Downbeat | Electronica | Leftfield Vinyl 5126 Items

LP | 2021 | UK | Original (Treader)

Release: 2023 / UK – Original

Genre: Electronic & Dance, Classical Music

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Brendan Angelides, previously known as Eskmo and Welder, is an accomplished electronic music producer and composer on prestigious labels such as Interscope, Ninja Tune, Planet Mu, and Warp Records. Angelides latest venture, 'Oxygen' released under Ancestor label, represents a deeply personal and transformative artistic journey. Angelides presents his most personal work to date through his new album Oxygen, released on Ancestor. Becoming a father to twins in 2020, he channels the emotional dimensions of bringing new life into the world while processing his daughter’s diagnosis of cerebral palsy. ‘Stepping into parenthood for anyone is chaotic, and her condition felt like another foreign, unknown experience,’ he reflects. ‘Writing Oxygen out of that place was an embodiment of “life is messy” but distilling it into something that therapeutically felt right and that I want to share with people on the outside.’ With Oxygen, Angelides arrives at a vivid new horizon of his multi-genre output, intertwining his signature electronic palette with an array of orchestral incantations performed by the London Contemporary Orchestra. Across eleven compositions, expansive synth distortions meld with the lucent glow of instrumentation. Never shying away from heaviness musically, Angelides augments an explosive resurgence of identity as he transcends into a new chapter, presenting a release charged with his embrace of vulnerability and finding light in the darkness. credits

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Brendan Behan

Confessions

Release: 2021 / UK – Original

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Kalahari Oyster Cult)

Brent Lewis

1739

LP | 2020 | US | Original (American Dream)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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All (label, artist and distribution) proceeds of this next record will go to Unhcr, The UN Refugee Agencys' emergency interventions in Ukraine.

Third and closing chapter of the Oyster Tribe series, the revised single edition of Brent Lewis ‘1739’ oozes a mix of breezy outback dreamtime, red earth funk and sun-baked drum virtuosity. Originally issued in 2004 as part of his self-released ‘Drumsex’ album, Lewis’ mystique-imbued tune sculpts a tripped-out hybrid jam out of spoon percs and folk-infused broken beat; and who better than OZ home-boys FIO and Fantastic Man to add their masters' spin to that totemic chugger. Whilst FIO cranks the BPMs a notch further and beefs up the bass to turn the OG mix into a serious contender for countryside banger of the year, Fantastic Man plays havoc with the whole of Lewis track’s DNA sequence, slicing, dicing and re-hashing its bits and bobs over and over again to form a Southerner variant of the Frankenstein creature, all sight set on busting dancefloors by the dozen.

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Brett Naucke

Ems Hallucinations

26,99 €*

LP | 2020 | UK | Original (All Saints)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Naucke traveled to EMS with the express purpose of creating an album in the spirit of 70s academic synthesizer music, but knew he was going to build it out of exploration. When he thought about EMS residencies, he didn’t think of albums recorded entirely there, and for his tenure, he wanted to flip the script. For EMS Hallucinations, Naucke recorded several hours of audio using Ems’ Buchla 200 and their Serge Modular system. The result is a meditative, immersive collection imbued with the pioneering ethos of artists like Pauline Oliveros, Ruth White, Morton Subotnick, and others, but draws from a more contemporary palette - dance music, especially.

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Brian Eno & Jah Wobble

Spinner

Release: 2020 / UK – Original

Genre: Electronic & Dance

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2LP | 2012 | UK | Reissue (Warp)

Brian Eno

Lux

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Music On Vinyl)

Brian Eno

OST Top Boy

38,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Small Craft On A Milk Sea

Brian Eno

2LP | 2011 | UK | Reissue (Warp)

30,99 €*

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Versatile)

Bright Future

Babel EP

10,19 €* 11,99 € -15%

Brightness Shallan Davar / Smackos Aka Legowelt

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After it became known that the Red Light Complex in Amsterdam had to close Gilb’R invited his friends Satoshi Yamamura and Abel Nagengast down for a session up in the ‘… studio’. The trio dived in head first and with eyes closed. The night was buzzing with impromptu music, singing and poetry and one evening lead to another. The gathered results are a raw homage to its illustrious surroundings and can be listened to on an inspired 6 track 12”. The Babel EP is out on Versatile Records.

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Whispers Of An Ancient World 2

LP | 2023 | UK | Original (Mystic & Quantum)

LP | 2023 | EU | Original (Circus Company)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Keeping up with the number of different aliases Legowelt has is as hard as keeping up with the number of personal beefs Prince Harry has, only far more worthy of your time. Here the prolific Dutch producer becomes Smackos and links up with Brightness Shallan Davar for a second of 10 proposed volumes of Whispers Of An Ancient World. Davar takes care of the first side, which offers four deeply atmospheric pieces of analogue ambient fuzz and cosmic imagery. Smackos steps up on the B-side with a more mystic ambient sound and plenty of his signature shapeshifting synth patterns that melt the mind and submerse you deep in an interplanetary world.

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Brigitte Barbu

La Science Des Imbéciles

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Muzak Pour Ascenceurs En Panne

Brigitte Barbu

LP | 2020 | EU | Original (Circus Company)

21,99 €*

Feelings Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A download code is included. Uniting cosmic tones and lovely notes, unique sound collages and electronic noises, Muzak pour ascenseurs en panne ("Muzak for Broken Lifts"), Brigitte Barbu’s first album, explores a dreamy universe, at the crossroads of electronica and the 70s’ post-tune-in/drop-out, echoing shadows of the peculiar doppelgänger; Pépé Bradock.

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Brijean

LP | 2021 | US | Original (Ghostly International)

Maida Vale Sessions Remastered Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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"Do you feel what I feel too?" Brijean Murphy floats the question at the start of Feelings, the full-length Ghostly International debut from Brijean, her collaborative project with Doug Stuart. Guided by a lush mix of charismatic keyboard chords, grooving bass lines, and radiant bongo-driven rhythms, the "Day Dreaming" lyric doubles as an invitation and a statement of intention. Brijean want you to move, physically, mentally, dimensionally; this is dance music for the mind, body, and soul. With Feelings, they've manifested a gentle collective space for respite, for self-reflection, for self-care, for uninhibited imagination and new possibilities. The album cultivates a specific vibe, a softness Murphy has come to call "romancing the psyche." Growing up in a family immersed in jazz, Latin and soul music, Murphy would become an accomplished DJ, session and live player in Oakland's diverse music scene and one of indie's most in-demand percussionists (Poolside, Toro Y Moi, U.S. Girls). In 2018, she began recording songs with multi-instrumentalist and producer Doug Stuart, who shares a background in jazz and pop in bands such as Bells Atlas, Meernaa, and Luke Temple. Following their first sessions, which resulted in the mini-album Walkie Talkie (released in 2019 on Native Cat Recordings), the duo continued freeform hangs in Oakland, inviting friends Chaz Bear, Tony Peppers, and Hamir Atwal. "We improvised on different feels for hours," says Murphy. "Nothing quite developed at first but we had seeds. We re-opened the sessions a couple months later, after returning from tours, and spent a month developing the songs in a little 400 square foot cottage." Aforementioned album opener "Day Dreaming" is a dynamic celebration of newness: the excitement in finding deeper understandings of yourself as you get to know someone, something, or somewhere new. "Wifi Beach" drops a pin in pure psych-pop exotica. With Atwal on drums, Stuart on bass, Peppers on keys, and Bear engineering, the group improvised the track's intro sequence based on the vision of a lavish 1970s pool party. Establishing the scene is a mid-frequency drum kit disco shuffle augmented by tight congas and timbale effect, as Murphy sings in spurts: "I want to be / Deep in love / I want to be / Say you love me too / I want to be / Honey." The stanzas cut between "reflective moments of wants and being overwhelmed by feelings of the present," she explains. "A lot of the `love songs' I write are to my psyche, self-reflections on how to encourage tender perspectives and make more time for the sweet stuff." Though there is a loose, dance-oriented motif throughout, the material gives way to somnolent turns. On "Ocean," Brijean's anodyne lyrics, reminiscent of Astrud Gilberto's airy croon, float atop a brushed drum pattern, sparkling rhodes lines, and pittering and softly funky woodblock bops. The opening line sets up the rest, "In this gentle space we lay" _ among the album's propensity for movement, tracks like "Ocean" stand out by leaning back for momentary sways of blissful introspection. Murphy calls the charming "Hey Boy" a "psychedelic guide _ the exploration of finding what feels good _ through sorrow, anxiety, apathy." This mentality applies to Feelings on the whole: in these nebulous and verdant worlds of hazy melodies, feathery hooks, and percussive details, the songs simply want us to feel alive. They radiate in wonderful abandon and with a sense of devotion to the self. Riyl: Stereolab, Astrud Gilberto, Air, Little Dragon, Broadcast, Khruangbin, Poolside.

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Broadcast

2LP | 2022 | UK | Original (Warp)

29,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2022 | US | Original (Leaving)

Brogan Bentley

Diapason Rex

12" | 2014 | EU | Reissue (Jealous God)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Evoking the geography and spiritual energy of the west coast while showcasing the producer’s growing confidence in both carefully crafted dance productions and expansive sonic arrangements. It’s been brewing for a long, long time and it holds so much information. This is the crowning burst of harmonious song, an opus, a cosmic regal song.

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Broken English Club

Jealous God 04

11,99 €*

LP | 2023 | UK | Original (Full Dose)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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2022 repress

Hot as lava! Broken English Club delivers the 4th chapter of Jealous God! Comes as usual with a Mix CD.

