Downbeat | Electronica | Leftfield Vinyl 5934 Items

LP | 2017 | EU | Original (Wah Wah)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Andre Gough debuts on Avian as Verge. The Irish producer joins Shifted’s label with an extended EP of exquisitely crafted, deeply emotive Noise trips. Echoes of bonafide Industrial, more experimental post-Punk and New Wave run deep through Gough’s warping eight track debut for Avian, and while listeners might find the principle emotion evoked by the heady, droning synthesis and warping guitar tones a palpable anxiety – at the base of each wide angle ‘scape there’s a glorious, overriding sense of melancholy.

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Pythagoron™

2LP | 2017 | EU | Original (Mule Musiq)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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"Inhabiting this grey area between late psych efforts and early PINA (private issue new age), 1977's Pythagoron TM is an electronic oddity originally marketed as some sort of musical narcotic (“a new invention that gets you high with sound” original ads read) sold via magazines like High Times.

Shrouded by it's corporate-like design are two enigmatic side long suites of droning electronics which evoke similar autistic synth experiences like early Conrad Schnitzler, Lorq Damon, Udder Milk Decay or the whole Pascal / Narco Records output whilst recalling also more articulate efforts such as Steve Reich's early opus, Charlemagne Palestine's sinewave experiments or Eliane Radigue's synthetic bliss.

A truly bizarre artifact which was apparently the brainchild of NYC's early media art collective USCO (The Company Of Us) which already pionered inmersive sound/light environments fusing mysticism and state-of-the-art technology back in the 60's. Intriguing period piece."

Raül G. Pratginestós (Fauni Gena)

Comes in original artwork printed on silver cover in a limited edition of 500 copies only.

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Petre Inspirescu

Vintul Prin Salcii

12" | 2017 | EU | Original (Erased Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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With his third album “vin ploile” the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe.

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Penguin Cafe & Cornelius

Umbrella EP

12" | 2017 | EU | Original (Rave & Romance)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2017!

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Schlachthofbronx

Haul & Pull Up EP 3

8,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | US | Original (Kranky)

Justin Walter

Unseen Forces

LP | 2017 | UK | Original (Finders Keepers)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Michigan trumpeter Justin Walter’s solo work centers on evocative, intuitive explorations of the EVI (Electronic Valve Instrument), a rare wind-controlled analog synthesizer from the 1970s. Its unique, smeared tonality allows for an expressive range of glassy, jazz-like textures, which Walter loops and layers with hushed electronics and twilit trumpet, painting opaque landscapes of resonant beauty.

Walter’s 2013 debut, Lullabies & Nightmares, included a handful of collaborations with percussionist Quin Kirchner, but Unseen Forces finds him fully solo, refining the project to its essence: shape-shifting watercolors of pastel haze, lit by the soft synthetic glow of electric breath. It’s a sound both modern and timeless, fusing emotion and technology, gauze and melody, force and fragility.

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Gerardo Iacoucci

Le Avventure

3LP Box | 2017 | DE | Original (Kompakt)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Combining all the traits of an international superhero or intrepid comic book adventurer, the true identity, whereabouts and history of the spectacular Italian composer known as Gerardo Iacoucci has been a mystery to record collectors for many years. As a result of the best efforts of secretive archivists and DJs as well as and the overprotective force field that surrounds the clandestine world of Italian library music, the commanding experimental psychedelic pop music made singlehandedly by this early pioneer of the anti-genre time after time rises to the top of collectors’ want lists, commands huge ransom notes, ignites dancefloors and decimates genre tags before returning to its mythical status as one of the kings of the underworld without removing his mask. Despite the fact that original Italian copies of records by Gerardo Iacoucci are amongst the rarest, enigmatic fixtures of European psychedelia, his music simply refuses to be ghettoised and as the name of this album suggests the history of this artist reads like the memoirs of a genuine musical adventurer as well as a well-travelled prophet of experimental music and unsung pillar of Italian jazz and sound design. Recorded in early 1970, Iacoucci's wide-eyed L'Avventura suite spanned 6 sides of loud, heavyweight monophonic vinyl for Romano Di Bari's Deneb label and created an epically detailed blueprint for independent mood music companies whilst sharing release schedules with likeminded workaholics Alessandro Alessandroni and A. R. Luciani. However, Gerardo's adventure didn't begin here…

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GAS

Narkopop

51,99 €*

The Imperfect Sea Black Vinyl Edition

Release: 2017 / DE – Original

Genre: Electronic & Dance

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3xLP vinyl version comes with a CD version of the full album and a vinyl-only bonus cut and it includes a 24 pages booklet. Nearly two decades after the last official GAS album release, Wolfgang Voigt returns to his iconic Ambient project with a brandnew full-length. Narkopop continues the classic GAS aesthetic of symphonic scope and subtle variation, taking the listener on an otherworldly journey to the depths of rapture and reverie.

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Penguin Cafe

LP | 2017 | EU | Original (Erased Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Courtesy, Professionalism, Respect

Eric Copeland

2LP | 2017 | EU | Original (L.I.E.S.)

LP | 2017 | AU | Original (Left Ear)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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New 2xlp of grinding beat experiments from Black Dice's Eric Copeland. Controlled chaos, chopped sample mayhem, moments of beauty and destruction over four sides.

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Peter Westheimer

Cool Change

LP | 2017 | EU | Original (Biophon)

Release: 2017 / AU – Original

Genre: Electronic & Dance

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This is a comp of Peter's work from the 80s and 90s with some material never released on vinyl.. More info soooon!

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Biosphere

The Petrified Forest

16,99 €*

2LP | 2017 | EU | Original (Gost Zvuk)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.

The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.

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Kuzma Palkin

Audiosapr

LP | 2017 | EU | Original (Bureau B)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Audiosapr is one of the most consistent albums you re likely to come across in Russia s GOST ZVUK entire back catalogue. Surprisingly, the full-length by Saint Petersburg s scene veteran Kuzma Palkin is a compilation of random jams and studio recordings he made in the period of 2014-2015, carefully pieced together by label s masterminds. SAPR stands for the System of Automatic Projection (a Russian term for Computer-Aided Design, CAD) which defines the album s experimental yet complex and interlocking heart. Based around a central theme of immediacy and spontaneity, Audiosapr builds upon the foundations of early, pre-Detroit era of electro and techno, and then progresses the wispy entrails of analogue gear in a contemporary dancefloor direction. It s clearly music that can be attributed as hybrid, however it s not you re going to think about while listening to Audiosapr , Palkin s definitely most inspiring work to date.

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Cluster

Konzerte 1972/1977

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Denovali)

Notilus

29,99 €*

Aonox Clear Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Notilus is the new project of five established French musicians combining cinematic soundscapes, energetic jazz and atmospheric live electronics. The cleverly compiled repertoire varies from positively trombone and sax driven jazz parts with a deep sense for sophisticated melodies to calmer, melancholic soundscapes back to beat driven, dynamic, buzzy sound cascades. Sometimes the albums delivers a feeling of a soundtrack for a 70s crime movie - sometimes it sounds like an intergalactic, retro-futuristic trip.

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Joey Beltram

2LP | 2017 | EU | Original (Ownlife)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (Fent Plates)

Aether

VON

Release: 2017 / EU – Original

Genre: Electronic & Dance

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10" | 2017 | UK | Original (Hyperdub)

Burial

Subtemple / Beachfires

LP | 2017 | EU | Original (Shitkatapult)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Another boundary stretching two track release by mystery Burial.

