Downbeat | Electronica | Leftfield Vinyl 5921 Items

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | UK | Original (Ninja Tune)

The Invisible

Patience Remixes

12,99 €*

Release: 2017 / UK – Original

Genre: Electronic & Dance

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10" | 2017 | EU | Original (Animist)

Apichat Pakwan

E-Ong Muan San

13,99 €*

LP | 2017 | US | Reissue (Thrill Jockey)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Only one copy per customer!

Martinique is an island in the Lesser Antilles, a group of islands in the Caribbean Sea found between the Greater Antilles (Jamaica, Cuba, and Puerto Rica) to the north-west and the continent of South America to the south. Martinique is one of the eighteen regions of France (there are five overseas regions) and an integral part of the French Republic. As part of France, Martinique is also part of the European Union, and its currency is the Euro. The official language is French, and virtually the entire population speaks Antillean Creole. It was first claimed by France in 1635 under the reign of King Louis XIII.

Located geographically closer to the United States than to Europe, the Antilles absorbed jazz and mixed it with the traditional rhythms of their islands: the Biguine, Gwo Ka, Tumbélé. Many artists over the years have explored this uniquely affecting mix: D’Alexandre Stellio, Jean-Claude Montredon, Al Lirvat, Acques Coursil and Mario Caning. But one of the best exemplars of this fusing of American jazz and the Antillean musical tradition was pianist and composer Marius Cultier.
Marius Cultier was born in 1942 in Fort-de-France, Martinique. A precocious talent for an early age, at nine he conducted with the L'Office de Radiodiffusion-Télévision Fançaise, the French national public broadcasting organisation.

As a young man, Cultier hosted a radio show, ‘Punch en Musique,’ which proved a hit with the public and his name and reputation slowly built. Tragedy struck him at 14 when he was orphaned and he was looked after by this elder sister.

As tragic as 1956 proved for Cultier, it was to be a watershed year for another reason - it was the year he discovered jazz. It wasn’t long before he was fusing the musical styles and language of the West Indies with jazz and he began live performances at the Hôtel l’Impératrice.

Very quickly Cultier became an in-demand concert attraction in Martinique and venue owners soon began to book him across the island. His reputation grew and before long he was also performing across the Caribbean.

As his stature grew, he began to receive accolades and prizes, including the International Piano Conquest prize in Puerto Rico for his performance of "Round Midnight”.
He went to Canada in 1966 - initially for a few weeks - where he stayed for several years. Whilst there he met and played with established jazz artists before continuing his journey in the United States, and then Europe, where he played in Paris at the Palais des Congrès at the invitation of the then President, Valérie Giscard D’Estaing, before returning to Martinique in 1973.

This release is pressed on heavyweight vinyl. The cover is presented on original glued prints on thick cardboard in a PVC outer sleeve.

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Oval

Dok

28,99 €*

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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LP | 2017 | US | Reissue (Thrill Jockey)

Golden Retriever

Rotations

31,99 €*

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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Tobacco of Black Moth Super Rainbow

Ripe & Majestic

2LP | 2017 | US | Original (Rad Cult)

31,49 €* 34,99 € -10%

Release: 2017 / US – Original

Genre: Hip Hop, Electronic & Dance

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2LP | 2017 | EU | Original (ZZK)

Mitu

Cosmus

2LP | 2017 | EU | Original (Aufnahme + Wiedergabe)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Mitú are the electronic music duo of Julian Salazar, ex-guitarist of Bogota’s live-electronic band Bomba Estereo, and Franklin Tejedor, a master percussionist of Colombia’s great rhythmic traditions. Together they make music that draws from a wide spectrum of electronic influences, anchored to the percussive, tribal beats of their native Colombia.
In a break with the group’s tendency to record albums in relatively short time frames, the album was recorded over a longer period, giving greater importance to the sound recording of ideas at the time of their conception and less importance to post-production.
This time around, Mitú took the time to let the record mature in the studio and get the ideas to come together, making an album in which the sound is far removed from that of their previous records, almost totally electronic and minimizing the acoustic parts, conceived with the intention of being performed live in its entirety. As such, the album has a frenetic quality that captures the raw excitement of the live shows the band are famed for.

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P.A.L

Signum

2LP | 2017 | UK | Original (Houndstooth)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A download code is included. This is a limited edition of 500 copies on transparent red vinyl. "Signum" was initially released more than twenty years ago on cd format and became a larger-than-life cornerstone of P.A.L's discography as well as a historical document in industrial music. recorded over a three year period from 1993- 95 this album displays the past & present face of this artist's sonic variety ranging from sweeping minimalistic soundscapes and powerloaded percussion-driven floorburners to heavily distorted harsh power noise attacks presented as a unified front. the industrial anthem 'Gelöbnis' is a truly fine example for the combination of crystal clear mastering and the selective, inspired implementation of samples which was always an important factor for p.a.l and became a trademark of his works.

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Second Storey

Lucid Locations

25,99 €*

Release: 2017 / UK – Original

Genre: Electronic & Dance

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ZGTO (Shigeto & ZelooperZ)

A Piece Of The Geto

LP | 2017 | US | Original (Third Man)

Craig Armstrong & Scott Fraser

Release: 2017 / US – Original

Genre: Hip Hop, Electronic & Dance

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In a city famed for its disparate and varied musical excellence, the Detroit-based alignment of feted electronic artist and producer Shigeto aka Zach Saginaw and rapidly rising Bruiser Brigade member ZelooperZ is an entirely natural thing. Introduced by mutual friends in the city, an instant bond was formed, and ZGTO was born. A Piece Of The Geto is out August 4th on Ghostly International, with a limited edition vinyl pressing by Third Man Records.

For Shigeto, this is the first time he's musically stepped out of the box of a solo artist and worked with a vocalist on a project. There is a ''less is more'' philosophy with the production where the vocals of ZelooperZ are seamlessly interlaced into the fabric of the beats. It's minimal in a sense, but the emotion felt through the words of ZelooperZ makes the songs as a whole intense and heavy with sentiment.

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Rosa Morta

LP | 2017 | EU | Original (CMA)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Bruno Spoerri & Reto Weber

The Sound Of The Ufos

LP | 2017 | EU | Original (WRWTFWW)

LP | 2017 | US | Original (Now-Again)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2017 Remaster from Original Tapes. Bruno Spoerri’s masterpiece VOICE OF TAURUS LP available for the first time on vinyl since 1978 – Beautiful 1 LP - housed in 350g sleeve and contains all new liner notes by Bruno Spoerri himself, printed oin double side poster inlay - Bruno Spoerri who came to recent attention over his sampling dispute with Jay Z and Timbaland (that he won) plays the 1978 cult classic The Sounds Of The UFOs live at the bluedot Festival (in conjuction with Finders Keepers) wich together with the equally cult classic companion Voice Of Taurus are to be reissued here now! - For fans of electronic music, jazz, early techno , movie soundtracks, library music, cosmic oddities, ambient, sci-fi disco, synthesizers, Pierre Schaeffer, Pierre Henry, Wendy Carlos, Nino Nardini, Yello, Encounter of the Third Kind, UFOs, meditation, and unknown galaxies. Tracklisting: A1. First Impression A2. Swiss Encounter A3. Destination Galaxy M81 B1. Strange Visitors B2. Cosmic Samba B3. Sun Spots We Release Whatever The Fuck We Want Records is honored to announce the reissue of extraterrestrial cult classic THE SOUND OF THE UFOs, a collaborative effort between Swiss jazz and electronic music icon Bruno Spoerri and innovative drummer extraordinaire Reto Weber, available on vinyl for the first time since 1978, housed in a 350g jacket and packed with all new liner notes. Recorded live in Zurich in March 1978, THE SOUND OF THE UFOs finds Bruno & Reto improvising with a vast array of classic and customized synths and percussions from all corners of the globe (and the galaxy!). It’s cosmic free jazz in audio gear heaven with a heavy dose of ambient, krautrock, primitive proto-techno vibes, and experimental space disco with a musique concrète mentality - anything’s possible when a jazzman and a percussionist obsessed with finding new sounds collide and explore uncharted sonic territories!

