras Luvi uses in their therapeutic exercises, thereby immersing us in a healing musical world.

Taken as a whole, the album's four tracks, Abro ("I Open"), Creo ("I Believe" or "I Create"), Sano ("I Heal"), Amo ("I Love") encourage sensitive receptivity. Luvi's vocals are enveloped by lush ambient dub. Chancha's rhythms and vibrations create a comforting and calming soundscape that invites a sense of timelessness and expansion.

At times Ceremonia spirals hypnotically, blurring the distinction between inner and outer worlds. This music calls for attentive listening and encourages active individual and collective reinvention.

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Arandel

InBach Volume 2

Lonely Guest White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sharing his InBach album with the world in 2020 set events into motion that ultimately led to Arandel making second edition in the critically acclaimed, borderless project that unites rare instruments, musical reimanigation. Arandel unites once again behind the musical phrases of the Leipzig composer specialists of ancient and modern instruments (Thomas Bloch), modern synthesizers and moogs, strings experts (Gaspar Claus), and the poetic spoken word of Myra Davies and Bridget St.John. Textextext - (add your write up) “There is a Bach for everyone” Arandel says, “and that discovery is what led me here, to InBach". Beneath the intricate history, the godlike adoration placed upon Bach, he was a playful musician, an eclectic one even. And so, a full year after the release of the first InBach record on InFiné, there is enough material to make a second one. “There is so much about Bach I didn’t even know when making the first one - but after the release, people kept coming to me, telling me about certain pieces I should listen to or rework; songs that I had never even heard of.” The second InBach grew like a garden from the seeds of the first one - an eclectic journey through melodic fantasies, intricate sound design and a certain Pop silver lining. Some tracks were born out of Arandel’s band performing on stage, experimenting with the songs live and composing them anew, like “Nos Contours", a new, French-lyrics version of Bodyline with Ornette, Arandel’s stage partner.

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Lonely Guest

LP | 2021 | EU | Original (False Idols)

25,99 €*

LP | 2021 | EU | Original (La Sape)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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If it wasn’t for the global lockdown, we might never have had the chance to hear one of this year’s most intriguing and inventive albums.

Lonely Guest was conceived and put together over the last 18 months by one of British music’s true innovators: Tricky. But as he’s keen to make clear: this ain’t no Tricky album. Rather it’s a thrilling meeting of musical mavericks, with the likes of Lee “Scratch” Perry and Idles’ Joe Talbot all pitting their unique approaches to songwriting against Tricky’s otherworldly production. From an unsettling tale of isolation courtesy of Maxïmo Park’s Paul Smith ‘Christmas Trees’ to the grunge stylings of Marta’s ‘Move Me’, via the tense storytelling of London rapper Kway’s ‘On A Move’, these diverse statements come together as a bold artistic statement of their own.

Yet incredibly none of this was planned. Tricky had been expecting to be on the road throughout 2020, promoting the stark-yet-beautiful songs from his mesmerising last solo record Fall To Pieces. Instead, to keep his relentlessly creative mind busy during the pandemic, he began working through various collaborations with other artists … and realised they could work together.

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Zeitgeist & Tucceri

Jin Mu

Dancing On The People Record Store Day 2020 Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Having worked together for several years on the project 'Zeitgeist Freedom Energy Exchange' Zeitgeist and Tucceri come together here in a very intimate and vulnerable setting. This recording offers a place of reflection and healing amongst an ever imposing and disposable pop culture. In a time where we fight for each others attention in 10 second social media grabs. The duo offer something of the opposite. An opportunity to tap out of the technological bombardment and allow the listener the place to reflect, to ponder, to imagine.

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Sofi Tukker

12" | 2019 | CZ | Original (Virtual Label)

26,99 €*

Analog Fluids Of Sonic Black Holes Black Vinyl Edition

Release: 2019 / CZ – Original

Genre: Electronic & Dance

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Record Store Day 2020 Release.
Limitation: 2500 copies.

Dancing ON THE People'' EP (with three bonus tracks) is a collection of songs in English, Portuguese, and Spanish that expand Sofi Tukker's global and inclusive vision of dance music with songs full of adventurous ideas and joy. Issued as a digital only release on September 20th, this is first time vinyl release of the EP and for the bonus tracks as well, which includes their collaboration with ZHU ''Mi Rumba'', and EP track remixes by Mahmut Orhan & R3hab.