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Si Begg

Blueprints

LP | 2017 | EU | Original (The New Black)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Pioneering music producer Si Begg is set to release his sixth studio album, Blueprints, on Berlin's legendary label Shitkatapult. His first LP in four years, BLUEPRINTS is a celebration of raw electronics welded to the 'romance of engineering'. The project was inspired by the discovery of an old diagrammatic notebook that belonged to Begg's grandfather, George, in his lifetime a cutting-edge engineer.

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Roll The Dice

Born To Ruin

12" | 2017 | EU | Original (Offen Music)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Peder Mannerfelt and soundtrack composer Malcolm Pardon reprise their acclaimed cinematic duo, Roll The Dice for a 4th album of moving, widescreen electro-acoustic sound design, ambient and rhythmic noise themes. Huge recommendation if you're into Peder's solo material or indeed Colin Stetson, The Haxan Cloak, John Carpenter, Deathprod, Willie Burns...

It's an intensely physical yet starkly spacious suite of stone cut electronics and frozen instrumental timbres that in the space of ten sensually riveting and often punishing tracks wrest a poignant, timely sense of emotion from oblique, shadowy structures and burning tonal textures.

Issued on the duo’s newly minted label, The New Black, and incorporating the vital input of Per ‘Ruskträsk’ Johansson’s beastly saxophone animations, the results pursue Roll The Dice’s two soundtrack contributions - for the Blanck Mass-curated score to Belgian horror movie The Strange Colour of Your Body’s Tears [2013], and their score/end credits for The Last Panthers - into more visceral psychoacoustic space where there’s scant chance of escaping their gloaming tonal apparitions and tensile, bony percussions.

The set is less a mannered symphony, like Until Silence, and more an urgent, angry clash of duelling jazz noise cyborgs, rendering their sound in sharply angular, convulsive spasms of vacuum-packed wind, wood-on-skin, and black cloud palls whose semi-organic nature is belied by the dry punch of air-tight studio production. The results are more pummelling and angered than anyone has previously heard in their music, forging a much harder nosed, anxious aesthetic whose intent resonates with contemporary political pressures.

In between the muzzled grind and bark of album opener The Derailed and the depressive grip of it’s closing statement, Broken In Time, Mannerfelt and Pardon’s dissected instrumentation is tweaked to aching levels of tension, sometimes a sublime tension as with the wilting keys and weightless bass jabs that support Under The Arches and The Kronos Quartet-like pits of Coffin & Nails, or equally with a death-drive fury in the condensed Faust-meets-Tony Conrad impact of Cannonball, the nerve-biting burnout of Bright Lights, Dark Hearts, and yoked tight into Locked Hands’ breathless escalation of arid white noise and thorny pulse.

By straying from the lighter sensual relief conveyed in their earlier releases, Born To Ruin manifests Roll The Dice’s riskiest but arguably most successful move in ten years of producing together, one which pays off with deeply bittersweet appeal though intimate investment and focussed reception.

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Beck / Nash / Reyenga

Metaclaw

10" | 2017 | EU | Original (Shash)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Metaclaw is blazed studio session that time could have forgotten...but Offen Music didn't. A glorious downbeat synth plodder/head nodder from the minds of three very muscial friends.. features remixes from Gordon Pohl and Glib'r.. TIP!

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Abby Lee Tee

Riverside Burrows

Progress Through Research

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Expect immersing yourself in various layers of field recordings, alienated acoustic instruments and floating arrangements!

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Occidental White

7" | 2017 | EU | Original (Onderstroom)

LP | 2017 | EU | Original (Optimo Music)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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These two minimal synth-pop pearls were first released on the compilation “Walkin’ After Midnight” in 1982 and are in the same vein as early 80’s singles by Carol (Breakdown) and Rive Gauche (Friends Are Friends). Both tracks on the 7” are a delightful proof of the lively and creative music scene in Brussels during the early eighties, supported by labels such as Factory Benelux and Les Disques Crépuscule and the famous venue Plan K. Occidental White was founded at same time as Kaa Antilope, the extraordinary new wave band founded by Bernard Vranckx and Frédéric Walheer. Bernadette was the additional member and took care of the vocal part. The idea was to do 'pop' songs inspired by occidental white culture, which was the opposite to Kaa Antilope which was more focused on outside inspiration.

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Penelope Trappes

Penelope One

LP | 2017 | EU | Original (Wah Wah)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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We like to let our artists speak for themselves about their music whenever possible so asked Penelope to tell us about her album : “In 2016. I rented out a small piano studio in East London for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. Inspired by albums from This Mortal Coil and Scott Walker, who also sought freedom to work outside of the expectations of their previous work, I limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. Writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, I felt free enough to tell untold truths that I’ve never felt comfortable talking about within music. Free, liberated, empowered. naked.”

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J.B. Banfi

Galaxy My Dear

LP | 2017 | EU | Original (Wah Wah)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Synthesizer king J.B. Banfi, a.k.a. Giuseppe 'Baffo' Banfi, hit the record market with the great italian prog rock outfit Biglietto per l'Inferno who released a legendary LP in 1974 on Trident and have been reivindicated in several occasions since with the release of lost recordings from the era as well as unearthing an unreleased 1974 live album. The band existed between 1972 and 1975, and had both Pilly Cossa on Hammond doing the virtuoso work and Baffo's keyboard explorations adding sound texture and atmosphere. Their second LP was recorded and mixes were to be produced by Klaus Schulze, but it remained unissued due to the Trident label flop. The band split shortly after this, but Baffo continued his experiments with electronic keyboards.

In 1978 Baffo released his first solo LP 'Galaxy My Dear', credited to J.B.Banfi and echoing huge influences from his friend and master Klaus Schulze, who would also produce his two next releases. A total DIY domestic home recording, with all the limitations implied but also with all its warmness within, 'Galaxy My Dear' is entirely played by Banfi and shows an accurate taste in his use of the synths, plus of course a strong kraut / cosmiche appeal that links the album's sound to that of the early Tangerine Dream or Ash Ra Tempel, but also brings a hint of Jean-Michel Jarre or even a certain reminiscence of the early electronic experiments by Franco Battiato and is a good contender to be filed along other Wah Wah reissues like those of Roberto Cacciapaglia or Franco Leprino.

Comes in original artwork with notes written by Baffo Banfi himself in a limited edition of 500 copies only.

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Didier Bocquet

Voyage Cerebral

Yair Elazar Glotman & Mats Erlandsson

Release: 2017 / EU – Original

Genre: Electronic & Dance

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"1979 follow-up to his Eclipse debut, Voyage Cerebral was the second effort by french synthetist Didier Bocquet. Like the first album, it was recorded on his own private studio and self-released, this time via legendary french custom label FVLM ("Faites Le Vous-Même", meaning "Do It Yourself"). Inspired by the first wave of german kosmische sound-travellers (Klaus Schulze and Tangerine Dream and the whole Berlin School spring inmediately to mind) but retaining that typical french urgency that places it close to Heldon / Pinhas, Lard Free or even Besombes / Rizet territory. In-your-face sequenced electronic music that sounds both spacy and violent at the same time whilst keeping a certain lo-fi, self produced vibe. Recommended to fans of all things “kosmische” and synth music in general."

Raül G. Pratginestós (Fauni Gena)

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Negative Chambers

LP | 2017 | EU | Original (Miasmah)

18,99 €*

From Scratch / Goat / Don’t DJ / Utena Kobayashi Group

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This collaborative project between Mats Erlandsson and Yair Elazar Glotman draws on their respective musical backgrounds to create an imaginary, dislocated "folk" music for the current dark ages. The project brings together instruments out of their historical or national contexts and focuses on local sounds that have lost any connection to locality or folk and transforming them through current production techniques.