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Rodinia

Ex Anima

Actress X London Contemporary Orchestra

Release: 2017 / US – Original

Genre: Electronic & Dance

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Now-Again Records has enjoyed a long and creative partnership with Munich-based multi-instrumentalist JJ Whitefield, creative force behind the Poets of Rhythm, Whitefield Brothers and Karl Hector & The Malcouns.

Rodinia, his latest project, is quite different than anything that’s come from his oeuvre to date, but follows in the line of the Poets of Rhythm’s great “Discern/Define”, as it reaches back to Krautrock’s experimental heyday but pushes its boundaries with a post-hip-hop approach.

Rodinia’s first album, “Drumside/Dreamside”, featured two, side-long suites, with synthesizers taking the fore on an overarching ambient approach (featuring over-dubbed reeds, drums and guitar, and self-made Moroccan field recordings introducing the project on its Drumside.)

“For Ex Anima”, Rodinia has incorporated more of the mid-70s approach of Krautrock forebears Neu!, Cluster and Harmonia, with shorter, self-contained songs. The result is winsome and exploratory, respectfully distanced from the past’s trappings while celebrating a musical spirit still very much alive and influential. With original artwork by Jason Jagel (DOOM’s Mm Food, Operation DOOMsday).

Electronic Krautrock in line with Cluster, Harmonia, Neu!, Popul Vuh from Jay Whitefield (Poets of Rhythm/Whitefield Brothers/Karl Hector & The Malcouns). The album includes a download card.

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Audio Track 5

12" | 2017 | UK | Original (NinjaTune)

13,99 €*

Ison Transparent Vinyl Edition

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Producer Darren Cunningham aka Actress, joined by the London Contemporary Orchestra, premiere new material as well as expanded arrangements of their dark and brooding electronica. Showcased last year at The Barbican Centre London and Strelka Institute Moscow and in conjunction with Boiler Room this 12” release named simply ‘Audio Track 5’ serves as an introduction to a larger body which will be released on Ninja Tune and Boiler Room TV as both a Long Player and performance piece in Autumn 2017.

Over a decade of releases Cunningham has built a reputation as a fine creator of cerebral abstract techno, or R&B concrète, crafting pulsing kickdrums, jittering percussion and chopped sample loops into churning, rumbling tracks soaked in static. But he has also been on record saying he wants to make ‘classical stuff for a modern generation’.

In this new collaboration, commissioned and curated by Boiler Room and the London Contemporary Orchestra with support from Arts Council England, the London Contemporary Orchestra bring a new dimension to Cunningham’s choice of sounds. With the producer in effect using them as a new instrument, matching his electronic loops with precise manipulation of their acoustic instruments, together they form a heightened kind of chamber music.

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Sevdaliza

2LP | 2017 | EU | Original (Music On Vinyl)

33,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Mister Mellow Yellow Vinyl Edition

Washed Out

LP | 2017 | US | Original (Stones Throw)

Love What Survives Black Vinyl Edition

Release: 2017 / US – Original

Genre: Electronic & Dance

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Mister Mellow moves further away from the synthesizer-heavy sounds of the recent Washed Out releases and more band-driven sound of his work on iconic labels Sub Pop in America, and Domino in Europe. On Mister Mellow, Greene draws from the experimental collage techniques of musique concrète and plunderphonics artists such as The Residents. Combining styles as diverse as free jazz, house, hip-hop and psych together with interlude-esque voiceover samples, often pulled from anonymous YouTube vlogs, he creates a busy, chaotic, and caricaturish mix that mirrors the claustrophobic, hyper-stimulated psyche so familiar to young adults.

As he continues to carve out his innovative sonic identity, influenced by the world around him but unafraid to buck trends, it’s fitting that Greene has partnered with legendary hip hop label Stones Throw Records, long a home for beat-loving musical rebels. His approach to releasing music is every bit as individual, too: in an environment where compiling singles into an album format or working with a single video director are the norm, Greene has chosen to commission eleven different artists to bring the visual aspect of his fully-realised album project to life.

On Mister Mellow, Washed Out steers clear of emotion to empathise with the minutiae of the world around him. “I’ve been much less interested in sentimentality and emotion for the past couple of years,” says Greene, “In some ways, I think its a reaction against getting older and having more responsibilities. Maybe I’m just nostalgic for a time in my life where I could just relax and block out the world for a moment.” Though Mister Mellow is an intensely personal album, its ideas and observations speak to the lived experience of so many young adults, an experience that we come to see as both funny and sad.

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Mount Kimbie

2LP | 2017 | UK | Original (Warp)

29,99 €*

LP | 2017 | US | Original (Innovative Leisure)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Mount Kimbie's new album Love What Survives arrives four years since their Warp debut Cold Spring Faultless Youth. Produced mostly on just two vintage synths, a Korg MS-20 and a Korg Delta, and featuring a vast wave of friends and collaborators: Micachu, James Blake, Andrea Balency and King Krule, Love What Survives is a bold statement that takes you on a journey through a motorik post-punk landscape, a vivid dream within this singular band's newly formed sound.

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Nosaj Thing

Parallels

Comic Black Vinyl Edition

Release: 2017 / US – Original

Genre: Electronic & Dance

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"Parallels" is the fourth full album released under Jason Chung’s distinctive moniker, Nosaj Thing. Masterfully dimensional, "Parallels" represents the acclaimed Los Angeles-based electronic producer/ composer/ performer’s most diverse, vital work yet. As such, Chung sees "Parallels" represents a kind of redemptive rebirth. The album’s compellingly elusive,
uncategorizable sonics developed out of what he terms a personal & musical “identity crisis.”
According to Chung, working with a group of collaborators on "Parallels" that combined both
longtime friends and new creative partners added “new energy which pushed me not to limit myself. Everything felt fresh and alive.”

Chung is known specifically for his innovative, unexpected musical pairings: Kid Cudi hit up on Nosaj Thing via his MySpace page in 2006, resulting in Chung producing Cudi’s autobiographical classic “The Man on the Moon.” Kendrick Lamar flowed over Nosaj’s ethereal boom bap to create the YouTube gem “Cloud 10”, Chance the Rapper, meanwhile, freaked a Nosaj beat for his 2013 breakout masterpiece “Paranoia” and appeared on Nosaj Thing’s previous LP, 2015’s Fated. Chung and Blonde Redhead vocalist Kazu Makino are also longtime creative partners on each other’s work, her voice appears on "Parallels" as an otherworldly spirit animating the icily ‘80s-synthetic “How We Do.”

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Siriusmo

LP | 2017 | EU | Original (Monkeytown)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | Original (Asphalt Tango)

Ya Tosiba

Love Party

Release: 2017 / Original

Genre: Electronic & Dance

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Erased Tapes Collection VIII

V.A.

2LP | 2017 | EU | Original (Erased Tapes)

2LP | 2017 | EU | Original (Caroline)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Collection number eight celebrating the label's tenth birthday featuring Penguin Cafe, Ben Lukas Boysen, A winged Victory For The Sullen, Rival Consoles, Daniel Brandt, Douglas Dare, etc. Now available on clear double vinyl.

