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Merzbow - Door Open At 8 AM Orange Vinyl Edition
Merzbow
Door Open At 8 AM Orange Vinyl Edition
LP | 1999 | MX | Reissue (Aurora Central)
54,99 €*
Release: 1999 / MX – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-08-09
We are proud to announce a new edition of Door Open at 8 AM, Masami Akita's powerful masterpiece of melted jazz/noise, on red colored vinyl. This will be a limited edition of 300 copies Worldwide. Regarded as one of Masami’s best work, Door Open at 8 AM combines the harsh noise world into a jazz sample driven world, creating a blueprint of what experimental compositions could achieve.
Schiller - Zeitgeist Blue Vinyl Edition
Schiller
Zeitgeist Blue Vinyl Edition
2LP | 1999 | EU | Reissue (Sleepingroom)
39,99 €*
Release: 1999 / EU – Reissue
Genre: Electronic & Dance
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Antarctica - 81:03
Antarctica
81:03
2LP | 1999 | EU | Reissue (Solid Brass)
39,99 €*
Release: 1999 / EU – Reissue
Genre: Electronic & Dance
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DJ Krush - Kakusei Black Vinyl Edition
DJ Krush
Kakusei Black Vinyl Edition
2LP | 1999 | EU | Reissue (Music On Vinyl)
37,99 €*
Release: 1999 / EU – Reissue
Genre: Electronic & Dance
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Kakusei (覚醒) is the fifth solo studio album by Japanese hip hop producer DJ Krush, originally released in 1998. Krush combines minimal beats, hip-hop, trip-hop and ambient to create an exceptional album. The album received critical acclaim and includes guest appearances by Esthero, A.S.A., DJ Sak, Mista Sinista (of The X-Ecutioners) and many more.

In 2014, Metro Weekly included it on the “20 Great Stoner

Albums” list.

This 2-LP set Kakusei (覚醒) is available on black vinyl and includes an insert.
Calm - Moonage Electric Ensemble
Calm
Moonage Electric Ensemble
2LP | 1999 | UK | Reissue (Hell Yeah)
28,99 €*
Release: 1999 / UK – Reissue
Genre: Electronic & Dance
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Following on from the warm reception to Hell Yeah and Music Conception reissuing Calm's cult Before album, the labels have come together once more to offer up a reissue of the Japanese master's highly sought-after long player Moonage Electric Ensemble. The hard-to-find original has been given an all-new mixdown from original stem files and then re-mastered by Calm himself, and the double LP will also come with a bonus 12" featuring his very own Daydream Dubs plus an obi-strip and original artwork by FJD. The blissful yet soul-stirring Moonage Electric Ensemble, which landed first in 1999, was Kiyotaka Fukagawa's stunning sophomore album and the one that kept the bar high following his debut Shadow of the Earth. It investigated all new worlds of future jazz, ambient and downtempo and has since become a cult classic that often fetches three figures on secondhand markets. He has released over 18 albums since including Before which was reissued in 2022, though Moonage Electric Ensemble remains a favourite with those who enjoy the most accomplished and innovative sounds from the first wave of chillout. This escapist charmer opens with the suspensory synths and piano keys of 'Unseen Small Steps' featuring spoken words from Dan Gamble, then 'Light Year' has gently tumbling rhythms and shimming synth moving about the soothing mix. 'Noon At The Moon' brings gorgeously fizzing future jazz drums and mellifluous piano playing full of subtle joy, and 'The Other Side Of The Moon' then layers up melancholic chords and chunkier rhythms that are detailed with gorgeous persuasive details and mystic flutes. 'Tsukiyo' is a new age charmer with paddy hand drums and romantic interplay between sax and trumpet, 'Between Worlds' is an ambient interlude with distant winds blowing and intimate whispers from Gamble before closer 'Authentic Love Song' rides on dusty trip hop breaks as lazy piano chords melt the heart and Gamble serves up another aloof monologue. This is another welcome reissue of a sublime album that is not only one of Calm's finest but also a true gem in the wider world of downtempo music.
Dettinger - Intershop Remastered 2024 Repress Edition
Dettinger
Intershop Remastered 2024 Repress Edition
LP | 1999 | EU | Reissue (Kompakt)
24,99 €*
Release: 1999 / EU – Reissue
Genre: Electronic & Dance
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Dettinger’s Intershop and Oasis have long been held, by many fans of ambient and electronic music, to be some of the finest albums in their field. Produced by the mysterious Olaf Dettinger, about whom not much is publicly known, they were some of the earliest full-lengths released by the then-nascent Kompakt, and in many ways, they both articulated and defined the sound that would come to be known as Pop Ambient, while also existing, somehow, to the leftfield of any clearly recognisable genre.

Beautiful, sui generis works, it is a rare pleasure to see them being reissued on vinyl for a new generation of listeners to embrace. Originally released on CD only in 1999, Intershop was Kompakt’s first artist full-length. The music here simmers and broods, with opulent banks of tone marking out territory for rhythms that seem to be built from the clacking detritus of technology – hisses, thunks, knocks. Bass is deployed carefully, each drop a dubbed-out depth charge; drones spin and spiral, warping and weaving between the beats.

Oasis, released in 2000, refined the palette that Dettinger had explored on its predecessor. A blurred crusade of ambient texturology, its unassuming patterns, and subtle, incremental dynamics, admit to real beauty, and a kind of abstract sensuality that you don’t often experience with music that is, perhaps, similarly tooled, but not as poetic. Through seemingly simple gestures – whether lushly expansive repetitions, hyper-acute tremolo tones, or ear-tickling rhythms – it builds complex emotional resonance. It’s no surprise to discover Oasis is held in high esteem by artists like Panda Bear of Animal Collective, who once said of Dettinger, “For us, he was the dude.”

There is, of course, other music to know Dettinger by, too – his three excellent EPs for Kompakt, Blond (1998), Puma and Totentanz (1999), the latter of which, Michael Mayer once argued, “invented dubstep.” There is also a small, yet graceful run of compilation contributions, many of which can be found on Kompakt’s Total and Pop Ambient series. All this music has plenty to recommend it, sharing a clarity of purpose, and a rare, human warmth and depth. But Intershop and Oasis are the releases that distil Dettinger’s singular vision, and allow him, should he wish, to claim his place as a modern master of ambient and electronic music.
Amber - Amber
Amber
Amber
LP | 1999 | US | Reissue (Tommy Boy)
31,99 €*
Release: 1999 / US – Reissue
Genre: Electronic & Dance
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Shuttle358 - Optimal.Lp
Shuttle358
Optimal.Lp
2LP | 1999 | EU | Reissue (Keplar)
31,99 €*
Release: 1999 / EU – Reissue
Genre: Electronic & Dance
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Released in 1999 on Taylor Deupree’s 12k label, »optimal.lp« was the debut album by Dan Abrams under his Shuttle358 moniker. For its 25th anniversary, Keplar presents it on vinyl for the first time with three previously unreleased tracks—the digital version also includes a alternative version of »Tank«—as well as a new artwork recreated by Daniel Castrejón and a remaster by Andreas [lupo] Lubich based on the original pre-masters that were been restored and cleaned up for the reissue project by Abrams. »optimal.lp« was inspired by the rich tradition of ambient music and the rhythmic complexity of 1990s electronica while also sharing many traits with the then-emerging clicks’n’cuts movement, making it a true sui generis piece of work—both informed by tradition and visionary, idiosyncratic and seminal for many artists after him.

Abrams developed an interest in ambient music when he was still a child, scouring through cassette tapes of environmental sounds, new age music, and world percussion. Discovering Brian Eno’s »Thursday Afternoon« as a young teenager marked a turning point for him. »It gave me the idea that ambient music could be an intentional creative act, that tone itself is a legitimate form of expression,« he says today. During the 1990s, he increasingly immersed himself in the electronica scene and the output of labels such as Instinct, where Deupree worked as an Art Director and released his first records as Human Mesh Dance. Abrams found a home on 12k after sending Deupree a demo tape that would later evolve into »optimal.lp,« released as the label’s fifth catalogue number.
Laurent Garnier - Unreasonable Behaviour
Laurent Garnier
Unreasonable Behaviour
2LP | 2000 | EU | Original (F Communications)
15,99 €*
Release: 2000 / EU – Original
Genre: Electronic & Dance
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Laurent Garnier - The Man With The Red Face
Laurent Garnier
The Man With The Red Face
12" | 2000 | EU | Original (F Communications)
17,99 €*
Release: 2000 / EU – Original
Genre: Electronic & Dance
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/ 2 remixes
V.A. - Fried Kutz
V.A.
Fried Kutz
2LP | 2000 | AT | Original (Subetage)
17,99 €*
Release: 2000 / AT – Original
Genre: Hip Hop, Electronic & Dance
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Beat sampler with tracks by Waxolutionists, Texta, DJ DSL and others!
St. Germain - Tourist Remastered
St. Germain
Tourist Remastered
2LP | 2000 | EU | Original (Parlophone)
30,99 €*
Release: 2000 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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After selling 2.8 million copies in the last 12 years it was time to kick out a remastered version for 2012. Jazzy stuff for the dancefloor and your couch ...
Boards Of Canada - In A Beautiful Place Out In The Country
Boards Of Canada
In A Beautiful Place Out In The Country
12" | 2000 | UK | Reissue (Warp)
22,99 €*
Release: 2000 / UK – Reissue
Genre: Electronic & Dance
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Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years. Each Warp reissue comes with a download code and an original BOC sticker design from the era.
Tosca - Suzuki
Tosca
Suzuki
2LP | 2000 | EU | Reissue (!K7)
30,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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Tosca's second album 'Suzuki' (Studio K7) takes a lighter, airier approach to the trip-hop terrain that Opera explored. The spare, shimmering title track's delicate synth textures, minimal beats, mellow rhythms, and breathy vocal samples set the tone for more moody musical fairytales from Richard Dorfmeister, this time with Rupert Huber under the guise of Tosca. Suzuki is--like his releases with Kruder and Dorfmeister--a sublime work that manipulates emotions through sound. Soft and sweet, subtle and supple, Tosca's tracks drift, sifting from one dream to the next. Though they patch hip-hop, jazz, ambient, and techno together, you can't hear where one begins and the other ends. "Annanas" pairs sneaky, squeaky scratching with a lusty female vocal and bossa-nova-inspired hip-hop breaks, while "Orozco" loops a playful riff, running it through reverbs and filters, creating something like pure bliss for the ears.
Bertrand Burgalat - The Sssound Of Mmmusic Record Store Day 2021 Edition
Bertrand Burgalat
The Sssound Of Mmmusic Record Store Day 2021 Edition
2LP | 2000 | EU | Reissue (Tricatel)
30,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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Record Store Day 2021 release. Bertrand Burgalat's first album 'The Sssound of Mmmusic', also known as TSOM, is released in an expanded reissue, twenty-one years after its first publication, on June 12th 2021 for the Record Store Day. Bertrand Burgalat combines lush arrangements, dreamy atmospheres and pop culture with class and humor.