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8,9,10 & 9,10,11 From Gung Ho 1,2,3D

2LP | 2017 | JP | Original (EM)

Revolutions Per Minute (The Art Record)

Release: 2017 / JP – Original

Genre: Electronic & Dance

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From Scratch was an innovative and highly influential New Zealand- based sound-performance group, making extensive use of found and re-purposed objects as well as custom-made instruments in their intricately interlocking percussion music. One of their signature instruments consisted of carefully tuned PVC pipes, played with foam rubber mallets, arrays of these feature prominently, along with drums and tuned percussion, in Gung Ho 1,2,3D, an extended composition which sumptuously investigates polyrhythmic relationships indicated by the number sequences which title each section of the piece.
Featured here is the original 1982 recording of the "8, 9, 10" and "9, 10, 11" sections of the piece, previously issued in 1988 by Flying Nun. Rounding out this 2LP release are three 2016 translations of the piece, based on the original score. Japanese group goat provides a driving rhythmic and mathematical analogue, which From Scratch's Phil Dadson, who provides liner notes, describes as "a fast-moving shadow, familiar in outline but from another world". German producer Don't DJ imbibes the tribal spirit of Gung Ho and its sense of ritual to deliver a hypnotic immersion, and Utena Kobayashi Group adds wordless voice-worlds and distorted blasts to the ever-onward mix, before a final tropical down-shift.

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V.A.

2LP | 2017 | EU | Original (Song Cycle)

34,99 €*

F.S.K. (Freiwillige Selbstkontrolle)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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“Revolutions Per Minute” is a two-record album of twenty-one original sound works by artists represented at that time by the Ronald Feldman Fine Arts, Inc. (NY). Each gallery artist was asked to record or provide a 3-5 minute segment for Jeff Gordon’s Greene Street Recording Studio. No further directions were given, and the soundworks are an amazing mix.

List of artists:
Vincenzo Agnetti, Eleanor Antin, Ida Applebroog, Conrad Atkinson, Joseph Beuys, Chris Burden, Douglas Davis, Jud Fine, Terry Fox, R. Buckminster Fuller, Helen Mayer Harrison/Newton Harrison, Margaret Harrison, Piotr Kowalski/William Burroughs, Les Levine, Edwin Schlossberg, Thomas Shannon, Todd Siler, SITE, Komar & Melamid, David Smyth, Hannah Wilke

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Ein Haufen Scheiss Und Ein Zertrümmertes Klavier

LP | 2017 | EU | Original (Martin Hossbach)

12" | 2017 | EU | Original (Jezgro)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The record will be released in a limited edition of 500 numbered copies. For each 100 copies the silk-screen printed cover will change its colour. F.S.K. (Freiwillige Selbstkontrolle) is an art school band from Munich that formed in 1980 in the editorial office of the underground magazine Mode & Verzweiflung and issued disturbing slogans of a new dissidence like: Wir sagen Ja zur modernen Welt (we say yes to the modern world) and Heute Disco, morgen Umsturz, übermorgen Landpartie (disco today, coup tomorrow, a country outing the day after). The Italian Futurists’ idea to flood Venice was joyfully appealing to them so they made the serious demand to convert theaters into parking garages (Theater zu Parkhäusern). The futuristic development of so- called noisemakers (a productive modification of the sounds of industrialized cities as well as the completely new war machines of World War I) carried a key moment of deviant pop music into its emerging discourse: clipping, distortion, Bring the Noise.

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Merzbow

Torus

12" | 2017 | EU | Original (Kess Kill)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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“Merzbow is erotic like a car crash can be related to genital intercourse.” (from an interview with Masami Akita). Somewhere in between dadaism and surrealism, Merzbow’s work is a sum of all his influences and also a sublimation of his life experiences, all which pervade the different layers of his tracks. Improvisation and composition lose their meaning, as Masami’s work goes beyond and finds its meaning in accidents, disruptions and experimentation. His music gives freedom to the listener and to a certain extent, invites to meditation. Whenever I think of Merzbow’s catalogue, I see it as this complex collage of singular moments across time when he got influenced by a particular object or person or idea, and transposed those into noise. And Torus EP is that particular instance, the encounter between Japan and Serbia, between Masami Akita and Jezgro, with the result being 4 sinister and unsettling tracks, visceral and at the same time heart-rending.

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Grand Mal X

Kess05

LP | 2017 | EU | Original (Erased Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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After one year of high energy industrial and punk-leaning music, Kess Kill presents something slightly more contemplative: the vinyl debut of the Swedish act Grand Mal X. The Solna based duo started in 2010 and was first known from the cassette scene, which was also where we stumbled across their work.

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Ben Lukas Boysen

Golden Times 01

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (blundar)

Alex Cortex

Untitled

19,99 €*

2LP | 2017 | EU | Original (Dekmantel)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Over two decades past his Source Records 'tubed' appearance, Alex cortex is back at it with a full length portraying electronica range as he knows how. This time trough Malmo based imprint blundar and it's #mutantexture arrays.

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Marcel Dettmann

Selectors 003

12" | 2017 | AE | Original (Bedouin)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Following celebrated compilations from Motor City Drum Ensemble and Young Marco – and with the second edition of its limited-capacity festival in Croatia right around the corner – Dekmantel’s Selectors series now continues with an edition curated by Marcel Dettmann
.
Although he’s now known as one of the world’s most celebrated techno artists, even Marcel Dettmann had to start somewhere. Long before he ever held court at Berghain (or its predecessor, Ostgut), he was just another young boy in Eastern Germany, one whose earliest encounters with capitalism involved spending every penny he could scrape together down at the local record shop. In those days, it wasn’t techno that got him excited, but new wave, post-punk, industrial and EBM acts like Front 242 and Depeche Mode

“It’s music from my childhood,” says Dettmann. “It’s still relevant and still inspires me.” That inspiration can be heard across this edition of the Selectors series, as Dettmann has put together what he describes as a “pre-techno compilation.” Much like the previous Selectors editions, the compilation is not a mix CD, but a collection of tracks hand picked by Dettmann from his own vinyl archives. Freshly remastered – and occasionally reworked or re-edited by Dettmann himself – the songs here are undoubtedly vintage gems, but they also represent a very personal journey into Dettmann’s past.

“It was a great opportunity to dig deeper into my own musical outlook,” he explains. “The tracks come from a time before Marcel Dettmann became a DJ.” Simply put, the songs here are some of the building blocks upon which he’s built an incredibly storied career, and now he’d like to entrust them to future generations.

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Nene Hatun

Metacommunication

2LP | 2017 | EU | Original (Raster)

Release: 2017 / AE – Original

Genre: Electronic & Dance

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Bestie Aydin under the name Nene Hatun: a Turkish Berliner, crossing 'psychedelic-anatolian techno-pop' and 'dark drone wave music'.
Field recordings and samples — choral chants in church, du‘a’ from a mosque, small girls singing in the street — are layered with a piano prepared by placing various metals on the strings, and played by plucking or striking, often in the traditional rhythms of darbuka and davul.
"The A-Side is more classical in its form," says Bestie, "but the ideas are more unnoticeable. It's more technical, with a lot of small details and samples. The B-Side on the other hand is more obvious in ideas but the form is obscure, with my approach just to play on the gear and make something impulsive, and analyze after."

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Island People

21,59 €* 23,99 € -10%

12" | 2017 | UK | Original (The Trilogy Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Island People« is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, and musician and DJ Graeme Reedie. on their first self- titled record, they present their collaborative work that evolved over the past three years. Being based in different cities, namely Berlin and Glasgow, files had to be exchanged back and forth between the three band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. Layer after layer, the tracks came into being quiet naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds.