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Carpenter Brut

Live

12" | 2017 | EU | Original (Nonplace)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Carpenter Brut is a French electronic music artist whose real name is Franck Hueso. Little personal information is known about him aside from his French nationality. His anonymity is a deliberate artistic choice in order to place more importance on the music itself rather than the identity of the musician behind it. To date he has released three EPs, which were collected together and released together under the title "Trilogy" in 2015. He has also contributed original music to a variety of soundtracks. He started writing music as Carpenter Brut with the intention of mixing sounds from horror films, metal, rock, and electronic music. He has toured the United States and Europe, and in 2016 he toured the US with the Swedish heavy metal band Ghost. He performs live with a guitarist and drummer.

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Drums Off Chaos

Compass

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Live At Robert Johnson)

Orson Wells

Pneumatics

Orchard (Aidan Baker, Gaspar Claus, Franck Laurino, Maxime Tisser

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Alvin Toffler was overwhelmed. When in the morning of October 4th, 1988–it was his 60th birthday–he was starring with a still somewhat absent look into a bowl of cornflakes, he thought that in the surface structure of the yellowish shimmering milk which was making an emulsion with the maple syrup and slowly but irreversibly corroding the crunchy crystals on the flakes, he could see through a window into a timeless dimension. Toffler, who at that time had reached the peak of his fames as a future scientist, was sustainably disturbed from his peek into this extra temporary peephole. In none of his books–“Future Shock” had just been released with yet another edition featuring a proud printed note on the book cover stating “more than 5 million copies in print”–did he ever mention this occurrence. Even after his death in June 2016, no note on this incident could ever be found in his estate. The “flake dimension” as Toffler called it in notes which were later shredded remains a secret of opaque, hard-to-grasp radiant power.

Maybe it’s too simple to describe “Pneumatics“ as a creation coming from this cornflake world? Without doubt. Are there any more precise terms or instruments to determine the multifacetedness and beyond-timeliness of the “Pneumatics” soundscape? There are still unknown. “Pneumatics” is, after releases at Innervisions, Die Orakel und his own label Sound Mirror, the debut album of Orson Wells (as long as you don’t count in “Jupiter” – Wells’s first LP which was released in 2014 with 48 copies on cassette–have fun digging for rarities and bargains!).
Perhaps Wells, known in Frankfurt under his real name Lennard Poschmann and as an employee at the record store Tactile, is only a messenger. Or a psychic. The sound manifesto that he apparently transmits from Toffler’s secret dimension tells of a city of upside down pyramids (“Tianon”), of passes into the land of the five elements (“Multipass”) and dead straight four-to-the-floor lines which appear bended within the spherical dimension (“”Geodesic”). These beats are right on the heels of the ones of Intersteller Fugitives; the strings sound like that at any moment a vocal sample edited by Moodyman could warp over through the Cornflake wormhole. Pneumatics is the science of all technological applications powered by condensed and often by quite heated air. It is a matter of mechanics, compression, jackhammer, ramblings, high pressure levels, valves for blowing of steam. On “Pneumatics” it’s all about this. And more. Orson Wells’s album gets to the point of the post-retro futuristic state of the dancefloors of the house and techno clubs of this planet. It is like a peek into another dimension, right on the golden cut of spacetime geometry.

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Serendipity

2LP | 2017 | EU | Original (Ici D'Ailleurs)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A Moment Apart Clear Vinyl Edition

ODESZA

2LP | 2017 | UK | Original (Counter)

36,99 €*

2LP | 2017 | EU | Original (Sounds Of Subterrania)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Odesza (Harrison Mills, Clayton Knight) is one of the most celebrated groups in electronic music, winning over fans online and at their consistently sold-out live shows. Now, they announce their new 16-track album ‘A Moment Apart’ out September 8 on Counter Records and a world tour to immediately follow. ‘A Moment Apart’ represents Odesza’s growth, delivering a more mature sound through weighted atmospheres, shimmering synth lines and familiar feelings of nostalgia, optimism and hope. The album's featured guests include Leon Bridges, Regina Spektor, and RY X, creating an eclectic mix that showcases Odesza's dynamic range.

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Lubomyr Melnyk

Illirion

34,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance, Classical Music

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2LP | 2017 | EU | Original (Idle Press)

Smagghe & Cross

Timothy Dalton

2LP | 2017 | EU | Original (!K7)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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When experiencing zero gravity in a space station, looking back at Earth-as-one, most astronauts feel dizzy. A near revelation, this sudden awareness is named the “Overview Effect”. When they eventually come out of these periods of aphasia, they often recall having heard "strange music”, similar to the music they claim to have heard on the hidden side of the Moon. Smagghe & Cross's second collaboration (recorded before the MA album, released last year on Often) is the first attempt to recreate this celestial music.
For the past two decades, Ivan Smagghe has perfected the art of making spaced-out clubbers dance, has ridden a Fine Line and run his label Les Disques de La Mort. Rupert Cross is a London-based composer who has worked with Michael Finissy and Julian Anderson as well as writing music for television and theatre.
Before/after MA, an album which sat on the fringes of experimental music passed through an industrial particle accelerator. S&C give you the tracks codenamed Timothy Dalton (according to Ivan, "The laser sound in the track reminded us of Flash Gordon"). Neither pop, nor psychedelic, nor ambient, nor house, nor techno, nor post punk nor even new wave are spared, but none are singled out. To nurture this proto-album, the duo also called upon the talents of Tim Felton, the outstanding guitarist from the cult band Broadcast.
When listening to Timothy Dalton, the temporal and stylistic boundaries disintegrate to give way to all sorts of speculation: imagine the beardies from Tangerine Dream being kidnapped by Soft Cell, C86 and 1988, the Silver Apples composing a space opera with the help of an electro cardiogram monitor. Or the Wizard of OZ reviewed and reworked by Psychic TV. Eight tracks take us from the New Orderey beaches of Ostend to the rings of Saturn, and gradually unfold before our eyes like a machine to travel through time and space. So what if Timothy Dalton was a one-way ticket to the Twilight Zone?

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Lone

DJ-Kicks

LP | 2017 | EU | Original (Pan)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ten years after his first release, UK artist Lone is putting out his first ever commercial mix CD. His entry into the celebrated DJ-kicks series lands on 29th September and features four of his own new and exclusive tracks.

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Still

20,99 €*

12" | 2017 | EU | Original (Nous)

Release: 2017 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Hundebiss bossman Simone Trabucchi - a pivotal figure of the Italian scene - debuts his STILL alias on PAN with a batch of banging, multi-layered dancehall tracks inspired by the complex historical links between his hometown, Vernasca, with Jamaica, and Italy’s colonial past in Ethiopia.Part of a wider visual arts project, Invernomuto, helmed alongside Simone Bertuzzi, and comprising a series of sculptures, installations, a book, and a long-feature experimental documentary under the title ‘Negus’‘, Simone takes cues from a “cleansing counter-ritual performed by Lee ‘Scratch’ Perry in the Vernasca square where 80 years earlier, an effigy of Haile Selassie I was burned” to cook up a madd set of dancehall tracks voiced by six Milan-based, African-Italian vocalists and singers.The results weigh in remarkably close to the colourful, plugged-in dancehall art/science of Equiknoxx, effectively pulling together the diffracted aspects of his project into a direct yet psychedelically-charged set which strongly reverberates with its roots.Keener observers will be quick to identity the amazing Nazenet (Wasp Rhythm) as a vocal version of STILL’s uncredited Untitled riddim from Halcyon veil’s Conspiración Progressocompilation, but unless you’ve been listening to Bill Kouligas DJ sets, the rest is all new and exclusive, taking in the weightless prayer of Haile Selassie Is The Micro-Chip, wobbly acid hall knocks in Bubbling Ambessa, and the meter-messing flux of Rough Rider along with style recalling that Vipra ace on Presto!? in Banzina, plus the warped Bionic Ras bumps of Gozpaal and some seriously salty dubbing in the plasmic squeeze of Mangrovia

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Cofaxx

Pico Vu EP

11,04 €* 12,99 € -15%

12" | 2017 | EU | Original (Crowdspacer)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Another smasher from Nous, this time courtesy of Cofaxx, AKA Joseph Magee and his boundlessly breathtaking 'Pico Vu' EP, a seven tracker that manages to cover immense ground and knowledge within a compact narrative. And each track is a mandatory component of this cleverly assembled story with startling standouts such as 'Dicey' a deep Detroity piece, layering into a Sound Signaturey space, while LA's seasoned producer Brown Irvin closes side 1 with a bolshier bash at opening track 'Tide Pool's ambient, semi-conscious swirlings. Over on the flip 'Velvet' is all golden era electronica stylings, early days Warp and Planet E on a lingering dinner date, while 'Shape to Fade in's smoky textures straddle irridescent sounds for a not-out-of-place jazzy backroom style builder.