In 2000, Bertrand Burgalat decided to evolve openly by releasing his first solo album 'The Sssound of Mmmusic' which had been in the works since the creation of the label 5 years earlier. This album, a true melancholic and sensual sonorama, reveals the very essence of Burgalat's art, fragile, nuanced, with a rare humility. Dotted with banjos and club bass, cascades of synthetic strings and soprano saxophone, geisha choirs and unblocked beats, 'The Sssound of Mmmusic' appears as a contrasting work where opposites unite in perfect alchemy.

Accompanied by previously unreleased tracks for the first time on vinyl, the album features songs like 'Gris métal' with a text by Michel Houellebecq, 'Vision of Love' his cover of Mariah Carey, or 'Kim' five minutes of intoxicating music.
Franco Battiato - Campi Magnetici Red Vinil Edition
Franco Battiato
Campi Magnetici Red Vinil Edition
2LP | 2000 | EU | Reissue (RCA)
26,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Loren Mazzacane Connors - Portrait Of A Soul
Loren Mazzacane Connors
Portrait Of A Soul
2x10" | 2000 | EU | Reissue (Alara)
28,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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Beautiful reissue of the 2000 album on Fbwl, guitar ballads about Day, Evening, Night and Dawn. Remastered in 2014 by Taylor Deupree at 12k.
Coil - Musick To Play In The Dark 2 Black Vinyl Edition
Coil
Musick To Play In The Dark 2 Black Vinyl Edition
2LP | 2000 | CZ | Reissue (Dais)
30,99 €*
Release: 2000 / CZ – Reissue
Genre: Electronic & Dance
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First vinyl reissue, available on LP for the first time in 20 years - Completely remastered audio and restored artwork - Side D lunar vinyl etching art // After leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter "Sleazy" Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group's heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a second LP took shape during the creation of the first one. Aided by the recent addition of Welsh multi-instrumentalist engineer Thighpaulsandra, Coil mined further into the recesses of surrealist eldritch electronica Balance termed "moon music" - post-industrial spellcasting at the axis of narcotic and nocturnal energies. Musick To Play In The Darký spans a full witching hour of bad acid sound design, synthesizer voyaging, opiated balladry, Luciferian glitch, and subliminal hymnals, alternately ominous, oracular, and absurd. Scottish gothic icon Rose McDowall guests on vocals for two tracks but otherwise the album is a hermetic affair, tapping into the group's limitless insular synergy. Opener "Something" is stark and incantational, a spoken word experiment for windswept voids. "Tiny Golden Books" unspools an aerial whirlpool of cosmic synth, both whispery and widescreen. "Ether" is an exercise in funeral procession piano and intoxicated wordplay ("It's either ether or the other"), while "Where Are You?" and "Batwings - A Liminal Hymn" lurk like liturgical murmurings heard on one's death bed, framed in granular FX and flickering candlelight. As a whole the collection skews more muted and remote than its predecessor, as if having grown accustomed to the nether regions of these darkening seances. But music box hallucination "Paranoid Inlay" captures the group's oblique comedic side, always glimmering beneath: over a warped, wobbly beat Balance intones an opaque narrative of serenity, Saint Peter, and suicidal vegetables, accompanied by spiraling harpsichord and stuttering squelches of electronics. "It seems concussion suits you," he repeats twice, like a macabre pickup line, before dictating a dear diary entry about risks and failures, finally concluding with as close to a self-portrait as Coil ever came: "On a clear day I can see forever / that the underworld is my oyster."
Coil - Musick To Play In The Dark 2 HHV Exclusive Cloudy Orange Vinyl Edition
Coil
Musick To Play In The Dark 2 HHV Exclusive Cloudy Orange Vinyl Edition
2LP | 2000 | US | Reissue (Dais)
31,99 €*
Release: 2000 / US – Reissue
Genre: Electronic & Dance
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First vinyl reissue, available on LP for the first time in 20 years - Completely remastered audio and restored artwork - Side D lunar vinyl etching art // After leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter "Sleazy" Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group's heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a second LP took shape during the creation of the first one. Aided by the recent addition of Welsh multi-instrumentalist engineer Thighpaulsandra, Coil mined further into the recesses of surrealist eldritch electronica Balance termed "moon music" - post-industrial spellcasting at the axis of narcotic and nocturnal energies. Musick To Play In The Darký spans a full witching hour of bad acid sound design, synthesizer voyaging, opiated balladry, Luciferian glitch, and subliminal hymnals, alternately ominous, oracular, and absurd. Scottish gothic icon Rose McDowall guests on vocals for two tracks but otherwise the album is a hermetic affair, tapping into the group's limitless insular synergy. Opener "Something" is stark and incantational, a spoken word experiment for windswept voids. "Tiny Golden Books" unspools an aerial whirlpool of cosmic synth, both whispery and widescreen. "Ether" is an exercise in funeral procession piano and intoxicated wordplay ("It's either ether or the other"), while "Where Are You?" and "Batwings - A Liminal Hymn" lurk like liturgical murmurings heard on one's death bed, framed in granular FX and flickering candlelight. As a whole the collection skews more muted and remote than its predecessor, as if having grown accustomed to the nether regions of these darkening seances. But music box hallucination "Paranoid Inlay" captures the group's oblique comedic side, always glimmering beneath: over a warped, wobbly beat Balance intones an opaque narrative of serenity, Saint Peter, and suicidal vegetables, accompanied by spiraling harpsichord and stuttering squelches of electronics. "It seems concussion suits you," he repeats twice, like a macabre pickup line, before dictating a dear diary entry about risks and failures, finally concluding with as close to a self-portrait as Coil ever came: "On a clear day I can see forever / that the underworld is my oyster."
Arovane - Tides
Arovane
Tides
LP | 2000 | EU | Reissue (Keplar)
20,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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»Tides« marked a radical change in direction for Arovane. After Uwe Zahn had made a name for himself with cutting-edge IDM rhythms and slick ambient textures on a slew of releases, his sophomore album saw the prolific producer opt for a sample-based approach that resulted in a more organic sound and laid-back downbeat grooves. Having reissued Arovane’s seminal »Atol-Scrap« as a double LP in 2021, the Berlin-based Keplar label now makes »Tides« available on vinyl for the first time since its original release in 2000 through the legendary City Centre Offices. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork. It shines a new light on a release for which Zahn quite literally ventured into previously unknown territory — »Tides« is an album that emits a timeless, quiet calm and nonetheless stays constantly in motion.

»The idea for the album came to me after a vacation in France«, says Zahn. Inspired by the landscape, especially the coastline and the sea, he made field recordings throughout his trip that were also used on the record, giving it its sensual feel. The foundation of the album however, the loose yet gripping grooves at the heart of every track, result from Zahn working extensively with samples. »I wanted to make use of drum sounds and small excerpts from old jazz vinyl records«, he explains. He maintained the unique sound signatures and rhythmic flutter of the source material while building intricate beats with them. Most of the material was culled from the record collection of Christian Kleine, whose spontaneous guitar improvisations over the first musical sketches were recorded and edited by Zahn and can be heard on four tracks. Also employing the occasional cembalo or spinet sound, he worked with a hardware sequencer and a delay to integrate the different, discrete elements into nine tracks that feel both dense and light at once.

What’s astonishing still 22 years later is how spacious »Tides« sounds. This is due to the fact that Zahn not only paid close attention to the sonic idiosyncrasies of his source material, but also to what happened in between those sounds. »Mark Hollis’s solo album was a huge inspiration at that time«, says Zahn. »What I find fascinating about it until this day is how silence and the subtle hiss of the mixing boards were being used on that record.« Silence was also an important stylistic element on »Tides« and adds greatly to the overall atmosphere of an album that with the appropriately named »Theme« immediately sets the mood with intricate spinet melodies: Zahn opens a door for his listeners and invites them to follow him to see a specific part of the world through his very own lens.