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Bullion

Blue Pedro

14,99 €*

LP | 2017 | EU | Original (Nowadays)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Bullion delivers buoyant boogie with an unforgettable lead melody.

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Hugo LX

Akegata

LP | 2017 | EU | Original (Bronson)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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After several years of hip hop productions, prestigious collaborations and a handful Deep House releases on the best labels of the gender, Hugo LX comes back with Akegata, new LP embodying five years of travelling.

In Akegata (sunrise in Japanese), Hugo tells us the birth and the evolution of that universe during the past five years he spent exploring the planet. Concept album around an experimental tale, the opus relates the encounters, the ordeals but also the mutation of music during this period.

As a vision that would requires some time to be seen clearly, Akegata unleashes itself from musical codes and genders to became a better reflection of its era while being out of time.

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Confrontational

Kingdom Of Night

LP | 2017 | EU | Original (Affine)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The tracks on 'Kingdom Of Night' (the second entry in a trilogy that started with 'A Dance With Shadows') sound darker, deeper and heavier than ever before. There was a deliberate focus on trying to create some classic anthems in the songwriting process - tracks with relentless beats, an emphasis on melody and a really driving chorus.

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Wandl

It's All Good Tho

18,04 €* 18,99 € -5%

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (BBE)

Ben & Sadar

The Red,White & Blue's

9,89 €* 10,99 € -10%

Release: 2017 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Ben Lukas Boysen /Sebastian Plano

Everything Black Vinyl Edition

LP | 2017 | EU | Original (Erased Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ruinism Black Vinyl Edition

Lapalux

2LP | 2017 | UK | Original (Brainfeeder)

Ruinism Colored Vinyl Edition

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Lapalux releases his third album, “Ruinism”, on Flying Lotus’ Brainfeeder imprint. His previous LP, “Lustmore” was partially inspired by the concept of hypnagogia, a suspension of consciousness occurring between wakefulness and sleep. Throughout “Ruinism” the British producer takes this exploration further, journeying onward to the more ominous limbo space between life and death. In this liminal space where the finite and infinite intermingle, Lapalux sounds more at home than ever.

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Lapalux

2LP | 2017 | UK | Original (Brainfeeder)

31,99 €*

2LP | 2017 | EU | Original (Hyperdub)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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2LP 180g heavyweight solid blue vinyl in printed inner sleeves housed in a 5mm spined sleeve with emboss and spot gloss detailing. Artwork by Marielle Tepper. MP3 download code included.

Lapalux releases his third album, “Ruinism”, on Flying Lotus’ Brainfeeder imprint. His previous LP, “Lustmore” was partially inspired by the concept of hypnagogia, a suspension of consciousness occurring between wakefulness and sleep. Throughout “Ruinism” the British producer takes this exploration further, journeying onward to the more ominous limbo space between life and death. In this liminal space where the finite and infinite intermingle, Lapalux sounds more at home than ever.

Limited edition on blue vinyl.

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Ikonika

Distractions

18,99 €*

2LP | 2017 | EU | Original (Northern Electronics)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ikonika’s third album ‘Distractions’ builds on 2013’s ‘Aerotropolis’, and the title answers the question “Why has the album taken so long?” In the last few years she’s been building up a strong CV of remixes, from Chvurches to Dawn Richard, Austra and Junior Boys, as well as DJing and working on ‘Distractions’. ‘Distractions’ distils the character of Ikonika’s music productions across a wider set of styles than previous albums, and she subtly fuses and switches elements from contrasting genres, giving the whole set a uniqueness and consistency that puts it in its own lane. Furthermore what sits at the centre of ‘Distractions’ more than ever is her love of R&B and hip hop, in all its forms, which has opened the door to bring in a selection of guests in a way she’s not fully explored before. From the full throttle blend of grime and 80s synth soul ‘Noblest’ with Andrea Galaxy, to the reflective ‘Sacrifice’ with up and coming MC Jammz, a slowjam that merges dubstep with hip house drums. The final vocal track is the languid ‘Hazefield’ co-produced with Sweyn J and featuring Jessy Lanza on vocals. Its mix of mechanic clunk and minimalist, lulling funk could only happen in 2017. The LP artwork takes its inspiration from West London’s Golden Mile, a stretch of the Great West Road where the A4 meets the M4, and the road takes on the character of the arcade game Poll Position, with art deco factories and illuminated, hi-tech signage selling lifestyle products. It’s this kind of mix of futuristic and industrious with a touch of gentle glamour that the album exudes.

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Anthony Linell

Emerald Fluorescents

LP | 2017 | EU | Original (Sex Tags Amfibia)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Following on from this year's brooding debut, Anthony Linell gathers a storming double 12" of material to depth charge vacant participants and lilting movers. Leaving aside his well established Abdulla Rashim moniker, Emerald Fluorescents feels like an agile side-step into heavier terrain with a renewed sense of purpose. Scattered fractal stabs revolve around quietly furious low-end fit outs with enough sharp edges to let you know it's someone else's space.

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Vera Dvale & Psykovarius

Udu

14,24 €* 14,99 € -5%

LP | 2017 | EU | Original (Noiztank)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Spaceous and oblivious FM-synthesizer based New-Age & Dark-Ambient LP collaboration by Vera Dvale & Psykovarius. Dusty cosmic sonics interfere with slow growing pads, one-hit-percussions, metalic clanks, synth-flutes, psychedelic-SPA-melodies, dark long driven drones with monophonic bass drops, deep church organs and arpeggios. Execute time to listen to fog and space.

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Restive Plaggona

Leaving The Body

LP | 2017 | EU | Original (FHUO)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Restive Plaggona is the music project of the Corfu-based artist Dimitris Doukas –also producing under Matriarchy Roots, Leftina Osha and Plaggona-. After releasing a series of cassettes in different labels along 2016 and 2017 –including his own Several Minor Promises- “Leaving The Body” arrives as an electronic composition of beats and synthesizer bodies disguised as a sense of provocation and mystery. Each of the seven pieces offers more than a smattering of interesting textures separated by spans of great decline, but a master class of permutations in-between accompanying sounds, stretching rhythms and viscera-and- violence noises. Driven by a deeply expressive narrative, Restive Plaggona makes a strong statement about his post-industrial vision adding technoid inclinations in a delightful dystopian world.

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Tochigi Canopy

Collecting Things

13,99 €*

Digging Beyond The Crates

Release: 2017 / EU – Original

Genre: Electronic & Dance

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For his debut album, Tochigi Canopy has been building the melancholic, spleen-full life's perfect soundtrack. At first listen, we already feel his obsession for details and his love for deep atmospheres, he fills our mind with images, moments, slices of nostalgia where summers last only for seconds. An absolut must-have.

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V.A.

2LP | 2017 | EU | Original (BBE)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | US | Original (Styles Upon Styles)

Bergsonist

Mutation

13,99 €* 19,99 € -30%

LP | 2017 | EU | Original (Putojefe)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Selwa Abd (originally from Morocco, currently residing in Brooklyn) uses the fictional character Bergsonist, from Brooklyn, Slovakia, as her musical guise. Derived from Deleuze's Bergsonism, Bergsonist uses intuition as a method to deliver her/his instinctive psychoanalytic theories. A blend of different audio sources and samples are used as a way to capture the essence of the 'present' moment, manipulating found sounds along with self-concocted digital fragments to combine in in the span of a set, given time. Bergsonist allows inspiration to come from anywhere, yet she/he limits themselves by the gear/tools that are used. The approach consists of inhaling all the energy of the city - influenced by trips to museums, galleries, shows, talking to people. and sensing nature - and exhaling it sonically. Bergsonist reacts to this energy and inspiration without any specific rules, styles, or genres - extending the array of possibilities by always pushing preconceived uses of the tools. Following a slew of cassette-only releases from labels across the global map and a split 12" with Isabella on Borft Records last year, Selwa shares her most twisted and considered compositions to date with Mutation. Four fire-stoking tracks of electro convulsions sparked from indecipherable depths inflame new terrains for an artist whose output is inextinguishable - prolific barely covers the rapidity with which Bergsonist shares new jams to a lucky few - proffering Mutation as an indelible moment in Selwa's blossoming career. Mutation features a ripped / thrashed remix from in-the-cut edit wizard, Murray CY. Mutation will be available in a limited vinyl edition of 200 with artwork designed and conceived by Selwa and Benoit Canaud Studio.