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Meditation Tunnel

Sunrise

The Kid Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This is the first 12 inch from Luke Jenner’s first solo project since his infamous New York band The Rapture split up. Very often first releases are like a statement.

Both sides of this 12 represent a side of what Meditation Tunnel is about : epic and melodic on Dreamsequence, psychedelic and hypnotic on Sunrise. Mixed by Joakim, whom Luke shares a studio with in Brooklyn.

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Kaitlyn Aurelia Smith

2LP | 2017 | EU | Original (Western Vinyl)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Moebius / Story / Leidecker

Familiar

LP | 2017 | EU | Original (Bureau B)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Pias)

J. Bernardt

Running Days

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Stretch Your Eyes Quiet Village Remix

Agnes Obel

12" | 2017 | EU | Original (Phonica)

11,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Kiasmos (Olafur Arnalds & Janus Rasmussen)

Blurred EP

12" | 2017 | EU | Original (Erased Tapes)

2LP | 2017 | EU | Original (Editions Mego)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Returning to Iceland to focus on fresh material, Kiasmos will release new EP 'Blurred' through Erased Tapes on October 6th.
Janus Rasmussen explains: "To write new material felt like a new beginning for us after two years of touring. The plan was to write something a tad darker than our previous stuff. Spring in Reykjavík had other plans though, as this turned out to be our brightest release to date."
Remixes on the EP come from Bonobo and Stimming, each taking Kiasmos' music in fresh directions

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UUUU

12" | 2017 | US | Original (Dark Entries)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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UUUU is a new outfit featuring Edvard Graham Lewis, Thighpaulsandra, Matthew Simms and Valentina Magaletti. Individually these humans have implanted feathers in caps such as Coil, Dome, Wire, Tomaga, etc. Collectively they form UUUU, a powerhouse construction of fierce and free sonic exploration, as liberating as it is frightening, resulting in the richly rewarding. It's Going All Over The Floor presents itself as a terse meeting between dance, ambient, abstraction and improvisation. UUUU is a schizophrenic seething/soothing masterpiece of a past/present hybrid equally at home in the club, the home and the mind.

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Group Rhoda

Wilderless

LP | 2017 | EU | Original (Sky Walking)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Group Rhoda is the solo electronic music project of Mara Barenbaum, based out of Oakland, California. The project started around 2009 with a debut album ‘Out of Time, Out of Touch’ in 2012 on Night School Records and ‘12th House’ in 2013 on Not Not Fun. She is also one half of Max and Mara who released the album ‘Less Ness’ in 2013 on Dark Entries Records. She is committed to live performance, situated within the analog synthesizer and drum machine medium.

‘Wilderless’ is Group Rhoda’s third full length and first for Dark Entries Records. Each of the these 7 songs draw forth tones of tropical darkwave and soft industrial; while negating the sound of conformity and control. The album explore themes of societal and spiritual displacement, contemporary serfdom, the depths of empathy, regeneration through destruction, and the tyranny of claiming recognition and power. Lyrics are poetically expressed through allegory and explore archetypes rooted more in abstract observation rather than hard line experience. Through transgression and imagination, Group Rhoda explores the arc of songwriting interwoven into stark electronic environments; and creates a bridge between the corporeal and the dream worlds.

Each song was mixed by Mark Pistel at Room 5 in San Francisco and mastered by George Horn at Fantasy Studios in Berkeley. Each LP is packaged in a jacket featuring a colorful custom made collage by Hugo Barros and includes a full color sticker and digital download card.

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Sollmann & Gürtler

Gegen Die Zeit

2LP | 2017 | EU | Original (Dekmantel)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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On September 11th, 2015 the audience of the stunning “Rotor” concert series witnessed the first live appearance of John Gürtler and Phillip Sollmann underneath a highway bridge in Offenbach, Germany. Hosted by International Music Institute Darmstadt alongside Institut für Klangforschung Offenbach and HfMDK Frankfurt, the newly formed duo performed an aural conversation on stage within the incredible architectural environment. A year later, an extract of these live recordings became part of the Sky Walking Label compilation “41’36” that now leads to the debut album of Sollmann & Gürtler “Gegen Die Zeit”. Phillip Sollmann and John Gürtler met as studio neighbors in the complex “The Meadow”, rebuilt in 2011 in Berlin Wedding. Exchanging ideas and instrumental advice ever since, they soon became collaborators. An acoustic version by John Gürtler for Sollmann’s scientific Techno project Efdemin was the first result of their exchange.

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Juju & Jordash

Sis-Boom-Bah

LP | 2017 | UK | Original (Hallow Ground)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Gal (Juju) and Jordan (Jordash) return home to the Dekmantel stable for their fourth LP. It’s their most complete record to date. A series of purpose-written compositions, that highlight their maturity as musicians, and adept dexterity in the studio.

Without the pairing of Juju & Jordash, there would be no Dekmantel. The duo are an integral part of the label’s history, dating back to 2009 when they where they were the first act to release on the imprint. The two vagabonds can often be found performing live at various outdoor festivals and renowned clubs around the globe, jamming away behind a tabletop of buttons, knobs, synths, and drum machines - like a retro, control-station from Star Trek - albeit one that hums along with the jazz-centric, discordant house, and techno whirrings played by the musicians.

Nowadays Juju & Jordash have evolved far beyond their ’oddball house’ moniker. Their freestyle approach to performance, and immaculate refined sounds have became somewhat more defined, in a style that’s unique, yet elaborate, with a sense of otherworldliness, not only befit for the dancefloor, but otherwise transcendental moments. Following on from their previous LP, 2014’s Clean-Cut, a record of primal, forward thinking, variations from the studio, Sis-boom-bah is an album steeped in studio traditionalism, with a direction towards composition. “We wanted the focus of this album to be the music and not necessarily the process, so we made sure to perfect the performances before shifting the focus on to the production,” states Jordash about the record. Recorded over the space of a few, intense weeks, and built upon years of improvised live shows in front of thousands of listeners, Sis-boom-bah was written around grooves written by Juju on the guitar, and Jordash on the Rhodes. It was the first album the duo have written using such an approach, and solely produced and mixed by Jordash in Amsterdam over the course of a year, making it their most authentic record to date.

Sis-boom-bah’s diverse, spiritual nature is built around Juju & Jordash's use of polyrhythms. The percussive sequenced grooves, and rhythmic backbone was generated using the Yamaha DX7, along with the Roland TR606 drum machine. This approach to rhythm can be heard from the outset within the very first track ‘Herkie’, an ephemeral, yet tribal approach to minimalist funk. The spirituality flows throughout the record, where it sounds like the duo have brought along the nature with them from the foresty raves. In actually fact, the background noise comes courtesy of “noise generators from two separate synthesizers, each with its own filter slowly opening and closing so it kinda sounds like waves or wind.” There are also nods towards their acid influences, with some surefire slices of house music too. Sis-boom-bah is still very much a Juju & Jordash record, yet it's one with a greater depth, musically and stylistically. As electronic music albums go, you'll be hard pushed to find one more complete. "People should listen to this on a loud and clear sound-system," explains Jordash, "high on life, in their own special safe place."