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Brollachan

23 LP

15,74 €* 20,99 € -25%

Bald Eagle Over Food City

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Full Dose is back! Once again exporting their distinctive brand of mutated dub directly from Glasgow's Southside. The label's 13th release is the work of a new name: Brollachan - "a shapeless darkness that craves bodily form". As the name would suggest, the music itself evokes a certain eeriness. Brollachan fuses this with the metallic textures and airy rhythms commonly heard on Full Dose records. Tracks like "Hall" could well be written by a smoked-out mythical being, with deep subs and spring reverb-laden tones throughout. Quality stuff. This juxtaposition of influences continues throughout the release. "Graze" has a particular aquatic feel. Sonar-esque synths punch through the haze and sustained synth sounds keeps the track in midwest territory. Despite the obvious variety on show here, Brollachan of course keeps fans of the Full Dose sound on-side. "Mad Dawg" is a grimey take on this. General Midi style sounds appear throughout the intro. This is complimented by intricate drum programming and a growling bassline, to give us a track straight from the 22nd century. 13 releases in and the tight-knit crew behind Full Dose continue to promote a sound that is both unique and reliable - Brollachan is no exception!

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Bromp Treb

LP | 2022 | EU | Original (Ikuisuus)

LP | 2022 | UK | Original (The state51 Conspiracy)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Bald Eagle Over Food City is a blurry zoomed-in photograph of a national bird soaring over a grocery store parking lot. It is an album of thirteen failed portraits attempting to distill the impossible essence of a place that is repeatedly deformed by displacement and extraction, quietly made invisible by milltown charm.

Bromp Treb is the solo project of noisemaker and filmmaker Neil ‘Cloaca’ Young, who has been performing and producing small-run releases under this moniker for some 20 years. For almost as long he’s been the percussionist for weirdo noise collective Fat Worm of Error, and collaborating in other units such as Carbus, Gloyd and Playbackers.

Young co-directed Milford Graves Full Mantis with Jake Meginsky, as well as making many other obscure personal experimental films. He has lived in the village described in Bald Eagle Over Food City for the past 16 years and between the Connecticut and Hudson River Valleys his whole life.

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Brood X Cycles

Sleep Nameless Fear

LP | 2020 | EU | Original (Soda Gong)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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NIK Colk Void (Factory Floor, Carter Tutti Void, Nvpr) and Alexander Tucker (microcorps, Nonexistent, Grumbling Fur) new collaborative album as Brood X Cycles.

In the spring of 2019 Void and Tucker convened at Void’s Demna Studio to record two days of modular improvisations. Using their individualised modular cases they connected the two configurations to create one whole system where they could integrate and meld sequences, beats, drones and samples. Key to the duo’s process was bringing the organic textures of guitar, cello and voice together with machine rhythms, creating a balance between circuitry and the human body.

The duo edited down the raw recordings into their crucial moments, expanding upon the improvisations into eight cohesive pieces. Sleep Nameless Fear carves out a world of heavy percussive patterns, monolithic drones, disembodied voices and noise frequency manipulation into one detailed vortex.

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Broshuda

Contemplative Figuration

LP | 2020 | EU | Original (Legwork)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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With Contemplative Figuration we see Broshuda pushing his amorphous, impossible-to-pin-down music in exciting new directions. Stitched together in various European cities over the last few years, it is the artist’s most dynamic and ambitious release thus far, drawing equally from musique concrete, beat research, ambient, tape collage, and spoken word. Episodic in nature, the collection functions well as a sort of impressionistic travelogue, with romantic, hazy atmospheres coaxed from borrowed equipment, serendipitous recording sessions with old friends, and even a drum sequence programmed with Mario Paint, among other curios and sleights of hand. Broshuda deftly wrings bonafide cohesion and balance from these disparate source materials, tools, and locations, as on opener “Kakigori,” which allows a snaking harmonic drone the space to evolve before exploding it into a sort of seething, dubbed out pointillism. Later, “Lied Für Hase” concocts a potent, humid atmosphere of beautifully evolving acoustic piano loops and elegant narration. Taken as a whole, Contemplative Figuration is a weightless, transportive record, one that is bursting at the seams with ideas, mischief, and a restless spirit. Mastered by Helmut Erler at D&M, Artwork by Alex McCullough and Niall Wynne Lewis.

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Brother Nebula

The Physical World

22,99 €*

LP | 2022 | EU | Original (Nunorthern Soul)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After a short hiatus, Brother Nebula is back home on Legwork with his debut long player. Less FaceTime, More Spacetime.

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Brown Fang

Sherwood Pines

19,99 €*

7" | 2023 | Original (Nunorthern Soul)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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To a degree, all musicians are a product of their environment, the places they record and the venues they play. For proof, check out the alumni of the n-wave era CBGBs venue in New York, Cabaret Voltaire’s Western Works studio in Sheffield or more recently London’s Total Refreshment Centre. We can now add to that list the Constellations Workshop in Colwick, Nottingham, a project that provides employment through making studio furniture, for out-of-work musicians. It was here, after-hours, that the music on Brown Fang’s impressive and ear-catching debut album took shape. Both members of Brown Fang, bassist John Thompson and guitarist Henry Scott AKA Henry Claude, have a long association with the Constellations Workshop. Though their musical projects are manifold – Thompson having toured with the likes of The Nectarine No9 and The Selecter, with Scott being both a mainstay of Nottingham jazz circuit and recording ambient music as Fang Jr – the work provided by the community-minded project has kept their heads above water and allowed them a space to record in when the shutters go down and the bandsaws get switched off. Yet the music showcased on Sherwood Pines is more morning-fresh and sun-kissed than industrial and sawdust-sprinkled. Combining the pair’s brilliant musicianship – think languid bass guitars and Pat Martino-esque jazz guitar licks – with saucer-eyed electronics, occasional downtempo drum machine rhythms and plenty of glistening special effects, the set’s eight tracks are as blissful and becalmed as an early morning saunter through Sherwood Forest on a misty autumn morning. For proof, check epic opener ‘Tracing Paper’, a slow-build ambient soundscape in which bubbly electronic lead lines and colourful chords sashay around Scott’s sparkling, laidback guitars, and the beguiling ‘That’s All You Can Think’, a subtle tribute to Steve Reich masterpiece ‘Electric Counterpoint’ in which slow-burn, stretched out synthesizer sounds wave in and out of a gradually evolving cycle of delay-laden electric guitar motifs. The band’s love of classic American minimalism – as well as a shared love of the Duratti Column and Robert Fripp – comes to the fore on ‘hdmi I Love You’, which boasts a deliciously dubby bassline, Tangerine Dream style synths and the deepest of ambient chords, while ‘I Nearly Married a Human’ and ‘Fridgewords’ balance bespoke electronics – languid, dewy eyed and comforting – with Scott’s gorgeously laidback, slow-release guitars. Every great album needs a triumphant conclusion, and Sherwood Pines is no different. You can hear everything that makes Brown Fang great on ‘Goodbye Donkey Jacket’, from the pin sharp, effects laden jazziness of Scott’s guitars and the fluid dexterity of Thompson’s bass, to the pleasingly spacey pulse of the synths and the gentle rhythms of the soft-focus machine drums. It’s a confident, ear-catching conclusion to a debut album that’s been years in the making.

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Brown Fang x Torn Sail

Exit & Endless

15,99 €*

Release: 2023 / Original

Genre: Electronic & Dance

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12" | 2019 | EU | Original (Motion Ward)

Brown Irvin

Run Me That Soul

LP | 2023 | UK | Original (Soul Jazz)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After inaugurating the label with a tape in 2015, our local friend Richard Brown (AKA Brown Irvin) returns to Motion Ward with an oblique two-track 12" entitled "Run Me That Soul". "Locution" flexes a wobbly equilibrium of dubbed dancefloor energy and amorphous acid while "Overcast" coats the B Side in a smeared gradient of ambient wash and shape-shifting stasis. A persuasive pair of parallel worlds for winding up and winding down.

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Brown Spirits

Solitary Transmisisons

31,99 €*

Bruce Brubaker & Max Cooper

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Sounds like Can meets Hawkwind! Unbelievably killer and super, super heavy brand new Psyche/Krautrock album coming out of nowhere from Brown Spirits, new on Soul Jazz Records! Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-i-y attitude and punk/post-punk intensity, giving them a unique hi-octane sound. Like their labelmates Trees Speak, Brown Spirits have a love all things Krautrock - mixed with an overwhelmingly powerful lo-fi psyche and punk attitude. The album features super heavy and raw drums, tough basslines, heavy fuzzed-out wah and psyche guitar and analog moog synthesizers, all recorded on analogue ü inch tape. In short - they rock! With a range of influences that range from Neu! to Soft Machine, Gang of Four, Miles Davis, Hendrix, Argent, Lonnie Liston Smith, King Crimson and beyond, their powerfully progressive hard and hypnotic sound is truly unforgettable.

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Glassforms Versions

12" | 2021 | EU | Original (Infine)

LP | 2012 | US | Original (Stones Throw)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Laurel Halo, Donato Dozzy and Teheran sound artist Tegh give us their “Glassforms Versions"alongside a new edit by Max Cooper. The works of Philip Glass are reflected and refracted in a myriad of ways by some of the most renowned electronic artists alive, making for a blissful, multi-dimensional listening experience.

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Bruce Haack

Bruce Haack Remixes

LP | 2018 | EU | Original (Telephone Explosion)

Release: 2012 / US – Original

Genre: Hip Hop, Electronic & Dance

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Limited edition of 500 for the world! Nice remix action by Jonti, Peanut Butter Wolf, James Pants, Vex Ruffin, Prince Language, Jonwayne, The Stepkids & Samiyam!