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Internazionale

Wreaths Of Life

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | UK | Original (Ninja Tune)

The Invisible

Patience Remixes

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Providence Reworks: Part I

Nathan Fake

12" | 2017 | UK | Original (Ninja Tune)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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10" | 2017 | EU | Original (Animist)

Apichat Pakwan

E-Ong Muan San

13,99 €*

LP | 2017 | US | Reissue (Thrill Jockey)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Only one copy per customer!

Martinique is an island in the Lesser Antilles, a group of islands in the Caribbean Sea found between the Greater Antilles (Jamaica, Cuba, and Puerto Rica) to the north-west and the continent of South America to the south. Martinique is one of the eighteen regions of France (there are five overseas regions) and an integral part of the French Republic. As part of France, Martinique is also part of the European Union, and its currency is the Euro. The official language is French, and virtually the entire population speaks Antillean Creole. It was first claimed by France in 1635 under the reign of King Louis XIII.

Located geographically closer to the United States than to Europe, the Antilles absorbed jazz and mixed it with the traditional rhythms of their islands: the Biguine, Gwo Ka, Tumbélé. Many artists over the years have explored this uniquely affecting mix: D’Alexandre Stellio, Jean-Claude Montredon, Al Lirvat, Acques Coursil and Mario Caning. But one of the best exemplars of this fusing of American jazz and the Antillean musical tradition was pianist and composer Marius Cultier.
Marius Cultier was born in 1942 in Fort-de-France, Martinique. A precocious talent for an early age, at nine he conducted with the L'Office de Radiodiffusion-Télévision Fançaise, the French national public broadcasting organisation.

As a young man, Cultier hosted a radio show, ‘Punch en Musique,’ which proved a hit with the public and his name and reputation slowly built. Tragedy struck him at 14 when he was orphaned and he was looked after by this elder sister.

As tragic as 1956 proved for Cultier, it was to be a watershed year for another reason - it was the year he discovered jazz. It wasn’t long before he was fusing the musical styles and language of the West Indies with jazz and he began live performances at the Hôtel l’Impératrice.

Very quickly Cultier became an in-demand concert attraction in Martinique and venue owners soon began to book him across the island. His reputation grew and before long he was also performing across the Caribbean.

As his stature grew, he began to receive accolades and prizes, including the International Piano Conquest prize in Puerto Rico for his performance of "Round Midnight”.
He went to Canada in 1966 - initially for a few weeks - where he stayed for several years. Whilst there he met and played with established jazz artists before continuing his journey in the United States, and then Europe, where he played in Paris at the Palais des Congrès at the invitation of the then President, Valérie Giscard D’Estaing, before returning to Martinique in 1973.

This release is pressed on heavyweight vinyl. The cover is presented on original glued prints on thick cardboard in a PVC outer sleeve.

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Oval

Dok

28,99 €*

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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LP | 2017 | US | Reissue (Thrill Jockey)

Golden Retriever

Rotations

31,99 €*

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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Tobacco of Black Moth Super Rainbow

Ripe & Majestic

2LP | 2017 | US | Original (Rad Cult)

35,99 €*

Release: 2017 / US – Original

Genre: Hip Hop, Electronic & Dance

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2LP | 2017 | EU | Original (ZZK)

Mitu

Cosmus

2LP | 2017 | EU | Original (Aufnahme + Wiedergabe)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Mitú are the electronic music duo of Julian Salazar, ex-guitarist of Bogota’s live-electronic band Bomba Estereo, and Franklin Tejedor, a master percussionist of Colombia’s great rhythmic traditions. Together they make music that draws from a wide spectrum of electronic influences, anchored to the percussive, tribal beats of their native Colombia.
In a break with the group’s tendency to record albums in relatively short time frames, the album was recorded over a longer period, giving greater importance to the sound recording of ideas at the time of their conception and less importance to post-production.
This time around, Mitú took the time to let the record mature in the studio and get the ideas to come together, making an album in which the sound is far removed from that of their previous records, almost totally electronic and minimizing the acoustic parts, conceived with the intention of being performed live in its entirety. As such, the album has a frenetic quality that captures the raw excitement of the live shows the band are famed for.

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P.A.L

Signum

2LP | 2017 | UK | Original (Houndstooth)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A download code is included. This is a limited edition of 500 copies on transparent red vinyl. "Signum" was initially released more than twenty years ago on cd format and became a larger-than-life cornerstone of P.A.L's discography as well as a historical document in industrial music. recorded over a three year period from 1993- 95 this album displays the past & present face of this artist's sonic variety ranging from sweeping minimalistic soundscapes and powerloaded percussion-driven floorburners to heavily distorted harsh power noise attacks presented as a unified front. the industrial anthem 'Gelöbnis' is a truly fine example for the combination of crystal clear mastering and the selective, inspired implementation of samples which was always an important factor for p.a.l and became a trademark of his works.

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Second Storey

Lucid Locations

25,99 €*

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Craig Armstrong & Scott Fraser

Rosa Morta

LP | 2017 | EU | Original (CMA)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Bruno Spoerri & Reto Weber

The Sound Of The Ufos

LP | 2017 | EU | Original (WRWTFWW)

LP | 2017 | US | Original (Now-Again)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2017 Remaster from Original Tapes. Bruno Spoerri’s masterpiece VOICE OF TAURUS LP available for the first time on vinyl since 1978 – Beautiful 1 LP - housed in 350g sleeve and contains all new liner notes by Bruno Spoerri himself, printed oin double side poster inlay - Bruno Spoerri who came to recent attention over his sampling dispute with Jay Z and Timbaland (that he won) plays the 1978 cult classic The Sounds Of The UFOs live at the bluedot Festival (in conjuction with Finders Keepers) wich together with the equally cult classic companion Voice Of Taurus are to be reissued here now! - For fans of electronic music, jazz, early techno , movie soundtracks, library music, cosmic oddities, ambient, sci-fi disco, synthesizers, Pierre Schaeffer, Pierre Henry, Wendy Carlos, Nino Nardini, Yello, Encounter of the Third Kind, UFOs, meditation, and unknown galaxies. Tracklisting: A1. First Impression A2. Swiss Encounter A3. Destination Galaxy M81 B1. Strange Visitors B2. Cosmic Samba B3. Sun Spots We Release Whatever The Fuck We Want Records is honored to announce the reissue of extraterrestrial cult classic THE SOUND OF THE UFOs, a collaborative effort between Swiss jazz and electronic music icon Bruno Spoerri and innovative drummer extraordinaire Reto Weber, available on vinyl for the first time since 1978, housed in a 350g jacket and packed with all new liner notes. Recorded live in Zurich in March 1978, THE SOUND OF THE UFOs finds Bruno & Reto improvising with a vast array of classic and customized synths and percussions from all corners of the globe (and the galaxy!). It’s cosmic free jazz in audio gear heaven with a heavy dose of ambient, krautrock, primitive proto-techno vibes, and experimental space disco with a musique concrète mentality - anything’s possible when a jazzman and a percussionist obsessed with finding new sounds collide and explore uncharted sonic territories!