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Dedekind Cut

Expanding Domain

Die Angel (Ilpo of Pan Sonic)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Trance-derived melodies, murky industrial grooves and all-consuming harsh noise attacks, created and recorded in transit between New York, Seoul and Berlin between the fall of 2016 and the winter of 2017. Over 23 minutes, the EP shifts from densely layered textures to subtle piano notes and hard-hammering beats, seemingly mirroring the drastic changes of the times in which they were conceived.

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Entropien I

LP | 2017 | EU | Original (Cosmo Rhythmatic)

2LP | 2017 | US | Original (Dark Entries)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ilpo Väisänen (Pan Sonic) and Dirk Dresselhaus (Schneider TM) retitle themselves die Angel for Entropien 1; their eighth LP of electro-acoustic music together, and the duo’s debut for Shapednoise’s Cosmo Rhythmic label. Accompanied by skilled improvisor Oren Ambarchi on two tracks, die Angel model a complex physicality through raw, elemental inputs, exploring a flux of reactive feedback processes and mutating, unstructured sonic states generated from crackling fusions of electronics, drums, electric guitar and field recordings warped and riddled with FX. Taking its title from both the Finnish word and German plural for entropy - in physics, the measure of thermodynamic disorder within a system - Entropien 1 renders seven examples of their kinetic systems in elusive action, keening from arrhythmic mulch to sloshing brownian motions and a brilliantly towering 15 minute exploration that tips into billowing, white hot feedback with scintillating effect. The amorphous results document and describe a freeness of energy travelling from body to machine and diffused across alternating acoustic environments. Each player works as controlled, external variables which act upon and interact with the different acoustic conditions to tempestuous impact, convulsing between squashed, recursive diffractions in Roha, to the sublimated roil of jazz drums and electric guitar wail in Terminen Kevät, before harnessing sloshing feedback chaos in the combustible, diaphanous two parts of Entropia - both North and South - which bring the LP to its logical, compelling conclusion.With the addition of Wold or KTL-like metal emulsification and lacquer-bubbling grain in Kitka, and Ambarchi’s plasmic overdubbing in the burning plasmic plong of Silvaticum, the overall impression is like auditive DMT, dissolving the senses and the ego - simultaneously theirs and the listeners - to better snag us in the music’s metastable potential and aid our unanchored exploration in those dimensions. Entropien 1 is dedicated to Mika Vainio.

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Patrick Cowley

Afternooners

2LP | 2017 | EU | Original (Raster)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

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Belief Defect

Decadent Yet Depraved

LP | 2017 | EU | Original (Avian)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Decadent Yet Depraved, the debut album by Belief Defect, finds shelter and complicity in Raster as home and label. Familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, Belief Defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. At the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. The result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future, underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. Yet, more than a political statement Decadent Yet Depraved is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

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Litüus

2236 S Wenthworth Ave

LP | 2017 | US | Original (NON Worldwide)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Litüus returns to Avian. Sparse and reflective, the Chicago native’s work occupies a curious space on the periphery of the Techno genre. By stripping back the music to all but its most vital elements – most notably the Sequence, but at the same time maintaining a sense of urgency in its articulation, Litüus crafts exquisite, ghostly shadows of busier, more fleshed out material. Neither intro nor outro, but rather suspended in some middling point of formation – what remains is a remarkably pure examination of minimalist, experimental synthesis.

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Angel-Ho

Red Devil

24,04 €* 36,99 € -35%

LP | 2017 | EU | Original (Ecstatic)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Angel-Ho proclaimed virtuoso, also known as Angelo Valerio/Deep In The Pussy/Ruffle Queen, and a co-founder of NON Worldwide, is in celebration of what makes them uniquely queer. With a limited run of their vinyl titled Red Devil, Angel-Ho presents an array of classical electronic inspired cacophony. This is a chance for the symphony to be contextualized, since its release not having any word spoken by the artist a Beyoncé moment if you will. Red Devil is an autobiographical mix where by Angel presents the realities of the mind, ones ability to shift their perspectives of the world, through applying the principles of balance in their music. All which is deeply connected to the experiences queer and trans people encounter daily, be it personal demons to greeting violence in public to the reasoning of joy among the chaos, Angel describes it as transformation. So many people live in fear of transformation and I am not necessarily making it a point to gender, sexuality, but not limited to recent political or social acts in 2017. I enjoy transformation like many of my fellow artists around the globe. Everyone forgets that I studied art and have done performances prior to the release of Ascension. Being able to see beyond my mind and make things tangible is a mirror of how I move through space, time, and transformation, wasting no time in doing so I want to be the best I can be because in doing so I see the cause and effect of being true to ones nature, to do what makes you happy with what youve got. Red Devil is led by a fierce orchestra and choir, of which Angel-Ho visualises animates in their dreamscape, not being reduced to its potential as a digital sound file. It is inspired greatly by the collision of music styles and genres and true to the proceeding agency of Angels own envisioning of a, moffie only, klopse troupe roaming through the neighbourhood at 2am in the Summer with their sharpened instruments ghostly parading the echo of their afternoon rehersals. Red Devil becomes a celebration of all that is denied by ourselves and others. The self-saboteur, as RuPaul Andre Charles heralds, is what is vanquished through ones ability to name it and deconstruct the information as to why one would perceive a dismal perception of reality what halts ones ability to achieve and excel. It is through this action we can equip ourselves with the tools we need to perceiver in a world where we living queer, breathing trans, bodies have to everyday prepare ourselves for the worst when leaving the solitude of our homes and safety of our family.

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Novo Line

Dyad

LP | 2017 | EU | Original (130701)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Novo Line reprises the meter-messing genius of his Movements album with the Dyad mini LP - a brilliantly uncompromising follow-up for Ecstatic. Exclusively using the tools of ’88/’89 professional recording set-ups - namely the Atari ST, but with a slight algorithmic alteration. While it’s increasingly hard to find new tricks in old gear, especially with the resurgence of hardware fetishism and the ubiquity of DAWs, that’s exactly what Nat Fowler has been doing for the best part of a decade as Novo Line. By, in his own words, “misusing one algorithmic composition program (not, by a longshot, a professional music production tool of any epoch) contained in 208kb of data on a 3.5” floppy disk”, He generates and explores new permutations of old music which, ironically enough, sound fresher or at least more innovative than a lot of new music in circulation right now.Inputting ever-changing parameters of melody, and 29 year old algorithms, the machine’s voice is live-mixed and presented un-rendered as maxed-out waveforms via 1MB RAM, resulting in a severely compressed and combusting effect that leave mastering and sound engineers the world over scratching their heads in puzzlement. However, the effect is equally enthralling to anyone whose ears have become overly accustomed to contemporary emulations of ‘space’ in electronic music, and genuinely sound unique in relief of the contemporary field.The release poses a playful question: can a record be ambivalent as to which speed it should be played? Celebrating vinyl and futhermore physical media, the listener is encouraged to find their exact speed of preference with the RPM toggle and pitch slider, that nearly forgotten joy in modifying speed in real time without a CPU mediating between the listener and sound; some tracks stumble heavily at 33rpm like boulders in the tumble dry, while others flash by at 45. In the taut, recoiling thud of Monad, thru the frenetic pop edit of Ennead to the ‘floor-curdling prong of Dyad Marcia on the front, to the forceful New Beat mutation Tetrad, and the mind bending Melpomenean Dyad which closes the LP, its some heavily challenging but deeply satisfying gear that seriously yet playfully messes with convention.Essentially Novo Line is revelling in the pure spirit of computer music and the sonification of dance music as we know it - born in the ’88/’89 phenomenon of techno-house music, including its Industrial/EBM precedents, and its New Beat/Euro House offshoots. And like John McCusker’s delectable artwork of a beige room and monitors interwoven with tubular, computer generated follies, Novo Line provides a captivating perspective that shortcircuits nostalgia’s illness to result in a killer vaccine against/for convention.