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Bruce Haack

Preservation Tapes

2LP | 2018 | UK | Original (Hessle Audio)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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In 2016, after reissuing two Bruce Haack albums, Haackula and Electric Lucifer Book II, Telephone Explosion began speaking with Ted Pandel (Bruce’s lifelong friend and business partner) about working on the 1970 masterpiece The Electric Lucifer. It turned out there was another matter that he wanted to discuss: finding a final resting place for the Bruce Haack archive.
We were shown test-pressings of The Electric Lucifer board mixes from his Columbia studio sessions, countless pieces of written music, a large number of personal photos, an invitation from Raymond Scott inviting Bruce to play his newly created Electronium
instrument (now owned by Devo’s Mark Mothersbaugh), poems, press clippings, and, most importantly, a heavyduty shelf containing 213 reel-to-reel tapes. All of the chosen material on The Preservation Tapes is unreleased, has only been heard by a handful of people and showcases a relatively unknown period in Bruce’s
musical career where Bruce was recording for Sparrow Records (who billed themselves as "America's best Christian music record label”). Bruce’s signature Farad vocoder continues to feature prominently, but the lyrical content is decidedly more religious.
The Bruce Haack archive is now resting in the Provincial Archives of Alberta, in Edmonton,
Alberta, Canada.

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Bruce

Sonder Somatic

26,99 €*

2LP | 2016 | EU | Original (Grautag)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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The record is deeply varied in styles, ideas and tempos; from the tight rhythmic groove of album opener 'Elo' to the weaponised onslaught of ominous club cuts 'What' and 'Cacao' - through drifting, meditative techno and the skeletal sound design of 'Ore' and 'Baychimo.' Each track shifts the tonal mood in subtle and distinct ways, whilst retaining a consistent icy sound palette infused with colour and human warmth.

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Brume

Mother Blast

Release: 2016 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2021 | EU | Original (180g X Disk Union)

Bruna Mendez

Corpo Possivel

Brunhild Ferrari & Christoph Heemann

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Following highly praised releases by Hermeto Pascoal & Grupo, Leonardo Marques, Xenia Franca, Moons, and Gus Levy, 180g and the legendary Disk Union continue to explore the best of today's Brazilian music scene with this wonderful album by Bruna Mendez. A chill, mellow and futuristic musical masterpiece with funky and electronic flavours, Corpo PossÃvel leads the way to the new era of Brazilian R&B.

Bruna Mendez is a female singer/songwriter from the inland city of GoiÃ¢nia, Brazil. Originally a lyricist, she began her musical career in 2008 to express herself as a musician, joining several bands in Rio as well as in her hometown GoiÃ¢nia. After releasing her debut EP "Pra Ela" in 2014, Bruna released her debut solo album "O Mesmo Mar Que Nega a Terra Cede Ã Sua Calma" in 2016, which received critical acclaim in Brazil.

After this first album, Bruna also finds interest in electronic sounds and textures, and starts incorporating these elements into her music. Her second album here, "Corpo Possivel", is the result of such an encounter between electronic beats, addictive melodies and a band and musicians playing a tight and propulsive sound. All of this makes Corpo Possivel an album standing out in today's Brazilian music scene, where many extraordinary talents are produced. 180g and Disk Union are proud to release Corpo Possivel for the first time outside of Brazil. This is an essential LP by an artist promised to a bright future on the Brazilian and international scenes.

This album comes on 180g vinyl format.

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Credits:

- Recorded in Curitiba / PR / Brazil, between April and July of 2019 by Pedro Soares (jack) at Chucreza Beats, Guigo Berger at Rec'n'Roll, Tiago BrandÃ£o at Voxdei, Vinicius Braganholo at Nico's Studio; in GoiÃ¢nia / GO by Braz Neme at UpMusic, and in Lisboa / Portugal by JoÃ£o de Carvalho at The LX Sound.

- Produced by Gianlucca Azevedo (jan) - Co-produced by Machado (tracks A3 and B1), Pedro Soares (jack - tracks A4 and B2) and Lucas Romero (track B3)

- Voices: Bruna Mendez, Lilian Soares, Layane Soares and Machado - Guitars: Bruna Mendez and Gianlucca Azevedo - Bass: Machado, Leomaristi dos Santos, Rayssa Almeida, Nikko Novak and Gianlucca Azevedo - Saxophone: Gianlucca Azevedo - Drums: Pedro Soares, Eli Lage and Jean Ramos - Vocal Producers: Lilian Soares and Gianlucca Azevedo

- Edit: Bruna Mendez, Gianlucca Azevedo and Amadeus Marchi - Post-production by Bruna Mendez - Mixed by Guigo Berger at Rec'n'Roll Studio (Curitiba / PR) - Mastered by Anderson Guerra at Bunker Analog (Belo Horizonte / MG)

- Art direction: Junior Ribeiro and Bruna Mendez - Album cover photo by Junior Ribeiro - Graphic design: FÃ©lix B. Perini - LP additional design by Nicolas Kerembellec (nker.fr)

- Executive Producer: CecÃlia Brito - LP vinyl production by Greg Gouty (180g) and Yusuke Erikawa (Disk Union)

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180gdulp06 - Manufactured and distributed by 180g in collaboration with Disk Union Japan, under license from Bruna Mendez.

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Stürmische Ruhe

LP | 2022 | EU | Original (Black Truffle)

The Garden Of Perpetual Dreams

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After her stunning collaboration with Jim O’Rourke (Le Piano Englouti, Bt055), Brunhild Ferrari returns to Black Truffle with Stürmische Ruhe, her first duo with Christoph Heemann. A legendary figure in underground music, Heemann has quietly produced a unique body of work since his beginnings with the absurdist cutups of H.N.A.S. in the mid-1980, including collaborations with Merzbow, Organum and Nurse With Wound, the eerie psychedelia of Mirror (with Andrew Chalk), In Camera (with Timo van Lujik) and Plastic Palace People (with Jim O’Rourke), and the precise cinema pour l’oreille constructions of his solo works. Created together in Ferrari’s Parisian studio (once shared with Luc) between 2011 and 2014, Stürmische Ruhe is a single half-hour piece that folds rain and storm recordings into a intricately woven fabric of haunted electronics, unexpected edits and disorienting processing. Banging with the jarring thump of a slamming door (an element that will reappear periodically throughout the piece as a kind of punctuation mark), it is immediately obvious that concrete sound is used here in a free, poetic way outside of the strict confines of documentary field recording. The wind captured by Ferrari’s microphone roars and whistles, accompanied by thick clusters of wavering tones whose unpredictable rises and falls in volumes are synchronised with the bumping and thudding of windows and doors. At some points the microphone sound melts into a wavering low-bit digital smear before fanning out into broad, atmospheric depths. The cinema for the ear constructed here suggests not linear narrative or documentary, but an organic flow of cross-fades, double-exposures and abrupt cuts, a free-associative dream in which wind and water take on mythical characteristics. Throughout the piece's second half, layers of synthetic floating tones and pinging upward glissandi negotiate a constantly shifting balance with wind-borne whispers and rustles, at times dropping to silence, at others rising up with elemental force. As Ferrari explains in her liner notes, Stürmische Ruhe is a meeting of ‘completely opposite sound worlds’ in which ‘almost-violence’ is joined with a ‘reconciling harmony’. Reaffirming the infinite possibilities of the musique concrète tradition while avoiding its academic tropes, Stürmische Ruhe is accompanied by tri-lingual liner notes from Brunhild Ferrari and arrives in a sleeve graced with the beautiful art informel paintings of her father, Wolfgang Meyer Tomin. Cut at 45rpm for maximum fidelity.

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Brunnen

LP | 2019 | EU | Original (A Colourful Storm)

19,99 €*

12" | 2018 | EU | Original (Perlon)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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“Last night I turned into a cat. Just like that.” A Colourful Storm presents an album by Brunnen aka Freek Kinkelaar, one of the everlasting beacons of the Dutch underground. One half of fabled group Beequeen (1988-2015) with Frans de Waard and collaborator with the likes of Nurse With Wound, Paul Panhuysen, The Residents, Merzbow and Edward Ka-Spel, Kinkelaar presents The Garden of Perpetual Dreams as a newly visioned recording of a cassette from 1989. Produced with Raymond Steeg of The Legendary Pink Dots and mastered by Steeg and Peter Van Vliet (Mekanik Kommando, De Fabriek, The Use Of Ashes).

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Bruno Pronsato

The Girls Thing

Release: 2018 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | Original (The Magic Movement)

Bruo

Release: 2023 / Original

Genre: Electronic & Dance

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7" | 2019 | UK | Original (Cacophonic)

Brussels Art Quintet

Vas-Y Voir

11,99 €*

12" | 2023 | EU | Original (Muscut)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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The lesser-spotted jazz atoms that formed the fusion of Futurist Flanders! It might sound like an ambitious claim but having been a firm fixture at the top of many European jazz collector want lists over the past decade Finders Keepers wouldn't be alone when proclaiming this extremely rare, lesser-known two-track 7" from 1969 as one of the best jazz 45s of all time! Alongside Polish pianist Krzysztof Komeda's soundtrack 7" for the film Cul-De-Sac and ranking closely with François Tusques' commemorative Le Corbusier exhibition 45 (featuring Don Cherry) this format-specific release known only as Brussels Art Quintet might well sit at the top of the podium while striking similarities and arguably combining the best stylistic traits of both aforementioned contenders.

This is all speculative and clearly a matter of individual opinion but it's not often that one should find a recording from this era, comprising such high production qualities, keen compositional values and robust craftsmanship spread across two equally spellbinding individual tracks, all of which awards this record justified hyperbole albeit subject to a 50 year delay. It is safe to say that this unique release is "rare" on many levels. Like all privately pressed art projects this 45 comprises some serious outsider art trappings. However, on closer inspection it also stands as a pivotal record in the micro-genre of Belgian jazz, pin-pointing an early axis for some vital progressive jazz players who went on to become sturdy pillars of the central European happening.