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Rodinia

Ex Anima

Actress X London Contemporary Orchestra

Release: 2017 / US – Original

Genre: Electronic & Dance

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Now-Again Records has enjoyed a long and creative partnership with Munich-based multi-instrumentalist JJ Whitefield, creative force behind the Poets of Rhythm, Whitefield Brothers and Karl Hector & The Malcouns.

Rodinia, his latest project, is quite different than anything that’s come from his oeuvre to date, but follows in the line of the Poets of Rhythm’s great “Discern/Define”, as it reaches back to Krautrock’s experimental heyday but pushes its boundaries with a post-hip-hop approach.

Rodinia’s first album, “Drumside/Dreamside”, featured two, side-long suites, with synthesizers taking the fore on an overarching ambient approach (featuring over-dubbed reeds, drums and guitar, and self-made Moroccan field recordings introducing the project on its Drumside.)

“For Ex Anima”, Rodinia has incorporated more of the mid-70s approach of Krautrock forebears Neu!, Cluster and Harmonia, with shorter, self-contained songs. The result is winsome and exploratory, respectfully distanced from the past’s trappings while celebrating a musical spirit still very much alive and influential. With original artwork by Jason Jagel (DOOM’s Mm Food, Operation DOOMsday).

Electronic Krautrock in line with Cluster, Harmonia, Neu!, Popul Vuh from Jay Whitefield (Poets of Rhythm/Whitefield Brothers/Karl Hector & The Malcouns). The album includes a download card.

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Audio Track 5

12" | 2017 | UK | Original (NinjaTune)

13,99 €*

Ison Transparent Vinyl Edition

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Producer Darren Cunningham aka Actress, joined by the London Contemporary Orchestra, premiere new material as well as expanded arrangements of their dark and brooding electronica. Showcased last year at The Barbican Centre London and Strelka Institute Moscow and in conjunction with Boiler Room this 12” release named simply ‘Audio Track 5’ serves as an introduction to a larger body which will be released on Ninja Tune and Boiler Room TV as both a Long Player and performance piece in Autumn 2017.

Over a decade of releases Cunningham has built a reputation as a fine creator of cerebral abstract techno, or R&B concrète, crafting pulsing kickdrums, jittering percussion and chopped sample loops into churning, rumbling tracks soaked in static. But he has also been on record saying he wants to make ‘classical stuff for a modern generation’.

In this new collaboration, commissioned and curated by Boiler Room and the London Contemporary Orchestra with support from Arts Council England, the London Contemporary Orchestra bring a new dimension to Cunningham’s choice of sounds. With the producer in effect using them as a new instrument, matching his electronic loops with precise manipulation of their acoustic instruments, together they form a heightened kind of chamber music.

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Sevdaliza

2LP | 2017 | EU | Original (Music On Vinyl)

33,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Love What Survives Black Vinyl Edition

Mount Kimbie

2LP | 2017 | UK | Original (Warp)

29,99 €*

LP | 2017 | US | Original (Innovative Leisure)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Mount Kimbie's new album Love What Survives arrives four years since their Warp debut Cold Spring Faultless Youth. Produced mostly on just two vintage synths, a Korg MS-20 and a Korg Delta, and featuring a vast wave of friends and collaborators: Micachu, James Blake, Andrea Balency and King Krule, Love What Survives is a bold statement that takes you on a journey through a motorik post-punk landscape, a vivid dream within this singular band's newly formed sound.

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Nosaj Thing

Parallels

Comic Black Vinyl Edition

Release: 2017 / US – Original

Genre: Electronic & Dance

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"Parallels" is the fourth full album released under Jason Chung’s distinctive moniker, Nosaj Thing. Masterfully dimensional, "Parallels" represents the acclaimed Los Angeles-based electronic producer/ composer/ performer’s most diverse, vital work yet. As such, Chung sees "Parallels" represents a kind of redemptive rebirth. The album’s compellingly elusive,
uncategorizable sonics developed out of what he terms a personal & musical “identity crisis.”
According to Chung, working with a group of collaborators on "Parallels" that combined both
longtime friends and new creative partners added “new energy which pushed me not to limit myself. Everything felt fresh and alive.”

Chung is known specifically for his innovative, unexpected musical pairings: Kid Cudi hit up on Nosaj Thing via his MySpace page in 2006, resulting in Chung producing Cudi’s autobiographical classic “The Man on the Moon.” Kendrick Lamar flowed over Nosaj’s ethereal boom bap to create the YouTube gem “Cloud 10”, Chance the Rapper, meanwhile, freaked a Nosaj beat for his 2013 breakout masterpiece “Paranoia” and appeared on Nosaj Thing’s previous LP, 2015’s Fated. Chung and Blonde Redhead vocalist Kazu Makino are also longtime creative partners on each other’s work, her voice appears on "Parallels" as an otherworldly spirit animating the icily ‘80s-synthetic “How We Do.”

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Siriusmo

LP | 2017 | EU | Original (Monkeytown)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | Original (Asphalt Tango)

Ya Tosiba

Love Party

Release: 2017 / Original

Genre: Electronic & Dance

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Erased Tapes Collection VIII

V.A.

2LP | 2017 | EU | Original (Erased Tapes)

2LP | 2017 | EU | Original (Caroline)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Collection number eight celebrating the label's tenth birthday featuring Penguin Cafe, Ben Lukas Boysen, A winged Victory For The Sullen, Rival Consoles, Daniel Brandt, Douglas Dare, etc. Now available on clear double vinyl.

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Carpenter Brut

Live

12" | 2017 | EU | Original (Nonplace)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Carpenter Brut is a French electronic music artist whose real name is Franck Hueso. Little personal information is known about him aside from his French nationality. His anonymity is a deliberate artistic choice in order to place more importance on the music itself rather than the identity of the musician behind it. To date he has released three EPs, which were collected together and released together under the title "Trilogy" in 2015. He has also contributed original music to a variety of soundtracks. He started writing music as Carpenter Brut with the intention of mixing sounds from horror films, metal, rock, and electronic music. He has toured the United States and Europe, and in 2016 he toured the US with the Swedish heavy metal band Ghost. He performs live with a guitarist and drummer.

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Drums Off Chaos

Compass

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Live At Robert Johnson)

Orson Wells

Pneumatics

Orchard (Aidan Baker, Gaspar Claus, Franck Laurino, Maxime Tisser

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Alvin Toffler was overwhelmed. When in the morning of October 4th, 1988–it was his 60th birthday–he was starring with a still somewhat absent look into a bowl of cornflakes, he thought that in the surface structure of the yellowish shimmering milk which was making an emulsion with the maple syrup and slowly but irreversibly corroding the crunchy crystals on the flakes, he could see through a window into a timeless dimension. Toffler, who at that time had reached the peak of his fames as a future scientist, was sustainably disturbed from his peek into this extra temporary peephole. In none of his books–“Future Shock” had just been released with yet another edition featuring a proud printed note on the book cover stating “more than 5 million copies in print”–did he ever mention this occurrence. Even after his death in June 2016, no note on this incident could ever be found in his estate. The “flake dimension” as Toffler called it in notes which were later shredded remains a secret of opaque, hard-to-grasp radiant power.