As a whole, the album mirrors Zahn’s trip that took him along the steep cliffs on a foggy day (»Seaside«), to an abandoned house in which he found old maps (»A Secret«), along the coastline during a long car ride (»Deauville«), to a sleepy village and the slowly moving sea (»Tides«) and finally back home to his native Germany where he started reflecting upon his experiences, ultimately deciding to translate them into music (»Epilogue«). »Whenever I listen to this album now, the images and memories it evokes are incredibly vivid and vibrant«, he says. It’s not hard to see — or rather hear — why. »Tides« may have been a deeply personal project, but it effortlessly evokes universal feelings by (re-)building an entire world in the course of only a few pieces of music.
Artificial - Stoner Classix Selected
Artificial
Stoner Classix Selected
12" | 2000 | EU | Reissue (Tonal Oceans)
16,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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Hot on the heels of 001, Tonal Oceans proudly presents 6 carefully selected tracks from Nicole Skeltys' rather extensive catalog. Compiling tracks from her Artificial alias, Tnl-ocs002 consists of material which draws from her self-released 12"s, a long lost 7" lathe cut, as well as some CD-only material. Being active since the 90's, Nicole has paved her way through many genres and moods, which together represent all things "Antipodean Electronica" excellently. Also features a track from close friends Dark Network. Presented in a printed sleeve with psychedelic sticker. Artwork by Soft Turbo.
Coil - Constant Shallowness Leads To Evil Black Vinyl Edition
Coil
Constant Shallowness Leads To Evil Black Vinyl Edition
2LP | 2000 | EU | Reissue (Dais)
34,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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The turn of the millennium ushered in an apex visionary phase for English esoteric duo Coil. Relocating from the city to the coastal quiet of Westonsuper-Mare freed them to follow even more fringe obsessions, fully untethered from peer influence. During a single six-month stretch in 2000 they released the devious underworld sequel to Music To Play In The Dark, arcane drone summit Queens Of The Circulating Library, and a malevolent hour-long synthesizer exorcism prophetically titled Constant Shallowness Leads To Evil. This latter work remains one of the group's most miasmic and mind-expanding creations, on par with Time Machines - a sustained divination of shuddering, psychoactive noise, rippling with the motion sickness of an all-seeing eye. Thighpaulsandra characterizes the album as "an exercise in brutality," born from a thorny patch of his Serge modular unit that Peter "Sleazy" Christopherson found entrancing. Processing this sliver of electronics into a ravaged labyrinth was a trial and error process, aided by Christopherson's visual sense of sound, stretching and manipulating it for maximum spatial disorientating. Frequencies nauseously crawl across the stereo field, burrowing into the ear like a sinister brainwashing experiment. An outlier / centerpiece is the 13-minute alien tribalist sea shanty, "I Am The Green Child," guided by John Balance's sung-spoken free verse concerning vengeance, oblivion, and insanity, culminating in the memorable refrain, "We're swimming in a sea of occidental vomit." But the rest of the record seethes in unhinged instrumental chaos, divided into 18 micro-movements of a composition called "Tunnel Of Goats." Intended to scramble the functionality of a CD player's shuffle mode, the piece throbs, thrashes, and flatlines in compressed frenzies of twisted synthesis, at the threshold of some bottomless purgatory, forbidding and unknown.
Coil - Constant Shallowness Leads To Evil Pink / Clear Splatter Vinyl Edition
Coil
Constant Shallowness Leads To Evil Pink / Clear Splatter Vinyl Edition
2LP | 2000 | EU | Reissue (Dais)
31,49 €* 34,99 € -10%
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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The turn of the millennium ushered in an apex visionary phase for English esoteric duo Coil. Relocating from the city to the coastal quiet of Westonsuper-Mare freed them to follow even more fringe obsessions, fully untethered from peer influence. During a single six-month stretch in 2000 they released the devious underworld sequel to Music To Play In The Dark, arcane drone summit Queens Of The Circulating Library, and a malevolent hour-long synthesizer exorcism prophetically titled Constant Shallowness Leads To Evil. This latter work remains one of the group's most miasmic and mind-expanding creations, on par with Time Machines - a sustained divination of shuddering, psychoactive noise, rippling with the motion sickness of an all-seeing eye. Thighpaulsandra characterizes the album as "an exercise in brutality," born from a thorny patch of his Serge modular unit that Peter "Sleazy" Christopherson found entrancing. Processing this sliver of electronics into a ravaged labyrinth was a trial and error process, aided by Christopherson's visual sense of sound, stretching and manipulating it for maximum spatial disorientating. Frequencies nauseously crawl across the stereo field, burrowing into the ear like a sinister brainwashing experiment. An outlier / centerpiece is the 13-minute alien tribalist sea shanty, "I Am The Green Child," guided by John Balance's sung-spoken free verse concerning vengeance, oblivion, and insanity, culminating in the memorable refrain, "We're swimming in a sea of occidental vomit." But the rest of the record seethes in unhinged instrumental chaos, divided into 18 micro-movements of a composition called "Tunnel Of Goats." Intended to scramble the functionality of a CD player's shuffle mode, the piece throbs, thrashes, and flatlines in compressed frenzies of twisted synthesis, at the threshold of some bottomless purgatory, forbidding and unknown.
Coil - Constant Shallowness Leads To Evil Clear Vinyl Edition
Coil
Constant Shallowness Leads To Evil Clear Vinyl Edition
2LP | 2000 | US | Reissue (Dais)
37,99 €*
Release: 2000 / US – Reissue
Genre: Electronic & Dance
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The turn of the millennium ushered in an apex visionary phase for English esoteric duo Coil. Relocating from the city to the coastal quiet of Westonsuper-Mare freed them to follow even more fringe obsessions, fully untethered from peer influence. During a single six-month stretch in 2000 they released the devious underworld sequel to Music To Play In The Dark, arcane drone summit Queens Of The Circulating Library, and a malevolent hour-long synthesizer exorcism prophetically titled Constant Shallowness Leads To Evil. This latter work remains one of the group's most miasmic and mind-expanding creations, on par with Time Machines - a sustained divination of shuddering, psychoactive noise, rippling with the motion sickness of an all-seeing eye. Thighpaulsandra characterizes the album as "an exercise in brutality," born from a thorny patch of his Serge modular unit that Peter "Sleazy" Christopherson found entrancing. Processing this sliver of electronics into a ravaged labyrinth was a trial and error process, aided by Christopherson's visual sense of sound, stretching and manipulating it for maximum spatial disorientating. Frequencies nauseously crawl across the stereo field, burrowing into the ear like a sinister brainwashing experiment. An outlier / centerpiece is the 13-minute alien tribalist sea shanty, "I Am The Green Child," guided by John Balance's sung-spoken free verse concerning vengeance, oblivion, and insanity, culminating in the memorable refrain, "We're swimming in a sea of occidental vomit." But the rest of the record seethes in unhinged instrumental chaos, divided into 18 micro-movements of a composition called "Tunnel Of Goats." Intended to scramble the functionality of a CD player's shuffle mode, the piece throbs, thrashes, and flatlines in compressed frenzies of twisted synthesis, at the threshold of some bottomless purgatory, forbidding and unknown.
Max Tundra - Some Best Friend You Turned Out To Be Colored Vinyl Edition
Max Tundra
Some Best Friend You Turned Out To Be Colored Vinyl Edition
LP | 2000 | UK | Reissue (Domino)
28,99 €*
Release: 2000 / UK – Reissue
Genre: Electronic & Dance
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99 Posse - La Vida Que Vendrà Green Vinyl Edition
99 Posse
La Vida Que Vendrà Green Vinyl Edition
2LP | 2000 | EU | Reissue (RCA)
34,99 €*
Release: 2000 / EU – Reissue
Genre: Hip Hop, Electronic & Dance
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Geiom / M. Caney - Blanket / Four Fifty Five
Geiom / M. Caney
Blanket / Four Fifty Five
7" | 2000 | EU | Original (City Centre Offices)
8,99 €*
Release: 2000 / EU – Original
Genre: Electronic & Dance
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Delarosa And Asora - Agony 1
Delarosa And Asora
Agony 1
2LP | 2000 | US | Original (Schematic)
23,99 €*
Release: 2000 / US – Original
Genre: Electronic & Dance
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Faithless - Back To Mine White Vinyl Edition
Faithless
Back To Mine White Vinyl Edition
2LP | 2000 | UK | Reissue (Back To Mine)
32,99 €*
Release: 2000 / UK – Reissue
Genre: Electronic & Dance
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Coil - Queens Of The Circulating Library Baby Blue / Clear Splatter Vinyl Edition
Coil
Queens Of The Circulating Library Baby Blue / Clear Splatter Vinyl Edition
LP | 2000 | US | Reissue (Dais)
20,39 €* 23,99 € -15%
Release: 2000 / US – Reissue
Genre: Electronic & Dance
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Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone. Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes. The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."
Coil - Queens Of The Circulating Library Clear Vinyl Edition
Coil
Queens Of The Circulating Library Clear Vinyl Edition
LP | 2000 | US | Reissue (Dais)
26,99 €*
Release: 2000 / US – Reissue
Genre: Electronic & Dance
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Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone. Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes.