Essentially as a five-piece, the short-lived Brussels Art Quintet neatly combines members of both the mythical Babs Robert Quartet (early exponents of Belgian spiritual jazz) and key players from the leading progressive jazz/rock/funk unit known as COS (formally Classroom) who would stand as close affiliates of the likes of Marc Moulin, Kiosk and Placebo through the 1970s. Reproduced in close collaboration with COS leader Daniel Schell, who, under the early guise of Daniel "Max" Schellekens, authored both tracks that make up this facsimile 45 single, this one-off single includes the only known output by the Brussels Art Quintet thus marking the essential in-road to instantly start and complete your entire BAQ collection not without reliving the early germination of the froward-thinking jazz fusion that came to shape Belgium's truly unique movement.

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Bryozone

Eye Of Delirious

LP | 2022 | EU | Original (PNKSLM)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Eye Of Delirious' is a long-awaited debut Muscut's release of Chillera’s band bass player Ganna Bryzhata — an Odesa-based sound artist. An ambient LP is a smoothy-flow sub-nautical journey with the songs of Black sea sirens glowing under the moon.

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Bryson The Alien

Great Adventures Of...

26,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Best Of 1996 - 2013 Blue Transpatent Vinyl Edition

Buddha Bar Presents

3LP | 2022 | EU | Original (George V)

48,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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12" | 2018 | EU | Original (Coastal Haze)

Buddy Love

Sorry That I'm Drifting

2LP | 2022 | EU | Original (Altered Sense)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Buddy Love makes his long awaited return to Coastal Haze equipped with a lush remix from Florist.

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BufoBufo

Flora And Fauna

24,64 €* 28,99 € -15%

2LP | 2023 | EU | Original (Phc Films)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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With numerous EP's on labels such as Withhold, Emotec, Partout, Art Of Dark etc we are very excited to present the debut album from Bufo Bufo! Limited copies..

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Bullant

Late Life Circ

46,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (99Chants)

Bunita Marcus

Lecture For Jo Kondo

25,99 €*

12" | 2016 | EU | Original (Risque)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Bunita Marcus - an unsung heroine of post minimalist music and close associate o fMorton Feldman and John Cage - releases her" Lecture For Jo Kondo" EP, on 99Chants.Her important part in the cannon of contemporary music has been almost entirely overlooked in music/arts media, and omitted from the dominant narrative on key figures, which is something the 99Chants label hopes start redressing with this release.

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Burnt Friedman

Masque

2LP | 2012 | EU | Original (Nonplace)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Subtle killer grooves derived from Friedman’s outernational percussions & musics infected works.

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Burnt Friedmann

Zokuhen

Release: 2012 / EU – Original

Genre: Electronic & Dance

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2x12" | 2016 | EU | Original (General Elektro)

Busen

(Ge Bu 3)

12" | 2016 | EU | Original (Buttechno)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Industrially minimalistic, generously coherent & truly acidic LP in the vain of techno, EBM & true underground electronic music. Dark droned ambience and skeletal rhythms but also beautifull and trippy pieces spaceously cut for sonically heavy playback on soundsystems & home stereos. From the rigid & non-confirmist ideology of General Elektro & Sex Tags Mani

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Buttechno

Day Of My Death

2x12" | 2020 | EU | Original (Gost Zvuk)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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"Day Of My Death" by Pavel Milyakov, also known as Buttechno, is his 8th release coming out this year. It consists of 6 pieces which were composed for Gosha Rubchinskiy S/S 17 show and performed in a extraordinary place in Florence which is depicted on the front cover. Mostly ambient, overdriving noise soundscapes and spoken word collages referring to the dreamy mood of the show. This work is more serious and mature than Milyakov's previous releases, exploring deeper and sacred images of his world.

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Buttechno

Psy X

25,99 €*

12" | 2023 | EU | Original (Meakusma)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Working with sonic archetypes rather than genres, in recent years Moscow's Pavel Milyakov has transcended the average practices of what one might call "the electronic music scene" and built his personal artistic universe where the visual and time-based arts are blended into one another. His new conceptual album PSY X, a collaboration between Gost Zvuk and Buttechno's own imprint Rassvet, can be understood as a collection of audio, video and graphic documents fused together in a homogeneous form. Profoundly rethinking the interactions between various media, Pavel utilizes a vast variety of creative tools and technologies - from generative music algorithms to laser equipment - to create (in)determinate "environments", rather than simply "tracks" or "pictures". The result is simply stunning: a meticulously crafted visual container that encases kinetic, alluring and deeply immersive music from one of Russian burgeoning scene's most vivid voices.

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Butterfred

Strictly Buttercuts 1-6

13,49 €* 17,99 € -25%

Fascination Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Butterfred has been releasing his atmospheric hiphop, grime, dub and ambient-driven hybrids on his own Butterfred Productions label since 2017. His is a committed update of a breakbeat perspective through moody and hazy ambiences that touch upon neo-noir and the logic of rhythm within. For his first outing on Meakusma, he provides six short, yet wide-ranging tracks with a lot of forward momentum. Voice samples and ambientish scapes give all tracks direction, deceptively downtempo beats are at times driving, at times phased-out into the background. There is a definite mystique to Butterfred's work as it purposely leaves threads unresolved. The focus is on space, a spatial perspective that infuses his music with concrete references to his influences, be it hiphop, dub or even triphop. His sense of space is often very private, yet makes for a kaleidoscopic view, unafraid to be extensive. Butterfred has a very subdued online presence. This EP is his first music to also be released digitally. His work speaks for itself and does so in fragmented jolts of imagination and reduction.

Design: Meeuw

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Buzz Kull

LP | 2023 | EU | Original (Avant!)

36,99 €*

2LP | 2022 | EU | Original (Affin LTD)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Buzz Kull is the moniker for Sydney musician Marc Dwyer (Marcel Whyler) whose sound is described as a cinematic blaze of industrial darkwave, minimal synth & post punk.The Australian master of the dark synth arts is back and - boy - he is out for blood. We've been missing Marc Dwyer solo project Buzz Kull since his latest single Last In The Club from late 2019 and since back then we knew he was up to something. At first glimpse, the minimal wave days of We Were Lovers seem far away now that Marc has gone full Club Body Music with his upcoming new album, but there is a thread that binds Buzz Kull hits from the past such as Into The Void, Avoiding The Light and New Kind Of Cross with these ten new cuts: a thread of darkness proper to the most handsome man in the game and that's here to stay. Echoes of 90's era Front 242 and Front Line Assembly will resonate from tracks like Fascination and Dead Inside; elements of early body music flirting with the dark side of British synthpop will rave from the grooves of Dancing with Machines and Man on the Beat, while late 80's Belgian new beat cellar-like vibes rise from Do You See and Burn it to the Ground. But Buzz Kull's third full-length is not just about music subgenres we all know and love, it's about a feeling that comes alive only with the dark and drives you through the small hours just to leave you drained and filled at once. The creature of the night is on the loose, the sticky dancefloor its natural habitat, its lust for the upside-down world of the club can't be cured. Clear red vinyl LP!

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Bvdub

Decades On Divided Stars

26,34 €* 30,99 € -15%

Fumika Fades Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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On "Decades On Divided Stars" Brock Van Wey, aka bvdub, presents his first album on Affin, each of its tracks spanning his trademark Odyssean length, with a sonic and emotional density second to none. You are lost, losing your sense of time, of self. Yet finding your inner existence in its inwardly-folding galaxies. Your thoughts and emotions revolve, as planets caught in gravitational pull, before you suddenly awake, as if from a dream, unaware of how much time has passed. Only the stars will tell.

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Bvdub

2LP | 2023 | UK | Original (Ec Underground)

31,49 €* 34,99 € -10%

Departing In Descent Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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BVDUB's Fumika Fades is a glorious new double pack that is again stuffed with inspired sonic detail and moving ambient soundscapes. The subtle complexity of his sound is laid bare again here with just eight long and involving pieces that ebb and flow, rise and fall, pull you in and push you out. It follows on from a busy 2022 in which Bay Area dub techno titan Brock van Wey put out several great double packs. This one comes with beautiful artwork, too, and is another great addition to the shelves from this man's ever-more spotless catalogue.

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Bvdub / James Bernard

2LP | 2022 | UK | Original (Past Inside The Present)

40,99 €*

2LP | 2020 | EU | Original (n5MD)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Anyone who's cast even the most casual eye over their ever expanding catalogue will have realised that one thing Past Inside The Present do best is bring artists together for unexpected and inspired collaborations. Departing in Descent is the first collaboration between James Bernard and Bvdub but their creative conversation effectively started as far back as 1994 when the latter bought Bernard's Atmospherics album in 1994 when it was "mistakenly stocked" in his local house music store. He says it was and remains his favourite ambient album, so when the pair found themselves crossing paths for one night in LA years later, a collaboration was the only logical conclusion. The results are more organic and friendly on the ear than some ambient offerings, with real instrumentation meshed with walls of woozy synths and delays, but no less fantastical and ambitious for it.

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Bvdub

Wrath & Apathy

38,99 €*

As Seen In Your Wildest Dream

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The lead-off and title track of Brock Van Wey's 38th bvdub album Wrath and Apathy establishes itself with a noir hued Rhodes piano and idly lurching beats that provide an intoxicating beginning, which is, fittingly obstructed by a resonant synth-line that paces the song to new heights.