Maybe it’s too simple to describe “Pneumatics“ as a creation coming from this cornflake world? Without doubt. Are there any more precise terms or instruments to determine the multifacetedness and beyond-timeliness of the “Pneumatics” soundscape? There are still unknown. “Pneumatics” is, after releases at Innervisions, Die Orakel und his own label Sound Mirror, the debut album of Orson Wells (as long as you don’t count in “Jupiter” – Wells’s first LP which was released in 2014 with 48 copies on cassette–have fun digging for rarities and bargains!).
Perhaps Wells, known in Frankfurt under his real name Lennard Poschmann and as an employee at the record store Tactile, is only a messenger. Or a psychic. The sound manifesto that he apparently transmits from Toffler’s secret dimension tells of a city of upside down pyramids (“Tianon”), of passes into the land of the five elements (“Multipass”) and dead straight four-to-the-floor lines which appear bended within the spherical dimension (“”Geodesic”). These beats are right on the heels of the ones of Intersteller Fugitives; the strings sound like that at any moment a vocal sample edited by Moodyman could warp over through the Cornflake wormhole. Pneumatics is the science of all technological applications powered by condensed and often by quite heated air. It is a matter of mechanics, compression, jackhammer, ramblings, high pressure levels, valves for blowing of steam. On “Pneumatics” it’s all about this. And more. Orson Wells’s album gets to the point of the post-retro futuristic state of the dancefloors of the house and techno clubs of this planet. It is like a peek into another dimension, right on the golden cut of spacetime geometry.

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Serendipity

2LP | 2017 | EU | Original (Ici D'Ailleurs)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A Moment Apart Clear Vinyl Edition

ODESZA

2LP | 2017 | UK | Original (Counter)

36,99 €*

2LP | 2017 | EU | Original (Sounds Of Subterrania)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Odesza (Harrison Mills, Clayton Knight) is one of the most celebrated groups in electronic music, winning over fans online and at their consistently sold-out live shows. Now, they announce their new 16-track album ‘A Moment Apart’ out September 8 on Counter Records and a world tour to immediately follow. ‘A Moment Apart’ represents Odesza’s growth, delivering a more mature sound through weighted atmospheres, shimmering synth lines and familiar feelings of nostalgia, optimism and hope. The album's featured guests include Leon Bridges, Regina Spektor, and RY X, creating an eclectic mix that showcases Odesza's dynamic range.

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Lubomyr Melnyk

Illirion

34,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance, Classical Music

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10" | 2017 | EU | Original (Hyperdub)

Burial

Rodent

11,39 €* 11,99 € -5%

2LP | 2017 | EU | Original (Idle Press)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A complete stylistic shift from his last two EPs, 'Rodent' marks an emphatic return to the dancefloor with a rolling four and a half minutes of the artist's hallmark wistful rapture, backed with a crackling 150bpm remix by Kode9.

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Smagghe & Cross

Timothy Dalton

2LP | 2017 | EU | Original (!K7)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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When experiencing zero gravity in a space station, looking back at Earth-as-one, most astronauts feel dizzy. A near revelation, this sudden awareness is named the “Overview Effect”. When they eventually come out of these periods of aphasia, they often recall having heard "strange music”, similar to the music they claim to have heard on the hidden side of the Moon. Smagghe & Cross's second collaboration (recorded before the MA album, released last year on Often) is the first attempt to recreate this celestial music.
For the past two decades, Ivan Smagghe has perfected the art of making spaced-out clubbers dance, has ridden a Fine Line and run his label Les Disques de La Mort. Rupert Cross is a London-based composer who has worked with Michael Finissy and Julian Anderson as well as writing music for television and theatre.
Before/after MA, an album which sat on the fringes of experimental music passed through an industrial particle accelerator. S&C give you the tracks codenamed Timothy Dalton (according to Ivan, "The laser sound in the track reminded us of Flash Gordon"). Neither pop, nor psychedelic, nor ambient, nor house, nor techno, nor post punk nor even new wave are spared, but none are singled out. To nurture this proto-album, the duo also called upon the talents of Tim Felton, the outstanding guitarist from the cult band Broadcast.
When listening to Timothy Dalton, the temporal and stylistic boundaries disintegrate to give way to all sorts of speculation: imagine the beardies from Tangerine Dream being kidnapped by Soft Cell, C86 and 1988, the Silver Apples composing a space opera with the help of an electro cardiogram monitor. Or the Wizard of OZ reviewed and reworked by Psychic TV. Eight tracks take us from the New Orderey beaches of Ostend to the rings of Saturn, and gradually unfold before our eyes like a machine to travel through time and space. So what if Timothy Dalton was a one-way ticket to the Twilight Zone?

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Lone

DJ-Kicks

LP | 2017 | EU | Original (Pan)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ten years after his first release, UK artist Lone is putting out his first ever commercial mix CD. His entry into the celebrated DJ-kicks series lands on 29th September and features four of his own new and exclusive tracks.

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Still

12" | 2017 | EU | Original (Nous)

Release: 2017 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Hundebiss bossman Simone Trabucchi - a pivotal figure of the Italian scene - debuts his STILL alias on PAN with a batch of banging, multi-layered dancehall tracks inspired by the complex historical links between his hometown, Vernasca, with Jamaica, and Italy’s colonial past in Ethiopia.Part of a wider visual arts project, Invernomuto, helmed alongside Simone Bertuzzi, and comprising a series of sculptures, installations, a book, and a long-feature experimental documentary under the title ‘Negus’‘, Simone takes cues from a “cleansing counter-ritual performed by Lee ‘Scratch’ Perry in the Vernasca square where 80 years earlier, an effigy of Haile Selassie I was burned” to cook up a madd set of dancehall tracks voiced by six Milan-based, African-Italian vocalists and singers.The results weigh in remarkably close to the colourful, plugged-in dancehall art/science of Equiknoxx, effectively pulling together the diffracted aspects of his project into a direct yet psychedelically-charged set which strongly reverberates with its roots.Keener observers will be quick to identity the amazing Nazenet (Wasp Rhythm) as a vocal version of STILL’s uncredited Untitled riddim from Halcyon veil’s Conspiración Progressocompilation, but unless you’ve been listening to Bill Kouligas DJ sets, the rest is all new and exclusive, taking in the weightless prayer of Haile Selassie Is The Micro-Chip, wobbly acid hall knocks in Bubbling Ambessa, and the meter-messing flux of Rough Rider along with style recalling that Vipra ace on Presto!? in Banzina, plus the warped Bionic Ras bumps of Gozpaal and some seriously salty dubbing in the plasmic squeeze of Mangrovia

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Cofaxx

Pico Vu EP

12" | 2017 | EU | Original (Crowdspacer)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Another smasher from Nous, this time courtesy of Cofaxx, AKA Joseph Magee and his boundlessly breathtaking 'Pico Vu' EP, a seven tracker that manages to cover immense ground and knowledge within a compact narrative. And each track is a mandatory component of this cleverly assembled story with startling standouts such as 'Dicey' a deep Detroity piece, layering into a Sound Signaturey space, while LA's seasoned producer Brown Irvin closes side 1 with a bolshier bash at opening track 'Tide Pool's ambient, semi-conscious swirlings. Over on the flip 'Velvet' is all golden era electronica stylings, early days Warp and Planet E on a lingering dinner date, while 'Shape to Fade in's smoky textures straddle irridescent sounds for a not-out-of-place jazzy backroom style builder.

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Meditation Tunnel

Sunrise

The Kid Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This is the first 12 inch from Luke Jenner’s first solo project since his infamous New York band The Rapture split up. Very often first releases are like a statement.

Both sides of this 12 represent a side of what Meditation Tunnel is about : epic and melodic on Dreamsequence, psychedelic and hypnotic on Sunrise. Mixed by Joakim, whom Luke shares a studio with in Brooklyn.