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Dmitry Evgrafov

Comprehension Of Light

12" | 2017 | EU | Original (Kikimora Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Exists in the same forward-thinking, boundary-less world inhabited by post-classical contemporaries Nils Frahm and Ólafur Arnalds.

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Unfollow

Blader Hater

1,99 €* 8,99 € -77%

Ricco, Pletnev, Ju-Ju83, Roe Deers & Markus Gibb

Release: 2017 / EU – Original

Genre: Electronic & Dance

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For the first vinyl release from Toronto-based experimental techno label Kikimora Tapes, Unfollow presents a three track 12” mastered and cut at Dubplates & Mastering in Berlin. The A-side kicks things off with Unfollow & Mitchell Akiyama’s (Raster Noton) "Blader Hater" a lo-fi peak time banger that divides its impact between pure pummelling ecstasy and implied harmonics before dropping off into broken beats drowned in sheets of white noise. On the flip, MDD (Measure Divide & Dolgener) pull the original goth house vibes of "Numb's The Word" out by the roots and replants them in a corroded industrial brown field. When the nascent melody does manage to break thru the rusty gravel it emerges with two heads in full toxic bloom. Measure Divide is Fahad Ahmad’s main project, Fahad runs the Format party series in Toronto and Martin Dolgener co-runs the label The Cast Project. Strahinja Arbutina is a Croatian artist who has previously debuted on Entro Senestre's Bank Records NYC label and is also behind the Low Income Squad label. His remix turns the original upside down and empties its pockets as hissy guitar loops, lighters, slamming kicks, and spare change spill out on the operating room floor.

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Various Artists #1

12" | 2017 | EU | Original (Kump)

14,99 €*

LP | 2017 | EU | Original (Omena)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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First release in a series of four compilations, which includes international artists of the slow-industrial, tribal and experimental scene.

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Saine

For The Dreamers

Yek (Friedman & Mortazavi)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The third artist album on Omena is here, 'For The Dreamers' by Saine.

An effortless blend of crisp beat-work and delicate textures, the album feels equally suited for playing out loud or for those hazy summer night headphone marathons.

Album artwork by Rickard Ljungdahl Eklund
Label artwork by Ivo Kiusalaas (bildansvarig)
Mastering by Andreas Saag

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Yek

12" | 2017 | EU | Original (Nonplace)

12,74 €* 14,99 € -15%

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (Soundman Chronicles)

K-Lone

In The Dust EP

2LP | 2017 | US | Original (Stones Throw)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Brighton’s K-Lone helms the next chapter on Parris’ Soundman Chronicles label, backed with an oxidised dub remix by Bristol’s O$VMV$M. Apparently a year in the works, Old Fashioned convects 10 minutes of silty chords, subtle beachside atmosphere and exhaling dynamics, leading up to a levitating dub bass in classic, or should we say Old Fashioned Berlin style. Schmoke a bowl a drift off styles. In The Dust Of This Planet brings that vibe closer to the UK lean of Parris or Batu, but more low key, furtive, and O$VMV$M seemingly leave Old Fashioned to the elements, returning a wizened, saltier version.

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Jonti

Tokorats

LP | 2017 | EU | Original (Left Ear)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Tokorats is Jonti’s third album for Stones Throw, following back-to-back releases Twirligig (2012) and Sine & Moon (2013). Recording for the album began in 2013, and after four years and hundreds of versions for each song, it will be released.
Jonti grew up in South Africa, lived in Los Angeles and New York, and settled near Sydney, Australia, where Tokorats was recorded. Collaborators on the record include Gotye, Kirin J Callinan, Moses Macrae, Jo Ling, Vanessa Tammetta, Tess Nicolaou, Hodgy, and rising Australian hip-hop star Sampa The Great.
Jonti writes, “A Tokorat is that supernatural creature in the mirror. A multicolored weirdo mutant composed of all the elements of your story and all the complexities of your character. In every song I was having a conversation with all the good and unflattering reflections of myself ... While this album does document a five year spiritual journey, it was ultimately a fun and luscious experience. I’m lucky I got to know my Tokorats”

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Workdub

Subterranean 1989-1995

25,99 €*

Moritz von Oswald & Ordo Sakhna

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Left Ear are re-introducing another ten lost tracks from Nicholas Georgieff and Virgil Work, St Louis' basement electronics duo Workdub.

The release spans material from 1989-95 and includes recordings from their sole LP and both cassette albums. Workdub’s music hardly fits into a vacuum and some might even say it’s otherworldly. Tracks like “Reach for the Stars” and “Lunar Module” reflect dreams of space-age exploration, all the while their investigation into drum machines, synthesizers, samples and digital fx’s matched with their organic live instrumentation work to create a unique atmospheric dubbed out sound.

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2x10" | 2017 | UK | Original (Honest Jons)

17,99 €*

Help, Help, The Globolinks

Release: 2017 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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A kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in Bishkek, devoted to the roots music of Kyrgyzstan. Loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and traditional percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in Berlin. Further, a few of these are deftly treated by Moritz, using Reichian de-synced double-tracking, and discreet effects. Also two ten-minute dubs: a deadly, signature Berlin steppers, plus its version; and an echoing, mystical drum session, recorded live on stage in Bishkek. And a side-long, dream-like summation: the locomotive, oceanic, clangorous, dread Facets.

Ravishing, rooted, searching music; beautifully presented.

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Suzanne Ciani

LP | 2017 | UK | Original (Finders Keepers)

2LP | 2017 | EU | Original (Edition Kohlstedt)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Previously unreleased music from one of the most important and influential composers in
the history of multi-disciplinary electronic music.

Originally written and performed in 1968, and gaining worldwide acclaim throughout the
1970s, Gian Carlo Menotti would update and revise his play for the turn of the 80s which
called for a new approach to the music and sound effects - Suzanne Ciani was the perfect
candidate as demonstrated with her other cosmic cinematic itches with android music for
The Stepford Wives and The Incredible Shrinking Woman.

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Martin Kohlstedt

Strom

24,64 €* 28,99 € -15%

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (Dial)

DJ Richard

Path Of Ruin

11,99 €*

LP | 2017 | UK | Original (Domino)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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DJ Richard returns with another stunning release on Dial Records: Path Of Ruin. Inspired by the rather harsh magic of New England in winter - the place where the three tracks have been recorded - DJ Richard creates a wide and dark raving beauty.

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Xenoula

Release: 2017 / UK – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Embassy Of Music)

Björk

Utopia

Rhythmic Brutalism Volume 2

Release: 2017 / EU – Original

Genre: Electronic & Dance, Pop

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Ethereal Icelandic goddess Björk new album, Utopia.
It features artwork by Jesse Kanda, who has previously designed cover art for FKA Twigs and fellow Björk collaborator Arca.

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Alexandra Atnif

LP | 2017 | UK | Original (EM)

20,99 €*

2LP | 2017 | US | Original (Drag City)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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"Rhythmic Brutalism" is the title of this release, available as two CD set or two separate 12 inch vinyl LPs; the title is also a very apt description of the music itself. Romania-born Alexandra Atnif is fascinated by the harsh, grey concrete beauty and minimally repetitive force of the brutalist post-war architecture of her homeland, and this fascination has given rise to the music here.