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Byron Coley & Ted Lee

LP | 2022 | US | Original (Lost Treasures Of The Underworld / Feeding Tube)

22,99 €*

LP | 2021 | EU | Original (Hands In The Dark)

Release: 2022 / US – Original

Genre: Electronic & Dance

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If Coley can do anything and, I assure you, he can do a few things, some very well indeed—cooking, drinking, smoking, chortling, collecting, dissecting, inspecting, sniffing, gassing, pranking—to name but a few, he can, without a beat gone by, make you wanna listen to the goddam records he's criteeking whether it be in old ishes of Forced Exposure, Boston Rock, New York Rocker, or the LA Weekly or his nugget column in Wire. For many his obscurant references to what is already an obscure contempo side can be so layered—as if the review is some kind of lit cuz to Jodorowsky's spiraling labyrinthian masterpiece of surrealist Espanola 'huh?' cinema, The Holy Mountain—that the narco-eclectic desire to actually hear what the fuk this accredited gourmandizer is—in various temperaments—jazzed about, that you actually find yrself hunting the lathe cut edition of minus three and sending all yr rent money to grip it—'Coley wrote about this—s'posed to be 'insane'. He and TED LEE have been manning the formidable and replete Feeding Tube emporium for a few years now in the wilds of Western Mass and what at first appeared to be an unlikely pair have become quite a prolific bastion of bonkerism rock and experimental otherness like a water tap stuck on unthreaded gush. Open heads recognize and learn/teach from each other without too many questions being asked (look, listen, have a cold one, step out for a smoke) They play sax? Good toot? sign em up! Music is an exchange, a gift, has nothing to do with making money only in making friends and neighbors ('that's where we meet!'—Ornette). Putting out cool records is—a well worn trope I know, but it's true as trout—a Labor OF Love. Ted Lee gleans sound art music in organic intrigue obviously from the day he was released from the chute of procreation and it stands to cosmic reason that he can hang tuff and throw down smooth licks with Coley's verbacious loquacity. These readings with sound spoo are just a taste of the cream dream epiphanies these gents collude so instantaneously on. Time is of the essence and music is time, so are thoughts and words like diamond juice dripping from the corners of Don Cherry's pocket trumpet maw—at least that's what I hear when I hear these cats yowling half past the end of nowhere on a fence behind our collective houses full of records, books, and nudie mags. Life is fuckin sweet."—Thurston Moore, London 2022

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Byron Westbrook

Distortion Hue

The Only Way We Know How To Have Fun

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited to 300 copies.

Where 2017's Body Consonance focused on gesture and movement, Distortion Hue is grounded in catharsis and gut emotion. Its ten tracks of tape-manipulated electronics present a more raw side of Westbrook’s work, with grainy and damaged textures, walls of feedback and non-metered pulses. The album shows a wide range of expressiveness, capturing at times the deep anxiety of the present moment while also presenting flashes of hope amidst chaos.

With a nod to rock minimalism as well as to his mentor Phill Niblock’s sonic material approach, Distortion Hue is heavy in weight; a complex and layered deep listening experience.

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C/A

LP | 2022 | UK | Original (C/A)

LP | 2021 | US | Original (Siltbreeze)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"The new album by c / a is a wild conceptronic ride but one that pays off in giddy acid squiggles and a healthy dose of 'horse riding ambient'

The debut full length from London AV duo c / a is an entertaining head melter. Mixing up artificial intelligence with Arcadian fantasy and the occult with deconstructed club sounds, The Only Way We Know To Have Fun does not bring the unity of sweaty dancefloor jams but the atomised connectivity of the terminally online. Putting the fun back into digital dysfunction"

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C.I.A. Debutante

Dust

LP | 2021 | US | Original (Ever / Never)

Release: 2021 / US – Original

Genre: Electronic & Dance

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“Dust is the second vinyl outing from Nathan Roche & Paul Bonnet (aka, CIA Debutante) for Siltbreeze (aka, their label) following the estimable huff of The Landlord (aka, the 1st LP) after countless cassette releases (aka, too much backstory). Dust finds our heroes at the top of their game; the captivating Je ne sais quoi formed around vocal recitation & percolating electronics has been honed to perfection, moving them beyond whatever references were made in the past into a catagorization where they are known as ‘Themselves’. If I were to compare it to anything it would be that giant Zardoz head, flying around the French countryside, drolly enunciating-in English no less!-dystopian affirmations, predicting the future, rewriting the past, ordering off menu, all the while spitting forth a rain of Aperol, Pernod & Gitanes to their brutish followers below. Basically free drinks & smokes. What’s not to follow? You can Cabaret Voltaire this or Shadow Ring that all you want, but Dust puts CIA Debutante in the cat bird seat. And I don’t care what you say, the air really is more rarefied at the top. Listen & find out.”—Arthur Frayn (aka, Zardoz)

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C.I.A. Debutante

Music For Small Rooms

38,99 €*

LP | 2020 | EU | Original (Editions Mego)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Tiptoeing in, stealth-like, CIA Debutante’s Music For Small Rooms 12” on Ever/Never Records tempts the listener with secrets and their inevitable spilling out into the open. Over the course of several releases, the France-based duo has shown a real gift for delving into the particulars of paranoia, seeding their songs with threats disguised as hooks. On its perfectly succinct new EP, CIA Debutante refines this method, as each of the six tracks plays like dystopian theme songs for closed-circuit television dramas. From the gradually increasing disquiet of “Nuclear Holiday” to the full-on terror of “The Face” (“There’s a blank spot/where the face should be”), CIA Debutante are well-versed in navigating the eternal eddies of existential doubt. With molten electronics accompanying a resigned vocal, “Sinkhole” really does feel like the planet is opening up beneath you, but perhaps you don’t mind as much as you’d have expected. “Faulty Appliances” is a kitchen sink nightmare and even elicits a couple chuckles as it wraps up the leftovers. If you find yourself routinely menaced by everyday objects, then you are primed and ready for the sounds that CIA Debutante pipes into Music For Small Rooms.

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C. Lavender

Myth Of Equilibrium

LP | 2022 | UK | Original (Uthboar)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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C. Lavender is a New York based sound artist and sound healing practitioner whose third full-length album explores meditative physical rituals of sound with binaural recordings from inside a geodesic dome in the Catskill Mountains of New York.

“The future is a choice between utopia and oblivion,” noted architect, futurist and geodesic dome theorist Buckminster Fuller. Myth of Equilibrium delves into these divergent paths by featuring equal parts of pastoral raw acoustic percussion combined with C. Lavender’s signature “devastating caustic drones” (Ad Hoc) via her custom bass guitar and synthesizers.

An assistant to the late pioneering electronic composer and Deep Listening founder Pauline Oliveros, C. Lavender’s astute editing and the binaural recording process places the listener within the heady fluctuating underworld she has created on this album. The recording environment of the geodesic dome allowed for sounds to transfer out beyond the confines of the walls as well as allowing outside sounds from the surrounding wilderness to permeate in like that of a mutating cell. The album suggests “headphone listening” for the full hypnotic experience Myth of Equilibrium presents to the listener.

C. Lavender is a 2020 Pioneer Works (New York) Music Artist-in-Residence.

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C.M. Art

Planet Uthboar

LP | 2020 | US | Original (Cornhub)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Planet Uthboar is a conceptual album that takes the listener on a journey to the fictive planet of Uthboar, where two heroes are on a quest to stop the supervillain Art from exterminating every living being on the planet. The album is inspired by old comics and 70’s sci-fi animation movies, so think of a kind of H.G. Wells dark sci-fi style mixed with lofi house and electro - all recorded straight to an old dusty cassette recorder! Planet Uthboar is the first release on the new Copenhagen-based label Uthboar run by C.M. Art

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C.O.R.N!

14,44 €* 16,99 € -15%

2LP | 2020 | EU | Original (Hivern Discs)

Release: 2020 / US – Original

Genre: Electronic & Dance

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C.O.R.N! is the debut album by Nick Acorne and Patrick Wurzwallner aka. C.O.R.N! Eclectic mixture of genres and styles. C.O.R.N! is unexpected, unbelievable, unpredictable and always groovy. C.O.R.N! is “Rick and Morty” in music.

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C.P.I.

Alianza

C.R. Gillespie & Gareth Quinn Redmond

Release: 2020 / EU – Original

Genre: Electronic & Dance

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What does a contemporary album mean to us? Marc Pinol and Hugo Capablanca asked themselves this question when faced with the challenge of recording their first C.P.I. LP. To find the answer they went back to some of the most important records in their lives and listened to them from start to finish. At a time when the whole concept of an album might be at its lowest ebb for decades, they wanted to return to the old way of telling stories, recreating the notion of a narrative "journey" but doing so in their own original manner. 'Alianza' displays a wide range of emotions through only a few elements. There are no structures, barely any drums. It's a puzzling journey that moves through darkness and light, happiness and despair, hope and menace, as it unveils its own mysterious universe. Every track is a world in its own, yet all of them are linked by an invisible energy that reflects a coherent constellation. To achieve this, Hugo and Marc used a broad array of vocal timbres, including their own drone-treated voices, digitized vocals from an old vector synth, and those of several contributors. Most of the sounds on the album come from digital devices, as they wanted to "prove themselves" in the studio "by doing something as warm as we could while trying to avoid analogue if possible? The major part of 'Alianza' was recorded during the spring of 2018 in Barcelona, with further takes and additions recorded in Berlin, New York, Los Angeles and Switzerland. It features contributions from Spacemen 3's Will Carruthers, Tanja Siren, Veronica Vasicka, Anna Homler, Demetrio Martini and Pablo Sanchez. The album was mastered by Gordon Pohl in Dusseldorf. The artwork is by Dominic Brucia and features a picture by Tanja Siren. The album was created with the support of The Richard Thomas Foundation.