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Kaitlyn Aurelia Smith

2LP | 2017 | EU | Original (Western Vinyl)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Moebius / Story / Leidecker

Familiar

LP | 2017 | EU | Original (Bureau B)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Stretch Your Eyes Quiet Village Remix

Agnes Obel

12" | 2017 | EU | Original (Phonica)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Editions Mego)

UUUU

12" | 2017 | US | Original (Dark Entries)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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UUUU is a new outfit featuring Edvard Graham Lewis, Thighpaulsandra, Matthew Simms and Valentina Magaletti. Individually these humans have implanted feathers in caps such as Coil, Dome, Wire, Tomaga, etc. Collectively they form UUUU, a powerhouse construction of fierce and free sonic exploration, as liberating as it is frightening, resulting in the richly rewarding. It's Going All Over The Floor presents itself as a terse meeting between dance, ambient, abstraction and improvisation. UUUU is a schizophrenic seething/soothing masterpiece of a past/present hybrid equally at home in the club, the home and the mind.

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Group Rhoda

Wilderless

LP | 2017 | EU | Original (Sky Walking)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Group Rhoda is the solo electronic music project of Mara Barenbaum, based out of Oakland, California. The project started around 2009 with a debut album ‘Out of Time, Out of Touch’ in 2012 on Night School Records and ‘12th House’ in 2013 on Not Not Fun. She is also one half of Max and Mara who released the album ‘Less Ness’ in 2013 on Dark Entries Records. She is committed to live performance, situated within the analog synthesizer and drum machine medium.

‘Wilderless’ is Group Rhoda’s third full length and first for Dark Entries Records. Each of the these 7 songs draw forth tones of tropical darkwave and soft industrial; while negating the sound of conformity and control. The album explore themes of societal and spiritual displacement, contemporary serfdom, the depths of empathy, regeneration through destruction, and the tyranny of claiming recognition and power. Lyrics are poetically expressed through allegory and explore archetypes rooted more in abstract observation rather than hard line experience. Through transgression and imagination, Group Rhoda explores the arc of songwriting interwoven into stark electronic environments; and creates a bridge between the corporeal and the dream worlds.

Each song was mixed by Mark Pistel at Room 5 in San Francisco and mastered by George Horn at Fantasy Studios in Berkeley. Each LP is packaged in a jacket featuring a colorful custom made collage by Hugo Barros and includes a full color sticker and digital download card.

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Sollmann & Gürtler

Gegen Die Zeit

2LP | 2017 | EU | Original (Dekmantel)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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On September 11th, 2015 the audience of the stunning “Rotor” concert series witnessed the first live appearance of John Gürtler and Phillip Sollmann underneath a highway bridge in Offenbach, Germany. Hosted by International Music Institute Darmstadt alongside Institut für Klangforschung Offenbach and HfMDK Frankfurt, the newly formed duo performed an aural conversation on stage within the incredible architectural environment. A year later, an extract of these live recordings became part of the Sky Walking Label compilation “41’36” that now leads to the debut album of Sollmann & Gürtler “Gegen Die Zeit”. Phillip Sollmann and John Gürtler met as studio neighbors in the complex “The Meadow”, rebuilt in 2011 in Berlin Wedding. Exchanging ideas and instrumental advice ever since, they soon became collaborators. An acoustic version by John Gürtler for Sollmann’s scientific Techno project Efdemin was the first result of their exchange.

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Juju & Jordash

Sis-Boom-Bah

LP | 2017 | UK | Original (Hallow Ground)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Gal (Juju) and Jordan (Jordash) return home to the Dekmantel stable for their fourth LP. It’s their most complete record to date. A series of purpose-written compositions, that highlight their maturity as musicians, and adept dexterity in the studio.

Without the pairing of Juju & Jordash, there would be no Dekmantel. The duo are an integral part of the label’s history, dating back to 2009 when they where they were the first act to release on the imprint. The two vagabonds can often be found performing live at various outdoor festivals and renowned clubs around the globe, jamming away behind a tabletop of buttons, knobs, synths, and drum machines - like a retro, control-station from Star Trek - albeit one that hums along with the jazz-centric, discordant house, and techno whirrings played by the musicians.

Nowadays Juju & Jordash have evolved far beyond their ’oddball house’ moniker. Their freestyle approach to performance, and immaculate refined sounds have became somewhat more defined, in a style that’s unique, yet elaborate, with a sense of otherworldliness, not only befit for the dancefloor, but otherwise transcendental moments. Following on from their previous LP, 2014’s Clean-Cut, a record of primal, forward thinking, variations from the studio, Sis-boom-bah is an album steeped in studio traditionalism, with a direction towards composition. “We wanted the focus of this album to be the music and not necessarily the process, so we made sure to perfect the performances before shifting the focus on to the production,” states Jordash about the record. Recorded over the space of a few, intense weeks, and built upon years of improvised live shows in front of thousands of listeners, Sis-boom-bah was written around grooves written by Juju on the guitar, and Jordash on the Rhodes. It was the first album the duo have written using such an approach, and solely produced and mixed by Jordash in Amsterdam over the course of a year, making it their most authentic record to date.

Sis-boom-bah’s diverse, spiritual nature is built around Juju & Jordash's use of polyrhythms. The percussive sequenced grooves, and rhythmic backbone was generated using the Yamaha DX7, along with the Roland TR606 drum machine. This approach to rhythm can be heard from the outset within the very first track ‘Herkie’, an ephemeral, yet tribal approach to minimalist funk. The spirituality flows throughout the record, where it sounds like the duo have brought along the nature with them from the foresty raves. In actually fact, the background noise comes courtesy of “noise generators from two separate synthesizers, each with its own filter slowly opening and closing so it kinda sounds like waves or wind.” There are also nods towards their acid influences, with some surefire slices of house music too. Sis-boom-bah is still very much a Juju & Jordash record, yet it's one with a greater depth, musically and stylistically. As electronic music albums go, you'll be hard pushed to find one more complete. "People should listen to this on a loud and clear sound-system," explains Jordash, "high on life, in their own special safe place."

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Dedekind Cut

Expanding Domain

12" | 2017 | EU | Original (Downwards)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Trance-derived melodies, murky industrial grooves and all-consuming harsh noise attacks, created and recorded in transit between New York, Seoul and Berlin between the fall of 2016 and the winter of 2017. Over 23 minutes, the EP shifts from densely layered textures to subtle piano notes and hard-hammering beats, seemingly mirroring the drastic changes of the times in which they were conceived.

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Samuel Kerridge

The Silence Between Us

2LP | 2017 | US | Original (Dark Entries)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Sam Kerridge launches a major rethink of his style with the high-velocity tempos and razor-toothed bite of The Silence Between Us.Toiling somewhere between Ueno Masaaki’s Vortices for Raster-Noton, the pitching pelt of La Peste for Hangars Liquides, and the machine convulsions of Somatic Responses, he goes balls-to-the-wall with the breakneck momentum of Possession/Control, harnessing reverse-edited kicks, helter-skelter EBM bass and spectrographic noise ghouls in a surge of searing rave energy.Flipside, those knotty, strobing pulses keen thru empty stomach inversions and bursts of tangled EBM synths on Ascension, which is effectively a snappier edit of the A-side, whilst Radical Possibilities of Pleasure sounds like a field recording from a french hardtek invaded by dildo dibble in choppers and riot gear railing lasers against any unlucky dancers.

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Patrick Cowley

Afternooners

2LP | 2017 | EU | Original (Raster)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

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Belief Defect

Decadent Yet Depraved

LP | 2017 | EU | Original (Avian)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Decadent Yet Depraved, the debut album by Belief Defect, finds shelter and complicity in Raster as home and label. Familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, Belief Defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. At the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. The result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future, underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. Yet, more than a political statement Decadent Yet Depraved is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

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Litüus

2236 S Wenthworth Ave