About Sofi Tukker: Sofi Tukker is the genre-defying duo of Sophie Hawley-Weld and Tucker Halpern celebrated for their inclusive and global perspective on electronic music and their work's themes of liberation, unity, and self-empowerment. Their debut single ''Drinkee'' was nominated for a Best Dance Recording Grammy,® which was followed by a Best Dance/Electronic Album Grammy® nomination for their debut album Treehouse. Sofi Tukker's records have achieved Gold or Platinum status on every continent other than Antarctica. Their electric and energetic live show has sold out venues and graced major festival stages across the planet, and Sofi Tukker has also performed on major TV shows such as The Tonight Show Starring Jimmy Fallon (usa), X-Factor (Italy), Sunday Brunch (uk), Late Show (Russia) and BuzzRhythm (Japan). Sofi Tukker are also passionate activists who have raised funds and awareness for Planned Parenthood, The Trevor Project, and the March for Our Lives. Side A [16:29]: 1. Sofi Tukker - ''Swing'' [3:08] 2. Sofi Tukker & Bomba Estereo - ''Playa Grande'' [3:21] 3. Sofi Tukker - ''Purple Hat'' [2:58] 4. Sofi Tukker - ''Ringless'' [3:00] 5. Sofi Tukker - ''Fantasy'' [4:02]

Side B [14:57]: 1. Sofi Tukker - ''Like This'' [2:58] 2. Sofi Tukker & ZHU - ''Mi Rumba'' [3:20] 3. Sofi Tukker - ''Swing (Mahmut Orhan Remix)'' [4:29] 4. Sofi Tukker - ''Fantasy (R3hab Remix)'' [4:10]

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Moor Mother

LP | 2019 | US | Original (Don Giovanni)

LP | 2019 | EU | Original (Mitsuko & Svetlana)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Out November 8th on Don Giovanni Records, Analog Fluids of Sonic Black Holes is a new full-length by Philadelphia-based artist, poet, and musician, Camae Ayewa, who performs under the name Moor Mother. A sonic black hole is a place where fluid moves so fast that it traps all sound. To be entangled in its gravity is to feel the pressure of an unjust system -- corruption so powerful that it drowns out whatever you throw at it. Analog fluids are resistance -- individuals who work to create and preserve community in the face of immense darkness and cosmic pressure. Begun in 2017 as a sonic counterpart to Ayewa's art show at New York performance space, The Kitchen, Analog Fluids was refined through exhaustive touring. It tracks Ayewa's emergence into an expanded artistic ecosystem, with contributions from a distinctive set of friends and collaborators like Justin Broadrick (Godflesh, Zonal), King Britt, Saul Williams, Giant Swan, and Bookworms

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Sora

Re.Sort

Of Light Clear Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The release comes on 350g vinyl.

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Shabazz Palaces

LP | 2018 | US | Original (Templar Label Group)

Release: 2018 / US – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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LP | 2018 | UK | Original (Discrepant)

Sugai Ken

Tele-N-Tech-Da

18,99 €*

No Home Of The Mind Transparent Vinyl Edition

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Japanese artist Sugai Ken presents a kaleidoscopic radio play inspired by the traditional Japanese art of Mingei.

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Bing & Ruth

2LP | 2017 | UK | Original (4AD)

2LP | 2014 | EU | Original (Rough Trade)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Established in 2006, Bing & Ruth is an ever-evolving collective steered by composer David Moore. A pianist from Kansas and graduate of New York’s school of Jazz and Contemporary Music at the New School, Moore’s work follows in the great tradition of fellow alumni John Cage and Steve Reich, albeit looking past the more studied repetition of the style’s forerunners toward a meditative form built on feeling.
With Moore at its nucleus, Bing & Ruth’s line-up has transmuted from the eleven-strong line-up that created debut album City Lake (“A stunning, humble record built on traditions we all understand, yet, somehow feels dizzyingly new.” – The Quietus) to a cast of seven for 2014’s Tomorrow Was The Golden Age (“One of the finest leftfield releases of the year.” – Pitchfork). With No Home of the Mind, the ensemble has been streamlined to a five-person unit, exploring the piano’s percussive qualities alongside running woodwinds, warbling tape delays and splattered upright bass lines that stare out with a wide-eyed transcendence, taking so-called “classical” music to new limits.