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The Exquisite Corpse Shall Drink The New Wine

LP | 2022 | EU | Original (Hidden Harmony)

The Works And Days: The Black Sections

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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"The exquisite corpse shall drink the new wine", wrote the French Surrealists almost 100 years ago, and from this missive stems the parlor game in which we partake here. Through obscuring the tower itself, they cobble together meandering staircases in which to ascend with absent-minded haste; spontaneous line-weaving amasses figures and phrases into new planes of thought, therefore holding captive the illusion of creative reciprocity. Although housed in unrecognizable quarters, dull rain now tallies itself upon your window panes just as it once kept count on theirs. Apparitions unknown sound instruments of winding origin in celebration of the ink dry in the well. A graffito of tea leaves stains the porcelain cup. This cloven tall-tale traces an epistolary journey between id and consciousness upon a page that has been adorned and wiped clean again and again and again. The wet meadow expands and contracts within a breath, moving through the windpipe to expel upon the glistening dew. From this dew rises anthills of diminishing complexity, and busying themselves within insanity, the occupants labor to hold fast against the unseen wave of oblivion. An exercise in aleatoric sentence-finishing between two aligned performers, The Exquisite Corpse Shall Drink the New Wine mimics the economics of unconscious beauty-making to such a degree that light will neither pass through it nor divert its path. Draw upon it what you will, and ready yourself for the unrelenting ataraxy. The job’s oxo.

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C.W. Winter

LP | 2021 | EU | Original

21,99 €*

Raintears Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Works and Days: The Black Sections' is a sound collage album that emerged out of the production material of the film, The Works and Days (of Tayoko Shiojiri in the Shiotani Basin). The film — winner of the Encounters Golden Bear for Best Film at the 2020 Berlinale — is the second feature of C.W. Winter & Anders Edström. It is an eight-hour fiction shot for a total of twenty-seven weeks, over a period of fourteen months, in a village population forty-seven in the mountains of Kyoto Prefecture, Japan. It is a geographic description of the work and non-work of a farmer. A portrait, over five seasons, of a family, of a terrain, of a sound space, and of a duration. The film was named one of the Ten Best Films of the Year by critics at: Artforum, Cargo, Cinema Scope, Desistfilm, Filo, La Internacional Cinéfila, Mubi, Nobody, Senses of Cinema, and Sight & Sound.

The film is accompanied by this LP, The Works and Days: The Black Sections, by C.W. Winter, and the photo book, Shiotani, by Anders Edström. The album features musical excerpts from Tim Berne & Bill Frisell, Tony Conrad, Graham Lambkin, Mary Jane Leach, Alvin Lucier, Phill Niblock, Folke Rabe, Éliane Radigue, and Akio Suzuki. Producing, editing, and recordings by C.W. Winter. Mastered by Stephan Mathieu.

Winter & Edström’s first feature, The Anchorage, won a Golden Leopard at Locarno Film Festival and won the Douglas E. Edwards Independent/Experimental Film/Video Award from the Los Angeles Film Critics Association. It was named one of the Ten Best Films of the Year by critics at Cinema Scope, Film Comment, Senses of Cinema, Variety, and Indie Wire and was named Best First Film of the Year by The New York Times. Their first film, a documentary short called One Plus One 2 was made in collaboration with the late British guitarist, Derek Bailey. Their film/video work has shown at such venues as the Institute of Contemporary Art (Boston), Centre national de la photographie (Paris), Kunstmuseum Wolfsburg, Fotomuseum Winterthur, NRW-Forum (Düsseldorf), the Harvard Film Archive, Anthology Film Archives, the Wexner Center for the Arts (Columbus), Centre de cultura contemporània de Barcelona, the Tokyo Metropolitan Museum of Photography, and the National Museum of Modern Art (Kyoto).

C.W. Winter was born in California. In 2020, he completed his DPhil in Art Practice & Theory at The Ruskin School of Art at the University of Oxford. He received his MFA from California Institute of the Arts where he studied closely under Thom Andersen, James Benning, and Allan Sekula. His writing has appeared in Cinema Scope, Moving Image Source, Purple, and Too Much. He lives in the United Kingdom where he is currently a Visiting Professor at the Royal College of Art and a Lecturer at the University of Oxford.

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Cabaret Du Ciel

10" | 2022 | EU | Original (Quindi)

14,24 €* 18,99 € -25%

LP | 2021 | EU | Original (Quindi)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Quindi Records returns once more to the swooning romanticism of Cabaret du Ciel, the long-running project from Andrea Desidera and Gian Luigi Morosin. After the contemporary material which made up long-player The Breath Of Infinity, Raintears heads back into the group’s archives and focuses on a limited cassette release from 1991. Originally released on Morosin’s own Ionisation Tapes, Raintears is described as heralding a new phase for Cabaret du Ciel following their earlier Solarisation and Weather Colours cassettes. This revised, expanded version of the release opens with ‘Raintears (Piano Version)’, which originally came out on an Ionisation compilation entitled Imago Sonora 1. Truly evoking the spirit of the track and its meaning, it was recorded on a rainy Sunday afternoon when Desidera’s friend and trained pianist Francesco Martignon heard the original melody for ‘Raintears’ and proceeded to improvise on the theme, with Desidera and Morosin embellishinbg Martignon’s exquisite playing with subtle touches of synth and sampling. In its fragile, tape-worn repose, the piece is loaded with the delicate ambience a rainy Sunday afternoon implies - calm, melancholic and wistful. ‘A New Day’ is a piece cast in light and shade, contrasting two core melodic phrases expressed through synth and guitar, with a light touch of speech sampling adding to the cinematic poise of the track. ‘Time Of The Twins’ originally appeared as a single track on the cassette release, but here it’s framed as two distinct parts which meet in the middle. The first half is patient, gliding ambience rich in the harmonic interplay and winding narratives which typifies Cabaret du Ciel overall.

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Cabaret Du Ciel

The Breath Of Infinity

2LP | 2020 | UK | Original (Mute)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following the stellar trip through Woo’s Arcturian Corridor, Quindi Records continues to explore intimate, inviting sounds with an experimental bent by facilitating the return of overlooked Italian duo Cabaret du Ciel. Initially formed in 1986, Cabaret du Ciel’s debut album Skies In The Mirror was a low-key and extremely rare cassette release of spellbinding electro-acoustic ambient music created by Gian Luigi Morosin and Andrea Desiderà. A reissue on Hybride Sentimento in 2018 brought renewed attention to the startling music contained within this unique project. The Breath Of Infinity is an album comprised of new works recorded over the past year, either as new pieces or reworked from old ideas with the assistance of Giorgio Ricci.

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Cabaret Voltaire

Shadow Of Fear

Release: 2020 / UK – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (823)

Cabu

So Far To Go

19,99 €*

Lambada / Children Record Store Day 2021 Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Australian artist / producer Cabu joins forces with Ta-ku & Jakarta Records’ joint label, 823 Records to present Cabu’s tour de force EP “So Far To Go” featuring a prime lineup of down-under artists.

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Cacao

7" | 2021 | EU | Original (Hell Yeah)

LP | 2023 | EU | Original (Chicken Ranch)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Record Store Day 2021 Release. Cacao is an instrumental duo ,electric guitar and bass, based in Ravenna ,in the north-east coast of Italy, and here for RSD only they announce their take on 2 extremely different versions of 90's classic dance tunes, Robert Miles 'Children', and wedding and Euro family holiday, 'Lambada'. Think Nouvelle Vague in a Cantina on Acid. LTD Edition blue vinyl in picture sleeve.

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Caleb De Casper

Femme Boy

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2x12" | 2022 | UK | Reissue (Hell Yeah)

Calm

Before

30,99 €*

12" | 2023 | IT | Original (Hell Yeah)

Release: 2022 / UK – Reissue

Genre: Electronic & Dance

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Following a CD-only release in Japan in 2021, legendary downtempo producer Calm finally releases his “Before” album on vinyl and digital courtesy of Hell Yeah. The 10-track record is a slow-burning Balearic beauty.

Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.

The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.

As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.

There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic.

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Calm & Jimi Tenor

Big City Takes EP

14,99 €*

Emotional Detox Black Edition

Release: 2023 / IT – Original

Genre: Electronic & Dance

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Musical legends from opposite sides of the world come together on Hell Yeah's next EP as Japan's Calm and Finnish musician Jimi Tenor collaborate on big city takes. It features two new singles as well as remixes from the celebrated tapes and Belfast's best-kept secret, The Vendetta Suite.

This most satisfying of eps came together when the psychedelic space-jazz-funk king and noted musician, composer and producer Jimi Tenor was in tour in Japan. Label head Marco arranged for him to head into Calm's studio in Kawasaki, Tokyo, and real magic happened.

'Big City Takes' is gloriously lush, with serene chords, delicate flutes and organic percussion. Tenor's airy vocal brings the soul as an intimate and late-night groove emerges to melt your heart.

Then come two remixes from tapes. The first is powered by dusty old-school drum breaks. They're doused in subtle euphoria with a nimble bassline down low, while the second one is stripped right back to a pulsing rhythm and killer phased bass. Spread chords bring sunrise feelings to this most colourful of grooves.

On the flip side, Calm offers a version of 'Time & Space' that is nearly eight minutes of exquisitely blissed-out downtempo. Chords ripple like waves, flutes flutter like birds and the whole thing is filled with the joys of a new spring day. The remix comes from The Vendetta Suite, a label regular and under-the-radar talent who is defining his native Northern Irish scene with his fresh fusion sounds. His version brings a new age ambiance to post-rave Balearic comedown. It's one that douses you in life-affirming synths as drums gently persuade you to sway along.