The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."
Coil - Musick To Play In The Dark2 Cloudy Purple Vinyl Edition
Coil
Musick To Play In The Dark2 Cloudy Purple Vinyl Edition
2LP | 2000 | US | Reissue (Dais)
37,99 €*
Release: 2000 / US – Reissue
Genre: Electronic & Dance
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Coil - Musick To Play In The Dark2 White / Black / Clear Smoke Vinyl Edition
Coil
Musick To Play In The Dark2 White / Black / Clear Smoke Vinyl Edition
2LP | 2000 | US | Reissue (Dais)
37,99 €*
Release: 2000 / US – Reissue
Genre: Electronic & Dance
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Vladislav Delay - Multila
Vladislav Delay
Multila
2LP | 2000 | EU | Reissue (Keplar)
31,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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"Multila" was the third album by Finnish producer Sasu Ripatti under the moniker Vladislav Delay. It compiles the "Huone" and "Ranta" 12"EPs Ripatti released on Basic Channel's Chain Reaction label in 1999 and 2000. The album features six hauntingly murky dub ambient tracks and the impressive 22-minute techno odyssey "Huone." More than 20 years after its original release as a full-length CD album (Chain Reaction), these iconic recordings of modern electronic music are now available again as a double vinyl edition, featuring a revised artwork by Marc Hohmann that matches the new design of the »Whisteblower« and »Entain« reissues. "Life films us exactly. Our experience of it, though, lies beyond images and descriptions. Emotions, coming in irrational flashes, are non-figurable. We lose our little connection to them very quickly. We look for forms which promise to take us to our own experience. We construct forms with this in mind: that they can take us to meet the subconscious. Multila's construction is principled this way. Fragments of experience, moments without definition or localisation are captured within tiny fragments of time and then within one's mindspace. We can look into it and see that experience has left some of its data to us. As we receive it, again and again, we are connected and reconnected to certain indefinable moments. Both during and after its recording, Multila is a tool to learn about the unintentional states of us. It is a way to see our own emotional loops. Multila is a soundtrack for vision." - Vladislav Delay in the year 2000 Remaster by Rashad Becker. Vinyl cut by Kassian Troyer at D&M. Artwork by Marc Hohmann.
Dettinger - Oasis Remastered 2024 Repress Edition
Dettinger
Oasis Remastered 2024 Repress Edition
LP | 2000 | EU | Reissue (Kompakt)
24,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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Dettinger’s Intershop and Oasis have long been held, by many fans of ambient and electronic music, to be some of the finest albums in their field. Produced by the mysterious Olaf Dettinger, about whom not much is publicly known, they were some of the earliest full-lengths released by the then-nascent Kompakt, and in many ways, they both articulated and defined the sound that would come to be known as Pop Ambient, while also existing, somehow, to the leftfield of any clearly recognisable genre.

Beautiful, sui generis works, it is a rare pleasure to see them being reissued on vinyl for a new generation of listeners to embrace. Originally released on CD only in 1999, Intershop was Kompakt’s first artist full-length. The music here simmers and broods, with opulent banks of tone marking out territory for rhythms that seem to be built from the clacking detritus of technology – hisses, thunks, knocks. Bass is deployed carefully, each drop a dubbed-out depth charge; drones spin and spiral, warping and weaving between the beats.

Oasis, released in 2000, refined the palette that Dettinger had explored on its predecessor. A blurred crusade of ambient texturology, its unassuming patterns, and subtle, incremental dynamics, admit to real beauty, and a kind of abstract sensuality that you don’t often experience with music that is, perhaps, similarly tooled, but not as poetic. Through seemingly simple gestures – whether lushly expansive repetitions, hyper-acute tremolo tones, or ear-tickling rhythms – it builds complex emotional resonance. It’s no surprise to discover Oasis is held in high esteem by artists like Panda Bear of Animal Collective, who once said of Dettinger, “For us, he was the dude.”

There is, of course, other music to know Dettinger by, too – his three excellent EPs for Kompakt, Blond (1998), Puma and Totentanz (1999), the latter of which, Michael Mayer once argued, “invented dubstep.” There is also a small, yet graceful run of compilation contributions, many of which can be found on Kompakt’s Total and Pop Ambient series. All this music has plenty to recommend it, sharing a clarity of purpose, and a rare, human warmth and depth. But Intershop and Oasis are the releases that distil Dettinger’s singular vision, and allow him, should he wish, to claim his place as a modern master of ambient and electronic music.
Photek - Solaris
Photek
Solaris
2LP | 2000 | EU | Reissue (Proper)
50,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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Laurent Garnier - Unreasonable Behaviour
Laurent Garnier
Unreasonable Behaviour
2LP | 2000 | FR | Reissue (F Communications)
29,99 €*
Release: 2000 / FR – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-08-02
(Gatefold Sleeve) Album of the month in The Face, Muzik and Ministry. A little something for everyone with splicing downtempo tracks next to deep house next to breakbeat work outs next to retro techno.
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St Germain
Tourist Limited Orange Vinyl Edition
2LP | 2000 | EU | Reissue (Warner Music International)
50,99 €*
Release: 2000 / EU – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-09-06
Gorillaz - Gorillaz
Gorillaz
Gorillaz
2LP | 2001 | EU | Reissue (Parlophone)
34,99 €*
Release: 2001 / EU – Reissue
Genre: Hip Hop, Rock & Indie, Electronic & Dance
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Damon Albarn's brainchild which includes the massive hit Clint Eastwood feat. Del!
Bill Vanloo - Tones
Bill Vanloo
Tones
7" | 2001 | EU | Original (City Centre Offices)
6,49 €* 9,99 € -35%
Release: 2001 / EU – Original
Genre: Electronic & Dance
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/ harmonic study 1.3
Björk - Medulla
Björk
Medulla
2LP | 2001 | EU | Original (Polydor)
25,99 €*
Release: 2001 / EU – Original
Genre: Electronic & Dance, Pop
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limited edition
Rhythm & Sound - No Partial
Rhythm & Sound
No Partial
10" | 2001 | UK | Original (PK)
12,99 €*
Release: 2001 / UK – Original
Genre: Electronic & Dance, Reggae & Dancehall
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The Avalanches - Since I left You
The Avalanches
Since I left You
2LP | 2001 | UK | Reissue (XL)
27,99 €*
Release: 2001 / UK – Reissue
Genre: Hip Hop, Electronic & Dance
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The Avalanches' Downbeat milestone back in print!
Jon Hopkins - Opalescent
Jon Hopkins
Opalescent
2LP | 2001 | EU | Reissue (Just Music)
26,99 €*
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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This extraordinary debut uniquely combines the light with the dark, the beautiful with the mysterious, in a glorious atmosphere where the worlds of trip hop beats and chill out are made Jon's own personal domain. Sometimes eerie, sometimes majestic, but always profoundly musical.
The Other People Place - Lifestyles Of The Laptop Cafe
The Other People Place
Lifestyles Of The Laptop Cafe
2LP | 2001 | UK | Reissue (Warp)
29,99 €*
Release: 2001 / UK – Reissue
Genre: Electronic & Dance
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Only 1 per customer!

Fifteen years since its original release, The Other People Place's Lifestyles Of The Laptop Café is finally made available again on vinyl. A long-standing favourite among the many legions of Warp fans and rightly considered to be one of the very best electronic albums of all time.

It's hard to sum up in words just how important Lifestyles Of The Laptop Café truly is. Originally released back in 2001 as part of the Drexciyan off-shoot Storm Series, Lifestyles was one of the various projects of one-half of deep sea electro pioneers Drexciya, James Stinson. Shrouded in mystery, the two members of Drexciya took the blueprint laid out by the pioneers of the hypnotic groove, Kraftwerk and gave it a truly electro feel - cold, yet funky. Where Drexciya's sound was focused in the deepest corners of the ocean, James's work as The Other People Place was a solo project that turned its gaze elsewhere, most notably in the direction of love.

Playing out like the first meeting through the early days of a relationship, the themes of closeness and affection carry a strong theme throughout with tracks like 'Eye Contact' describing those very first seconds of connection, before the story unfolds with the twilight romance of 'Moonlight Rendezvous', and the almost doubt creeps in on the bittersweet 'You Said You Want Me' and the anthemic 'Let Me Be Me'. A track of legendary status amongst the wide-ranging spectrum of electronic music lovers, producers and DJs the world over.

With the original vinyl being incredibly hard to find (for a second-hand copy, you are looking upwards of one hundred and fifty quid easily!) this freshly repressed edition is something many of us have been dreaming of, and for those looking to take their first trip to the Place, you are in for a life-affirming experience.