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Bitchin Bajas

Bajas Fresh

32,99 €*

Release: 2017 / US – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (Off Minor)

Move D & Jordan GCZ

Urgence

LP | 2017 | EU | Original (Lullabies For Insomniacs)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Move D (David Moufang) and Jordan GCZ (Jordan Czamanski) are back again on wax after a hiatus since their 2015 live in Seattle album, on Further Records. Here they team up again for 2 ice hot and slow burning studio jams - recorded this year in Amsterdam ... immerse yourself..TIP!

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Tarotplane

358 Oblique

Loke Rahbek & Frederik Valentin

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body.
.
358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a spectral vortex of shimmering tones and discrete samples guide the listener into an aural abyss, while plangent six-string melodies offer glimpses into a sanctifying
sensory space. The two exploration provide an evocative journey through a psychedelic continuum and beyond.

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Buy Corals Online

LP | 2017 | EU | Original (Editions Mego)

12" | 2017 | US | Original (Rvng Intl.)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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First outing for this collaborative effort from the prolific Posh Isolation mainstay Loke Rahbek and Frederik Valentin of KYO, also on the revered Danish label. As old friends circling around the same scene this is the first time they have combined their respective perspectives. The results are an ambitious aquatic infused audio environment. Recorded near water at Valentin’s studio within the vicinity of the new aquarium in Copenhagen, Buy Corals Online channels the sensual floating aspects of such environments.

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Visible Cloaks

Lex EP

Release: 2017 / US – Original

Genre: Electronic & Dance

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Mario Diaz De Leon with TAK Ensemble

Sanctuary

LP | 2017 | EU | Original (Denovali)

29,99 €*

Red Lantern at the Kallikatsou

Release: 2017 / EU – Original

Genre: Electronic & Dance

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For the third full length document of his classical works, Mario Diaz de Leon presents his most unified offering to date, distilling the modernistic hellfire of his previous releases to a crystalline essence. “Sanctuary” is an album length piece created in collaboration with TAK Ensemble, a brilliant NYC based quintet devoted to energetic and virtuosic performances of contemporary music. Featuring soprano voice, flute, violin, bass clarinet, marimba, and the composer’s own synthesizer work, the album is a hypnotic and ritualistic journey through realms of angelic and demonic experience, combining acoustic and electronic elements with visionary intensity.

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The Chi Factory

12" | 2017 | EU | Original (Astral Industries)

28,99 €*

The Transcendence Orchestra

Release: 2017 / EU – Original

Genre: Electronic & Dance

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"I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It’s the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic “old speaker” effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - ‘Red Lantern at the Kallkatsou’”.

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Modern Methods For Ancient Rituals

2LP | 2017 | EU | Original (Editions Mego)

2LP | 2017 | US | Original (Dais)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Recorded in a remote English rural setting over a period of 24 hours this is an apt location for a recording that eschews time & space in favour of methodological displacement & deep psychological navigation. Modern Methods For Ancient Rituals is an experiment in acoustic & synthetic symbiosis which is deeply influenced by the atmosphere & acoustics of the rural location of Cats Abbey resulting in a set of recordings which can aid to the transformation of consciousness. Child & Bean conjure an audio experience which encapsulates elements of drone, trance, pulse, rhythm and melody subtly shifting all into a psychologically penetrating experience beyond the aesthetic and into the comforting unknown.

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Coil

Time Machines

32,29 €* 33,99 € -5%

12" | 2017 | EU | Original (Brew)

Release: 2017 / US – Original

Genre: Electronic & Dance

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“4 Tones to facilitate travel through time.” So begins the listeners’ journey into what has become one of the most treasured and revered pieces of Coil history ever released.

Each of the four pieces on Time Machines is named after the chemical compound of the hallucinogenic drug that they were composed for, and the album was meticulously crafted to enable what John Balance referred to as "temporal slips" in time and space, allowing both the artist and audience to figuratively "dissolve time".

Inspired by long form ceremonial music of Tibet and other religions, where the intent is to lose oneself in the music – to meditate or achieve a trance state – Time Machines became Drew McDowall, John Balance, and Peter Christopherson’s “electronic punk-primitive” answer to this tribal concept.

Starting as a rough demo tape recorded solely by Coil member Drew McDowall, Time Machines started to take full form when McDowall enthusiastically delivered these demo recordings to Balance and Christopherson as sketches for a new Coil project with the primary goal of shifting Coil’s sound further into a more conceptually abstract direction. Largely recorded in 1997 using single takes with minimal post production, these four drones contain every intended fluctuation and tone, along with every glitch of the original – “Artifacts generated by your listening environment are an intrinsic part of the experience.”

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TBZ

Og_Beers

13,99 €*

12" | 2017 | EU | Original (Porridge Bullet)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Actual extended play (a mini Lp of sorts)... Get into the mind of the cgn wizard. BIG TIP!

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Superstar & Star

Mastermind EP

17,99 €*

12" | 2017 | EU | Original (Kings Chamber)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Superstar & Star are back on Porridge bullet with there first vinyl E.P Proper!: Mastermind E.P!
A collection of seven classic songs from Superstar’s vaults available for the first time on an Estonian Vinyl Record!
Neville Lawrence Immigrated from his home country of Trinidad to New York in the mid 80’s where, a few years later, following his fleeting east coast success, he re-settled with Wife Anne (Star) in Omaha, Nebraska where they continued to perform, produce and record music until the present day.
After releasing a cassette, 7” and 12” single with us in the last year we are happy to present yet another wonderful release from superstar and star! Big Big Hugs!

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Streetboxxer (Samo DJ)

Tear Down Level 22

9,99 €*

LP | 2017 | US | Original (NNA Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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On Kings Chambers sixth release Samo DJ brings his cheap Streetboxx sampler to Hidden Operators studio and they team up for some dancehall beat making and live mixing under the (obvious) name Streetboxxer.
Samo DJs releases on labels like L.I.E.S, The Trilogy Tapes, and of course his own Born Free label. But this ragga infused EP will not come as a surprise for those who have heard his excellent dancehall mix for Red Light Radio earlier this year.

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Ahnnu

Special Forces

13,64 €* 20,99 € -35%

12" | 2017 | EU | Original (Alpha Cutauri)

Release: 2017 / US – Original

Genre: Electronic & Dance

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We're delighted to welcome Los Angeles-based producer Ahnnu, aka Leland Jackson, back to NNA Tapes to share his brilliant new full-length album 'Special Forces.' Over the years, Jackson has made his mark on the world of electronic music production not only with his innovative works as Ahnnu, but with his footwork/dance alias Cakedog as well. Following up the 2013 NNA release 'Battered Sphinx,' and more recently 2015's 'Perception' on Leaving Records, Ahnnu returns to push his sound collage expeditions further into the deep beyond by excavating fragments and ethos from music history's past and infusing them with the electronic frequencies of a future landscape.

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Hysee

Solstice Boundaries

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Central Processing Unit)

S>>d

Co Intel Pro

16,14 €* 18,99 € -15%

LP | 2017 | EU | Original (Pan)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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S>>D aka Sean Dorris from Belfast delivers his debut album 'Co Intel Pro' on CPU. Refined sampling alongside hip hop influenced breaks sees S>>D operating in a similar dimension to VHS Head. Reminiscent of 1980s sci-fi soundtracks interwoven with IDM-tinged electro, haunting atmospheres prevail throughout with hints of a genre that has yet to emerge. Presented over 2x12" vinyl at 45rpm for superior sound quality.
Fans of Pye Corner Audio, Gescom or indeed anything on Skam will certainly dig this.

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M.E.S.H.