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Camera

LP | 2018 | EU | Original (Bureau B)

Prosthuman Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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We also offer the limited yellow colored edition.

Started as the so called “Krautrock Guerrilla” in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album. Customarily associated with the likes of NEU! and La Düsseldorf it is
time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. Motto: “It's not repetition, it’s discipline”
For fans of nominative determinism, there can be few more apposite appelations than Michael Drummer. He is the catalyst, the chain mail vapour trail linking everything together as he crosses the soundscape of everything captured on Camera. The band’s moniker Camera, meanwhile, is an altogether more capricious
calling card. Camera obscura. Camera lucida. From daguerrotype to digital, self-induction to selfies. The song title Super 8 offers a potential clue to the
camera in their mind’s eye. When Super 8 was introduced in 1965, it was one of the few film formats to accommodate a sound track, occupying the
space between the edge of the film and the image area. Perhaps this will serve as a nice analogy when pondering where Camera’s music comes
from. Emotional Detox is the fourth full-length album by Camera, now a quintet, following two albums as a trio and one as a duo. The line-up on ED comprises Steffen Kahles, Michael Drummer, Michel Collet, Andreas Miranda and Timm Brockmann, all more or less based in Berlin. Drummer is the only constant through all four phases. Keyboarder Timm
Brockmann, who left the group in 2014, returns to the fold. He and Franz Bargmann, who left Camera the year before him, released a Brockmann //
Bargmann LP entitled Licht on Bureau B in 2017, a celebration of keys, guitars and effects which, at times, emulated the ferocious potential of Camera. By the time Steffen Kahles joined the band, Brockmann had
already departed, so the new ensemble adds another twist in bringing together two keyboard players from different Camera phases for the first time. The Brockmann Drummer reunion, meanwhile, completes a circle tracing back to early Camera experiences shared in 2010/11, playing on the streets of Berlin (literally).
Paradoxically, the new, expanded Camera line-up sharpens the focus of the tracks running through Emotional Detox. With Drummer not so much joining
the dots as hammering them home with a nail gun, the stronger framework allows even greater freedom for the musicians to express and ultimately align their disparate creative interests. Throw a single stone into a pond and concentric circles will ripple outwards into infinity. A swoosh of parallel lines. Boundless symmetry. The soundscape assumes the quality of a cinematic loop, like watching the same film over and over, yet discovering new things each time it plays. As a mythological Mancunian once said before the fall: it’s
not repetition, it’s discipline. Customarily associated with the likes of NEU! and La Düsseldorf perhaps it is time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. The “Krautrock Guerrilla” tag was cute and catchy for a while, but the flanged depths of
Himmelhilf sound more Bloody Valentinesque, less like echoes of Cluster or Harmonia. The motorik origins of the band documented on their debut album Radiate! (2012) and the nods to history and William Burroughs on the sophomore Remember I Was Carbon Dioxide (2014) gave way to Commodore 64 playfulness on Phantom of Liberty (2016). A spirit of experimentation still abounds on the new LP, but there’s also evidence that the group have taken a confident step towards something more “pop” – without tearing up the tangled roots beneath the surface of Camera’s studio floor. The reference points are there, but Emotional Detox is not dependent on them. We live in an age when everything happens at the same time – all of your music in one place, instantaneous streams on mobile devices, encyclopaedic references checked in seconds. The
temptation to see connections everywhere can be overwhelming, the speed at which information
travels slows us down. Emotional Detox encourages us to disregard these multiple distractions.
That’s when detoxification kicks in.

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Camera

LP | 2021 | EU | Original (Bureau B)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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12" | 2022 | UK | Original (LuckyMe)

Cameron Morse

The Truth Is

Release: 2022 / UK – Original

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Snaretrade)

Camiflage

Snaretrade 001

10,44 €* 10,99 € -5%

12" | 2023 | EU | Original (Snaretrade)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We say it’s better to dance on a full stomach. That’s why Snaretrade kicks it’s music-label existence off with a wholesome recipe for a vegetarian pasta. Inspired by, but definitely not an authentic pasta alla carbonara. After that, we use some familiar dance tropes in an attempt to nudge you and your full tummy to the floor. Further Instructions was made after downloading a 5 euro Rhodes sample pack, and Beekkant is named after a Molenbeek Metro station. We’ll let you decide in which musical genre they belong.

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Camiflage

Snaretrade004

9,89 €* 10,99 € -10%

12"+CD | 2015 | US | Original (Infrastructure New York)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Our fourth release follows the ebb and flow of a night out in a strange mood.
For starters, guided by the concerned voice of Query D, we turn a few corners and go to the local 24h store to pick up some Night Shop Gold, aka the best midnight snack, a samosa. After that we do some Doomstrolling to a tune that invites us to indulge in the night’s pleasures, absently grinning through it’s darkest hours. When the sun comes up again, The Sleepless rounds out the EP for all the insomniacs out there, with some reflections on the dangers of sleep deprivation set to a melancholy beat.

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Campbell Irvine

Reunion Of Two Bodies

Live In Brighton 1975 Gold Vinyl Edition

Release: 2015 / US – Original

Genre: Electronic & Dance

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Two thrilling tracks and a bonus CD "mixtape" are three good reasons not to sleep on this.

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Can

3LP | 2021 | EU | Original (Spoon)

34,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Live In Stuttgart 1975 Orange Vinyl Edition

Can

3LP | 2021 | Original (Spoon)

34,99 €*

Release: 2021 / Original

Genre: Rock & Indie, Electronic & Dance

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Karma Cleaning Red Vinyl Edition

Cape Coral

LP | 2020 | CA | Reissue (Tiger Blood Tapes)

39,99 €*

Slowed Midnight Blue Vinyl Edition

Release: 2020 / CA – Reissue

Genre: Electronic & Dance

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Limited edition run of 200. Comes with OBI and shirk wrapped.

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Cape Coral

LP | 2022 | CA | Original (Tiger Blood Tapes)

39,99 €*

Release: 2022 / CA – Original

Genre: Electronic & Dance

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Sounds Like Home Black Vinyl Edition

Captain Planet

2LP | 2023 | UK | Original (Bastard Jazz)

31,99 €*

Carcascara II 2023 Repress

Release: 2023 / UK – Original

Genre: Electronic & Dance

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After a huge year of travelling in 2022, playing DJ sets in more than 30 cities across 10 countries, Captain Planet dove back into the studio to create his 5th and most ambitious album to date- Sounds Like Home. Taking a turn toward the more organic, retro sounds of artists who originally inspired him as a young musician, Charlie Wilder (aka Captain Planet) flexed his composer and bandleader muscles- incorporating horn sections, strings and acoustic drums more than the big club focussed electronic sounds he has often come to be known for. "The basic concept was to make a record like the ones I constantly pull off my shelves at home and play on the weekends. The records that turn into living room dance parties with my family, the soundtracks while I'm cooking, the music that fills the backyard for lazy hang outs." An avid vinyl record collector and musicologist since his teens, the Captain has a near encyclopedic knowledge of music from around the world, particularly artists from the 60's and 70's, which is the era that inspired much of the sonic texture on this new album.
In classic Captain Planet style, a kaleidoscopic array of genres from around the world find their way into the mix- Brazilian disco, Latin funk, Jamaican dub, Middle Eastern psychedelia, and American soul music. While this diversity may sound more like a mixtape, the Captain's trademark uplifting vibe and impeccable knack for building a great groove, provide the special ingredients that pull it all together and makes the sauce work. The Fader wrote "the Captain is a walking 'recommended vinyl' section from the best record store you've ever been to", because all his deep love and appreciation for classic music comes right through him in his original songs. Throughout this album you'll hear echoes of timeless artists like Cymande, Gilberto Gil, Ray Barretto, Curtis Mayfield, Mulatu Astatke, and Gabor Szabo, all funneled through the Captain's modern musical sensibility, shaped by nearly 2 decades of being a professional world-traveling DJ.
The past year also brought some major challenges for Charlie Wilder, most central of which was losing a close friend and collaborator, the fellow LA-based DJ/producer Sumohair (1⁄2 of the band Reyna Tropical). The album starts off with a brief tropical tribute to his friend, followed by the strong message "Music Is Medicine" sung by another regular collaborator, the Zimbabwean-American (Grammy winning) singer Shungudzo. With the true value of friendship front and center on his mind, Captain Planet made a strong conscious effort to include many of his oldest friends and musical partners throughout the album, including Grammy winning pianist Sam Barsh, Chico Mann, Zuzuka Poderosa (who bartended at one of the Captain's earliest DJ residencies in Brooklyn), David Walters (whose new album "Soul Tropical" was co-written & co-produced by the Captain), Todd Simon, Leo Mintek (who has played guitar with Wilder since their teens), and Wilder's youngest brother Taj Bethel who co-wrote 2 of the songs on the album. The warm light of friendship and family shines throughout the album, and while the influences reach far across the globe, the music clearly shows that Captain Planet has found his musical home.

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Carcascara

LP | 2022 | EU | Reissue (Hegoa Diskak)

26,99 €* 29,99 € -10%

LP | 2014 | EU | Original (City Slang)

Release: 2022 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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"Applying elements of minimalism or electronic music to their compositions, Carcascara's second studio album is deeply rooted in folk, blues or jazz. Borrowing from American primitivism, this acoustic guitar trio based half way between London and Zumaia, stretch the boundaries of tradition with a fluid and developed command of the string instrument. Coming out 14 years after their self-titled debut, highly recommended for fans of Robbie Basho, Steve Reich or John Fahey."