Like all of the very best techno and electro, The Other People Place yields some of the most beautiful sounds to emerge from the D with a limited sound pallette, stripping everything back to the essentials to compose an incredibly important yet delicate album that still to this day continues to fascinate and seduce with its strikingly subtle flow and elegant mystery.
Jan Jelinek - Loop-Finding-Jazz-Records Black Vinyl Edition
Jan Jelinek
Loop-Finding-Jazz-Records Black Vinyl Edition
2LP | 2001 | EU | Reissue (Faitiche)
24,99 €*
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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Faitiche presents a long-lost vinyl album: for the last 14 years, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the landmark album is available again on vinyl, as a double LP with two bonus tracks (B-sides from the Tendency EP, 2000).
Zero 7 - Simple Things
Zero 7
Simple Things
2LP | 2001 | EU | Reissue (New State)
23,99 €*
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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The release comes on 180g vinyl. The vinyl LP has been discontinued and second-hand copies of the original pressing are changing hands on Ebay and Discogs for upwards of £100! This vinyl only Simple Things re-issue will mirror the original release, cut over 4 sides and using the original artwork but now pressed on heavyweight 180g vinyl. Simple Things is a timelessly classic album and the essential soundtrack to any laidback summer chilling.
Ulrich Schnauss - Far Away Trains Passing By
Ulrich Schnauss
Far Away Trains Passing By
3LP | 2001 | EU | Reissue (Scripted Realities)
36,99 €*
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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Björk - Vespertine
Björk
Vespertine
2LP | 2001 | UK | Reissue (Caroline)
29,99 €*
Release: 2001 / UK – Reissue
Genre: Electronic & Dance
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Repress 2021
Fennesz - Endless Summer
Fennesz
Endless Summer
2LP | 2001 | EU | Reissue (Editions Mego)
27,99 €*
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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Vinyl contains ‘Ohne Sonne’ and ’47 Blues’ previously only available on the Japenese CD versions. As well as an new extended version of ‘Happy Audio’ exclusive to this format.

"Endless Summer", originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental "Hotel Paral.lell" and the Beach Boys homaged "Plays" single "Endless Summer" brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end of year polls. This new definitive edition is newly mixed by Fennesz resulting in a more open sounding version of the tracks, especially the marimba driven "Caecilia", the hypnotic "Before I Leave", and the towering "Happy Audio". In addition 2 extra titles are included: "Badminton Girl", originally released in 2001 as part of the Split #15 12" with Main on Fat Cat Records (12fat045), now out of print. "Endless", previously unreleased.
Vladislav Delay - Anima
Vladislav Delay
Anima
2LP | 2001 | EU | Reissue (Keplar)
24,99 €*
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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2001’s »Anima« was the third album released by Sasu Ripatti under his Vladislav Delay moniker and marked a turning point in the stylistic development of the prolific producer. Clocking in at roughly 62 minutes, the single piece draws on dub aesthetics while working with Musique concrète-like methods through the liberal use of samples to create a dreamlike logic. Muffled voices, lush chords, subtle rhythms and indefinable sound events are not so much integrated into a composition with a predetermined outcome but rather engage with each other freely in a constant sonic flow, forming constellations in one moment before moving on to connect with other elements in the next one. »Anima« marked the first time Ripatti was using a DAW in his working process, creating a piece constantly in motion that subtly evolves over time. This vinyl reissue on the German Keplar label follows up on the 20th anniversary edition of 2000’s »Multila« and will be complemented by a ten-minute long version of the original piece, previously only available on the CD version released by the artist on his own Huume label in 2008.

After the release of his »Ele« and »Entain« albums in 1999 and 2000, respectively, Ripatti took the 1998 independent movie »Hurlyburly« as a conceptual starting point to experiment with different gear and production methods. »Until then I had worked with an old Msq-700 Midi sequencer and an Ensonic Eps16 sampler/sequencer that had one or two MB of sampling memory and mixed the music live on a Mackie, which was very limiting arrangement-wise,« says Ripatti. Loading a slightly shortened version of the film into his DAW however allowed him to play along to it with the DrumKAT Midi controller, triggering and playing all the sounds that can be heard on »Anima« while also contributing synths, bass and other sounds during repeated playthroughs before mixing a total of six stereo tracks together. »This way, after I had edited out most of the few parts that had music in them, I was in the movie; almost like an extra character playing music,« explains Ripatti. »This was certainly the most organic way in which I have ever made music, and I have never again approached another record like this.«