Hesaitix

20,99 €*

12" | 2017 | EU | Original

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Further departing from both the cinematic abstraction of ‘Piteous Gate’ and the hectic drums of ‘Damaged Merc’, Berlin producer M.E.S.H.’s new full-length, ‘Hesaitix’, is marked by its hyper-ornamented rhythms and a sense of pensive, moonlit spaces.
The atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in strange territories. Shifting from the meditative to states of manic unease, Hesaitix is an unnerving injection into both the social space of club music and the interior space of digital audio fantasy.
How did I become so stupid?
A sound can be both formless and over-rendered, like a boneless but fleshy hand from a life
drawing class.
What agent could set these broken sounds in motion?
A laugh behind an evil curtain. A drummer that’s cool and grotesque, a detuned siren. A brushfire
under a full moon.
Recorded in Berlin and Umbria, Hesaitix sees Janus resident and PAN staple M.E.S.H. firmlyengaged in a kind of sonic worldbuilding, a place where the unconscious and the alien intersect

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Marc Oller

Tria

14,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | US | Original (Mesh-Key)

Phew

Voice Hardcore

Homemade Music Volume 2 1983-1999

Release: 2017 / US – Original

Genre: Electronic & Dance

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Living legend Phew follows up her brilliant Light Sleep album with another masterwork - Voice Hardcore - comprised entirely of her iconic, instantly recognizable voice, twisted, folded and layered over six mesmerizing tracks.

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Enrico Serotti

LP | 2017 | EU | Original (Orbeatize)

People Like Us / Matmos / Wobbly

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This is a selection of previously unreleased tracks created at home by Enrico Serotti, without any purpose other than the fun of playing with new musical devices. The tracks date from 1983 to 1999. A pretty long time span, coinciding with the transition from analog to digital technology. Cover Art by Alessandro Pessoli.

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Wide Open Spaces

LP | 2017 | UK | Original (Discrepant)

LP | 2017 | EU | Original (Avenue 66)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Wide Open Spaces' hits the sweet spot between song forms and improvisation, and showcases the qualities that all three collaborating artists share, including absurdist humour and baroque sample manipulation. The hour-long performance on this disc was captured live in 2002, when Wobbly, People Like Us and Matmos circled their wagons in the lecture hall of the San Francisco Art Institute.

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Trux

Orbiter

17,99 €*

Tom Rogerson with Brian Eno

Release: 2017 / EU – Original

Genre: Electronic & Dance

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There’s been an air of hypnagogic mystery surrounding Acid Test’s sublabel Avenue 66 from the start. Joey Anderson’s oblique, Prince-inspired incantation “Above The Cherry Moon” set the tone for a label that’s sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs. Fitting then, that the first album on the imprint comes from Trux, an artist who has chosen to reveal nearly nothing about themselves. Following a cult classic mini-LP for Office Recordings, “Orbiter” bears out the anonymous producer as a master of liminal, conceptual dance music. “Orbiter’s” ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. Opener, “With It,” moves from heady ambient rush to skeletal piano, while “Blinko” and “Roy’s Garage” spell out a hazy memoriam for the UK continuum. Forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. “Orbiter” positions Trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings.

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Finding Shore Black Vinyl Edition

LP | 2017 | US | Original (Dead Oceans)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Impermanence In The Time Of Heavens

Cosi E Cosi

2LP | 2017 | EU | Original (Euphonic)

34,99 €*

Atlantean Encrypted Message

Release: 2017 / EU – Original

Genre: Electronic & Dance, Pop

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After a series of cassettes and one self released CD Così e Così has honed the dense and gritty textures of his deconstructed pop forays and sound experiments into a collection of poetry awash in subdued synths, bending tones, and sometimes frantic rhythms. Its efforts to dissect the constructs of time to overcome fleeting ideals in life and love make 'Impermanence In The Time Of Heavens' at once far-reaching and overwhelming, yet cathartic; a romanticism for an era of fragmented identities.

Music and extended poems throughout IITTOH sample from Vincent’s personal audio and lyrical collections dating back to 2004. Reworking the same loop in nearly every song until it's unrecognizable, and referencing other passages within, creates a work cut and scattered, yet bound by repeated motifs and moods of memory, loss, and rebirth. Recorded primarily in a log cabin in Manitoba, Canada, IITTOH was also recorded on a deserted beach town in Montenegro and a lakeside apartment in Macedonia, and completed in Montreal, Canada.

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Bear Bones, Lay Low

12" | 2017 | EU | Original

12,99 €*

LP | 2017 | EU | Reissue (IIKKI)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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in we go... the title track is lifted from the great 'Visions from Limbus' casette (2015). Kraut pleaser, 'Welson', and the doomy Etranglé Par Tes Limbes are two new creations to flow from Ernesto González's psychadelic fingers....

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Andrea Belfi

Alveare

LP | 2017 | EU | Original (Mental Experience)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Alveare is the result of a dialog between the artist/photographer Matthias Heiderich and the musician/composer Andrea Belfi initiated by IIKKI between February 2016 and October 2016. "Alveare" is a journey across and around man-made cement beehives - the legacy of a group of visionary architects.

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Galactic Explorers

Epitaph For Venus

LP | 2017 | EU | Original (Discrepant)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Another shrouded in mystery album from the Pyramid label, produced by Toby Robinson in Cologne circa 1974. Kosmische and Head sounds with plenty of Minimoog, analogue synths / keyboards, effects, loops, tape manipulation, treated percussions, etc., courtesy of Galactic Explorers, an electronic, minimal, ambient krautrock trio featuring Reinhard Karwatky (Dzyan). Take a trip to the inner regions of your mind, see ancient solar systems forming and listen to cosmic winds and vibrations while sine waves of pure bliss will give you total peace of mind…

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Visions Congo

Mulago Sound Studio

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Patterns Of Consciousness

Caterina Barbieri

2LP | 2017 | US | Reissue (Important)

44,99 €*

12" | 2017 | EU | Original (Pain Surprises)

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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2018 Repress limited to 500 copies in gatefold sleeve.

Patterns Of Consciousness is the powerful second full length from analog synth composer Caterina Barbieri. Highly recommended to fans of Alessandro Cortini and Eleh; Barbieri can be seen/heard/felt live at major electronic music events across Europe and beyond.

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UTO

Shelter For The Broken

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Luciano Lamanna & Adamennon

Iris

12" | 2017 | EU | Original (Souterraine.Org)

LP | 2017 | EU | Original (Ajlavmjuzik)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A nightmare inspired by the vision of Dario Argento's “Suspiria”, or a dark soundtrack for a movie just imagined in a couple of visionary minds. “Iris” is the first release on souterraine.org by Luciano Lamanna and Adamennon. Two eclectic musicians who don't need any introduction, improvisation lovers as well as experimenters. The notes of fear are those of vintage keyboards and synthesizers which resound again among labyrinthine woods and gothic buildings. Mixed at the Subsound Studio by Luciano Lamanna and mastered by Andrea Merlini, “Iris” takes you one step from the abyss.

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Beyuz

Organika

Release: 2017 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Moon (Iron Curtis & Johannes Albert)

Industrie & Zärtlichkeit

2LP | 2017 | EU | Reissue (Frank Music)

LP | 2017 | EU | Original (Bedroom Community)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Welcome to “Industrie & Zärtlichkeit", the raw, quirky yet emotional debut album from Moon! Although the Berlin-based duo is revered for dancefloor bangers such as “Ze power", Johannes Albert and Johannes Paluka (better known as Iron Curtis) have put much effort into making this album a true listening experience without sacrificing their roots in House Music. “Industrie & Zärtlichkeit” (which translates into “Industry & Tenderness") effortlessly achieves what is claimed in its title, namely a fusion of seemingly disparate elements: the rough and the smooth, dirty beats and soothing harmonies, bizarre sounds and comforting chords. The title track is a fine example of this perfectly-dosed blend with its detuned strings that glide over a crisp electro beat and an infectious melody which would make Kraftwerk proud.

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Nadia Sirota

Tessellatum