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Caribou

Our Love

23,99 €*

12" | 2022 | UK | Original (Love Love)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Our Love is formed around a mixture of digital pop production, hip hop inspired beats, muted house basslines and a love of shuffling garage that can be traced all the way back to the time of Start Breaking My Heart which are, of course, all filtered through Dan's own unique perspective. The warm analogue sounds of classic soul should not be overlooked either, for they weave themselves most intensely into the records DNA. In fact, Our Love is probably Caribou's most soulful record to date, chock-full of heartfelt lyrics and organic nature which cuts through bubbling synths and blissful euphoria of their synthetic constructions. It's not all downbeat of course, whilst some thoughts linger on mortality, loss and letting go, there is always an element of celebration.

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Carl Brown

Koto

12" | 2018 | EU | Original (Permanent Vacation)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Wildly creative East Anglian musician Carl Brown is welcomed to the Love Love fold with great excitement. Carl has been consistently doing his own thing in music for quite a while and it’s high time some more people heard his sound. So many great ideas and lush feels are packed within. And while the sound palette is often electronic the tracks are positively human in nature, incorporating a wide variety of styles - playful, clever and eccentric, full of melodic shenanigans and top notch musicianship.

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Carl Gari

Shipster

11,99 €*

LP | 2018 | EU | Original (Bureau B)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Carl Gari is a group of three from Munich: Jonas Yamer, Till Funke and Jonas Friedlich. They released their well received and idiosyncratic debut (NPR mentioned it as one of the 50 best albums in 2016) on The Trilogy Tapes, for which they collaborated with Egyptian singer and spoken word artist Abdullah Miniawy. For the second release on Permanent Vacation they perfected their unique blend of psychedelic ingredients, dubbed out drums, drony sounds and a general hazyness.

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Carl Matthews

Call For World Saviours

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Eleven Pieces For Synthesizer

Carl Oesterhelt

LP | 2019 | EU | Original (Umor-Rex)

Carl Oesterhelt & Johannes Enders

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Umor Rex presents Eleven Pieces for Synthesizer, a collection of synth instrumentals by German composer Carl Oesterhelt. Oesterhelt has been recording a mixture of straddling kosmische and classical traditions for years on his own reel tape machine, overdubbing stacks of analogue gear to create a compelling body of work that brings fresh emotional depth and rhythmic experimentation to the syntax of the modern synthesizer.

Born in Munich in 1968, Carl Oesterhelt has worked in a variety of fields throughout a long and impressive career. His discography includes tenures with Neue Deutsche Welle legends FSK, intellectual disco outfit Merricks, and German legends The Notwist. His solo work has travelled even further and wider, taking in contemporary classical and chamber music, music for exhibitions and radio plays, not to mention notable collaborations with saxophonist Johannes Enders and legendary founding member of Faust, Hans Joachim Irmler.

Oesterhelt augments his own analogue arsenal with synthesizers borrowed from musician friends, resulting in almost fifteen different synthesizers –some in fruitful states of disrepair– which feature on the album. Opener “La chapelle de Francis Lai” pays tribute to the French film composer with a synthesized church organ procession, disintegrating kraut-funk-noir which emerges on “Poro Secret Society”. Then, eerie sound effects mash with minimal techno rhythms on “Makonde Pattern”, and –most surprisingly– Oesterhelt turns his keys into a sub-Saharan drum ceremony on “Trinidad Pattern”. The sheer range of Eleven Pieces for Synthesizer is an impressive achievement unto itself. Yet it is Oesterhelt’s instincts as a composer which make these (largely improvised) recordings so compelling. Tensions build and emotions stir throughout each piece with a proficiency perfected through his work for the stage.

Musically associates, and directly connected to a heritage of German electronics, Eleven Pieces for Synthesizer touches upon similar ground to the likes of Musik von Harmonia in its pulsations, Klaus Schulze’s sonically adventurous Cyborg, and Tangerine Dream at their earliest and most primitive. The hypnotic ritualism of early African field recordings, or the spiritual regality of European organ music also convey key reference points in the formulation of this collection. Oesterhelt’s compositions here have taken the musically primitive and the emotionally raw, and woven them into a rich synthetic soundworld all of his own.

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Heart Of Darkness

LP | 2020 | EU | Original (Mind Tapes)

LP | 2022 | EU | Original (Umor-Rex)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After "Divertimento for tenor saxophone and small ensemble" (Alien Transistor) and "The Anatomy Of Melancholy" (Disko B) the two members of the Tied & Tickled Trio Johannes Enders and Carl Oesterhelt now publish their third collaboration Heart OF Darkness (Themes and Variations). 16 compositions, variations / improvisations for duo or chamber music ensemble. "Extremely interesting blend of jazz and non-jazz; Great ad hoc jazz improvisations on jazz-informed patterns " (Thomas Meinecke)

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Carl Oesterhelt

The Dualistic Principle

22,99 €*

Electronic Music From The Eighties And Nineti

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Throughout his productive career, Carl Oesterhelt has proven to be an artist who finds it easy to move between musical genres and concepts. Much of his work has been within classical and chamber music, but he has also scored museum exhibitions and he is sometimes part of The Notwist crew as an angular figure on the Munich scene. Now he surprises us with »The Dualistic Principle«, an album full of weird but charming electronic melodies, rhythms that push the body to movement, sometimes syncopated and abstract, others permanent and fluid. In this work, Oesterhelt invited Johan Simons to give voice to the lyrics. The Dualistic Principle is a sort of rendition of a philosophical review or a nostalgic memory of the glamorous years.

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Carl Stone

2LP | 2018 | EU | Original (Unseen Worlds)

47,99 €*

LP | 2023 | UK | Original (Ideal)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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First time vinyl collection for some of Carl Stone's most
beloved tracks from the 1980s and 1990s, and the first ever release in any format
of "Mae Yao". For Fans of The Caretaker, Elysia Crampton, Editions GRM,
Oneohtrix Point Never, Ryuichi Sakamoto. Following the widely acclaimed 3LP
collection, Electronic Music from the Seventies and Eighties, Unseen Worlds has
compiled a second, 2LP collection of favorite and unreleased Carl Stone works.
Electronic Music from the Eighties and Nineties presents the soothing,
hallucinatory side of Stone's slow-evolving, time-bending composition. While we
can't always identify the source, we can hear that his sounds come from
somewhere, and that there is a "correct" or "complete" version of them in theory;
and so we can hear when they are being changed. What drives Stone's music is the
flow that he draws out of those differences: the way an Indonesian gamelan
morphs into a chorus built from one female vocalist over the course of "Mae
Yao"'s twenty-three minutes, the surprise emergence of a Mozart chorus out of
the synths and skip-glitches of "Sonali," or the slow, ambient evolution of "Banteay
Srey". "Woo Lae Oak," issued in a single side edit for the first time, is an
exception. It s samples - a tremolo string and a bottle being blown across the top
like a flute - are simple in the extreme. Yet the Stone locates the inherent
emotional properties of the sounds and takes them into unexpected expressive
territory.

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Carla Boregas

Pena Ao Mar

12" | 2023 | EU | Original (Drone)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Carla Boregas is best known from her tenure in São Paulo’s genre-bending experimental post-punk scene, playing in long-running outfit Rakta as well as other related offshoots. Her solo material has been knottier to unpick, here developing ideas from a collection of unfinished fragments and notebook scribbles exploring the possibility of finding a wind instrument that could be played collectively by several musicians. Coinciding with the pandemic, however, she soon realised the inherent risks involved with sharing breath and so the concept took a different direction, with added resonance. Boregas developed a synthetic alternative, layering vocals and environmental recordings to suggest wind instrumentation without attempting to mimic it. The sounds here are airy, but rarely diegetic - on the title track, Boregas uses analog arpeggios and plucked, sustained tones to approximate the kosmische world of Ash Ra Tempel or more recently Emeralds, as if trapped in a wind tunnel, moved forward by an unseen force. There’s a whisper of the ancient past that harmonises with Wojciech Rusin’s speculative medieval gasps, and Bloedneus & de Snuitkever’s severely underheard ‘Milli Mille’, an examination of the ancient Greek aulos. On ’Grafia Do Invisível’ the sound is completely different again, but the concept remains, using precise analog drones and minuscule timbral shifts to imitate the character of a wind instrument and simultaneously harmonise with the deep listening meditations of Éliane Radigue and Kali Malone. A voice enters the frame on ‘Sopro’, chopped into deviated gulps and syllables, creating a language that’s unfamiliar and percussive. The use of breath is subtle, and vocalisations criss-cross between synths and faint whistles, forming an expression that’s different from its predecessors but intrinsically interlinked. This is where ‘Pena Ao Mar’ excels, by viewing breath and its application in electronic music from multiple angles simultaneously.

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Carlo Maria

Inverno

17,99 €*

Mmxx-19: 1883 (Sound Model I)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Heart-wrenching ambient to cerebral techno: Inverno is Carlo Maria’s debut on Drone.

‘Winter in the northern hemisphere is often seen as the season of death, a state of life so often negatively connoted. I see winter as an incubator of change, where life takes the time to free its potential again.

This record is a memory of past winters and a reminder that new ones will come. It celebrates the state of stillness as a necessary element of movement. It is an invitation to acceptance. The music itself might not necessarily express these ideas, but it acts as a trigger of memories and feelings of the times when these recordings were conceived. I like to see music recordings as pages of a diary.

This music was recorded in a time and space span of various years and locations. Exhumed was recorded at the end of October 2016 in Berlin; the other three tracks were recorded in Milan and performed live in various locations across Italy between in winter/spring 2021/2022.’

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Carlos Casas

LP | 2021 | EU | Original (Matière Mémoire)