While »Anima« sounded like an unusual Vladislav Delay record at the time of its release, it also prefigured many of the developments Ripatti would go through in the course of his long career. Combining visceral immediacy with a sense of abstraction, it is far more than a mere missing link in his discography but rather a conceptually and musically outstanding piece of work that remains as engaging as it was 21 years ago.
Tricky - Blowback Grey Marbled Vinyl Edition
Tricky
Blowback Grey Marbled Vinyl Edition
LP | 2001 | EU | Reissue (Anti)
29,99 €*
Release: 2001 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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On Blowback Tricky works with Ed Kowalczyk, the singer with the band Live, Alanis Morissette, the Red Hot Chili Peppers, Ambersunshower, Cindy Lauper and Chris Blackwell's signee Hawkman. The album is full of contrasts and surprises. The excitement and the imagination and the sheer audacity that made the first album 'Maxinquaye' such a ground-breaking record are back. "When I made that first album I had a dream of changing the world," Tricky says. "You realise after a couple of years you aren't going to do that and its all a load of bullshit. Which is OK and you carry on. But now I've got my dream back. Music has stood still or five years and it's time to change it around again.
Iva Bittova - Cikori
Iva Bittova
Cikori
LP | 2001 | EU | Reissue (Indies Scope)
26,99 €*
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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Nathaniel Merriweather Presents Lovage Avec Michael Patton & Jennifer Charles - Music To Make Love To Your Old Lady By Black Vinyl Edition
Nathaniel Merriweather Presents Lovage Avec Michael Patton & Jennifer Charles
Music To Make Love To Your Old Lady By Black Vinyl Edition
2LP | 2001 | US | Reissue (Bulk)
33,99 €*
Release: 2001 / US – Reissue
Genre: Hip Hop, Electronic & Dance, Pop
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Finally reissued for all those that can't spend three digit amounts for the original pressing. A true gem.
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.
Zorn - Eckermann/Vian
Zorn
Eckermann/Vian
7" | 2001 | EU | Original (City Centre Offices)
10,99 €*
Release: 2001 / EU – Original
Genre: Electronic & Dance
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Muslimgauze - Eye For An Eye
Muslimgauze
Eye For An Eye
LP+7" | 2001 | EU | Reissue (Staalplaat)
26,59 €* 27,99 € -5%
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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The first complete version of »Eye For An Eye« including the two unreleased tracks »Sub Cahra« pt1 & pt2 that were not on the first vinyl release. »Eye For An Eye« sounds very much like Muslimgauze material from 1993 (»Salaam Alekum Bastard«, »Veiled Sisters«). Much more laid back than their later output. Sometimes the distorted glitches and rapid stop - start cuts of later releases gets on my nerves. This one, like most of their others sounds dark, dirty and hot.
Transllusion - The Opening Of The Cerebral Gate
Transllusion
The Opening Of The Cerebral Gate
3LP | 2001 | DE | Reissue (Tresor)
42,99 €*
Release: 2001 / DE – Reissue
Genre: Electronic & Dance
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Robert Lippok - Open Close Open EP Clear Vinyl Edition
Robert Lippok
Open Close Open EP Clear Vinyl Edition
10" | 2001 | Reissue (Morr Music)
23,99 €*
Release: 2001 / Reissue
Genre: Electronic & Dance
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In 1998, Carsten Nicolai, also known as Alva Noto, visited a sound installation created by Robert Lippok for a group exhibition in Weimar, Germany. Soon after, he invited Lippok to release music on his label raster-noton. "Open Close Open" was released in 2001 and marked the beginning of Lippok"s solo career. Before, Lippok had already played in Ornament und Verbrechen (with his brother Ronald Lippok) and To Rococo Rot (with Ronald Lippok and Stefan Schneider). The source material for "Open Close Open" initially served as a soundtrack for a video by Takehito Koganezawa, a visual artist from Japan. For this remastered vinyl reissue, Lippok revisited the original sound material and produced a new track called "Licht."
Monoland - Cooning
Monoland
Cooning
LP | 2001 | EU | Reissue (Fastcut)
50,99 €*
Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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Denzel & Huhn - Time Is A Good Thing
Denzel & Huhn
Time Is A Good Thing
2LP | 2002 | EU | Original (City Centre Offices)
21,99 €*
Release: 2002 / EU – Original
Genre: Electronic & Dance
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Original old stock.
Caural - Stars On My Ceiling
Caural
Stars On My Ceiling
2LP | 2002 | US | Reissue (Chocolate Ind.)
18,99 €*
Release: 2002 / US – Reissue
Genre: Electronic & Dance
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Björk - Greatest Hits
Björk
Greatest Hits
2LP | 2002 | EU | Original (One Little Indian)
59,99 €*
Release: 2002 / EU – Original
Genre: Electronic & Dance, Pop
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Boards Of Canada - Geogaddi
Boards Of Canada
Geogaddi
3LP | 2002 | UK | Reissue (Warp)
31,99 €*
Release: 2002 / UK – Reissue
Genre: Electronic & Dance
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Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years. Each Warp reissue comes with a download code and an original BOC sticker design from the era.
Nightmares On Wax - Mind Elevation
Nightmares On Wax
Mind Elevation
2LP | 2002 | UK | Reissue (Warp)
29,99 €*
Release: 2002 / UK – Reissue
Genre: Electronic & Dance
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The Nightmares' instant classic "Mind Elevation" finally re-issued, including a donwload card!
Chemical Brothers - Come With Us
Chemical Brothers
Come With Us
2LP | 2002 | US | Reissue (Astralwerks)
33,99 €*
Release: 2002 / US – Reissue
Genre: Electronic & Dance
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Boo - Smile In Your Face Featuring Muro Record Store Day 2021 Edition
Boo
Smile In Your Face Featuring Muro Record Store Day 2021 Edition
7" | 2002 | JP | Reissue (Universal Music Japan)
31,99 €*
Release: 2002 / JP – Reissue
Genre: Electronic & Dance
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Record Store Day Japan 2021 Drop 2 release. From the EP released in 2002, MURO (producer / DJ), BOO (singer), and Ryoki Matsumoto (composer/arranger) boldly sampled Tatsuro Yamashita’s “Sparkle” to create an R & B flavored song.
Farben (Jan Jelinek) - Textstar+
Farben (Jan Jelinek)
Textstar+
2LP | 2002 | EU | Reissue (Faitiche)
29,99 €*
Release: 2002 / EU – Reissue
Genre: Electronic & Dance
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On textstar+ Jan Jelinek brings together the material from the Cmyk series, four EPs he released between 1999 and 2002 under the pseudonym farben (the German word for both colours and paints), on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period. ________________________________________ A Polaroid. Still life with tangled leads and consumer electronics, late twentieth century. Black and various shades of dirty white are the dominant non-colours. The image’s spatial depth remains diffuse, the links between its elements speculative. A note stuck to the wall (a legend, perhaps, or an all-explaining blueprint in text form?) is impossible to decipher. You can’t see what connects the picture’s signs. You have to hear it. farben says: Every sound is a text. A bearer of meaning in search of a reader. Hoping the ideas inscribed in its autonomous existence will be understood as intended. While its beauty lies precisely in misunderstanding, in reading the coded message a new way every time. A thousand colours of sound, a thousand different ways to hear, to see, to understand. On textstar+ Jan Jelinek brings together the material from the Cmyk series, four EPs he released between 1999 and 2002 under the pseudonym farben (the German word for both colours and paints), on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period. Another new element is the Polaroid, showing the origins of a world: Jelinek’s home studio in Berlin at the time. farben says: Move your body! The project has its roots in Jelinek’s love of house as a reductionist vision of soul. Of four to the floor as a proposition that can be accessed anywhere. Of electronic dance music as a realm of possibility that can be continually expanded. farben was written as contemporary house music. As a text about excitement and euphoria. The arrangements were made directly while recording to DAT, on a twelve-channel mixing desk. Several track titles suggest a link to live concerts, coupled with the context of machine music and bedroom recording. Others affirm pop music’s most extravagant stock phrases about various states of love. Jelinek produced the tracks with the aim of making music for dancefloors. An idea that failed very productively. In the locations to which it was originally addressed, the project barely figured. But people did listen, and they listened all the more closely to this music that opened up new acoustic and associative scope for house. farben is the opposite of genre: a music spawning new terms (clicks & cuts, micro-house) that never manage to fully capture it. farben says: Signifiers. The four Cmyk EPs are designed as a network of references that cannot be missed but that can also never be precisely deciphered. The vectors of sound, word and image point to Isaac Hayes and Ornette Coleman, to Detroit and the first generation of the Red Army Faction, to Karl Marx and Friedrich Engels. So multifarious that they are distorted to the point of recognition. Overall we hear sonic docufictions whose appealing vagueness derives precisely from this oscillation between clarity and ambiguity, which is also the source of their poetry: the lyricism of the pure circulation of signs. The artwork is based on photographs of former Red Army Faction members, broken down into the four colours of the Cmyk model. The motifs dissolve into individual dots of a single colour, so close to the faces that their expressions are only hinted at. Taken together, the individual colours compose a new whole out of fragmentary material, defying definition and thus maintaining their vibrancy. The same occurs on the level of sound. The sampler Jelinek used for these tracks had to be fed with floppy disks, imposing a memory limit of 1.44 megabytes per audio quotation from soul or jazz records. As a necessary consequence of this, the individual references, like the dots of colour, are dissolved into details and abstractions. They appear as splinters that recombine in new ways to create new meanings. The joy of collapsing metaphors. farben says: New departures. Even two decades after its original release, textstar+ does not come across as an epitaph to the modern era. Instead, it appears as a euphoric affirmation of the utopias of the twentieth century, translated into new sound texts via the aesthetic strategies of abstraction, collage, networking and speculation. 1.44 megabytes of history, one thousand signifiers, one album. From “Live ...” to “... Love”. Arno Raffeiner, 2021
Max Tundra - Mastered By Guy At The Exchange Blue Vinyl Ediiton
Max Tundra
Mastered By Guy At The Exchange Blue Vinyl Ediiton
LP | 2002 | UK | Reissue (Domino)
28,99 €*
Release: 2002 / UK – Reissue
Genre: Electronic & Dance
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Ekkehard Ehlers - Plays
Ekkehard Ehlers
Plays
2LP | 2002 | EU | Reissue (Keplar)
33,99 €*
Release: 2002 / EU – Reissue
Genre: Electronic & Dance
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Ekkehard Ehlers' seminal plays series was originally released on three 12inches (Staubgold) and two 7inches (Bottrop-Boy) in very limited runs. The entire series was previously only available as a CD compilation or digitally. Keplar finally presents it on double vinyl for the first time, featuring a new cover artwork. Domestic ethnology: Ekkehard Ehlers plays. ‘Play’ is a word in English with many meanings attached. Each one sends you down a different cognitive pathway. When I think of ‘playing’, in the sense of a game, I think of an activity involving more than one person. When Ekkehard Ehlers plays, he is very much on his own. Or, at least, alone but at the same time keeping intimate company with the artistic innovators named in his titles. Robert Johnson. John Cassavetes. Albert Ayler. Cornelius Cardew. Hubert Fichte. Is he playing with them, against them, about them, for them, to them? This can never be known. It is certainly a mistake to try to hear the ‘work’ of these originals in the sounds played by Ekkehard. They’re not cover versions. They’re hardly tributes in the conventional sense. Cassavetes and Fichte are not even musicians, although music played an important part in both their careers. Sure, there are little nods and flashes of recognition – tiny guitar licks among the minimal beats of ‘Robert Johnson 2’; rich bowed instruments in ‘Albert Ayler’, recalling the violin, cello and double bass arrangements on Ayler’s 1967 Live in Greenwich Village LP; the elongated organ lines of ‘Cornelius Cardew 1’ gesturing towards passages in Paragraph 1 of the British composer’s 1971 Marxist monolith, The Great Learning. Ekkehard is not so much playing these figures as allowing himself to be played by them. Playing as an activity also suggests freedom. Maybe the only thing all five named persons have in common is that they were all quiet radicals. In music, literature and cinema, they all stepped, without self-promotion or fanfare, into unmapped territories. Once there they found it necessary to invent new languages in order to survive. Necessity was the mother of their inventiveness. They were also uncomfortable avant gardists. Lonely types, fighting their corners out on the margins, with little reward, often misunderstood, ridiculed or ignored. All died unfairly young. Fichte a victim of Hiv/aids, Cassavetes of cirrhosis of the liver. (‘Cassavetes 2’ sounds like a tender farewell played across the 59 year old alcoholic director’s death bed.) The deaths of Johnson, Ayler and Cardew have never been satisfactorily explained, and remain shrouded in myths and conspiracy theories. The pioneering expeditions of all five began in that spirit of playful freedom, but inexorably drew them towards the heart of darkness. So these ‘plays’ are micro-dramas, sonic soliloquies, monolog-ins to the private accounts of various geniuses in Ekkehard’s ‘follow’ list. Hacked sensibilities. Artistic manifestos boiled down and distilled, skinned and dried in the digital smokehouse. (Ekkehard Ehlers Flays.) Each of these plays was originally floated out into the world alone on its own disc. The collected works play well as a team – a tranquil, introspective experience where each artist has his own identifiably unique sound character. As an album, Plays is a ‘Plattenragout’ – a ‘record stew’ – which was the title of Hubert Fichte’s LP review column in the leftist culture magazine konkret in the 1960s. The novelist’s work investigating the cultures of South America and the Caribbean islands has been called ‘domestic ethnology’. The writer himself referred to his ‘ethnopoesie’. Ekkehard Ehlers’s intuitive electronic portraits are a form of domestic ethnology in themselves. Invoking another of Ekkehard’s musical aliases, they are portraits of cultural ‘autopoiesies’ – creators whose works were strong enough to have their own self-regenerating life force. (by Rob Young)
Dino Felipe - Xanaconversex
Dino Felipe
Xanaconversex
LP | 2002 | US | Original (Schematic)
18,99 €*
Release: 2002 / US – Original
Genre: Electronic & Dance
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V.A. - Well-Suited For General-Purpose Audio Work
V.A.
Well-Suited For General-Purpose Audio Work
2LP | 2002 | US | Original (Schematic)
23,99 €*
Release: 2002 / US – Original
Genre: Electronic & Dance
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Dino Felipe - As Flim Toby
Dino Felipe
As Flim Toby
2LP | 2002 | US | Original (Schematic)
23,99 €*
Release: 2002 / US – Original
Genre: Electronic & Dance
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Har Mar Superstar - You Can Feel Me 20th Anniversary Black Vinyl Edition
Har Mar Superstar
You Can Feel Me 20th Anniversary Black Vinyl Edition
LP | 2002 | EU | Reissue (Love Online)
26,99 €*
Release: 2002 / EU – Reissue
Genre: Electronic & Dance
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This is the 2nd album by Har Mar Superstar. It was originally released on Record Collection/Warner Bros in 2002. The album features collaborations with Beth Ditto, Eric Olsen, Howard Hamilton III, Dave Gatchell, Dirty Preston, Clark Baechle, Jacob Thiele, Tiny E, and many more. The lead-off single Power Lunch became something of an international indie hit, and Har Mar Superstar performed at festivals all over the world culminating in a four month residency at the legendary club Manumission in Ibiza. This was the last album where Sean Tillmann would pretend he was his own brother, Harold Martin Tillmann.
The Cinematic Orchestra - Every Day 20th Anniversary Colored Vinyl Edition
The Cinematic Orchestra
Every Day 20th Anniversary Colored Vinyl Edition
3LP | 2002 | UK | Reissue (Ninja Tune)
41,99 €*
Release: 2002 / UK – Reissue
Genre: Electronic & Dance
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Arovane - Icol Diston
Arovane
Icol Diston
2LP | 2002 | EU | Reissue (Keplar)
31,99 €*
Release: 2002 / EU – Reissue
Genre: Electronic & Dance
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The »Icol Diston« compilation, released in 2002 on DIN, comprised the three first EPs released by Uwe Zahn under his Arovane moniker. Following up on vinyl reissues of his path-breaking debut album »Atol Scrap« as well as 2000’s »Tides,« the German Keplar label finally makes »Icol Diston« available in its entirety on vinyl for the first time in a remastered version with new artwork. This expansive reissue sheds a new light on Zahn’s first two outings as a producer on the »I.O.« and »Icol Diston« EPs on Torsten ›t++‹ Pröfrock’s legendary label as well as highlighting his radical inventiveness as a remixer with the two renditions of Pröfrock-produced material offered on »AMX.« Taken together, these musically complex and emotionally rich electronic compositions form the prologue to an artistic story like none other while also documenting a very specific era in cultural history. The energy running through Berlin and its boundaryless electronic music scene at the end of the 1990s is reflected by and refined through these eleven tracks. »There was an overwhelming dynamic of liberation reverberating through the city—through the clubs, the arts, the people,« says Zahn today. At this early stage in his career, he had a head full of ideas and slowly started filling up his studio with samplers, synthesizers, and sequencers to put them into practice. »I would compose percussive structures in my mind during long metro rides and record them once I was back at the studio as well as composing melodies spontaneously on my sequencer.« The Yamaha Qy700 would become his sketchbook that allowed him to experiment with different patterns, creating polymetric figures out of discrete musical elements. Zahn’s sessions, recorded live in stereo and straight to DAT, resulted in two very different EPs of original material. His debut »I.O.« showcases a playful and gentle, albeit dubby and at times moody aesthetic. The four tracks are exercises in sonic worldbuilding, creating vast spaces and filling them with a plethora of intertwining melodies and rhythms. Its successor »Icol Diston« drew on similar parameters, but painted a very different picture in terms of atmosphere and mood. »Berlin’s history felt still so tangible and yet somewhat ghostly during the 1990s, and it is a reflection of all that,« explains Zahn. »The weight of its past, starting with World War II up to the end of the GDR, clashed with an atmosphere of departure, a new zest for life among the people in the city.« It is perhaps no surprise then that the five tracks put a firmer focus on beats, at times even approximating techno or electro grooves despite never eschewing the complexity that is so central to Zahn’s work. The »amx« EP features two remixes of tracks originally produced by Pröfrock under two different guises. »Außen vor« had been released under his Dynamo moniker and was reworked by Zahn after having been introduced to his label owner’s Studio 440 sampler, sequencer and drum machine. By leaving the groove at the core of the original track mostly intact but infusing it with more dub as well as anthemic synth drones, Zahn gave it more depth both sonically and emotionally. With his remix of »No. 8,« released under Pröfrock’s tongue-in-cheek pseudonym Various Artists, Zahn followed a more radical approach which led him even deeper into dub territory. »I used a relatively short sample as the tonal foundation and then added an incredibly deep bass and percussive elements,« he explains. Widely different from the original version, it perfectly translated the spirit of this singular masterpiece into another stylistic idiom. The »Icol Diston« compilation is imbued with a forward-thinking spirit that remains exhilarating until today. It captures the sound of one unique artist, but also electronic music during that time more broadly. This is the sound of opening a new chapter, the willingness to venture into the unknown.
Granlab - Fear
Granlab
Fear
12" | 2002 | EU | Original (3B)
6,99 €*
Release: 2002 / EU – Original
Genre: Electronic & Dance
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slamming raw Techno cuts
Serani Poji - One-Room Survival
Serani Poji
One-Room Survival
LP | 2002 | JP | Original (Crown)
39,99 €*
Release: 2002 / JP – Original
Genre: Electronic & Dance
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Serani Poji's second album, produced by Yukihiro Fukutomi, is a colorful and cute piece featuring various sound coatings such as lounge, house, bossa, and techno.
Tweet - Southern Hummingbird
Tweet
Southern Hummingbird
2LP | 2002 | Reissue (Real Gone Music)
70,99 €*
Release: 2002 / Reissue
Genre: Electronic & Dance
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Coil - Moon's Milk (In Four Phases) Red In Clear Vinyl Edition
Coil
Moon's Milk (In Four Phases) Red In Clear Vinyl Edition
3LP | 2002 | US | Reissue (Dais)
62,99 €*
Release: 2002 / US – Reissue
Genre: Electronic & Dance
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Red in Clear Vinyl.First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness.Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)").Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future."The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shiv...
Skalpel - Skalpel
Skalpel
Skalpel
2LP | 2003 | UK | Reissue (Ninja Tune)
26,99 €*
Release: 2003 / UK – Reissue
Genre: Electronic & Dance
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Back in print after 10 years! Repressed on 180 gram vinyl incl. Download code!
The Bambi Molesters - Dumb Loud Hollow Twang
The Bambi Molesters
Dumb Loud Hollow Twang
LP | 2003 | EU | Reissue (Dancing Bear)
23,99 €*
Release: 2003 / EU – Reissue
Genre: Electronic & Dance
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180 gram vinyl