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Dean Blunt

Black Metal

33,99 €*

Into The Great Wide Yonder

Release: 2014 / EU – Original

Genre: Electronic & Dance

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So while people are still struggling to wrap their heads around Dean Blunt's previous long player The Redeemer, Blunt has already announced his new album and debut for the popular label Rough Trade. The new album is called Black Metal and the ghostly first single is called “50 Cent.” It sounds like neither of those reference points. It doesn’t really sound quite like anything, but still falls into a tradition of rap, rock, and the confessional intimacy of a singer-songwriter. It’s as dark, absorbing, and all-encompassing as that void of an album cover.

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Trentemøller

2LP | 2010 | EU | Original (In My Room)

19,99 €*

TV Songs Hand-painted Vinyl Edition

Release: 2010 / EU – Original

Genre: Electronic & Dance, Pop

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Handsome and mysterious Dane Trentemøller will release his sophomore LP at the end of May entitled Into the Great Wide Yonder. The man, who constantly offers up musical surprises for us, will release his first single ‘Sycamore Feeling’ in early April via his own label In My Room.

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Shela

LP | 2023 | EU | Original (Discrepant)

LP | 2010 | EU | Reissue (Bureau B)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Limited to 50 copies. Each cover has a unique handpainting.

Lisbon based keyboardist, João ‘Shela’ Pereira, a frequent collaborator with many local bands (Paus, Rinding Pânico, LAmA, Linda Martini and others) presents a new strangely haunting album, TV songs.

A scrapbook of recordings from the heart... Piano TV is a compendium of spontaneous notes of ideas on the piano, to the rhythm of a television set in the background... these are scraps of expression in a form of dirty bucolic sketches aspiring to a hypothetical larger, washed, pristine composition... they live best as an hypothesis, an aspiration, in infinity...

Because life is dirty, imperfect and real, it is this reality that allows us to taste the sublime, and the sublime can be found in these WhatsApp recordings.

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Conrad Schnitzler

Slow Motion

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | EU | Original (One Little Independent)

Laura Misch

Sample The Sky

25,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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10" | 2016 | Original (Med School)

Anile

Allergens

Release: 2016 / Original

Genre: Electronic & Dance

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If You Remember The 90's You Weren't There Ep White Vinyl Edition

Third Son

12" | 2023 | EU | Original (Lost Palms)

15,99 €*

Meduza Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Third Son returns to Shall Not Fade sister label Lost Palms with 8 dancefloor cuts!

If you remember the 90's you weren't there EP drops Friday December 1st.

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Meduza

LP | 2023 | EU | Original (Virgin)

35,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Forest Enter Exit & Mindmachine

Deine Lakaien

2LP | 2023 | EU | Original (Chrom)

34,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Lines Clear Vinyl Edition

Akusmi

LP | 2023 | Original (Tonal Union)

Changing Channels: Part 1

Release: 2023 / Original

Genre: Electronic & Dance

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London based composer, multi-instrumentalist and producer Akusmi announces 'Lines', an exhilarating new collection of works born from the desire to take where the acclaimed debut album 'Fleeting Future' left off - in search of new forms.

" 'Secant', I must have listened to this tune 3 times in a row, this one soundtracked my night drive through the winding roads" - Benji B, BBC Radio 1

'Lines' is presented as a Limited edition clear vinyl (500 copies only worldwide), printed in heavy-weight reverse board sleeve with a hand-numbered edition sticker. The vinyl edition also features 'Oblique' (A2), an exclusive version for the vinyl format, plus the now revered 'Longing for Tomorrow' - (Brandt Brauer Frick Remix), previously unreleased physically and now pressed on vinyl format, ending side B. The cover artwork features another collaboration with Dutch visual artist Sigrid Calon and design by label founder Adam Heron.

Formed with a sense of urgency and a reductive approach 'Lines' is almost entirely comprised of alto saxophone, clarinet and piano with embellishments of ambience and minimal percussive elements. Recorded in full at his home studio in London, Pascal Bideau speaks about the process:

"I wanted to go a bit more a bit more horizontal and ambient, work with layers of lines, might they be dotted or straight, and leave them to unfold and see where they would take me."

Akusmi uniquely finds the spaces in between experimental jazz, crossover classical and ambient music.

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Pangaea

12" | 2023 | UK | Original (Hessle Audio)

15,99 €*