Not many acts who continue for a few albums get a chance to go back and take care of what they might see in retrospect as mistakes or tentative starts — but there are always glorious exceptions. Thus the course of events that led to the Croatian surf-rock quartet The Bambi Molesters rerecording their 1997 debut Dumb Loud Hollow Twang in a ‘deluxe’ edition, with special guests, bonus tracks and more besides.

What might have seemed a quixotic exercise gets explained in the liner notes — the album’s original run, though popular in surf-rock obsessive circles, had not resulted in a reprint, while the group’s growing popularity resulted in further demand and attention for the start. The band themselves felt the debut was far too rushed — it was literally recorded in three hours as a one-take rip with instrument leakage and bad mixing ruining the impact — so with more time to spare and a chance to flesh out the sound, the result was 2003’s Deluxe.

The quartet’s command of the surf vernacular is unparalleled — guitarists Dalibor Pavicić and Dinko Tomljanović have the reverb down and rhythm section Lada and Hrvoje Zaborac shift between mania and moodout with ease. The guest musicians add just the right touches — keep an ear out for Neven Franges’s piano on the late-night menace of “Pearl Divin’”, as well as on the smoky Eurospy vibe of “Sun Stroke” and a trumpet/sax duo on a variety of songs adding some further sting.

If the overall effect is pleasantly reverential rather than a striking new reworking of surf and garage roots, it’s still a solid result that works beyond mere genre exercise. The bonus tracks are all covers, and winners they are — the Molesters collaborator in the Strange project, Chris Eckman, adds whispering menace to “Restless”, the album’s sole vocal track. Best song title of the bunch — “Beach Murder Mystery.” (Ned Ragget, All Music Guide, 2005)

Nothin’ dumb about this one! The Bambi Molesters hail from Sisak, Croatia, and they play a slightly dark brand of traditional instrumental surf music. They’re all about subtlety. Lead guitarist Dalibor Pavicić lays back in the mix, painting the sound with dreamy apparitions of melody and tone. How much of this was always part of their formula, and how much producer Phil Dirt created at the console, I don’t know, but either way they’re onto something good here.

All fifteen tunes were written by Pavicić and guitarist Dinko Tomljanović, and that’s surprising enough for such a young band, but on top of that, all fifteen are exquisitely crafted and fully realized. “Sun Stroke” is one of the most beautiful surf tunes of the year, filled with passion and power and delivered with a delicate touch. If you fancy a twist of spy in your surf, “Beach Murder Mystery” is the bomb. By the way, if you’re voting for great titles of the year, you may want to consider “Standing on the Nose in a Stylish Manner”, which also happens to be a killer surf tune. So add Croatia to your surf scene map and keep an eye on The Bambi Molesters, because they’ve officially taken their place in the book of who’s who. (DJ Johnson, Cosmik Debris, 1998)

A stunningly good set of tracks from the only surf band in Croatia. Their writing is melodic, pristine, well structured, and unique. I find their slower material to be the best, with its stellar beauty and delicate balance between lead and rhythm. I’ve been communicating with the band for about a year, and earlier this year, they asked me to produce their album. I was honored. They laid down 16 track ADAT in Croatia, and mailed them to me in the US. I mixed them here, and mastered them as well. Based on the DAT I’d received late last year, I was expecting good tracks. I was not prepared for just how good they’d turn out to be. This will be a classic of the future. (Phil Dirt, DJ KFJC)

Dancing Bear Band Information (from 2005)

Formed in 1995 under the influence of 60’s garage and surf classics, the Croatia based band The Bambi Molesters won sympathies of rock critics and underground rock audience with their first album “Dumb Loud Hollow Twang” which was released in 1997. Since then they have been playing regularly in Croatia and all over Europe and their fiery and energetic live performances have helped to build their reputation as one of the finest and most original contemporary instrumental bands.

In 1999 the band signed the record deal with Dancing Bear. They released their second album called “Intensity”. The same LP was also released in Germany on Kamikaze Records. Both “Intensity” and “Dumb Loud Hollow Twang” gained positive reviews in the music press and were nominated in various categories of the Croatian music award.

In December 2001 The Bambi Molesters released their 3rd CD “Sonic Bullets: 13 from the Hip” (the LP version is from 2003) with the following guests: Peter Buck (REM), Scott McCaughey (Minus Five, REM touring band), Chris Eckman (The Walkabouts), Terry Lee Hale and Eduardo “Speedo” Martinez (The Flaming Sideburns). Just like the previous one, the new The Bambi Molesters album was published by the Croatian record label Dancing Bear. The CD got excellent reviews in various magazines (Mojo, Uncut, Pitchfork, ...) and received the Croatian journalist award for the best album of the year 2001.

In June 2002 “Sonic Bullets: 13 from the Hip” was licensed by ACE Records and was released on their Big Beat label.

The Bambi Molesters’ songs are regularly played on American (KFJC, KFAI, KXLU, WREK, WHUS) and British (BBC RADIO 1 in London) radio stations. The song “C Alpha E” was included in the movie called “The Treat” by Jonathan Gems (screenwriter for “Mars Attacks” and “1984”). Their music can also be heard in videos (“Cross Cuts” for Tonix Pictures and Dragonfly BMX video). Three songs from the first LP are included in the movie “Barabe” (Viba film, Slovenia). During the last couple of years the band has played more than 100 gigs and supported well known acts including The Cramps, REM, Chrome Cranks, Man or Astroman,...

In July 2003 the band played as a support at the R.E.M. European tour. The Bambi Molesters played at three gigs in front of 50000 people altogether.

In June 2004, together with The Walkabouts singer Chris Eckman they formed The Strange. Their debut album “Nights of Forgotten Films” is out on Dancing Bear.
Kraftwerk - Tour De France Remastered Black Vinyl Edition
Kraftwerk
Tour De France Remastered Black Vinyl Edition
2LP | 2003 | EU | Reissue (Parlophone)
49,99 €*
Release: 2003 / EU – Reissue
Genre: Electronic & Dance
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Ulrich Schnauss - A Strangely Isolated Place
Ulrich Schnauss
A Strangely Isolated Place
2LP | 2003 | EU | Reissue (Scripted Realities)
25,99 €*
Release: 2003 / EU – Reissue
Genre: Electronic & Dance
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Stéphane Pompougnac - Hôtel Costes 6
Stéphane Pompougnac
Hôtel Costes 6
2LP | 2003 | EU | Reissue (Hôtel Costes / Pschent)
27,99 €*
Release: 2003 / EU – Reissue
Genre: Electronic & Dance
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Chica And The Folder - Schatulle
Chica And The Folder
Schatulle
12" | 2003 | EU | Original (Monika)
12,99 €*
Release: 2003 / EU – Original
Genre: Electronic & Dance
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Dino Felipe - Spreadder
Dino Felipe
Spreadder
7" | 2003 | US | Original (Schematic)
9,99 €*
Release: 2003 / US – Original
Genre: Electronic & Dance
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Eric Zann - Ouroborindra
Eric Zann
Ouroborindra
LP | 2003 | UK | Reissue (Ghost Box)
22,99 €*
Release: 2003 / UK – Reissue
Genre: Electronic & Dance
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We're absolutely delighted to announce the reissue of Ouroborindra on the Ghost Box Records label.

Ouroborindra was first released in 2005 on Cd-r, and now re-issued on CD and, for the first time, on Vinyl. Eric Zann was an alias for the more experimental work of Jim Jupp, aka Belbury Poly and Ghost Box co-founder.

Inspired by early 20th century cosmic horror fiction, Ouroborindra sets out to conjure up it's own awe inspiring and chilling imagery. It's drone music with melodic elements, stitched together with synthesizers, samples, found sound and effects.

Another exceptional reissue from the consistently excellent Ghost Box.
Jaga Jazzist - The Stix 20th Anniversary Orange / Red Vinyl Edition
Jaga Jazzist
The Stix 20th Anniversary Orange / Red Vinyl Edition
2LP | 2003 | UK | Reissue (Ninja Tune)
34,99 €*
Release: 2003 / UK – Reissue
Genre: Organic Grooves, Electronic & Dance
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Eluvium - Lambent Material Dark Red Vinyl Edition
Eluvium
Lambent Material Dark Red Vinyl Edition
LP | 2003 | US | Reissue (Temporary Residence)
30,99 €*
Release: 2003 / US – Reissue
Genre: Electronic & Dance
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Tujiko Noriko - From Tokyo To Naiagara
Tujiko Noriko
From Tokyo To Naiagara
LP | 2003 | EU | Reissue (Keplar)
24,99 €*
Release: 2003 / EU – Reissue
Genre: Electronic & Dance
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Keplar presents the first-ever vinyl edition of the 2003 album »From Tokyo to Naiagara« by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, »From Tokyo to Naiagara« followed up on her two seminal Mego albums and marked a turning point in both the artist’s career and personal life: While she was preparing to leave Japan behind, she succinctly connected the dots between her experiments in pop music and her interest for more abstract sounds. Tujiko worked primarily with a Yamaha synthesizer and an MPC sampler while also incorporating contributions by other musicians such as Onda, Riow Arai and Sakana Hosomi into the pieces. Sometimes approaching an IDM and clicks’n’cuts-style production or working with trip-hop and hip-hop beats while using conventional song structures in the most unconventional of ways, the album showcases her multifaceted influences and skills as a singer and musician to full effect. Tujiko fondly remembers the time when she made the album. »I had a lot of time for myself back then and I didn’t even feel like I was very busy,« she says today. She describes producing it in close collaboration with Onda, who would relocate to New York City shortly after, as »quite Tokyo and very local.« They explored parts of the city that they hadn’t yet been to for a photography project (finding, among other things, a coin laundry called Naiagara—a transliteration of Niagara). This left its mark on a record that mixes melancholia with joy. The driving opener »Narita Made,« named after one of Tokyo’s airports, already makes this clear: Tujiko’s wistful vocals and lyrics like »I miss you terribly« emphasises the sense of bittersweetness that forms the common thread for a sonically diverse and stylistically open-ended album—this music is looking back while moving forward. It is probably no surprise that its reissue too evokes tender memories of Onda and Steinle in Tujiko, while also reminding her of what lies ahead. »I have so much more to do and not enough time for that,« she muses, before quickly adding: »But I also feel less alone having that album again.« Influenced in equal parts by the experience of strolling through previously unknown Tokyoite back alleys and thinking about the paths not (yet) taken, »From Tokyo to Naiagara« is precisely that: the perfect travel companion for a journey that leads its listeners from past to future.
Chronomad - Chronomad
Chronomad
Chronomad
12" | 2003 | EU | Reissue (Alien Transistor)
8,99 €*
Release: 2003 / EU – Reissue
Genre: Electronic & Dance
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Saam Schlamminger, born 1966 in Istanbul. Until the age of 12 years, he lived in Iran, since then main residence is Munich. A couple of visits at different musicians and teachers in Uzbekistan, Pakistan, Iran, New York and Paris for studying eastern rhythmics. Specialized in the instruments Persic Zarb and Daf, which he alienates electricly. Worldwide performances with artists of different styles, e.g. Susan Deyhim and the Notwist. Consultant and director of several documentaries abroad (Iran, Benin, Kurdistan, France, central Asia).
Nightmares On Wax - Late Night Tales
Nightmares On Wax
Late Night Tales
2LP | 2003 | UK | Reissue (Late Night Tales)
32,99 €*
Release: 2003 / UK – Reissue
Genre: Electronic & Dance
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The Late Night Tales compilation is a bit of a ‘stealth’ project for me personally. I’m very proud of it, but at the time, I probably didn’t appreciate it as much as I do now because there was so much going on. You do these things in-between touring and you don’t really have time to reflect on them because you’re immediately onto the next thing. It’s nice to know that it’s getting re-released.
Ceephax Acid Crew - Exidy Tours
Ceephax Acid Crew
Exidy Tours
2LP | 2003 | EU | Reissue (WeMe)
27,99 €*
Release: 2003 / EU – Reissue
Genre: Electronic & Dance
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Originally released on Firstcask Records in 2003. A selection of my styles and ideas at the time, ranging from drum n bass, ambient, acid etc etc
Candido - Dancin' And Prancin'
Candido
Dancin' And Prancin'
LP | 2003 | Reissue (Real Gone Music)
31,99 €*
Release: 2003 / Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-09-06
Donato Wharton - Built To Fail EP
Donato Wharton
Built To Fail EP
12" | 2004 | EU | Original (City Centre Offices)
8,44 €* 12,99 € -35%
Release: 2004 / EU – Original
Genre: Electronic & Dance
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Das Bierbeben - Reproduktion / Staub
Das Bierbeben
Reproduktion / Staub
12" | 2004 | EU | Original (Shitkatapult)
9,99 €*
Release: 2004 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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